Podcasts about Rizzoli

L'esercito austriaco che si ritira dopo la battaglia di Galizia non può più definirsi tale. La guarnigione della fortezza di Przemyśl dovrà mettere in campo tutto il proprio coraggio e tutta la propria resilienza per sbarrare la strada ai Russi.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoCon la partecipazione di Zeno Du Ban, Federico Menis e Matteo RibolliFonti dell'episodio:Andrey Borisyuk, The forgotten war. Russia in 1914-1918, Veche, 2024Prit Buttar, Collision of Empires, The War on the Eastern Front in 1914, Osprey Publishing, 2016Rotem Kowner, Historical Dictionary of the Russo-Japanese War, The Scarecrow Press, 2006John Losher, The Bolsheviks: Twilight of the Romanov Dynasty, Author House, 2009Pyotr Miltatuli, Russia in the reign of Nicholas II, Rusky Isdatelski Zentr, 2017Sergei Nelipovich, Two campaigns. The Struggle for East Prussia in August-October 1914, Kvadrniga, 2023Alexey Oleynikov, Russia-Shield of Entente, Piter, 2016Hew Strachan, The First World War. To Arms, Oxford University Press, 2001Alexander Watson, Il grande assedio di Przemysl, 1914. Storia di una battaglia dimenticata, Rizzoli, 2021In copertina: soldati austroungarici impiccano dei civili ucraini, aprile 1918, dal Bundesarchiv.

Un viaggio, anche fotografico, nel meridione d'Italia, alla ricerca di un mondo e di un tempo perduti per metterne in salvo la memoria prima che cali la notte.Ne parliamo con Marcello Veneziani, autore del libro, C’era una volta il Sud, Rizzoli.Nella seconda parte tre i temi, il viaggio, la guerra e l'ottantesimo anniversario delle bombe su Hiroshima e Nagasaki, con le seguenti recensioni:- Marco Bonfanti, Appunti contadini, Clichy (nella prima parte)- Livia Pomodoro, In cammino, Viaggio nelle abbazie che raccontano il nostro futuro, Marsilio- Norman Douglas, Capri, annotazioni antiquarie, La nave di Teseo- Fiona Stafford, Tempo e marea, Mimesis- Claire Deya, Sarai con me domani? Rizzoli.Il confettino, i consigli di lettura per i più piccoli, di questa settimana:Sara Lundberg, Nessuno tranne me, Orecchio acerbo editore.

Schau dir das Video auf YouTube an und abonniere den Kanal, um keine neue Folge mehr zu verpassen.ZusammenfassungIn dieser Episode enthüllt Julia Tulipan, warum Eiweiß weit mehr als nur ein Baustein für Muskeln ist – es ist der unterschätzte Schlüssel zu deiner gesamten Gesundheit! Viele von uns leiden unbewusst unter einem Eiweißmangel, der sich in Symptomen wie chronischer Müdigkeit, Heißhungerattacken, schlechtem Schlaf oder Problemen mit Haut und Bindegewebe äußert. Julia räumt mit den gängigen Mythen auf und zeigt, dass ausreichend Protein nicht nur essenziell für Zell- und Gewebereparatur ist, sondern auch für die Produktion wichtiger Enzyme, Hormone und Antikörper, die dein Immunsystem stärken.Erfahre, wie Protein als der sättigendste Makronährstoff wirkt und dir dabei hilft, deine Gesamtkalorienzufuhr natürlich zu regulieren. Julia erklärt den "spezifischen Aminosäurehunger" und warum dein Körper bei einem Eiweißmangel ständig nach mehr Nahrung verlangt – oft in Form von ungesunden Cravings. Du lernst, wie du deinen individuellen Proteinbedarf ganz einfach berechnest (mind. 1,6g pro kg Körpergewicht) und welche Mindestmengen für Frauen und Männer gelten, um von den vollen Vorteilen zu profitieren.Ist zu viel Eiweiß schädlich? Julia beleuchtet die aktuelle Forschung und gibt Entwarnung für nierengesunde Erwachsene: Ein "zu viel" gibt es nicht! Zudem spricht sie über die Herausforderungen, den Proteinbedarf rein pflanzlich zu decken, und welche Warnsignale auf einen Mangel hindeuten, inklusive des wichtigen Blutwerts "Gesamteiweiß". Am Ende gibt Julia einen unkomplizierten Praxistipp an die Hand, wie du deine Eiweißzufuhr im Alltag ganz einfach erhöhen kannst, um schon bald mehr Energie und Wohlbefinden zu erleben. Steigere deine Gesundheit – Schritt für Schritt!Was du in dieser Episode lernst

Alberto Rizzoli is the CEO of V7 Labs, an AI agent platform to automate knowledge work. They've raised a total of $43M in funding from Radical Ventures, Temasek, Air Street Capital, and others. Alberto's favorite books: Sapiens (Author: Yuval Noah Harari)(00:01) Introduction and What V7 Labs Does(01:23) The Founding Insight and Early MVP(04:54) Getting the First Five Customers(07:01) Darwin vs. Go: Product Differentiation(10:16) Infrastructure and Chaining Models at V7(12:34) Product Philosophy: Killing Your Darlings(15:56) Surprising User Behavior and Composability(17:32) Human-in-the-Loop vs. Fully Autonomous(19:38) Identifying High-PMF Sub-Verticals(22:37) Positioning V7 in a Crowded Agent Market(26:33) Advice for Founders Post-Pre-Seed(29:22) Exciting AI Trends: MCP and AI-to-AI Communication(31:18) Rapid Fire Round--------Where to find Alberto Rizzoli: LinkedIn: https://www.linkedin.com/in/albertorizzoli/--------Where to find Prateek Joshi: Newsletter: https://prateekjoshi.substack.com Website: https://prateekj.com LinkedIn: https://www.linkedin.com/in/prateek-joshi-infiniteX: https://x.com/prateekvjoshi 

Scott Kerr speaks to Aerin Lauder, founder and creative director of luxury lifestyle brand AERIN, about launching her own business in 2012 after a 25-year stint at Estée Lauder, the beauty empire founded by her legendary grandmother. Aerin discusses why she launched her eponymous brand, the ways she's continually inspired by Estée's life and career, and why the AERIN brand story appeals to consumers. She also talks about her desire to build a great American luxury brand, collabs with Mark Cross and William Sonoma, and how she stays on top of changing customer preferences and digital trends. Plus: How her passion for flowers blossomed into a Rizzoli coffee table book "Living With Flowers"..Featuring: Aerin Lauder, Founder and Creative Director of AERIN (aerin.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: It's a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or a colleague!

If you think adopting AI is optional, think again. In this episode, host Sean Weisbrot sits down with Alberto Rizzoli, Co-Founder & CEO of V7, to explore how businesses can build an AI moat—a defensible advantage through in-house AI capabilities.They discuss why relying on consultants isn't enough, how AI agents are transforming workflows, and what it takes to future-proof your business in an increasingly automated world. From law and insurance to professional services, this conversation shows how AI isn't just a tool—it's your next competitive edge.

