Podcasts about dlsr

Jarvis Lawson is a Milwaukee based photographer who has worked with dozens of organizations over the years including Alaska Airlines, Jordan Brand, Stella Artois, My Helsinki, Under Armour, Vice, and Visit California. Everything started for Jarvis when he came across a skyline photo online that was shot with an iPhone. An android user at the time, Jarvis said up his money and knew he had to get an iPhone for himself. He immediately poured himself into photography driving to Chicago every day he could to take photos of abandoned buildings, skylines, gritty alleyways, puddles, and anything else that caught his eye. People quickly took notice and he began to build a following on Instagram using the hashtag #iphoneonly . He was even a featured photographer that Instagram itself interviewed and promoted. After about a year of shooting exclusively with his iPhone his mom bought him his first DLSR. From there both his skills and his career truly blossomed. His first big break came when he was hired by Visit California to hit the road and capture the beauty of Northern California's parks and mountains. Not long after that he found himself shooting photos for My Helsinki to help promote tourism to Finland. Jarvis has travelled the world shooting photos for many large organizations, but he has also done extensive work in the the product photography and portrait space for massively successful brands like Under Armour, Jordan Brand, Stella Artois, and more. In this episode we discuss Jarvis's photography journey from his humble iPhone beginnings to capturing cycling trip in the Czech Republic, and so much more. He also opens up about how he built his career and gives a ton of valuable insight and advice that any photographer, or creative in general, could benefit from.

Neale has a bad case of flight wind and Kev is saving £1 a week for the rest of his life so he can afford Leica's new Monochrom camera, whilst wishing and hoping that Fujifilm may at last release their own dedicated BW-only camera, especially now that even Pentax have launched theirs! One thing is for sure, both our boys are lamenting the closure of DPReview. Questions today on sharpening; to sharpen or not to sharpen, switching from a DLSR with an optical viewfinder to an electronic viewfinder in a Fujifilm mirrorless, building a new portfolio, working for free, removing pictures of those who have passed from online portfolios, shooting tethered with Fujifilm cameras, wonky frozen sub monitors and more. Our guest this week, visiting us for the first of two editions, is London-based street and travel photographer, Mr. Whisper. Pic Time: https://www.pic-time.com/  - use FUJICAST when creating an account for discount offers to apply The showpage: https://www.fujicast.co.uk/episodes/episode-244  Kevin Mullins: https://www.kevinmullinsphotography.co.uk  Neale James: https://www.nealejames.com  Loading Zone podcast productions: https://www.loadingzone.co.uk  Leica's new M11 camera: https://leica-camera.com/en-GB/discover-leica-m11-monochrom  An update to DPReview's closure news: https://www.dpreview.com/news/0507902613/dpreview-closure-an-update  The new Pentax K-3 Monochrome camera: https://news.ricoh-imaging.co.jp/rim_info2/2023/20230413_038349.html  Neale's 365 feature: https://www.nealejames.com/365-journal  Matt Stuart's website featuring the ‘famous leaf picture”: https://www.mattstuart.com/  Jason Evans' Daily Nice website: http://www.thedailynice.com/  Chris Orange's food portfolio: https://www.chrisorangephotography.com/My-work/Clients/Food-Industry/  Photoshop and Lightroom tethered plugin for Fujifilm: https://fujifilm-x.com/global/products/software/adobe-photoshop-lightroom-tether-plugin/  Em and Woz wedding photographers: https://emwoz.co/  Mr.Whisper's website: https://www.mrwhisperstudios.com/  Allister Freeman's website: https://www.allisterfreeman.co.uk/  Jeff Ascough's street work: https://jeffascough.com/ 

I am so excited to once again have my friend Linda Holt with me today!  If you haven't heard her first episode, you definitely want to go check that out at https://devignierdesign.com/podcast/photography-using-your-iphone-linda-holt  Today I wanted to take a deep dive into professional portfolio-level photos. That is something all designers really struggle with, myself included!  Linda shares so many actionable tips on photography. When I saw her latest IG story about how she is adding more content to her course about taking portfolio photos for yourself and breaking down all the scary components that can hold you back, I knew I had to have her on! Linda Holt is a former professional photographer. She is no stranger to merging her creative eye with her esthetic appeal. She has worked with more than five thousand celebrities, actors and models as one of Boston's top commercial head shot photographers. That was her former life! Today, she uses her skilled photographic eye to help homeowners create a stylish, fresh and relaxed home that is reflected of their unique personality and lifestyle. She has put away her heavy DLSR cameras and now shoots exclusively with her iPhone and Samsung phones. She has become an expert in both iPhone photography and smartphone photo editing. After successfully teaching smartphone photography workshops in and around Boston, she created an online photography class solely for interior designers, stagers, and creatives called Smart Phone Photography for Interior Designers.  Linda not only knows her stuff behind the camera but also in the design field! In today's episode, we talk about the pros and cons of the iPhone 14, leaving lamp lights, floor lights, and ceiling lights on or off during your photo shoot, what to know about hiring a professional photographer, and more! This is such an important conversation to have and one that you're going to want to take notes on so that you can be more confident in taking your own photos that are portfolio worthy. Find out more about Linda as well as the full show notes at: https://devignierdesign.com/podcast/portfolio-photos-linda-holt 

It's assignment day where our special guest sets a photography challenge or a way to think about your picture-making for the next week. It's a challenge for everybody, whatever interests you have, whatever camera you hold, film, larger format, DLSR, mirrorless, compact, or smartphone – it's all about the picture you see. I would love to share the pictures you make for this challenge here, so please send them in to studio@photographydaily.show - 2000 pixels on the long side, any orientation you prefer; square, portrait, or landscape.

NEW! Monday is assignment day where our special guest sets a photography challenge or a way to think about your picture-making for the next week. It's a challenge for everybody, whatever interests you have, whatever camera you hold, film, larger format, DLSR, mirrorless, compact or smartphone – it's all about the picture you see. I would love to share the pictures you make for this challenge here, so please send them into studio@photographydaily.show - 2000 pixels on the long side, any orientation you prefer; square, portrait or landscape. My thanks to our wonderful patrons and MPB.com who sponsor this show; the number one company in the UK, the US and Europe when it comes to buying, selling and trading used camera kit online – it's a safe place to do business, with guarantees upon what you buy.

In this episode, Dan and Bekah talk to Ayu about the impact of community, being a prolific blogger, and the very real challenge of burnout. Ayu's openness about the challenges of being a mom on the self-taught track into tech, isolation, and fears of not being good enough are the stories that we don't share enough of. Because when we share, we can all work through them together. Thank you, Ayu, for reminding us that it's ok to not be ok. About Ayu AdiatiOriginally from Indonesia and now based in The Netherlands, Ayu Adiati is a self-taught Frontend Developer & Technical Blogger. She's on her way to break into tech from being a stay-at-home-mom of now a 4 years old daughter.When Ayu is not coding, you can find her with the DLSR camera on her hands, cuddling with her daughter, or enjoying her iced macchiato latte.TwitterBlogDEVCodeNewbieHashnodeLinks mentioned in the episode:Lesson Learned: Massive Burnout In Learning Web Development Ayu's twitter thread about struggling with learning to codeFree Code Camp - web responsive design certificationAyu's CodeNewbie Community SpotlightVirtual Coffee: Virtual Coffee: virtualcoffee.io Podcast Contact: podcast@virtualcoffee.io Bekah: dev.to/bekahhw, Twitter: https://twitter.com/bekahhw, Instagram: bekahhw Dan: dtott.com, Twitter: @danieltott

Today our guest is Sam Wiles, a Color Engineer at FilmConvert. Since the very beginning of digital cinema, people have been trying to get video to look like film, and that’s a very difficult thing to get right, at least at a professional level. It’s not a matter of applying a color filter, response curve, dynamic range, highlight roll-off, grain, and so many other traits of a film image have to be taken into consideration too. FilmConvert is trying to simplify this process by designing film looks tailored to specific digital sensors and log profiles, which entails a ton of testing on various cameras and film stocks. Sam and Ryan talk about how this testing contributes to a more accurate film image and how CineMatch,  FilmConvert’s new project that more easily matches color between pieces of footage shot on different cameras. Mentioned in the episode: FilmConvert free trial CineMatch Sigma FP ARRI Alexa The Lensrentals Podcast is a production of Lensrentals, founded by Roger Cicala. Our production staff includes Drew Cicala, Ryan Hill, Sarah McAlexander, SJ Smith, Julian Harper, John Tucker, and Zach Sutton. Other contributors include Roger Cicala, Joey Miller, Ally Aycock Patterson, Joshua Richardson, and Philip Robertson. Get a discount on your next rental! Have a question? Leave a comment, gripe, or complement on our voicemail at 901-609-LENS or send us a question at: podcast@lensrentals.com Lensrentals.com Blog Facebook Instagram TikTok Twitter Pinterest

Hi everybody. Welcome to Episode 52 of the Photography Explained podcast.I’m your host Rick McEvoy and I explain one photographic thing per episode in plain English in less that 10 minutes without the irrelevant detail. I have well over 30 years of experience in photography so I do know what I am talking about!In this episode - What Is A Micro Four Thirds Camera?Here is my answerA micro four thirds (MFT) camera is a mirrorless camera which has a smaller sensor size than full frame and cropped sensor cameras. The micro four thirds system was created by Olympus and Panasonic, and shares a common lens mount available to third party manufacturers. MFT cameras are generally smaller and lighter than other mirrorless and DLSR cameras, and are an excellent alternative providing high quality imagery.Listen for more, or check out the transcript and even the blog post - so many ways to find out more!What’s next?Glad you asked! In Photography Explained Podcast PE53 - What Is A Cropped Sensor Camera?What to ask a question?Head over to the Want Me To Explain Something? page on the Photography Explained website and fill the form in and you are done!Check out my my blogCheck out my photography blog where you will find lots more photography stuff all written by me.Did you enjoy this episode?If you did please do the following, which will help me and not take too much time.·         Rate and review my podcast·         Subscribe·         Tell anyone you think might like my podcastThank you very much for listening and see you on the next episode.Rick McEvoy – Photography Explained Podcast

Mit Bild und Ton im Podcast aber auch in OnlineMeetings – die DLSR am HDMI Grabber als Webcam! Im SmartHome mit 3D gedruckten Lichtschaltern über MQQT-Broker ab in’s Dashboard ...

This week on the podcast, we catch up on the news with Amazons new CEO to take over the top job in the coming months and Spacex Starship goes boom with a rapid unscheduled disassembly. With our guest speaker Johnathan returning to the podcast with his new Samsung S21 we talk about the current landscape of cameras and why anyone would still buy a DLSR camera. From today's podcast: Amazons new CEO: https://www.theguardian.com/technology/2021/feb/02/andy-jassy-amazon-new-ceo-cloud-computing Spacex Starship: https://www.cnbc.com/2021/02/02/spacex-starship-sn9-explodes-on-attempted-landing.html Samsung S21: https://www.samsung.com/au/smartphones/galaxy-s21-ultra-5g/?cid=au_pd_ppc_google_f1h21-s_launch_none_text_none_none&gclid=Cj0KCQiAgomBBhDXARIsAFNyUqN1t1Q5dVRCstHnjWrRHbEkLhYQm7lwGYWuZBTpEm0NT_m0ZwQMNn4aAjFqEALw_wcB&gclsrc=aw.ds Red Camera Display: https://www.red.com/productcategory/Displays MKBHD: https://www.youtube.com/watch?v=vLm68qbNjkU&ab_channel=MarquesBrownlee Sony: https://www.sony.com/electronics/professional-smartphones/xperia-pro?cpint=XPERIA-PRO

