Podcast appearances and mentions of francois rabelais

Welches ist das eat.READ.sleep.-Buch des Jahres? Ihr durftet abstimmen. Außerdem erzählen Jan, Katharina und Daniel, welche Bücher sie 2024 besonders geärgert haben. Die drei Hosts antworten auf eure Fragen: Was war das skurrilste Buch, was sie je gelesen haben? Was für unbekannte Hobbies haben die drei? Und welche Bücher wollen sie im Jahr 2025 unbedingt lesen? Alle Infos zum Podcast: https://ndr.de/eatreadsleep Mail gern an: eatreadsleep@ndr.de Alle Lesekreise: https://ndr.de/eatreadsleep-lesekreise Unseren Newsletter gibt es hier: https://ndr.de/eatreadsleep-newsletter Die Bücher der Folge: - Emile Zola: "Nana". Dt. von Walter Widmer. (dtv, nur gebr. erhältl.) - Saša Stanišić: "Möchte die Witwe angesprochen werden..." (Luchterhand) - Gaea Schoeters: "Trophäe". Deutsch von Lisa Mensing (Zsolnay) - Barbara Kingsolver: "Demon Copperhead". Dt. von Dirk van Gunsteren (dtv) - Francois Rabelais: "Gargantua und Pantagruel". Dt. von Ferdinand Adolf Gelbcke (Insel) Rezept für Schweizer Dreikönigskuchen Für den Vorteig: 100 ml Milch, 100 g Weizenmehl (Type 550), 1g frische Hefe Für den Hauptteig: Vorteig vom Vortag, 200 ml Milch (zimmerwarm), 40 g Zucker, 5 g Vanillezucker, 10 g Salz, 8 g frische Hefe, 400 g Weizenmehl Type 550, Abrieb einer halben Bio-Zitrone, 60 g weiche Butter, in kleine Stücke geschnitten Für die Eistreiche: 1 Ei, 10 ml Milch (zimmerwarm), Je 1 Prise Salz und Zucker Zubereitung Am Vorabend die Zutaten für den Vorteig verrühren, 2 Stunden abgedeckt bei Zimmertemperatur stehen lassen, dann über Nacht in den Kühlschrank. Am nächsten Tag den Vorteig aus dem Kühlschrank nehmen und eine halbe Stunde bei Zimmertemperatur stehen lassen. Alle weiteren Zutaten bis auf die Butter dazugeben und bei niedrigster Stufe 10 Minuten kneten. Anschließend die weiche Butter dazugeben und weitere 5-10 Minuten bei gleicher Einstellung kneten, bis der Teig weich und elastisch ist. Diesen Teig bei Zimmertemperatur 60-90 Minuten ruhen lassen. Für die Eistreiche das Ei durch ein feines Sieb streichen, Milch, Salz und Zucker dazugeben und verrühren. Aus dem Teig 8 Teigstücke á 80 g abteilen und daraus Kugeln formen. Dabei in einer Kugel den König (eine Figur, Mandel, Bohne oder Münze) einarbeiten. Aus dem restl. Teig eine große Kugel formen und in der Mitte des Backblechs auf Backpapier legen. Mit etwas Abstand die 8 kleinen Kugeln um die große Kugel herum platzieren. Alles mit der Eistreiche einpinseln. Den Dreikönigskuchen abdecken und eine halbe Stunde gehenlassen. Den Teig erneut mit Eistreiche bepinseln und für 30 Minuten in den auf 190°C Ober-/Unterhitze vorgeheizten Backofen schieben. Den heißen Kuchen mit Ahornsirup einstreichen und mit Hagelzucker und/oder Mandelblätter bestreuen. eat.READ.sleep. ist der Bücherpodcast, der das Lesen feiert. Jan Ehlert, Daniel Kaiser und Katharina Mahrenholtz diskutieren über Bestseller, stellen aktuelle Romane vor und präsentieren die All Time Favorites der Community.

