Podcasts about The Faerie Queene

Welcome to the Instant Trivia podcast episode 1229, where we ask the best trivia on the Internet. Round 1. Category: Raleigh 1: In 1603 Sir Walter Raleigh was tried and convicted of this for plotting to dethrone the king. treason. 2: Raleigh introduced this tuber into Ireland; seemed like a good idea at the time. the potato. 3: In 1569 Raleigh fought in France on the side of these French Protestants. the Huguenots. 4: A poet himself, Raleigh encouraged this man to publish "The Faerie Queene". Edmund Spenser. 5: In 1600 Raleigh was appointed governor of Jersey, part of this island group. the Channel Islands. Round 2. Category: The 3 1: The 3 Shakespeare plays whose titles are the names of famous couples. Romeo and Juliet, Troilus and Cressida and Antony and Cleopatra. 2: The 3 West Coast states between Canada and Mexico. California, Oregon and Washington. 3: The 3 U.S. manned capsule space flight programs before the Space Shuttle took over. Gemini, Mercury and Apollo. 4: The 3 people to play Batman in live-action films of the 1990s. Michael Keaton, Val Kilmer and George Clooney. 5: The 3 countries whose names in English begin with "J". Jamaica, Japan and Jordan. Round 3. Category: Double Z. With Z in quotes 1: In 2005 one of these people crashed his car into Lindsay Lohan's. the paparazzi. 2: This 2-word phrase for a large vehicle with poor fuel economy became popular in the 1970s. gas guzzler. 3: Meteorologically speaking, it's a very light rain in which the droplets are less than 1/50" in diameter. a drizzle. 4: This adjective refers to tightly kinked hair. frizzy. 5: It means "snout", or a device used to cover a snout to prevent biting. a muzzle. Round 4. Category: Another Shot At The Title 1: Serena Williams beat Angelique Kerber for the 2016 Ladies' Singles title at this event, but Angelique got her revenge in 2018. Wimbledon. 2: After losing to the Warriors in the 2015 NBA Finals, in 2016 LeBron and co. beat them to bring this city its first NBA title. Cleveland. 3: After 5 previous World Series losses to these crosstown rivals, in 1955 the Brooklyn Dodgers finally beat them for the title. the New York Yankees. 4: Stripped of his heavyweight title in 1967, Muhammad Ali won it back with a KO of this champ in 1974's Rumble in the Jungle. George Foreman. 5: After losing to Toronto in 1918, this team won its first NHL title the next year and has now won more than any other team. the Montreal Canadiens. Round 5. Category: Remember The Titans 1: Aeschylus wrote of this "bound" Titan who was a hero to humankind. Prometheus. 2: Mnemosyne, the Titan goddess of memory, was also the mother of these inspirational goddesses. the Muses. 3: Goddess of the Earth, was was the mother of the Titans. Gaia. 4: The youngest of the Titans, he found time to father the Olympians. Kronos. 5: A South American birdie told me this Titan was Zeus' mother and mother-in-law. Rhea. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Strap on your breastplate, pray to your chosen sky god, and bring your sharpest lance, for in this truly epic Bonus Episode we're going on a rip-roaring quest through the twisted history of dragons!Part of the "Three Ravens Bestiary" series, Martin and Eleanor start by chatting through modern ideas of dragons (and Wyverns, Wyrms, and Basilisks) before leaping back in time to discuss the first dragons ever written about, Mušḫuššu and Apep, along with the tales and customs associated with them as found in the earliest cradles of human civilization.From there, the scope of the adventure broadens, including trips to China, Japan, India, Ancient Greece and Rome, along the Silk Road, and into Norse mythology. Nowhere is safe, be it the deepest, darkest parts of Biblical and Middle Eastern mythology or the brightest lights in French, German and English art and literature. Yet, as they cut and thrust their way through Beowulf and The Faerie Queene, tales of Lindworms and questing knights, the works of Tolkien, Lewis Carroll, video games and much more, they wrestle with the questions that really matter.Like, what does the mongoose have to do with the history of dragons? And what sort of length should a dragon really be? And what do dragons actually represent when we encounter them in folklore?Try not to look the foul beasts in the eye, and ready your shield, for the time has come to tame the most infamous mythical creature of all...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

David invites Fr. Stephen Gregg on to talk about ⁠Edmund Spenser⁠, a sixteenth-century poet famous for his work ⁠"The Faerie Queene"⁠. ⁠[Show Notes]

David invites Fr. Stephen Gregg on to talk about Edmund Spenser, a sixteenth-century poet famous for his work "The Faerie Queene". [Show Notes]

