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2 episodes with don't be cruel
2 episodes with don't be cruel
2 episodes with don't be cruel
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In the mid 50's two sisters obsessed with Elvis went missing but the police were convinced they ran away to meet their idol. Their mother knew her daughters would never run off. She felt in her bones that something horrible had happened to her girls but no one would believe her. This case has never been solved and while many have forgotten about these girls, their family is still waiting for justice. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
durée : 00:59:44 - Don't Be Cruel ! - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
Elvis Presley - "Don't Be Cruel" Learn more about your ad choices. Visit megaphone.fm/adchoices
Tune in, in today's episode of “Don't Be Cruel”, as the team discuss the debacle surrounding Derrick Jaxn and our opinions of how we feel he's built his brand on a lie. We'll talk about what accountability really looks like and if either of us have made the decision to get the COVID Vaccination! Don't miss it! Grab your coffee and get ready for the conversation.☎️Your friends and tell them to tune in and don't forget your coffee!
Elvis Presley, TCB, and Happy Birthday, Jim Barclay!
Elvis Presley - Don't Be CruelYou know I can be found,Sitting home all alone,If you can't come around,At least please telephone.Don't be cruel to a heart that's true.Baby, if I made you madFor something I might have said,Please, let's forget my past,The future looks bright ahead,Don't be cruel to a heart that's true.I don't want no other love,Baby it's just you I'm thinking of.Don't stop thinking of me,Don't make me feel this way,Come on over here and love me,You know what I want you to say.Don't be cruel to a heart that's true.Why should we be apart?I really love you baby, cross my heart.Let's walk up to the preacherAnd let us say I do,Then you'll know you'll have me,And I'll know that I'll have you,Don't be cruel to a heart that's true.I don't want no other love,Baby it's just you I'm thinking of.Don't be cruel to a heart that's true.Don't be cruel to a heart that's true.I don't want no other love,Baby it's just you I'm thinking of.
The fellas discuss new music from Alicia Key, Brent Faiyaz, and Bryson Tiller. Quavo having issues with Akademiks. The hip hop community standing together against Vlad Tv and much more!
The Bassment Boyz are kicking the year off talking about June 20, 1988. On this date, New Edition and Bobby Brown dropped the career-defining albums; Heart Break and Don't Be Cruel. Both albums were a major shift from both acts' previous releases and they set the standard for r&b music for years to come. How important were these albums to music in general? What if Ralph made Don't Be Cruel would it have been just as successful? If Bobby stayed in the group how would Heart Break have sounded? Which was the better album? Join us in The Bassment as we tackle those topics plus much more.
Guys, it's our last one for the year! This week, we're tackling the temptation to be a holiday grinch when you reach the age where Christmas feels like a cash grab and sharing how we keep the joy flowing when money is tight and the demands are high.
Topics: Gangs, Keith Sweat, Al. B. Sure!, Bobby Brown, Coming to America, A Different World (Bonus Artist: hidingtobefound) Snapshots 1. Ronald Reagan President (Last Year!) 2. Jan - Doug Williams super bowl [Two weeks earlier, CBS commentator Jimmy the Greek had been fired for remarking that blacks were better at sports because of slave plantation breeding techniques: “During the slave period, the slave owner would breed his big black with his big woman so that he would have a big black kid — that’s where it all started.”] 3. Feb – Winter Olympics: Jamaican Bobsled team! Debi Thomas 1988 winter Olympics Bronze medal - The best African American figure skater in history 4. Jul - Jessie Jackson keep hope alive speech at the DNC 5. Jul - The first ever edition of "Shark Week" airs on Discovery Channel. 