Podcasts about gargantua

Jument vient du latin jumentum “attelage” lui-même issu de jugum “joug”. Jument a donc à l'origine le sens de “bête de somme ou de trait”. Le sens de “femelle du cheval” n'est attesté que vers la fin du XIIe siècle. Jusqu'à la découverte des avantages de la castration, qui permet de changer les étalons en "hongres". Dans les régions où cette pratique de la castration est refusée culturellement, les juments étaient préférées aux chevaux mâles pour les besoins utilitaires et pour la guerre, en raison de leur docilité. Certains peuples comme les Bédouins donnaient la préférence aux juments pour leurs raids à cheval. D'autres cultures ont préféré les étalons par volonté d'avoir une bête plus combative, ou en raison de l'inconvénient principal de la jument, qui est la perte de son potentiel de travail en cas de chaleurs, de grossesse, ou de mise-bas. Contrairement au terme “étalon” qui peut s'appliquer à d'autres espèces comme les ânes, le terme “jument” est exclusivement réservé à l'espèce chevaline. En général, une pouliche devient jument à partir de 3 ans. En sport hippique, le terme s'applique uniquement aux animaux de plus de 4 ans. Jument se traduit par mare en anglais, Stute en allemand et llegua en espagnol. En irlandais et en écossais, le mot est marc, et en breton marc'h. Toutes ces formes celtes seraient d'origine gauloise. Parmi les juments célèbres, le géant Gargantua monte la gigantesque Grand Jument dans les œuvres de Rabelais. Flicka, créée par Mary O'Hara, donne son nom à un célèbre livre pour la jeunesse. En bande dessinée, Arabesque est la rusée monture du Caporal Blutch. Marcel Aymé a intitulé l'un de ses romans La jument verte, dont Claude Autant-Lara tire un film scandaleux en 1959, avec Bourvil dans le rôle principal. Le terme peut avoir une connotation particulière en pornographie, où “étalon” désigne l'homme dominant, et “jument” la femme soumise._______

Bryan Gee returns with the latest V Podcast, delivering a fresh selection of drum and bass gems to kickstart the month. Featuring standout tracks from SL8R, Fox, Command Strange, Think Tonk Alibi, Paul T and Edward Oberon and mand more he showcases the full 360 from soulful melodies to deep, dirty rollers. The podcast also features a guest mix from Tim Reaper, following his recent collaboration with Krust—a remix of "One Stop Mr Driver" released jointly by V Recordings and Future Retro. Tim Reaper's mix is a journey through breakbeats and jungle influences, featuring tracks like "Shell Of A Man" with Settle Down, his remix of Basic Rhythm's "Gargantua," and collaborations with Kloke and Samurai Breaks. Stay connected with us on social media and subscribe to the V Podcast on your favorite platform to stay updated on all the latest episodes. 01. Sl8r and Fox - Love What I Do 02. Sl8r, DRS, Slay and JKen - To The Moon 03. Command Strange and Luke Truth - [Untitled] 04. A-Audio and Syren Rivers - You Found Me 05. Need for Mirrors feat. Young Gho$t - Red Alert 06. Level 2 and T.R.A.C. - All We Need 07. Carlito and T.R.A.C. - Scream 08. Fats and Inja - Eyes on You 09. The Sauce feat. Logan - Run Things 10. Need for Mirrors - Lambo (Amen Mix) 11. Scorpio - Life 4 Ever 12. Krust - Doing Our Thing 13. Scorpio - Samewayz 14. Dillinja - Chapter 19 (Remix) 15. Dillinja - Jahovah 16. Alibi - Hardcore 17. Alibi - Roller Sunday 18. Need for Mirrors - Pickle Factory 19. Voltage - Take One 20. Carlito - Cobalt 21. Alibi - Big Bad Soundclash 22. Carlito feat. Hollie - Ah Who 23. Clipz - Expand 24. Cool Hand Flex - Melody Madness (Bladerunner Remix) 25. Command Strange feat. Freddy B - [Untitled] 26. L-Side - Gunshot Love (Remix) 27. Zero T - Get Back **Tim Reaper – Guest Mix** 28. Settle Down and Tim Reaper - Shell Of A Man 29. Krust - One Stop Mr Driver 30. Basic Rhythm - Gargantua (Tim Reaper Remix) 31. Kamanchi - Hostile 32. Kloke and Tim Reaper - Blood Pressure 33. Radicall - Chosen 34. Harmony - Rage (Ricky Force Remix) 35. Samurai Breaks and Tim Reaper - Bandits (You Know What It Is) 36. Tim Reaper - Pufferfish 37. Bigga Star - Information 38. Fracture - Biscotti 39. Tim Reaper - Scorched Earth A2 40. Nectax and Tim Reaper - [ID] 41. DJ Sofa - [ID] 42. Napes and Fez The Kid - [ID] 43. Sl8r and Fox - [ID] 44. Unlimited Vibes - Step 2 This 45. Sully - [ID] 46. The Terrorist - The Chopper (Ray Keith Dirty Chopper Mix) 47. Bill Riley - Never Go Back 48. The Drizzle - Unruly (Hit The Deck!) 49. Roni Size - Timestretch (Origin Unknown 95 Re-Lick)

Gargantua and Pantagruel by François Rabelais is a Giant story - literally. Filled with wit and bawdy humour it is a five-book satirical masterpiece, first published in the 16th century. Perfect reading for Mardi Gras, the season of indulgence andrevelry.

Ophthalmology Editor-in-Chief, Russell Van Gelder, MD, PhD, and our new Associate Editor, Laura Downie, BOptom, PhD, guest host this special episode introducing “Ophthalmology Reviews.”  Ophthalmology Reviews is a new section in our flagship journal for structured systematic reviews and meta-analyses. The two editors discuss the importance of these reviews in our field and what our journal is looking for from authors in these types of submissions. For more information, read their recent editorial in Ophthalmology, “Gargantua, The Scholarship of Synthesis and the Evolution of the Ophthalmology Family Journals” and review our Guide for Authors section on Systematic Reviews and Meta-analysis. If you have any questions about submissions, please contact the editorial staff at aaojournal@aao.org. Gargantua, The Scholarship of Synthesis and the Evolution of the Ophthalmology Family Journals. Van Gelder, Russell N. Downie, Laura E. Ophthalmology, Volume 132, Issue 1, 12 – 13.