Hi friends, we're busy with some spring cleaning this week. We'll have a new episode for you in two weeks. In the meanwhile, enjoy this pick from our archives! _____ [originally aired Nov 30, 2022] When we talk about AI, we usually fixate on the future. What's coming next? Where is the technology going? How will artificial intelligences reshape our lives and worlds? But it's also worth looking to the past. When did the prospect of manufactured minds first enter the human imagination? When did we start building robots, and what did those early robots do? What are the deeper origins, in other words, not only of artificial intelligences themselves, but of our ideas about those intelligences?  For this episode, we have two guests who've spent a lot of time delving into the deeper history of AI. One is Adrienne Mayor; Adrienne is a Research Scholar in the Department of Classics at Stanford University and the author of the 2018 book, Gods and Robots: Myths, Machines, and Ancient Dreams of Technology. Our second guest is Elly Truitt; Elly is Associate Professor in the History & Sociology of Science at the University of Pennsylvania and the author of the 2015 book, Medieval Robots: Mechanism, Magic, Nature, and Art.  In this conversation, we draw on Adrienne's expertise in the classical era and Elly's expertise in the medieval period to dig into the surprisingly long and rich history of AI. We discuss some of the very first imaginings of artificial beings in Greek mythology, including Talos, the giant robot guarding the island of Crete. We talk about some of the very first historical examples of automata, or self-moving devices; these included statues that spoke, mechanical birds that flew, thrones that rose, and clocks that showed the movements of the heavens. We also discuss the long-standing and tangled relationships between AI and power, exoticism, slavery, prediction, and justice. And, finally, we consider some of the most prominent ideas we have about AI today and whether they had precedents in earlier times. This is an episode we've been hoping to do for some time now, to try to step back and put AI in a much broader context. It turns out the debates we're having now, the anxieties and narratives that swirl around AI today, are not so new. In some cases, they're millennia old.  Alright friends, now to my conversation with Elly Truitt and Adrienne Mayor. Enjoy!   A transcript of this episode is available here.   Notes and links 4:00 – See Adrienne's TedEd lesson about Talos, the “first robot.” See also Adrienne's 2019 talk for the Long Now Foundation. 7:15 – The Throne of Solomon does not survive, but it was often rendered in art, for example in this painting by Edward Poynter. 12:00 – For more on Adrienne's broader research program, see her website; for more on Elly's research program, see her website. 18:00 – For more on the etymology of ‘robot,' see here. 23:00 – A recent piece about Aristotle's writings on slavery. 26:00 – An article about the fact that Greek and Roman statues were much more colorful than we think of them today. 30:00 – A recent research article about the Antikythera mechanism. 34:00 – See Adrienne's popular article about the robots that guarded the relics of the Buddha. 38:45 – See Elly's article about how automata figured prominently in tombs. 47:00 – See Elly's recent video lecture about mechanical clocks and the “invention of time.” For more on the rise of mechanistic thinking—and clocks as important metaphors in that rise—see Jessica Riskin's book, The Restless Clock. 50:00 – An article about a “torture robot” of ancient Sparta. 58:00 – A painting of the “Iron Knight” in Spenser's The Faerie Queene.   Adrienne Mayor recommends: The Greeks and the New, by Armand D'Angour Classical Traditions in Science Fiction, edited by Brett Rogers and Benjamin Stevens In Our Own Image, by George Zarkadakis Ancient Inventions, by Peter James and Nick Thorpe   Elly Truitt recommends: AI Narratives, edited by Stephen Cave, Kanta Dihal, and Sarah Dillon The Love Makers, by Aifric Campbell The Mitchells vs the Machines   You can read more about Adrienne's work on her website and follow her on Twitter. You can read more about Elly's work on her website and follow her on Twitter.   Many Minds is a project of the Diverse Intelligences Summer Institute (DISI) (https://disi.org), which is made possible by a generous grant from the Templeton World Charity Foundation to UCLA. It is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd (https://www.mayhilldesigns.co.uk/). Our transcripts are created by Sarah Dopierala (https://sarahdopierala.wordpress.com/). You can subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you like to listen to podcasts. **You can now subscribe to the Many Minds newsletter here!** We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website (https://disi.org/manyminds/), or follow us on Twitter: @ManyMindsPod.

Merriam-Webster's Word of the Day for March 29, 2024 is: braggadocio • brag-uh-DOH-see-oh • noun Braggadocio refers to brash and self-confident boasting—that is, the annoying or exaggerated talk of someone who is trying to sound very proud or brave. // His braggadocio hid the fact that he felt personally inadequate. See the entry > Examples: “In total, Lil Wayne has sold more than 120 million albums, making him one of the world's top-selling artists, and, his braggadocio aside, he's widely considered one of most influential hip-hop artists of his generation and one of the greatest rappers of all time.” — L. Kent Wolgamott, The Lincoln (Nebraska) Journal Star, 1 Feb. 2024 Did you know? Though Braggadocio is not as well-known as other fictional characters like Pollyanna, the Grinch, or Scrooge, in lexicography he holds a special place next to them as one of the many characters whose name has become an established word in English. The English poet Edmund Spenser originally created Braggadocio as a personification of boasting in his epic poem The Faerie Queene. As early as 1594, about four years after the poem was published, English speakers began using the name as a general term for any blustering blowhard. The now more common use of braggadocio, referring to the talk or behavior of such windy cockalorums, developed in the early 18th century.