6. Aug - Yo! MTV Raps 7. Sep - James Brown, while high on PCP, was involved in a high-speed chase with the police. He was eventually convicted of assaulting an officer and possession of an unlicensed firearm, among other charges. He spent three years in prison 8. Sep – Summer Olympics: Florence Joyner She is considered the fastest woman of all time, based on the world records she set in 1988 for both the 100 m and 200 m still stand. Jackie Joyner-Kersee long jump and heptathlon, Carl Lewis, Steve Lewis, and roger kingdom 9. Oct - Sega's two-year head start on Nintendo in the 16-bit gaming wars began on October 29, 1988, when the Sega Genesis launched 10. Nov - George Bush elected President 11. Dec - Mad Max Robinson dies 12. Dec - Roots: The Gift, the third installment of the Roots series is broadcast on ABC. 13. Open Comments: 14. Top Pop Songs 15. #1 - "Faith" - George Michael 16. #2 - Need You Tonight" - INXS 17. #3 - "Got My Mind Set on You" - George Harrison 18. Grammy Awards 19. Record of the Year: Bobby McFerrin for "Don't Worry, Be Happy" 20. Album of the Year: George Michael (producer & artist) for Faith 21. Song of the Year: Bobby McFerrin for "Don't Worry, Be Happy" 22. Best New Artist: Tracy Chapman 23. Best R&B Vocal Performance, Female: Anita Baker for "Giving You the Best That I Got" 24. Best R&B Vocal Performance, Male: Terence Trent D'Arby for Introducing the Hardline According to Terence Trent D'arby 25. Best R&B Performance by a Duo or Group with Vocal: Gladys Knight & the Pips for "Love Overboard" 26. Best Rhythm & Blues Song: Anita Baker for "Giving You the Best That I Got" performed by Anita Baker 27. Best Rap Performance: "Parents Just Don't Understand" – DJ Jazzy Jeff & The Fresh Prince. [The first award for Best Rap Performance was presented to DJ Jazzy Jeff & The Fresh Prince for "Parents Just Don't Understand". Jeff and Smith led a boycott in protest of the awards presentation not being televised, and some members of the rap community felt that more qualified artists were overlooked. 28. Top 3 Movies 29. #1 - Rain Man 30. #2 - Who Framed Roger Rabbit 31. #3 - Coming to America 32. Other Notables: Big, Twins, Crocodile Dundee II, Die Hard, The Naked Gun: From the Files of Police Squad!, Cocktail, Beetlejuice, Above the Law, Colors, A Fish Called Wanda, Young Guns, Tougher Than Leather, Child's Play, The Land Before Time, Tequila Sunrise, I'm Gonna Git You Sucka, and School Daze. 33. Top 3 TV Shows 34. #1 - The Cosby Show 35. #2 - Roseanne 36. #3 - A Different World 37. Economic Snapshots 38. New Home: 91,777 39. Avg Rent: 420 40. Avg. Income: 24,457 41. New Car: 10,432 42. Harvard: 12,015 43. Movie Ticket: 3.50 44. Gas: .91 45. Stamp: .25 46. Social Scene: Gangs and the movie Colors 47. Trailer: https://www.youtube.com/watch?v=WZvatzKVM2g 48. “Bulls”: https://www.youtube.com/watch?v=LJQAKDbq0hI 49. Stevin Levitt, Freakonomics: https://www.youtube.com/watch?v=5UGC2nLnaes 50. @9:35 - Summary: McDonalds vs Gang 51. Factors: Socio-political-economical, hyper masculinity and criminal justice/policing 52. Other ethnicities “evolved” out of their “street-gang” phases, but black- brown people are dealt with differently. 53. Open Comments: 54. Question: would more representation in the criminal justice system help – how to counter our internal factor? 55. Music Scene: 56. Top Black Singles 57. #6 - "So Emotional", Whitney Houston 58. #11 - "One More Try", George Michael 59. #12 - "Wishing Well", Terence Trent D'Arby 60. #15 - "Get Outta My Dreams, Get into My Car", Billy Ocean 61. #21, "Man in the Mirror", Michael Jackson 62. #27, "Father Figure", George Michael 63. #33 - "Where Do Broken Hearts Go", Whitney Houston 64. #36 - "The Way You Make Me Feel", Michael Jackson 65. #37 - "Don't Worry, Be Happy", Bobby McFerrin 66. Top Black Albums 67. Jan – Bad, Michael Jackson 68. Jan - Characters, Stevie Wonder 69. Feb - All Our Love, Gladys Knight & the Pips 70. Mar - Make It Last Forever, Keith Sweat 71. Apr - Introducing the Hardline According to Terence Trent D'Arby, Terence Trent D'Arby 72. May - Faith, George Michael 73. Jul - In Effect Mode, Al B. Sure! 74. Aug - Strictly Business, EPMD 75. Sep - Don't Be Cruel, Bobby Brown 76. Sep - It Takes a Nation of Millions to Hold Us Back, Public Enemy 77. Oct - Don't Let Love Slip Away, Freddie Jackson 78. Nov - Giving You the Best That I Got, Anita Baker 79. Nov - Any Love, Luther Vandross 80. Vote: 81. Featured Artists: New jack swingers 82. Keith Sweat (@ 27 yrs. old): Known for his distinctive ‘whining’ vocal style, Sweat has established himself as one of the most successful male R&B/soul singers not only in America but also in other parts of the world. Born Keith Douglas Sweat, he was raised in Harlem and by the time he was 14 he had performed at various nightclubs in and around New York City. He graduated