The Grammys are all Dom and Chris seem to be able to talk about this week, but they also take time to discuss Wendy Williams' TMZ interview, Jessica Biel's "devolving" social media post for JT's birthday, and their concerns for Justin Bieber. Then, Awards Correspondent Rebecca Bregman joins to break down The 2025 Grammys: the fashions, the performances, the awards, and MUCH, much more!You can support Rebecca by watching Aaron Hernandez: The Untold Murders of Bristol, Murder Under The Friday Night Lights, & Home Reimagined all on Max!You can find Dom at dommentary.com.You can find Chris at @thechrisderosa.Follow the show at @fixingfamouspeople.Subscribe to the Patreon Fixing Bonus People here.Or Subscribe to A La Carte Episodes in the Apple Podcast App.Write a review and let us know who you want us to fix!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welches ist das eat.READ.sleep.-Buch des Jahres? Ihr durftet abstimmen. Außerdem erzählen Jan, Katharina und Daniel, welche Bücher sie 2024 besonders geärgert haben. Die drei Hosts antworten auf eure Fragen: Was war das skurrilste Buch, was sie je gelesen haben? Was für unbekannte Hobbies haben die drei? Und welche Bücher wollen sie im Jahr 2025 unbedingt lesen? Alle Infos zum Podcast: https://ndr.de/eatreadsleep Mail gern an: eatreadsleep@ndr.de Alle Lesekreise: https://ndr.de/eatreadsleep-lesekreise Unseren Newsletter gibt es hier: https://ndr.de/eatreadsleep-newsletter Die Bücher der Folge: - Emile Zola: "Nana". Dt. von Walter Widmer. (dtv, nur gebr. erhältl.) - Saša Stanišić: "Möchte die Witwe angesprochen werden..." (Luchterhand) - Gaea Schoeters: "Trophäe". Deutsch von Lisa Mensing (Zsolnay) - Barbara Kingsolver: "Demon Copperhead". Dt. von Dirk van Gunsteren (dtv) - Francois Rabelais: "Gargantua und Pantagruel". Dt. von Ferdinand Adolf Gelbcke (Insel) Rezept für Schweizer Dreikönigskuchen Für den Vorteig: 100 ml Milch, 100 g Weizenmehl (Type 550), 1g frische Hefe Für den Hauptteig: Vorteig vom Vortag, 200 ml Milch (zimmerwarm), 40 g Zucker, 5 g Vanillezucker, 10 g Salz, 8 g frische Hefe, 400 g Weizenmehl Type 550, Abrieb einer halben Bio-Zitrone, 60 g weiche Butter, in kleine Stücke geschnitten Für die Eistreiche: 1 Ei, 10 ml Milch (zimmerwarm), Je 1 Prise Salz und Zucker Zubereitung Am Vorabend die Zutaten für den Vorteig verrühren, 2 Stunden abgedeckt bei Zimmertemperatur stehen lassen, dann über Nacht in den Kühlschrank. Am nächsten Tag den Vorteig aus dem Kühlschrank nehmen und eine halbe Stunde bei Zimmertemperatur stehen lassen. Alle weiteren Zutaten bis auf die Butter dazugeben und bei niedrigster Stufe 10 Minuten kneten. Anschließend die weiche Butter dazugeben und weitere 5-10 Minuten bei gleicher Einstellung kneten, bis der Teig weich und elastisch ist. Diesen Teig bei Zimmertemperatur 60-90 Minuten ruhen lassen. Für die Eistreiche das Ei durch ein feines Sieb streichen, Milch, Salz und Zucker dazugeben und verrühren. Aus dem Teig 8 Teigstücke á 80 g abteilen und daraus Kugeln formen. Dabei in einer Kugel den König (eine Figur, Mandel, Bohne oder Münze) einarbeiten. Aus dem restl. Teig eine große Kugel formen und in der Mitte des Backblechs auf Backpapier legen. Mit etwas Abstand die 8 kleinen Kugeln um die große Kugel herum platzieren. Alles mit der Eistreiche einpinseln. Den Dreikönigskuchen abdecken und eine halbe Stunde gehenlassen. Den Teig erneut mit Eistreiche bepinseln und für 30 Minuten in den auf 190°C Ober-/Unterhitze vorgeheizten Backofen schieben. Den heißen Kuchen mit Ahornsirup einstreichen und mit Hagelzucker und/oder Mandelblätter bestreuen. eat.READ.sleep. ist der Bücherpodcast, der das Lesen feiert. Jan Ehlert, Daniel Kaiser und Katharina Mahrenholtz diskutieren über Bestseller, stellen aktuelle Romane vor und präsentieren die All Time Favorites der Community.

Well........ what can we say about this one? They can't all be winners? But at least we have some fun Gargantua fun with this one. We find the Vice team once again doing not so very Vice things. In this Izzy-centric episode, he and the Vice team along with a sly cowboy, a fed and a Cuban huckster get themselves all sticky in the sale of a hot commodity. We've got cows, bullwhips, international intrigue. Listen in as Mark and Tim spurt their thoughts on this, what we call, Cowboy Phil the Schill. As always, like, share, comment, rate and spread the word about our show. We appreciate each and everyone of you who listens and posts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/viceofmiamipodcast⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/viceofmiamipodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://podcasts.apple.com/.../vice-of.../id1555880411⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Vice of Miami - YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#miamivice⁠⁠⁠ ⁠⁠⁠#crockett⁠⁠⁠ ⁠⁠⁠#tubbs⁠⁠⁠ ⁠⁠⁠#donjohnson⁠⁠⁠ ⁠⁠⁠#philipmichaelthomas⁠⁠⁠ ⁠⁠⁠#miami⁠⁠⁠ ⁠⁠⁠#podcasts⁠⁠⁠ ⁠⁠⁠#podcasting⁠⁠⁠ ⁠⁠⁠#80stelevision⁠⁠⁠ ⁠⁠⁠#castillo⁠⁠⁠ ⁠⁠⁠#drugs⁠⁠⁠ ⁠⁠⁠#miamivicelife⁠⁠⁠

In this episode of Locust Radio, Adam Turl interviews R. Faze, author of the My Body series published in Locust Review. This is part of an ongoing series of interviews with Locust members and collaborators on contemporary artistic strategies. R. Faze's My Body series in Locust Review: R. Faze, “I Live an Hour from My Body,” Locust Review 4  (2021) R. Faze, “My Body Got a New Job,” Locust Review 5 (2021) R. Faze, “My Body Planned Something,” Locust Review 6 (2021) R. Faze, “My Body, Interrogated,” Locust Review 7 (2022) R. Faze, “My Body's Long Term Plan,” Locust Review 8 (2022) R. Faze, “My By Body's Revenge Plan,” Locust Review 9 (2022) R. Faze, “My Body Found a Portal to Another Dimension,” Locust Review 10 (2023) R. Faze, “My Body's Claims, Verified,” Locust Review 11 (2024) Some other writers, artists, texts and artworks discussed: Mikhail Bahktin, Rabelais and His World (1984); Bertolt Brecht; Raymond Chandler;  Jefferson Cowie, Stayin' Alive: The 1970s and the Last Days of the Working-Class (2010); Rene Descartes; W.E.B. Du Bois, The Souls of Black Folk (1903); Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Karl Marx, The Philosophic and Economic Manuscripts (1844); Scott McCloud, Understanding Comics (1993); Pablo Picasso and Cubism; Edgar Allan Poe, “William Wilson” (1839); Francois Rabalais, Gargantua and Pantagruel (1564); Don Siegal, Invasion of the Body Snatchers (1956); Sister Wife Sex Strike, “From the River to the Sea (2024); Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886) Locust Radio hosts include Tish Turl, Laura Fair-Schulz, and Adam Turl. Locust Radio is produced by Alexander Billet, Adam Turl, and Omnia Sol. Opening music and sound elements by Omnia Sol and Adam Turl. 

