Podcasts about The Faerie Queene

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Today's Lake and Shed framed conversation is once again about The Christmas Pig. Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our look at the Steve Kloves “complete screenplay” Secrets of Dumbledore, one based on an “original story” by J. K. Rowling. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Christmas Pig and Old Rabbit (Nick Jeffery)* The Quadrigal Reading of Christmas Pig (John Granger)* The Velveteen Rabbit and Christmas Pig (Beatrice Groves, pp 17-18)* The Faerie Queene and The Christmas Pig (Elizabeth Baird-Hardy)* The Rowling Studies podcast dedicated to Christmas Pig subjects* Warner Bros Adapting ‘Christmas Pig:' Will It Become Rowling's Best Loved Book? A Second ‘Christmas Carol'?The Perennialist Reading of Christmas Pig Series of HogwartsProfessor posts:* Part 1: John, Peter, and Jack Jones* Part 2: Dante, Sacred Art, and the Symbolism of the Tree and Its Angels12/22: Whence Holly's Hatred in Christmas Pig? The Symbolism of the ‘Broken Angel'* Part 3: The Quadrigal Reading* Part 4: The Magic In Things1/5: Rowling on Love, Hope, Happiness 2018* Part 5: The Blue Bunny1/15 Rowling, Ring Writing, and Maternal Love* Part 6: The Ring CompositionPost Publication Christmas Pig HogwartsProfessor Pieces:10/4: The Christmas Pig – The First Reviews10/10: Beatrice Groves: Unlocking Clues to The Christmas Pig10/13: “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)10/13: The Christmas Pig and Old Rabbit10/17: Alexandra Palace, JKR, Christmas Pig10/18: J. K. Rowling's Christmas Pig Interviews12/14: Rowling Talks About ‘Christmas Pig'12/17: The Original Christmas Pig was Blind Pig12/26: The Faerie Queene and The Christmas Pig12/27: The Christmas Pig: Amateur AudioBook12/28: Christmas Pig's Chapter Thirteen1/2: Does Anyone “Really” Die in Stories? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Dr Rachel Knightley is joined today by screenwriter, TV and radio dramatist and science fiction/fantasy novelist Philip Palmer.  Philip has a background as a script editor and writes extensively for radio as well as television, scripting five seasons of the Radio Four Hungarian crime drama Keeping The Wolf Out. Other radio plays include The King's Coinerstarring Iain McDiarmid and The Faerie Queene starring Simon Russell Beale. His feature film The Ballad of Billy McCrae, which he wrote and co-produced, was released on more than 20 UK screens in September 2021.  Philip's books include Version 43 and Hell Ship, the horror/crime novel Hell On Earth, Morpho, and the horror novella Murder of the Heart. He also has extensive experience working with new and emerging writers.   Find out more about Philip:   BBC Sounds https://www.bbc.co.uk/sounds/series/b07ldlnq   Author Page https://www.amazon.co.uk/stores/author/B001IU2P86/about   Feature Film The Ballad of Billy McRae: https://www.amazon.co.uk/gp/video/detail/B09KG756VM/ref=atv_sr_fle_c_srce7a38_1_1_1?sr=1-1&pageTypeIdSource=ASIN&pageTypeId=B09KGC6FND&qid=1747666407190   Agent Page https://mbalit.co.uk/client/philip-palmer/     Join the Writers' Gym for more writing and creative confidence workouts at www.writersgym.com or sign up to our mailing list at drrachelknightley.substack.com   Get in touch with us at thewritersgym@rachelknightley.com     Writing Workout based on Philip's interview   “Without realizing it… architecture, history, other lives, glimpsed lives…These are all things that are in me and I didn't have to put them there, they were there. I just needed a frame in which to express those ideas.” Philip Palmer   Warm-up: Pick a place you love. Think on the page about who is in it, what they want, what they fear, what could be changing for them. No criticising your ideas: just notice them and get them down.    Exercise 1: Read your warm-up like you've never seen it before. Whose story does it seem to be? What is it about them that speaks to you?   “I like to explore and experiment. My favourite way of writing, usually I have to plan but my favourite way is improvising, like if I could play piano it would be the equivalent of improvising on the piano. Having the freedom to explore and go in different directions is a joy. But you have to train the unconscious. A lot of what I've done in my career is working as a script editor and a teacher, working with techniques like writing beat sheets and synopses and scene by scene breakdowns. And you have to do those things because the more you do them, the more you don't need to do them. You rely on them and then suddenly you can catch free. If you begin with a complete blank slate and complete freedom and complete spontaneity, nothing will happen. You have to have those techniques to do upon as well but the aim is to kind of use the ladder and then fly.” Philip Palmer   Exercise 2:   Pretend you have a deadline for a first draft of your idea to hand in to your script editor. What would you pick for:   A working title? A question the story is asking? A problem your character has?