Francoski avtor se je pisanja loteval z veliko pretiravanji, ki zaživijo v žanru satire. Pogačarska vojna se dogaja na nekaj podeželskih zaplatah v bližini Rabelaiseve domačije, strategijo pa zastavi kot velik zavojevalski pohod. V zgodbi nastopa znameniti literarni junak Gargantua v eni svojih dogodivščin. Režiser: Marjan Marinc Prevajalka in prirejevalka: Gitica Jakopin Tonski mojster: Borut Turk Grandgousier – Maks Furijan Gargamella – Ruša Bojc Gargantua – Jože Zupan Michel – Maks Bajc Jean – Andrej Kurent Tretji postopač – Tone Homar Doktorji na Sorboni – Janez Rohaček, Slavo Švajger, Stane Česnik Huk-Huk – Pavle Kovič Forgier – Aleksander Valič Marquet – France Presetnik Picrochol – Boris Kralj Touquedillon – Ludvik Pečar Hativeau – Marjan Kralj Gallet – Stojan Andrej Jan Razbijan – Jurij Souček Paž – Mina Jeraj Varuške – Jana Osojnik, Jelka Cvetežar, Marta Pestator, Mara Černe Napovedovalka – Ana Mlakar Uredništvo igranega programa Posneto v Studiih Radia Ljubljana oktobra 1959

Three Good Giants by Francois Rabelais audiobook. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Noah Gould, Acton's alumni and student programs manager, speaks to Jane Clark Scharl about her verse play, Sonnez Les Matines, which asks, What if John Calvin, Ignatius of Loyola, and Francois Rabelais had their convictions put to the test while navigating their involvement in a brutal crime? Subscribe to our podcasts Sonnez Les Matines […]

In this episode, Noah Gould, Acton's alumni and student programs manager, speaks to Jane Clark Scharl about her verse play, Sonnez Les Matines, which asks, What if John Calvin, Ignatius of Loyola, and Francois Rabelais had their convictions put to the test while navigating their involvement in a brutal crime? Subscribe to our podcasts Sonnez Les Matines | Wiseblood Books  Calvin, Loyola, Rabelais: A Murder Mystery | Religion & Liberty The Violent Faith of Cormac McCarthy | Acton Unwind

Číta: Kamil Mikulčík Miles má bizarnú záľubu v posledných slovách svetových osobností. Najviac ho fascinuje Francois Rabelais a jeho posledná veta: „Idem hľadať to Veľké Azda." Miles si nechce počkať na podobný osud a presvedčí rodičov, nech ho pustia do internátnej školy mimo mesta. V Alabame si rýchlo nájde nových priateľov: spolubývajúceho Chipa, ktorého všetci volajú Plukovník a ktorý vo voľných chvíľach memoruje nekonečné abecedné zoznamy, i krásnu, ale nepredvídateľnú Aljašku, do ktorej sa zamiluje. Čaká ich rok plný porušovania školského poriadku, testov a skúšok, žartíkov, rozchodov a odhalen ých tajomstiev. Čo zmení Milesov názor na jeho „Veľké Azda"? (také niečo by som skôr dala nakoniec)

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

If there were ever a superhero that could drown a man in piss and make you question why you ever called on them in the first place, Francois Rabelais would be the PeePee PooPoo Man.  (The 'P' symbol on his chest stands for 'hoPe'.)  Since Chaucer's invention of words used on Caleb Can't Read today, there was a man in the 1500's that put such a vocabulary to beautiful use... and continued to use it until he literally became a target of the Catholic Church.  That's right, the author of "Gargantua and Pantagruel" threw so many fart jokes at the page that God Himself wanted him dead.  Celebrating our 2nd anniversary, this is Francois Rabelais!

Jane Clark Scharl discusses her play Sonnez les Matines, in which a young Ignatius of Loyola, Jean Calvin, and Francois Rabelais, together in 1520s Paris, find themselves implicated in a murder. Publisher's description (from Wiseblood Books): One Mardi Gras night in 1520s Paris, college students Jean Calvin (founder of Calvinism and autocratic ruler of Geneva), Ignatius of Loyola (founder of the Counter-Reformation Catholic religious order, the Jesuits), and their bawdy friend Francois Rabelais (the humanist novelist) find themselves mixed up in a gruesome murder—and any one of them might be guilty. The ensuing investigation sparks a battle of wits and weapons, plunging them into questions of justice and mercy, grace and sin, innocence, guilt, love, and contempt. Before the bells ring in the start of Lent, they must confront the darkest parts of their souls and find the courage to pursue truth in a world that seems intent on obscuring it.  Sonnez Les Matines imagines what might have happened if these three brilliant, volatile men had to put their convictions to the test while navigating a brutal crime and their own involvement in it. When left to his own devices, each character speaks in his own verse form, giving the play the feeling of a fierce sparring match between masters. Calvin's blank verse toys with despair as he wrestles with doubts about the goodness of God and the possibility of freedom; Ignatius commands situations in clipped iambic tetrameter, revealing his background as a disciplined soldier, while his passion for order shows through in frequent alliteration; and Rabelais dances around with iambic rhyming couplets, cracking profane, bawdy jokes that unexpectedly become profound meditations on the mysteries of God, creation, and grace. Links Tickets for March 8th performance of the play in NYC  https://www.eventbrite.com/e/sonnez-les-matines-march-8th-tickets-554768656987 Buy the text of the play https://www.wisebloodbooks.com/store/p127/Sonnez_Les_Matines%2C_a_Verse_Play_by_J.C._Scharl.html “The Dream of the Rood: A New Translation” by Tessa Carman and J.C. Scharl https://thelampmagazine.com/blog/the-dream-of-the-rood-a-new-translation Jane's website https://jcscharl.com/ DONATE to make this show possible! http://catholicculture.org/donate/audio Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org