Jonny and Mark are back to start season six of "The Venture Bros" by watching and discussing a missing/hidden episode "All This and Gargantua 2".

Happy Birthday, Interstellar! Vor 10 Jahren kam Christopher Nolans Sci-Fi-Meisterwerk ins Kino und flackert pünktlich zum Jubiläum wieder auf der Leinwand. Klar also, dass wir prüfen, wie gut oder schlecht die Science im Film gealtert ist. Könnte uns wirklich ein globales Pflanzensterben aushungern? Wann entdecken wir endlich ein Wurmloch? Und hebelt ein Schwarzes Loch tatsächlich die Zeit aus? Wir erzählen's euch – in dieser Folge.

Learn about the fascinating connection between François Rabelais' Gargantua and Aleister Crowley's Thelema. In Gargantua, Rabelais introduces the Abbey of Thélème, a utopian society governed by the motto 'Fay ce que vouldras' ('Do what you will'). This principle would later inspire Crowley's central Thelemic tenet, 'Do what thou wilt shall be the whole of the Law.' Learn how Rabelais' Renaissance humanism, satire, and vision of personal freedom profoundly influenced Crowley's esoteric philosophy, bridging the gap between literature and occult spirituality. CONNECT & SUPPORT

La pièce « Gargantua » est bien sûr une transposition théâtrale du chef d'œuvre de François Rabelais. Elle est adaptée et mise en scène par Pierre-Olivier Mornas. Elle transcrit bien la truculence de Rabelais, tout en nous le présentant d'une façon très moderne. La naissance du héros a été rocambolesque. Il est né de l'union de Grandgousier et de Gargamelle. Pour se rassasier, il lui faut des mets astronomiques, dont les nombres sont écrits sur un tableau. Gargantua a aussi soif de savoir et son éducation est assurée par le précepteur Ponocrates. S'il y a un message à retenir de son existence, ce serait celui-ci, profiter de la joie d'être au monde. « Gargantua », c'est jusqu'au 10 novembre, du mardi au samedi à 19 heures, ainsi que le dimanche à 15 heures. Rendez-vous au Théâtre de Poche, 75 boulevard du Montparnasse dans le 6ème, métro Montparnasse.

Francoski avtor se je pisanja loteval z veliko pretiravanji, ki zaživijo v žanru satire. Pogačarska vojna se dogaja na nekaj podeželskih zaplatah v bližini Rabelaiseve domačije, strategijo pa zastavi kot velik zavojevalski pohod. V zgodbi nastopa znameniti literarni junak Gargantua v eni svojih dogodivščin. Režiser: Marjan Marinc Prevajalka in prirejevalka: Gitica Jakopin Tonski mojster: Borut Turk Grandgousier – Maks Furijan Gargamella – Ruša Bojc Gargantua – Jože Zupan Michel – Maks Bajc Jean – Andrej Kurent Tretji postopač – Tone Homar Doktorji na Sorboni – Janez Rohaček, Slavo Švajger, Stane Česnik Huk-Huk – Pavle Kovič Forgier – Aleksander Valič Marquet – France Presetnik Picrochol – Boris Kralj Touquedillon – Ludvik Pečar Hativeau – Marjan Kralj Gallet – Stojan Andrej Jan Razbijan – Jurij Souček Paž – Mina Jeraj Varuške – Jana Osojnik, Jelka Cvetežar, Marta Pestator, Mara Černe Napovedovalka – Ana Mlakar Uredništvo igranega programa Posneto v Studiih Radia Ljubljana oktobra 1959

Pierre-Olivier Mornas était au téléphone des Grosses Têtes ce 10 septembre. Il joue le rôle de Gargantua actuellement au Théâtre de Poche Montparnasse, à Paris Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

How do you prepare for the worst-case scenario? Juna Moon has been talking to young people in South Korea about how they perceive the threat of war in the region and how they're planning for it. Growing up in Taiwan after the 1999 Jiji earthquake, Joy Chang has been trained on what to do in case another quake hit. So when the ground started to shake in early April, she knew exactly what to do. Plus Hernando Álvarez shares the life advice he received from Nobel Prize winner Gabriel García Márquez, and the story behind a handwritten note listing the author's favourite books.Produced by Caroline Ferguson and Alice GioiaGabriel García Márquez' list of essential classics:1. The Bible 2. One Thousand and One Nights 2 (a) Plato and Aristotle 3. The Odyssey 3 (a) The Illustrious Philosophers. Diogenes Laertius 4. Sophocles: Oedipus 5. The Twelve Caesars (Suetonius) 6. Plutarch 7. The Divine Comedy (Inferno) 8. Horace (Poetry) 9. El Cid (Ballads) 10. Amadis of Gaul 11. Don Quixote 12. Poetry: Spanish Golden Age 13. Gargantua and Pantagruel 14. Paradise Lost - Milton 15. Chroniclers of the Indies(Photo: Faranak Amidi. Credit: Tricia Yourkevich)

Welcome to the Instant Trivia podcast episode 1166, where we ask the best trivia on the Internet. Round 1. Category: Hollywood Ugly 1: This actress was quite ugly before her transformation in "Miss Congeniality". Sandra Bullock. 2: No one wants to date Julia Stiles in this 1999 movie except Heath Ledger, and he does it on a lark. 10 Things I Hate About You. 3: Of the frumpy sorority girls led by Anna Faris in "The House Bunny", this "American Idol" runner-up sure stands out. Katharine McPhee. 4: When this loner gets a makeover in "The Breakfast Club", we realize she was pretty all the time. Ally Sheedy. 5: Rachael Leigh Cook, the "ugly duckling", is pursued by Freddie Prinze Jr. in this high school comedy. She's All That. Round 2. Category: While Henry Viii Was King 1: Cosimo I refounded the university of this city and parents of the time leaned towards sending their kids there. Pisa. 2: In his 1512 "Commentariolus" he stated the planets travel around the sun. Copernicus. 3: In 1534, after working on the tomb of the Medici, this artist moved from Florence to Rome. Michelangelo. 4: In 1534 he published "Gargantua", part 2 of "Pantagruel". Rabelais. 5: In 1526 Babar set up this dynasty in Delhi. Mogul. Round 3. Category: Lead Singer Of The Band 1: Chris Martin. Coldplay. 2: Gwen Stefani. No Doubt. 3: Rob Thomas. Matchbox 20. 4: For much of the '80s and '90s, Michael McDonald. The Doobie Brothers. 5: Pat Monahan. Train. Round 4. Category: 20Th Century Bestsellers 1: The concept of a "whisperer" who calms animals was popularized by this Nicholas Evans novel. The Horse Whisperer. 2: 1916's "Mr. Britling Sees It Through" by this author tried to make sense of the madness of WWI; no time travel involved. H.G. Wells. 3: The disaster movie genre really took off when this 1968 novel about Trans America flight No. 2 out of Chicago came to the screen. Airport. 4: This Edith Hull bestseller about forbidden love in the desert became a 1921 film starring Rudolph Valentino. The Sheik. 5: In a 1952 book a craftsman fashions "The Silver" this title drinking vessel to house the Holy Grail. chalice. Round 5. Category: Crown Plaza 1: This queen has been on more coin types of numerous countries than any other human being. Elizabeth II. 2: King Abdullah bin Abdul Aziz reversed policy and allowed foreign fighters in this country in 1990. Saudi Arabia. 3: In 2006 the first male in over 40 years was born into this land's Chrysanthemum Throne imperial family. Japan. 4: The last English king with this name reigned less than a year, in 1936. Edward (VIII). 5: Rudolf II moved this dynastic family's royal court from Vienna to Prague in the late 1500s. the Hapsburgs. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Lorànt Deutsch nous emmène aujourd'hui en pleine Renaissance française au milieu du 16ème siècle. Pourquoi ? C'est le 9 avril, 1553, que meurt l'écrivain François Rabelais, celui qui a popularisé le célèbre personnage de Gargantua. Du lundi au vendredi, Lorànt Deutsch vous donne rendez-vous dans la matinale de RTL. Chaque jour, l'animateur de "Entrez dans l'histoire" revient sur ces grands moments qui ont façonné notre pays.