Today's Lake and Shed framed conversation is once again about the hilarious Christmas story for children of all ages, Christmas Pig. Nick discusses Rowling's many interview statements about the Things which were lost and how many of them match up with things she has lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling's embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our second look at Christmas Pig with Nick explaining the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)* The Epic ‘Blue Bunny' Post* The Rowling Studies podcast dedicated to Christmas Pig subjects* Warner Bros Adapting ‘Christmas Pig:' Will It Become Rowling's Best Loved Book? A Second ‘Christmas Carol'?The Perennialist Reading of Christmas Pig Seriesof HogwartsProfessor posts:* Part 1: John, Peter, and Jack Jones* Part 2: Dante, Sacred Art, and the Symbolism of the Tree and Its Angels12/22: Whence Holly's Hatred in Christmas Pig? The Symbolism of the ‘Broken Angel'* Part 3: The Quadrigal Reading* Part 4: The Magic In Things1/5: Rowling on Love, Hope, Happiness 2018* Part 5: The Blue Bunny1/15 Rowling, Ring Writing, and Maternal Love* Part 6: The Ring CompositionPost Publication Chritmas Pig HogwartsProfessor Pieces:10/4: The Christmas Pig – The First Reviews10/10: Beatrice Groves: Unlocking Clues to The Christmas Pig10/13: “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)10/13: The Christmas Pig and Old Rabbit10/17: Alexandra Palace, JKR, Christmas Pig10/18: J. K. Rowling's Christmas Pig Interviews12/14: Rowling Talks About ‘Christmas Pig'12/17: The Original Christmas Pig was Blind Pig12/26: The Faerie Queene and The Christmas Pig12/27: The Christmas Pig: Amateur AudioBook12/28: Christmas Pig's Chapter Thirteen1/2: Does Anyone “Really” Die in Stories? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Today's Lake and Shed framed conversation is once again about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our first look at Christmas Pig with both Nick and John talking about the Blue Bunny. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Clerkenwell/Islington Gate of St John (Twitter Header)Faerie Queene!John Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayElizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.* Spenser's Faerie Queen (Above)6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Today's Lake and Shed framed conversation is about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another look at Troubled Blood, this time with an introduction to Rowling's ties to Clerkenwell from Nick and with John making a case for reading Troubled Blood as a re-telling of Spenser's Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Robin and Oonaugh as Una. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Nick Jeffery: Troubled Blood — The Astrologers in the Acknowledgements* J. K. Rowling, Author-Astrologer, Pt 1: How Did We Not Know About This?* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality Play6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Step into the enchanting world of Edmund Spenser's The Faerie Queene through Mary Macleod's masterful retelling, crafted to captivate modern readers and listeners alike. This adaptation distills the grandeur of Spenser's epic into a series of vivid, spellbinding stories, rich with heroism, chivalry, and the timeless battle between good and evil. Follow the adventures of noble knights,...

Welcome to the Instant Trivia podcast episode 1229, where we ask the best trivia on the Internet. Round 1. Category: Raleigh 1: In 1603 Sir Walter Raleigh was tried and convicted of this for plotting to dethrone the king. treason. 2: Raleigh introduced this tuber into Ireland; seemed like a good idea at the time. the potato. 3: In 1569 Raleigh fought in France on the side of these French Protestants. the Huguenots. 4: A poet himself, Raleigh encouraged this man to publish "The Faerie Queene". Edmund Spenser. 5: In 1600 Raleigh was appointed governor of Jersey, part of this island group. the Channel Islands. Round 2. Category: The 3 1: The 3 Shakespeare plays whose titles are the names of famous couples. Romeo and Juliet, Troilus and Cressida and Antony and Cleopatra. 2: The 3 West Coast states between Canada and Mexico. California, Oregon and Washington. 3: The 3 U.S. manned capsule space flight programs before the Space Shuttle took over. Gemini, Mercury and Apollo. 4: The 3 people to play Batman in live-action films of the 1990s. Michael Keaton, Val Kilmer and George Clooney. 5: The 3 countries whose names in English begin with "J". Jamaica, Japan and Jordan. Round 3. Category: Double Z. With Z in quotes 1: In 2005 one of these people crashed his car into Lindsay Lohan's. the paparazzi. 2: This 2-word phrase for a large vehicle with poor fuel economy became popular in the 1970s. gas guzzler. 3: Meteorologically speaking, it's a very light rain in which the droplets are less than 1/50" in diameter. a drizzle. 4: This adjective refers to tightly kinked hair. frizzy. 5: It means "snout", or a device used to cover a snout to prevent biting. a muzzle. Round 4. Category: Another Shot At The Title 1: Serena Williams beat Angelique Kerber for the 2016 Ladies' Singles title at this event, but Angelique got her revenge in 2018. Wimbledon. 2: After losing to the Warriors in the 2015 NBA Finals, in 2016 LeBron and co. beat them to bring this city its first NBA title. Cleveland. 3: After 5 previous World Series losses to these crosstown rivals, in 1955 the Brooklyn Dodgers finally beat them for the title. the New York Yankees. 4: Stripped of his heavyweight title in 1967, Muhammad Ali won it back with a KO of this champ in 1974's Rumble in the Jungle. George Foreman. 5: After losing to Toronto in 1918, this team won its first NHL title the next year and has now won more than any other team. the Montreal Canadiens. Round 5. Category: Remember The Titans 1: Aeschylus wrote of this "bound" Titan who was a hero to humankind. Prometheus. 2: Mnemosyne, the Titan goddess of memory, was also the mother of these inspirational goddesses. the Muses. 3: Goddess of the Earth, was was the mother of the Titans. Gaia. 4: The youngest of the Titans, he found time to father the Olympians. Kronos. 5: A South American birdie told me this Titan was Zeus' mother and mother-in-law. Rhea. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Strap on your breastplate, pray to your chosen sky god, and bring your sharpest lance, for in this truly epic Bonus Episode we're going on a rip-roaring quest through the twisted history of dragons!Part of the "Three Ravens Bestiary" series, Martin and Eleanor start by chatting through modern ideas of dragons (and Wyverns, Wyrms, and Basilisks) before leaping back in time to discuss the first dragons ever written about, Mušḫuššu and Apep, along with the tales and customs associated with them as found in the earliest cradles of human civilization.From there, the scope of the adventure broadens, including trips to China, Japan, India, Ancient Greece and Rome, along the Silk Road, and into Norse mythology. Nowhere is safe, be it the deepest, darkest parts of Biblical and Middle Eastern mythology or the brightest lights in French, German and English art and literature. Yet, as they cut and thrust their way through Beowulf and The Faerie Queene, tales of Lindworms and questing knights, the works of Tolkien, Lewis Carroll, video games and much more, they wrestle with the questions that really matter.Like, what does the mongoose have to do with the history of dragons? And what sort of length should a dragon really be? And what do dragons actually represent when we encounter them in folklore?Try not to look the foul beasts in the eye, and ready your shield, for the time has come to tame the most infamous mythical creature of all...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