Christian Baesler is the President of Complex Networks. Christian is a young media savant, who in his 20's had more media experience than most executives have in a lifetime. We discuss his humble German childhood, how he launched Bauer Media's digital business at just 21 years old, being a touring DJ, and Complex's international growth plans for 2021.  Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up linkLearn more about our market research and executive advisory: RockWater websiteFollow The Come Up on Twitter: @TCUpodEmail us: tcupod@wearerockwater.com--EPISODE TRANSCRIPT:Chris Erwin:Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews, entrepreneurs and leaders. Christian Baesler:I was there first as the student, still at my program. And I basically took the initiative to say, "Well, you say there is no opportunity here, why don't I just build a case study for you?" And so I programmed a website, plugged in the programmatic ads. And at first, I was also creating some of the content myself. There was, like, celebrity news on In Touch's websites. Chris Erwin:This week's episode features Christian Baesler, the president of Complex Networks. Christian is a young media savant who in his 20s had more media experience than most executives have in a lifetime. And he's a “get your hands dirty”-type builder. Like when he was tapped to be the head of digital at Bauer Media, right out of college and programmed the company's first website himself. And today Christian runs day to day operations of one of the world's largest digital companies, which includes hot sauces, a sneaker marketplace, live and virtual events, and so much more. And oh yeah, he even finds time to be a performing DJ throughout Europe. So yes, Christian is a rockstar, but as you'll quickly learn is also extremely humble. I'm pumped to tell you his story. All right, let's get into it. So Christian, let's jump back a few years. Let's start with where you grew up in Germany. Christian Baesler:Yeah. Where I grew up in Germany is, even for Germany I would say, not as popular place or as well regarded place, at least back then when I grew up there, it was heart of the GDR, the German democratic Republic or Eastern Germany, that only merged with Western Germany in 1990. And fun fact, I was actually born on the day that the German Wall fell. So November 9, '89. So my mother's always joking that's that one might have caused the other, I don't know which one caused what, but. Chris Erwin:Yeah, the whole like causality correlation thing. Christian Baesler:Probably the Wall falling was the cause for her giving birth that day. But I grew up in that area, that in terms of the economic environment had been very depressed. And for the next 10, 20 years after was integrating into Western Germany, but still there weren't that many of the same opportunities like there was in Western Germany. And in addition to that, I grew up most of the time of my childhood in small villages of like a few 100 people. I think the biggest place I lived in was like 1,000 people and everything was very rural. You had a lot of agriculture around and you would have to go 15, 20 minutes to the next nearest town at least, or to see other friends living out of town. So it felt very small and it wasn't the most progressive place, especially with the businesses that were there. Chris Erwin:And growing up, what was your household like? What did your parents do? Were they in a similar field that you are in now or totally different? Christian Baesler:Again, they grew up both in the GDR where it was mostly working class in general, in the GDR with the kind of jobs that people had especially living in villages. After the GDR became one Germany, my father, who was a plumber, started his own company doing plumbing. And so he was entrepreneurial, which previously in the GDR, you couldn't have your own business. There was no concept of privatizing where post he started his own local company. And so my mother was for the most part, a secretary in his company. Before that's in the GDR times, she was a waitress in restaurants. And I don't think I've said that in other podcasts or interviews before, my father passed away when I was 12 of cancer and so that was definitely a big moments of just unexpected big change and also something that was definitely a very difficult, but also important experience for me looking like now? Chris Erwin:Your memories of your father, is it that he was an entrepreneur and he ran his own plumbing business from what you recollect? Christian Baesler:Yes. Chris Erwin:Interesting. A lot of people think about entrepreneurship in the US or in the modern economy as go raise a bunch of money from Silicon Valley and have a big technology startup, but entrepreneurship takes many different forms; small businesses, blue collar businesses. Growing up in small communities of like a few 100 people, did that make you very curious of, "Hey, what else is out there? What else could I get into?" Or was there a level of comfort, which is, "This feels right. I could live like this with these type of people for the rest of my life." What was an early feeling, or if there's tension in your life? Christian Baesler:It was definitely, there must be more than this village life, which was comfortable and people knew each other around the village. So that was nice that sense of community, which I think is somewhat missing today in life in general, that it was more of a feeling of togetherness rather than everyone for themselves. So that was a plus, but I somewhat got lucky in terms of the time I was born on the exposure had early on in my childhood, because that was all pretty much at the development of the internet was just growing and computers were just growing, the personal computers were growing. Christian Baesler:That plus just overall TV getting bigger really gave me a window into what's out there in the world, which if you just live on the village and you read the local newspapers or some magazines, you have no idea what other lifestyles or what other cultures are outside of that bubble. And so I was quite early fascinated with computers in general, but then more importantly the internet, which was just a huge opportunity to learn about different things that otherwise I wouldn't have any exposure to. And that really showed me that there's more outside of this world I live in that I'd like to learn or immerse myself in. Chris Erwin:I understand that you began programming at a pretty early age, I think in your teens, early teens around 13. But your first exposure to the internet and computers, was it at home where your family purchased a computer for you or there was a shared computer or was it through local library or school? Because what I'm hearing from you is there were simple means growing up, like working class people in the community. So what was that first exposure to internet and technology? Christian Baesler:Yeah. My family as you mentioned, just in general by the nature of the environment and the jobs they had, they weren't wealthy by any means. So it was definitely not something that was readily available. We didn't have any computers at home, so that was not like an environment that I could benefit from, but I did have an uncle in my family that was very much into computers at the time. He assembled his own computers; buying all the parts and assembling all of them themselves. And so that was the first time I truly had an exposure to computers. Christian Baesler:And I was very fascinated by this concept of combining different things that if you plug them in, in the right way, it turns out to be this interactive device that then you can manipulate something on a screen with. That was very fascinating. And I would say the curiosity that I developed in this to begin with was probably within computer games. Just the idea that you can play on a device and again, influence what's happening on the screen was what sparked the initial interest and curiosity and computers then allowed me to create something myself that I can interact with manipulate like the games were previously. Chris Erwin:With the internet, what were you consuming? So games was a big part of that. And then did you start developing your own games as well? Christian Baesler:I started building games at the time, but what I was more fascinated with was programming languages around the internet itself. Early on, I think the first thing I started playing with, there was no big systems like Squarespace, back then you have to do a lot of the things manual yourself. And so early on, I remember being very interested in message boards, which was like this exchange platform for a lot of the communities and subcultures that might be on Reddit or other places today. But back then message boards were huge. And oftentimes message boards also got recorded by us for how to program. Like if you were stuck figuring out how to solve a specific programming problem, you could ask someone in the message board and this kind community would just take the time and help you. Christian Baesler:And so early on, for example, I discovered phpBB, I think it was called. It was like one of those WordPress like message board platforms that someone already built and you can create your own message board. But back then you had to host, you have to have your own hosting space and server and then you could style it. And so I took something that was existing like that and figure out how to do the hosting part and then started to manipulate it. Christian Baesler:And then over time it made me more and more curious to create websites on my own, which ultimately when I was probably 13, I started doing it. I made available as a service for companies and organizations in the local village at first, but then in the area. And so I developed websites for a fee for the local companies as probably the first big income source early on. Chris Erwin:When people think about the success formula, it's the power of curiosity and wonder coupled with serendipity and the right connections, and that you had this curiosity about you and then with your uncle who also had curiosity and access to the hardware and the software and interesting computers and intention to share that, what a powerful combination that puts you on a unique path. Christian Baesler:Absolutely. Chris Erwin:So then what is that transition where, okay, you're in high school, you're working these jobs and then I think there's a transition into interest in journalism before you go to university, tell me about like right before university some of the work that you were doing. Christian Baesler:Yeah. Some of the other work I did outside of the developing the website was I developed an interest in photography as well. And I bought myself, at least for that time, quite a good, I think it was called DLSR camera, which at the time was taking the best photos you could take. Maybe these days, all you need is an iPhone but back then, that's what you needed. So I was really interested in the idea of creating something in general, either websites or things for people to consume, which also could be images like photography and text. And so after playing around with the camera, I ended up also working for companies and for weddings as a photographer at first. And so some people trust- Chris Erwin:How old were you when you're doing wedding photography? Christian Baesler:Probably 15, 16, I would say. And so that made me interested in media, which is basically also creating something that people consume around photos and texts. And there was this local newspaper, which is basically one of those weekly things that you get delivered to your house often times for free and covered by ads, so they can monetize through advertising, but it was like the local newspaper and they had a freelance position at first to basically be a local reporter. I applied for it. And for whatever reason, I don't know why now looking back, my boss there eventually gave me a shot and trusted me to be this local reporter even though I was only 16 at the time. Chris Erwin:So the youngest reporter of the paper, probably? Christian Baesler:Probably, Yeah. I mean, I didn't see anyone else there in my age at the time and I wasn't paying too much attention to who the reporters are previous to me, but I would assume so. And basically with that job, I had to go around to different events and two different things happening in the region and interview people undocumented, both with texts, like articles that I wrote, but also with the photos because the budgets were so small, you basically had to do everything yourself as a local reporter. Christian Baesler:That was a hugely transformative experience for me because outside of just exposing them more to medium previously in my childhood and early teens, I was a very shy person. I wouldn't want to talk to people that I don't know. And it was very difficult for me to make conversations and this job required me. It was part of the job description to get information out of people. And ultimately this further, the desire to find out information with people. Chris Erwin:A theme that we'll get into later is this notion of subtle or soft power, which I believe that you embody. And so I was curious to where those roots are and hearing about your early age shyness, but clearly you wanted to express yourself, but maybe just differently relative to social norms. So that was the internet expressing yourself in gaming, and programming and building websites. And then as you said this desire to create and you're creating these stories and photography at the paper, a very interesting theme that takes you to where you are today, that we'll touch on a bit more. So you're creating and expressing in unique ways and then it's time to apply to college or university. And I believe that you ended up going to Nordakademie in Hamburg. When you went to university, what did you want to get out of it? Christian Baesler:Again, coming from a difficult economic environment where my family didn't have a lot of money even going to the government university wasn't as good of an option because they couldn't support me financially to like pay rent and to have the basic income to go through that school. And so there's one other interesting concepts which might be somewhat unique to Germany and it's called an integrated study where after high school, you apply at a company that is partnering with specific private universities and private for the reason that they basically create specific programs with these companies to give you a bachelor degree, you get a salary and you work half the time at the company. So it's a 10 weeks at the partner school, which in my case was Nordakademie. And then you had two to three months at the company where you're basically a trainee rotating them through different parts of the organization from marketing, to sales, to finance, they pay your tuition and pay your salary. Christian Baesler:And so that to me, as a concept integrated study in general was something that seemed like a solution. Like I could basically get an income and study at the same time. And so I was very focused on finding a place to get an integrated study. And originally I wasn't as singularly focused on media. I applied at Diamler, the car company. I applied at Lufthansa, actually the airline to become a pilot, which was something I was fascinated by early on. So it was different paths that could be going down. Chris Erwin:Wait, let me pause you right there. You said interest in being a pilot, had you flown, where did that interest come from? Christian Baesler:It was maybe another symbol of just going places and the freedom that had represented. And so I was always fascinated just by flying and pilots and airplanes in general. And again, growing up I played quite a lot of, I think it was Microsoft Flight Simulator, which I saw they just brought back as a new version the last month, but that was like one of my favorite games. And so I was fascinated by just the art of flying. And so I was seriously considering becoming an airline pilots at the time, applying at Lufthansa. Chris Erwin:It's Lufthansa and Daimler and you end up at Bauer in their integrated study program. And so how did it feel when you got Bauer? Were you excited? Christian Baesler:The Bauer one was one of the first that I got confirmation from. So the other ones weren't as quick in the process. And so it was the first option that was available, but then also in the moment thinking through what would it mean to go to the different companies that also felt like the most exciting, because it would allow me to do more of the things that I was already doing, meaning it was in the media industry, which again, as a local reporter had already worked in as a photographer and digital media was still nascent, but the concepts to build websites to then express the content on was something that they were very focused on at the time. Christian Baesler:So it felt like the best option based on my passion so far, but also they have like 100 magazines or so in Germany and some of them were my favorite from my childhood time. So I also had this excitement about now being at the company that makes the things that I consumed when I grew up. Chris Erwin:Got it. You were busy during your university years, you were at school and you were working a part-time job, but on a pretty serious rotation program. What else did you do in between then? We're going to get into your career trajectory very soon, which clearly you started early. What were other things that you were into? Christian Baesler:During that time, as you mentioned, it wasn't like a normal study where you have a three months summer break or few courses during the day and otherwise not much to do. So the three and a half years then was probably among the most intense time of my life. Maybe for the last few years career wise were more intense, but just up until then, it was the most intense time because it was classes from 9:00 until 6:00 and it was only a 10 week semester, which we had six big exams and there was no break, you had to then go to the company and work for three more months, different departments. And so there wasn't really that normal student life where you just travel the world or you just have this time to pursue other passion projects. Christian Baesler:But the one other passion project I developed quite early as well, going back to the idea of creating something is music, where I was really fascinated by how music is created and how if arrange sounds in a certain way, it could make people feel something just by nature of how it's arranged. And so pretty early on, I, again, thanks to the internet, found out what the tools are, which at the time already were software based. It wasn't that you had to have this big physical hardware environments. So I was quite early on playing around with different softwares for music creation and went deeper and deeper into that. Chris Erwin:And did you also perform as a DJ as well? Christian Baesler:Not in that time during my studies, but afterwards where I did both on the music production side, teach myself how to create my own music, but then I also learned how to be a DJ, which has different meanings. There's like the DJ that's basically just has a playlist of prearranged things like at weddings or other things. They have their purpose and that's definitely one component, but for me it was more the how do I create this experience that shows people music that they've never heard before and it sounds like a two hour long song or track rather than a clear difference actually three to five minutes? And so then I ended up performing multiple times in Germany, which I still did pre-COVID. So I'm still doing it now, if we wouldn't be in the current situation. Chris Erwin:Another unique form of expression. And I've never seen you perform and I know that your SoundCloud handle maybe as a current mystery, I wonder onstage when you perform, is it a more subdued presence and you let the music speak for itself or do you look at that? Is there a unique release there or maybe you enter a form that's unique to your professional leadership or character? Christian Baesler:It's definitely highly therapeutic I would say, because it's a different way of expression and also communication with the audience. And again, that the music I play is not like what you would hear in charts. It's for the most part electronic music, mostly techno music which for people that aren't familiar with, it might sound like jazz sounds. For people that don't understand or don't like jazz, it's just like this random sounds that are just being played. But for the audience that does appreciate it and know it, it's this very reflective experience. Christian Baesler:And for me, I get more instant gratification and joy out of doing this for 90 minutes and seeing the audience react to the music I'm making than doubling revenues or having some other usual measurement of success that feels more indirect. Like you see numbers in spreadsheets, but you don't really know what it means what's happening on the other side. And this is a much more direct feedback loop that is much more rewarding. Chris Erwin:And to be specific, your identity, your behavior on stage, would you say it's very different from your day-to-day life or is it similar? Christian Baesler:I would say it's similar. It's very reserved. With the techno music as a category, the DJ is in the backgrounds like the audience is not even meant to realize that there is a person there doing things, which is very different to when you go to festivals and they're all on big stages and have all these big lights. So that's kind of the opposite of what the electronic music culture or the underground electronic music culture would be about. So I'm basically the shaman in the background playing music for people to be in trance. That's kind of the goal of that experience. Chris Erwin:You're like that master of ceremonies pulling the puppet strings, little do they know that Christian or your DJ name is making that all happen? That's a cool thing. Christian Baesler:The best example would be just like it's a form of meditation where you can influence the behaviors of a big group of people just by playing certain sounds and everything happens in a synchronized way, which is incredibly fascinating that's possible with music as a human species, you can just align everyone through these quite simple ways. Chris Erwin:A unique form of leadership in a way. So let's transition now as you go from university and integrated study into full-time at Bauer. So I think this happens around 2008, there's some like various roles in the company. What's your transition into full-time? What does that look like? Christian Baesler:It was actually 2012 into full-time. So 2008, I started integrated study that went until 2012. And so that study started 2008. I was 18 turning 19. So right after high school, straight into this college integrated study program. And so when I finished in 2012, I was 22 turning 23. Normally you stay within that company for two years after. That's kind of part of the deal, which is great for the student because you have a guaranteed job. And it's great for the company because they get someone at an entry level rate, relatively speaking, that already knows the company for the last three years of having worked there. So it's a great mutual partnership. But usually you're supposed to stay in that location, which for me, was in Germany. I was in Hamburg, which is where the company is headquartered. And so there was kind of a role carved out for me in a certain team or division and everything is kind of pre-planned. Christian Baesler:As part of the integrated study, so during those first three, four years, there were two opportunities to go abroad. One was to study a semester abroad, which I ended up doing at Boston University. And then there was the opportunity to work abroad for one of those practical semesters. And I ended up going to the US office of Bauer Media, the company I was working with. And when I got there during the study part of the three, four years. First of all, I was very fascinated by the US studying at BU and the overall energy and culture and approach here seemed very different to everything I grew up. Christian Baesler:And so it felt very different in a positive way. And then working at the office in New York for Bauer right after, the energy in the office was also totally different. Everyone was much more focused, much more passionate to just do the best work. And more importantly, for my role there specifically, and again, I was still like a 20, 21 year old student at the time, the big opportunity I saw coming here was that there wasn't really a digital business yet that was already built out. There were print magazines and actually at the time, Bauer was the biggest magazine publisher selling at newsstands in the US. So like supermarket checkouts, at airports, all the usual places where you would buy a physical magazine. And so they were the biggest magazine publisher at the time with multiple magazines. The most well-known ones are probably In Touch Weekly, Life & Style Weekly, Woman's World and First for Women. Christian Baesler:And it wasn't like an oversight that they didn't have a digital strategy or the digital business yet, it was by the nature of their print business model. Traditionally, all the media companies in the US, the magazine media companies in the US are build on discounting subscriptions to lock you in for a period of time as an audience and then they monetize it through advertising. So it's basically getting scale in subscriptions, which often a loss leader to then make money through ads. So when all these other companies expanded to digital in the early 2000s, they followed the same model for the online business which is giving away content for free, which is basically giving away subscriptions or discounting subscriptions and then monetizing the reach through ads. Christian Baesler:And so Bauer made the majority of its revenues through actually selling a single magazine to the reader. They didn't discount any subscriptions. The ads was a small part of the business. And so that made them very profitable and very successful, but it didn't really lend itself to just be scaled online because people just weren't used to paying for that kind of content online. Chris Erwin:And a totally new muscle to flex in terms of trying to try a new business model, hire the right team against that new mandate, manage it. So enter Christian, right? Christian Baesler:Yeah. I got there, again, as a student at first in 2011, it was. And so again, that was kind of the context that were the successful print magazines that make most of their revenue through consumers. And there was no way to make revenue through consumers as easily online. And the usual business model is to get most audience possible and directly to a sales team, sell ads into it, which the company wasn't set up for to do both in terms of the people and the kind of focus that was there, but also it might've disrupted the print business more rapidly if we would have pursued a different approach online. And so the timing there, again, was very unique and very much in my favor, which are really like two things. Christian Baesler:One, there was not the emergence of more standardized technologies like WordPress for example, and other systems that were already pre-built were more readily available. You didn't have to completely invent everything from scratch. And the other big opportunity at the time that was developing was programmatic advertising, which means you don't need an expensive sales team to have human conversations with potential clients and convinced him that they should not spend this money with you which in our position at the time, we were one of the smallest in terms of online reach and probably not as differentiated to some of our competitors. Christian Baesler:So it was a lot of upfront risk to spend all this money on the team that might then sell something where with programmatic advertising, every page impression that we generates has a certain amount of ads on them. And they automatically monetize through Google or other partners without question. And so it became very predictable. If we have more traffic, we can make more money without having an upfront risk of hiring a team to sell that space. Chris Erwin:What I want to understand is when you come in, you rise to transform this company into digital and to lead an innovation of their business model. And you are tapped to do this at a pretty young age. So when you are tapped to lead this initiative, some interesting things happen. One, I believe that you probably to really diverged from your peers in a meaningful way that are the same age and two, you get your hands dirty and in the weeds more than I think, I've heard about a lot of other executives, you're building their digital websites and their tech stack yourself, not hiring another team yourself. So first talk about when you were tapped to lead this, what did that feel like? Were you excited? Were you scared? Was it like, "No, of course I'm going to do this." What was in your head? Christian Baesler:It sounded surreal at first. And just again, the context at the US company was what I described and so I was there first as a student still on my program and I basically took the initiative to say, "Well, you say there is no opportunity here, why don't I just build a case study for you?" And so I programmed a website, plugged in the programmatic ads. And at first, I was also creating some of the contents myself for the website to be published there. Chris Erwin:You were writing what type of content? Christian Baesler:There was celebrity news on In Touch's websites. After the first few ones, we ended up hiring some freelancers and relied on some additional support. But yes, in the beginning it was basically, let me show you that there's potential opportunity here while I was still a student there. And I was there for three months, and in that three months I could showcase that there's a probable business. We basically build the website and monetize it, and it was profitable just within that trial period of the time I was there as an assignment. Christian Baesler:At the end of that assignment, when I received the job offer to go back full-time to the US business and join at the time director of new media. And I was still like 21, 22-year-old student in university and I still had one more year to go, I still had to finish my school. And so that was hugely flattering and surprising to be getting that level of trust and also that kind of offer even before I graduated and it was actually frustrating and I still had to basically finish my school for another year before I could take that opportunity. Christian Baesler:So I did go back to Germany and finish the degree and ended up moving to the US in 2012 for this job. And at first I was very scared and concerned I would say, because there were two differences I would say that I was facing to anyone else coming into this role. One was just, I was highly inexperienced in a traditional sense because I never managed people before and I never had one singular boss before I rotated through the whole company but I wasn't part of a traditional team. So now, having to lead a department or in this case it was just me in the beginning but the agreement or the goal was to build it up. It felt very scary because I hadn't done it before and I didn't see it before. Chris Erwin:That's a lot of responsibility at a young age. You're already going through a lot of change when you graduate university, and now this is adding in... It's a lot of change that happens in your career in your 20s is now happening to you all at 21. Christian Baesler:Totally. And also in a different country. While I just had spent six months in the US to study semester here and to work for the company here, it was still now being in a different country with a different culture in a leadership position at relatively young age. And so that was definitely a period of me not feeling sure or confident if I'm ready for this, if I can accomplish the goals that are set or if I'm able to meet the expectations. But in terms of how I felt just about being given the opportunity, it was very, again, flattering. Christian Baesler:But also, just I was