Michael and Ethan conclude their discussion of The House on Vesper Sands, by Paraic O'Donnell, while drinking the Glenlivet Nadurra cask-strength bottling.In this episode:There must be no changeEthan loses! Michael fails to notice, or at least to call it out. Will Ethan confess in the future?Good thing Ethan avoids sounding pedantic, now or everThe unmooring of the bookGood thing Michael avoids sounding pedantic, now or everEither a mystery, or just vibesThankfully the section vs. book vs. part discussion gets resolvedAgain with the Gene Wolfe, sorryWe have to rage against the cage in which we have bound ourselves“It” is an ambiguous pronounNext time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan begin their discussion of The House on Vesper Sands, by Paraic O'Donnell, while drinking the Glenlivet Nadurra cask-strength bottling.In this episode:A fearful ScotchSome deeply inside jokesThe Gothic Genre: A TEDm&e TalkThe term “sensibility” is used a lot of times for a podcast not discussing Jane AustenThe term “vibes” is used a lot of times for a podcast run by two millenialsSorry Bronte fans, Wuthering Heights and Jane Eyre don't count as GothicSorry to Bram Stoker and Wilkie Collins fans too, we guess?It had to be noted at some point: YES there is a massive The Shining reference in this novel, and NO we never think to discuss itNext time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan conclude their discussion of Gargantua and Pantagruel, by Francois Rabelais, as translated in one case by Thomas Urquhart and Peter Motteaux and in the other by M.A. Screech, while drinking Benriach distilliery's The Smoky Twelve.In this episode:Ethan tried to research “here's mud in your eye” while writing these notes but the internet is full of obvious nonsense on the subject and Ethan didn't feel like dealing with it. Um, sorryI mean, none of the explanations seem racist, so maybe that's good?A hempen questionA marriage question (again)More specifically, a codpiece question (among others)Voyages! Of Discovery! Not of bad things!Crypto-names-with-MichaelIBS: A NovelAKA: a choice windRabelais either is playing the accordion with literature, or putting it all in a cauldronSorry about this punishment for everyoneRACHEL BARRIE WE LOVE YOUWhen Ethan says Tom King did a run of Flash comics, he means Vision. SorryNext time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan continue their discussion of Gargantua and Pantagruel, by Francois Rabelais, as translated in one case by Thomas Urquhart and Peter Motteaux and in the other by M.A. Screech, while drinking Benriach distilliery's The Smoky Twelve.In this episode:Yes, we implied Rachel Barrie was a demi-god last time, so godmother may seem like a demotion, but consider this: we love her.Three hours of waitingObligatory digression into Diogenes:Ethan gets it wrong, Oscar the Grouch is (OF COURSE) the one based on DiogenesThis podcast stans Diogenes, just in case that's unclearSome close reading, which is always excitingRabelais is both marvelous and infuriatingNothing is delightfulIf the observer wants there to be causation, then there's causationA late-episode Coen Bros digressionSomeone please write the paper about Rabelais fools vs. Shakespeare foolsNext time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan continue their discussion of Gargantua and Pantagruel, by Francois Rabelais, as translated in one case by Thomas Urquhart and Peter Motteaux and in the other by M.A. Screech, while drinking Benriach distilliery's The Smoky Twelve.In this episode:If you don't understand something, don't get upset about itJust accept it and find the humor in what you do understand(These are not bumper stickers, just Michael sayings. But if enough people want, they could be bumper stickers)Education, Education, Education and Stupid WarFreedom and ResponsibilityMagic bloodThe last seven minutes or so are pretty deeply embarrassing for Ethan, you can just skip it788 fart jokesNext time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan begin their discussion of Gargantua and Pantagruel, by Francois Rabelais, as translated in one case by Thomas Urquhart and Peter Motteaux and in the other by M.A. Screech, while drinking Benriach distilliery's The Smoky Twelve.In this episode:Now listen. This episode starts with some pretty esoteric humor, even for us, but:To our Calvinist listeners: sorry.To everyone else: also sorry, but this DOES actually foreshadow some themes and later inside jokes and stuff, so… Michael forced it to be includedNovels: a novel discussion of noveltyDon't worry, Ethan also isn't sure if he did that “fruitful” pun on purposeSancho Panza contentAn AIM reference! Relevance!Also relevant: BLOGS!Ethan dances around the edges of Marshall McLuhanPamphlet wars cage match!Next time Michael and Ethan will continue discussion of Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Another special, in which Michael and Ethan set the table for the discussion of one of the books in literature which itself has perhaps some of the most tables set within it: this is the world of Francois Rabelais, and his Great (dirty) Book, Gargantua and Pantagruel.In this episode:Rabelais as Dirty BookEthan has one page of notesMichael gets put on a Diet of WormsMichael's wife is the main character of this episode, reallyWe ram our heads into our time. Which is hardly a surpriseDistilling the zeitgeist into predicting the futurePutting a pin in MelancthonAphorisms. Ethan is trying to think of Aphorisms. Sorry this took so longNext time Michael and Ethan will begin discussion of our next Mongo Book: Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