David invites Fr. Stephen Gregg on to talk about Edmund Spenser, a sixteenth-century poet famous for his work "The Faerie Queene". [Show Notes]

David invites Fr. Stephen Gregg on to talk about ⁠Edmund Spenser⁠, a sixteenth-century poet famous for his work ⁠"The Faerie Queene"⁠. ⁠[Show Notes]

Hi friends, we're busy with some spring cleaning this week. We'll have a new episode for you in two weeks. In the meanwhile, enjoy this pick from our archives! _____ [originally aired Nov 30, 2022] When we talk about AI, we usually fixate on the future. What's coming next? Where is the technology going? How will artificial intelligences reshape our lives and worlds? But it's also worth looking to the past. When did the prospect of manufactured minds first enter the human imagination? When did we start building robots, and what did those early robots do? What are the deeper origins, in other words, not only of artificial intelligences themselves, but of our ideas about those intelligences?  For this episode, we have two guests who've spent a lot of time delving into the deeper history of AI. One is Adrienne Mayor; Adrienne is a Research Scholar in the Department of Classics at Stanford University and the author of the 2018 book, Gods and Robots: Myths, Machines, and Ancient Dreams of Technology. Our second guest is Elly Truitt; Elly is Associate Professor in the History & Sociology of Science at the University of Pennsylvania and the author of the 2015 book, Medieval Robots: Mechanism, Magic, Nature, and Art.  In this conversation, we draw on Adrienne's expertise in the classical era and Elly's expertise in the medieval period to dig into the surprisingly long and rich history of AI. We discuss some of the very first imaginings of artificial beings in Greek mythology, including Talos, the giant robot guarding the island of Crete. We talk about some of the very first historical examples of automata, or self-moving devices; these included statues that spoke, mechanical birds that flew, thrones that rose, and clocks that showed the movements of the heavens. We also discuss the long-standing and tangled relationships between AI and power, exoticism, slavery, prediction, and justice. And, finally, we consider some of the most prominent ideas we have about AI today and whether they had precedents in earlier times. This is an episode we've been hoping to do for some time now, to try to step back and put AI in a much broader context. It turns out the debates we're having now, the anxieties and narratives that swirl around AI today, are not so new. In some cases, they're millennia old.  Alright friends, now to my conversation with Elly Truitt and Adrienne Mayor. Enjoy!   A transcript of this episode is available here.   Notes and links 4:00 – See Adrienne's TedEd lesson about Talos, the “first robot.” See also Adrienne's 2019 talk for the Long Now Foundation. 7:15 – The Throne of Solomon does not survive, but it was often rendered in art, for example in this painting by Edward Poynter. 12:00 – For more on Adrienne's broader research program, see her website; for more on Elly's research program, see her website. 18:00 – For more on the etymology of ‘robot,' see here. 23:00 – A recent piece about Aristotle's writings on slavery. 26:00 – An article about the fact that Greek and Roman statues were much more colorful than we think of them today. 30:00 – A recent research article about the Antikythera mechanism. 34:00 – See Adrienne's popular article about the robots that guarded the relics of the Buddha. 38:45 – See Elly's article about how automata figured prominently in tombs. 47:00 – See Elly's recent video lecture about mechanical clocks and the “invention of time.” For more on the rise of mechanistic thinking—and clocks as important metaphors in that rise—see Jessica Riskin's book, The Restless Clock. 50:00 – An article about a “torture robot” of ancient Sparta. 58:00 – A painting of the “Iron Knight” in Spenser's The Faerie Queene.   Adrienne Mayor recommends: The Greeks and the New, by Armand D'Angour Classical Traditions in Science Fiction, edited by Brett Rogers and Benjamin Stevens In Our Own Image, by George Zarkadakis Ancient Inventions, by Peter James and Nick Thorpe   Elly Truitt recommends: AI Narratives, edited by Stephen Cave, Kanta Dihal, and Sarah Dillon The Love Makers, by Aifric Campbell The Mitchells vs the Machines   You can read more about Adrienne's work on her website and follow her on Twitter. You can read more about Elly's work on her website and follow her on Twitter.   Many Minds is a project of the Diverse Intelligences Summer Institute (DISI) (https://disi.org), which is made possible by a generous grant from the Templeton World Charity Foundation to UCLA. It is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd (https://www.mayhilldesigns.co.uk/). Our transcripts are created by Sarah Dopierala (https://sarahdopierala.wordpress.com/). You can subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you like to listen to podcasts. **You can now subscribe to the Many Minds newsletter here!** We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website (https://disi.org/manyminds/), or follow us on Twitter: @ManyMindsPod.

