Podcast appearances and mentions of Dan Snaith

Podríamos tener ya una firme candidata al trono musical estival, el de baile, el que nos gusta. Sofia Kourtesis acaba de enseñar 'Unidos', un tremendo corte disco-house en el que hace tándem con Dan Snaith como Daphni, su alter ego clubero. Con este tema, Kourtesis anuncia 'Volver' un EP que toma el relevo de su disco del año pasado y que es un homenaje a la comunidad LGTBQ+, especialmente a las mujeres trans.Playlist:Alice Phoebe Lou - The SurfaceAminé, Waxahatchee - HistoryGuitarricadelafuente - BABIECA!Miso Extra, TYSON - Candy Crushin'Wet - DoubleErika de Casier - DelusionalNick León, Ela Minus - Ghost OrchidSofia Kourtesis, Daphni - UnidosSwimming Paul, Beaux Neptune - Direct With ItBaiuca - PAEQBNew Dad - Entertainer100%WET - EtherThese New Puritans - A Season in Hellwaterbaby - AmissArca - SolaEscuchar audio

A full four hours of the main man Caribou, recorded live at The Cause last summer. What more could you want to chase the blues away? Dan Snaith is one of the most enduring figures in 21st century electronic music. From early records as Manitoba, to 2010's Swim (which RA called Album of the Year in a runaway vote), to Grammy-winning 2014 hit album Our Love, as well as ongoing collaborations with Four Tet and dance floor excursions under his Daphni alias, the Canadian DJ-producer is a fixture for a reason. Ahead of a Caribou (Full Band) tour across the UK and Europe starting in February, we can now let loose the full four hour recording of his RA Live from 2024. In it, Snaith goes in hard, rolling out bassy, wobbly and fidgety heaters, running through everything from speed garage and UK funky to Afro house and anthemic deep house. It's what he truly does best: bangers on bangers (and more bangers). Watch the video here: https://www.youtube.com/watch?v=eM38RA6dkMs @caribouband

Another month, another pod. A very warm and most welcome to Episode 51 of This is Not Happening (TINH), an Album of the Month (AOTM) Podcast. In Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'.  This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, Joey sits in the middle of a 'divisive discussion'  focused on Caribou's new album Honey. One of us think it's some of the best of Caribou's work, one of us thinks it's much less than that.In Part 2, Spin It or Bin It, our theme this month is 'Basslines', for once we stipulated no other rules.Part 1 | Caribou | 'Honey'We all love Caribou. There are few artists that sit in the centre of the TINH venn diagram, but Caribou is one of them.  However, we all have different favourite Caribou albums and therefore have different expectations and hopes when it comes to a new Caribou album.The debate is fierce. We cover many topics including how to be fair when an artist produces something we weren't expecting, can you remove the bias of your disappointment and critique the album without bias? Unfortunately, we also end up talking about AI and music too.Listen to the album ... HEREWatch some of the videos for the tracks discussed ...  HEREWatch this short of it going off when Dan drops Honey in a DJ set ... HEREWatch this short of Dan talking about 'Volume' ... HEREBBC Sounds interview with Dan Snaith from this month ... HEREPart 2 | Spin It or Bin It | 'Basslines'The best Spin It or Bin It's are often the simplest. This month, the theme is one word and no extra rules or exclusions, 'Basslines'. However you want to interpret it, it's cool.NJoey chose 'Walk on the Wildside' by Lou ReedNolan chose 'Transitions'   by Dennis FerrerGuy chose '...(nothing but) Flowers' by Talking HeadsDavid chose 'Taxman' by the BeatleHere is a 16 track playlist where we all contribute 4 'basslines' themed tracks to an extended playlist.See you on Episode 52 ...We've been writing the blog for years come and have a look - https://thisisnothappening.net/

Although it wont stand on quality as being one of the esteemed Dan Snaith's finest, as either Caribou or his other alt Daphne, Honey will go down as one of the most important and challenging albums of this era. The use of AI in music is already a hugely controversial topic and one Snaith hits head on by using AI to turn his own voice into a variety of female singers.