"And now we welcome the new year, full of things that have never been." Rilke Word of the Year: "Affection" noun af·​fec·​tion ə-ˈfek-shən  Synonyms of affection 1: a feeling of liking and caring for someone or something : tender attachment : FONDNESS She had a deep affection for her parents. Middle English affeccioun "capacity for feeling, emotion, desire, love," borrowed from Anglo-French, "desire, love, inclination, partiality," borrowed from Latin affectiōn-, affectiō "frame of mind, feeling, feeling of attachment," from affec-(variant stem of afficere "to produce an effect on, exert an influence on") + -tiōn-, -tiō, suffix of action nouns Referench: https://www.merriam-webster.com/dictionary/affection philostorgos: tenderly loving Original Word:φιλόστοργος, ον Phonetic Spelling:(fil-os'-tor-gos) Definition:tenderly loving Usage:tenderly loving, kindly affectionate to Reference: https://biblehub.com/greek/5387.htm For the full text of the Jefferson Lecture 2012, by Wendell Barry, please visit: https://www.neh.gov/about/awards/jefferson-lecture/wendell-e-berry-biography Photo by Guy Mendes Quoted excerpts from the lecture: “Because a thing is going strong now, it need not go strong for ever,” [Margaret] said. “This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won't be a movement, because it will rest upon the earth.E. M. Forster, Howards End (1910) p. "The term “imagination” in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind's eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one's attitude or point of view, but grasps securely the qualities of things seen or envisioned. I will say, from my own belief and experience, that imagination thrives on contact, on tangible connection. For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong in a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And it is in affection that we find the possibility of a neighborly, kind, and conserving economy." "But the risk, I think, is only that affection is personal. If it is not personal, it is nothing; we don't, at least, have to worry about governmental or corporate affection. And one of the endeavors of human cultures, from the beginning, has been to qualify and direct the influence of emotion. The word “affection” and the terms of value that cluster around it—love, care, sympathy, mercy, forbearance, respect, reverence—have histories and meanings that raise the issue of worth. We should, as our culture has warned us over and over again, give our affection to things that are true, just, and beautiful. It is by imagination that knowledge is “carried to the heart” (to borrow again from Allen Tate). The faculties of the mind—reason, memory, feeling, intuition, imagination, and the rest—are not distinct from one another. Though some may be favored over others and some ignored, none functions alone. But the human mind, even in its wholeness, even in instances of greatest genius, is irremediably limited. Its several faculties, when we try to use them separately or specialize them, are even more limited. The fact is that we humans are not much to be trusted with what I am calling statistical knowledge, and the larger the statistical quantities the less we are to be trusted. We don't learn much from big numbers. We don't understand them very well, and we aren't much affected by them." ((Who Owns America? edited by Herbert Agar and Allen Tate, ISI Books, Wilmington, DE, 1999,  pages 109–114. (First published by Houghton Mifflin Company, Boston, 1936.) [Nature] "As Albert Howard, Wes Jackson, and others have carefully understood, she can give us the right patterns and standards for agriculture. If we ignore or offend her, she enforces her will with punishment. She is always trying to tell us that we are not so superior or independent or alone or autonomous as we may think. She tells us in the voice of Edmund Spenser that she is of all creatures “the equall mother, / And knittest each to each, as brother unto brother.” (The Faerie Queene, VII, vii, stanza XIV.) "To hear of a thousand deaths in war is terrible, and we “know” that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined. The economic hardship of one farm family, if they are our neighbors, affects us more painfully than pages of statistics on the decline of the farm population. I can be heartstruck by grief and a kind of compassion at the sight of one gulley (and by shame if I caused it myself), but, conservationist though I am, I am not nearly so upset by an accounting of the tons of plowland sediment borne by the Mississippi River. Wallace Stevens wrote that “Imagination applied to the whole world is vapid in comparison to imagination applied to a detail.” (Opus Posthumous, edited, with an Introduction by Samuel French Morse, Alfred A. Knopf, New York, 1957, page 176.) "But we need not wait, as we are doing, to be taught the absolute value of land and of land health by hunger and disease. Affection can teach us, and soon enough, if we grant appropriate standing to affection. For this we must look to the stickers, who “love the life they have made and the place they have made it in.” "E. M. Forster's novel, Howards End, published in 1910. By then, Forster was aware of the implications of “rural decay,” and in this novel he spoke, with some reason, of his fear that “the literature of the near future will probably ignore the country and seek inspiration from the town. . . . and those who care for the earth with sincerity may wait long ere the pendulum swings back to her again.” (Howards End, page 15, 112). Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” (Ibid., page 214). To have beautiful buildings, for example, people obviously must want them to be beautiful and know how to make them beautiful, but evidently they also must love the places where the buildings are to be built. For a long time, in city and countryside, architecture has disregarded the nature and influence of places. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within? (Ibid., page 30)." “The light within,” I think, means affection, affection as motive and guide. Knowledge without affection leads us astray every time. Affection leads, by way of good work, to authentic hope. The factual knowledge, in which we seem more and more to be placing our trust, leads only to hope of the discovery, endlessly deferrable, of an ultimate fact or smallest particle that at last will explain everything. Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” The great reassurance of Forster's novel is the wholeheartedness of his language. It is to begin with a language not disturbed by mystery, by things unseen. But Forster's interest throughout is in soul-sustaining habitations: houses, households, earthly places where lives can be made and loved. In defense of such dwellings he uses, without irony or apology, the vocabulary that I have depended on in this talk:  truth, nature, imagination, affection, love, hope, beauty, joy. Those words are hard to keep still within definitions; they make the dictionary hum like a beehive. But in such words, in their resonance within their histories and in their associations with one another, we find our indispensable humanity, without which we are lost and in danger. Of the land-community much has been consumed, much has been wasted, almost nothing has flourished. But this has not been inevitable. We do not have to live as if we are alone.

In this episode of we delve into the remarkable life and enduring legacy of Edmund Spenser, a luminary in English literature. Discover the intricacies of "The Faerie Queene," his masterful epic that intricately weaves together allegory, politics, and poetic beauty.In this episode we are looking at Edmund Spenser and the Faerie Queen. Join the podcast community at https://www.patreon.com/englandcastRead the Faerie Queen online:https://www.gutenberg.org/files/15272/15272-h/15272-h.htm Hosted on Acast. See acast.com/privacy for more information.

 In this episode of the Unicorny podcast, host Dom Hawes digs deep into innovation without sacrificing performance as he's joined by Zone to Win author, Geoffrey Moore. Geoffrey is a world-famous business consultant, author and marketing expert with a stable of highly influential books including international best-seller, Crossing the Chasm.Moore opens the episode explaining the core concepts outlined in “Zone to Win”: dividing operations into four zones and three time horizons, providing a strategic framework for companies to adapt and thrive in the rapidly changing market. You'll gain first hand advice on the importance of differentiating yourself in the Performance zone and neutralising disruptors in the Transformation zone. Moore's practical advice on investing in power for future potential and the evolution of partnerships through different stages of the technology adoption lifecycle offers actionable strategies for long-term success. Ultimately, this episode offers a wealth of wisdom for business leaders and executives seeking strategies to allocate resources for long-term profitability and power. If you're looking for practical strategies to succeed in the digital age and steer your organisation towards long-term growth, this episode is a must-listen, offering a roadmap for success in a rapidly evolving business landscape. About Geoffrey Moore  Geoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature. Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California. There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books. Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf.  Links  Full show notes: Unicorny.co.uk  LinkedIn: Geoffrey Moore | Dom Hawes  Websites: Geoffrey Moore | UnicornySponsor: Selbey AndersonChapters of this episode  Introduction to Zone to Win...

 In this episode of the Unicorny podcast, host Dom Hawes digs deep into innovation without sacrificing performance as he's joined by Zone to Win author, Geoffrey Moore. Geoffrey is a world-famous business consultant, author and marketing expert with a stable of highly influential books including international best-seller, Crossing the Chasm.Moore opens the episode explaining the core concepts outlined in “Zone to Win”: dividing operations into four zones and three time horizons, providing a strategic framework for companies to adapt and thrive in the rapidly changing market. You'll gain first hand advice on the importance of differentiating yourself in the Performance zone and neutralising disruptors in the Transformation zone. Moore's practical advice on investing in power for future potential and the evolution of partnerships through different stages of the technology adoption lifecycle offers actionable strategies for long-term success. Ultimately, this episode offers a wealth of wisdom for business leaders and executives seeking strategies to allocate resources for long-term profitability and power. If you're looking for practical strategies to succeed in the digital age and steer your organisation towards long-term growth, this episode is a must-listen, offering a roadmap for success in a rapidly evolving business landscape. About Geoffrey Moore  Geoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature. Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California. There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books. Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf.  Links  Full show notes: Unicorny.co.uk  LinkedIn: Geoffrey Moore | Dom Hawes  Websites: Geoffrey Moore | UnicornySponsor: Selbey AndersonChapters of this episode  Introduction to Zone to Win...