very positively surprised to receive that level of trust that someone took a chance on me so early on in my career, which I would say is a constant theme that goes back to people back then trusting me to build their websites, later to work for the local newspaper at a relatively early age. And so having people that trusted me, was probably the single most important way for me to progress with these opportunities. Chris Erwin:Well, and putting in the work to be rewarded with that trust. But also just again the serendipity, Bauer a traditional media business that could really be empowered by transforming to digital and with your background and skills it was like right place, right time. Christian Baesler:Also, it's right place, right time but also I think in general when I talk to other friends about it, it's making sure that you are available for opportunities. You put yourself out there and you put in the hard work, but then when they arise that you go for them. It was definitely a difficult decision for me to say, "Okay. I'm not going to move by myself to the US and take this role and go into this uncertainty." And actually at the time, Bauer in Germany was against me going to the US even though the US part of the company wanted to hire me because they said, "We're educating for the German market and we have this path set out for you here," which was a more traditional progression. Christian Baesler:It was like, "You're going to be this junior project manager on this thing over here." And so that was ultimately decided against, as in they didn't want me to go to the US. And so I basically advocated and lobbied and showed what the potential benefit is or the risks of me not going for a few months to ultimately convince them otherwise. If I would've given up at the time, I would probably not be here where I am today. Chris Erwin:As we like to say, you stood in your power. You had a point of view and you put your foot down and said, "There's a major opportunity in the US, it's where I want to be and I'm going to make this a mutual win." And I like how you said, availability for opportunities. When people talk about success, there's luck that comes into it but it's increasing the likelihood of luck. I'm reading a book called, The Psychology of Money by Morgan Housel. And he talks about setting up your life, your finances, your health, so that when that opportunity comes along you can pounce and you are in a situation where you very much could and could very much make the case. Look, there is a lot more that we could talk about with Bauer. I know we're probably going to rush through the next five to six years there but I want to make sure we have time to talk about Complex, because there's a lot there too. Christian Baesler:Of course. Chris Erwin:A big question that I have is, I look at your next years at Bauer; you're navigating profitability in unprofitable times and you look a lot of digital peers in the US. And I was part of this world, the MCNs and all the digital studios that emerge out of Google original channels program, a lot of companies that did not succeed. And then you end up running two businesses at once, a UK media business and a digital business. I'm curious, high level, how did your leadership evolve during that period of coming in as a newbie leader at 21, 22, to the type of leader you were at the end of this incredible experience? And we'll save another podcast again, to the details there. Christian Baesler:I would say it evolved from not being sure what it means to be a manager and how to lead people, let alone different culture. When I first started to having to figure out how to do a lot in the weeds with other people in the US part, to then hiring a more senior team that then I was working with on a much higher level being less in the weeds. So in the end of my US time, we actually separated out the digital business into its own company called Bauer Xcel Media with standalone content creation technology, everything you can imagine having in a traditional visual media company. And so we had C-level executives, we had vice presidents, senior presidents for different functions. Christian Baesler:And so I transitioned from being the person that creates the content or writes the website to managing senior people at all times really, were older than I was. And so figuring out how to motivate and mentor people in their day-to-day work with me having had less work experience, was definitely one challenge. And it was the startup nature I would say in the US, when I ended up going to the UK as well. Where Bauer is the largest magazine company and Europe's largest radio company, it was kind of the opposite situation. There were already hundreds of brands and hundreds of people across all those brands that worked on digital, and I joined to oversee the digital business. And so I inherited an existing business with existing practices and that was mostly I would say big learning on change management, how do I build partnerships throughout the organization of other functions that don't report into me? How do I get alignments as I think about restructuring and making large scale changes of how we work and who was in certain roles? Chris Erwin:This is interesting. So let me ask you specifically, mentoring people and hiring people that are older than you in senior roles that you're the ultimate leader, what worked well for you to be able to do that? Christian Baesler:There were two parts, there's making sure I convinced people to join the company I was with from other jobs that were companies maybe they were more established to what we're trying to build. And so at that part, I was worried about what was the vision and can I show enough confidence and enough support to make them feel like they can truly build something here. So that was really the big opportunity to co-create or co-build something, but then in turns out actually working with them is finding the right people and then letting them do their work without interfere. So I was seeing myself more as a mediator or almost like the role of a therapist, of making sure they have the tools to work towards achieving their goals without me necessarily telling them what to do in there functions. Chris Erwin:I like that a lot. One of the greatest lessons that I learned was from the old founder and CEO of Big Frame, Steve Raymond, who said, "Hire great people and get out of the way and empower them." Beautiful, simple words and it works. Christian Baesler:Absolutely. And I think that's also what makes people feel like they're trusted and they have the freedom to truly make an impact. Chris Erwin:So Christian, we just took a break. We were talking about change management at Bauer and one of your proudest moments, why don't you tell us about that moment there? Christian Baesler:So looking back throughout my career the proudest moment I had is, at first in the US we were able to separate the digital business that I was tasked with creating into its own division, into its own company. The overall company is called Bauer Media Group, it's one of the largest media companies in the world, a couple of billion in revenue and more than 10,000 staff and one in a thousand radio, TV and magazine brands. It actually might be the biggest magazine company globally in terms of circulation. And so it's a huge organization. Christian Baesler:And so in the US when I was busy, at first the only person doing a digital business in the end we were roughly 50 to 60 people just for the US digital business and spun it off into its own company. The inspiration for me for that was the innovator's dilemma book which is basically, why do big companies that are successful in one industry fail when they're not seeing kind of the innovations around the corner and where things are going? And I thought that in general with print media and specifically at Bauer that was on the horizon and really the only way to solve for it is to create a separate company that in the context of the new market is big relatively speaking, because at Bauer the problem was always printed, so profitable and it's so big, why do we care so much about the small digital dollars? We don't want to cannibalize ourselves. Christian Baesler:And realizing that it's inevitable that digital would be bigger than prints and if we don't cannibalize ourselves our competitors will cannibalize us. And so ultimately, I got them to spin off in a separate company in the US at first called Bauer Xcel Media, which I then became the president of. And because we have been profitable every year since the beginning and scaled other 50 people and we're still highly profitable, which as you mentioned at this time was unusual with a lot of venture-backed companies raising hundreds of millions. I ultimately convinced the ownership, it's a family owned company in the fourth generation, to roll out that model globally. Chris Erwin:How did you convince them? Was it you just call up the family owner, the patriarch, and say, "I want to do some change?" Was it scheduled big board meeting? What was that process? Christian Baesler:I only really learned about what board meetings are after joining Complex now, because back then in a family owned business the board is the owner and so in this case is one person that owns more than 90% of the company. And so we would have monthly or quarterly check-ins with her and some of the other management team she has, just talking about business progress. And at the time they were super fascinated that we were able to build such a profitable business with no investment upfront and relatively little resources. And so they were really curious how we did it and why we were succeeding. And the business grew even more and was even more profitable after we spun off to be a separate business. Ultimately, it led to a conversation of, why are we not doing this in every country? Chris Erwin:When you have management saying, "Why are we not doing more of this?" That's a great place for you to be. Christian Baesler:Exactly. And ultimately, they rolled out Bauer Xcel Media as a concept of separating the digital business from the traditional magazine or radio business in every other major markets. And ultimately, the goal was to have one global platform. So one content management system, one ad tech stack, all the things you would imagine having locally and that's what enabled me then to also take on the UK business operationally to basically do the same business expansion there. Chris Erwin:Last question on Bauer, Christian, did you say that you came up with the name Xcel Media, the digital unit? Christian Baesler:Yes. Chris Erwin:What was the inspiration for that? And was that a proud moment to say, "This is my name, my stamp on the company." Christian Baesler:It was definitely the proudest moment and I think they still even use it now, every company and every country now that does digital is still called Bauer Xcel Media. So it's kind of my legacy now within the company that they're still adopting my name and the logo we created and everything. The name, it's difficult to find a good name in general and it doesn't always have to be super prescriptive of what it is that you're making, best example the Apple that sells computers. The name I think is completely arbitrary just to make sure it's not something negative. Christian Baesler:Traditionally, any kind of digital team within the company was called 'New Media,' which was my title actually. Director of New Media, which what does that mean in the context of everything or 'Digital Media,' which eventually everything will be digital at some point. And so we wanted to find something that wasn't so limiting in what it could mean or it would be out of date a few years later. And Excel just as a name, like the spreadsheet software, just thinking of doing something better and that's more progressive than what we've done so far was the inspiration. I think we just decided to leave out the E like the software, it's spelled X-C-E-L just to make it sound a bit more fancy. But that was the goal to find something lasting that sounds more inspiring. Chris Erwin:Yet another creative fingerprint from Christian that touches audiences, people in society in a unique way. All right. So speaking of interesting names, we now transition to the Complex part of the story. So you're at Bauer for about 10 years, a decade, maybe you're on the path to be the CEO, but something causes you to rethink where you want to be. And I'm curious, were you seeking out change or did change come to you or a mix of both? Christian Baesler:Actually, the change I was seeking at the time after 10 years at Bauer was a break and time to reflect. My plan was to take at least a year off and do a world trip in a way that I think was only possible at that time and maybe still now, meaning I didn't want to plan anything upfront. If I wanted to stay a certain place I like it, I might stay longer or not. Where I feel like you can take a vacation or even a sabbatical you're still at work, you're still thinking about work, you're still checking emails. Christian Baesler:And so I truly wanted to be completely disconnected from everything and if I hate it, then I can stop after two months and if not I would go longer and so that was my goal. And after 10 years in Bauer and the end of it living between London and New York, which was fun but also very tiring as we would fly every week or every two weeks between the two cities; I slept like four hours a night, I felt like I needed a break. So I resigned actually my roles at Bauer for that reason. So I wasn't actually planning to work again right after this. Chris Erwin:How much time was there? Did you get a reprieve? Did you get a vacation? What was the gap before you went to Complex? Christian Baesler:Probably a month I would say. Chris Erwin:A month, okay. Christian Baesler:Not what I had hoped for. Chris Erwin:I was thinking about this notion of sabbatical or time off recently. And I think it is one of the healthiest things that you can do, but I also feel that young up and comers feel well, "I'm going to get out of my groove. I got relationships, people like my work," and they don't want to change that. But I actually think spaces' transformative. So what was the special moment? Was it a conversation with Rich that made you change this whole big plan that you had been formulating for a while? Christian Baesler:Exactly. So Rich and I reached the founder and CEO of Complex, we've known each other since I think 2014. We met at a Digiday conference that we were both speaking at and we stayed in touch, maybe every three months or so we would have breakfast or lunch just to talk about what's happening in industry and what we're seeing in our businesses. I've always enjoyed my conversations with Rich. I was always very impressed by what Complex was doing and how fast it was growing. Christian Baesler:And so I would just meet him on ongoing basis, including when I just had resigned my role at Bauer and basically mentioned to him that I left or I'm actually leaving. After a six months' notice, I had to serve out which is a very European thing that even after you give notice you still have to work for at least three if not six more months, but I already had resigned but I was still there for six months. And I told him I planned to do a world trip and from that moment on he basically pitched me into join Complex instead. And so the one month was basically the compromise to still have some time off in between. Chris Erwin:So it's Rich's fault, he blew up this once in a lifetime chance for an amazing vacay. What did he tell you or show you that caused you to just totally change your thinking and come on board? Christian Baesler:Two things, the ability to focus on fewer brands and go deeper. At Bauer in the US we had 15 brands, in the UK when I was still in UK business it was more than 100 brands. So you never really focused on a brand in the role that I had there, it was always systems and processes and people and so it was very abstract, where this was truly a brand business. Christian Baesler:And then the second part which was the most exciting for me as well, it's just the diversity of the business in terms of the business models. Everything I had done previously was traditional digital media of building websites and optimizing the monetization of those websites for the most part, where at Complex it was also a huge TV, video business, a huge events business, a huge actual commerce business not just affiliate. So I also felt like I would learn a lot and get a lot of experience in areas of media and entertainment that I hadn't had exposure to previously. Chris Erwin:So Rich recruits you, what is your mandate on day one? "All right Christian, you like our vision, here's what we need you to do." What was that? Christian Baesler:I would say my main mandate was to optimize the operations of the company, that the company had been through a lot of growth previously and was acquired in 2016 by Verizon and by Hearst. And so I joined two years later. And so now it reached this point of maturity as an organization in terms of much bigger staff now and many more goals and so my role was created to help create focus and reorganize what we do and how we do it, but also to continue to scale it to the next stage of growth. Chris Erwin:I'm thinking back to your 21-year-old moment being tapped as the director of a department at Bauer. You were scared then. You were excited about the responsibility but natural anxiety. Now you're entering an exciting, well-lauded company in digital media and entertainment at a very senior level. What were your feelings at that point? Christian Baesler:I think at the beginning it was also a question of to some degree anxiety, because there were two unknowns or two uncertainties. One, at Bauer I was there for 10 years and even if I switched between countries or switched between roles I already had established myself, people internally knew me and I already had trust of the people around me. When I went to the UK, people already knew I did something successful in the US office so there was an established relationship or awareness, where here I felt like I was the new person coming in and I had to prove myself all over again. Christian Baesler:So that was definitely a big unknown or a big source of anxiety in the beginning of, can I do it again? Can I prove myself again? And then the second part was just around as I mentioned it, I was very excited about the opportunity because of the expansion to other areas of media entertainment that I hadn't done previously but now it was also my job to work in those areas not having had done them previously in such a way. And so there was also the question of, how quickly can I get up to speed to make sure we're doing better as a business as a whole, including those areas. Chris Erwin:How did you prove yourself? How did you gain trust with this new team right off the bat? What was your immediate approach? Christian Baesler:And with that it was very helpful to just have been at the UK part of Bauer which was established team, established company, everything was already there and I was brought on to optimize it in the UK. It was an incredible learning experience in my most recent role prior to apply here. And so the big learning was, to build trust first and to truly understand what's working and not working is to take the time. Christian Baesler:So the first three months of joining, I would not make any changes. I would not introduce anything new unless it was obvious or easy just so there's time to build relationships and to basically go on the listening tour and hear from everyone throughout the company what's working, what's not working and through basically creating a list of opportunities and issues I would get buy-in from each of the established people throughout the company to then collaborate on solving all the various issues or optimizing all the various opportunities. Chris Erwin:I love that. You're a big new executive, people might expect you're going to come in and mandate all this big change, new culture, the best leaders don't do that. There's an existing culture. There's a lot of smart, great people, listen to them, process that and then you start to add your flair to the business over time. So you joined Complex, this is back in 2018, this is two to three years ago? Christian Baesler:Right. Chris Erwin:Now, you know our team and I write about and I tweet about, why I think Complex is so special, that you guys have built this very impressive, diverse business across media, ads sales, commerce, E-learning events, virtual events, the gamut and which I'll let you talk about. I want to hear, why do you think Complex is so special? Talk about the business of what it is and why it is so unique to its peers and just in the overall media market place. Christian Baesler:I think the three reasons or answers why we are so successful or why we are different to some of our peers, the first one is just; which is the biggest one is, passion for the things that we're covering and creating. We don't cover certain contents or create certain content because it's popular in Google or Facebook right now and we think there's a revenue opportunity, if we were to cover it. All the things that we're creating which historically was mostly in the hip hop and sneakers and streetwear space, we've been pants off from the beginning when they were all still niches and subcultures early in 2001, 2002 when the company was started. And so it's that deep passion that leads to authenticity, like are people actually care about what we're creating which then resonates differently with the audience. Christian Baesler:And so we have benefited as a company from those content categories now being as big as they are with hip hop being the biggest music category and sneakers and streetwear is the biggest in fashion. And we expanded to other verticals since then, but it's really finding people that are truly passionate about the content that you're creating. From a business model perspective, I would say the second big difference is that we think about everything in a 360 connected way. We don't create a product that's a website and then separately we think, "There might be some revenue in events, let's create a completely different event just so we have an event." Everything is connected. Christian Baesler:And so one good comparison I could give is Marc Ecko, who's the co-founder of Complex together with Rich who was also a fashion designer, he compared it to us not trying to be like another print magazine at the time like The Source or XXL [inaudible 00:50:27] or from a TV perspective not like MTV but a youth cultured Disney. Disney, meaning like they think about each of their shows and movies as IP that then translates to all these different revenue streams across events and commerce rather than afterthought and that's really how we're approaching a lot of our businesses. Christian Baesler:And then the third one which I would say is helping us especially in these times today and I was very impressed by as well when I was talking to Rich before joining, it's just the responsibility from a financial perspective that the business has had and has been taken for for years now. We, as the company now, didn't raise a crazy amount of money like some of our peers did, which made us much more focused on running a sustainable business from the beginning. And so with that, we've been running a business that's been profitable for years now which allowed us to be much more dynamic and much more flexible in how we make decisions. Chris Erwin:I think to that last point because you probably won't say it yourself Christian due to your humility, but from personal experience in digital media and modern media there is a lot of founders that are great visionaries, have an idea of where they want to build to but don't know how to build sustainably towards that end. And you exhibited in your career from early days of wanting to build and create, having the lean resources that you had access to, it's like you had your uncle's computer hardware do what you can with that. Then going into Bauer and learning how to do that at a company, I feel like this was ingrained to you not only very early on in your childhood but also in your early career. Chris Erwin:And I think that you are a special leader that a lot of other companies lack that don't bring this discipline nor this focus. And it speaks to another sentiment which is at a lot of media companies studios, is usually a complimentary leadership, like a great business mind and a great visionary. And I think that you and Rich can serve as both, but you're optimizing the day-to-day being in the weeds with the team and also having incredible passion yourself for these brands and where you want this business to go. It feels like a very exciting setup for where Complex can go next. But I don't like to overly editorialize in these interviews, but I do want to call that out for the listeners because I think it's special and worth hearing. Christian Baesler:Totally. Thank you so much. I very much appreciate the kind words. Chris Erwin:Of course. Christian Baesler:I think the overall theme is definitely resourcefulness of just trying to figure out how to make things from very little, where in my case growing up that was just the environment I came from as I mentioned. But also as a company, I think if you have too much funding available it leads you down wrong decisions more easily and you don't realize that you made wrong decisions until you run out of money, so that's a very dangerous path. I do think there is still value in raising money if you have highly scalable business models, let's say if you have subscriptions with a proven cost per acquisition and other things. But for where media is today, it's not as beneficial as people thought it would be five or 10 years ago. Chris Erwin:So with all of those nice things being said, let's talk about something that you and I have chatted in coffee shops before and with Rich, that you feel a lack of industry recognition by your peers, by the press, Complex doesn't get the attention or the notoriety that it deserves. Why don't you expand on that a little bit. Christian Baesler:In general, there's still I would say in the traditional B2B world but also just in a general consumer perspective of people that might not be of our audience and non awareness of either who we are in general or how big we are and how diversified we are, all the things we're doing as a business. But just I think the most simple fact would just be that we, based on Comscore which is the standard measurement for digital media in the US, reached to most 18 to 34 year old males in the US more than any other media company and more than double to Vice and still most people know Vice or think of Vice as the biggest youth culture brand. Christian Baesler:And I give them a lot of credit for having done great marketing and they raised a lot of money for being able to do so over the years. But there's also another prejudice which is, the things that we do and the things that we cover like sneakers or hip hop both as a music as well as culture are niche. Meaning there are small, passion groups of small audiences. But actually, hip hop by far now is the biggest music category in the US and sneakers are a huge growing business, that's the fastest and biggest in fashion now. Christian Baesler:And so those industries are now mass and today's youth, meaning 13 to 40 probably, are incredibly passionate about them. So we're dealing with kind of a prejudice or to some degree ignorance about the markets with those things being perceived as niche, as well as our role in that overall market that we've been working through for the last few years of changing that awareness holistically. Chris Erwin:That sense about the prejudice of being niche focused and I think you've also talked about even the stigma around streetwear culture and hip hop can impact you. I never thought about that before, but it's interesting to think about. All right. So at Complex, you guys have a lot of different brands, a lot of different businesses. Let's talk about some of your favorite children, which I don't know if you often do but we've learned your passions in this interview. What do you kind of love the most working on there, some of the content that you have? Christian Baesler:I think the most obvious one to mention now that maybe most of the listeners know as well is Hot Ones; our interview show where celebrities eat chicken wings while they get interviewed and those chicken wings gets spicier and spicier. And so it's highly entertaining to watch but also to work with the team on and it's been an amazing experience to help them diversify their business beyond advertising into hot sauce, into a game show, into a board game. So that has been an incredible experience. Christian Baesler:But then we also have shows like sneaker shopping, where we have a host go into sneaker stores, interview celebrities in context of sneakers that we diversified into education programs, basically learning how to get into the sneaker industry as a student. But also, up and coming shows like Full Size Run which is a weekly show where we interview celebrities, talk to celebrities as a talk show talking about the sneakers of the week that were released. That's kind of the show that's on the next level coming up. Chris Erwin:And what's the name of that again, Christian? Christian Baesler:Full Size Run. Chris Erwin:Full Size Run. Got it. Christian Baesler:And so that's on the more entertainment side, we also have programming that's more investigative, more serious news journalism with our biggest show there called Complex World which looks at different issues throughout the country, especially in the upcoming election cycle. So it's a balance between the entertainment part of it that's more fun and more casual, to the more serious journalism as well. Chris Erwin:And what you talked about, which I want to make clear for the listeners is you talked about E-learning classes for how to launch streetwear products and businesses. And I think a very cool new theme that Complex has spearheaded in our industry is, we're not just hip hop, streetwear culture and news and reporting, we are expertise in understanding of this space. And that allows you to expand your business in many different ways and to sell that expertise to other businesses, advertiser clients or even youth who are in undergrad programs at Parsons or FIT for example, and to make them better entrepreneurs in your verticals, that is just an awesome thing. Christian Baesler:Absolutely. Chris Erwin:All that being said Christian, you love DJing music. So is it Pigeons and Planes? What's one of the brands that you do a lot but what for you that really resonates with your heart? Christian Baesler:I think Pigeons and Planes resonates because of my passion with music because the focus of Pigeons and Planes is to give emerging artists a platform before they are big enough to be covered by the more traditional music publications or even by Complex and that to me is the most important part of the ecosystem. Everyone that has great talent has the same struggle in the beginning which is, how do I get awareness for what I'm doing? And having a brand within our portfolio does just that, not just through social media and articles, but we do events where we bring emerging artists onto the stage in different cities, has been a big passion of mine for sure to work with. Chris Erwin:All right. So a couple more questions on Complex and then we're going to get into the rapid fire and we'll close this out, how's that sound good? Christian Baesler:It sounds good. Chris Erwin:I don't think I've fully exhausted Christian yet, but maybe getting close in this marathon. Where do you want complex to be in 2021 that you're not right now? Christian Baesler:The main goal that we still have ahead of us that got somehow paused this year is internationalization or globalization. Right now, we are the biggest youth culture company or collection of brands in the US. And what's quite unique right now is that the passion points and the topics that we are the experts on here, are also the biggest in many other markets internationally. So again, hip hop music as a culture and sneakers and streetwear, but there isn't a b