Hey everyone! Here are our answers to this week's Q&A. The questions are below, as well as the list of songs we used in the background. Thanks so much for taking part!Questions:What was the inspiration for Hi Nay? The characters are so rich and fully realized, I'd love to know the origin of the story! How do you go about balancing character development/background with the more horror action scenes? Is there a reason Murphy is one of the last main characters to have his backstory explored? Also silly question what are the main characters favorite/go to breakfast foods? What was your favorite episode to write and/or record? We talk a lot about "Who is the Benefactor?" but I want to know "Why is the Benefactor?" Why is he trying to amass power? Why does he hide his identity? What is his end goal? Can we get more from the cannibal Elder? I support women's rights and women's wrongs.(Act 2 spoilers, suicide mention cw) I have some questions about Drosselmeyer for the Q&A: What were their true feelings for Petja? Why didn't they create a clockwork doll body for themselves like they did for Lori, or kill the Elders with the spell they used to destroy their brain? Why wasn't their body found with Lori's in the Gargantua? (Act 2 spoiler) The river, the in-between place where Mari traps Lori, do you imagine it looking like any particular location in the Philippines?If I were to introduce someone to this podcast and that someone has only ever listened to the Magnus archives, what could I say to convince them to listen in?Songs (all by Bessie Smith):Down Hearted BluesI Ain't Got Nobody Thinking BluesDyin By The HourBaby DollI'd Rather Be Dead And Buried In My GraveDevil's Gonna Git You Hosted on Acast. See acast.com/privacy for more information.

In this episode of the It's A Mimic! podcast, this panel of Dungeon Masters is going to look at three gargantuan creatures from Bigby Presents Glory of the Giants: two colossi and Gargantua. Cold Open 0:00 Opening Theme 2:58 Intro 3:19 Info Break 08:27 Runic Colossus 9:19 Flesh Colossus 35:52 Gargantua 58:57 Info Break 1:23:47 Outro 1:24:16 Closing Theme 1:26:19 Gigant 1:26:46 Bloopers 1:34:14 DON'T FORGET TO LIKE & SUBSCRIBE! Find Us On: Patreon at https://www.patreon.com/user?u=84724626 Website at https://www.itsamimic.com iTunes at https://itunes.apple.com/ca/podcast/its-a-mimic/id1450770037 Spotify at https://open.spotify.com/show/3Y19VxSxLKyfg0gY0yUeU1 Podbean at https://itsamimic.podbean.com/ YouTube at https://www.youtube.com/channel/UCzQmvEufzxPHWrFSZbB8uuw Social: Facebook at https://www.facebook.com/itsamimic/ Instagram at https://www.instagram.com/itsamimic/?hl=en Reddit at https://www.reddit.com/r/ItsaMimic/ Email at info@itsamimic.com Dungeon Master 1:  Kasi Just Kasi Dungeon Master 2:  Megan Lengle Dungeon Master 3:  Adam Nason Narrator:  Kyle McQuaid Written by:  Kasi Just Kasi and Adam Nason Director:  Kasi Just Kasi and Adam Nason Editor:  Adam Nason Executive Producer:  Adam Nason Intro/Outro Music by:  Cory Wiebe All other music provided by Tyler Gibson at https://www.instagram.com/melodicasmusic Logo by:  Katie Skidmore at https://www.instagram.com/clementineartportraits/ This episode is meant to be used as an inspirational supplement for Dungeons & Dragons 5th Edition and tabletop roleplaying games in general.  It's A Mimic! does not own the rights to any Wizards of the Coasts products. Artwork included in this episode's video visualizations is published and/or owned by Wizards of the Coast.