Jess, Sarina, Jennie and Jess are all here to talk about taking a break from various angles: the mechanics angle, the guilt angle, the fear angle, the identity angle and inspiration angle. Mechanics. * Leave yourself notes about the project when you leave off, for example, “The next thing that needs to happen is this…” so when you come back, you know how to get back into the project. This is Sarina's daily practice, but it really helps when she has to leave a project behind. This can be especially helpful when you have to go away for an unexpected emergency. * Jennie adds that the only way you can do this is if you have a place to keep and find those notes to yourself. In one of your 47 notebooks or in the document itself? Or, as Jess adds, on the side of the cardboard box you use for trash in your basement workshop that you almost recycle by accident. * Jennie also notes that you have to have intentionality, to know what you are writing so you can know what comes next, whether that's in your outline, inside outline, or whatever. * Jennie has a little notebook she brings on vacation with her and she downloads those ideas into that just before going to sleep at night when she's away. * These vacation inspiration moments are much like shower thoughts, part of the magic of our brain unhooking, getting into deep default mode network, and becoming its most creative. * Sarina mentioned an article about how walking makes you more creative, also a study in why tapping into the default mode network is so effective as a practice. Fear * The only way to get over this is to sit down and do it. Open the document. Just start. * Jennie points out that getting back into a manuscript when it's disappeared feels horrifying but it's much easier than it sounds and has happened to one of our frequent guests, Sarah Stewart Taylor, when her then-toddler created a password for the document that was not recoverable. She had to give in to the fact that her book was gone, and recreate it out of her memory. Guilt and Identity* It only took Jess until her fiftieth year to figure out that her process - of walking, gardening, beekeeping, musing - is a part of writing, and that's cool. * Can you be a writer if you are not actively writing? Yes, if research, planning, thinking and otherwise cogitating is a part of your writing process. Get over it. The words have to land on the page eventually, of course, but if you are doing both, have grace for the not-actively-writing part of the writing process. #AmReadingTess Gerritsen's series set in Maine (The Spy Coast and The Summer Guests) and, once she finished those two books, Jess went back to The Surgeon, where it all started for Tess Gerritsen. Stay tuned for our interview with her! Andy Weir's Project Hail Mary (Don't watch the movie trailer if you plan to read the book!)Sarah Harman's All the Other Mothers Hate MeAmy Tintera's Listen for the LieRosemerry Wahtola Trommer The UnfoldingRichard Osman's The Thursday Murder Club (coming to Netflix in August!)Janelle Brown's What Kind of Paradise Want to submit a first page to Booklab? Fill out the form HERE.Writers and readers, KJ here, if you love #AmWriting and I know you do, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly #AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been #AmDoing: sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done, which I mean that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at kjdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing.Come hang out with me. You won't be sorry.Transcript below!EPISODE 458 - TRANSCRIPTKJ Dell'AntoniaWriters and readers, KJ here. If you love Hashtag AmWriting, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly Hashtag AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been ‘hashtag am-doing', sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done—which, I mean, that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at KJdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing or of course in the show notes for this podcast. Come hang out with me. You won't be sorry.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is the Hashtag AmWriting Podcast, the weekly podcast, while writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. And somebody told me they thought this was a recorded intro. And I just want you to know I do this live every time, which is why there's this, come on, there's more variety here, people, and you should know that. Anyway, here we are, all four of us, for we got a topic today. But before we do that, we should introduce ourselves in order of seniority, please.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. And I laugh, because when you said seniority, all I could do was think of us in our little eave space in my old house, down the street from you, not knowing what the heck we were doing. But yeah, we've been doing this for a long time now. You can find my... you can find my journalism at The New York Times, at The Washington Post, at The Atlantic, and everything else at Jessicalahey.com.Sarina BowenI'm Sarina Bowen. I'm the author of many novels. My new one this fall is called Thrown for a Loop, and it will be everywhere that books are sold, which is very exciting to me, and all about me at Sarinabowen.com.Jennie NashI am the newest of the co-hosts, and so happy to be among this group of incredibly smart and prolific and awesome women, and I'm the founder and CEO of Author Accelerator, which is a company on a mission to lead the emerging book coaching industry. And you can find us at bookcoaches.com or authoraccelerator.com.KJ Dell'AntoniaI'm KJ Dell'Antonia. I'm the author of three novels, the latest of which is Playing the Witch Card, and the most televised of which is The Chicken Sisters—Season Two coming soon to a Hallmark network near you. And I'm also the former editor and lead writer of The Motherlode, making me our... well, and Jennie too, like the crossover. I've done too many different kinds of writing—probably should have stayed in my lane. Oh well. And our plan today—as we're recording, it is summer. And a pretty frequent thing that happens in the summer is that you need to put your project down for a little while, because you have house guests, because you're going on the kind of vacation that does not involve working, because you just need a break or you're sick. That's not really a summer thing, but it definitely happens. Anyway, we wanted to talk about how, you know, what—what do you do to make that work better?Jess LaheyI think a lot about being a parent and needing to take a break too. And you know, this is something I talk a lot about with, you know, other writers who are sort of struggling, especially since I read a lot about parenting—who are struggling to—with that guilt of, you know, like, I feel like I owe my time to the words, and I feel like I owe my time to the children. And finding a way to take a break from the words and not feel guilty about not being with the words can be really, really hard, especially when you're going gung-ho on something. So I want to make sure that we figure out a way to have a break without guilt. That's like the big question I get a lot—is, how do you, you know, either from the parenting or the writing side?KJ Dell'AntoniaAnd I was thinking about it more from a mechanics side.Jess LaheyYeah.KJ Dell'AntoniaHow do you put this thing aside for a week or two weeks or even a month? And know where you were?Jess LaheyRight.KJ Dell'AntoniaAnd come back and feel like it does not take you forever to dig in.Sarina BowenYeah. Um, so we've got the guilt question. We've got the mechanics of how to do it. And I would just like to add a layer, which is the fear factor.Jess LaheyYeah.Sarina BowenI have this thing where, when I walk away from a manuscript, I become afraid of it. So it seems scarier when I take a break. Like, even if it's not true—that I don't know where I am or that I become unmoored from the channel of that book and it seems intimidating to go back to.Jess LaheyCan I add one more layer as well? And that's the identity factor. You know, if I identify as a writer, what am I if I'm not actively writing something? And that messes my head up a lot. So I would love to add that added layer in as well and make sure we discuss that.Jennie NashWell, and I have something totally different from all of those, which is that I often find when I go on vacation, I am more inspired and motivated to work on my project than I was in my real life. It tends to light a fire under me. So then I'm faced with that choice of, you know, wanting to really lean into it. And, you know, just like a really small piece of that story is, I love to write on airplanes. I just love it. Give me a very long flight, and it's—I just want to work and not talk to anybody. And, you know, it's awesome. So I feel some guilt around that. When I'm with my family, it's like, don't talk to me, don't watch movies. You know, I'm—I'm enjoying my plane time, doing my work. So I have that reality.KJ Dell'AntoniaWell, that's the choice that you have to start with, is, am I just, you know, can I not? Am I—do I need to accept the reality, which is that this is a beach trip with extended family and some, you know, my—to multiple generations, and I inevitably am going to be the person who is cooking and figuring out where the garbage has to go in the Airbnb? I should, you know, I—I will feel better if I just accept the reality that I'm not going to wake and work. Or, you know, is it a—is it a trip where you can schedule some work time and want to? Or is it a trip where you affirmatively want to give yourself a break? Or is it also, I mean, I sort of think that the last possibility—well, there are probably multiples—is I just want to touch this every day. So I feel like you can kind of—you're like, you're either like, just—no, not going to happen, not going to pretend it's going to happen, not going to feel the guilt. That's the—that's where we are. And there's sort of a, I just want to open the file every day and keep it warm and friendly. And on, you know these three—three days I have an hour.Jess LaheySo let's do this. Let's—let's do mechanics first, since that's the real nuts-and-bolts stuff, and then we'll talk about all the touchy-feely stuff after that. So let's do mechanics first. It sounds like you have thoughts, KJ…?KJ Dell'AntoniaWell, I was actually thinking that Sarina did this pretty recently.Jess LaheyYeah, that's true.Sarina BowenYeah. Like, you know, I, um, I have found mechanically that leaving yourself notes every time you walk away from your manuscript is a good thing. So this is sort of like a best practices in your life idea, where I will have a writing day, and it's done now, and I'm going to get up and go do other things in my life. If I pick up my notebook, and I write down where I am—like, okay, and the next thing that has to happen is this—like, it could be really short or not. But taking better notes about the structure of the thing I'm working on is serving me on so many levels that it just slots right in here. Like, I took a big trip in April, and I thought I might work, but then I didn't, and I really seamlessly came right back in, because I knew where I was, and I avoided a lot of my own fear. So, if the practices that help you become a good day-to-day writer also can be practices that help you in this very instance, the mechanics of picking up your book again are that you left yourself a note right in your document, um, or in your notebook, that says, and here's what I think is supposed to happen next. And, yeah.KJ Dell'AntoniaThat's going to be gold for an unexpected break too, because that happens, you know, right? You get one of those phone calls, and it's a week before you're back or more.Sarina BowenYeah.KJ Dell'AntoniaYeah. I love this practice. This is one of those things I forget to do.Jennie NashI feel like I—I feel like I have to add to that a couple things. That the only reason you can do that is, A, if you have a place to take notes, which—which could be your, the document itself that you're working on. But Sarina talked about a notebook, right? You have a place that you know, that you can find that, which is not an insignificant thing to have, or...Sarina BowenCorrect!Jennie NashRight?! Or, in the case of me, it's like, I have 47 notebooks. Well, which one did I put the note in?Sarina BowenRight.Jennie NashBut then the second thing is, I mean, this is something that I find so inspiring about the way you work, Sarina, and it—and it's a thing that I teach—is you have to know what you're writing, you know, in order to know where you are, what the structure is, and what you're doing, and to ask those—like, you have to have done the thought work of what, what it is you're trying to do and what your intention is. Otherwise, you sort of don't ever know where you are or where you're going. So...Sarina BowenRight, but that's on two levels. Like, you could—let's just say you have successfully written yourself an Inside Outline, you know, the way that you do it—you still might need that granular thing.Jennie NashOh yeah!Sarina BowenLike, you might know where you are in the arc of the book, but you might actually need the note that's like, "And now we're going to wash the dishes." I mean, let's please not put that in the novel, but you know what I mean.Jennie NashYeah, yeah. But that intentionality of, on the big picture, what am I doing, and on the small picture—in this chapter, in this scene, in this moment, and with this character—what was I... how'd that fit into the whole? What was I thinking? And those things are not—they're not easy. Like, we're talking about them like, "Oh, you just..." You know, like I was saying, what if you have 47 notebooks? That literally is a problem I have. It's like, I know I wrote this note down, and I don't know where I put it—digitally or analog.Sarina BowenRight. I confess I actually do still have this problem. Like, even with all of my best practices, like, put into—sometimes it's like, well, is that in the document, or is it in my notebook? And then—or I thought about it at four in the morning and actually didn't write it down anywhere. And I'm looking anyway...Jennie NashOh, I do that too. I absolutely do that too. I'm convinced that I left a note while I was driving—that's a thing I often do. I'll leave—I'll have Siri write me a note, and then somehow it doesn't appear, or it's like, I know I did this, I know I asked her to do this... you know.Jess LaheyI actually have—I was doing the recycling, and I realized that I was in big trouble because three sides of a box I'd had down in the basement with me while I was working on a project—I was doing something with my, getting some beehives ready—and I was listening to an audiobook that is research for a project I'm working on, and I had scribbled some really important notes to myself about how I was supposed to start a chapter on. And it was a great start. It was like a whole paragraph on the three sides of the box, with an old Sharpie I found down in the basement. And then I realized I almost recycled, like, some really useful outline stuff.Multiple Speakers[all laughing]Jess LaheySo normally—no, so I actually have them. While you guys are talking about something else, since we do see each other while we're recording this, I'll show you later. But the thing that I normally do is either in the document, like right where I left off, or in my main notebook, because I am so bad at finding those notes that I have strewn all over my office or on the side of a cardboard box.KJ Dell'AntoniaI have had the problem lately of I'm not in a manuscript, and that it's much easier when you're in a manuscript to come back to a manuscript, but I'm in a notebook full of assorted random Blueprint challenge, you know, like trying to—I'm, I'm in figuring out where this is going mode, which means I do a lot of thinking while I'm not working that then hopefully I go and write down. But it also means that I frequently sit down and I'm like, well, am I going to think about who these people are? Am I going to think about what the plot is? What am I going to do? So I've been trying to leave myself like a task, something that will, that will just get me, get me back in, because sometimes that's the problem. I, you know, I open the notebook, and there's no obvious thing to do, and the next thing I know, I'm buying running shoes.Jennie NashWell, since we're talking about nuts and bolts, when I said that I often get inspired when I go away or go on vacation and I want to work, I'm not talking about I'm going to go sit in a library or coffee shop for three hours. What, what I mean by that is I often have ideas that I want to capture, and so I have a little notebook that I bring on vacation, and what I like to do is go to bed early enough that I can download all the things I thought that day. I need that space and time to—if it's, if I'm working on something, it's in my head. It's not going to not be in my head. And so the one sort of new mechanical thing that I, that I do, is have that "vacation notes notebook" with me.KJ Dell'AntoniaI always carry one, and I never use it. So there's that.Jess LaheyI get—I am at my most inspired to write when I specifically can't write, which is usually behind the wheel of my car. So I use, in my car, I have been known to, you know, either scribble on things—which, totally don't do that—or to record myself on my phone. But then, audio things, I'm particularly bad at going back and listening to; that seems like it's just too much work. So those tend to get lost a lot. I need to come up with a better system for that. But it is predictable that if I am in a place where I cannot physically write, I will be at my most inspired to write.Jennie NashJess, that's kind of what I'm talking about. That's what happens to me, is I might say I'm leaving all work behind. I'm going off the grid. I'm not doing the thing. And that's when I most want to do the thing. And I, like, my brain seems to really get inspired. What? What do you think that's about? Is that...Jess LaheyI, you know, I, I was very worried that it was my sort of, um—sorry, what's the word I'm looking for? It was—it's my, my brain's way of saying, "Oh, you couldn't possibly work now, so let's have some of the best ideas so that you seem like a good little doobie writer, but it's physically impossible for you to write now." It's just a really weird thing, and maybe one of the other things I thought about is that I'm often listening to a book that I'm really into, which also inspires me to write. I've been listening to a lot of really great books lately, and you can't listen to a book—even one that inspires you deeply—and actually write at the same time, which is another quandary.Sarina BowenYou know what, though? This is not uniquely your brain messing with you—like, this is shower thoughts.Multiple Speakers[Overlapping: “Mm-hmm.” “Sorry.” “Ohhh...”]Sarina BowenBut everybody—everybody has those great ideas in the shower, and it's because you have unhooked yourself. You are just in there with the shampoo and the conditioner and that razor that you probably should change the blade with, and like, you know, there is nowhere to write and nothing to do. So your brain is like, I am free right now to unclench and actually solve this problem of chapter 17, and that's what—that's what happens.Jess LaheyIt is my duty, whenever we mention this, to bring up that—years ago, Ron Lieber, the write... uh... the "Your Money" columnist at The New York Times, told me that he has a waterproof little whiteboard situation that's— that lives in the shower. He and his wife, Jodi Kantor—amazing writer as well, Pulitzer Prize–winning writer, even— that these would be people who might just need a waterproof whiteboard in the shower with them.Sarina BowenBut would that ruin the magic…?KJ Dell'AntoniaIt might just...Multiple Speakers[all laughing]Jess LaheyIf you had a place to write it down, your brain would—like—be... your brain would say, "Sorry, I'm not coming up with good ideas."Sarina BowenBecause I don't think I am willing to take this risk. I take a lot of risks in my life, but this one—like; we do not mess with the shower thoughts. I think, I think...KJ Dell'AntoniaSo, so what do we do if you didn't do any of this? If what—you know—what are—you're listening to this podcast, coming back from your trip, and you're like, I... was writing... something...Sarina BowenYou know what, though? I almost feel that we should point out the fact that, like, that is kind of unlikely. Like, somebody should feel welcome to take this trip and to have all those thoughts, and even if you didn't write them down on your whiteboard in the shower or on your handy notebook, like, I would argue that unhitching yourself in the first place possibly leads to a lot of creative development that, even if you don't capture it in the moment, is still with you. Like, I had this fantastic trip in April. I thought I was going to work, and then I did not, and it was, like, the best two weeks of my life. So then, the other day, my husband said, “Hey, there's a new article you need to read in The Athletic,” which is a New York Times sports blog, and I have just pulled it up so that we can recommend it, about how walking makes you a better problem solver. And the framing story of this article is about a retired baseball coach, but, um, but then, when they got around to studying it, um, they said this question planted the seed for the first set of studies to measure if walking produces more creativity. In the series of experiments, Oppezzo and Schwartz [Marily Oppezzo & Daniel L. Schwartz] asked 176 college students to complete different creative thinking tasks while sitting, walking on a treadmill, walking outside through campus, or being pushed in a wheelchair. In one example, the students had to come up with atypical uses for random objects, and anyway, on average, the students' creative output increased by 60% when they were walking.Jennie NashThat's so cool!Sarina BowenAnd the article is—it's so cool—it's called An MLB manager found value in long walks. Research suggests it's a ‘brain-changing power'.Jess LaheyI have put a spot for it in the show notes. And I should mention that this is all part of what we call the default mode network. This is the—the part of our brain that is the wandering, most creative part of our brain. And we can get there lots of ways. Walking is a fantastic way to do it.KJ Dell'AntoniaSarina, if you do have the fear of the manuscript when you're coming back to it, like, take—you know, travel back in time to maybe when you were a little less confident in your abilities. What do you do to get past the fear and sit down?Sarina BowenThere is only one solution, and that is sitting down. And I'm not so great at this—like, when, when the fear creeps up on me, in spite of my best intentions, man, I will do anything to avoid that sucker. And then when I finally do, and I wade back in, almost every time my response is, Oh, this isn't so bad. I know where—I kind of remember now. It's going to be fine, you know. But it's so easy to put off work out of fear. It's—it's the—it's the one big obstacle. Like, I don't put work off for other reasons, you know, because I'm tired or whatever. It's because I'm afraid that there's something fundamentally wrong with the project, or fundamentally wrong with me, and that is almost always what's keeping me from doing good work.Jennie NashThere was, back in the day before computers became what they are now, people would frequently lose manuscript drafts. It was just much harder to save your work. And I can't—I can't explain exactly what changed, but it was. People frequently lost huge chunks of their work if they didn't actively back up. And when I was a new coach and working with writers who would lose their manuscripts, they would be—understandably—beyond devastated. And this often was full manuscripts, just unrecoverable, full manuscripts. And it was true that if they sat down to recreate what they'd written, it would really flow from them, for that same reason—it was still in their brain. They—they had—they'd written it, so there was a sense that they had, they owned it, and they could sit down, and it was kind of quite remarkable. And I would confidently say to them, just sit down, start writing. I think it will come to you, and it always did. It's very interesting.Jess LaheyThere's an example—we've interviewed Sarah Stewart Taylor many times now, and she tells the story of, a long time ago, her youngest managed to crawl across the computer in such a way as to create a password for the document itself, and there's nothing that can be done. She was on the phone with Word—with Microsoft—for a long time, and they're like, look, this is a password you created. We can't—that's not recoverable. So she had to go and recreate—I believe she was about a third of the way into a book—but she said that it actually flowed really well, and that, you know, she'd had it, it had been cooking and stuff like that. So that massive fear of, oh my gosh, how am I going to get back into this project when it has just disappeared? It turned out to be not a thing—that it actually came really easily to her.Jennie NashJess, you're bringing all the very weird stories today, and I'm so here for it—notes on boxes, babies making passwords.Jess LaheyYeah, well, and the hard part—the funny part about that—is like, you cannot recreate a toddler, essentially, like bashing away at your keyboard and creating a password that's never coming back. Sorry.Sarina BowenThere is a writer—she once gave a talk that I heard—a very successful young adult author, Cynthia Leitich Smith, and she apparently wrote a discovery draft of the novel to, like, figure out what it was about and then deleted it and started over on purpose.Jennie NashOn purpose?!Sarina BowenYes, and everyone in the room gasped because, of course, you know that I just rather, like, been in a lot of pain. I'd rather have oral surgery than delete my first draft of a novel. But, um... but yeah, if she was unafraid to get back there after that kind of break, then I think we can all handle it.KJ Dell'AntoniaThis is true. I've never deleted a draft, but I have just gone—poofft—"Let's, let's, let's start again." In fact, almost every time. Kind of sad. I'm doing it now, actually, but it's not a full draft. Anyway. So take the breaks, right? That's what we're saying here.Sarina BowenYeah, take the break.KJ Dell'AntoniaYou can break however you do it, you know, whichever thing you pick, and if you don't do what you thought you were going to do, that's cool, too. It's going to—it's going to be fine.Jess LaheyCan I mention something that has—so that now that we've sort of done mechanics, we've done a little bit about the fear thing, the—the identity thing—has been really hard for me, in that I have these two books that I've written, and I've written a bunch and researched a bunch of things over the past couple of years, and people keep asking me, what are you writing? What are you writing? And the reality is, like, I'm not. I'm working on something, I'm researching something, and I've written a lot of things. In fact, now I'm holding up my cardboard box pieces—I found them. But the day—I'm not, like, meeting a 1200-words-a-day goal. And sometimes I feel really... I feel like a fraud. I feel like a massive fraud. Like, what kind of writer is not actually sitting down and writing 2,000 words a day? And that's incredibly difficult for me. Like, I don't deserve to call myself a writer, even though I have a couple of books out there and I wrote—you know—did all this other stuff. But the thing that I have—there are a couple of things that have really helped—and one of those is to understand that and have some grace for myself around what I happen to know full well what my process is. Yes, I wrote a couple of book proposals that didn't turn into books, but it was only through writing the book proposals that I discovered that those books weren't something that I wanted to write, and only through doing all of this research on audiobooks and writing on the side of cardboard boxes. That's the way I've written every one of my books. And it's not—it's just what works for me. And so having a little bit of this, you know, this feeling of insecurity as a writer, I don't think is—I don't think is unique to me. I think a lot of writers feel this, and it's...KJ Dell'AntoniaNo, all the rest of them are...Jess LaheyAll of them are really...KJ Dell'AntoniaYeah, no, everyone else is just like, well, of course. No, I'm not an imposter.Jess LaheyBut what's great is when I sit down with other writers and I say, what is an integral part of your process that isn't actually about putting the words on the page? That's not some bogus, like, excuse for not writing. You know, the gardening is part of it, the—the research is part of it, the listening to audiobooks is part of it. The writing—or the walking—is part of it. And it's not just a part of it. It is an incredibly important part of it for me, and—and understanding that and owning that about myself has been really a good thing for allowing myself to not—I'm not productive when I just feel guilty or like an imposter every day. It—that's not good for my process. But none of you ever feel that, right?KJ Dell'AntoniaOr apparently the people around you…Jess LaheyThe other thing that has been—well, the other thing that's been really, really helpful is the—and especially from the parenting perspective—is, or the marriage perspective, or the dog perspective, or the bees perspective, is I need to be fully committed to the thing right in front of me when I'm doing that thing. And if I'm feeling guilty about not being with the words when I'm with my children, or not being with my children when I'm with the words, that is awful, too. And so I have found that when I have to let go of all the other stuff and be fully, 100% in, I'm highly distractible. And so if I'm not fully in the thing, and that—all that guilt of not being over there doing that other thing—that's just taking away from the actual process of writing or researching or whatever it is, or taking care of my bees. I have to be fully in the thing I'm in and not feel guilty about not doing something else. And that's been a growth moment for me, too. It only took me—how old am I? I'm 55 now, and I got there somewhere around 50, I think.Jennie NashThere is also—I mean, I—I love what you're saying, and that is a thing to strive for, for sure—to be, to be present in whatever you're doing. But there is also this idea—I always think of it as mental real estate—that you leave for your project, for your idea, for your writing, for your book. That you, that you have a space in your brain devoted to that, and that you visit, whether or not you're producing words. And I think that that, too, is writing. I think, in some ways, that's more writing than sitting at the keyboard. I mean, I always object to the process of just putting words down. And a lot of the things that challenge writers to do that, because they skip that part—the thinking part and the having-the-part—you know, the real estate-in-your-brain part. And I think this connects to the shower—shower thoughts, right? You're gardening or beekeeping, you're walking, you're thinking, you're writing proposals and throwing them out. You're doing all that, that, that's writing. That's the—that's writing in my mind.KJ Dell'AntoniaAnd it's not... I mean the other thing we do say a lot is, you know, "Good writing comes last."Jennie NashYeah.KJ Dell'AntoniaYou've got to do the other stuff. So you can do it on vacation, or you could not do it on vacation. This—I don't think—we just—maybe I—this was my idea, and I think maybe I just needed the reassurance. I have a couple weeks coming up where I'm probably not going to do anything, and I just needed a reminder that that's cool. That's cool. It's all right. It's going to be okay. That's what I—if y'all could just pat me on the head and say "it's going to be okay."Multiple Speakers[Overlapping voices: “Mm-hmm,” “Sorry,” “Ohhh...”]KJ Dell'AntoniaSix or ten times an hour, that might be about what I need.Jess LaheyWell and one of the other things that has been really cool this summer is I've been on a streak of really good books. And every one of those really good books that I've been reading has made me like, Oh, I could do this. Oh my gosh, I could do that. I could write like her. I could I could write this other thing. And it's, it's all that energy is good and it's all a good thing to sit on a beach and read a book, or sit in the woods and read a book. It's all great.KJ Dell'AntoniaAll right, everybody, go collect some energy. Hey, on that note, who's read something good lately?Jennie NashI want to hear all these great books, Jess.Jess LaheySo I really have been on this roll. I've already talked about Atmosphere in an earlier podcast, the Taylor Jenkins Reid thing. But then I've been on this Tess Gerritsen jag, because we're—I'm interviewing Tess Gerritsen later this week. You guys will get to hear her later this summer. I am... Sarina and KJ, I believe, read the first of her new series that she has set in Maine and with a couple of retired CIA agents and spies in Maine. And then I enjoyed those so much that I went all the way back to the beginning—to her first book, The Surgeon, which I didn't even know was turned into this whole series called Rizzoli and Isles. It's a television show—I had no idea. And now I'm deep into Tess Gerritsen land. I'm still—I found out that there's going to be a movie of the book by the guy who wrote The Martian, Andy...Sarina BowenAndy WeirJess LaheyAndy Weir, thank you. And I was warned very specifically on social media not to watch the preview—the trailer—for the new movie that is going to be coming out with Ryan Gosling later on this summer, because it ruins the book. The book is called Hail Mary… Project Hail Mary. So I very quickly turned away from social media and said, Ooh, I better read the book really quickly before anyone ruins it for me, and I am enjoying the heck out of Project Hail Mary. So it's been really fun. Yeah.Sarina BowenI am reading a book that KJ put into my hands. And the fun part is that I don't remember why she put it into my hands, you know. Like, why did I pick up this book? Like, it happens all the time. It's called All the Other Mothers Hate Me by Sarah Harman.Jennie NashWhat a great title.Sarina BowenYeah, like, I picked up this book, and my husband said, oh my God, what a great title. And so, yes, that's super cool. And it's very voice-y. And the—the flap copy has the—a premise that smacks of a thriller, but the voice isn't like all deep, dark thriller. And so I think maybe the contrast of those two things might be why KJ put it into my hands. But I am enjoying the fabulous writing, and I'm—I'm still at the beginning, but the way she introduces characters is really sharp. So even that alone is like a little master class on introducing characters.KJ Dell'AntoniaYeah, that was why I gave it to you, was that we'd been talking about, you know, the voice, and also because we'd been talking about, like, funny thrillers versus thriller-y thrillers. And this isn't funny, but it's super voice-y. It reminds me of the one you pressed into my hands, which maybe is a little funnier—Listen for the Lie.Sarina BowenYeah, yeah.Jennie NashWell, I'm reading something very different, which is not—not very beachy. I go to a yoga class that is taught by a middle grade English teacher, and she runs her yoga class sort of like English class, where she always starts with a poem and throughout the class, she refers back to the poem in a very embodied way that you're doing the yoga around. And then she reads the poem again at the end. It's—its spectacular. She's—she's so popular at our yoga studio that you have to, you know, fight your way in. But she read a poem by a woman named Rosemerry Wahtola Trommer—and that's Rosemerry like Christmas Merry, so: Rosemerry. And the book is called The Unfolding. And I say it's very different from what you are all mentioning because this woman experienced the death of her young son and father in very close proximity, and her poems are ostensibly about grief, but they're just filled with joy and hope and delight. And, you know, it's kind of that thing you're talking about, Sarina—that it's—here's a book about tragedy and grief, but it's—there's something about the voice that just is—is fresh. And they're just—they're just stunning, just absolutely stunning. And I have gone and ordered all her books, of which there are—are many. So she's a new voice to me, and I just—I can't get enough of them. They're incredible.KJ Dell'AntoniaWell, here I am going to go back to the fiction summary read-y thing. I am very late to The Thursday Murder Club party, but it is joy. It is so much fun—really your sort of classic Agatha Christie stuff, but way, way funnier and more entertaining, with a dash of elderly spies. So we're on that theme. And then I also want to mention, just because I liked it so much—and I'm not sure I want everyone to read it—What Kind of Paradise by Janelle Brown. This could be your lit fic read of the summer. It's somewhere—but—but it's still a page turner. And I thought the premise was extremely great. Basically, it's: what if the Unabomber had also raised a young daughter with him in the woods on all of his theories, back when the Unabomber was living in the woods, and inadvertently involved her in his first kill before she got away? And now she's an adult looking back at what happened. And Janelle Brown is a Silicon Valley person. She's really steeped in this culture. She really knows this world. It's a really good book—plus super entertaining.Jennie NashI love it.KJ Dell'AntoniaThat's it!Jess LaheyI love it when we have a lot of good stuff, because there have been a couple weeks this year where we were like, I was just let down this time around. But yay, I'm loving this.KJ Dell'AntoniaAll right, I think that's it for us this week, kids. Remember, if you support the podcast, you get bonus content every week right now, because we are killing it. You might get Jess's Soup to Nuts series, where she is coaching a fellow writer on creating a nonfiction proposal that also will work with her speaking career. You can join me and Jennie on a weekly basis as we flail our way through the beginnings of writing a couple of books. And of course, on a monthly basis, we've got the Booklab, where we look at the First Pages of novels submitted by listeners. And if you'd like to submit to the Booklab, that'd be great. Jess will put the link in the show notes.Jess LaheyIndeed, Jess will. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