Guests: Alex Tetreault, Seth Porges Topics: Engineer makes ultrarealistic recreations of real world enviromments An engineer made ultrarealistic setting for practicing photography in his free time. What do we think of these creations? Could this type of product be used as an effective teaching tool for either photography or filmmaking? Facebook responds to Netflix doc “The Social Dilemma” In a rare move, Facebook has responded to a documentary about its platform and the tools used to keep users engaged with its content. What do we think of Facebook’s response? What do we think of the Netflix documentary? Being stopped from taking photos with professional camera A photographer was stopped from using his professional DLSR camera in a public place, even though someone with smartphone would not be stopped from taking photos. What are our thoughts on these type of prohibitive photo policies? Is it fair to limit professional cameras and tripods from public areas? in the article the photographer mentions the concept of “fair social media use,” like that’s a thing that actually exists. How angry does it make you to know that there are people who think that there is some sort of fair use associated with social media?

#011 - Professional Equine Photographer, Olie Moss joined Shelby today to tell us how he became "Olie's Images"! He is, I mean it, one of the best equine photographers I have seen! From starting with an actual camera phone, to a DLSR he had no idea how to operate, Olie tells us the journey from the bottom to top. He tells us about growth, how the natural occurrence of levelling up one area affects other areas of your life and so much more.Let us know what you think! Leave a comment or a review, we love feedback!To Reach Olie: https://www.oliesimages.comFor more podcast episodes: https://wecanhustle.com