En 'Honey', Dan Snaith ha desdibujado la línea que separa sus proyectos Daphni y Caribou. Con este último es como publica su nuevo trabajo que se entrega a la música de baile más directa y de aspiración masiva. Entrando en el juego que ya han abrazado Four Tet o Fred again.., su sonido se hace más inmediato, ágil y pegajoso que nunca. Un LP en el que ha coqueteado con la versión más ética de la IA aplicada a la música, tratando su voz para simular todas las pistas vocales que escuchas en sus tracks. Playlist:Amaia - TocotóEla Minus - BROKENKieran Hebden - ؞ؙؖ⁽⁾اv)) ̷̨ʅv؞ؙؖ⁽⁾ا (55Swimming Paul, Thals - All My FaultFennec - Vongole AsportoCaribou - Got to ChangeThe Smile - Eyes & MouthSampha - Dancing Circles 2.0pablopablo, Helado Negro - Lejos de MásCiutat - Triste de FelicidadKelly Lee Owens - Ballad (In the End)Public Service Broadcasting, EERA - A Different Kind Of LoveFaye Webster - After the First KissThe Weather Station - Neon Signsyunè pinku - Midnight OilEscuchar audio

Dan Snaith aka Caribou hatte derart Freude an den neuen, überraschend clubtauglichen Tracks, dass er sie laufend auf DJ-Sets spielte. «Das ist das Grösste: Du weisst, dass die Leute etwas noch nie gehört haben. Und sie gehen ab!» Gut getestet, ist halb gewonnen: «Honey» ist pure Dancefloor-Liebe.

A finales de los 80, los británicos M|A|R|R|S triunfaron con 'Pump Up The Volume', un single que resultó único porque no hubo más, y porque se construía exclusivamente a partir de samples, abriendo una puerta que no se ha vuelto a cerrar. Caribou ha homenajeado ese tema icónico convirtiéndolo, a su vez, en sample de su nueva canción, 'Volume'. El resultado es una reinvención del original con la que viaja a la infancia: "La primera vez en mi vida que escuché música electrónica", ha dicho Dan Snaith. Playlist:Lua de Santana, $kyhook - GiNGANick León, Erika de Casier - Bikini Caribou - VolumeJamie xx, The Avalanches - All You ChildrenSwimming Paul - MaximumMura Masa, Cherish - FLYGAZZI - YOU SHOULD KNOW ITHiTech, Juan Michael OG - GASOLINENia Archives - Forbidden FeelingzBADBADNOTGOOD - Best Left UnsolvedChannel Tres - Cactus WaterBrijean - Counting SheepBraxe + Falcon, Bibio - All This LoveAlice Phoebe Lou - The World AboveGalaxie 500 - I Wanna LiveIron & Wine - Never MeantEscuchar audio

Pure energy from one of electronic music's brightest lights: Sofia Kourtesis. Clamour had been building around the Peruvian-born, Berlin-based artist's poignant brand of house music following a string of EPs and 12"s, culminating in last year's Madres—a passionate, vulnerable and excellent album that resonated widely. Madres packed in rare specificity for a dancefloor record, combining paeans to the power of sound with direct tributes to the neurosurgeon who saved the life of Kourtesis' mother. (Kourtesis even took him clubbing in Berlin as an additional thank you.) The album's earworm melodies, sparkling production and approachable aura made it a snap favourite, helping launch Kourtesis from bubbling to breakthrough on the global stage. In both sound and impact, it mirrors another record: Swim, the 2010 classic made by Kourtesis' friend and mentor, Dan Snaith. Speaking of @caribouband: RA.943 kicks off with a brand new Sofia Kourtesis & Daphni collaboration, before powering through summer-ready cuts from LUXE, Floating Points, IceMorph, DJ ADHD and an old Oliver Lieb classic. Even as her reputation as a recording artist swells, this power-hour mix is a sharp reminder of Kourtesis' DJing chops, teeing up a victory-lap summer ahead. @sofia-kourtesis