In the Elizabethan period the Italian Renaissance came to England. Even though the English had broken with the Roman Church they were still following the Italians in astrology, philosophy, alchemy and Magick. During the reign of The Virgin Queen the British would exceed the Italians in that one aspect of the Hermetic Arts – Magick. The Angelic Revelation of Dr. John Dee is certainly the high water mark of Renaissance Theurgy. But we magicians sometimes forget that the English Elizabethan period was a Magical Age. It was the Time of Shakespeare's “The Tempest”, Milton's “Paradise Lost” and Spencer's “The Faerie Queene.” Magick was in the air. So let us look back on this golden age and recall some of its magical treasures.

Why 54 tech titans failed (so you don't need to)Personal note from our host, Dom Hawes: "Hi folks... this is a very special episode for me and part of a personal mission to see 'Chasm principles' return to every day marketing parlance. In this episode Geoffrey details why tech titans, who ruled their day, faded away to nothing... all for the same reason. Moore's work is the definitive playbook for dealing with disruption.As a marketer who cut my teeth in the mid to late 1990s, this work was everywhere. Now it's not. And, as we are swimming in a sea of sameness, it's time to bring back a more strategic approach. That's where Chasm comes in and why I invited my all-time marketing hero to join the Unicorny project.I hope you enjoy this one... it really is a great show and I'm hugely grateful to Geoffrey for joining us."In this episode of the Unicorny podcast, author and speaker Geoffrey A. Moore draws on the feted work in his book Crossing the Chasm. Moore addresses the challenges encountered by B2B marketers and makes the case for marketing activities to be aligned to the technology adoption lifecycle. You won't find a better, clearer playbook for marketing than Chasm.About Geoffrey A. MooreGeoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature.Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California.There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books.Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf. LinksFull show notes: Unicorny.co.uk LinkedIn: Geoffrey Moore | Dom Hawes Websites: Geoffrey Moore | Selbey...

Why 54 tech titans failed (so you don't need to)Personal note from our host, Dom Hawes: "Hi folks... this is a very special episode for me and part of a personal mission to see 'Chasm principles' return to every day marketing parlance. In this episode Geoffrey details why tech titans, who ruled their day, faded away to nothing... all for the same reason. Moore's work is the definitive playbook for dealing with disruption.As a marketer who cut my teeth in the mid to late 1990s, this work was everywhere. Now it's not. And, as we are swimming in a sea of sameness, it's time to bring back a more strategic approach. That's where Chasm comes in and why I invited my all-time marketing hero to join the Unicorny project.I hope you enjoy this one... it really is a great show and I'm hugely grateful to Geoffrey for joining us."In this episode of the Unicorny podcast, author and speaker Geoffrey A. Moore draws on the feted work in his book Crossing the Chasm. Moore addresses the challenges encountered by B2B marketers and makes the case for marketing activities to be aligned to the technology adoption lifecycle. You won't find a better, clearer playbook for marketing than Chasm.About Geoffrey A. MooreGeoffrey Moore is an author, speaker, and strategic advisor to the CEOs of high-tech enterprises including Salesforce, Microsoft, Cisco, Intel, Airbnb, Gainsight, and Splunk. He has a BA in American literature from Stanford University, and a PhD in English literature from the University of Washington, with a focus on medieval and Renaissance literature.Strategy and its execution have been the lifelong focus of Moore's work. His dissertation while at the University of Washington analysed Edmund Spenser's epic poem, The Faerie Queene, in terms of the strategies for living it portrays. Subsequently he taught literature and writing for four years at Olivet College in Michigan before he and his wife and children moved back to California.There over the next ten years and three software companies, Moore migrated from HR to sales to marketing. The seminal move in his career came in 1986 when he joined Regis McKenna Inc, the premier strategic marketing consultancy for high-tech firms at that time. While there he wrote his first business book, Crossing the Chasm, which has been in print (with revisions) for thirty years, has sold over a million copies, been translated into twelve languages, and is still the go-to text for high-tech entrepreneurs. This success allowed Moore to found his own consulting practice, found multiple consulting firms, and publish six additional books.Geoffrey lives in the San Francisco Bay Area with his wife Marie. They enjoy reading, travel, fine dining, and doting on their terrific grandchildren. Geoff recently achieved what has been a lifelong ambition, namely, shooting his age in golf. LinksFull show notes: Unicorny.co.uk LinkedIn: Geoffrey Moore | Dom Hawes Websites: Geoffrey Moore | Selbey...

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Debapriya Sarkar's new book, titled Possible Knowledge: The Literary Forms of Early Modern Science (U Pennsylvania Press, 2023) is a study of how poets and philosophers took up the “the possible” as an alternative to the actual. By pushing back against the positivism we associate so strongly with the scientific revolution, the literary texts examined in this book—Margaret Cavendish's poetry and prose, Edmund Spenser's Faerie Queene, Francis Bacon's New Atlantis, Shakespeare's Macbeth, Milton's Paradise Lost—invited their readers to inhabit worlds-not-yet-known, to take up uncertainty and contingency as habits of thought. I am excited to welcome Debapriya Sarkar to the podcast to discuss Possible Knowledge. Debapriya is Professor of English at the University of Connecticut. Debapriya has published articles in English Literary Renaissance, Spenser Studies, and Shakespeare Studies. She has received long-term fellowships from the Huntington Library, and the Folger Shakespeare Library. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King's College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser's work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser's Amoretti with Sianne Ngai's theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro's “cannibal metaphysics.” Each essay, from Megan Bowman's examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri's consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist's work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today we'll look at the most famous tale from Spenser's epic The Faerie Queene: Book I "The Legend of the Redcrosse Knight."  We'll discuss its allegorical and neoplatonic dimensions while doing a quick drive-by of a passage from Mutabilitie Cantos.  Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Twitter, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.org