Merriam-Webster's Word of the Day for March 29, 2024 is: braggadocio • brag-uh-DOH-see-oh • noun Braggadocio refers to brash and self-confident boasting—that is, the annoying or exaggerated talk of someone who is trying to sound very proud or brave. // His braggadocio hid the fact that he felt personally inadequate. See the entry > Examples: “In total, Lil Wayne has sold more than 120 million albums, making him one of the world's top-selling artists, and, his braggadocio aside, he's widely considered one of most influential hip-hop artists of his generation and one of the greatest rappers of all time.” — L. Kent Wolgamott, The Lincoln (Nebraska) Journal Star, 1 Feb. 2024 Did you know? Though Braggadocio is not as well-known as other fictional characters like Pollyanna, the Grinch, or Scrooge, in lexicography he holds a special place next to them as one of the many characters whose name has become an established word in English. The English poet Edmund Spenser originally created Braggadocio as a personification of boasting in his epic poem The Faerie Queene. As early as 1594, about four years after the poem was published, English speakers began using the name as a general term for any blustering blowhard. The now more common use of braggadocio, referring to the talk or behavior of such windy cockalorums, developed in the early 18th century.

"And now we welcome the new year, full of things that have never been." Rilke Word of the Year: "Affection" noun af·​fec·​tion ə-ˈfek-shən  Synonyms of affection 1: a feeling of liking and caring for someone or something : tender attachment : FONDNESS She had a deep affection for her parents. Middle English affeccioun "capacity for feeling, emotion, desire, love," borrowed from Anglo-French, "desire, love, inclination, partiality," borrowed from Latin affectiōn-, affectiō "frame of mind, feeling, feeling of attachment," from affec-(variant stem of afficere "to produce an effect on, exert an influence on") + -tiōn-, -tiō, suffix of action nouns Referench: https://www.merriam-webster.com/dictionary/affection philostorgos: tenderly loving Original Word:φιλόστοργος, ον Phonetic Spelling:(fil-os'-tor-gos) Definition:tenderly loving Usage:tenderly loving, kindly affectionate to Reference: https://biblehub.com/greek/5387.htm For the full text of the Jefferson Lecture 2012, by Wendell Barry, please visit: https://www.neh.gov/about/awards/jefferson-lecture/wendell-e-berry-biography Photo by Guy Mendes Quoted excerpts from the lecture: “Because a thing is going strong now, it need not go strong for ever,” [Margaret] said. “This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won't be a movement, because it will rest upon the earth.E. M. Forster, Howards End (1910) p. "The term “imagination” in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind's eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one's attitude or point of view, but grasps securely the qualities of things seen or envisioned. I will say, from my own belief and experience, that imagination thrives on contact, on tangible connection. For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong in a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And it is in affection that we find the possibility of a neighborly, kind, and conserving economy." "But the risk, I think, is only that affection is personal. If it is not personal, it is nothing; we don't, at least, have to worry about governmental or corporate affection. And one of the endeavors of human cultures, from the beginning, has been to qualify and direct the influence of emotion. The word “affection” and the terms of value that cluster around it—love, care, sympathy, mercy, forbearance, respect, reverence—have histories and meanings that raise the issue of worth. We should, as our culture has warned us over and over again, give our affection to things that are true, just, and beautiful. It is by imagination that knowledge is “carried to the heart” (to borrow again from Allen Tate). The faculties of the mind—reason, memory, feeling, intuition, imagination, and the rest—are not distinct from one another. Though some may be favored over others and some ignored, none functions alone. But the human mind, even in its wholeness, even in instances of greatest genius, is irremediably limited. Its several faculties, when we try to use them separately or specialize them, are even more limited. The fact is that we humans are not much to be trusted with what I am calling statistical knowledge, and the larger the statistical quantities the less we are to be trusted. We don't learn much from big numbers. We don't understand them very well, and we aren't much affected by them." ((Who Owns America? edited by Herbert Agar and Allen Tate, ISI Books, Wilmington, DE, 1999,  pages 109–114. (First published by Houghton Mifflin Company, Boston, 1936.) [Nature] "As Albert Howard, Wes Jackson, and others have carefully understood, she can give us the right patterns and standards for agriculture. If we ignore or offend her, she enforces her will with punishment. She is always trying to tell us that we are not so superior or independent or alone or autonomous as we may think. She tells us in the voice of Edmund Spenser that she is of all creatures “the equall mother, / And knittest each to each, as brother unto brother.” (The Faerie Queene, VII, vii, stanza XIV.) "To hear of a thousand deaths in war is terrible, and we “know” that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined. The economic hardship of one farm family, if they are our neighbors, affects us more painfully than pages of statistics on the decline of the farm population. I can be heartstruck by grief and a kind of compassion at the sight of one gulley (and by shame if I caused it myself), but, conservationist though I am, I am not nearly so upset by an accounting of the tons of plowland sediment borne by the Mississippi River. Wallace Stevens wrote that “Imagination applied to the whole world is vapid in comparison to imagination applied to a detail.” (Opus Posthumous, edited, with an Introduction by Samuel French Morse, Alfred A. Knopf, New York, 1957, page 176.) "But we need not wait, as we are doing, to be taught the absolute value of land and of land health by hunger and disease. Affection can teach us, and soon enough, if we grant appropriate standing to affection. For this we must look to the stickers, who “love the life they have made and the place they have made it in.” "E. M. Forster's novel, Howards End, published in 1910. By then, Forster was aware of the implications of “rural decay,” and in this novel he spoke, with some reason, of his fear that “the literature of the near future will probably ignore the country and seek inspiration from the town. . . . and those who care for the earth with sincerity may wait long ere the pendulum swings back to her again.” (Howards End, page 15, 112). Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” (Ibid., page 214). To have beautiful buildings, for example, people obviously must want them to be beautiful and know how to make them beautiful, but evidently they also must love the places where the buildings are to be built. For a long time, in city and countryside, architecture has disregarded the nature and influence of places. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within? (Ibid., page 30)." “The light within,” I think, means affection, affection as motive and guide. Knowledge without affection leads us astray every time. Affection leads, by way of good work, to authentic hope. The factual knowledge, in which we seem more and more to be placing our trust, leads only to hope of the discovery, endlessly deferrable, of an ultimate fact or smallest particle that at last will explain everything. Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” The great reassurance of Forster's novel is the wholeheartedness of his language. It is to begin with a language not disturbed by mystery, by things unseen. But Forster's interest throughout is in soul-sustaining habitations: houses, households, earthly places where lives can be made and loved. In defense of such dwellings he uses, without irony or apology, the vocabulary that I have depended on in this talk:  truth, nature, imagination, affection, love, hope, beauty, joy. Those words are hard to keep still within definitions; they make the dictionary hum like a beehive. But in such words, in their resonance within their histories and in their associations with one another, we find our indispensable humanity, without which we are lost and in danger. Of the land-community much has been consumed, much has been wasted, almost nothing has flourished. But this has not been inevitable. We do not have to live as if we are alone.