Nedar amb i entre m

Nedar amb i entre m

Canada's Dan Snaith hits his most prominent album that isn't under the name Caribou, with this DJ mixtape in fell, collection of more up tempo, club-oriented tracks, akin to Nicholas Jaar doing his AAL project. Catnip (for me) references, early 90s techno, Orbital, UK garage, Four Tet, filter disco, and on... for a nearly (but not 100%) perfectly curated set.

Seit über 20 Jahren formiert und reformiert Dan Snaith die Clubmusik. Als Daphni erwirkt er regelmässig neue musikalische Strömungen und veröffentlicht nun das dritte Album «Cherry». Ein schnelles, ausgeklügeltes und vor allem sehr spassiges Album und doch vielleicht schon etwas überholt? Daphni ist nicht der einzige Name, unter dem Dan Snaith Musik macht. Man kennt ihn auch als Indie-Head Caribou und noch früher nannte er sich Manitoba. John Bürgin, SRF Musikredaktor und Experte für elektronsiche Musik, stellte ein Mixtape zu den verschiedenen Facetten Dan Snaiths zusammen. Hier gehts zum Mixtape!

Alle fünf Jahre braucht Dan Snaith eine Pause von Caribou, um mit seinem spannenderen Nebenprojekt **Daphni** die tanzbaren und roughen Seiten seiner Sample-House-Musik auszuloten. Aber wie nahe sind sich die Projekte mittlerweile eigentlich und lohnt die Differenzierung noch? **Loraine James** ist derweil zum zweiten Mal in diesem Jahr Thema bei uns und präsentiert eine Hommage an den früh verstorbenen, queeren Komponisten Julius Eastman, der als Schwarzer Mann in den 80ern zu Unrecht aus dem Gedächtnis der alternativen und minimalen Klassik gestrichen wurde. Spalter der Ausgabe ist der Glam-Post-Punk der Amerikaner*innen von **Thus Love**, während die verschollen geglaubte Musik von Jamie Hodge alias **Born Under A Rhyming Planet** frickeligen und fast sensationellen Ambient-Jazz zutage befördert und **Conrad Schnitzlers** Archiv dank der Arbeit von Baal & Mortimer einen neuen Anstrich erhält. Plus 17 neue Songs im Track17 Musikpodcast inkl. LCD Soundsystem, Clark, Carla dal Forno, Sorry, Crack Cloud, Perera Elsewhere, Gold Panda uvm. Alle Songs zu allen Folgen auf unserer Playlist [Playlist auf Spotify "Track17 - Playlist zum Podcast"](https://open.spotify.com/playlist/7AtwymJUY4fJxsIlWedMGB?si=a5e668c2155a4d74) [Setlist] - [00:00:00] Intro + die letzten Ausgaben - [00:02:42] Zuletzt gehört: Zum Tod von Pharoah Sanders - [00:05:28] **Daphni // Cherry (Jialong)** - [00:15:06] Playlist Part 1: Perera Elsewhere, Christina Vantzou, Sorry, James K - [00:19:38] **Loraine James // Building Something Beautiful For Me (Phantom Limb)** - [00:31:55] **Thus Love // Memorial (Captured Tracks)** - [00:40:21] Playlist Part 2: Carla dal Forno, Gold Panda, A+A, Crack Cloud - [00:43:06] **Born Under A Rhyming Planet // Diagonals (DDS)** - [00:50:51] **Conrad Schnitzer + Baal & Mortimer // Con-Struct (Bureau B)** - [00:58:27] Playlist Part 3: Ryuichi Sakamoto & Thundercat, Mogwai, LCD Soundsystem, Clark - Jetzt auf Spotify abonnieren.