® È sotto il segno della memoria che potremmo presentare questa nuova puntata di Alice. Della memoria da recuperare, di quella che dà voce all'intraducibilità della vita e di quella che ci fa, solitamente in allegria, cantare senza pensieri. Così, accoglieremo Carlo Silini, lo scrittore e giornalista di Mendrisio il quale, chiusa la fortunata trilogia storica della Maddalena edita da Gabriele Capelli, ha raccolto per le Edizioni San Giorgio ventuno “Storie dimenticate” per aiutarci a (ri)scoprire una geografia segreta del Cantone Ticino. E cercheremo di raccontare piccoli momenti di felicità seguendo il filo di parole intraducibili riunite da Ilide Carmignani e Elena Battista nel delizioso volumetto Saltare nelle pozzanghere (Rizzoli), che spiega con leggerezza come ogni lingua veda il mondo a modo suo. Anche le canzoni raccontano il mondo ognuna a modo suo, spesso appigliandosi alla memoria della buona letteratura. È quello che scopriamo nella nuova monografia di Giulio Carlo Pantalei Una lingua per cantare. Gli scrittori italiani e la musica leggera (Einaudi), che ci introdurrà il nostro critico letterario Massimo Raffaeli. Al termine della puntata, poi, non mancherà la recensione di Mirador: questa settimana con Djarah Kan che ci inviterà alla lettura di Tra i bianchi di scuola. Voci per un'educazione accogliente (Einaudi) di Espérance Hakuzwimana.Prima emissione: 15 febbraio 2025undefinedundefinedundefinedundefined

Episode No. 714 features curator and art historian Jonathan D. Katz and curators Allison Kemmerer and Gordon Wilkins. With Johnny Willis, Katz is the co-curator of "The First Homosexuals: The Birth of a New Identity, 1869-1939" at Wrightwood 659, Chicago. The exhibition details the emergence of a significant change in how societies around the world regarded homosexuality in the wake of the coining of the term 'homosexual' in 1869, and the ways in which images have represented a range of identities ever since. It is on view through July 26. The fascinating exhibition catalogue was published by Monacelli. Amazon and Bookshop offer it for $70-75. Kemmerer and Wilkins are the curators of "June Leaf: Shooting from the Heart" at the Addison Gallery of American Art, Andover, Mass. The exhibition surveys a 75-year career during which Leaf explored the human experience in works that are layered, whimsical, playful, and sometimes dark. It is on view through July 31. The Addison, the Grey Art Museum, New York University, and the Allen Memorial Art Museum at Oberlin College co-published the exhibition catalogue with Rizzoli. It is available from Amazon and Bookshop for $42-60.