Darren and Graham run down and Round Up some interesting stories and controversial topics from Canada. We chat about the little town that voted out the rainbow flag crosswalk, Pierre vs Justin on Axing or hiking the carbon tax. Darren does a Carbon Tax analysis with his own bills and the projections from the Government.   Gov Canada helping Gates with blocking out the sun with our tax dollars. Meanwhile banning electric space heaters, and Alberta pauses on renewables to secure cheaper and more reliable energy for Alberta. Graham goes over a synchronicity with Theleme, Thelema, Rishi Sunak and the very old Fantasy / Symbolic book Gargantua and Pantagruel. Why aren't more people talking about the name Theleme?   Then we get into some pushback against "gender affirming care", Doctors and scientists raising the alarm. Some inadvertently with the descriptions and risks of the surgeries, and some post op stats that don't look very good. Whistleblower gets in trouble in Texas, and Danielle Smith re iterates her position on kids, trans and parents.   Darren plays part 2 of the Gulags....   To gain access to the second half of show and our Plus feed for audio and podcast please clink the link http://www.grimericaoutlawed.ca/support.   For second half of video (when applicable and audio) go to our Substack and Subscribe. https://grimericaoutlawed.substack.com/ or to our Locals  https://grimericaoutlawed.locals.com/ or Rokfin www.Rokfin.com/Grimerica or Patreon https://www.patreon.com/grimericaoutlawed   If you would rather watch: https://rumble.com/v4ga0kx-outlawed-round-up-8.28-alberta-wins-again-and-pushback-against-affirmative-.html https://grimericaoutlawed.locals.com/post/5326653/outlawed-round-up-8-28-alberta-wins-again-and-pushback-against-affirmative-harm https://www.youtube.com/watch?v=ogXmaxBOPF8   See links to stuff we chatted about: https://www.dailymail.co.uk/news/article-13092239/Top-Canadian-surgeon-unwittingly-reveals-TRUTH-sex-change-ops-unearthed-video-lifts-lid-ill-trained-doctors-dying-appendages-dreaded-complications.html https://palexander.substack.com/p/dr-alex-laungani-sex-change-surgeon?utm_source=post-email-title&publication_id=579356&post_id=141751939&utm_campaign=email-post-title&isFreemail=true&r=24pqe&utm_medium=email https://dailycaller.com/2024/02/15/exclusive-prominent-trans-surgeon-admits-in-unearthed-video-that-complications-of-genital-surgery-can-be-pretty-bad/ https://twitter.com/bruce_mcgonigal/status/1758749632501547127 AMEN! 3000 doctors, scientists say NO! 'New lawsuit challenges HHS rule that forces doctors to perform controversial gender transition procedures on children'; The number of doctors and medical https://needtoknow.news/2024/02/the-american-college-of-pediatricians-issues-statement-that-transgender-interventions-harm-children/ https://links.dailywire.com/u/click?_t=f16d0857e7d3443390a2018b9d568c0d&_m=5837fd4e150141cfaa12d5bcce2d36a9&_e=4NMjfrDMLBno_eSXh1ldB-dLdLInET0F4LN93LlBXe-_yhuCpPYhfsmDULj39lRazutWCPtqB6MxKU-JXs7kqAj2RClOyvrnwjiJPpED8iV-OAO86TvovpIapBqbughHE2jRYFUcgCeBk3SHzH4SVEiTQPPjnhFGbWkytLczbojGvQofBP84lewxWIdyzuWH2HwB3UKlkWt277whCv1aB6GeqC1MOS7NTo3Ij-wJ6g8Ngo5p0Ge25daX93qaFy2FV6iKqwGtH-bf39_ODigSnbLK2tK87of7-8rJe_kE5ZKQCoN4o-p03iK9Dk7spKDeIobPwhDESaPPF2pbzXLi1f2aAl8xOl3Evn7rqHjtJl8%3D https://twitter.com/bruce_mcgonigal/status/1761470426885067037   Links to Darren's topics: https://slaynews.com/news/canada-backs-bill-gates-scheme-block-the-sun/ https://www.youtube.com/watch?v=fdZ1E4zAY7w https://www.youtube.com/watch?v=kNbhxtBDr-8 https://www.theepochtimes.com/world/ottawa-considering-portable-electric-heater-ban-5595896 https://www.youtube.com/watch?v=jlyWUSsrWaQ https://web.archive.org/web/20240120123116/https://www.al.com/news/2023/12/36000-gallons-of-water-used-to-douse-burning-tesla-on-i-65-in-alabama.html https://web.archive.org/web/20240213091801/https://fox5sandiego.com/traffic/tesla-goes-up-in-flames-during-crash-20-year-old-driver-killed/ https://www.nrg.com/resources/energy-tools/energy-conversion-calculator.html https://www.pbo-dpb.ca/en/publications/RP-2223-028-S--distributional-analysis-federal-fuel-charge-under-2030-emissions-reduction-plan--analyse-distributive-redevance-federale-combustibles-dans-cadre-plan-reduction-emissions-2030   Help support the show, because we can't do it without ya. If you value this content with 0 ads, 0 sponsorships, 0 breaks, 0 portals and links to corporate websites, please assist. Many hours of unlimited content for free. Thanks for listening!!   Support the show directly: https://grimerica.ca/support-2/ Our Adultbrain Audiobook Podcast and Website: www.adultbrain.ca Our Audiobook Youtube Channel:  https://www.youtube.com/@adultbrainaudiobookpublishing/videos Grimerica Media Youtube Channel: https://www.youtube.com/@grimerica/featured Darren's book www.acanadianshame.ca Check out our next trip/conference/meetup - Contact at the Cabin www.contactatthecabin.com Other affiliated shows: www.grimerica.ca The OG Grimerica Show www.Rokfin.com/Grimerica Our channel on free speech Rokfin Join the chat / hangout with a bunch of fellow Grimericans  Https://t.me.grimerica https://www.guilded.gg/chat/b7af7266-771d-427f-978c-872a7962a6c2?messageId=c1e1c7cd-c6e9-4eaf-abc9-e6ec0be89ff3   Get your Magic Mushrooms delivered from: Champignon Magique  Mushroom Spores, Spore Syringes, Best Spore Syringes,Grow Mushrooms Spores Lab Get Psychedelics online Leave a review on iTunes and/or Stitcher: https://itunes.apple.com/ca/podcast/grimerica-outlawed http://www.stitcher.com/podcast/grimerica-outlawed Sign up for our newsletter http://www.grimerica.ca/news SPAM Graham = and send him your synchronicities, feedback, strange experiences and psychedelic trip reports!! graham@grimerica.com InstaGRAM https://www.instagram.com/the_grimerica_show_podcast/  Purchase swag, with partial proceeds donated to the show www.grimerica.ca/swag Send us a postcard or letter http://www.grimerica.ca/contact/ ART - Napolean Duheme's site http://www.lostbreadcomic.com/  MUSIC Tru Northperception, Felix's Site sirfelix.bandcamp.com  