Motus leva arte performativa a Faro até ao final da semana; Dan Snaith volta a lançar um tema enquanto Daphni, três anos depois; Oliver Sim lança novo single e deixa detalhes sobre o disco de estreia.

You can do it es una canción con un mensaje motivador, lo nuevo de Dan Snaith bajo su alias de Caribou, y lo escuchas en Siglo 21. Además, la nueva música de Black Marble, Porches, Disclosure, Camila Moreno y mucho más. Entrevistamos al saxofonista James Brandon Lewis, que reflexiona sobre la relación entre ciencia y jazz. Al final del programa Jungle presentan otra de las canciones de su álbum Loving in Stereo. Escuchar audio

It might feel like a lifetime ago, but it was just over a year ago in February of 2020 when we got new albums from both Tame Impala and Caribou. For Kevin Parker, The Slow Rush was his fourth full-length record following an extended break after Currents. Caribou fans had a slightly longer wait for Dan Snaith's tenth record, Suddenly. Now both artists have rereleases in 2021. Kevin Parker and company recently celebrated ten years since their debut record, Innerspeaker. There's a new behind-the-scenes short film chronicling the 2010 recording process, a box set, and an upcoming livestream performance later this month, April 21 (more info on tickets here), of the full album from the Wave House. Dan Snaith has also been in the news recently, releasing Suddenly Remixes, featuring reworked tracks by Toro y Moi, Four Tet, Floating Points, and others. This conversation, which originally aired in October of 2020, never has a dull moment and features the pair chatting about how and when they first met, having confidence as an artist, and their "de facto lockdown albums." Don't forget to subscribe to the Talkhouse Podcast wherever you get your podcasts. —Keenan Kush, Talkhouse Director of Operations This week's talk was originally produced by Mark Yoshizumi and Elia Einhorn. This episode was produced by Melissa Kaplan. The Talkhouse Podcast theme song was composed and performed by The Range.

Para ese disco ("Assembly") de fetiches, rarezas y temas remasterizados se rescató un tema de The Crickets del 61 que interpretó en la versión de directo de Joe Strummer y sus Mescaleros en el Academy de Brixton en 2001. ...Y aunque pasó el sábado 27 (el día del aniversario redondo) y la sorpresa con tarta de ayer en el estudio y en directo seguimos recordando aportaciones de artistas, a veces con el directo del momento, de otras citas. Por ejemplo, en los diez años del Rock-Ola estuvieron Farenheit 451; en los treinta de la sala Arena los cacereños Bloomington, en la fiesta hogareña de los cuarenta Birdairplanes y en la de la Radio Encendida a lo grande Maga y Klaus&Kinski. Noticia del día es que salen los tres primeros discos (dos cuando era Manitoba y el siguiente ya con el nombre actual de Caribou) del proyecto de Dan Snaith. Además Sharon Van Etten es la invitada de cameo en el clip de una de las canciones del disco de duetos de Xiu Xiu. Mientras Jay Som y Palehound se preparan para estrenarse como Bachelor y muestran canción a lo Breeders. Y entre tanto Phoebe Bridgers echa una mano al fotógrafo sueco Olof Grind que se presenta como Luminous Kid.  Novedades de aquí son ese "CRAP" de Crab Apples, tras haber ido escuchando avances desde enero de 2020; otra muestra más del folk-country de tierras sorianas de Cardelina; la nueva canción que exhibe Lena Gin (o sea Provi Morcillo) y el "Prohibido hacer fuego" apenas con guitarras de Samuel Reina. Al final insistimos en ese disco que tiene que ser físico si llega a los 300 preorders y lo encargas en bit.ly/apartvinyl y que es la aventura de A Part (Pablo Tato desde Londres). Escuchamos un tema que popularizara Frank Sinatra en donde el ilustre invitado (ayer fue Sophie Ellis-Bextor leyendo a Bowie) es Ed Harcourt. Escuchar audio