«– I romanzi radiofonici, giovanotto, – mormorò Josefina Sánchez, come se commettesse un sacrilegio. – Stanno diventando sempre più strambi.» (Mario Vargas Llosa, La zia Julia e lo scribacchino) Nel biennio 2022-2023 portammo in tour Radio Ufo 78, un radiodramma/concerto, un melologo, una sghemba e psichedelica suite con scrittori, musicisti e «caverna dell'antimateria». I due scrittori erano Wu Ming 1 e Jadel Andreetto, quest'ultimo in doppia veste, in quanto bassista del Bhutan Clan. I musicisti erano quelli del Bhutan Clan, appunto: band cresciuta a Bologna sonorizzando trekking urbani e serate letterarie, nel contesto del cantiere culturale permanente Resistenze in Cirenaica. Per varie ragioni il gruppo si è sciolto come tale nel 2024, ma le sperimentazioni proseguono sotto l'egida di Melologos, «laboratorio di fonologia narrativa» che ora è al lavoro su Gli uomini pesce. «Caverna dell'antimateria» è come chiamavamo, in omaggio al pittore situazionista Giuseppe Pinot Gallizio, l'ambiente sonoro pazientemente ingegnerizzato in studio che ogni tanto erompeva nell'esecuzione dal vivo. I testi dello spettacolo erano in gran parte tratti da Ufo 78, ma alcuni brani – come già avveniva nel romanzo – gettavano ponti verso un altro mondo narrativo: quello del «Ciclo di Tanino & Karl» di Jadel Andreetto & Guglielmo Pispisa. Finora ne sono usciti due episodi: Tutta quella brava gente (firmato con lo pseudonimo «Marco Felder», Rizzoli 2019) e La parola amore uccide (Rizzoli, 2022). Anzi, tre, perché il terzo è in forma di podcast: Morte di un giallista bolzanino (RaiPlaySound, 2023). Radio Ufo 78 era un'unica suite della durata di circa un'ora e 15 minuti. Prima di salire sul palco, chiedevamo al pubblico di applaudire soltanto alla fine. Dopo una prova aperta allo Spazio Stria di Padova, sempre disponibile per i nostri lanci di ballons d'essai, Radio Ufo 78 si mise in strada. La formula era anfibia e strana e non proponibile ovunque, gli incastri di impegni non erano semplici... Insomma, riuscimmo a mettere in fila solamente sette date. Di alcune resta testimonianza. La migliore registrazione, realizzata a tracce separate dal mixer (ringraziamo il fonico Gianluca Fabbri), è quella della serata in piazza a S. Giovanni in Marignano, in provincia di Rimini. Era la sera del 9 luglio 2023, l'evento era organizzato da Rapsodia, su iniziativa del nostro amico Emiliano Visconti. Stefano D'Arcangelo di Melologos ha lavorato su quelle tracce, per far emergere ogni suono con la massima chiarezza, e oggi, alla buon'ora, possiamo rendere disponibile all'ascolto Radio Ufo 78, per chi non c'era alle serate e anche per chi c'era e vuole riascoltarlo. Lo facciamo a due anni esatti da quell'esibizione. La formazione: Wu Ming 1 – voce e vociferazioni Jadel Andreetto – voce e basso Giroweedz – basso e ingegneria sonora Bruno Fiorini – chitarra Stefano D'Arcangelo – tastiere, elettronica, antimateria Michele Koukoussis – batteria Con la partecipazione di Filo Sottile (nella parte di Carmen) e Donatella Allegro (nella parte di Milena).

Chicago's Wrigley Building, constructed in 1921, is the “whited sepulcher” of Michigan Avenue, gleaming in terra cotta like the rows of teeth ostensibly cleansed by Wrigley's Chewing Gum, the company that built the Beaux-Arts edifice. But its extravagant looks are only part of the story. Unfrozen hosts Robert Sharoff and William Zbaren, who wrote and photographed the new book from Rizzoli, The Wrigley Building: The Making of an Icon, to hear the rest. -- Intro / Outro: “24 Hour Limes,” by The Cooper Vane -- Discussed: Graham, Anderson, Probst & White Charles Beersman Julia Morgan Arts Club of Chicago Joe Mansueto Joe and Rika Mansueto Library, Helmut Jahn, 2011 John Vinci Phillip Wrigley William Hale “Big Bill” Thompson Girilda Tower, Seville Chateau Chambord, Loire Valley, France New York Municipal Building, Stanford White, 1914 The Carter Family Tribune Tower, Howells and Hood, 1925 London Guarantee Building, Alfred Alschuler, 1923 333 North Michigan Avenue, Holabird & Roche, 1928 Belden-Stratford Hotel, Meyer Fridstein, 1923 Waldor-Astoria Chicago, Lucien Lagrange, 2009 Chicago Fire Stadium Stanley Tigerman Studio Blue, Cheryl Towler Weese

Puntata speciale del Cacciatore di libri dedicata al Premio Strega, assegnato giovedì 3 luglio con una cerimonia al Ninfeo di Villa Giulia a Roma. Vincitore dell'edizione numero 79 è stato Andrea Bajani con il romanzo "L'anninversario" pubblicato da Feltrinelli nell'anno in cui celebra i 70 anni. Feltrinelli torna così a vincere lo Strega dopo 20 anni (l'ultimo era stato Maurizio Maggiani nel 2005). Il romanzo di Bajani ha ricevuto 194 voti dalla giuria composta da 400 Amici della domenica, ossia persone del mondo della cultura, e 300 votanti scelti dagli istituti italiani di cultura all'estero e dalle biblioteche. Con 61 voti di distanza, Elisabetta Rasy con "Perduto è questo mare" (Rizzoli), seguita da Nadia Terranova con "Quello che so di te" (Guanda), Paolo Nori con "Chiudo la porta e urlo" (Mondadori) e Michele Ruol con "Inventario di quel che resta dopo che la foresta brucia" (TerraRossa).

¡El podcast Pediatras en Línea está actualmente compitiendo por el  People's Choice Podcast Awards que reconoce a los mejores podcasts en diferentes categorías!  Por eso, necesitamos tu ayuda para que Pediatras en Línea sea nominado dentro de la categoría "Best Podcast Hosted in Spanish".  A partir del 1 de julio, puedes visitar www.podcastawards.com y nominarnos en la categoría de "Best Podcast Hosted in Spanish".   ¡Tu nominación podría hacer la diferencia para recibir este reconocimiento! Por favor nomina al Podcast Pediatras en Línea antes del 31 de julio y de esta manera ayudarás a que continuemos con este maravilloso podcast presentado por  Children's Hospital Colorado ¡Gracias por tu apoyo! El síndrome de Asperger es una afección del desarrollo neurológico que se incluye dentro de los trastornos del espectro autista (TEA). Se caracteriza por importantes dificultades en la interacción social y la comunicación no verbal, junto con patrones de comportamiento, intereses y actividades restringidos y repetitivos. Las personas con síndrome de Asperger a menudo tienen un desarrollo de inteligencia y lenguaje entre promedio y superior al promedio, lo que lo distingue de otras formas de autismo en las que pueden estar presentes retrasos en el lenguaje. Escuche a los expertos hablar sobre Asperger y trastorno del espectro autista Aunque los médicos ya no diagnostican a las personas con síndrome de Asperger, algunas personas todavía usan el término. Para conocer todo sobre este síndrome, invitamos al Dr. Antonio Rizzoli Córdoba, quien ya ha estado con nosotros en Pediatras en Línea. El Dr. Antonio Rizzoli es neurólogo pediatra, maestro y doctor en ciencias y además fundador de la especialidad de pediatría del desarrollo. Más información: www.helpisinyourhands.org Redes sociales: Instagram: @arizzolic Facebook: Dr. Antonio Rizzoli En este episodio, nuestros expertos conversan sobre: Definición síndrome de Asperger Características y patrones de comportamiento Inteligencia y lenguaje Testimonio personal

Alba Donati"Little Lucy Festival"Libreria sopra la pennaLucignanahttps://libreriasopralapenna.it/Tra l'8 giugno e il 13 settembre nel giardino con cottage pieno di libri che la poetessa Alba Donati ha creato a Lucignana, un paesino di 180 abitanti a 30 chilometri da Lucca, torna Little Lucy. Un festival letterario piccolo così, arrivato alla sua quinta edizione.Il Festival si ispira alle Little Italy in giro per il mondo, le comunità di emigrati italiani ? molti da Lucignana ? delle grandi città come New York o Melbourne. Anche la Libreria sopra la Penna è una comunità di transfughi, lettori in cerca di autenticità e di nuovi legami. A Lucignana in questi anni, in tanti hanno trovato casa, ispirazione, amici. Sono diventati, di nuovo, una comunità. E qualcosa di meravigliosamente controcorrente.A cura di Alba Donati e Pierpaolo Orlando, con la collaborazione di Tina Guiducci e Isabella Di Nolfo, questa edizione presenta 15 appuntamenti con scrittrici e scrittori, una notte dedicata alla di poesia, due workshop, la classica salita all'Eremo di Sant'Ansano e due riconoscimenti: il premio internazionale Scrivere sull'orizzonte della collina e il Premio Libreria sopra la Penna – Pia Pera.Sabato 28 giugno, ore 18.00Premio Libreria Sopra la Penna – Pia PeraIncontro con Marco Martella, vincitore della 2a edizionein dialogo con Lara Ricci e Margherita LoyIntroduce Alba DonatiSabato 5 luglioore 17.00Un tè freddo con Paolo Di PaoloRimembri ancora. Perché amare da grandi le poesie studiate a scuola (Il Mulino)ore 18.00Premio Scrivere sull'orizzonte della collinaIncontro con Dacia Maraini, vincitrice della 2a edizionein dialogo con Paolo Di PaoloSabato 12 luglio, ore 18.00Incontro con Rossana CampoLibere e un po' bastarde (Bompiani)in dialogo con Ginevra BarbettiSabato 19 Luglio, ore 18.00Incontro con Nadia TerranovaQuello che so di te (Guanda)in dialogo con Laura MontanariSabato 26 Luglio, ore 18.00Incontro con Romana PetriLa ragazza di Savannah (Mondadori)in dialogo con Isabella Di NolfoSabato 2 Agosto, ore 18.00Incontro con Nicoletta VernaL'autrice de I giorni di vetro (Einaudi)in dialogo con Elisabetta BertiVenerdì 8 agosto, ore 18.00Monologo di Paolo NoriChiudo la porta e urlo (Mondadori)Introduce Alba DonatiSabato 9 agosto, ore 18.00Sulla felicità_ 1Incontro con Ilide CarmignaniParole intraducibili per raccontare la felicità (Rizzoli)in dialogo con Paolo NoriMercoledì 13 Agosto, dalle 17.00 alle 18.30Sulla felicità_ 2Laboratorio per bambini a cura di Ylenia BravoVenerdì 15 e sabato 16 agostoSulla felicità_ 3Chi è felice ha ragione, workshop con Laura Imai Messinaa cura di Fenysia. Scuola di linguaggi della culturaDomenica 17 agosto, ore 17.00Passeggiata spirituale all'Eremo di Sant'Ansanocon Laura Imai MessinaTutti gli indirizzi perduti (Einaudi)in dialogo con Maria Materasaluti presidente Fondazione CR Lucca Massimo MarsiliSabato 23 agosto, ore 18.00Incontro con Sandra PetrignaniAutobiografia dei miei cani (Feltrinelli Gramma)in dialogo con Fulvio Paloscia e Giovanna NiccoliSabato 30 agosto ore 18.00Musica e paroleIncontro con Michele RossiCuratore di Condotti da fragili desideri. Parole e liturgie dei CCCP – Fedeli alla linea (Baldini+Castoldi)e Gianni MaroccoloAutore de Il Sonatore di Basso e di Memorie di un Sonatore di Basso (Libri Aparte)al termine dell'incontro esibizione di Gianni Maroccolo con Andrea ChimentiSabato 6 settembre, ore 18.00Incontro con Enzo Fileno CarabbaL'arca di Noè (Ponte alle Grazie)in dialogo con Elena TorreSabato 13 settembre, ore 18.00Incontro con Marcello FoisL'immensa distrazione (Einaudi, 2025)in dialogo con Gianluca MonastraPrenotazione obbligatoria per gli incontrilibreria.lucignana@gmail.comIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. La mediazione europea sul nucleare dell'Iran e il caso Paragon. Torniamo a seguire i consigli della rivista Starbene. È tornata a trovarci la direttrice Francesca Pietra. Alimentazione ed estate. Quanti falsi miti? Scopriamolo con il “Nutri quiz”. Questo weekend la MotoGP corre in Italia, al Mugello. Oggi le qualifiche e la gara sprint, domani alle 14:00 la gara. Ne abbiamo parlato con l'inviato speciale di RTL 102.5 Max Biaggi. I vari fronti di guerra in Medio Oriente, con la paura per le armi atomiche e il possibile intervento degli Stati Uniti. Gaza, Israele e Iran. In diretta Flavia Cappellini, inviata di Sky TG24 a Gerusalemme. Si è aperta la stagione dei concerti per l'estate e il prossimo 28 giugno c'è un appuntamento importante, la San Siro Dance powered by RTL 102.5 con Gabry Ponte, che è in libreria con "Dance & Love, la mia musica, la mia vita", edito da Rizzoli. Gabry Ponte è stato in diretta con noi questa mattina. Le ultime notizie di cronaca, di esteri e di politica. Ci ha raggiunti il ministro per la pubblica amministrazione Paolo Zangrillo. All'interno di Non Stop News, con Luigi Santarelli, Barbara Sala e Ludo Marafini.