In this episode of we delve into the remarkable life and enduring legacy of Edmund Spenser, a luminary in English literature. Discover the intricacies of "The Faerie Queene," his masterful epic that intricately weaves together allegory, politics, and poetic beauty.In this episode we are looking at Edmund Spenser and the Faerie Queen. Join the podcast community at https://www.patreon.com/englandcastRead the Faerie Queen online:https://www.gutenberg.org/files/15272/15272-h/15272-h.htm Hosted on Acast. See acast.com/privacy for more information.

 In this episode of the Unicorny podcast, host Dom Hawes digs deep into innovation without sacrificing performance as he's joined by Zone to Win author, Geoffrey Moore. Geoffrey is a world-famous business consultant, author and marketing expert with a stable of highly influential books including international best-seller, Crossing the Chasm.Moore opens the episode explaining the core concepts outlined in “Zone to Win”: dividing operations into four zones and three time horizons, providing a strategic framework for companies to adapt and thrive in the rapidly changing market. You'll gain first hand advice on the importance of differentiating yourself in the Performance zone and neutralising disruptors in the Transformation zone. Moore's practical advice on investing in power for future potential and the evolution of partnerships through different stages of the technology adoption lifecycle offers actionable strategies for long-term success. Ultimately, this episode offers a wealth of wisdom for business leaders and executives seeking strategies to allocate resources for long-term profitability and power. If you're looking for practical strategies to succeed in the digital age and steer your organisation towards long-term growth, this episode is a must-listen, offering a roadmap for success in a rapidly evolving business landscape. About Geoffrey Moore  Geoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature. Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California. There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books. Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf.  Links  Full show notes: Unicorny.co.uk  LinkedIn: Geoffrey Moore | Dom Hawes  Websites: Geoffrey Moore | UnicornySponsor: Selbey AndersonChapters of this episode  Introduction to Zone to Win...

 In this episode of the Unicorny podcast, host Dom Hawes digs deep into innovation without sacrificing performance as he's joined by Zone to Win author, Geoffrey Moore. Geoffrey is a world-famous business consultant, author and marketing expert with a stable of highly influential books including international best-seller, Crossing the Chasm.Moore opens the episode explaining the core concepts outlined in “Zone to Win”: dividing operations into four zones and three time horizons, providing a strategic framework for companies to adapt and thrive in the rapidly changing market. You'll gain first hand advice on the importance of differentiating yourself in the Performance zone and neutralising disruptors in the Transformation zone. Moore's practical advice on investing in power for future potential and the evolution of partnerships through different stages of the technology adoption lifecycle offers actionable strategies for long-term success. Ultimately, this episode offers a wealth of wisdom for business leaders and executives seeking strategies to allocate resources for long-term profitability and power. If you're looking for practical strategies to succeed in the digital age and steer your organisation towards long-term growth, this episode is a must-listen, offering a roadmap for success in a rapidly evolving business landscape. About Geoffrey Moore  Geoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature. Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California. There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books. Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf.  Links  Full show notes: Unicorny.co.uk  LinkedIn: Geoffrey Moore | Dom Hawes  Websites: Geoffrey Moore | UnicornySponsor: Selbey AndersonChapters of this episode  Introduction to Zone to Win...

In the Elizabethan period the Italian Renaissance came to England. Even though the English had broken with the Roman Church they were still following the Italians in astrology, philosophy, alchemy and Magick. During the reign of The Virgin Queen the British would exceed the Italians in that one aspect of the Hermetic Arts – Magick. The Angelic Revelation of Dr. John Dee is certainly the high water mark of Renaissance Theurgy. But we magicians sometimes forget that the English Elizabethan period was a Magical Age. It was the Time of Shakespeare's “The Tempest”, Milton's “Paradise Lost” and Spencer's “The Faerie Queene.” Magick was in the air. So let us look back on this golden age and recall some of its magical treasures.