I've been trying to take pictures of myself for ten years, and up until two days ago, the art of making normal human facial expressions in front of a camera was a mystery to me. I felt like a robot with its “smile” chip missing.I swear to god I'm a fun, chill person…It's just that when I see a camera lens, the fun, chill part of me vanishes into thin air. I mean…one time, I took a series of two hundred pictures, and not one of them was usable. NOT ONE!!!The problem is I have a squirrel brain.As an introvert, I'm constantly getting lost in my own head, and that makes it impossible to hold a pose for more than a split second. I don't know how celebrities do it. The red carpet is literally my worst nightmare.But while I might never set foot at the Oscar's, I have found a way to take a good headshot. It's a lot easier than you think.Step 1: CameraOne reason your photos might suck is that you're not using a high-enough quality camera. I guess I'm behind the times because I thought 1080p was fine, but when I got a 4K video camera, it was like WOAH.Apart from 4K, you also want to use a camera that's capable of pulling off that creamy “bokeh” effect where the background is blurred out.Here are the best options, IMO (no affiliate link bullshit)…OSMO Pocket: This is a tiny little powerhouse by DJI that shoots 4K video and comes with a mechanical “gimble” that can track your face. It's lightweight and super stealthy, which makes it perfect for vlogging.iPhone: If your iPhone is a 6 or later, you can take a great 4K headshot without buying an extra camera. I shoot with my Osmo Pocket because I still have an iPhone 5. I'm a caveman, I know…DLSR Camera: I have an old Canon Rebel, but again…it doesn't shoot in 4K. Smartphones are edging closer to the quality of DLSR's, but if you buy a standalone camera, make sure to use a lens with f1.4–2.8 (for bokeh).Step 2: LocationYou can shoot a good headshot indoors or outdoors, but the key is to find a time and place where the light is SOFT.Typically, this will be in the morning or near sunset, when the sun is low in the sky. If you try to shoot midday, the sun will be high in the sky (shoutout Reading Rainbow) and you'll get all kinds of harsh shadows.Also, you want to make sure you have lots of SPACE behind you. Shoot with a low “f-stop” so that the background blurs out behind you. Alleys and hallways work marvelously for this. They also reflect light from all directions, which gives your photo a warm, balanced feel.One time, I took a selfie in an old WWII tower. I had this goofy smile like I was a turtle that just got laid out by the lilly pads, but hey…at least the lighting was good!Step 3: ShootHere's where the magic happens. Instead of trying to catch the perfect shot, just leave the camera going and record 2–3 minutes of video.What's great about this is that you don't have to stress about each photo. Just go wild and try as many different facial expressions and poses as possible. The idea is that somewhere in all that, you'll do something interesting.Even if you end up with two minutes of serial killer and one minute of recently-laid-turtle, it only takes ONE GOOD shot to make the whole thing worth it.Step 4: EditWhen you get home, boot up Premiere or whatever video editing software you use and scrub through the footage until you find a still frame that looks good.Export an image file (or take a screenshot if you want to be super janky) and bring it into Photoshop or the photo editing software of your choice.I like to remove the background from my headshots so I can put a solid color behind me. This helps the image pop (ugh…I hate that word) and it makes your headshot feel more branded. If you want, you can even add illustrations or designs—but keep it minimal. Eyes on the prize!Step 5: The EndIt's funny, but a good headshot can do a lot for your confidence. I mean…no, I didn't find my missing smile chip, but I did this weird eyebrow thing—and it's kind of working for me. I look like a bearded Spock!The moral of the story is that you don't need to look normal, you just need to look like yourself. And video can create some space for you to do that.Pro Tip: Find Your PhraseAs a last thought, if you're having a hard time being yourself on camera, it can help to pick a phrase that describes which self you're trying to be.I'm writing a book called “Wildly Functional”—and that's how I knew this frame was the one. It felt wild yet functional. Perfecto!p.s. If this technique works for you, drop a headshot down in the comments below. I want to see what you come up with! (:

The views expressed on air during Cheese! A Photography Podcast do not represent the views of the RAGE Works staff, partners, or affiliates. Listener discretion advised.Show Notes“My first DSLR”This week Jose talks about the first DSLR he purchased. What brand/model do you think it is? Listen and find out.Book Jose and Learn More •https://www.josebphotography.com/Follow Jose on Instagram.•https://www.instagram.com/josebphotography/Follow Jose on Twitter:•@JVBetaphotosFind Jose on YouTube•https://www.youtube.com/user/joebetaCheck Out Some of the Other Shows on the RAGE Works Network•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•Call Me When It’s Over: https://www.rageworksnetwork.com/show/cmwio/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/

¿Te gustaría participar para brindar tu opinión en el tema? Contáctame en mi cuenta de instagram @melechhraw para coordinar el debate.

In this episode David and Rose talk to Adam Tow, creator of MsgFiler, automator, and Shortcuts creator about a few of his amazing automations. From having photos taken on his DLSR automatically shared to him via iMessage to playing text adventure games with Shortcuts, there is plenty of automation fun to be had!