An Ethan-only special episode (sorry) in which Ethan gives us just a taster of the massive medieval Japanese novel The Tale of Genji, by Murasaki Shikibu, and makes his case that a Japanese woman may have written the first “true” novel.Next time Michael and Ethan will begin discussion of our next Mongo Book: Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Michael and Ethan continue their discussion of The Fishermen, by Chigozie Obioma, while drinking Benriach distilliery's The Twelve.In this episode:The payoff to a secret jokeObligatory D&D discussion, sorrySorry also to our Morning DJ audienceMaybe more pointing out than usual of things we don't understand. shrug At least we're honestLeaping Christ figuresMaEiaRwS: avoiding the easy interpretation since 2016Oh yeah, there should probably be a bullet point about animalsIf we don't incriminate ourselves one way, we'll do it another wayNext time Michael and Ethan will begin discussion of our next Mongo Book: Gargantua and Pantagruel, by Francois Rabelais. Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

"Ein Kind ist kein Gefäß, das gefüllt, sondern ein Feuer, das entfacht werden will." Folgt man diesem Zitat von Francois Rabelais, so kann man leicht zu dem Schluss kommen, dass zu Lernen, ja zur gesamten Entwicklung es vor allem zweierlei benötigt: Raum und Beziehung. Leider passiert es früher oder später vielen Menschen im Verlauf ihrer Bildungskarriere, dass sie eben jenes Feuer verlieren. Dann braucht es vertraute und wohlgesonnene Menschen, die eben jenen Funken entfachen können, damit aus eigener Kraft wieder Großartiges entstehen kann. In dieser Folge des Podcasts spreche ich mit der Diplom Sozialpädagogin und Entwicklungsspezialistin Britta Becker über die Marte Meo Methode und die damit verbundenen Chancen für unser Schul- und Bildungssystem. Wir sprechen über die Bedeutung und den Ursprung von Marte Meo, Entwicklungsbotschaften, die Notwendigkeit von Entwicklungsräumen insbesondere im Kontext Schule, sowie dir großartigen Chancen und Möglichkeiten, die uns die Marte Meo Methode schenkt. Am Ende der Folge wartet ein kleines Geschenk auf dich! Viel Spaß beim Zuhören. Wenn dir die Folge gefällt, dann teile sie gerne mit deinen Freunden, lass mir eine positive Bewertung da oder schreibe mir eine Nachricht mit deinem Feedback. Kontakt Britta Becker: https://www.martemeo-rhein-lahn-westerwald.de/ Kontakt Kathi Lehmann: https://www.kreative-lernwerkstatt.net/ https://www.instagram.com/kreativelernwerkstatt/