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es, 00,00h). Mary Wilson, una de las integrantes fundadoras de las Supremes,junto a Diana Ross y Florence Ballard, ha fallecido a los 76 años de edad. .En enero de 1961, Gordy firmó con el grupo con la condición de que cambiaran su nombre. Al principio no lograron causar una impresión en las listas, pero en 1964 su versión de Where Did Our Love Go de Holland-Dozier-Holland encabezó las listas de Estados Unidos y alcanzó el número 3 en el Reino Unido. Fue el comienzo de una racha de éxitos que incluyó Baby Love, Stop! In the Name of Love yYou Can’t Hurry Love.. The Supremes también se hicieron conocidas por su atuendo glamouroso, y en 1966, su álbum Supremes A 'Go-Go se convirtió en el primer disco de girls group en encabezar las listas de álbumes de Estados Unidos, sacando a Revolver de los Beatles del puesto número uno. Medicine at Midnight, el décimo album de Foo Fighters, es un disco muy variado,, en el que no solo puede encontrar canciones del rock clásico y característico de los Foo, sino también innovadoras canciones orientadas al groove que te harán bailar, como es el caso de 'Making a Fire'. Dan Snaith, más conocido artísticamente como Caribou, ha anunciado la salida de su nuevo disco “Suddenly Remixes”. En este, rehará los temas de su último trabajo con una gran cantidad de artista: Four Tet, Jessy Lanza y otros. En 2020 se cumplió el 10º aniversario de "Tierra, trágalos", pero por las circunstancias acaecidas no ha podido ser hasta un año después cuando se vaya a hacer realidad la reedición de uno de los discos más representativos de la carrera de Klaus&Kinski . Y en 2021 Alejandro Martinez ha pubicado su segundo album como Alexanderplatz 'Parques nacionales españoles". Esta semana se ha estrenado el primer tráiler oficial de DARDARA, una película-documental sobre Berri Txarrak que ha contado con la dirección de Marina Lameiro (“Young & Beautiful”, 2018). Para la confección de esta película-documental, Lameiro se metió en la furgoneta de la banda liderada por Gorka Urbizu y grabó su gira mundial de despedida, Ikusi Arte Tour, con la que el grupo ponía punto final a una trayectoria de 25 años de carrera. Capture Tracks anuncia Till another time: 1988-1996, retrospectiva de Linda Smith, el eslabón libre entre c86 y k records, y estrena vídeo para "in this". "Domingo" es el primer single de Cobarro, el proyecto en solitario de Jesús Cobarro, frontman de Noise Box, que se publica el próximo 12 de febrero con Noise Box Records y Crema Music. "El corazón ardiendo" es el cuarto adelanto de “15.11.18", el próximo álbum de Marco Maril, primero firmado con su nombre y apellido, que verá la luz la próxima primavera. Otra delicada, pero a la vez intensa composición a piano, en la línea de las presentadas hasta ahora, pero con la particularidad de que en esta ocasión es Iría Vázquez la que lleva la voz cantante. Mentira vuelven a la carga con otro hit a la altura de No Sé (junio 2020). El último single del EP SINCERO, Una Puerta, es un tema que contiene toda la sensibilidad de la composición de Miguel Blanes y los mejores sonidos de Javi Aguilar (Chill Chicos) a la producción. En estos tiempos oscuros que nos ha tocado vivir, Los Vinagres siguen empeñados en inyectarnos buenas dosis de alegría y buen rollo con los avances de su próximo disco, “Buen Clima”. Con este segundo single, ‘Aquí Bien’, los canarios nos regalan una auténtica oda al positivismo. La banda Juárez, rock & blues y rock fronterizo en estado puro, siguen presentando su segundo trabajo , "Quiero más", producido por Santiago Campillo. El trío ceheginero Copper Age publicaba a finales de 2020 su segundo disco, 'Buerismo' , un álbum de stoner instrumental que ha alcanzado repercusión internacional y les ha hecho merecedores de ocupar el primer puesto de la encuesta mundial de Música de Contrabando. Charlamos con Salva Sánchez de paisajes desérticos, western y de su ascensión a los cielos.