Why 54 tech titans failed (so you don't need to)Personal note from our host, Dom Hawes: "Hi folks... this is a very special episode for me and part of a personal mission to see 'Chasm principles' return to every day marketing parlance. In this episode Geoffrey details why tech titans, who ruled their day, faded away to nothing... all for the same reason. Moore's work is the definitive playbook for dealing with disruption.As a marketer who cut my teeth in the mid to late 1990s, this work was everywhere. Now it's not. And, as we are swimming in a sea of sameness, it's time to bring back a more strategic approach. That's where Chasm comes in and why I invited my all-time marketing hero to join the Unicorny project.I hope you enjoy this one... it really is a great show and I'm hugely grateful to Geoffrey for joining us."In this episode of the Unicorny podcast, author and speaker Geoffrey A. Moore draws on the feted work in his book Crossing the Chasm. Moore addresses the challenges encountered by B2B marketers and makes the case for marketing activities to be aligned to the technology adoption lifecycle. You won't find a better, clearer playbook for marketing than Chasm.About Geoffrey A. MooreGeoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature.Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California.There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books.Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf. LinksFull show notes: Unicorny.co.uk LinkedIn: Geoffrey Moore | Dom Hawes Websites: Geoffrey Moore | Selbey...

Why 54 tech titans failed (so you don't need to)Personal note from our host, Dom Hawes: "Hi folks... this is a very special episode for me and part of a personal mission to see 'Chasm principles' return to every day marketing parlance. In this episode Geoffrey details why tech titans, who ruled their day, faded away to nothing... all for the same reason. Moore's work is the definitive playbook for dealing with disruption.As a marketer who cut my teeth in the mid to late 1990s, this work was everywhere. Now it's not. And, as we are swimming in a sea of sameness, it's time to bring back a more strategic approach. That's where Chasm comes in and why I invited my all-time marketing hero to join the Unicorny project.I hope you enjoy this one... it really is a great show and I'm hugely grateful to Geoffrey for joining us."In this episode of the Unicorny podcast, author and speaker Geoffrey A. Moore draws on the feted work in his book Crossing the Chasm. Moore addresses the challenges encountered by B2B marketers and makes the case for marketing activities to be aligned to the technology adoption lifecycle. You won't find a better, clearer playbook for marketing than Chasm.About Geoffrey A. MooreGeoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature.Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California.There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books.Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf. LinksFull show notes: Unicorny.co.uk LinkedIn: Geoffrey Moore | Dom Hawes Websites: Geoffrey Moore | Selbey...

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today we'll look at the most famous tale from Spenser's epic The Faerie Queene: Book I "The Legend of the Redcrosse Knight."  We'll discuss its allegorical and neoplatonic dimensions while doing a quick drive-by of a passage from Mutabilitie Cantos.  Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

On June 5, 1865, Anglican priest and polymath Sabine Baring-Gould wrote the processional hymn, “Onward, Christian Soldiers.” The hymn was originally written for children walking to Horbury St. Peter's Church near Wakefield in Yorkshire, England. Far from the cultural stereotype that the hymn earned Baring-Gould—that of a militant, narrow-minded clergyman fearful of and fighting against new knowledge—he actually led an impressive life, remaining keenly inquisitive about the world God has made.   The song, which he wrote in about 15 minutes, was originally titled “A Hymn for Procession with Cross and Banners.” It was inspired by biblical imagery of the Christian as a soldier and only became popular when composer Arthur Sullivan wrote a new melody for it later. Its military imagery, out of step with today's cultural vibes, has led many contemporary hymnbook compilers to leave it aside.  Like other Anglican clergymen of his day, Baring-Gould was involved in more than serving parishes and writing children's processionals. He was the son and heir of a noble family but decided on a career in the Church. Ordained in 1864, he became curate at the church at Horbury Bridge, where a year later he would pen “Onward, Christian Soldiers.” There, he met Grace Taylor, the then-teenaged daughter of a local miller. The two fell in love and, despite a considerable age gap, were married for 48 years until her passing. Together, they raised 15 kids, all but one of whom survived into adulthood.   Even while serving in parishes, Baring-Gould was a prolific writer, with nearly 1,300 titles to his credit. These include novels and short stories published in a variety of journals, a 16-volume series called Lives of the Saints, modern biographies, travelogues, hymns (the best-known of which aside from “Onward, Christian Soldiers” being “Now the Day Is Over”), sermons, apologetics, and cultural and anthropological studies. He had an international reputation as an antiquarian. His Curious Myths of the Middle Ages, a study of 24 medieval superstitions and their variants and antecedents, was particularly popular and was even cited by sci-fi and horror writer H.P. Lovecraft. He also published The Book of Werewolves, a collection of stories still widely cited.  To do some of this work, Baring-Gould studied and mastered several ancient, medieval, and modern languages. Along with more common languages for British scholars of the period, he knew Basque, an obscure language unrelated to any other, sufficiently well enough to translate a Basque Christmas carol into English as “The Angel Gabriel from Heaven Came.”  Baring-Gould's God-driven curiosity about the world only furthered when he inherited his family estate in Devon in 1872. He moved there as both squire and vicar in 1881, devoting a great deal of time to studying and writing about Devon and the West Country. He transcribed hundreds of folk songs from the region that would otherwise have been lost, even publishing several volumes in collaboration with Cecil Sharp, a central figure in preserving and promoting English folk songs in the Edwardian period. Baring-Gould considered these collections of songs his most important work.  He also earned an international reputation in the developing field of archaeology. With his friend Robert Burnard, Baring-Gould began the first scientific archaeological excavations of Dartmoor in Devon, which includes the largest concentration of Bronze Age remains in Britain. The two initially concentrated on hut circles, depressions in the ground outlined with stones that were the foundations for conical wooden huts thousands of years ago, before launching a more systematic investigation of the region. As secretary of the group, Baring-Gould authored the first 10 annual reports of the Dartmoor Exploration Committee. This began a systematic exploration and occasional restoration of the region's prehistoric sites. Beyond the annual reports, he published several other works on Dartmoor.  As if all this were not enough, Baring-Gould was also an amateur ironworker and painter. Prior to his ordination, while a teacher at a boys' school, he designed the ironwork for the school and painted scenes from The Canterbury Tales and The Faerie Queene on the jambs of the windows.  In all, Baring-Gould was far more than the lyricist for “Onward, Christian Soldiers.” As Anthony Esolen commented, he could only have lived in the 19th century, when scholarship was not so specialized, and amateurs could still make important contributions to a wide range of fields. For our era, he is a remarkable example of a person who used the prodigious talents God had given him to serve the church, his community, and the wider world.  This Breakpoint was co-authored by Dr. Glenn Sunshine. For more resources to live like a Christian in this cultural moment, go to breakpoint.org. 