Alessandro Barbaglia ci porta nella quarta stagione di Shelf, con qualche novità. In questa puntata con Alessandro Barbaglia anche Marco Ballarè che ci porta alla scoperta delle parole della mancanza e Eleonora C. Caruso, che ci fa scoprire Arkham Asylum. Batman di Grant Morrison e Dave McKean e Follia di Patrick McGrath.La novità della puntata è Il pescatore di stelle di Peppe Millanta, edito Rizzoli e l'ospite invece è Alberto Milesi, direttore del festival Borgate dal vivo.Inoltre, si può partecipare a Shelf, inviando un breve messaggio vocale tramite Whatsapp al numero 3489128916: se ti va, puoi raccontarci cosa stai leggendo, dove e se ti sta piacendo!***SHELF. IL POSTO DEI LIBRIDi Alessandro Barbaglia. Con: Eleonora C. Caruso, Chiara Sgarbi, Manlio Castagna, Marco Ballarè.Realizzato da Mondadori StudiosA cura di Miriam Spinnato, Elena Marinelli, Danilo Di TerminiProgetto grafico di Francesco PoroliMusiche di Gianluigi CarloneMontaggio e post produzione Indiehub studio***Con l'invio del tuo contributo audio dichiari di accettare le condizioni del servizio podcast disponibili al seguente link

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. La possibilità di trattativa tra Iran e Israele, Trump divide il G7, il rapporto della Caritas sulla povertà che aumenta. Spazio Esteri. In diretta con noi Stefano Piazza, giornalista di Panorama e La Verità. Diete e nutrizione. Ci sono degli alimenti che dovremmo consumare di più e che invece sottovalutiamo? E le loro proprietà cambiano li mangiamo crudi o cotti? Ne abbiamo parlato con il prof. Nicola Sorrentino, dietologo e nutrizionista. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. Domani cominciano gli esami di Maturità! Come saranno le prove quest'anno? E cosa cambierà dal prossimo? Il punto con Daniele Grassucci, direttore di Skuola.net. Con l'arrivo del periodo estivo sono tanti gli italiani che scelgono di trascorrere periodi di relax in montagna, magari dedicandosi a escursioni. Eppure sono tante le insidie che si nascondono dietro queste attività. Ci ha dato qualche consiglio, una vera e propria autorità in materia. Ci ha raggiunto Simone Moro, tra i più famosi alpinisti al mondo (70 spedizioni, ha conquistato 8 Ottomila), si dedica anche alla scrittura ed è in libreria con "Gli ottomila al chiodo" (Edito da Rizzoli). L'attualità politica, commentata da Maurizio Lupi, presidente di Noi Moderati. All'interno di Non Stop News, con Enrico Galletti, Massimo Lo Nigro e Giusi Legrenzi.

After three months at sea, Joey and Pacey are finally returning to Capeside just in time for their senior year of high school, and a lot has changed in their absence. Dawson's taken up photography. Dawson and Jack have started a house painting business. Jen is trying a long-distance relationship with Henry, who got recruited from football camp to a fancy private school. Doug and Pacey's sister Gretchen (Sasha Alexander, the future Isles of Rizzoli & Isles!) has taken a year off from college, and taken Pacey's spot on Doug's couch. Bessie has made the B&B profitable, perhaps in part by renting out her sister's room. Here's what hasn't changed: Dawson still sucks. Pacey and Joey decide how best to strategize about their reunion with Dawson (and boy, THAT'S probably something they didn't miss doing all summer) with an assist from Jen, trying to salve her guilt over her part in how Dawson found out about Joey and Pacey in the first place by easing Joey and Dawson back into each other's proximity. Does Dawson deserve this kid-glove treatment? You already know the answer! Deep in the background, Andie meets and flirts with a couple of French guys, one of whom looks a LOT like that gay kid Danny from the then-most recent season of The Real World in New Orleans! Prepare to dock for our episode on "Coming Home"! NEW CLUB CAMPAIGN!

Puntata speciale interamente dedicata alla nostra rubrica "Amici e Nemici Saggi".Ospitiamo Anna Zafesova, giornalista e traduttrice russa, autrice de “Russia, l’impero che non sa morire” (Rizzoli, 2025) e Emanuele Felice, ordinario di Storia Economica alla IULM di Milano che ha pubblicato di recente “Manifesto per un'altra economia e un'altra politica” (Feltrinelli, 2025).

Mafia: libero Giovanni Brusca, colui che azionò il telecomando della strage di Capaci. Sentiamo Lirio Abbate, giornalista e saggista, il suo ultimo libro è “I diari del boss. Parole segrete e omissioni di Matteo Messina Denaro” (Rizzoli). Disagio giovanile: Livia Zancaner ci parla del nuovo centro di fondazione Carolina a Milano, nato per aiutare i ragazzi e le ragazze a uscire dalle dipendenze tecnologiche, con un'attenzione particolare all'estate e all'uso dello smartphone. Oggi è la Giornata mondiale dell’ambiente, con un focus sulla plastica, con l'orizzonte di agosto quando entreranno nel vivo i negoziati per il Global Plastic Treaty. Con noi Giordano Giorgi, responsabile Centro Nazionale Coste di Ispra.

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. Meloni e i referendum, le elezioni in Polonia, Arisa e l'inno di Mameli, il vertice di Istambul. Spazio Casa Facile. Con noi Claudio Malaguti, caporedattore di Casa Facile. L'argomento di oggi è la nuova figura dell'Home Stager. Alimentazione. In aumento il fenomeno denominato "Food Noise". Ne abbiamo parlato con Stefano Erzegovesi, medico psichiatra e nutrizionista. Erzegovesi dirige le attività cliniche e di ricerca al Centro per i Disturbi Alimentari dell'Ospedale San Raffaele di Milano. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. David Parenzo in libreria con "Lo scandalo Israele" (Edito da Rizzoli). L'autore, ha parlato della sua opera legata all'attualità. La delicata situazione in Sicilia all'indomani dell'imponente eruzione del'Etna. Ci siamo collegati con il Dottor Giuseppe Salerno dell'Osservatorio Etneo dell'INGV, Istituto nazionale di geofisica e vulcanologia. L'attualità, commentata da Luigi Contu, direttore dell'Ansa. All'interno di Non Stop News, con Enrico Galletti, Massimo Lo Nigro e Giusi Legrenzi.