TAME IMPALA AND CARIBOU ARE ON THE SHOW THIS WEEK!!! Sorry, I tried to write a more "professional" first line, but this is just SO DOPE! Tame Impala's Kevin Parker and Caribou's Dan Snaith are two of the most fascinating artists working today, and when the Talkhouse Podcast discovered they're also huge fans of each other's work, we knew we had to get them together to chop it up. In this warm and open conversation, the guys get into their very different creative processes; the pluses and minuses of having confidence in your artistic output; the clutch piece of gear Kevin uses to help get that sweet sweet Tame Impala sound; and much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tegan and Sara with Dehd, Deftones‘ Chino Moreno with comedian Reggie Watts, and Phish's Mike Gordon with Leo Kottke. And be sure to check our Soundcloud archives for recent shows featuring Mac DeMarco with Dayglow, Carly Rae Jepsen with mxmtoon, Diplo with Charlie Crockett, and loads more. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producers are Mark Yoshizumi and Elia Einhorn. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

To celebrate Carly Rae Jepsen and mxmtoon's rad collab track "ok on your own," we paired the pop stars for what turned out to be a deep dive into the art of making music and learning to thrive in the complicated music industry. In this very warm and insightful conversation, Carly and Maia each share their (very different!) origin stories, and explore both the art of songwriting and live performance. Carly also shares clutch career wisdom. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala’s Kevin Parker with Caribou’s Dan Snaith, and Deftones‘ Chino Moreno with comedian Reggie Watts. Plus, ICYMI: mxmtoon just kicked off her yearlong podcast project 365 days with mxmtoon in collab with Talkhouse, which features quirky stories from history that occurred on each day, old diary entries and more; it’s really fun, and like eight minutes long. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Carly was recorded by Nick Theodorakis, and everyone else you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week’s show, a young gun picks a veteran’s brain. A youngish veteran, admittedly — Mac DeMarco’s only 30, but compared to 21 year old Spotify-wunderkind Sloan Struble, aka Dayglow, he’s already spent a lifetime in the music industry trenches. The two take in a lot in this conversation. We hear Mac's origin story, and get a nice overview of his career. We get insight into what it's like finding fast fame online in 2020, and the two dissect the term "DIY" and the changing definition of “indie.” Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala’s Kevin Parker with Caribou’s Dan Snaith, Carly Rae Jepsen with mxmtoon, and Deftones' Chino Moreno with comedian Reggie Watts. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

For this week's episode of the show, we paired two brilliant rockers from different generations, each of whom has a fantastic new record out: Bob Mould (Hüsker Dü, Sugar) and Bully's Alicia Bognanno. They chop it up about a lot, including the making of their new albums; how the music industry has changed since Bob’s early days in the game; the ups and downs of sharing one's life — including familial and mental health issues — with the public; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Tame Impala's Kevin Parker with Caribou's Dan Snaith, and Mac DeMarco with Dayglow. Follow @talkhouse across socials to catch upcoming installments of Talkhouse Podcast Live On Insta. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themselves. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

In this episode John links up with Caribou a.k.a. Dan Snaith, to breakdown how Suddenly -  his first release in five years - was written, recorded and produced. Diving deep into his hard drive Dan treats us to a plethora of demo versions, track breakdowns and even plays us a few nuggets live. We get to hear the philosophy and stories behind creating his most personal album yet and discover how he reduced a monumental 900 ideas down to a single record. Listen to hear the results of when Dan was let loose in Floating Points' Studio, how leaving his internet browser open while recording provided a moment of compositional serendipity, and why the title of this podcast could well have been 'Things I learned from Timberland'.  Songs Discussed: Magpie, Like I Love You, Sister  VOTE FOR US! - We've been nominated for the British Podcast Awards 'Listeners Choice Award' which is voted for by the public. If you like what we do we'd be eternally grateful if you could show your support and vote for us. Head to here to vote: VOTE If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions): Donate  Follow us on Social Media to keep up to date with the latest episodes and submit questions:InstagramFacebookTwitter Visit our website to join our mailing list: www.tapenotes.co.uk    