Cursed by a witch, a talking tree laments his failure to uphold virtue to a chivalric knight in Edmund Spenser's The Faerie Queene, one of the longest poems written in the English language.Warlock Vorobok Reads is a monthly storytime for grownups.

We have to abandon Fitzgerald because time is short, so mainly on to Modern Love, with some context, then Hopkins's "Binsey Poplars," Swinburne (and Buck Mulligan quoting The Triumph of Time in Ulysses), and an intro to "The Garden of Proserpine," via Spenser's "Garden of Adonis" in The Faerie Queene (which I discussed a little while ago here), and Milton's account of how Eden is even greater than the fair field of Enna where Persephone gathering flowers by gloomy Dis was gathered. 

One British poet's 1590s allegorical fantasy adventure is getting a new text-faithful prose adaptation.

Edmund Spenser's 1590 epic poem, The Faerie Queene, is one of the monumental works of English literature. But it doesn't get read much any more. Rebecca Reynolds is doing something about it. She has rendered Spenser's 36,000 lines of very difficult poetry into much more accessible prose. Artist Justin Gerard has painted beautiful illustrations. The books start coming out later this year, but you can get involved now by contributing to the  Kickstarter campaign.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

When we talk about AI, we usually fixate on the future. What's coming next? Where is the technology going? How will artificial intelligences reshape our lives and worlds? But it's also worth looking to the past. When did the prospect of manufactured minds first enter the human imagination? When did we start building robots, and what did those early robots do? What are the deeper origins, in other words, not only of artificial intelligences themselves, but of our ideas about those intelligences?  For this episode, we have two guests who've spent a lot of time delving into the deeper history of AI. One is Adrienne Mayor; Adrienne is a Research Scholar in the Department of Classics at Stanford University and the author of the 2018 book, Gods and Robots: Myths, Machines, and Ancient Dreams of Technology. Our second guest is Elly Truitt; Elly is Associate Professor in the History & Sociology of Science at the University of Pennsylvania and the author of the 2015 book, Medieval Robots: Mechanism, Magic, Nature, and Art.  In this conversation, we draw on Adrienne's expertise in the classical era and Elly's expertise in the medieval period to dig into the surprisingly long and rich history of AI. We discuss some of the very first imaginings of artificial beings in Greek mythology, including Talos, the giant robot guarding the island of Crete. We talk about some of the very first historical examples of automata, or self-moving devices; these included statues that spoke, mechanical birds that flew, thrones that rose, and clocks that showed the movements of the heavens. We also discuss the long-standing and tangled relationships between AI and power, exoticism, slavery, prediction, and justice. And, finally, we consider some of the most prominent ideas we have about AI today and whether they had precedents in earlier times. This is an episode we've been hoping to do for some time now, to try to step back and put AI in a much broader context. It turns out the debates we're having now, the anxieties and narratives that swirl around AI today, are not so new. In some cases, they're millennia old.  Alright friends, now to my conversation with Elly Truitt and Adrienne Mayor. Enjoy!   A transcript of this episode will be available soon.   Notes and links 4:00 – See Adrienne's TedEd lesson about Talos, the “first robot.” See also Adrienne's 2019 talk for the Long Now Foundation. 7:15 – The Throne of Solomon does not survive, but it was often rendered in art, for example in this painting by Edward Poynter. 12:00 – For more on Adrienne's broader research program, see her website; for more on Elly's research program, see her website. 18:00 – For more on the etymology of ‘robot,' see here. 23:00 – A recent piece about Aristotle's writings on slavery. 26:00 – An article about the fact that Greek and Roman statues were much more colorful than we think of them today. 30:00 – A recent research article about the Antikythera mechanism. 34:00 – See Adrienne's popular article about the robots that guarded the relics of the Buddha. 38:45 – See Elly's article about how automata figured prominently in tombs. 47:00 – See Elly's recent video lecture about mechanical clocks and the “invention of time.” For more on the rise of mechanistic thinking—and clocks as important metaphors in that rise—see Jessica Riskin's book, The Restless Clock. 50:00 – An article about a “torture robot” of ancient Sparta. 58:00 – A painting of the “Iron Knight” in Spenser's The Faerie Queene.   Adrienne Mayor recommends: The Greeks and the New, by Armand D'Angour Classical Traditions in Science Fiction, edited by Brett Rogers and Benjamin Stevens In Our Own Image, by George Zarkadakis Ancient Inventions, by Peter James and Nick Thorpe   Elly Truitt recommends: AI Narratives, edited by Stephen Cave, Kanta Dihal, and Sarah Dillon The Love Makers, by Aifric Campbell The Mitchells vs the Machines   You can read more about Adrienne's work on her website and follow her on Twitter. You can read more about Elly's work on her website and follow her on Twitter.   Many Minds is a project of the Diverse Intelligences Summer Institute (DISI) (https://disi.org), which is made possible by a generous grant from the Templeton World Charity Foundation to UCLA. It is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd (https://www.mayhilldesigns.co.uk/). Our transcripts are created by Sarah Dopierala (https://sarahdopierala.wordpress.com/). You can subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you like to listen to podcasts. **You can now subscribe to the Many Minds newsletter here!** We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website (https://disi.org/manyminds/), or follow us on Twitter: @ManyMindsPod.