Giuliano Pisani"L'ignoranza e la scelta"Etica per un'umanità disorientataRonzani Editorewww.ronzanieditore.itGli uomini hanno smarrito la conoscenza e sono in balia di una propaganda vile e abietta, di messaggi fuorvianti, folli, criminali. L'ingiustizia prepara terreni fertili alle sementi dell'odio. Il nemico mortale è l'ignoranza, l'amathia. È qui che attecchisce il fanatismo. La conoscenza dei fatti e la capacità di interrogarli possono cambiare il mondo. Abbiamo il dovere di provarci.L'etica si nutre di libertà. In una società disorientata come l'attuale, che impone ogni giorno scelte complesse, nessuno di noi può permettersi il lusso di non saper distinguere il bene dal male, di non saper tracciare un confine netto tra informazione, propaganda e manipolazione. Qual è il rischio dell'inconsapevolezza? L'ignoranza etica – l'amathia del pensiero greco – è agli antipodi dell'insegnamento socratico, che muove dal dubbio metodico (“so di non sapere”) e ha come fine il rispetto del primo motto delfico: “conosci te stesso”, che interroga il nostro ruolo sociale e ci mette in condizione di prendere decisioni. L'amathès, convinto di sapere ciò che non sa, è facile preda di ideologie e alienazioni e mina alla base, con la sua acriticità, l'obiettivo sociale per definizione: la pacifica convivenza. Come evitare, ciascuno di noi, di cadere vittima della stessa sirena? È lungo il lavoro da fare per riuscire a costruire un nuovo modo di pensare che ci configuri comunità consapevole; ma sarà bene provarci, tenendo a mente che essere coerenti non significa vedere sempre le cose nello stesso modo, ma agire in conformità a ciò che è giusto e doveroso in quel preciso momento, di fronte a quella specifica scelta.Giuliano PisaniFilologo classico e storico dell'arte, è autore di studi, edizioni e traduzioni dal greco e dal latino (Platone, Plutarco, Marsilio Ficino). Ha fornito un'interpretazione innovativa della Cappella degli Scrovegni (I volti segreti di Giotto, Milano, Rizzoli, 2008; La rivoluzione di Giotto, Milano, Skira, 2020) individuandone la chiave di lettura negli scritti di Sant'Agostino. Studi innovativi ha dedicato anche a Orazio, Raffaello e Canova. Ha tenuto seminari e conferenze in molte università e centri culturali europei (spesso in collaborazione con le ambasciate italiane). Ha pubblicato il romanzo Raphael (Milano, GMlibri, 2019) e promosso con Antonia Arslan il progetto “Padova. Casa dei Giusti”, nel cui ambito si inserisce il “Giardino dei Giusti del Mondo di Padova”. Socio effettivo dell'Accademia Galileiana di Scienze, Lettere ed Arti e di altre prestigiose istituzioni, è dal 2017 Cavaliere dell'Ordine al Merito della Repubblica Italiana. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Giorgio Van StratenSeminare Idee FestivalPrato, dal 6 all'8 giugno 2025Uno spazio dove si incrociano pensieri diversi, trasversali a tutte le discipline, per far nascere una comunità di persone unite dal rito della condivisione, della cultura e delle esperienze, facendo leva sulle più importanti fonti della conoscenza: curiosità, meraviglia e partecipazione.Tre giornate di letture, conferenze, dialoghi e incontri. Grandi nomi della cultura, della scienza e dello spettacolo si ritroveranno a Prato dal 6 all'8 giugno. Il tema della prima edizione è: coraggio.sabato 7 Giugno 2025, ore 10:15Giorgio Van Straten e Walter VeltroniCapitane coraggioseLa Resistenza è stato un momento cruciale in cui gli italiani hanno dovuto decidere da che parte stare. È un periodo su cui vale la pena riflettere, soprattutto a ottant'anni dalla Liberazione. Giorgio van Straten e Walter Veltroni hanno scritto due libri dedicati a due donne che, in quegli anni, hanno preso decisioni coraggiose. Queste donne, seguendo percorsi personali, hanno unito sentimenti e consapevolezza politica, facendo coincidere pubblico e privato, alimentando l'uno con l'altro e accettando i rischi e le conseguenze. Il libro di Giorgio van Straten, “La ribelle. Vita straordinaria di Nada Parri” (Laterza), racconta la storia di Nada Parri, una giovane donna toscana che lascia tutto per unirsi ai partigiani insieme a un disertore tedesco, Hermann Wilkens, di cui si innamora. I sentimenti per Hermann la conducono verso una consapevolezza politica, fino a diventare comunista e, nel dopoguerra, il primo sindaco donna dell'empolese-valdelsa. Walter Veltroni, invece, narra le vicende di Iris Versari nel libro “Iris, la libertà” (Rizzoli). Anche Iris è una partigiana, insieme al compagno di lotta e di vita Silvio Corbari. Morì a poco più di vent'anni nell'agosto del 1944 ed è stata insignita della medaglia d'oro al valor militare alla memoria. Due giovani donne, come molti combattenti della lotta di liberazione, coraggiose e pronte a pagare il prezzo delle loro scelte.Giorgio van Straten (Firenze, 1955) è uno scrittore e dirigente di istituzioni culturali. Dal febbraio 2009 al luglio 2012 è stato membro del Consiglio di Amministrazione della RAI. Dal 2015 al 2019 è stato direttore dell'Istituto Italiano di Cultura di New York. Da gennaio a marzo 2020 è stato writer in residence presso il dipartimento di italiano della New York University dove ha tenuto un corso sul rapporto fra storia e letteratura. Dal 2020 è stato nominato Presidente della Fondazione Alinari per la Fotografia. Tra le sue ultime opere: Una disperata vitalità (HarperCollins Italia, 2022), Invasione di campo. Quando la letteratura racconta la storia (Laterza, 2023) e La ribelle. Vita straordinaria di Nada Parri (Laterza, 2025).Giorgio Van Straten"La ribelle"Vita straordinaria di Nadia Parri.Editori Laterzawww.laterza.itUna grande storia d'amore, vera e tragica come le grandi storie d'amore. La guerra, la Resistenza, la ricostruzione: la storia che travolge le nostre esistenze e le indirizza come un destino.La vita di Nada, donna ribelle e coraggiosa, ci porta a riflettere sulla speranza che ogni generazione, contro ogni apparente ragionevolezza, continua a riporre nel futuro.Nada ha vent'anni, una bambina di due ed è sola. Il marito è partito volontario per la guerra in Africa. La sua famiglia è lontana e nella nuova città dove abita non conosce quasi nessuno. Hermann di anni ne ha quasi quaranta, una famiglia in Germania, è sottufficiale della Wehrmacht e odia Hitler. Si incontrano per caso in un pomeriggio d'inverno a Marina di Carrara e si innamorano. Insieme decidono di fuggire, lei da una famiglia sbagliata, lui da un esercito che da alleato è diventato occupante e invasore. Scappano sui monti e si uniscono ai partigiani. Rischieranno la vita, parteciperanno alla liberazione di Parma, convinti che il futuro sia dalla loro parte. Non sarà così.Giorgio van Straten ci porta sapientemente sulle tracce di Nada e di Hermann, inseguendo persone, documenti, oggetti, fotografie: riaffiora così una storia incredibile e ricca di colpi di scena. Una ricerca che ci fa ‘inciampare' in domande e interrogativi che riguardano tutti: l'amore è una forza capace di travolgerci, anche di farci rischiare la vita stessa? I grandi sogni della giovinezza indirizzano tutta la nostra esistenza o sono destinati a diventare fonte inesauribile di nostalgia e frustrazione? Le cicatrici di esperienze così travolgenti possono essere nascoste e dimenticate?IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Send us a textMeet Paul Seibert, the photographer whose stunning aerial views of New York City have redefined urban landscape photography. In this captivating conversation, Paul shares his remarkable journey from jazz saxophone player to renowned aerial photographer, revealing how a simple trip to New Mexico with an 8-megapixel point-and-shoot camera reignited a dormant passion that would transform his life.Paul's story is one of creative evolution and second chances. After feeling he hadn't fully applied himself to his musical talents in his youth, he approached photography with renewed dedication, embodying his personal mantra: "Hard work beats talent when talent doesn't work hard." This philosophy has guided him through a career that now includes a published book with Rizzoli, collaborations with major brands like Canon USA and the Statue of Liberty-Ellis Island Foundation, and a thriving presence in both traditional and NFT photography spaces.The conversation takes us through Paul's colorful employment history—from grocery store cart boy and short-order cook to estate landscaper—before he took the leap into full-time photography about a decade ago. Now based in Colorado after relocating from New York, Paul offers valuable insights for creators navigating the web3 landscape, emphasizing the importance of community, patience, and intentional relationship-building beyond social media. He also shares details about his exciting new project "Cathedrals of Baseball," which aims to capture aerial views of iconic stadiums as NFTs, potentially revolutionizing sports memorabilia in the digital space.Whether you're a photographer, an artist exploring web3, or someone seeking inspiration to pursue your creative passions, Paul's journey demonstrates how commitment and authenticity can help transform talent into a fulfilling career. Listen now and discover how looking at the world from new heights—literally and figuratively—can open unexpected doors.https://x.com/BEH0LDINGEYESupport the show

Per riascoltare Considera l'armadillo noi e altri animali ospite @Federico Santaiti per parlare del suo ultimo libro Il gatto dai sette nomi, @Rizzoli editore. A cura di Cecilia Di Lieto.

Flavio Caroli"La linea d'ombra dell'arte"Memoria Festival, Mirandolahttps://memoriafestival.it/evento/la-linea-dombra-dellarte/L'altra storia dell'arte. I vinti vincitoricon Flavio Caroli e Bruno Gambarottamercoledì, 28 maggio, ore 18:30Polo del '900 | Piazzetta Antonicelli, TorinoMemoria Festival, MirandolaVenerdì 6 giugno 2025, ore 17:30La linea d'ombra dell'arteCon Flavio CaroliTutti conosciamo i grandi artisti che hanno saputo scrivere con le loro opere la storia dell'arte. Ma per uno di loro quanti sono stati gli artisti incompresi dai contemporanei o dalla critica? Flavio Caroli propone una nuova storia, in cui trovano posto anche quegli artisti e mecenati meno “alla moda” ma che hanno comunque lasciato un segno nell'evoluzione del pensiero creativo.Flavio Caroli"L'altra storia dell'arte"I vinti vincitoriRizzoli Libri«Un'altra storia dell'arte è possibile: la storia dei vinti, le cui idee hanno alimentato e orientato il futuro.»La storia dell'arte è stata scritta dai vincitori, cioè dagli artisti che hanno avuto la possibilità di imporre la propria scala di valori. Ma certamente l'evoluzione degli eventi e delle idee non è stata determinata esclusivamente da questi, poiché, in realtà, la storia è stata spesso nutrita dal pensiero di coloro che, in qualche punto della loro vicenda terrena, sono stati ritenuti "vinti". A partire da questo assunto, attraverso una riscrittura di alcune vicende della storia dell'arte, l'autore indaga sugli artisti, i centri, i mecenati che, apparentemente vinti rispetto alla linea tradizionale, sono in realtà "vinti vincitori", perché le loro idee e le loro opere hanno nutrito e indirizzato l'evoluzione della disciplina. Artisti controversi, dimenticati o misconosciuti: Flavio Caroli ritorna a indagare la linea d'ombra dell'arte che da sempre lo interessa, di artisti come Lorenzo Lotto, Giuseppe Maria Crespi o Filippo de Pisis, incompresi dai contemporanei o dalla critica d'arte, di centri come la Mantova del Rinascimento o la Milano del primo Ottocento, messi in ombra da città più "alla moda", o delle alterne vicende di grandi mecenati come i Farnese. E racconta di come artisti e opere apparentemente vinti abbiano potuto comunque portare avanti la loro versione e creare idee tali da influenzare il futuro.Flavio Caroli storico dell'arte moderna e contemporanea, è nato a Ravenna nel 1945. Dopo gli studi, inizia la carriera accademica che lo porta a diventare docente di Storia dell'Arte Moderna prima presso l'Università di Salerno, poi a Firenze e infine al Politecnico di Milano e allo IULM. Ha dedicato i suoi studi alla linea introspettiva dell'arte occidentale, con molte pubblicazioni e mostre. Ha collaborato alle pagine culturali di numerose testate, tra cui il “Corriere della Sera” e il “Sole 24 Ore”. Fra i suoi libri: L'Anima e il Volto (1998), Il volto e l'anima della natura (2009), Il volto dell'amore (2011), Il volto dell'Occidente (2012), Anime e Volti. L'arte dalla Psicologia alla Psicoanalisi (2014), Il museo dei capricci. 200 quadri da rubare (2016). Nel 2023, per Solferino, ha pubblicato Storia sentimentale dell'arte. Un'educazione alla bellezza. Il suo ultimo libro è L'altra storia dell'arte (Rizzoli, 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

MarcoTurati"Porte Aperte Festival"L'Associazione Culturale Porte Aperte, il Centro Fumetto Andrea Pazienza, il gruppo dei curatori insieme al Comune di Cremona, annunciano la nuova edizione del Porte Aperte Festival che quest'anno celebra il suo decimo compleanno e si svolgerà dal 5 all'8 giugno 2025.I curatori del PAF, Andrea Cisi, Mario Feraboli, Michele Ginevra, Marco Turati e Marina Volonté, mentre cominciano ad accendersi i motori della macchina organizzativa, lasciano trapelare le prime novità sui tanti appuntamenti che animeranno Cremona all'inizio di giugno, offrendoci un assaggio di questa decima edizione del PAF.Manuele Fior è l'autore del manifesto di questa nuova edizione: artista pluripremiato e di respiro internazionale, è uno degli autori più apprezzati sia in Italia che all'estero, con all'attivo numerosi riconoscimenti. Fior collabora con le sue illustrazioni a riviste e quotidiani come “The New Yorker”, “Le Monde”, “Vanity Fair”, “la Repubblica” e “Il Sole 24 Ore”, oltre a case editrici come Feltrinelli, Einaudi, EL. L'opera di Fior vuole dare vita al tema Gener-Azioni che quest'anno sarà il cuore pulsante del festival e accompagnerà le numerosissime iniziative della manifestazione.Ci troviamo infatti in un'epoca particolare: un crocevia in cui le sfide intergenerazionali si intrecciano in modo indissolubile con le dinamiche di genere e la necessità impellente di creatività. Il crescente gap generazionale, alimentato dalle preoccupazioni ambientali che gravano pesantemente sul futuro dei giovani crea sempre maggiori frizioni e incomprensioni e le nuove generazioni si sentono spesso inascoltate e gravate da responsabilità non proprie.Parallelamente, le questioni di genere stanno vivendo una profonda trasformazione. La lotta per le pari opportunità, purtroppo ben lungi dal perseguire i propri obiettivi, si affianca alla crescente consapevolezza dell'importanza dell'inclusione e della fluidità delle identità. Le rigide categorie del passato si dissolvono, aprendo spazio a una visione più ampia e rispettosa della diversità in tutte le sue forme. Questa evoluzione appare fondamentale per costruire una società più equa, dove la diversità di genere non sia più un fattore limitante, ma una ricchezza da celebrare.È proprio in questo contesto complesso che emerge con forza il concetto di generatività, intesa come capacità di innovare. La creatività può diventare quindi uno strumento per superare divisioni, creare ponti tra le generazioni, sviluppare politiche inclusive, combattere nuove battaglie in forme inedite e trovare risposte efficaci anche ai nodi più critici della fase attuale. Le esperienze maturate nel tempo dalle generazioni più anziane e l'energia innovativa dei giovani, unite alla sensibilità e alla consapevolezza portate avanti dai movimenti per l'uguaglianza di genere, possono produrre un confronto fecondo e cambiamenti positivi, per costruire un futuro più giusto, equo e sostenibile per tutti e tutte.La decima edizione del PAF, con lo sguardo sempre rivolto alla contemporaneità, proverà dunque a indagare alcune di queste sollecitazioni. Lo farà proponendo come sempre opere dell'arte e dell'ingegno umano, generi letterari e artistici diversi, storie, racconti, canzoni, immagini e suggestioni.Tra le novità del 2025 la location degli appuntamenti compresi tra le 13:00 e le 18:00, che saranno ospitati nel Cortile di Palazzo Roncadelli Manna in via Colletta. I restanti appuntamenti avranno luogo la mattina nel Cortile di Palazzo Affaitati e dalle 18:00 a mezzanotte in Cortile Federico II.Visto il grande interesse riscosso in questi due anni, il giovedì pomeriggio sarà ancora dedicato all'appuntamento con il nostro festival-nel-festival “Alter: le stanze della traduzione”. Un serie di incontri con traduttori e traduttrici da lingue diverse, che ha registrato il tutto esaurito e che quest'anno si svolgerà nel Cortile di Palazzo Roncadelli Manna.Per il segmento del fumetto, come da tradizione, sarà tra gli altri presente proprio l'autore della grafica 2025, Manuele Fior, che accompagnerà gli appassionati all'interno del suo mondo onirico e intrigante.Per la letteratura viene proposto un pezzo da novanta della scena italiana: Edoardo Albinati, scrittore, traduttore e sceneggiatore italiano, vincitore nel 2016 del Premio Strega con “La scuola cattolica” e di altri prestigiosi premi. Ha lavorato presso l'Alto commissariato ONU per i rifugiati in Afghanistan e nel 2004 ha partecipato a una missione dell'UNHCR in Ciad, pubblicando reportage sul Corriere della Sera, The Washington Post e La Repubblica. Al PAF presenterà la sua nuova opera “I figli dell'istante” (Rizzoli, 2025).Per la musica, sarà in scena presso Cortile Federico II, rinnovato e restaurato, Gianni Maroccolo con lo spettacolo/concerto “Il sonatore di basso”, ispirato alla sua lunga carriera di musicista e produttore delle migliori rock band italiche degli anni '80, '90 e '00 (Litfiba, CSI, PGR, Marlene Kuntz, Beau Geste e molte altre). Gianni Maroccolo sarà accompagnato sul palco da Andrea Chimenti (già cantante dei Moda), da Mur Rouge (chitarra e basso) e da Andrea Salvi (voce narrante).L'assessore al Turismo, Luca Burgazzi, dichiara: “Il PAF è diventato nel tempo uno dei momenti più significativi e attesi della vita culturale cremonese. Il tema di quest'anno, Gener-Azioni, ci invita a riflettere su ciò che unisce, piuttosto che su ciò che divide, a riscoprire la forza della creatività come strumento per costruire ponti e immaginare insieme un futuro più giusto e aperto”.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:05:57 - L'invité de 6h20 - Fabrice Rizzoli, spécialiste de la grande criminalité, était l'invité du 6h20 ce vendredi. France Inter révèle le lancement d'une vaste opération par Europol pour lutter contre le recrutement de très jeunes tueurs à gages, phénomène qui a explosé en Europe.