from the City College of New York with a BS degree in ‘communications’, after which he worked for a brief period as a successful brokerage assistant in a Wall Street firm. Despite a prosperous career at the Wall Street, he chose to pursue his passion for music and began writing songs and tried selling them to various record labels. In 1975, he began his career in music as a member of the Harlem based band called the ‘Jamilah’. In 1984, he left ‘Jamilah’ in order to begin a solo career and subsequently sang at various nightclubs in New York. He was quickly noticed and given an opportunity to record an independent album for ‘Stadium Records’. He recorded ‘My Mind Is Made Up’ for the ‘Stadium Records’ and he was also credited as the co-writer and co-producer of ‘You Are the One for Me’. On November 25, 1987 his debut solo album ‘Make It Last Forever’ was released, which sold three million copies. The biggest hit from this album was the song that inaugurated the new jack swing era "I Want Her" 83. Bobby Brown (@ 19 yrs. old): Brown changed producers for this album and worked extensively with hit-making songwriting and production duo Babyface and L.A. Reid. Alex Henderson of AllMusic wrote: “Don't Be Cruel was to Bobby Brown what Control was to Janet Jackson – a tougher, more aggressive project that shed his "bubblegum" image altogether and brought him to a new artistic and commercial plateau. With "My Prerogative" and the title song, Brown became a leader of new jack swing” 84. Al B. Sure!(@ 20 yrs. old): During the late '80s, Al B. Sure! enjoyed a brief run as one of new jack swing's most popular romantic singers. Born Al Brown in Boston, he grew up in Mount Vernon, NY, listening to smooth crooners like Marvin Gaye and Johnny Mathis; he later became interested in rap and added that skill to his vocal repertoire. At age ten, he and a friend performed on a song written by Ellie Greenwich for the soundtrack of Sesame Street, and later he began writing songs with his cousin Kyle West. While in high school (where he quarterbacked the football team), he became friends with Edward Ferrell, aka DJ Eddie F, who was working with rapper Heavy D at the time. Eddie F introduced the still-teenaged Al B. Sure! to Heavy D's manager/Uptown label head Andre Harrell, who had him sing backing vocals on several Heavy D tracks and helped him get a deal with Warner Brothers. In 1987, Al was selected by Quincy Jones as the first winner of the Sony Innovators Talent Search. He collaborated with Jones on various projects, most notably the platinum single “The Secret Garden (Sweet Seduction Suite)” from Jones’ double-platinum-certified album Back on the Block. On this hit, he was one of a quartet with El DeBarge, Barry White, and James Ingram. His debut album of 1988 In Effect Mode topped the Billboard R&B chart for seven consecutive weeks, selling more than two million copies. 85. Open Comments: 86. Question: Al B. Said “There’s a generation of women starving to be told I love you again” What happened?! Who is bringing it back? 87. Movie Scene: Coming to America 88. Trailer: 89. The Hollywood Reporter's original review: “Eddie Murphy's latest Coming to America is likely to leave the wreath-bearers, the frantic faithful, the crowd herders and the legions of line-waiters in numbed, disbelieving disappointment…Distressingly, the film flops into the blandest of sitcom formats, never realizing its regal potential...Coming to America is the filmic equivalent of using a Maserati to go to the corner grocery store…Yes, there are some crazy pieces crammed into America — Murphy and Hall in their multi-roles do a running black barbershop bit that is good and nuts — but this comedy is generally tame and sappy…The plot itself is pathetic…No getting around it, while the script completely misses as a social satire, the writers have botched the romance part of America as well…Rivaling the inept screenplay is John Landis' cornball direction, which includes a TV season's worth of reactive cutaways to an ugly poodle…On a production level, at least, Coming to America gets top marks. — Duane Byrge originally published on June 24, 1988. 90. Open Comments: 91. Question: Is this Eddie’s best movie? Was Arsenio better than Eddie? Sequel or a remake? 92. Television Scene: A Different World 93. Theme song differences 94. Debbie Allen’s influence 95. Why didn’t any of them go onto stardom? - 96. Vote: Best/most important/favorite pop culture item from 1988?