Dan Snaith, studierter Mathematiker, entdeckte um die Jahrtausendwende seine Passion für elektronische Musik. Zunächst firmierte er unter dem Namen Manitoba, bevor er sich in Caribou umbenannte. Unter diesem Trademark feierte er live und mit seinen Produktionen große Erfolge. Fast sechs Jahre musste man auf ein neues Album von ihm warten. „Suddenly“ ist ein sehr persönliches und vom Sound her abwechslungsreiches Album geworden. Caribou gibt im „elektro beats“-Interview sehr detailliert Auskunft über die Entstehung des Albums, seine Inspirationen, Arbeitsweise, den Plattentitel, das Artwork und erläutert die Geschichte einiger Tracks.

In his basement home music studio in London, Dan Snaith aka Caribou speaks to Greg Cochrane about life, death and family – the core subjects of his latest album Suddenly. Plus, the producer recalls the eventful birth of his daughter on a busy street and discusses the music community's response to the climate crisis.Links to some of the things mentioned:David Wallace-Wells' book The Uninhabitable Earthhttps://en.wikipedia.org/wiki/The_Uninhabitable_EarthJulie's Bicycle organisationhttps://juliesbicycle.com/music/Details about subscriptions to Loud And Quiet magazinehttps://www.loudandquiet.com/subscribe/ See acast.com/privacy for privacy and opt-out information.

Dan Snaith's latest project under stage name Caribou is impacting, immaculate and inspiring dance pop, plenty to froth over for hosts Aislinn, Benito and Jesse.

Talented multi-instrumentalist Dan Snaith, otherwise known as Caribou, talks Brexit, a dramatic child birth, loss, communication, the voice, his stellar new album Suddenly, and more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Please take this listener survey. 

Julia praat met Dan Snaith van Caribou over het nieuwe album Suddenly.

Julia talks to Dan Snaith from Caribou about the new album Suddenly.

Julia praat met Dan Snaith van Caribou over het nieuwe album Suddenly.

Caribou mastermind Dan Snaith speaks with Kyle Meredith about his new album Suddenly. The songwriter discusses the differences in where he left off musically on 2016’s Our Love to produce a set inspired by Alternative R&B and classic soul. Snaith also details how the album began by whittling down over 900 draft ideas, working with his best friend/sounding board Four Tet, and creating an album with loss as a central theme without creating something sad. We also get a preview on what to expect from the forthcoming tour, which will feature some grand visual elements. For information regarding your data privacy, visit acast.com/privacy

On this bonus episode of Audioface, Sean and Dan take a winding walk down the road of Dan Snaith (AKA Manitoba AKA Daphni AKA Caribou) and his eclectic musical career.Caribou's newest album "Suddenly" will be reviewed in Audioface #132. Make sure you're subscribed to this podcast wherever you're listening. That way you'll have the episode ready to play when you want it. Check out Sean and Dan's 2020 playlists on Spotify for their favorites of the year so far. Follow @audiofacepod on Twitter, Instagram, or YouTube for extra Audioface. We appreciate it, and you. Thank you for listening with us!