Redes Sociales:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter (X)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Chaque samedi, découvrez une compilation thématisée des meilleurs chroniques de Philippe Caverivière ! Dans ce best of, l'humoriste fait face à Pierre-Edouard Colliex, préfet de police des Bouches-du-Rhône, Fabrice Rizzoli, spécialiste de la grande criminalité et des mafias, fondateur et président de l'association Crim'HALT, ou encore Béatrice Brugère, première vice-procureur du tribunal judiciaire de Paris et secrétaire générale du syndicat Unité Magistrats-FO. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chaque samedi, découvrez une compilation thématisée des meilleurs chroniques de Philippe Caverivière ! Dans ce best of, l'humoriste fait face à Pierre-Edouard Colliex, préfet de police des Bouches-du-Rhône, Fabrice Rizzoli, spécialiste de la grande criminalité et des mafias, fondateur et président de l'association Crim'HALT, ou encore Béatrice Brugère, première vice-procureur du tribunal judiciaire de Paris et secrétaire générale du syndicat Unité Magistrats-FO. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode I am joined by visual artist, Brent Houzenga, where we delve into his journey of discovering old photographs in a trash bin and how that changed the course of his life in profound ways. We discuss how this discovery ignited his artistic path and led him to reflect on themes of consciousness, synchronicity, and the essence of identity. ---------------------------------Brent Houzenga is New Orleans-based artist originally from Fulton, IL. Houzenga earned his B.A. in printmaking and graphic design from Western Illinois University and his MFA at the University of New Orleans in 2017. Houzenga's art has been exhibited all over the country and world, including Warsaw, Chicago, Kansas City, Washington D.C., Portland, Los Angeles, Austin, Miami, and New Orleans. Houzenga's work resides in many private and public collections. In 2012 he was commissioned to paint a portrait for Matthew McConaughey's personal collection. He is an accomplished muralist, installation artist, and educator. Houzenga's work has been featured in publications such as Time Out Chicago, Art and Art Galleries of the South, Art+Design New Orleans, as well as the Rizzoli book Stickers: From Punk Rock to Contemporary Art. In 2021 his work appeared on the cover of the Image Comics book Primordial. In 2022 he was commissioned by Dark Horse Comics to create a variant cover for a Stranger Things story.  In 2024 his work appeared on the cover of the dreampunk anthology Somniscope published by Fractured Mirror. He is the subject of the independent documentary film Brent Houzenga: Hybrid Pioneer.Brent's Website Brent's IGFollow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠my Instagram⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠The Sometimes Island⁠ for our podcast theme music!Support this podcast: ⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support

Alessandro Gnocchi"Giovannino Guareschi. Una vita controcorrente"Edizioni Areswww.edizioniares.itFormidabili quei sessant'anni vissuti controcorrente seguendo sempre e soltanto le eterne leggi del buon Dio e la propria coscienza. Sessanta tumultuosi, irrequieti, generosi, intelligenti, formidabili anni impreziositi da un inequivocabile genio letterario, giornalistico e grafico. Ciò ha fatto di Giovannino Guareschi lo scrittore italiano forse più conosciuto e amato nel mondo, ma anche il più detestato dal potere politico e culturale. Quando morì nel 1968 i suoi lettori lo piansero, gli intellettuali e i politici poterono finalmente ignorarlo. Eppure, i censori passano mentre il vecchio Giovannino, i suoi personaggi (soprattutto Don Camillo e Peppone) e i suoi lettori, restano. Grazie alla lunga frequentazione della sua opera e di documenti di archivio spesso inediti, Alessandro Gnocchi, uno dei suoi maggiori studiosi, ne spiega il motivo cogliendolo tanto nel valore intellettuale dello scrittore e del giornalista, quanto nell'integrità dell'uomo capace di inimicarsi proprio tutti, comunisti e anticomunisti, fascisti e antifascisti, clericali e anticlericali.Alessandro Gnocchi si occupa delle tematiche religiose nella letteratura moderna e contemporanea. In questo àmbito, ha pubblicato scritti su Cristina Campo, Fëdor Dostoevskij, J.R.R. Tolkien, G.K. Chesterton, Georges Simenon, Carlo Collodi e Arthur Conan Doyle. A Giovannino Guareschi, di cui è considerato uno dei maggiori studiosi, ha dedicato una decina di opere, tra cui Don Camillo & Peppone. L'invenzione del vero (Rizzoli), Giovannino Guareschi. Una storia italiana (Rizzoli), Viaggio sentimentale nel Mondo piccolo di Guareschi (Rizzoli), Lettere ai posteri di Giovannino Guareschi (Marsilio), Andavamo con Dio e tornavamo al tramonto (DreamBook) e, nel catalogo Ares, il profilo letterario Giovannino Guareschi. La poetica della libertà (2025).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Simone Lenzi"Malcomune"Inclusione, resilienza e una beata minchia negli enti locali.Linkiesta Bookswww.linkiesta.itUn Assessore alla Cultura di una città di provincia racconta il suo incontro con i misteriosi e complessi ingranaggi della macchina amministrativa, con i dipendenti comunali e gli artisti che ogni giorno postulano aiuti pubblici per i loro progetti. Fra mostre di successo, festival e una comprovata dedizione alla causa, guadagnatosi così la stima e il rispetto della città, tutto andrebbe per il meglio se, dopo aver visto una statua alla Biennale di Venezia, l'Assessore non commettesse l'unico errore davvero imperdonabile per un politico: dire, per una volta, quel che pensa davvero. Comincia così l'inevitabile discesa in quell'inferno tragicomico che i giusti e buoni del centrosinistra sono sempre pronti a spalancare per tutti quelli come lui.Simone Lenzi è scrittore, sceneggiatore, saggista, e frontman della storica band indie Virginiana Miller, con i quali ha vinto una Targa Tenco e un David di Donatello, Dal suo romanzo “La Generazione” (Dalai editore), Paolo Virzì ha tratto il film “Tutti i santi giorni”. Ha pubblicato libri per Laterza, Rizzoli e Marsilio. Dal 2019 al 2024 si è dedicato al suo lavoro di Assessore alla Cultura del Comune di Livorno. Per Linkiesta torna ora alle stampe con questo irriverente memoir.acquista qui il libro:https://store.linkiesta.it/prodotto/malcomune/IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Tavel Bristol-Joseph is pastry chef and partner at Emmer & Rye, Hestia, Canje, and many other acclaimed restaurants in Austin, Texas, and beyond. He's also just opened a really cool dessert bar, Nicosi, in San Antonio. In this episode, we talk about Tavel's early cooking life in New York and how he grew a cheesecake mini empire out of his Brooklyn apartment—well, there were many apartments involved. It's a great story. We also discuss his move down to Texas and how his unique skills with pastry and restaurant hospitality have made him one of our country's most important chefs. I really enjoyed getting to hear Tavel's story.Also on the show, Aliza and Matt preview some really exciting cookbooks being released this spring. And stay tuned, as we will be back with many more exciting titles hitting bookstores in the next couple of months. Books mentioned on the episode: In the Kusina: My Seasonal Filipino Cooking by Woldy Reyes, Pakistan by Maryam Jillani, Fat + Flour by Nicole Rucker, Salsa Daddy by Rick Martínez, By Heart by Hailee Catalano, Sesame by Rachel Simons, Setting a Place for Us by Hawa Hassan, Every Day with Babs by Barbara Costello, Lugma: Abundant Dishes And Stories From My Middle East by Noor Murad, The Choi of Cooking by Roy Choi. Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. READ MORE:TASTE Live at Rizzoli with Barbara CostelloOne of America's Top Pastry Chefs Just Opened a New Dessert Bar [Robb Report]Food & Wine Best New Chefs 2020: Tavel Bristol-Joseph [Food & Wine]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Elisa Fuksas"Buone notizie"Mondadori Editorewww.mondadori.itLorenza vive con il tollerante Alighiero, ha due gemelle (“degna nemesi” dice “per una ossessionata dal doppio”) ed è una cantante di successo che non smette di chiedersi che strada dare al suo talento. Il suo agente, JPD, la guida con ruvida consapevolezza. La vorrebbe più pop (perché non andare a Sanremo, per una volta?), la vorrebbe comunque più aggressiva. Peccato che il mondo, quello interiore ma non solo, continui a incrinarsi: l'insicurezza si manifesta nella vita professionale, nell'intesa coniugale, nelle dinamiche relazionali, persino in una profonda crepa che si apre nel salone di casa, e forse non è un caso che, nella vita di Lorenza, entri un enigmatico amante dopo un concerto in Sicilia sulle rovine di Gibellina. Lorenza ha cominciato a frequentare un maestro dell'omeopatia: si possono leggere tanti segni di tanto dissesto, attraverso lo scandaglio di questo nuovo interlocutore? Quanto conforto portano i controversi “rimedi” del percorso omeopatico? La crepa del salone di casa si apre, bisogna riparare in albergo, bisogna obbedire, dar forma al talento, quello di vivere, quello dell'arte. Ma fin dove portare l'urgenza di cambiare? Con sapiente tensione narrativa e smagliante ironia, Elisa Fuksas ci guida nell'universo di una donna avviluppata dentro le sue contraddizioni, dentro lo stupore che l'accompagna, fra immaginazione e vita, verso un tempo migliore.Elisa Fuksas è scrittrice e regista. Ha pubblicato La figlia di (Rizzoli, 2014), Michele, Anna e la termodinamica (Elliot, 2017), Ama e fai quello che vuoi (Marsilio, 2020) e Non fiori ma opere di bene (Marsilio, 2022). Dopo Senza Fine (2021), il suo nuovo film è Marko Polo (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Whoopbruary keeps the action rolling with Fatal Beauty (1987), a hard-hitting crime thriller starring Whoopi Goldberg as tough-talking detective Rita Rizzoli. Directed by Tom Holland and based on a script by Bill Svanoe, the film follows Rizzoli as she battles to keep a deadly designer drug off the streets. Co-hosts Rob St. Mary and Kevin Lehane join the discussion, and we've got exclusive interviews with writer Bill Svanoe and director Tom Holland to break down the film's mix of action, comedy, and social commentary.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Whoopbruary keeps the action rolling with Fatal Beauty (1987), a hard-hitting crime thriller starring Whoopi Goldberg as tough-talking detective Rita Rizzoli. Directed by Tom Holland and based on a script by Bill Svanoe, the film follows Rizzoli as she battles to keep a deadly designer drug off the streets. Co-hosts Rob St. Mary and Kevin Lehane join the discussion, and we've got exclusive interviews with writer Bill Svanoe and director Tom Holland to break down the film's mix of action, comedy, and social commentary.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

durée : 00:16:14 - L'invité du 13/14 - par : Céline Asselot - La criminalité corse avec Fabrice Rizzoli

durée : 00:58:48 - Le 13/14 - par : Bruno Duvic - Après la mort d'une étudiante de 19 ans tuée par balles, sans doute par erreur, la Corse compte son 3ème homicide de l'année. En 2024 la Corse se situait au 1er rang national en matière de criminalité. Alors comment lutter contre cela ? Réponses avec Fabrice Rizzoli docteur en sciences politiques.