We're back it is Friday at the 35 acres and a microphone podcast farm I'm Aaron Goodwin, you are already here if you are within the sound of my voice. If you would do me a solid and share with a friend or post on a wall or tweet about this podcast that pays tribute to the true school of hip hop. Old school.. Real throwbacks. Not the 90's. I've said before the years we research are from 1980ish to 1989. And new jack swing's start signaled the movements end as radio play for the format rhythm chr or rhymthmic had been born. It was a Latino hispanic based format that eventually turned to a more afro-centric type feel as teddy Riley/ guy.. jodeci, and so many more... started taking the lead I qualify myself as a radio historian. Being in rhythm radio at the beginning and a fan of it, prior to. I live in a very agricultural area of central California and have retired from radio and now do parties and weddings asa mobile dj. This podcast is a labor of love for the fans and it helps me cope with all the crazy in the world and the actual action of producing voice and the types of things I did at radio I can do through this lil project. season 2 after a one year hiatus. 10 thousand downloads world wide weekly and it is neat being here in a America. Northern California.. and seeing the messages from our socials or the adds at the Facebook page and the foreign folks around the world. Names in other languages. How the culture invaded the far away china as American culture spawned there in the 80's and how asians rule the breakdance world in my opinion its all very cool and that drives me to the work to make this thing happen. All for Love is the third studio album by American R&B quintet New Edition, released by MCA Records on November 8, 1985. The album was certified platinum by the Recording Industry Association of America (RIAA). Also, this would be the final studio album to feature original group member Bobby Brown, who would shortly depart for a solo career until he would later return for their 1996 comeback album with the group, Home Again. By Spring 1985, New Edition was one of the biggest pop acts in the world after the success of their self-titled second album released the year before. However, the group was now in mortgage to MCA Records, as a result of having borrowed money from the label to disentangle themselves from a stifling production deal they mistakenly signed during the recording of their previous album. As a result, All for Love would become the first in a cluster of albums the group would be forced to record during this period to work off its debt. And While most of the members were comfortable with the group's direction, Bobby Brown was becoming increasingly discontent and unappreciative with its bubblegum pop image. Brown was also agitated at having not been more prominently featured as a lead vocalist on the album. Vincent Brantley, the album's main producer, had originally sought to give Brown more solo spots. However, MCA balked at this idea — insisting that Ralph Tresvant continue to be used on principal vocals. During a national tour in Oakland, California to promote the album, Brown often cut in on Tresvant's leads, performing more raunchily onstage, compared to his band mates. Also, Brown angered the group's management by disrespectfully throwing his mike in the air and being ungrateful when not getting his way onstage. Growing tension between Brown and his band mates eventually reached a standoff, which contributed to his being terminated from the group in December 1985. Following Brown's departure, New Edition would continue to promote All for Love as a quartet. Lets get to the singles which are some of the strongest the new edition ever did. The neat thing about rhythm in these days is you didn't know the name and artist but you sure knew the songs by sound. Made everyone an a&r person back then. Because you knew what you were hearing was genius and Ralph tresvant might very well be the best ever and beyond Michael Jackson as far as some were concerned back then as the best voice in r and b. And when you go back and listen. You can totally see the reason for the comparison and why Mca made the decision to keep him as lead once they secured them for the mortgage albums as the band thought. Without knowing the drama, I think in my mind these were some of the best bubble gummy bad ass tunes that were coming out tracks like "Count Me Out", "Count Me Out" was released as a single in September 1985 on the MCA . Much like the group's earliest single, "Cool It Now", again, lead singer Ralph Tresvant is warned by his friends (co-members Bobby Brown, Ronnie DeVoe, Ricky Bell and Michael Bivins) to not fall for a girl after he told them to "count him out" of any activities that they had planned to do much to his friends' dismay. The song's music video was notable for Brown's absence as he had broken from the group around the time of the video. Only Tresvant, DeVoe, Bell, and Bivins were in the video and parts of the song that originally belonged to Brown were lipsynced by Bell. Brown's vocals remain on the song. Despite a modest showing at number fifty-one on the pop singles chart, the song reached number two on the Billboard R&B singles chart. And here again as we talk about rhythm radio and the eighties the overt racism by mgrs and ads at radio opted to not buy in in markets like where I live a predominantly at the time white area. Older white male owners. Simply