Dan Snaith has been making Caribou records since 2001. He won Canada’s Polaris music prize in 2007, and this month, he’s releasing the seventh Caribou album, Suddenly. In this episode, Dan breaks down the song “Home.” He talks about how he managed to get past several moments of creative uncertainty to figure out the final track. songexploder.net/caribou

There are a great deal of things you can say about Dan Snaith. His list of achievements would burnish any CV: a doctorate in mathematics under one arm, and some of the 21st century’s most celebrated electronica albums under the other. He manages to juggle festival headline slots across the world with the live iteration of Caribou, while slipping out timeless dancefloor burners and one of the last ever FabricLive CDs as Daphni. Oh, and he’s a super friendly guy too. That experience – and crowd-charming magnetism – can be heard all over today’s Dekmantel Podcast, a three-hour tour de force of Daphni in peak-time mode at the peak of summer. Recorded on Sunday of Dekmantel Festival 2018, in the middle of a humble-superstar-sandwich of Jamie XX / Floating Points, Snaith glides between rave stabs, strutting funk, stirring soul, global grooves and everything else under the (very warm) sun. Here’s to the next decade of Dan’s dominance!

Here's Strange Brew #148 - Djin Chin - on 8Radio.com - Dan Snaith from Caribou tells me why Les Fleur by Minnie Ripperton is his favourite song, and there's new music from The Redneck Manifesto, Bitch Falcon, Pursued By Dogs, North Atlantic Oscillation, Sufjan Stevens, Beirut, Beach House, Pillow Queens, free tickets to see Kiran Leonard and a classic from Modest Mouse. It's all go here on Strange Brew. Every Friday at 9pm & Saturday at 7pm on 8radio.com. Strange Brew : Songs Of The Day playlist - https://open.spotify.com/user/gugai www.strangebrew.ie www.facebook.com/strangebrewgalway www.twitter.com/@strangebrewirl gugai@strangebrew.ie

SHALT, DJ LAG, ROBOT KOCH + LINDSTRØM/PRINS THOMAS are featured new music on the latest ABSTRACT SCIENCE podcast, hosted by CHRIS WIDMAN + HENRY SELF. WIDMAN begins with fractured techno-bass slow-burners, gradually building the tempo + energy into a few club bangers, and ending with a jazz-house freakout remix by DAN SNAITH (aka CARIBOU), back... The post absci radio [as1058] — chris widman + henry self appeared first on abstract science >> future music chicago.

On this episode of KNOBS, Matt digs into the vaults to bring you a great phone interview with Caribou’s Dan Snaith. This feature comes from 2010 when Dan was doing press for the fantastic album, ​Swim.   ​KNOBS is brought to you by: Atomic Film + Design Start your project now at atomicfilmshop.com

Dan Snaith es canadiense de familia británica, en la que todos son matemáticos. Aunque siguió la tradición de sus padres y hermanos (tiene un doctorado del Imperial College Of London), Snaith siguió el camino de la electrónica y produjo uno de los álbumes más importantes del género de esta segunda década del siglo 21: 'Our Love' de 2014.  En esta conversación cuenta la historia de ese camino hacia la electrónica: cómo se crió en un hogar en donde la música grabada no fue tan importante, y sin embargo a los 6 años de edad escuchó 'Pump Up The Volume' y así comenzó una fascinación con el hip hop, que lo llevó a coleccionar discos y a buscar los retazos con que esa música se hizo.  Snaith no es una persona que pueda "desbaratar un radio y arreglarlo", dice en esta conversación, pero dice que sí le gusta desbaratar una idea para reconstruirla, sea literaria, matemática, cinematográfica o musical. Una charla sobre electrónica, internet, familia y tiempos modernos, con el maravilloso Caribou.  Pump Up The Volume for this one, kids!  Alejo

Last week Dan Snaith aka Caribou swung by the Brownswood Basement for a mix and a chat, discussing his 30 minute mix of 7inch records, as well as the success of the album and his upcoming tour! See acast.com/privacy for privacy and opt-out information.

Dan Snaith reflects on his winding journey through music.

Dan Snaith reflects on his winding journey through music.

Dan Snaith reflects on his winding journey through music. For more, visit Resident Advisor: http://www.residentadvisor.net/podcast-episode.aspx?exchange=218