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

On June 5, 1865, Anglican priest and polymath Sabine Baring-Gould wrote the processional hymn, “Onward, Christian Soldiers.” The hymn was originally written for children walking to Horbury St. Peter's Church near Wakefield in Yorkshire, England. Far from the cultural stereotype that the hymn earned Baring-Gould—that of a militant, narrow-minded clergyman fearful of and fighting against new knowledge—he actually led an impressive life, remaining keenly inquisitive about the world God has made.   The song, which he wrote in about 15 minutes, was originally titled “A Hymn for Procession with Cross and Banners.” It was inspired by biblical imagery of the Christian as a soldier and only became popular when composer Arthur Sullivan wrote a new melody for it later. Its military imagery, out of step with today's cultural vibes, has led many contemporary hymnbook compilers to leave it aside.  Like other Anglican clergymen of his day, Baring-Gould was involved in more than serving parishes and writing children's processionals. He was the son and heir of a noble family but decided on a career in the Church. Ordained in 1864, he became curate at the church at Horbury Bridge, where a year later he would pen “Onward, Christian Soldiers.” There, he met Grace Taylor, the then-teenaged daughter of a local miller. The two fell in love and, despite a considerable age gap, were married for 48 years until her passing. Together, they raised 15 kids, all but one of whom survived into adulthood.   Even while serving in parishes, Baring-Gould was a prolific writer, with nearly 1,300 titles to his credit. These include novels and short stories published in a variety of journals, a 16-volume series called Lives of the Saints, modern biographies, travelogues, hymns (the best-known of which aside from “Onward, Christian Soldiers” being “Now the Day Is Over”), sermons, apologetics, and cultural and anthropological studies. He had an international reputation as an antiquarian. His Curious Myths of the Middle Ages, a study of 24 medieval superstitions and their variants and antecedents, was particularly popular and was even cited by sci-fi and horror writer H.P. Lovecraft. He also published The Book of Werewolves, a collection of stories still widely cited.  To do some of this work, Baring-Gould studied and mastered several ancient, medieval, and modern languages. Along with more common languages for British scholars of the period, he knew Basque, an obscure language unrelated to any other, sufficiently well enough to translate a Basque Christmas carol into English as “The Angel Gabriel from Heaven Came.”  Baring-Gould's God-driven curiosity about the world only furthered when he inherited his family estate in Devon in 1872. He moved there as both squire and vicar in 1881, devoting a great deal of time to studying and writing about Devon and the West Country. He transcribed hundreds of folk songs from the region that would otherwise have been lost, even publishing several volumes in collaboration with Cecil Sharp, a central figure in preserving and promoting English folk songs in the Edwardian period. Baring-Gould considered these collections of songs his most important work.  He also earned an international reputation in the developing field of archaeology. With his friend Robert Burnard, Baring-Gould began the first scientific archaeological excavations of Dartmoor in Devon, which includes the largest concentration of Bronze Age remains in Britain. The two initially concentrated on hut circles, depressions in the ground outlined with stones that were the foundations for conical wooden huts thousands of years ago, before launching a more systematic investigation of the region. As secretary of the group, Baring-Gould authored the first 10 annual reports of the Dartmoor Exploration Committee. This began a systematic exploration and occasional restoration of the region's prehistoric sites. Beyond the annual reports, he published several other works on Dartmoor.  As if all this were not enough, Baring-Gould was also an amateur ironworker and painter. Prior to his ordination, while a teacher at a boys' school, he designed the ironwork for the school and painted scenes from The Canterbury Tales and The Faerie Queene on the jambs of the windows.  In all, Baring-Gould was far more than the lyricist for “Onward, Christian Soldiers.” As Anthony Esolen commented, he could only have lived in the 19th century, when scholarship was not so specialized, and amateurs could still make important contributions to a wide range of fields. For our era, he is a remarkable example of a person who used the prodigious talents God had given him to serve the church, his community, and the wider world.  This Breakpoint was co-authored by Dr. Glenn Sunshine. For more resources to live like a Christian in this cultural moment, go to breakpoint.org. 

Cursed by a witch, a talking tree laments his failure to uphold virtue to a chivalric knight in Edmund Spenser's The Faerie Queene, one of the longest poems written in the English language.Warlock Vorobok Reads is a monthly storytime for grownups.

We have to abandon Fitzgerald because time is short, so mainly on to Modern Love, with some context, then Hopkins's "Binsey Poplars," Swinburne (and Buck Mulligan quoting The Triumph of Time in Ulysses), and an intro to "The Garden of Proserpine," via Spenser's "Garden of Adonis" in The Faerie Queene (which I discussed a little while ago here), and Milton's account of how Eden is even greater than the fair field of Enna where Persephone gathering flowers by gloomy Dis was gathered. 

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/ind The Castle of Indolence By James Thompson Narrated by Denis Daly The Castle of Indolence was published early in the summer of 1748, four months after the poet's death, which occurred on the 27th of August. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thompson's friends about the poet's well-known indolence, regarding both life and composition. In its finished state, the poem may be regarded as an apology and a warning. The apology, mostly playfully urged, is for the author's own indolence; the warning seeks to discourage the indulgence of indolence in others.

This month marks the fifth anniversary of Unsound Methods - thank you to everyone who's joined us along the way, and hello to any new arrivals... In this episode we speak to Ewan Fernie and Simon Palfrey about the writing of their collaboratively composed novel 'Macbeth, Macbeth' (available from Boiler House Press, here: https://www.boilerhouse.press/product-page/macbeth-macbeth-by-ewan-fernie-simon-palfrey)  'Macbeth, Macbeth' is described by its authors as a critical fiction. A sequel, critique, and repetition of Shakespeare's play. Slavoj Žižek has described it as: ‘a miracle, an instant classic… as close as one can come to a quantum physics literary criticism'. A video trailer for the book is available here: https://www.youtube.com/watch?v=Ru-seZCr3Ho Ewan Fernie is Director of the 2-million-pound lottery-funded ‘Everything to Everybody' Project (everythingtoeverybody.bham.ac.uk), which is reviving the world's first great Shakespeare library and Birmingham's broader reputation as a pioneering modern city. It was a major influence on the Cultural Programme and the Opening Ceremony of the 2022 Commonwealth Games. His day-job is as Chair, Professor and Fellow at the Shakespeare Institute, Stratford-upon-Avon and Culture Lead for the College of Arts and Law, University of Birmingham. Ewan's books include: Shame in Shakespeare, The Demonic: Literature and Experience, Shakespeare for Freedom, Spiritual Shakespeares, Redcrosse: Remaking Religious Poetry for Today's World, Thomas Mann and Shakespeare: Something Rich and Strange, and New Places: Shakespeare and Civic Creativity. For many years, he co-edited the groundbreaking ‘Shakespeare Now!' series with Simon Palfrey. In 2018, he hosted Radical Mischief: Inviting Experiment in Theatre, Thought and Politics with the Royal Shakespeare Company's Deputy Director, Erica Whyman at The Other Place. He is now leading a new project, Serious About Comedy, with Sean Foley, Artistic Director of Birmingham REP, as well as an ambitious cross-cultural initiative with the Birmingham-based artist and curator, Mohammed Ali of Soul City Arts.  He is writing a book about the Scottish writer and philosopher, Thomas Carlyle, provisionally entitled The Dirty History of Hope. Simon Palfrey is Professor of English at Brasenose College Oxford University. His recent work explores the unique kinds of life generated by dramatic, poetic, and fictional forms, and the opportunities this opens up for more imaginative, philosophically adventurous, and politically engaged critical work. His books include Doing Shakespeare (Arden, 2004; 2nd ed. 2011), a TLS International Book of the Year; Shakespeare in Parts (Oxford, 2007, with Tiffany Stern), the MRDS Book of the Year; Poor Tom: living King Lear (Chicago, 2014); Shakespeare's Possible Worlds (Cambridge, 2014) Simon's current projects are inspired by Spenser's Faerie Queene, including a new bestiary, A Poem Come True, and the twice AHRC-award winning Demons Land, a mixed media event (film, drama, dance, paintings, sculptures, soundscapes, text) that imagines an island built in the image of Spenser's epic poem (demonsland.com). Find us on Twitter: @UnsoundMethods - @JaimieBatchan - @LochlanBloom Jaimie's Instagram is: @jaimie_batchan Or at jaimiebatchan.com and lochlanbloom.com We have a store page on Bookshop, where you can find our books, as well as those of previous guests: https://uk.bookshop.org/shop/unsoundmethods Thanks for listening, please like, subscribe and rate Unsound Methods wherever you get your podcasts. Our website is: https://unsoundmethods.co.uk/