Les moutons de Panurge écrivent à Rabelais le jour des 400 ans de sa disparition pour se vanter et le... menacer (un peu)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ian McMillan and guests including Jenny Offill, Alice Oswald and Wayne Binitie discuss weather writing. Alice Oswald The Oxford Professor of Poetry, Alice Oswald is a great listener to the weather, something she has written about as being part of her experiences as a gardener. She has shown great attentiveness to water in all forms – with books like ‘Dart' her long river poem and with her writing on rain for Radio 3. Along with her co-editor Paul Keegan, Alice has put together an anthology of weather writing called ‘Gigantic Cinema ‘. For The Verb she reads from Daniel Defoe's 'The Journal of the Plague year'; and from her own book ‘Nobody'. She also shares the following works: ‘My Cocaine Museum' by Michael Taussig , ‘Gargantua and Pantagruel IV' by Francois Rabelais , ‘Conversation about Dante' by Osip Mandelstam, and ‘Trees in the Garden' by DH Lawrence. The anthology is described as a 'bare-headed' collection, which in part means that titles from the selections are only referred to on the contents page - this allows the reader to experience the weather writing as if it all takes place on a single day. Wayne Binitie Artist Wayne Binitie bring us the sounds of ancient weather. He has been collaborating with the British Antarctic Survey, and shares with us original compositions (made with his collaborator Art Lewy ) that allow us to hear a soundtrack of air bubbles being released from Antarctic ice cores which are thousands of years old. The compositions (Ice Fragments 1 and 2) also weave the music of Ravel and Debussy into these bubble sounds, as a way of exploring memory. Wayne is fascinated by the different states of water, and his work explores freezing and melting, condensation and evaporation, sublimation and deposition states. We are focusing on his sound art, but Wayne's work takes in other senses, as his exhibitions have demonstrated ( http://waynebinitie.com/ ). All of Wayne's work with the BAS helps us reflect on what it means to talk about the weather at a time when the climate is changing in profound ways. Jenny Offill Jenny Offill thought deeply about how we talk about the weather in ways that are true to our experiences and our thoughts, in order to write her novel ‘Weather'. ‘Weather' is narrated by Lizzie a librarian who ends up answering the mail for a doom-laden podcast called 'Hell and High Water'. Soon she is fielding questions from those worried about climate change. The novel is written in fragmented paragraphs which show how weather thoughts move through our thinking – and contain beautiful and comic observations. She discusses humour, the difficulty of talking about glaciers and the pleasure of manifestos. Jenny's previous novel is the equally playful ‘The Department of Speculation'.

"WAS DU WILLST" in die Welt posaunen, Buch, Philosophie, Vater an Sohn, Mönch Francois Rabelais, Ordensregel, Bibel: Linsensuppe gegen Erstgeborenenrecht, Priorität, langfristig oder kurzfristig von Vorteil, Bedürfnisbefriedigung, psychologisches Experiment bei Kleinkindern: Abwarten können versus Sofortbefriedigung, eigenes Gewissen, Entscheidungsmöglichkeit, Dankbarkeit

FULL EDITED: Crowleymass 2020 Presentation, from SOMA INSTITUTE, B.C. Read Chris Bennett's new book LIBER 420: Cannabis, Magickal Herbs and the Occult Bonus content: www.hermeticpodcast.com ( https://www.hermeticpodcast.com ) Support this podcast at — https://redcircle.com/magick-without-fears-frater-r-c-hermetic-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode, I read the next three chapters from Gargantua and Pantagruel, book one, to you. It is an explicit episode, so please be aware of that before you listen! I also muddle my way through some difficult words (how do you pronounce ambriguembrangle?) and try to speak a little church Latin, so I hope you've forgive any blunders I make! As always, you can follow me on Twitter at https://twitter.com/bedtime_asmr Please feel free to let me know what else I can read to you as you fall asleep each night. I'm open to requests! Leave me comments, suggestions, and reviews wherever you listen to your podcast episodes! I greatly appreciate any feedback you give. --- Support this podcast: https://anchor.fm/asmr-bedtimestories/support

In this episode, I whisper the first three chapters of the first book of Francois Rabelais' classic novel, Gargantua & Pantagruel, to relax you as you drift off to sleep. This episode may contain content that is unsuitable for all audiences including profanity and vulgar descriptions. Because I believe books should be read as the author intended, I did not edit out these portions of the original text. I hope you enjoy it nonetheless! You can find updates about this podcast on Twitter at https://twitter.com/bedtime_asmr --- Support this podcast: https://anchor.fm/asmr-bedtimestories/support

Episode 30! We play another round of "What If...", we talk police brutality GOT style, Norwegian travel pamphlets, and narcissistic demands for the after life! Trevor tells us about "Gargantua and Pantagruel" by Francois Rabelais and Marc thinks "The Neon Bible" by John Kennedy Toole should be read by every teenager!