Scott Kerr speaks with Stefano Peccatori, president & CEO of Rizzoli International Publications, the famed Italian publishing house recognized for producing high-end illustrated books in fashion, architecture, art, and design and its world-famous Rizzoli Bookstore in New York City. Stefano discusses how its Milanese founder Angelo Rizzoli went from poverty to successful book publisher to producing films like '8 1/2' by Federico Fellini. He also talks about how why Rizzoli is "not just a luxury brand, but part of the culture of luxury," positioning Rizzoli in a competitive high-end coffee table book market, why physical bookstores have seen a resurgence in popularity,  and the story behind producing a 300-page monograph on Italian clothing label Stone Island. Plus: Working with prestigious luxury brands on tribute booksFeaturing: Stefano Peccatori, President & CEO of Rizzoli International Publications (rizzoliusa.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or colleague!

On today's podcast I welcome photographer Todd Glaser who spent over 10 years as a staff photographer for Surfer Magazine. Todd just recently published a new book with Rizzoli a body of work representing 15 years photographing legendary surfer Kelly Slater. The book not only includes incredible action photos of Kelly Slater surfing but also showcases a behind scenes documentation of Kelly Slaters life and travels around the world. The book is available for purchase at most online book retailers as well at the link below. Purchase Book : https://www.rizzoliusa.com/book/9780847836079/ Use Promo Code "Banter" to get 2 months free at picdrop.com Todd Glasers Website : https://tglaser.format.com IG - @toddglaser

This week, we're thrilled to welcome renowned designer Jeffrey Alan Marks to the show, known for his appearances on Bravo's Million Dollar Decorators and his acclaimed book, The Meaning of Home. In our conversation, we dive into his latest work, This is Home, released this month with Rizzoli. The conversation explores Jeffrey's journey from his California roots to his training in London, revealing how his unique blend of Californian cool and English coziness informs his approach to interior design. Discover the challenges he faces when blending antiques with contemporary spaces, and gain insight into the evolving preferences of clients. Jeffrey shares personal anecdotes about balancing family life with the demands of design, reflecting on the impact of significant events like the California wildfires. What You'll Hear On This Episode: 00:00 Introduction to the How to Decorate Podcast 00:33 Welcoming Jeffrey Alan Marks 01:13 Jeffrey's Personal Journey and Family 01:55 Design Philosophy and Influences 03:28 Impact of California Wildfires on Design Projects 05:01 Montecito Seaside Cottage Project: A Family Haven 06:41 Blending the Aesthetics of California and English Styles 07:52 The Challenges of Mixing Antiques with Modern Design 12:29 Adapting Design Strategies for Contemporary Spaces 16:03 Insights into Client Preferences and Evolving Design Trends 19:54 Designing for Families: Function Meets Aesthetics 21:59 Navigating Challenges in Kid's Room Design 27:29 Exploring Neutral and Minimalist Design Aesthetics 29:48 Dream Homes and a Love for Antiques 30:24 The Charm of Swedish Antiques and Venetian Plaster 31:16 Balancing Calmness and Chaos in Design Spaces 32:05 The Sullivan Canyon Project: A Rock and Roll Farmhouse 33:12 Embracing Eclectic Design and Rustic Charm 37:33 The Art of Mixing Textures and Colors for Depth 39:32 Valuable Insights from Clients and the Design Process 41:01 Finding the Perfect Color Palettes: The Power of Blue Hues 47:59 Best Practices for Mixing Antiques with Contemporary Pieces 49:57 Listener's Kitchen Renovation Dilemma: Backsplash Solutions • • 57:34 Final Thoughts and Farewell

Vittoria Rizzoli is an Italian architect who graduated from Milan Polytechnic. After completing her studies, she set out to conquer the major American agencies, where she honed her design skills. Returning to Europe, she pursued her career in Paris, France, working for prestigious agencies such as that of renowned decorator Patrice Nourissat, after a spell with Jean-Paul Viguier. She then set up her own agency.In this issue of Com d'Archi, she tells us more about her project to renovate an apartment under the roofs of Paris. Photo teaser (zoom) DR © Vittoria RizzoliSound engineering : Bastien Michel___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Vittoria Rizzoli est une architecte italienne diplômée de l'école Polytechnique de Milan. A l'issue de ses études, elle part à la conquête des grandes agences américaines au sein desquelles elle affute sa pratique du projet. De retour en Europe, c'est à Paris, en France, qu'elle poursuit son parcours dans de prestigieuses agences notamment celle du décorateur de renom Patrice Nourissat, après un passage chez Jean-Paul Viguier. Puis elle crée sa propre agence.Dans ce numéro de Com d'Archi, Vittoria nous fait voyager en partant de Parme sa ville natale et de sa culture. Elle témoigne avec un regard parfois nostalgique sur les savoirs-faire d'excellence des grands projets que permettaient hier les clients les plus fortunés : une approche de l'excellence des métiers de la conception qui n'existe plus vraiment aujourd'hui à part peut-être les missions muséales, une époque où la réussite, le mérite emmenaient au plus haut de l'expression artistique, de la culture, dans l'esprit de la transmission. Vittoria est esthète, aime le patrimoine. Ainsi elle est plus que apte aujourd'hui à tirer le meilleur parti des espaces domestiques parisiens . Ceux, souvent exigus, dans lequel le tout à chacun chanceux peut encore et parfois s'offrir de nos jours. Là elle y décline tout une palette d'astuces et de couleurs révélatrice de son haut degré de technicité et de professionnalisme en tant qu'architecte, architecte d'intérieur et designer.Image © Vittoria RizzoliIngénierie son : Bastien Michel____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Eleonora Brizi is a digital art curator who specializes in blockchain art. She is the co-author of The Rarest Book, a collection of works from the Rare Pepe project, and she edited the book Cryptoart Begins published by Rizzoli. As the founder of digital curation brand Breezy Art she has curated numerous exhibitions of digital and cryptoart. She is also a co-founder of 100 Collectors, a global club of art and NFT collectors.Recorded on January 20, 2024.Follow the guest:https://x.com/eleonorabrizihttps://www.breezyart.ioFollow the hosts:https://x.com/Scooter0xhttps://x.com/PepaDotTimestamps:(00:00) Introduction(00:44) The Meanings of Cryptoart(04:26) Experience with Contemporary Art World(06:52) Critique of Art World System(09:38) What Defines Works of Cryptoart?(15:30) Rare Pepes and the Ethos of Cryptoart(24:22) Curating the Story of Cryptoart (29:15) Contextualizing Cryptoart with Hackatao(30:56) The Continuum of Art(33:50) Why Web3 Art Platforms Fail(40:00) 100 Collectors: a Decentralized Art Collecting Club(44:20) Outro

Disco! For most gay men of a certain age - like those of you who listen to 40 Plus: Gay Men, Gay Talk - Disco represented so much of our lives then and now. It was the age of freedom, fun, pushing the "extremes" and also the age of loss due the HIV/AIDS epidemic.In his newly released book, Author Frank DeCaro, takes us on a frolicking, entertaining, yet serious tribute to the overlooked art form of disco, which has never been given its proper due, nor taken its true place in the historic struggle for LGBTQ+, gender, and racial equality.Key lessons you'll learn: How Disco became a movement towards more LGBTQ+ rights Gain a glimpse into some of the stories in the Disco era that shaped us as gay men today Discover how Disco can still teach us so many thing about our present day struggls as LGBTQ+ individualsAbout FrankFrank DeCaro's work has appeared in myriad publications including the New York Times Magazine, Martha Stewart Living, Entertainment Weekly, Newsweek, Vogue, and the Advocate. He is also the author of Rizzoli's Drag: Combing Through the Big Wigs of Show Business. on their journey.Connect With FrankWebsiteHey Guys, Check This Out!Are you a guy who keeps struggling to do that thing? You know the thing you keep telling yourself and others you're going to do, but never do? Then it's time to get real and figure out why.Join the 40 Plus: Gay Men Gay Talk, monthly chats. They happen the third Monday of each month at 5:00 pm Pacific - Learn More!Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk CommunityBreak free of fears. Make bold moves. Live life without apologies

Si sientes que ya no te concentras tanto como antes y no terminas lo que empiezas... ¿Es TDAH o estrés? El psicólogo y neurólogo, Antonio Rizzoli, te explica las señales de TDAH en adultos pa' que no veas señales donde las hay.

The Best Performances issue of W Magazine is here, marking the unofficial start of awards season with its iconic event this past weekend. To kick off our own season, we're sitting down with the woman behind it all: editor-in-chief Sara Moonves. Born into a world of celebrity and culture in Los Angeles, Sara's path to leadership was anything but handed to her. From high school internships to assisting legends like Sally Singer and Phyllis Posnick, she built her career with determination and a deep passion for the arts. As W's first female editor-in-chief in its 53-year history, Sara has revitalized the brand, expanding its print cycle to meet the demands of its thriving digital audience. Today, W Magazine remains a collectible beacon of creativity, bridging the worlds of art, cinema, music, fashion, and celebrity. Episode Highlights: Moonves grew up in Los Angeles, voraciously consuming arts and culture from a young age. While still in high school, Sara interned at Vogue and later assisted legends like Sally Singer and Phyllis Posnick before becoming a fashion editor herself. Upon inheriting a nearly defunct W Magazine as its new Editor-in-Chief, Sara had to convince reluctant advertisers that the brand was still a worthy investment. In March 2024, W debuted its first digital cover featuring Beyoncé, timed to the release of her album Renaissance. The most awarded artist in Grammys history generated over 3.5 billion press impressions and 348 million social impressions, sparking overwhelming demand for a print edition. While other print publications scaled back their number of print editions due to industry-wide reductions in readership and ad spend, W's print issues were so successful that the brand added another to its lineup in 2024. Overall, W Magazine saw double-digit revenue growth year-over-year in the first half of 2024, encompassing all three platforms: print, digital, and experiential. By bringing cultural icons like Steven Spielberg into the fashion fold for the first time, W's brand world and content offerings are often more varied than many of its contemporaries. Sara became the first female Editor-in-Chief in the brand's 53-year history. Published by Rizzoli in 2022, W Magazine: 50 Years/50 Stories was the first of what Sara envisions as many brand extensions that leverage the magazine's storied history. For Sara, being contemporary means pushing boundaries, tuning out the noise, and always moving forward rather than backward. Learn more about your ad choices. Visit megaphone.fm/adchoices

Suitability has been on my mind a lot lately. I was taking the pup for a walk the other day and as I passed a home in the neighborhood that was under major renovation, it got me thinking about the concept of design suitability. I have been thinking about it quite a bit actually. Design suitability could also be interpreted as creatively vibing. To be on the same creative plane, with an ability to communicate freely and effectively. Any designer or client who has experienced creatively vibing understands that the way things get done when people are sharing that headspace is, beyond compare. It's a rarity. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Monogram - It's the details that define Monogram ThermaSol - Redefining the modern shower experience. Without steam, it's just a bathroom. Design Hardware - A stunning and vast collection of jewelry for the home!  - Where service meets excellence TimberTech - Real wood beauty without the upkeep When I got back to the house, I found a package leaning against the front door. I don't know about you but coming home to a package delivery still makes me giddy. It's that same feeling when you are out to eat and come back from the restroom to find your food waiting for you. Love that. The package was a book, so we have a new BOOKLOOK for you featuring the new book called Contemporary Living  by Paul McClean of McClean Design. This book is a love letter to California and California living. This is an extraordinary book that opens with an essay about California living and the roots of residential design in the Golden State. You'll hear abut some of California architecture pioneers like Koenig, Gehry and Neutra that leads you through an exploration of McCleans work perched in the Hills of Los Angeles. These modern masterworks demonstrate McCleans understanding and respect for the origins of California living, followed by concrete examples of how he deconstructs the core ideas and presents the concepts within completely original works. It's a masterful understanding of how something works and possessing the talent and ability to take those ideas and reimagine them.  That original idea of creatively vibing with others, the environment, and past works of long lost masters provides all the elements for something very special. Contemporary Living by Paul McClean guides you through a visual journey of the architecture, site placement, scale and material selection. Design books, when done right are treasures to those who love to look at the work. This one is special for those that not only want to see the work but to gather an understanding of the philosophical approach taken to the finished residence. Finding the right architect is critical to obtaining the right shelter space for each individual. That method of vibing creatively allows the design to emerge and adapt to the individual. I don't think we talk enough about the people when it comes to design. This monograph makes sure to focus on elemental ideas like land, water, light, elevation, and the California ethos, which is inextricably connected to people who long for the California feel. If you love modern design and contemporary living that California feel, you should get this book. Published by Rizzoli and you can find a link in the show notes. Brilliant monograph, Paul. Well done. Staying on the creative vibing theme for a bit longer, this episode of the podcast features a conversation with designer, Michelle Murphy of DemiRyan. One of the things that constantly troubles me is the idea that design is a universal concept. It's not. Design is personal. The relationship between client and designer should be personal. That doesn't mean you have to be besties, you don't even have to like each other. Michelle and I talk about a number of things that point to this idea of suitability that can mean success or failure of the client-designer relationship.