One British poet's 1590s allegorical fantasy adventure is getting a new text-faithful prose adaptation.

Edmund Spenser's 1590 epic poem, The Faerie Queene, is one of the monumental works of English literature. But it doesn't get read much any more. Rebecca Reynolds is doing something about it. She has rendered Spenser's 36,000 lines of very difficult poetry into much more accessible prose. Artist Justin Gerard has painted beautiful illustrations. The books start coming out later this year, but you can get involved now by contributing to the  Kickstarter campaign.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

When we talk about AI, we usually fixate on the future. What's coming next? Where is the technology going? How will artificial intelligences reshape our lives and worlds? But it's also worth looking to the past. When did the prospect of manufactured minds first enter the human imagination? When did we start building robots, and what did those early robots do? What are the deeper origins, in other words, not only of artificial intelligences themselves, but of our ideas about those intelligences?  For this episode, we have two guests who've spent a lot of time delving into the deeper history of AI. One is Adrienne Mayor; Adrienne is a Research Scholar in the Department of Classics at Stanford University and the author of the 2018 book, Gods and Robots: Myths, Machines, and Ancient Dreams of Technology. Our second guest is Elly Truitt; Elly is Associate Professor in the History & Sociology of Science at the University of Pennsylvania and the author of the 2015 book, Medieval Robots: Mechanism, Magic, Nature, and Art.  In this conversation, we draw on Adrienne's expertise in the classical era and Elly's expertise in the medieval period to dig into the surprisingly long and rich history of AI. We discuss some of the very first imaginings of artificial beings in Greek mythology, including Talos, the giant robot guarding the island of Crete. We talk about some of the very first historical examples of automata, or self-moving devices; these included statues that spoke, mechanical birds that flew, thrones that rose, and clocks that showed the movements of the heavens. We also discuss the long-standing and tangled relationships between AI and power, exoticism, slavery, prediction, and justice. And, finally, we consider some of the most prominent ideas we have about AI today and whether they had precedents in earlier times. This is an episode we've been hoping to do for some time now, to try to step back and put AI in a much broader context. It turns out the debates we're having now, the anxieties and narratives that swirl around AI today, are not so new. In some cases, they're millennia old.  Alright friends, now to my conversation with Elly Truitt and Adrienne Mayor. Enjoy!   A transcript of this episode will be available soon.   Notes and links 4:00 – See Adrienne's TedEd lesson about Talos, the “first robot.” See also Adrienne's 2019 talk for the Long Now Foundation. 7:15 – The Throne of Solomon does not survive, but it was often rendered in art, for example in this painting by Edward Poynter. 12:00 – For more on Adrienne's broader research program, see her website; for more on Elly's research program, see her website. 18:00 – For more on the etymology of ‘robot,' see here. 23:00 – A recent piece about Aristotle's writings on slavery. 26:00 – An article about the fact that Greek and Roman statues were much more colorful than we think of them today. 30:00 – A recent research article about the Antikythera mechanism. 34:00 – See Adrienne's popular article about the robots that guarded the relics of the Buddha. 38:45 – See Elly's article about how automata figured prominently in tombs. 47:00 – See Elly's recent video lecture about mechanical clocks and the “invention of time.” For more on the rise of mechanistic thinking—and clocks as important metaphors in that rise—see Jessica Riskin's book, The Restless Clock. 50:00 – An article about a “torture robot” of ancient Sparta. 58:00 – A painting of the “Iron Knight” in Spenser's The Faerie Queene.   Adrienne Mayor recommends: The Greeks and the New, by Armand D'Angour Classical Traditions in Science Fiction, edited by Brett Rogers and Benjamin Stevens In Our Own Image, by George Zarkadakis Ancient Inventions, by Peter James and Nick Thorpe   Elly Truitt recommends: AI Narratives, edited by Stephen Cave, Kanta Dihal, and Sarah Dillon The Love Makers, by Aifric Campbell The Mitchells vs the Machines   You can read more about Adrienne's work on her website and follow her on Twitter. You can read more about Elly's work on her website and follow her on Twitter.   Many Minds is a project of the Diverse Intelligences Summer Institute (DISI) (https://disi.org), which is made possible by a generous grant from the Templeton World Charity Foundation to UCLA. It is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd (https://www.mayhilldesigns.co.uk/). Our transcripts are created by Sarah Dopierala (https://sarahdopierala.wordpress.com/). You can subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you like to listen to podcasts. **You can now subscribe to the Many Minds newsletter here!** We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website (https://disi.org/manyminds/), or follow us on Twitter: @ManyMindsPod.