During this episode of the B&E Project, we are talking about the best camera setting you can use as a new photographer. The camera we use the most are the Canon series... but you will be able to use this tips and trick for any DLSR camera you want to use. Please make sure to subscribe for future episodes. You can find us on all major Podcast services. (B&E Project) If you want to drop us a line or have a request for a new episode you can email us at: ContactBEpodcast@gmail.com Website: https://www.EvolvedCurations.com/Podc... For Clips and Other Fun, follow: B&E Project Instagram: https://www.instagram.com/b.e.project/ Twitter: https://twitter.com/ECurations Website: https://www.evolvedcurations.com/podc... Ben Bailey Instagram: https://www.instagram.com/ben.bailey.85/ Twitter: https://twitter.com/Ben_jam_in85 Harrison Eaddy Instagram: https://www.instagram.com/Eaddy.Content/

You asked for this episode ... so here it is! "How to Photograph you Home" Whether it is for your Instagram, to share with family & friends, to promote your home on Air BnB or VRBO or to sell by owner. Learning how to take beautiful photographs is useful, creative & can be a hobby that lasts a lifetime. Listen in for all the tips & advice. Click below for the specific items and things we reference. Get a tripod HERE (https://amzn.to/2WVk2RP). How about a tripod for your phone HERE (https://amzn.to/2XzDoZK). Terrific starter DLSR camera HERE (https://amzn.to/2I5Omkn). Shoot Fly Shoot photography classes HERE. (https://shootflyshoot.com/welcome/) Kelly's book with many iphone photos HERE (https://amzn.to/2XvR2x3). PicMonkey HERE (https://www.picmonkey.com/). Photoshop HERE (https://www.adobe.com/uk/products/photoshop.html?gclid=Cj0KCQjw3PLnBRCpARIsAKaUbgtIdh3k3QQhJa6aLzxbWT1IvWLu7Lk_AD06htpKyAZ4CduyqFW6_awaAgZREALw_wcB&sdid=88X75SKR&mv=search&ef_id=Cj0KCQjw3PLnBRCpARIsAKaUbgtIdh3k3QQhJa6aLzxbWT1IvWLu7Lk_AD06htpKyAZ4CduyqFW6_awaAgZREALw_wcB:G:s&s_kwcid=AL!3085!3!340669891878!e!!g!!photoshop%20online). Crushes: The book: Tender to the Bone (https://amzn.to/2EXT2XO) The book: Comfort Me With Apples (https://amzn.to/2WX7w45) The Instagram: We Rate Dogs HERE (https://www.instagram.com/weratedogs/?hl=en). Stair treads HERE (https://amzn.to/2F0HeUt). Want to get email updates from us? CLICK HERE xx, Anita and Kelly

Our sponsor: http://squarespace.com/chelsea, coupon 'chelsea' Music: http://share.epidemicsound.com/Tony Pick up our Pro Portrait video training http://sdp.io/ProPortrait Use the coupon code 'pro30' for 30% off! Watch this podcast on our YouTube channel http://sdp.io/Dying

Welcome to the Wedding Video Boss Podcast, I am your host, Paul Santiago. Today we’re talking about audio, its importance, whether you’re filming from your phone or using a dslr, what kind of microphones go where, how to deal with a nightmare DJ and in the end a simple sample audio setup for beginner videographers or any wedding vendors who want to get into the BTS game. This right here will change the game and you’ll thank me for it if you do it right. First...Here’s a quote from the great Jimmy Iovine, he is an American record producer best known as the co-founder of Interscope Records and mega millionaire because with Dr. Dre founded Beats Electronics. The company was purchased by Apple Inc. for $3 billion in May 2014"You're only as good as your weakest link in the ecosystem of sound, of audio.” Ain’t that the truth!Audio is what turns amateur video to professional. So as a filmmaker, your job is not only to show the audience what you see, but also to reveal to them what they didn’t hear at all. That is the element of subtle surprise! I listed down the opportunities to grab useable, clutch audio that are common within the wedding dayu Let’s get into the beautiful world of wedding audio... Please bear in mind that it is very important to have a shotgun mic attached to your camera. On board audio mics for DLSR’s are terrible. Oh and also, I hate seeing audio go into the red on the meter so always remember, ABC - Always Be Checking the audio levels while you film, you’ll never know when someone or something will be giving a sudden “woohoo” or someone pops open a champagne bottle. I will list down the cables, mics and recorders in the show notes so you'll know what I’m talking about. Another disclaimer, I will be talking about people crying and how beautiful it is for us, we’re not anarchists, we’re just videographers who appreciate emotion and our job is to capture it. Letter Reading Father of the bride for first look Groom for first look In anything you do, when it comes to plugging in, always ask permission before you touch anything! DJ system for ceremony with RCA, xlr or 1/4 cable Plug Recorder behind the speakers with an xlr or 1/4 cable Officiant for ceremony Groom for ceremony DJ system for reception with an xlr, 1/4 inch or rca cable DJ Speakers for reception with xlr or 1/4 cable Now that you're aware of these options it'll definitely make your job easier. That is, until you encounter a DJ that just doesn’t want to help you out. What do you do? Listen to this episode!Now let’s go to the much awaited simple audio setup, remember when I said that audio is the difference between amateur and professional video? We use this recorder called SONY ICD-PX. It’s probably one of the really good, affordable recorders out there that already comes with a mic. Get this, it has a Built-in 4 GB flash memory - Up to 173 Hours of maximum recording time, Up to 32 hours of battery life for extended recording. It has Noise Cut for noise-free recordings. We probably use at least 2 of these at a wedding!Just capture the audio and video and you can ask a video editor to SYNC it for you. Voila! Instant content and you save money! Here are the most commonly used Cables, Mics & Recorders-Cables: RCA male to 3.5mm male - https://amzn.to/2GetM0y XLR female to 3.5mm male - https://amzn.to/2UtikT0 1/4 inch male to 3.5mm male - https://amzn.to/2GbrzmU XLR male to XLR female - https://amzn.to/2TlB0Ut 1/4 male to 1/4 male - https://amzn.to/2BcWFqL Mics: Rode VideoMic GO - https://amzn.to/2CIQ3k0 Rode VideoMic - https://amzn.to/2FV11pQ Rode VideoMicro - https://amzn.to/2sMjJbq Rode smartLav+ - https://amzn.to/2FNa9gJ + Rode SC1 - https://amzn.to/2DwZtR8 Recorder: Zoom H4N - https://amzn.to/2FVEdGl Zoom Hn1 - https://amzn.to/2SbUa1Q Tascam DR-10L - https://amzn.to/2Mvcq0S Tascam DR40 - https://amzn.to/2S752xZ The Secret Weapon: Sony ICD-PX - https://amzn.to/2MFfurdFor wedding videographers, You’ll never feel more at ease at any event than when you know that you have at least 3 audio sources plugged in. For wedding vendors, you’re welcome. Feel free to email me if you want to know more about the sony recorder and how to use it. I can give you ideas or different options for your audio needs. You can reach me right at the bottom of the show notes. Okay, Is there anything else I missed? I would love to hear how this episode was for you so feel free to reach out! I need friends!!! I’m throwing all these information goldness for free so I’d really appreciate if you help me by subscribing, leaving a review, thanks to those who already did it and I’ll see you on the next Wedding Video Boss podcast. Till then, play nice if you can’t win, be nice if you’re good looking. Bossman out. Credits: The Wedding Video Boss Podcast hosted by: Paul Santiago BossIG: www.instagram.com/weddingvideobossBoffoIG: www.instagram.com/boffovideo Website: www.weddingvideoboss.comFor comments & suggestions email me at: heypaul@boffovideo.com Special thanks to Ning Wong (@NingWongStudios) for the sexy headshot Music credit Isaac Joel - Azophi from www.SoundStripe.comSupport Wedding Bossness by donating to their Tip Jar: https://tips.pinecast.com/jar/wedding-video-boss

(Melissa - Food Blogger) On this episode I had the honor to have Melissa as my guest. She shared with me her interest in food blogging as her hobby. If you would like to follow her amazing food blogging instagram page you can find her at https://www.instagram.com/mels.hangry.table/?hl=en Her facebook page: Mels Hangry Table If you like this episode and think it can be helpful to someone you are more than welcome to share it. Furthermore if you want to listen to short previews of upcoming and old episodes you can check out my Instagram page @timeforyourhobby. I also share tips and tricks I've learned so far from all my guest. If you would like to be on the show or have any questions, you can send me an email at timeforyourhobby@gmail.com Here's my website so you can listen to it on the platform of your choice (Podbean, Apple Podcast, Spotify, Google Play Music, Castbox, TuneIn, Pocket Cast, Overcast, Stitcher, Google Podcast): https://timeforyourhobby.wixsite.com/podcast Thank you, Show Notes: 0:26 - Introduction of the episode and my guest Mel and her hobby of food vlogging1:41 - How did you get introduced to food vlogging2:14 - What is your instagram?2:27 - How did you come up with the name ‘’Melshangrytable’’?4:12 - On a personal level, what has being a food blogger done for you?4:42 - How to approach new restaurants to promote their foods?6:38 - Did you plan to become a food vlogger or was it spontaneous?7:20 - Were you a food blogger by the time you went to Japan?7:26 - Where would you like to go and food blog?8:17 - Do you have any recommendations for thai restaurants here in Ottawa?8:48 - Where is your sister’s thai restaurant?9:45 - Have you done food blogging for the food you cooked?11:09 - How did food blogging turned you into the person you are today?12:00 - Is your boyfriend a good cook?12:44 - Do you have special equipment to take your photos?13:50 - How is the food blogging community?14:22 - When do you get to that level where you can be considered a food blogging influencer?16:00 - What is the single best thing about food blogging?17:39 - Do you have a specific angle you take your pictures?18:22 - Did you ever consider buying a DLSR?19:18 - Do you different techniques for different foods?21:27 - Do you take pictures for restaurants menus?22:03 - What is your biggest challenge for your hobby?22:52 - What would be the best way to get sponsors?23:48 - What makes you different from other food bloggers?26:00 - What would you say is your target audience?27:33 - What would you say are some of the biggest misconceptions about food blogging?30:03 - Has food blogging ever stressed you out?30:53 - Do you see yourself being a foodie for many years to come?31:42 - Do have any advice for anyone who might be interested in becoming a food blogger?33:33 - Is it something you wish you started earlier?34:30 - Run me through a normal day of blogging?36:40 - Do you prefer food blogging solo or with other people?37:23 - Do you have any questions for me about food blogging?40:28 - Do you have any influences?42:15 - Do you want to share your social media links with the listeners again?42:17 - Outro

Gode nyheder! Du behøver ikke længere slæbe et kæmpe, klodset DLSR kamera rundt med dig, eller medbringe en masse besværligt udstyr, når du skal optage video! Brug mobilen! Hør fra eksperten hvordan du kan lave top tunede, professionelle videoer i høj kvalitet på mobilen. Hør de gode råd for at opnå de bedste video resultater på mobilen Indlægget HM114: Video på mobilen: personlig markedsføring blev vist første gang den Nochmal.

In this episode of the Three Colors podcast, I chat with Landscape and Nature Photographer Andrew Wisler. We discuss the pros and cons of switching to a mirrorless camera system.  Listen to the podcast and discover : The main reasons to switch to a mirrorless system What to expected when switching from a DLSR to a mirrorless camera Do the pros of switching to a mirrorless system out way the cons Enjoy and share this podcast to spread the photography love. Johny For all the show links and notes head over to Three Colors Here.