Gargantua and Pantagruel is read by a soft and deep male voice beside the warmth of a crackling fireplace. Fireside Readings aim to relax the listener and/or help the listener fall asleep. The chosen stories are from old books that are often written in old English, helping to create a relaxing atmosphere for the listener. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/daniel-findley/support

Gargantua and Pantagruel is read by a soft and deep male voice beside the warmth of a crackling fireplace. Fireside Readings aim to relax the listener and/or help the listener fall asleep. The chosen stories are from old books that are often written in old English, helping to create a relaxing atmosphere for the listener. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/daniel-findley/support

Plated Earth Food Fables are original short historical fiction stories about produce and its ability to connect people, culture, and history. This Food Fable is about a young boy, teasingly nicknamed “Willy Rotten” by his peers, whose father comforts him by telling the story of how giants once roamed the earth, thanks to the medlar fruit. The giants’ origin story is inspired by the works of 16th century author, François Rabelais, which chronicle the adventures of two giants, Gargantua and his son Pantagruel.

Shawn, The Puru, sits down with Dave Praeger, whose book “Poop Culture: How America Is Shaped by Its Grossest National Product,” catalyzed The POOP Project. Creator of Poop Report, the web’s first intellectual hub for scatology, Praeger details how a humorous side project became a full-fledged (and highly researched) book, how poop’s contaminating effect has led him to create a secret identity, and why he eventually got out of the “business.” Mentioned in Podcast: Shawn Shafner, Dave Praeger, Poop, S**t, Shame, Taboos, Potty, Squatty Potty, Poop Report, Poop Culture, Marketing, Contamination Theory, Aurora, Denver, Colorado, Jamie Benson, Drudge Report, Dominique LaPorte, History of S**t, Francois Rabelais, Geoffrey Chaucer, Jonathan Swift, Le Petomaine, Fartiste, Moulin Rouge

Words from which eponyms derive play a smaller role than Latin and Greek root words in forming English vocabulary, but nevertheless are important for learning the word origins of English vocabulary. An eponym is an English word that is derived from a name, such as that of a person or place. Today we will explore the eponyms quixotic, gargantuan, and leviathan.Like this? Build a competent vocabulary with Membean.

"The Baker and the Judge" is a story that has been told many times, perhaps most notably by the great French writer Francois Rabelais in his epic masterpiece of satire "Gargantua and Pantagruel". But it may have originated in Israel, and in one version of the tale, the judge in question is the legendary King Solomon, who also is reported to have offered an unusual solution to the problem of two mothers quarreling over the same child.We bring it to you from Chicago, where we've been holed up for the entire month of April--well, except for Kimberly, who's spent the past week visiting her parents and grandmother in Nevada. This is the first podcast that Dennis and Zephyr have done on their own.Why did we choose this particular story? Well, if we must have a reason, let's say we did it because Rabelais gave us the word "gargantuan", and that describes the Sears Tower in Chicago, which we visited this past week. It's the tallest building in North America, and for 25 years it was the tallest in the entire world. The 110-story titan stands 1450 feet tall, with the antennae on top adding another 275 feet for a total of 1725. The structure is actually a cluster of nine towers of various heights, with only two going the distance (The base is laid out like a tic-tac-toe board!) One of the designers allegedly illustrated the concept to a colleague by pulling cigarettes out of a pack at different lengths. And you thought those things were utterly worthless!We also saw another famous tower, the Leaning Tower of Pisa. Well, not exactly. We saw its twin, the Leaning Tower of Niles. Well, okay, so it's only a half-size twin. It still is a close enough copy to save us airfare to Italy. Standing 94 feet tall with a tilt of 7 feet off center (as opposed to the original's 177-ft. height and 15 and a half ft. tilt), the Leaning Tower of Niles was completed in 1934, only 700 years after its famous lookalike.And we visited another building in Chicago, the Old Post Office. Normally, there's not much interesting about it, but this week it was the location for the shooting of a scene from the new Batman movie. We didn't arrive in time to to see any filming, but we were able to get a glimpse of the set, which represented Gotham National Bank.Happy Listening!Dennis (Narrator and Sniffer), Zephyr (Baker and Judge) and Kimberly (mime)