This week, Alastair Roberts joins the crew to discuss his and Onsi's chapter on sex, marriage, and divorce in "Protestant Social Teaching: An Introduction", the Davenant Press's upcoming publication (due 10/13/22). The guys talk about how Augustine set the scene for Reformation debates on these topics, what Luther thought about marriage, Protestant views on divorce, and how Rome and the Protestants have influenced once another on this topic.NOTE: most books below are linked via Bookshop.org. Any purchases you make via these links give The Davenant Institute a 10% commission, and support local bookshops against chainstores/Amazon.Currently ReadingOnsi: Heirs of the Apostles: Studies on Arabic Christianity in Honor of Sidney H. Griffith Colin: TheOresteia by Sophocles  Rhys: Harmony: A New Way of Looking at Our World by H.R.H. The Prince of Wales Alastair: Nationalism: A Short History by Liah Greenfeld Texts Discussed"On Marriage and Concupiscence" by Augustine"The Estate of Marriage" by Martin Luther"Commentary on Genesis 38" by John Calvin"Gentle Discipline: Spenser's Faerie Queene and Christian Elites" by Joshua PatchSpotlightProtestant Social Teaching (publication 10/13/22)The Anchored Argosy - Substack by Alastair Roberts and Susannah Black

This week, Morrus, Peter, and Jessica talk about the One D&D playtest packet for Expert Classes. In the news, D&D Cartoon action figures coming soon, Pathfinder: Wrath of the Righteous video game hits consoles, Lord of the Rings 5e pre-orders open, and more! Plus a brand new sketch about a dire change in the Burrows & Bearowls playtest. -------------------- News News Digest for the Week of September 30 (Pathfinder: Wrath of the Righteous console launch, Mimic Colony Warband minis, Jeff Goldblum mini, Alien Nexus, Lord of the Rings 5e pre-orders and PDF, ) https://www.enworld.org/threads/news-digest-for-the-week-of-september-30.692001/ D&D Cartoon action figures https://www.enworld.org/threads/so-you-like-the-d-d-cartoon-huh-pre-order-poseable-figures.691821/ A5e Character Builder https://enworld.org/tools/a5e/ EN Publishing's Dungeon Delver's Guide on Kickstarter https://www.kickstarter.com/projects/enworld/dungeon-delvers-guide-a-sourcebook-for-5e-and-a5e? -------------------- Crowdfunding Projects The Monster Overhaul https://www.kickstarter.com/projects/gmdk/the-monster-overhaul One-Shot Wonders: Over 100 Session Ideas for 5e https://www.kickstarter.com/projects/rollandplaypress/one-shot-wonders-5e Against the Faerie Queene – The Celtic Campaign for 5e and LoA https://www.kickstarter.com/projects/legendsofavallen/against-the-faerie-queene Against the Faerie Queene on Not DND https://www.youtube.com/watch?v=poY2ez4e2g0 -------------------- One D&D Expert Classes Playtest One D&D Expert Classes Playtest Document is Live https://www.enworld.org/threads/one-d-d-expert-classes-playtest-document-is-live.691963/ Download from One D&D https://www.dndbeyond.com/sources/one-dnd -------------------- Please support us on Patreon at http://patreon.com/morrus Don't forget to join the Morrus' Unofficial Tabletop RPG Talk Facebook group at https://www.facebook.com/groups/1033145023517295/ and join us on Discord at https://discord.gg/VAuxX8M Ask your Awfully Cheerful Question on Twitter using the hashtag #AwfullyCheerfulQuestion, email morruspodcast@gmail.com, or contact us on TikTok at https://www.tiktok.com/@enpublishingrpg -------------------- Hosts: Russ “Morrus” Morrissey, Peter Coffey, and Jessica Hancock Editing and post-production: Darryl Mott Theme Song: Steve Arnott Malach the Maleficent played by Darren Morrissey Check out all the media content from EN World at http://enliverpg.com