Charli Prangley is a designer by day and a content creator by... well, pretty much the rest of the time. In addition to her day job, she produces two high-quality Youtube videos and a podcast every week, and also runs an online apparel shop. I was so impressed with the consistency and quality of her output that I knew I had to get her on the show to share how she creates so much while still working a full-time job. If you've ever struggled with creating consistently or trying to get everything 100% perfect before shipping, you need to listen to this episode. Key Takeaways: You don't have to have the best camera or microphone to get started. Use what you have or what you can afford, and upgrade later. If you want someone to invest time in what you're creating, show them a little bit of your personality but make sure you share content they'd be interested in. Sometimes you do have to “beat people over the head” to get them to check out a link. You might have to post a link multiple times in a week before someone actually sees it and clicks on it. Look for communities and people to collaborate and work with. It's a great way to share and grow audiences. If you want to be successful in video or podcasting, make creating content a habit and not just something you do when you have “free time”. Don't try to fine-tune your content to perfection; give yourself a deadline and ship it. Aaron: It seems like you're constantly putting out content. I always see you tweeting about editing vlogs or your latest podcast episode. You post two videos to your YouTube channel every week in addition to your weekly podcast, Design Life. How do you manage to create so much while still working a full time job? Charli: When you create a lot of content online (like I do), everything in your life becomes an opportunity to create content and tell a story. If I go to an event, I think about what I'm going to learn that I can share with other people. This provides a constant stream of ideas that I can share in my videos or podcast episodes. Aaron: So you put a lot of content out consistently, and you're seeing results; you're almost to 25,000 subscribers on Youtube. Can you take us back to the beginning and share how and why you got started? Charli: I started my Youtube channel back in 2013 because I wanted to see into the lives of other designers, but I wasn't finding the kind of content I was looking for. There were a lot of tutorials, but I wanted to get to know the people behind those tutorials. I decided to start my own YouTube channel so I could create lifestyle content from the perspective of a designer. Other designers discovered my channel because they were looking for the same thing. Having that unique point of view from the start really helped my channel grow. Aaron: So you made the show you wanted to watch, and it turned out that there are a lot of other people who wanted that show as well? Charli: Exactly. I try to think about what I would have found valuable in my early days of getting started as a designer, and then I create that content. It's really rewarding when I hear from young designers who tell me how my content is helping them. Charli's Gear Setup Aaron: What kind of gear were you using when you started back in 2013? Charli: When I first started, I was using a Nikon D5000. It's a DLSR but it can only record video for 5 minutes at a time and only in 720p. It didn't have a flip-out screen or auto-focus in video mode, so there were a lot of challenges to overcome to get my video content made, but I stuck with it. It was about a year before I could afford an upgrade. Aaron: I started a video show recently, and I've been using my iPhone and a Shure MV88 mic, and I've already got better gear than you had (because I've got the front-facing screen to see myself). With smart phone cameras being as good as they are now, anyone can shoot video. What did you end up upgrading to? Charli: I got a Canon 70d which I really like. It's a great all around camera for the price. You don't have to have the best camera or microphone to get started. Use what you have or what you can afford, and upgrade later. Charli's Tips for Growing an Audience Aaron: When you started producing video, did you have any kind of online following? Charli: Not really. I think I had around 1,000 followers on Twitter because I was pretty active in my design and tech scene in Wellington, NZ, so I suppose that's where my first views came from. Aaron: Did you have a strategy for growing your audience? Charli: I knew a little bit about search engine optimization (because I was doing it at my job), so I thought about how I could apply that to my videos, but it was mostly trial-and-error. I paid attention to what worked, what thumbnails people preferred and what content they were interested in. But something I've done from the start was to make sure my videos were tagged well so that they come up in search. Today, about half of my views come from people searching YouTube. Don't underestimate the value of SEO. Aaron: SEO is important. The way I like to explain it is just think about what people would search Google or Youtube for, and then use those words in your podcast or video title, or in headlines on your blog post. There's a lot more to it than that, but that's a great place to start. How to Get People to Pay Attention to Your Content Jordan Newhouse asks: I produce new content every week. How do I get people to realize the content is there and get them to check it out? Charli: Start by looping in all of your social media to the content you're creating. You don't want to be talking about yourself non-stop online, that's not the way to have an interesting account. If you want someone to invest time in what you're creating, show them a little bit of your personality but make sure you share content they'd be interested in. You have to share your content more than once. You can't send out a tweet and expect everyone to notice. Some people might not be paying attention or they might be half-asleep; you have to share it anywhere and everywhere you can, in different ways. Try different titles to see what works. I create so much content so often that by the time I'm finished with a video, I'm already thinking about the next one, but I should be thinking about how to best promote the video I just made. Aaron: I used to feel weird about sharing links to my content more than once. I used to think people would be annoyed if they saw me post multiple links to content. I finally realized that most people just aren't paying that close of attention to their social media streams. Sometimes you do have to “beat people over the head” to get them to check out a link. You might have to post a link multiple times in a week before someone actually sees it and clicks on it. How to Promote Your Content Charli: One of the best ways to promote your content is in response to questions you see your audience asking. If one of your followers is discussing a topic you covered on your podcast, send them a link to that episode if you think they'd find it valuable. Aaron: I love doing that. Some of the podcasters I follow have their own hashtags, so I'll use Twitter search to find people who are asking podcasting questions and send them links to my episodes where I answered their questions. If someone wants to learn, you would be doing them a disservice by not sending them a link to your content if it answers their question or would help them in some way. Participate in Your Community Aaron: I talk a lot about the importance of participating in your community, inviting guests on your podcast and collaborating with other people. You participate in an active Youtube community, right? Charli: That's something I love about Youtube, there's a very active community there. Everyone's very collaborative, it's easy to create video with other people and combine your audiences. Look for communities and people to collaborate and work with. It's a great way to share and grow audiences. Create Content in Multiple Mediums and Build a Creation Habit Aaron: You started a podcast recently. Did you find it easier since you've been creating video for a couple years? Charli: There was definitely a learning curve, just like getting started with video. There were all these new things to learn like what kind of microphone to buy, how to record and edit, and how to get your show into iTunes. It seems like it should be easy, just hit record and make a podcast, but it's really not that simple. Aaron: One of my friends wants to start a podcast, but he wants to get everything perfect right away. That's just not how it works; you have to be willing to jump in and create something, give yourself a deadline, and ship it. Otherwise you're going to be talking forever about how you want to do something but you'll never actually finish anything. You have to be ok with not being awesome at something for awhile. You'll get better over time. Charli: That's really the key to producing content consistently; get used to not being perfect and learn as you go. You could wait until you know everything and get everything absolutely perfect, but then you wasted time you could have been building the habit of producing content. If you want to be successful in video or podcasting, make creating content a habit and not just something you do when you have “free time”. Charli: People ask me, “You've put out a video every Saturday for two and a half years, how do you do it?” I don't even think about it anymore; it's non-negotiable. A video will go up every Saturday because it's just a habit. Aaron: Do you find yourself getting faster and more efficient as time goes on? Charli: Definitely, but you don't want to settle in a rut. Your audience will get bored if they see the same thing every week. When things are getting too easy, that's when I try to learn something new to add to my process. Tips for Getting Started with Your First Videos Aaron: We got another question from Jordan. She asked, “I'm about to make my very first video ever (it's going to be part of my product launch). What are some things I should keep in mind?” Charli: Think beforehand about what the content of the video is going to be so that you can get all the right shots for it. You might even want to make a storyboard. You might end up needing to reshoot a few scenes because that's just how it goes. You might get to the editing part and realize that you need another shot or you need to re-record something. That's ok, it's just part of the process. Aaron: Do you create storyboards for your videos? Charli: Not all the time, but sometimes, usually if I'm doing a fashion video that requires a bunch of different angles, I'll just draw some rough sketches on a notebook to help me make sure I get all the shots. Aaron: I saw my friend Alex Cespedes (sorry I butchered your name in the show, dude) post a really interesting picture on Instagram showing how he outlines his podcast episodes on paper. I think that's a great way to plan a show or podcast episode. Charli: People plan in different ways. I create a rough script or outline for my video in the notes app on my phone and that's enough to get my mind thinking about what I'm going to say and how I need to say it. How to Create Consistently Aaron: What are your biggest struggles with creating consistently, and how do you overcome those? Charli: Time is always going to be a struggle. Even if you want to put something out every week, not every week is the same. In my life, I've got my day job, but that's also things to do in the evenings and I travel a lot, so I have to make sure I make enough time to create a video I'm proud of. It's always a struggle, but that's where building the habit comes in. Planning definitely helps with the time constraint as well; I break the process down into little steps so I can get things done whenever I have time. Don't try to fine-tune your content to perfection; give yourself a deadline and ship it. Aaron: One of my struggles is that there are always more projects that I want to do. I shoot myself in the foot by taking on too many things and not giving any one thing the focus it needs to be as successful as it can be. I try to do six things in a week and because I'm trying to work on all of them, I don't make much progress on any of them. Charli: You have to pick which thing is most important to you and make sure that one gets done. Then you can worry about the other things. Collaboration Can Help You Produce Consistently Aaron: You've got a co-host for your podcast. Does that help you get the show done every week? You do a lot of videos by yourself, so you'd probably be ok on your own, right? Charli: I don't think I would, no. I would not have a podcast if it wasn't for my co-host Femke. Since I do two videos every week, we split up the duties so that she does the editing and I do the show notes and our newsletter. But she does a lot more work than I do, which is really helpful. Aaron: It is really helpful to have someone hold you accountable and help you do the work that it takes to put a show out every week. Podcasting is a lot of work and there's nothing better than having a co-host who is really invested and willing to help with the work and keep you on track with producing. Q&A: Adina asked: How do I avoid looking awkward or sounding boring on camera? Charli: That's a question that everyone asks and something that everyone goes through.. The answer is just practice. You're going to make a lot of awkward videos before you start to feel comfortable. I don't know if I can pinpoint the exact moment where I started feeling comfortable talking to the camera, but it happened. After I made enough videos, it stopped being a weird thing. Vlogging really helped for me, just picking up the camera and talking to it as I went through my day. It felt more casual and less stressful then sitting down in front of lights to film. Aaron: It's the self-imposed pressure, right? We want to be as good as someone else we've seen. We see all these people making videos and podcasts and they always seem so fluid and cool and they've always got funny things to say. They've got 600,000 views and 300,000 likes and we think that's the level of quality we have to achieve, but it doesn't happen overnight. You won't get there in the first couple tries. Also, being a better speaker and communicator is something you can teach yourself. Unless you slow down and think critically about the way you talk and how you can improve, you won't improve. You can improve the way you talk. You can change the way that you talk and it will start to become the natural way that you talk with practice and time. Charli: When you first started podcasting, did you find listening to your own voice awkward? Aaron: Definitely. Charli: When I started making video, it was hard for me to watch and listen to myself, but now, I feel like I sound exactly like I do in my head. I don't know what changed, but it's not awkward anymore. Aaron: Part of it is just getting comfortable hearing yourself on recordings. You just get used to it after awhile. But I listen back to old episodes I've done and there are things I don't like about the way I sound, so I think about what I could have done differently to sound better. I try to learn from my mistakes and improve, and I have, slowly over time and with practice. Charli: When I listen back to my first 6 months of video, I don't sound like me; I sound like someone trying to make a video. Now I feel like I just sound like me, like I sound when I'm having a normal conversation. Aaron: We got a followup question: What about filming in public? I feel painfully embarrassed when I shoot video in public. I absolutely know what that feels like. I feel super weird about holding a phone or camera out and shooting a video in public. I don't even like people seeing me taking pictures of other people or myself in public. But I'm going to let Charli talk about this since she's gotten comfortable with recording video in public. Charli: I still feel awkward sometimes, like if I'm going to be sitting on a train with people on the way to work, I won't pull out my camera and talking to it. But if I'm walking down the street, I'm probably never going to see any of those people again. If I know I need to get a shot to explain something in my vlog later, then I just have to get over feeling weird and get the shot that I need. And it comes back to practice. Aaron: And really, what's the worst thing that could happen? Someone makes fun of you or looks at you like you're an idiot? Charli: Exactly, and don't think of it as you're talking to your phone or camera, you're talking to the person on the other side who is watching you later. You're not really talking to yourself, even if it looks like you are. Aaron: Now I'm thinking about how funny it would be to make a show where you just walk around in public all day, talking to yourself and catching people looking horrified or disgusted in the background. Charli: Even if you do feel self-conscious, do it anyway and at least you'll have all the shots you need. You can find Charli online at CharliMarie.com. Her Youtube channel is Charli Marie TV, and you can find her on Twitter and Instagram as well. She is also the co-host of Design Life, a fantastic podcast about design and side projects for motivated creators. Links: Podcast: https://podcastingwithaaron.com Twitter: https://twitter.com/aaronpodcasting Youtube: https://www.youtube.com/aarondowd Blog: https://www.aarondowd.com Recommended Gear: https://kit.co/podcastingwithaaron