This week, Alastair Roberts joins the crew to discuss his and Onsi's chapter on sex, marriage, and divorce in "Protestant Social Teaching: An Introduction", the Davenant Press's upcoming publication (due 10/13/22). The guys talk about how Augustine set the scene for Reformation debates on these topics, what Luther thought about marriage, Protestant views on divorce, and how Rome and the Protestants have influenced once another on this topic.NOTE: most books below are linked via Bookshop.org. Any purchases you make via these links give The Davenant Institute a 10% commission, and support local bookshops against chainstores/Amazon.Currently ReadingOnsi: Heirs of the Apostles: Studies on Arabic Christianity in Honor of Sidney H. Griffith Colin: TheOresteia by Sophocles  Rhys: Harmony: A New Way of Looking at Our World by H.R.H. The Prince of Wales Alastair: Nationalism: A Short History by Liah Greenfeld Texts Discussed"On Marriage and Concupiscence" by Augustine"The Estate of Marriage" by Martin Luther"Commentary on Genesis 38" by John Calvin"Gentle Discipline: Spenser's Faerie Queene and Christian Elites" by Joshua PatchSpotlightProtestant Social Teaching (publication 10/13/22)The Anchored Argosy - Substack by Alastair Roberts and Susannah Black

This week, Morrus, Peter, and Jessica talk about the One D&D playtest packet for Expert Classes. In the news, D&D Cartoon action figures coming soon, Pathfinder: Wrath of the Righteous video game hits consoles, Lord of the Rings 5e pre-orders open, and more! Plus a brand new sketch about a dire change in the Burrows & Bearowls playtest. -------------------- News News Digest for the Week of September 30 (Pathfinder: Wrath of the Righteous console launch, Mimic Colony Warband minis, Jeff Goldblum mini, Alien Nexus, Lord of the Rings 5e pre-orders and PDF, ) https://www.enworld.org/threads/news-digest-for-the-week-of-september-30.692001/ D&D Cartoon action figures https://www.enworld.org/threads/so-you-like-the-d-d-cartoon-huh-pre-order-poseable-figures.691821/ A5e Character Builder https://enworld.org/tools/a5e/ EN Publishing's Dungeon Delver's Guide on Kickstarter https://www.kickstarter.com/projects/enworld/dungeon-delvers-guide-a-sourcebook-for-5e-and-a5e? -------------------- Crowdfunding Projects The Monster Overhaul https://www.kickstarter.com/projects/gmdk/the-monster-overhaul One-Shot Wonders: Over 100 Session Ideas for 5e https://www.kickstarter.com/projects/rollandplaypress/one-shot-wonders-5e Against the Faerie Queene – The Celtic Campaign for 5e and LoA https://www.kickstarter.com/projects/legendsofavallen/against-the-faerie-queene Against the Faerie Queene on Not DND https://www.youtube.com/watch?v=poY2ez4e2g0 -------------------- One D&D Expert Classes Playtest One D&D Expert Classes Playtest Document is Live https://www.enworld.org/threads/one-d-d-expert-classes-playtest-document-is-live.691963/ Download from One D&D https://www.dndbeyond.com/sources/one-dnd -------------------- Please support us on Patreon at http://patreon.com/morrus Don't forget to join the Morrus' Unofficial Tabletop RPG Talk Facebook group at https://www.facebook.com/groups/1033145023517295/ and join us on Discord at https://discord.gg/VAuxX8M Ask your Awfully Cheerful Question on Twitter using the hashtag #AwfullyCheerfulQuestion, email morruspodcast@gmail.com, or contact us on TikTok at https://www.tiktok.com/@enpublishingrpg -------------------- Hosts: Russ “Morrus” Morrissey, Peter Coffey, and Jessica Hancock Editing and post-production: Darryl Mott Theme Song: Steve Arnott Malach the Maleficent played by Darren Morrissey Check out all the media content from EN World at http://enliverpg.com  

Welcome to the Instant Trivia podcast episode 522, where we ask the best trivia on the Internet. Round 1. Category: Hi Ya, Maya! 1: Maya Angelou's "The Heart of a Woman" was the first nonfiction work selected for this woman's book club. Oprah. 2: For this president's inauguration, Maya wrote and recited the poem "On the Pulse of Morning". Bill Clinton. 3: In 1977 Maya played Nyo Boto on this acclaimed miniseries. Roots. 4: It's the avian title of the first volume of Maya Angelou's autobiographical works. I Know Why the Caged Bird Sings. 5: Maya wrote all the original poems performed by this actress in the 1993 film "Poetic Justice". Janet Jackson. Round 2. Category: Faulkner Titles 1: "Go Down...". Moses. 2: "Intruder in the...". Dust. 3: "Absalom...". Absalom. 4: "As I Lay...". Dying. 5: "Light in...". August. Round 3. Category: A "D" In History 1: To keep Delaware's capital away from the invading British, it was moved to this city in 1777. Dover. 2: James Oglethorpe founded Georgia in 1733 as a haven for people in trouble for this back in Britain. debt. 3: In 1868 and again in 1880, he was succeeded as British Prime Minister by William Gladstone. Disraeli. 4: In 1952 the U.N. started a commission on this to make the world a less lethal place. disarmament. 5: In the 16th century these assemblies of German potentates took place at Speyer, Augsburg and (yummy!) Worms. a diet. Round 4. Category: The Waltz 1: Waltzes are characterized by swift, gliding turns and music that has this many quarter notes to a measure. 3. 2: A dance in the 1786 opera "Una Cosa Rara" popularized this waltz style named for a city. Viennese. 3: Act III of this 1893 Engelbert Humerpdinck opera features the "Gingerbread Waltz". Hansel and Gretel. 4: Although known as the "Waltz King", he also composed many marches and well-known polkas. (Johann) Strauss. 5: Pee Wee King co-wrote this waltz and had a country hit with it in 1948; later it became a state song. "The Tennessee Waltz". Round 5. Category: English Lit 1: The "Book of the Duchesse" is an elegy for the Duchess of Lancaster by this author of "The Canterbury Tales". Geoffrey Chaucer. 2: Chapters in this novel include "Wickfield and Heep" and "Mr. Micawber's Gauntlet". David Copperfield. 3: Published in 1590, "The Legend of the Red Cross Knight" is the first of 6 books in this poetic epic. The Faerie Queene. 4: Her title "Sonnets from the Portuguese" referred to her husband's nickname for her. Elizabeth Barrett Browning. 5: She's the heroine of the long-banned 18th century novel "Memoirs of a Woman of Pleasure". Fanny Hill. Thanks for listening! Come back tomorrow for more exciting trivia!