like the vote in California where you see the big cities they had radioes there and in those big cities new edition got played due to demographics This is the second week of the new edition feature on my podcast the old school rewind last week's is posted and maybe in your downloads go check it out. We're parlaying and displaying.. the type of term you'd have heard back then. Car culture lowrider, The language has changed And the new edition are going through times in their life where they are old for sophomoric bubblegum tracks, but due to them each taking equal loans to buy out themselves from the prior deal they were in debt. And for me and my listening these are the magical songs and the music was progressing as it should The next single up from all for love is a little bit of love is all it takes. A favorite of mine and as I wiki'd to find some information on this single. There I nothing out there. Which to me is perplexing. Save that for another podcast. Let your ears do the listening and you'll feel the feel of new edition more than many of their tracks.. play a little bit of love is all it takes This is the second episode where one wasn't enough to feature the stellar work of the new edition. We're up to and maybe because I was a sophomoric kid going through the high school years I'm more clued into the broken heart girls being true to your girl. Alll of the things you'd expect from a ballad that is what NE was so good at doing Play "With You All the Way". Toward the year's end, Christmas All Over The World, a holiday EP, was released as well as an oldies album of tunes from the '50s sung by the group with an '80s production style. Earth Angel feat lil Anthony By 1987, New Edition was a group in transition. The band members were aging out of their teens into their twenties, and sought for their image and sound to reflect their coming of age. In addition to employing the famed production team of Jimmy Jam & Terry Lewis to help steer the music in a new direction, they also recruited Washington, D.C.-based baritone/tenor Johnny Gill—who, in 1984, had scored a hit with R&B singer Stacy Lattisaw on "Perfect Combination". The New Edition members had actually known Gill since they released their hit "Candy Girl" in 1983 and Gill released his R&B Top 30 hit "Super Love" that same year. They had joked that they would let him in the group if he could improve his dancing skills. Prompting Gill’s entrance into the group was when lead singer Ralph Tresvant considered recording a solo album. To circumvent New Edition being left without a lead singer, Michael Bivins suggested bringing in 20-year-old Gill to replace him. Gill accepted the invitation, joining the group in the spring of 1987. Tresvant, however, wasn’t ready to leave— resulting in New Edition, inadvertently, becoming a quintet again as they began production on their fifth album, Heart Break.[5] While most of Heart Break features principal vocals by Tresvant, with occasional solos by Ricky Bell, Gill’s voice is significantly displayed as the secondary lead throughout the album. Gill took the lead on the track “Boys to Men”- a song in which the singer initially resisted and resented recording, feeling it was too juvenile. "Boys To Men" became one of the album's most popular numbers, despite it never being officially released as a single.[6] Another standout album track was “Competition,” a song written by Tresvant that addresses the disappointment felt over the departure of Bobby Brown two years earlier. One song in particular, "Where It All Started", was a thinly veiled jab at New Kids on the Block. The group was discovered by their former producer Maurice Starr as a direct response to New Edition severing ties with him on less than amicable terms.[7] In an ironic twist, Jam & Lewis- the writers and producers behind the song- would also work with New Kids on the Block's lead singer Jordan Knight on his 1999 self-titled debut a little over a decade later. The two groups would later team up for a duet on the latter's 2008 reunion album The Block. "If It Isn't Love" from 1988 and the first single from Heart Break. The song became the biggest hit from that album, getting into the top ten of the US Billboard Hot 100, peaking at number seven, and reached the second position on the Hot Black Singles chart. Its chart performance and well-received music video garnered the quintet their first nomination for Best R&B Performance by a "Duo or Group with Vocals" at the 31st Grammy Awards in February 1989. The song and video is also notable for being the introduction of fellow R&B singer Johnny Gill as a new member of the R&B quintet. Many have called this particular album the most seminal New Edition album. Four fans from Philadelphia in particular were inspired by one of the songs on the album. "Boys to Men", the song that Johnny Gill hated recording, ended up becoming the name of the group who changed their name to Boyz II Men. The group would end up being managed and mentored by Michael Bivins. Boyz II Men names New Edition as one of their most influential bands. The album also saw a successful concert tour for the group as well. Through 1988 and 1989, New Edition toured all over the world with opening acts, ex-New Edition member Bobby Brown (who had also found big time success with his breakthrough album, Don't Be Cruel) and Al B. Sure!.