Charli Prangley is a designer by day and a content creator by... well, pretty much the rest of the time. In addition to her day job, she produces two high-quality Youtube videos and a podcast every week, and also runs an online apparel shop. I was so impressed with the consistency and quality of her output that I knew I had to get her on the show to share how she creates so much while still working a full-time job.If you've ever struggled with creating consistently or trying to get everything 100% perfect before shipping, you need to listen to this episode.Key Takeaways:You don’t have to have the best camera or microphone to get started. Use what you have or what you can afford, and upgrade later.If you want someone to invest time in what you’re creating, show them a little bit of your personality but make sure you share content they’d be interested in.Sometimes you do have to “beat people over the head” to get them to check out a link. You might have to post a link multiple times in a week before someone actually sees it and clicks on it.Look for communities and people to collaborate and work with. It’s a great way to share and grow audiences.If you want to be successful in video or podcasting, make creating content a habit and not just something you do when you have “free time”.Don’t try to fine-tune your content to perfection; give yourself a deadline and ship it.Aaron: It seems like you’re constantly putting out content. I always see you tweeting about editing vlogs or your latest podcast episode. You post two videos to your YouTube channel every week in addition to your weekly podcast, Design Life. How do you manage to create so much while still working a full time job?Charli: When you create a lot of content online (like I do), everything in your life becomes an opportunity to create content and tell a story. If I go to an event, I think about what I’m going to learn that I can share with other people. This provides a constant stream of ideas that I can share in my videos or podcast episodes.Aaron: So you put a lot of content out consistently, and you’re seeing results; you’re almost to 25,000 subscribers on Youtube. Can you take us back to the beginning and share how and why you got started?Charli: I started my Youtube channel back in 2013 because I wanted to see into the lives of other designers, but I wasn’t finding the kind of content I was looking for. There were a lot of tutorials, but I wanted to get to know the people behind those tutorials.I decided to start my own YouTube channel so I could create lifestyle content from the perspective of a designer. Other designers discovered my channel because they were looking for the same thing. Having that unique point of view from the start really helped my channel grow.Aaron: So you made the show you wanted to watch, and it turned out that there are a lot of other people who wanted that show as well?Charli: Exactly. I try to think about what I would have found valuable in my early days of getting started as a designer, and then I create that content. It’s really rewarding when I hear from young designers who tell me how my content is helping them.Charli’s Gear SetupAaron: What kind of gear were you using when you started back in 2013?Charli: When I first started, I was using a Nikon D5000. It’s a DLSR but it can only record video for 5 minutes at a time and only in 720p. It didn’t have a flip-out screen or auto-focus in video mode, so there were a lot of challenges to overcome to get my video content made, but I stuck with it. It was about a year before I could afford an upgrade.Aaron: I started a video show recently, and I’ve been using my iPhone and a Shure MV88 mic, and I’ve already got better gear than you had (because I’ve got the front-facing screen to see myself). With smart phone cameras being as good as they are now, anyone can shoot video. What did you end up upgrading to?Charli: I got a Canon 70d which I really like. It’s a great all around camera for the price.You don’t have to have the best camera or microphone to get started. Use what you have or what you can afford, and upgrade later.Charli’s Tips for Growing an AudienceAaron: When you started producing video, did you have any kind of online following?Charli: Not really. I think I had around 1,000 followers on Twitter because I was pretty active in my design and tech scene in Wellington, NZ, so I suppose that’s where my first views came from.Aaron: Did you have a strategy for growing your audience?Charli: I knew a little bit about search engine optimization (because I was doing it at my job), so I thought about how I could apply that to my videos, but it was mostly trial-and-error. I paid attention to what worked, what thumbnails people preferred and what content they were interested in. But something I’ve done from the start was to make sure my videos were tagged well so that they come up in search. Today, about half of my views come from people searching YouTube. Don’t underestimate the value of SEO.Aaron: SEO is important. The way I like to explain it is just think about what people would search Google or Youtube for, and then use those words in your podcast or video title, or in headlines on your blog post. There’s a lot more to it than that, but that’s a great place to start.How to Get People to Pay Attention to Your ContentJordan Newhouse asks: I produce new content every week. How do I get people to realize the content is there and get them to check it out?Charli: Start by looping in all of your social media to the content you’re creating. You don’t want to be talking about yourself non-stop online, that’s not the way to have an interesting account.If you want someone to invest time in what you’re creating, show them a little bit of your personality but make sure you share content they’d be interested in.You have to share your content more than once. You can’t send out a tweet and expect everyone to notice. Some people might not be paying attention or they might be half-asleep; you have to share it anywhere and everywhere you can, in different ways. Try different titles to see what works.I create so much content so often that by the time I’m finished with a video, I’m already thinking about the next one, but I should be thinking about how to best promote the video I just made.Aaron: I used to feel weird about sharing links to my content more than once. I used to think people would be annoyed if they saw me post multiple links to content. I finally realized that most people just aren’t paying that close of attention to their social media streams.Sometimes you do have to “beat people over the head” to get them to check out a link. You might have to post a link multiple times in a week before someone actually sees it and clicks on it.How to Promote Your ContentCharli: One of the best ways to promote your content is in response to questions you see your audience asking. If one of your followers is discussing a topic you covered on your podcast, send them a link to that episode if you think they’d find it valuable.Aaron: I love doing that. Some of the podcasters I follow have their own hashtags, so I’ll use Twitter search to find people who are asking podcasting questions and send them links to my episodes where I answered their questions. If someone wants to learn, you would be doing them a disservice by not sending them a link to your content if it answers their question or would help them in some way.Participate in Your CommunityAaron: I talk a lot about the importance of participating in your community, inviting guests on your podcast and collaborating with other people. You participate in an active Youtube community, right?Charli: That’s something I love about Youtube, there’s a very active community there. Everyone’s very collaborative, it’s easy to create video with other people and combine your audiences.Look for communities and people to collaborate and work with. It’s a great way to share and grow audiences.Create Content in Multiple Mediums and Build a Creation HabitAaron: You started a podcast recently. Did you find it easier since you’ve been creating video for a couple years?Charli: There was definitely a learning curve, just like getting started with video. There were all these new things to learn like what kind of microphone to buy, how to record and edit, and how to get your show into iTunes. It seems like it should be easy, just hit record and make a podcast, but it’s really not that simple.Aaron: One of my friends wants to start a podcast, but he wants to get everything perfect right away. That’s just not how it works; you have to be willing to jump in and create something, give yourself a deadline, and ship it. Otherwise you’re going to be talking forever about how you want to do something but you’ll never actually finish anything. You have to be ok with not being awesome at something for awhile. You’ll get better over time.Charli: That’s really the key to producing content consistently; get used to not being perfect and learn as you go. You could wait until you know everything and get everything absolutely perfect, but then you wasted time you could have been building the habit of producing content.If you want to be successful in video or podcasting, make creating content a habit and not just something you do when you have “free time”.Charli: People ask me, “You’ve put out a video every Saturday for two and a half years, how do you do it?” I don’t even think about it anymore; it’s non-negotiable. A video will go up every Saturday because it’s just a habit.Aaron: Do you find yourself getting faster and more efficient as time goes on?Charli: Definitely, but you don’t want to settle in a rut. Your audience will get bored if they see the same thing every week. When things are getting too easy, that’s when I try to learn something new to add to my process.Tips for Getting Started with Your First VideosAaron: We got another question from Jordan. She asked, “I’m about to make my very first video ever (it’s going to be part of my product launch). What are some things I should keep in mind?”Charli: Think beforehand about what the content of the video is going to be so that you can get all the right shots for it. You might even want to make a storyboard.You might end up needing to reshoot a few scenes because that’s just how it goes. You might get to the editing part and realize that you need another shot or you need to re-record something. That’s ok, it’s just part of the process.Aaron: Do you create storyboards for your videos?Charli: Not all the time, but sometimes, usually if I’m doing a fashion video that requires a bunch of different angles, I’ll just draw some rough sketches on a notebook to help me make sure I get all the shots.Aaron: I saw my friend Alex Cespedes (sorry I butchered your name in the show, dude) post a really interesting picture on Instagram showing how he outlines his podcast episodes on paper. I think that’s a great way to plan a show or podcast episode.Charli: People plan in different ways. I create a rough script or outline for my video in the notes app on my phone and that’s enough to get my mind thinking about what I’m going to say and how I need to say it.How to Create ConsistentlyAaron: What are your biggest struggles with creating consistently, and how do you overcome those?Charli: Time is always going to be a struggle. Even if you want to put something out every week, not every week is the same. In my life, I’ve got my day job, but that’s also things to do in the evenings and I travel a lot, so I have to make sure I make enough time to create a video I’m proud of. It’s always a struggle, but that’s where building the habit comes in. Planning definitely helps with the time constraint as well; I break the process down into little steps so I can get things done whenever I have time.Don’t try to fine-tune your content to perfection; give yourself a deadline and ship it.Aaron: One of my struggles is that there are always more projects that I want to do. I shoot myself in the foot by taking on too many things and not giving any one thing the focus it needs to be as successful as it can be. I try to do six things in a week and because I’m trying to work on all of them, I don’t make much progress on any of them.Charli: You have to pick which thing is most important to you and make sure that one gets done. Then you can worry about the other things.Collaboration Can Help You Produce ConsistentlyAaron: You’ve got a co-host for your podcast. Does that help you get the show done every week? You do a lot of videos by yourself, so you’d probably be ok on your own, right?Charli: I don’t think I would, no. I would not have a podcast if it wasn’t for my co-host Femke. Since I do two videos every week, we split up the duties so that she does the editing and I do the show notes and our newsletter. But she does a lot more work than I do, which is really helpful.Aaron: It is really helpful to have someone hold you accountable and help you do the work that it takes to put a show out every week. Podcasting is a lot of work and there’s nothing better than having a co-host who is really invested and willing to help with the work and keep you on track with producing.Q&A:Adina asked: How do I avoid looking awkward or sounding boring on camera?Charli: That’s a question that everyone asks and something that everyone goes through.. The answer is just practice. You’re going to make a lot of awkward videos before you start to feel comfortable.I don’t know if I can pinpoint the exact moment where I started feeling comfortable talking to the camera, but it happened. After I made enough videos, it stopped being a weird thing. Vlogging really helped for me, just picking up the camera and talking to it as I went through my day. It felt more casual and less stressful then sitting down in front of lights to film.Aaron: It’s the self-imposed pressure, right? We want to be as good as someone else we’ve seen. We see all these people making videos and podcasts and they always seem so fluid and cool and they’ve always got funny things to say. They’ve got 600,000 views and 300,000 likes and we think that’s the level of quality we have to achieve, but it doesn’t happen overnight. You won’t get there in the first couple tries.Also, being a better speaker and communicator is something you can teach yourself. Unless you slow down and think critically about the way you talk and how you can improve, you won’t improve. You can improve the way you talk. You can change the way that you talk and it will start to become the natural way that you talk with practice and time.Charli: When you first started podcasting, did you find listening to your own voice awkward?Aaron: Definitely.Charli: When I started making video, it was hard for me to watch and listen to myself, but now, I feel like I sound exactly like I do in my head. I don’t know what changed, but it’s not awkward anymore.Aaron: Part of it is just getting comfortable hearing yourself on recordings. You just get used to it after awhile. But I listen back to old episodes I’ve done and there are things I don’t like about the way I sound, so I think about what I could have done differently to sound better. I try to learn from my mistakes and improve, and I have, slowly over time and with practice.Charli: When I listen back to my first 6 months of video, I don’t sound like me; I sound like someone trying to make a video. Now I feel like I just sound like me, like I sound when I’m having a normal conversation.Aaron: We got a followup question: What about filming in public? I feel painfully embarrassed when I shoot video in public.I absolutely know what that feels like. I feel super weird about holding a phone or camera out and shooting a video in public. I don’t even like people seeing me taking pictures of other people or myself in public. But I’m going to let Charli talk about this since she’s gotten comfortable with recording video in public.Charli: I still feel awkward sometimes, like if I’m going to be sitting on a train with people on the way to work, I won’t pull out my camera and talking to it. But if I’m walking down the street, I’m probably never going to see any of those people again. If I know I need to get a shot to explain something in my vlog later, then I just have to get over feeling weird and get the shot that I need. And it comes back to practice.Aaron: And really, what’s the worst thing that could happen? Someone makes fun of you or looks at you like you’re an idiot?Charli: Exactly, and don’t think of it as you’re talking to your phone or camera, you’re talking to the person on the other side who is watching you later. You’re not really talking to yourself, even if it looks like you are.Aaron: Now I’m thinking about how funny it would be to make a show where you just walk around in public all day, talking to yourself and catching people looking horrified or disgusted in the background.Charli: Even if you do feel self-conscious, do it anyway and at least you’ll have all the shots you need.You can find Charli online at CharliMarie.com. Her Youtube channel is Charli Marie TV, and you can find her on Twitter and Instagram as well. She is also the co-host of Design Life, a fantastic podcast about design and side projects for motivated creators.Links:Podcast: https://podcastingwithaaron.comTwitter: https://twitter.com/aaronpodcastingYoutube: https://www.youtube.com/aarondowdBlog: https://www.aarondowd.comRecommended Gear: https://kit.co/podcastingwithaaron

Clay Cook began his creative career in the music industry, and after 10 years, his passion had leaned towards photography, cinematography and graphic design. Constantly collaborating with fresh designers, national models, filmmakers and other photographers, Clay has built a reputable name as an award-winning internationally published photographer and filmmaker, specializing in editorial and advertising photography. Full shownotes: http://yourcreativepush.com/claycook In this episode, Clay discusses: -How he got started with photography, transitioning from his music career. -The importance of having a good logo and good flyers for bands, as perception is reality. -His suggestion for any creative person who is looking to dabble in other creative fields as well as the field they are already pursuing. -How "playing around" or investigating other creative pursuits can really help to prevent burnout. -How the pre-production elements that come into play end up taking so much time away from the actual act of taking photographs. -The parties that he threw when he was just starting out, where he would shoot his friends on a cloth background. -How the impressive quality of images that he was able to capture with the DLSR got him excited to keep shooting. -When he started "going for it" with photography, he wasn't completely sure of the exact path he would be taking, only that he would find a way to be successful. -His advice to just keep shooting, because the more you shoot, the more you fail.  And we learn by failing. -The importance of stepping outside of your comfort zone, because if you are comfortable, you are most likely not growing. -How he used to immerse himself in YouTube videos and tutorials in order to learn everything he could about photography. -How to balance a job that you hate with your creative passion. -His unwavering desire to be his own boss and the sacrifices that came with making that decision a reality. Clay's Final Push will inspire you to be obsessed with your work and never give up.   Quotes: "Perception is reality in the music business." "The beauty in creativity is that it covers a whole wide umbrella of different topics." "For me, photography was just as fulfilling and rewarding as music was." "I think you have to stick to your passion, but dabbling in those other areas doesn't hurt at all.  And it will only improve your self-satisfaction." "I spend more time in a pre-production state than I do in a production state or a post-process production state." "I would throw parties just to shoot friends on a cloth background in my little office that was a 5x5 room.  It was almost a closet that I was sticking these people in and photographing them." "I didn't care who I shot or what I shot.  It was just so exciting for me." "The biggest piece of advice I can give to someone just starting out in photography is just to shoot.  Because the more you shoot, the more you're going to fail, and the more you fail, the more you're going to learn." "You have to really be obsessed with your craft." "I always want to be outside of my comfort zone." "I've seen a lot of photographers get worse over the years because of the fact that they never truly step outside their comfort zone." Connect with Clay: Website / Blog / Facebook / Instagram / Twitter / YouTube