https://www.aufonddelaclasse.com/Faute de définir simplement le rire, on peut avancer quelques éléments :- Le rire est avant tout une manifestation physique, qui engage le corps. Il déforme le visage, fait se mouvoir le haut du corps, produit un son plus ou moins fort, plus ou moins aigu...- Le rire est souvent lié à la transgression d'un interdit. Le cas extrême, le fou rire, montre ce que le rire peut avoir d'excessif, d'incontrôlable et aussi de transgressif sur le plan moral. On peut d'ailleurs chercher à le cacher, notamment pour respecter la civilité, la politesse.- Le rire est associé à la joie ou à la gaieté : c'est une émotion positive.- Le rire est communicatif : il crée ou renforce une communauté de rieurs (on rit avec, ensemble)- Le rire peut aussi être lié à la volonté de se moquer, qui peut aller jusqu'à la critique ou la satire.- Il y a aussi un rire mauvais, malveillant : on l'appelle souvent le rire sardonique ou diabolique.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/François Rabelais, au XVIe siècle, a été moine et médecin avant de publier Pantagruel puis Gargantua sous le nom de « Alcofribas Nasier » ou bien « Maître Alcofribas abstracteur de quinte essence ». Il s'inscrit alors dans la tradition des Grandes et inestimables chroniques de l'énorme géant Gargantua, livre qui a eu peu de temps avant un grand succès. Son Pantagruel est aussi un grand succès de librairie, même s'il est critiqué pour son obscénité et son audace, en particulier par la Sorbonne, la grande faculté de théologie.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Ce que l'on appelle le paratexte est assez abondant dans Gargantua : le titre qui est assez long, le dizain de l'auteur « Aux lecteurs », et le "Prologue de l'auteur". Tous ces éléments participent à présenter le pacte de lecture, c'est-à-dire le mode d'emploi pour lire le livre et l'interpréter. Bien sûr, Rabelais y définit et défend son œuvre et la manière de la lire.Loin d'être un mode d'emploi clair, le prologue empêche une compréhension simpliste de l'œuvre. En évoquant les différentes modalités de lecture possible (la lecture de pur plaisir comique, la lecture allégorique, la lecture philologique), Rabelais fait la promotion d'un nouvel art de lecture qui bouleverse les habitudes et les recettes toutes faites. C'est la figure de Socrate qui porte la sagesse : le bon lecteur est celui qui sait qu'il ne sait pas bien lire et, donc, réfléchit sans cesse pour mieux comprendre.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Il est clair que Rabelais, dans Gargantua, cherche à faire passer des idées sur la religion. Il attaque une conception conservatrice et, selon lui, rétrograde de la religion, incarnée par les théologiens de la Sorbonne, les moines et les pèlerins. Dans ce sens, il s'inscrit dans les mouvements qui critiquent le catholicisme à son époque, comme la réforme protestante ou l'évangélisme (auquel Rabelais est clairement rattaché). Il reproche notamment aux autorités religieuses de faire croire qu'il suffit d'accomplir bêtement des rituels comme la messe ou les pèlerinages pour être un bon chrétien. Selon lui, au contraire, être un bon chrétien consiste plutôt en une intention individuelle volontaire, une foi sincère face à Dieu qui conduit l'homme à avoir un bon comportement dans sa vie quotidienne, avec ses proches et avec les humains en général.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Pour ce qui est de la politique, on peut se demander si Gargantua peut être apparenté à un traité politique, à travers la fiction. Gargantua, personnage de géant déjà bien connu du public avant Rabelais, n'était pas un roi : c'est donc un élément significatif, qui conduit à se demander si Rabelais ne présenta pas à travers lui la figure d'un roi idéal, avec son père le sage Grandgousier, qui s'oppose clairement au roi colérique et tyrannique Picrochole.À travers le conflit entre Grandgousier/Gargantua vs. Picrochole, Rabelais dépeint aussi de manière allégorique les guerres qui opposent à son époque l'Espagnol Charles-Quint et le Français François Ier. La fiction permet d'humilier l'empereur espagnol et de prendre une revanche sur la réalité qui puisse faire oublier la défaite désastreuse de Pavie, où Charles-Quint a battu les troupes de François Ier.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Au XVIe siècle, époque de l'humanisme, il y a un grand intérêt pour l'éducation : Le Hollandais Érasme, l'Espagnol Juan Luis Vives, l'Allemand Johannes Reuchlin ont écrit des traités qui propose un nouveau type d'éducation. Rabelais, dans son premier livre Pantagruel, avait déjà abordé le sujet dans une lettre de Gargantua à son fils Pantagruel, qui proposait un programme complet d'éducation. Dans Gargantua, le message porté par l'auteur passe par des voies qui sont plus complexes, car le thème de l'éducation est disséminé dans l'ensemble des chapitres 14 à 24, et même au-delà.Dans les chapitres 14 à 24, qui forment le cycle de l'éducation de Gargantua, il est clair que s'oppose deux types de pédagogie : l'ancienne et la nouvelle, la nouvelle venant remplacer l'ancienne dans l'ordre des expériences de Gargantua.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Gargantua est connu pour ses descriptions détaillées des repas gargantuesques et des festins arrosés d'alcool. Gargantua et ses compagnons sont souvent représentés comme des buveurs et des amateurs de plaisirs gastronomiques. Ces scènes de banquets et de libations contribuent à créer une atmosphère de célébration et de convivialité, mettant en avant une communauté des buveurs au sein de l'œuvre.Rabelais engage souvent directement le lecteur, l'invitant à participer aux plaisirs et aux rires présentés dans le récit. Les nombreux passages où l'auteur s'adresse au lecteur contribuent à intégrer ce dernier à la communauté des rieurs et des buveurs. Tout cela crée un lien interactif entre l'auteur, les personnages et le lecteur, invitant ce dernier à partager le plaisir et l'humour.À la fin du prologue, le narrateur réclame au lecteur de boire à sa santé pour que lui fasse de même : cela signifie au sens figuré, pour les lecteurs, accepter de rire à ses traits d'humour et ne pas le prendre inutilement au sérieux. De même, à l'abbaye de Thélème, les esprits « vieux chagrin et jaloux » n'ont pas le droit d'entrer, à l'inverse des « joyeux, plaisants mignons ».Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Dans Gargantua, le comique n'est par toujours d'une grande subtilité... D'ailleurs, en 1549, le poète Du Bellay, dans la Défense et illustration de la langue française, évoque Rabelais comme « celui qui fait renaître Aristophane », en le plaçant dans la lignée du plus célèbre auteur grec de comédies, qui faisait jouer ses pièces à Athènes au Ve s. avant J.-C, et où il était très connu pour son comique grossier. Au XXe siècle, le poète Robert Desnos attaque même l'auteur de Gargantua en écrivant que "Le terme scatologie définit l'œuvre de Rabelais", mot qui désigne des propos grossiers, qui se rapportent aux excréments.On peut facilement montrer, en tout cas, que le rire repose souvent sur le bas corporel, c'est-à-dire à la fois sur le scatologique et sur les allusions sexuelles. Il suffit de s'appuyer sur les premiers chapitres pour s'en convaincre, où apparaissent les parents de Gargantua "se frottant joyeusement le lard" ou encore le petit bébé "barytonnant du cul".Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Le comique de décalage se produit lorsque quelque chose est présenté de manière inattendue ou décalée par rapport aux attentes normales. Cela peut créer un effet comique en raison du contraste entre la réalité anticipée et la réalité présentée. Dans Gargantua, le comique de décalage peut résulter de l'écart entre les situations extravagantes et absurdes vécues par Gargantua et les conventions habituelles de la littérature ou de la société de l'époque. En particulier, le comique héroïcomique se manifeste souvent par la parodie ou la satire des épopées traditionnelles. Il peut apparaître à travers la manière dont les aventures de Gargantua sont présentées de manière grandiose et héroïque, mais avec une tournure comique et grossière. Le discours médical très technique côtoie aussi de manière comique la grossièreté la plus grande.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Les géants, par leur nature, incarnent la démesure et l'exagération, toutes choses propices à faire rire le lecteur/rice. Les situations dans lesquelles se trouve Gargantua et ses compagnons sont souvent démesurées, que ce soit dans leurs actions, leurs appétits ou leurs exploits. Cela crée un contraste comique avec la réalité ordinaire et familière que les lecteurs peuvent connaître. Les géants ont aussi traditionnellement été représentés comme des héros dans les épopées médiévales, mais Rabelais inverse cette tradition en présentant des géants de manière farfelue et comique.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/Dans le dizain, le rire est présenté avec une mission thérapeutique et sociale, qui consiste à rendre le lecteur joyeux, dans son esprit et dans son corps, lui qui est occupé par des soucis et des chagrins. Cela est vrai par l'effet immédiat du texte mais aussi, comme cela est développé dans le « prologue », par le « plus haut sens » qu'il permet d'atteindre : le rire est une voie vers le savoir. Le livre comique est comme Socrate, qui se présente comme un joyeux drille (« son aspect était ridicule ») pour mieux cacher un autre visage plus sérieux, plus grave et plus profond. Le rire satirique est un rire de moquerie qui attaque les vices et les mauvais comportements. Ce rire-là a donc une dimension sérieuse, morale, et il sert aussi d'exutoire, car ce rire rabaisse sa victime.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/D'après le dizain initial, avant de lire/rire, le lecteur doit se « dépouiller de tout affection » et ne pas se « scandaliser ». Il s'agit d'oublier ses passions et son sens moral pour retrouver un rire pur. Les deux derniers vers évoquent la supériorité du rire sur les larmes, « parce que rire est le propre de l'homme ». Cette formule se présente, avec son présent de vérité générale et son allure de proverbe, comme une vérité philosophique. Elle marque la supériorité du rire sur les larmes et fait la promotion du rire comme composante essentielle de l'humanité : c'est une manière de vivre sa vie qui est ici défendue, qui se rapporte au modèle du grec Démocrite.Le poète Hugues Salel, en 1534, présentait l'auteur alors anonyme de Pantagruel comme un nouveau « Démocrite / Riant les faits de notre vie humaine ». Démocrite est un philosophe grec qui proposait une manière de vivre qui faisait du rire la méthode pour surmonter tous les soucis de la vie humaine.Le rire est une marque de recul à l'égard de la vie humaine, de l'existence, de l'humaine comédie. Aucun personnage n'échappe au ridicule dans Gargantua, même les personnages les plus valeureux.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

https://www.aufonddelaclasse.com/S'il y a un savoir dans le livre Gargantua, il est moins à chercher dans les idées elles-mêmes que dans la manière qui consiste à mêler sans cesse le rire et le savoir, le jeu et le sérieux. C'est en repoussant tous ceux qui se prennent au sérieux et prétendent imposer aux autres un système unique et définitif : des bâtisseurs d'empires aux théologiens de la Sorbonne... Le rire est la forme suprême de la liberté, une façon de miser sur la vie et sur la pensée libre de chaque individu. Troubler le sens, le rendre instable, comme le fait l'auteur et le narrateur de Gargantua dès le prologue, peut être associé à la volonté de construire un lecteur à la fois sérieux et rieur, c'est-à-dire désireux de lire le texte à la recherche de choses sérieuses, mais qu'il soit dans le même temps totalement dépourvu d' « esprit de sérieux ». C'est cela qui fait de ce roman si étonnant une œuvre majeure de l'humanisme et de la modernité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We've got a fun non-traditional Christmas Block on this hour's Catching A Wave! Hear festive tunes from Cheap Trick, Charlie & The Tropicales, Kurt Baker and 2 new tunes from Mark Malibu & The Wasagas and Magnatech (from Surfin' Kitty 4)! Beth Riley has a revved up deep track from The Beach Boys in her Surf's Up: Beth's Beach Boys Break. There's a tune from an album by The New Dimensions celebrating it's 60th anniversary in our Good Time segment and we drop a coin in the Jammin' James Jukebox to hear our selection of the week by the King Of Fuzz Guitar (Davie Allan)! Plus, we've got The McCharmlys, Ramones, Man Or Astro-man?, Monster Wave, Sheryl Crow, Coral Fuzz, The Isotopes, Atomic Drag, The Dreadtones, Rangers and The Joyful Hope!     Intro music bed: "Catch A Wave"- The Beach Boys   Man Or Astro-Man?- "Gargantua's Last Stand" The Joyful Hope- "Six Riders" Rangers- "Ginza Lights" Sheryl Crow- "Alarm Clock" Monster Wave- "Wolfman Stomp"   Good Time segment: The New Dimensions 60th Anniversary of Dueces And Eights (1963): The New Dimensions- "Chicky Run"   The Dreadtones- "The Nomads" Atomic Drag- "Googuy"   Surf's Up: Beth's Beach Boys Break: The Beach Boys- "Custom Machine" Follow "Surf's Up: Beth's Beach Boys Break" HERE   Christmas Block: Cheap Trick- "Come On Christmas" Charlie & The Tropicales- "Christmas Tree" Kurt Baker- "Christmas In The Sand" Magnatech- "Winterbeach Sparkle" Mark Malibu & The Wasagas- "Super Sonic Santa"   Jammin' James Jukebox selection of the week: Davie Allan- "War Path"   Ramones- "My-My Kind Of Girl" Coral Fuzz- "Guitar Radiation" The Isotopes- "Sneezing Mirror"   Outro music bed: Eddie Angel- "Deuces Wild"      

Rubrique:histoire Auteur: jules-chancel Lecture: Daniel LuttringerDurée: 14min Fichier: 9 Mo Résumé du livre audio: Rabelais, père de Gargantua, est une figure légendaire des lettres françaises. Jules Chancel dépeint ici la vie de ce joyeux et truculent vivant, dont on a érigé en maxime la phrase célèbre : « Pour ce que rire est le propre de l'homme. » Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Let's go back through the black hole Gargantua and do this one more time. Eli Barraza (The Far Meridian) joins us for a different perspective on Hans Zimmer's 2014 magnum opus score for Interstellar. We discuss Eli's experiences working at the Griffith Observatory, the career of Matt Damon, the science of sound, why "Mountains" is such good jogging music, and much more. Join us, won't you, for another spin around the cosmos on My Big Score. My Big Score was created, hosted, and edited by Christopher Dole. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. Our social media consultant is Ellie Warren. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material.

CAUTION: APE FOOTAGE AHEADThe debut look at the 1970s Wonder Woman television show picked by Van is a pretty damn good one as the BTBs are introduced not only to the Nazis, but also to their greatest weapon... no not the Panzer, or that giant gun that didn't really even work, we're talking about the trained attack ape Gargantua!You see Higgens from Magnum PI has defected from his science post in Nazi Germany and the evil Axis powers themselves are on a mission to retrieve their defector before he can spill all of the Führer's biggest secrets. Wonder Woman is on the case however she's never dealt with an adversary this hairy and ape-like. She does her best to stop the Nazi ape, but is her best enough?

A TV movie starring that other Baldwin and we talk with Godzilla costume makers Brandy and Robert Pruitt of Cosplay Odyssey. Follow them on Instagram. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mmftg/message

(Volume 13) Arabian Nights - The Book of the Thousand Nights and a Night by Anonymous audiobook. This is a collection of stories collected over thousands of years by various authors, translators, and scholars. They are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection's genesis to somewhere between AD 800 and 900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband to prevent him from executing her. In translating the Nights, R. F. Burton attempted to invent an English equivalent of medieval Arabic. In doing so, he drew upon Chaucerian English, Elizabethan English, and the 1653 English translation by Sir Thomas Urquhart of the first three books of Rabelais's Gargantua and Pantagruel (1532-1546). Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to BookShook! This episode is all about the second half of August's book, Gargantua and Pantagruel by François Rabelais published in the 1530s (book 2 ‘Pantagruel' if you're reading alongside). The idea of the episode is that I take a book I've never read, split it in two and discuss each half on the second and last Fridays of the month. I'll do a first impressions summary alongside my thoughts and reactions and then raise any interesting ideas so far in the novel (be aware - there may be spoilers.) And then on the last Friday of the month, I'll discuss the second half of the book. We'll see together how the novel concludes and decide whether it's a book we'd recommend to a friend - or not. Of course, you don't have to read the book, you can listen to it, or just follow along without doing either since I'll be summarising what happens (but be aware! - there will be spoilers). You can leave a comment or start a conversation at youtube.com/@BookShook or send an email to bookshook@yahoo.com. The book we'll be reading for September is Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin - 401 pages — we'll be reading up to Chapter V 'Pivots' on page 211 (so get that ready if you're going to read alongside me). The first episode will be on 8th September. Thanks for listening to BookShook! RogerContent Warning: There are very adult themes throughout. It's not a book for children. There are Scenes of sexual coercion. a lot of sexism and mysogony. I would check the content of the novel before reading it. You have been warnedFuture Reads:September: Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin - 401 pages October: The Machine Stops by EM ForsterI'm delighted that this podcast has been voted in the '90 best UK Books podcasts worth listening to in 2023' at https://blog.feedspot.com/uk_book_podcasts/ Hosted on Acast. See acast.com/privacy for more information.

Welcome to BookShook! This episode is all about the first half of August's book, Gargantua and Pantagruel by François Rabelais published in the 1530s (book one ‘Gargantua' if you're reading alongside). The idea is that I split a book into two equal halves — a book that I and perhaps you have never read. In the first episode, published on the second Friday of the month, we'll discuss the first half. And then in the second episode (published on the last Friday of the month - 25th August), we'll look at the book 2 ‘Pantagruel'). Of course, you don't have to read the book, you can listen to it, or just follow along without doing either since I'll be summarising what happens (but be aware! - there will be spoilers). You can leave a comment or start a conversation at youtube.com/@BookShook or send an email to bookshook@yahoo.com. The book we'll be reading for September is Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin - 401 pages (so get that ready if you're going to read alongside). Thanks for listening to BookShook! RogerContent Warning: There are very adult themes throughout. It's not a book for children. There are Scenes of sexual coercion. a lot of sexism and mysogony. I would check the content of the novel before reading it. You have been warnedFuture Reads:September: Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin - 401 pages October: The Machine Stops by EM Forster - 55 pagesThe Unquenchable Thirst to Understand: Francois Rabelais' Satire of Medieval and Renaissance Learning In Gargantua and Pantagruel by Yvonne Merritt http://itech.fgcu.edu/&/issues/vol2/issue2/rabelais.htmI'm delighted that this podcast has been voted in the '90 best UK Books podcasts worth listening to in 2023' at https://blog.feedspot.com/uk_book_podcasts/ Hosted on Acast. See acast.com/privacy for more information.

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Many early modern humanists would balk at the proposition that what they did amounted to housework. They were far more likely to reach for the heroic image of a farmer striving in the fields, as immortalized in the ancient Roman poet Virgil's Georgics. But, as shown in Katie Kadue's book Domestic Georgic: Labors of Preservation from Rabelais to Milton (University of Chicago, 2021), the domestic practice of preservation offered a powerful metaphor for the often-menial, often-overlooked labor. These labors from pickling to correcting to tempering were largely imperceptible but were essential to ward off disorder. Domestic Georgic offers fresh close readings of Francois Rabelais's Gargantua and Pantagruel, Edmund Spenser's Faerie Queene, Andrew Marvell's “Upon Appleton House,” Montaigne's Essays, and John Milton's Paradise Lost. Through these readings, this study provides a compelling new framework for our understanding of early modern poetics, gender, and labor. Katie Kadue is an incoming professor at SUNY Binghamton and a former Harper-Schmidt Fellow in the University of Chicago Society of Fellows. Her scholarly articles have appeared in Modern Philology, Montaigne Studies, and Studies in Philology, and public-facing work can be found at The Philosopher and the Chronicle of Higher Education. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to BookShook! This episode is all about the second half of June's book, The Trilogy: Molloy, Malone Dies, The Unnamable by Samuel Beckett (translated from the French by the author and Patrick Bowles) published in 1951 (from Page 209 "I fear I may have fallen asleep again" if you're reading alongside). The idea of the episode is that I take a book I've never read, split it in two and discuss each half on the second and last Fridays of the month. I'll do a first impressions summary alongside my thoughts and reactions and then raise any interesting ideas so far in the novel (be aware - there may be spoilers.) And then on the last Friday of the month, I'll discuss the second half of the book. We'll see together how the novel concludes and decide whether it's a book we'd recommend to a friend - or not. Of course, you don't have to read the book, you can listen to it, or just follow along without doing either since I'll be summarising what happens (but be aware! - there will be spoilers). You can leave a comment or start a conversation at youtube.com/@BookShook or send an email to bookshook@yahoo.com. The book we'll be reading for July is All the Birds, Singing by Evie Wyld — we'll be reading up to Chapter 15 on page 120 (so get that ready if you're going to read alongside me). The first episode will be on 14th July. Thanks for listening to BookShook! RogerContent Warning: I've removed any explicit language. There are some adult themes throughout the work (sex and violence) so do check the content of the novel before continuing.Future Reads:July: All the Birds, Singing by Evie Wyld August: Books 1 and 2 of François Rabelais' Gargantua and Pantagruel (trans. by J.M.Cohen)September: Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (401 pages)I'm delighted that this podcast has been voted in the Top 30 UK Books Podcasts at https://blog.feedspot.com/uk_book_podcasts/ Hosted on Acast. See acast.com/privacy for more information.

In Folge 80 geht es um fette Galaxien. Eine neue Arbeit hat festgestellt, dass die Galaxien im frühen Universum viel mehr Masse haben, als wir eigentlich dachten. Und vielleicht auch viel mehr Masse, als wir dachten, dass sie haben könnten. Wo da das Problem liegt, erklärt Ruth und außerdem auch noch, was bei der größten Explosion im Universum explodiert ist, warum im Zentrum der Milchstraße Fäden rumhängen und wie man Exoplaneten benennt. Evi erklärt die Wissenschaft hinter “Interstellar” und Fragen aus der Hörerschaft beantworten wir außerdem auch noch. Wenn ihr uns unterstützen wollt, könnt ihr das hier tun: https://www.paypal.com/paypalme/PodcastDasUniversum Oder hier: https://steadyhq.com/de/dasuniversum Oder hier: https://www.patreon.com/dasuniversum

Merriam-Webster's Word of the Day for October 6, 2022 is: gargantuan • gahr-GAN-chuh-wuhn • adjective Gargantuan means "very large in size or amount." // Bigfoot is said to be a creature of gargantuan proportions. See the entry > Examples: "We rode a horse-drawn carriage up to the gargantuan Grand Hotel, still embracing its luxury 1887 roots. After a tour of the quirkily colored suites, we settled in for a lunch of local smoked whitefish in the airy restaurant." — Simon Peter Groebner, The Star Tribune (Minneapolis, Minnesota), 14 Aug. 2022 Did you know? Gargantua is the name of a giant king in François Rabelais's 16th-century satiric novel Gargantua, the second part of a five-volume series about the giant and his son Pantagruel. All of the details of Gargantua's life befit a giant. He rides a colossal mare whose tail switches so violently that it fells the entire forest of Orleans. He has an enormous appetite, such that in one incident he inadvertently swallows five pilgrims while eating a salad. The scale of everything connected with Gargantua led to the adjective gargantuan, which since William Shakespeare's time has been used for anything of tremendous size or volume.

In his outrageous novel about Pantagruel and Gargantua, Rabelais engages with scholasticism, humanism, medicine, the reformation, and the querelle des femmes.