[5] Interesting note the R&B group Jagged Edge named their sophomore album J.E. Heartbreak as a tribute to Heart Break The new edition album. Here's the first single Play if it isn't love We're up to the second single Written and produced by Jimmy Jam & Terry Lewis with Ralph Tresvant, Johnny Gill and Ricky Bell on lead vocals, this mid-tempo song is about a man being fancied by a woman who he thinks is not his type, and is trying to gently let her down. His friends, meanwhile, can’t understand his lack of interest in said female, who they believe is a catch. No matter all the success Though the song was a sizable hit on urban radio, peaking at #3 on the R&B charts in the fall of 1988— unlike its predecessor, “If It Isn’t Love,” it failed to make the same impression on Billboard’s Hot 100 singles chart—where it peaked at #95. The radio still hasn't changed but has made mark-ed progress at this time in 1988.. The music video for “You’re Not My Kind of Girl” is set to a concert performance of the song (which was led in by the music video for “If It Isn’t Love.”) The concert was held at Sony Pictures Studios in Culver City, California. New Edition held a radio contest for tickets to the taping, which were won by LA resident, Viveca McGuire. Play. You're Not My Kind of Girl" this is the second of two episodes of new edition being highlighted here on the podcast for the true school. The old school rewind. new edition is on and the album heart break is up I'm Aaron Goodwin. If you like what you hear or think you know someone who would appreciate the show. Share and subscribe for me. Add and subscribe at Apple Podcasts iTunes. Or wherever you get your podcasts I-heart. Stitcher audio is also posted to youtube search old school rewind podcast copy tweet insta. Snapchat spread the word and thank you again for your ear time.. One of new editions best songs "Can You Stand the Rain" was released on December 13, 1988 by MCA Records as the third single from their fifth studio album, Heart Break. It was Written and produced by Jimmy Jam and Terry Lewis with Johnny Gill, Ralph Tresvant and Ricky Bell on lead vocals and Michael Bivins with a spoken piece, "Can You Stand the Rain" is about a relationship presently going well, but the man is asking the woman if he can count on her to remain by his side, in case things should ever become stormy. Despite "Can You Stand The Rain" failing to reach the Hot 100 top forty, peaking instead at number 44, it became New Edition's fourth single to top Billboard's R&B singles chart. when you watch the video, much like the stuff from the solo career of Ralph sings great. He cannot dance. He looks like he dances to fast lol aww just clownin right now "Can You Stand the Rain" was sampled by New Edition themselves covered by Boyz II Men for their 1997 album, Evolution. In 2001, freestyle singers Safire & Cynthia turned the song into a freestyle/club jam, In 2003, the song was also covered by Guy Sebastian, the first winner of Australian Idol, Was on making the band In 2008, gospel group The Murrills covered the song with alternative lyrics for their album, "Can You Stand the Rain" was sampled by Big Sean for his single "My Last" featuring Chris Brown. Netflix series featured during the Lip-synching scene in the 2013 holiday film, The Best Man Holiday Even featured in the season 15 of the The Voice performed by contestants from team Adam Play Can you stand the rain Final track and closer for this weeks show. "N.E. Heart Break" fifth and final single from their sixth studio album Heart Break (1988). "N.E. Heart Break" peaked at number 13 on the Billboard R&B singles chart. The music video for the song depicts the group members riding mopeds after finishing their Heart Break tour. The music video featured cameos from Malcolm Jamal Warner (who also directed the video), Heavy D & The Boyz (The group's labelmate), Shanice Wilson, The Boys, Robert Townsend, and Brooke Payne, who also appeared in the "If It Isn't Love" video. The version of the song featured in the video is the single version, rather than the one featured on the studio album.
Super producer Teddy Riley. Teddy shares stories about Heavy D, the birth of New Jack Swing, helping Doug E. Fresh produce "The Show", and teaming up with Kool Moe Dee. He also talks about almost losing a job with Michael Jackson before it really started and how MJ left him hanging for two weeks while recording Remember The Time. Teddy tells how he went from competing against Keith Sweat to teaming with him and his unique perspective on working with then up and coming producers like Pharrell Williams, Timbaland, Devante Swing and Rodney Jerkins. He explains why their are two BlackSTREET's on tour, what it was like to work with Bobby Brown, how much he was getting cheated monetarily by his God father and manager Gene Griffin. He candidly tells the song that saved his life and the Top 5 songs he has ever made.
An Independence Day offering from Don Morrison. Morrison produces his eponymous Don Morrison Commentary, is an author, lecturer, member of The Berkshire Eagle's Advisory Board, a commentator for NPR's Robin Hood Radio, European editor of the British magazine Port, ex-Time Magazine editor, and a longtime part-time resident of the Berkshires.
Almost with noticing, America has become a paragon of cruelty. Let's curb our self-righteousness before it destroys the very idea of America.
Almost with noticing, America has become a paragon of cruelty. Let's curb our self-righteousness before it destroys the very idea of America.
A vegetarian cannibal and a boogeyman of Australia are just two things that don't sound real. Unfortunately they're real enough to earn two tickets to Hell. Join Hell's Ambassadors as discussions get a bit weird in this episode of The Ticket To Hell Podcast "Don't Be Cruel to the Vegetarian Cannibal"
Following up from last week's episode, Gurdip, Justin & Jamie continue an in-depth discussion of Hound Dog, Don't Be Cruel and Anyway You Want Me, and why Elvis' versions of his hits changed over the years. Gurdip's Song of the Week is just "too much" while Justin's song, from one of Elvis' contemporaries, somehow proves it's a small world when his research leads right back to him! Check out Jamie Kelley at jamiekelleymusic.com as well as his instrumentals project, justawesomekaraoke.com. Featured Songs of the Week: Gurdip: Too Much Justin: Hooked on a Feeling (BJ Thomas)
On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best." Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best." Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best." Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best." Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jamie Kelley returns to the show to talk Elvis news, his latest projects, including an online karaoke contest (details soon over at justawesomekaraoke.com), and Twilight's 10-year anniversary before digging into the history behind Elvis' biggest hit, Hound Dog. From Big Mama and Freddie Bell to Elvis' controversial performances on Milton Berle & Steve Allen's TV shows, it's all covered here. This episode's topic will continue into next week with the histories of Don't Be Cruel, Anyway You Want Me, Elvis' other versions of Hound Dog throughout his life, and of course, our Songs of the Week! Stay tuned!
WAKE UP PEOPLE!!! In our very first episode we discuss the new Bobby Brown BET made for TV biopic! --- Support this podcast: https://anchor.fm/wideawakepod/support
Bobby Brown released his second studio album, Don't Be Cruel, on June 20,1988. This album would catapult Bobby Brown into a chart topping superstar. On this week's episode of the 12Kyle Podcast, we take a look back and discuss Bobby and this album. The podcast is co-hosted by eclectik Don't Be Cruel...30 Yrs Later You can LISTEN, SHARE, AND SUBSCRIBE to The 12Kyle Podcast here... Apple Podcasts https://itun.es/us/RZVM_.c SoundCloud https://soundcloud.com/twelve-kyle Stitcher http://bit.ly/2ij1KWZ Overcast FM http://bit.ly/2ij6zzC Google Play - Search 12kyle Podcast YouTube http://bit.ly/2mVmOng CastBox https://castbox.fm/vc/131500 FOLLOW ME... Facebook https://www.facebook.com/twelvekyle twitter @12kyle; @12kylepodcast @eclectik @tweetrhymeslife @podcastedp @1songintro @1gottago Instagram @12kylepodcast ; @1gottago
Join GFM's Loveman and DJKKC for a very lively and in-depth discussion surrounding Bobby Brown's 1988 sophomore release "Don't Be Cruel".
The 80z Babies drop their first R&B album tribute to not one, but two 1988 albums by New Edition - NE Heart Break & Don't Be Cruel by Bobby Brown. #80zBabies
Segment 1. If the Thunder move to the seventh seed and beat GSW even if OKC loses in the next round does PG stay? How interested are the fans in seeing the Thunder play in the postseason? Segment 2. Follow up on PG's Shot PG says his shot doesn't feel right, Billy on what he's noticed on film. Billy Says PG's been working hard. Segment 3. Patrick Patterson on his time in Houston Where are the Rockets on the hate scale? Learn more about your ad choices. Visit megaphone.fm/adchoices
More songs about death, praying, loving and pigs. More info at dollarcountry.org
Episode 22: You know we can be found sitting home all alone talking about "Don't Be Cruel" See acast.com/privacy for privacy and opt-out information.
A collection of Southern Fried Grooves... 1) Don't Be Cruel by Billy Swann 2) Northeast Texas Women by Willis Alan Ramsey 3) Fire & Brimstone by Link Wray 4) Up on Cripple Creek by Buck Owens & His Buckaroos 5) John Brown by James Luther Dickinson 6) Days of '49 by Bob Dylan 7) Save Me Jesus by Bobby Charles 8) She Won't Hang Her Love Out by Roy Orbison 9) He Made A Woman Outta Me by Bobbie Gentry 10) Don't Know Where I'm Going by Borderline 11) One Woman Man by The Cates Group 12) Slim by John Pisano & Willie Ruff
WBZ's Neil Chayet says don't get all shook up over this case.
Episode 15.2 "Elvis, And The Studio (part 4) - "Don't Be Cruel" The year is 1956 and Elvis and the crew are back in the studio recording a tune written by Otis Blackwell (and perhaps with a writing credit tossed to the artist for making the song famous). But not everyone is a fan of the message that "Don't Be Cruel" conveys. Perhaps "Be Cruel" would be a better way to go. Fine out in this mini episode...
Grabbed some Burritos from La Tienda, then hit my place for A Powow. Good times. Music from Eurythmics and Tears for Fears.
Ok was just feeling really 90s with this mix if you cant tell my mixer is on its last days :-( ive had it for 5 years now and its dying on me. So if you would like to donate to help me get a new mixer hit the paypal donate button on the sidebar any amount will help! Rahsad Street-B-Syde Intro Bobby Brown-Don't Be Cruel Ini Kamoze-Here Comes The Hot Stepper Jade-I Wanna Love You LL Cool J-Around The Way Girl Wreckx-N-Effect-Rump Shaker (Teddy No. 2 Remix Instrumental) Christopher Williams-I'm Dreaming (Original Album Mix) Johnny Gill-Rub You The Right Way Janet Jackson-Alright Joe Public-Live And Learn TLC-What About Your Friends Slick Rick-Mona Lisa De La Soul-Ring Ring Ring (Ha Ha Hey) Monie Love-Work It Out Spice 1-Welcome To The Ghetto Kurupt-We Can Freak It (Instrumental) Kurupt feat. Baby S-We Can Freak It Masta Ace Incorporated-Born To Roll Naughty By Nature-Hip Hop Hooray SWV-I'm So Into You Shanice-I Love Your Smile LL Cool J-Luv U Better (Instrumental) Thanks for listening and be sure to listen live on 97.7 WRBJ in Jackson, MS or listen online every Sunday from Noon-2 CST! For Booking and Contact info you can reach me via youngv@violatordjs.com 601-376-9404 follow me on twitter and be my friend on facebook! http://www.twitter.com/djyoungvenom http://www.facebook.com/djyoungvenom
80's (seperated into iPod chapters) 0:00 Intro + "Love Me or Hate Me" Scene Mash 1:39 "The Promise" When In Rome 2:33 "Out Of Touch" Hall & Oates 4:01 West End Girls - Pet Shop Boys 5:16 "Promiscuous Promise" Scene Mash 7:52 "Enjoy the Silence" Depeche Mode 8:28 "Jiggle it Baby" Scene Mash 9:42 "Kiss" Prince 10:08 "Automatic" The Pointer Sisters 11:31 "Break My Stride" Matthew Wilder 12:05 "Tell Me No Go" Scene Mash 13:16 "She Drives Me Crazy" Fine Young Cannibals 14:06 "Hold Me Now" Thompson Twins 14:58 "Things Can Only Get Better" Howard Jones 15:55 "Self Control" Laura Branigan 17:00 "1st Booty in Control" Scene Mash 19:21 "Crazy Wishing Well" Scene Mash 21:57 "Jack and Diane" John Mellencamp 22:31 "Burning Down The House" Talking Heads 23:44 "Hanging on a String" Loose Ends 25:51 "Don't Be a Freak" Scene Mash 27:30 "Don't Be Cruel" Bobby Brown 28:05 "Genius Like That" Scene Mash 30:34 "Down Under" Men at Work 31:20 "Rapture" Blondie 32:23 "Rapture Encore" Scene Mash 34:38 "Edge of Seventeen" Stevie Nicks Scene mash 36:12 "Don't You Forget About Me" Simple Minds 38:12 "All She Wants to Do is Dance" Don Henley 40:08 "Back on the Chain Gang" The Pretenders Scene mash 41:13 "We Got The Beat" Go Gos 41:45 "Push it to the Limit" Paul Engemann 43:04 "She's a Maniac" Hall & Oats 44:19 "Steppin Out" Joe Jackson 45:51 "Take On Me" Ah Ha 47:56 "Listen to Shout" Scene Mash 50:31 "I'm Sprung on Human" Scene Mash 52:26 "Human" Human League 54:04 "Dance Hall Days" Wang Chung 55:11 "Blind Seven" Scene Mash 56:26 "Beverly Hills Get Up" Scene Mash 58:47 "Feel That Smack" Scene Mash 1:00:16 "I Feel For You" Chaha Khan 1:01:19 "Valerie" Steve Winwood 1:02:41 "Don't You Want Me" Human League 1:04:09 "People Don't Stop Believing" Scene Mash 1:06:31 "Run To You" Bryan Adams 1:07:32 "Run To Billie Jean" Scene Mash 1:08:12 "Lets Hear It For The Boy" Deniece Williams 1:09:18 "Cars" Gary Numan 1:11:11 Bonus: "Scarface Made You Look" Scene Mash
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