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/fleck Selected Poems By James Elroy Flecker Narrated by Denis Daly James Elroy Flecker, linguist, scholar, critic, poet and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young : Owen and Brooke in the line of battle, Flecker, who never fought due to a long standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. It appears that he had no desire to create poetic epics like Childe Harold's Pilgrimage, Endymion or the Faerie Queene. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving a simplicity and directness which is peculiarly his own.

“Two for '22” Literary Life Reading Challenge! This coming year Angelina, Cindy and Thomas are challenging us to read books in 11 categories, but choose 2 books in each category, with a bit of a twist. In today's episode they briefly go over each category and give a few examples of books would fit into those categories. They also take us through the Kids' “Two for '22” Reading Challenge topics. Next time we will be back with a wrap-up episode for our 19 for 2022 Reading Challenge. The Literary Life Commonplace Books published by Blue Sky Daisies are back with new covers for 2022! Coming up on The Literary Life podcast in the new year, we have Shakespeare's A Midsummer Night's Dreamcoming up in January and after that, Abolition of Man by C. S. Lewis. Then we will be reading The Enchanted Aprilby Elizabeth von Arnim and Charles Dickens' Hard Times later in the year. Our children's classic novel this year will be The Wind in the Willows by Kenneth Grahame. Commonplace Quotes: The artist must be in his work as God is in creation, invisible and all-powerful. One must sense him everywhere, but not see him. Gustave Flaubert There reigns thro' all the blank verse poems such a perpetual trick of moralizing every thing–which is very well, occasionally–but never to see or describe any interesting appearance in nature, without connecting it by dim analogies with the moral world, proves faintness of Impression. Nature has her proper interest; and he will know what it is, who believes and feels, that everything has a Life of its own, and that we are all one Life.  Malcolm Guite The principle behind modern methods of reading is stated in the form: if there is to be a meaning, it shall be ours. C. S. Lewis There is No Frigate Like a Book by Emily Dickinson There is no Frigate like a Book To take us Lands away Nor any Coursers like a Page Of prancing Poetry – This Traverse may the poorest take Without oppress of Toll – How frugal is the Chariot That bears the Human Soul – Book List: Faith, Hope and Poetry by Malcolm Guite The Allegory of the Faerie Queene by Pauline Parker Hard Times by Charles Dickens Cranford by Elizabeth Cleghorn Gaskell The Splendid Century by W. H. Lewis The Fellowship by Philip and Carol Zaleski Bandersnatch by Diana Pavlac Goyer Tolkein and The Great War by John Garth A Hobbit, a Wardrobe and a Great War by Joseph Loconte The Kite Runner by Khaled Hosseini A Thousand Splendid Suns by Khaled Hosseini Laurus by Eugene Vodolazkin Elizabeth and Essex by Lytton Strachey Elizabeth the Great by Elizabeth Jenkins The Daughter of Time by Josephine They Elizabeth von Arnim Ivanhoe by Sir Walter Scott Jane Eyre by Charlotte Brontë Anthony Horowitz Margery Allingham E. C. Bentley Nero Wolfe Series Alan Bradley J. K. Rowling/Roberth Galbraith A Collection of Essays by George Orwell Essays of G. K. Chesterton by G. K. Chesterton David Bentley Hart In a Cardboard Belt! by Joseph Epstein Padraic Colum The Wonder Book for Boys and Girls by Nathaniel Hawthorne Bill Peet: An Autobiography by Bill Peet Kingfisher Book of Russian Tales by James Mayhew Paul Galdone The Cooper Kids Adventure Series by Frank Peretti Harriet the Spy Series by Louise Fitzhugh Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

"Has there ever been a time when no stories were told? Has there ever been a people who did not care to listen? I think not." Thus begins a journey through the history of English literature, from the early middle ages to the Victorian era. The young person will experience the most well-loved characters of all time, from Beowulf, the warrior who dares to challenge a terrifying and bloodthirsty monster, to virtuous Una of The Faerie Queene, faithful to the end. H. E. Marshall masterfully weaves selections from the stories into her own retelling, leaving the reader with a keen appreciation for the great books that have become the foundation of Western culture. Genre(s): General Henrietta Elizabeth Marshall (1867 - 1941) --- Support this podcast: https://anchor.fm/3daudiobooks0/support

Welcome to the final episode in our series covering Mansfield Park by Jane Austen here on The Literary Life podcast. Angelina, Cindy and Thomas dive right into the book chat today in order to cover as much as possible as they wrap up Fanny Price's story. Angelina brings out the parallels to Edmund Spenser's Faerie Queene. Cindy talks about how Julia and Maria's upbringing is instructive for parents. Another topic is how, in a way, the characters continue their roles from “Lover's Vows” in real life unless they repent. Our hosts also highlight Fanny's journey toward finding a home throughout this story. Get in on the Western Films and Fiction webinar on November 22nd with Thomas and James Banks! Register here to join in! Also, check out the House of Humane Letters newsletter to get in on the read-a-long of Shakespeare's The Tempest. To view the schedule for upcoming episodes, see our Upcoming Events page. Also, if you want to join our members-only forum off Facebook, check out our Patreon page to learn more! Commonplace Quotes: To educate means to help the human soul enter into the totality of the real. Luigi Giussani, from the forward to Beauty for Truth's Sake The man who is endowed with logical astuteness is very apt to keep himself in practice by taking up indefensible positions for the fun of defending them. G. M. Young Information can thrill, but only once. Wendell Berry Amoretti Sonnet XXII by Edmund Spenser This holy season, fit to fast and pray, Men to devotion ought to be inclin'd: Therefore I likewise on so holy day, For my sweet saint some service fit will find. Her temple fair is built within my mind, In which her glorious image placed is, On which my thoughts do day and night attend, Like sacred priests that never think amiss. There I to her as th' author of my bliss, Will build an altar to appease her ire: And on the same my heart will sacrifice, Burning in flames of pure and chaste desire: The which vouchsafe, O goddess, to accept, Amongst thy dearest relics to be kept. Book List: Hallelujah: Cultivating Advent Traditions with Handel's Messiah by Cindy Rollins The Risk of Education by Luigi Giussani Beauty for Truth's Sake by Stratford Caldecott Daylight and Champaign by G. M. Young A Preface to the Faerie Queene by Graham Hough Ourselves by Charlotte Mason Surprised by Oxford by Carolyn Weber Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB