Podcasts about incarnadine

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Auri gets warmed up by the pipes. We discuss the placement of words and the importance of project management, we make mention of the podcaster's oath.and talk about emberant and incarnadine. @pageofthewind pageofthewind.com Join the community on Discord at https://discord.gg/tCZc6kXQcg If you like the show, tell a friend!

Esta semana, en el último capítulo de la temporada 2023 de Rebelión Sónica, los invitamos a escuchar música de dos álbumes de la destacada guitarrista y compositora estadounidense Mary Halvorson: “Cloudward” de 2024 y “Code Girl” de 2018. Editado por el sello Nonesuch Records el 19 de enero de 2024, “Cloudward” presenta ocho nuevas composiciones de Halvorson, interpretadas con su sexteto Amaryllis, la banda de improvisación que grabó sus álbumes complementarios de 2022, “Amaryllis” y “Belladonna”. La banda está compuesta por Halvorson, Patricia Brennan (vibráfono), Nick Dunston (bajo), Tomas Fujiwara (batería), Jacob Garchik (trombón) y Adam O'Farrill (trompeta). Además, participa Laurie Anderson en la canción ‘Incarnadine', en una tradición de invitar a grandes músicos que, por ejemplo, está presente en su disco de 2020 “Artlessly Falling” con la presencia de Robert Wyatt. Halvorson señaló que “toda la música de “Cloudward” se compuso en 2022, principalmente en otoño e invierno, cuando las cosas empezaron a avanzar. La vida se sentía como una máquina chirriante que se pone en marcha de nuevo. Los viajes aéreos, por caóticos que fueran, se habían reanudado y una vez más estábamos envueltos en nubes. Las actuaciones, giras y grabaciones se produjeron después de una larga pausa y con un renovado sentido de gratitud. Esta banda, para mí, fue simplemente trabajar, tanto musical como personalmente, y lo principal que sentí mientras escribía la música fue optimismo”. Al final del programa, viajamos al pasado en el catálogo de Halvorson, para escucharla con el disco debut homónimo de su banda Code Girl, publicado en 2018 por el sello Firehouse 12. Como siempre, Rebelión Sónica se transmite por radio Rockaxis el miércoles a las 10 y 20 horas -se repite el domingo a las 17-, con la conducción de Héctor Aravena.

Los nuevos discos del pianista Vijay Iyer 'Compassion' ('Tempest', 'Ghostrumental', 'Panegiric', 'Arch', 'It goes', 'Overjoyed') y de la guitarrista Mary Halvorson 'Clouward' (The gate', 'Unscrolling', 'Incarnadine', 'Ultramarine'). Escuchar audio

Word Test for the following Episodes and Words. 91: Convoluted, Opprobrium, Incarnadine, Impious 92: Secrete, Plucky, Autonomous, Sanction 93: Credulous, Condone, Accretion, Hapless 94: Apocryphal, Oblique, Contention, Disparate 95: Wanton, Dichotomy, Aberrant, Blight 96: Inexorable, Seraphic, Dissemble, Vestige 97: Distend, Buttress, Repudiate,Waver 98: Profligate, Keen, Nettle, Soporific 99: Querulous, Zealot, Mendicant, Cosset 100: Exculpate, Homogeneous, Engender, Dither VictorPrep's vocab podcast is for improving for English vocabulary skills while helping you prepare for your standardized tests! This podcast isn't only intended for those studying for the GRE or SAT, but also for people who enjoy learning, and especially those who want to improve their English skills. I run the podcast for fun and because I want to help people out there studying for tests or simply learning English. The podcast covers a variety of words and sometimes additionally covers word roots. Using a podcast to prep for the verbal test lets you study while on the go, or even while working out!  If you have comments or questions and suggestions, please send me an email at sam.fold@gmail.com

We open the festivities season with a very special mix from DJ, producer and musician Curses, with a dreamy compilation of cinematic elements, radio and tv samples from the 80s and 90s, and an extension of his passion for mixing Wave and the dark and weirder side of Italo Disco. Originally hailing from New York and currently based in Berlin, Curses is well known for blending his Rock & Roll roots with the darker side of Disco and Electro. In both his DJ and live sets. Curses also incorporate his ghostly vocals and guitar with flashes of EBM, New Wave, Post-Punk, and Psychedelic synth vibes. After his debut full-length Romantic Fiction in 2018 on Jennifer Cadini's Dischi Autunno, this year Curses released his second album, Incarnadine, also on Dischi Autunno. His compositions blend Morricone-inspired guitars with elements from early 80s music genres like New Wave, Post Punk and New Beat, pushing the boundaries of these references with an emphasis on his own mysterious vocals and guitars. The album is a dialogue between the inner self and outer, and the romance of eternal and immortal existence. With a big inspiration from the cult classic film The Hunger which explores themes of immortality, love and timelessness, the post-modern vampire film contains a dark glamorous atmosphere. Slick production and dark, grooving melodies push the listener down a sinuous path with nostalgic moody guitars, and haunting vocals. Music is caught in a push and pull between the melancholic beats of the past, contrasted with a contemporary and sophisticated production; the album pays homage to Curses' musical roots and the sounds that have shaped him. The mix he has prepared for us is a sort of version of all the artist's inspirations taken to the weirdest and most experimental, and as he says, is another good disconnect from the screen overload. Escape with it. I really enjoyed doing something different than a club mix. It is always in the back of my desires but rarely comes to fruition. Tracklist: 0. Curses - Miriam (Doom Scroller's Edit) 1.In-D - Virgin In-D Sky's (Curses Carpenter Edit) 2. Emeralds - Double Helix 3. Tangerine Dream - Police Car / Julie's Bedroom w/ Aline Baxley Sermon Excerpt 4. Sofie Winterson - Turning (Waterlelyck remix) 5. Ultimate Spinach - Ballad of the Hip Death Goddess 6. Luca Venezia, The Last Defender - Hollow Shells 7. John Carpenter - The Thing 8. Marcell - Rust Patch 9. Gary Numan - Trois Gymnopedies (First Movement) 10. Floating Spectrum & Lemna - Mr. Dentin's Bubble 11. Autechre - Rale 12. Roni Griffith - Spys 13. Curses - Shade of New_ Death 14. John B - Up All Night 15. S-F-X - HINOKI SKIN 16. Delicate Features - This World 17. Michael Bishop - Steal The Night 18. Curses - Shadows Rising 19. Local Suicide Ombra INTL x Vertere Vocal Utility Tool 20. Paul Hertzog - Morning After 21. Curses - Levitate 22. Laurie Anderson - Gravity's Angel

Episode 121 Notes and Links to Michael Torres' Work          On Episode 121 of The Chills at Will Podcast, Pete welcomes Michael Torres, and the two discuss, among other topics, his growing up in Pomona, CA, and his childhood and adolescence influences on his work, the speaker as poet and vice versa, his early reading prompted by a generous older sister, works and writers that have thrilled him and impelled him to write, his poetry collection's themes of identity and masculinity, and the real-life background of his dynamite lines and strong images.       Michael Torres is a VONA distinguished alum and CantoMundo fellow. In 2016 he received his MFA in creative writing from Minnesota State University, Mankato, was a winner of the Loft Mentor Series, received an Individual Artist Initiative Grant from the Minnesota State Arts Board, and was awarded a Jerome Foundation Research and Travel Grant to visit the pueblo in Jalisco, Mexico where his father grew up. In 2019 he received fellowships and awards from the National Endowment for the Arts, the Bread Loaf Writers' Conference, and The Loft Literary Center for the Mirrors & Windows Program. A former Artist-in-Residence at the Camargo Foundation in Cassis, France as well as a McKnight Writing Fellow, he is currently a 2021-22 Jerome Hill Artist Fellow.     His first collection of poems, AN INCOMPLETE LIST OF NAMES, (Beacon Press, 2020) was selected by Raquel Salas Rivera for the National Poetry Series, named one of NPR's Best Books of 2020, and was featured on the podcast Code Switch.     His writing has been featured or is forthcoming in Best New Poets 2020, The New Yorker, POETRY, Ploughshares, Smartish Pace, Los Angeles Review of Books, The Georgia Review, The Sun, Water~Stone Review, Southern Indiana Review, Ninth Letter, Poetry Northwest, Copper Nickel, Fifth Wednesday Journal, Tinderbox Poetry Journal, The McNeese Review, MIRAMAR, Green Mountains Review, Forklift, Ohio, Hot Metal Bridge, The Boiler Journal, Paper Darts, River Teeth, The Acentos Review, Okey-Panky, Sycamore Review, SALT, Huizache, online as The Missouri Review's Poem of the Week, on The Slowdown with Tracy K. Smith.     Michael was born and brought up in Pomona, CA, where he spent his adolescence as a graffiti artist. Currently, he teaches in the MFA program at Minnesota State University, Mankato, and through the Minnesota Prison Writing Workshop.     Michael Torres' Website   Buy An Incomplete List of Names   Michael's Appearance on NPR's Code Switch   "In The Field: Conversations With Our Contributors–Michael Torres" At about 3:20, Michael talks about growing up in Pomona, CA, and his relationship with language and literature   At about 6:00, Michael highlights his older sister's contributions in introducing him to great literature, and Michael details being immediately intrigued by Luis Rodriguez's Always Running   At about 10:00, Pete connects Luis Rodriguez and getting attention through his nickname and Michael's views of tagging and identity    At about 13:50, Michael responds to Pete's questions about connections between peer pressure and growing up, including how Michael's “Down” was inspired by Kendrick Lamar's “The Art of Peer Pressure”   At about 18:00, Pete flits from A Bronx Tale to a phenomenon with students' writing their full names in past years as the two “discuss the “desire to leave something behind”   At about 20:10, Pete cites profound and interesting lines from An Incomplete List of Names that deal with identity, and Pete asks about “Michael” and the delineation between his name and “Remek”   At about 22:00, Michael discusses what reading and writers inspired and thrilled him as he got into late high school and college, including 2Pac and The Rose that Grew From Concrete, Charles Bukowski, Gary Soto's The Elements of San Joaquin, and Albert Camus' The Stranger   At about 26:40, Michael further explains hip-hop's influence on him, including from groups like Dilated Peoples, A Tribe Called Quest, Pharcyde, Jurassic 5   At about 30:00, Michael lays out events and people who helped him find his writing voice and skill and community    At about 32:00, Michael highlights moments that convinced him of his love for poetry    At about 34:00, Michael highlights John Bramingham and others who helped him learn about the publication process   At about 35:30, A Mic and Dim Lights is highlighted as a open mic spot that fostered Michael's skills and confidence   At about 37:00, Pete asks about the transition from student to teacher/mentor for Michael, as Michael shouts out UC Riverside and Freddy Lopez   At about 40:10, Pete asks Michael about “Stop Looking My Name Like That” and ideas of the speaker as the poet   At about 42:40, Michael describes “writing in resistance” to conversations had at a conference he attended   At about 44:30, Pete talks about his favorite scene in moviedom, and its connections to innocence and nostalgia and Michael's writing   At about 45:30, Pete quotes some dynamite lines and asks Michael about ideas of identity   At about 49:30, Michael analyzes a profound line and connects it to memory and nostalgia    At about 51:00, Michael discusses community and connections to a “transaction” and the moving (no pun intended) poem “Push”   At about 52:10, Michael gives background on his father and perspectives on his dad's background and its connection to their relationship   At about 54:15, ideas of masculinity are explored through standout lines, including “Down” and its three iterations    At about 56:45, Michael talks about “masks” and tough exteriors and acting tough as ways of getting by and not getting “clowned”   At about 58:45, Michael gives background on an interesting and fitting phrase he uses in his poetry   At about 1:00:25, Pete and Michael discuss a tender line from “Down/II” as Michael gives background on the line as a mix of moments in his life   At about 1:03:30, Michael discusses ideas of youth valuing themselves as touched upon in his work   At about 1:05:20, Pete highlights a line from the collection that is representative of the whole   At about 1:07:00, Pete asks about Michael's community of writers and who moves him in 2022; Michael cites Willie Perdomo, Mary Szybist and “Incarnadine,” Patricia Smith, Paul Tran, Dustin Pearson, Emily Yoon, Chris McCormick, Eduardo Corral, and Chen Chen   At about 1:09:10, Michael reads from “Down/I”   At about 1:15:00, Michael reads Part VI and X of “Elegy Roll Call”   At about 1:17:00, Michael details upcoming projects   At about 1:21:00, Michael gives out social media/contact info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.      This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 122 with Sonora Reyes, the author of the forthcoming contemporary young adult novel, THE LESBIANA'S GUIDE TO CATHOLIC SCHOOL. They write fiction full of queer and Latinx characters in a variety of genres, with current projects in both kidlit and adult categories. Sonora is also the creator and host of the Twitter chat #QPOCChat, a monthly community-building chat for queer writers of color.     The episode will air on May 10.

On our first Episode of Heart: The City Beneath we are introduced to our Delvers: a sordid assortment of displaced outcasts searching for meaning in the grotesque, cavernous reaches of the Heart. Moon's Chosen Light, the Heretic, hears the profane sirensong of the Moon Beneath calling to him; Muzz'el, the Deep Apiarist, seeks a cure for their twisted form of honeycomb and reunion with their familiar pack; and Hyponikon Screed, the Incarnadine, follows salt trails and scrimshaw carvings to the Rhinestone Skywhale, a grim reminder of his life of servitude in the Spire.

If the Incarnadine is Chris' class, then the Junk Mage is Grant's class. Frantic and terrified? Check. Emits gaseous MDMA in a crisis? Check. Stealing magic from beings so powerful they can't even be classified? Check. This episode also includes: playtesting a spellcasting character without any spells, which is the worst patron and why (it's the Stone Chorus) and MAGICAL TRANSIT VANS. Music: Fearless First by Kevin MacLeod Link: incompetech.filmmusic.io/song/3742-fearless-first License: creativecommons.org/licenses/by/4.0/

We decided to give Chris full authority over a class, and if you ever wanted to see a picture of what he finds interesting, strap in for a protagonist riddled with self-loathing, guilt, debt and ready to flat-out murder anyone who so much as looks at them funny. Music: Fearless First by Kevin MacLeod Link: incompetech.filmmusic.io/song/3742-fearless-first License: creativecommons.org/licenses/by/4.0/

Good morning, RVA! It’s 45 °F, and while today’s temperatures could hit 60 °F you should expect big rain this evening and into tomorrow morning. After that though, the weather looks pretty pleasant for a first weekend in December.Water coolerAs of this morning, the Virginia Department of Health reports 2,023↘️ new positive cases of the coronavirus in the Commonwealth and 34↘️ new deaths as a result of the virus. VDH reports 171↘️ new cases in and around Richmond (Chesterfield: 68, Henrico: 66, and Richmond: 37). Since this pandemic began, 477 people have died in the Richmond region. Here’s this week’s stacked graph of statewide new reported cases, hospitalizations, and deaths. While it looks like we’ve passed a peak of new cases and are headed back down the other side, I think I’ll wait until the middle of next week to see where we are. The long holiday weekend just screws with the data process so much that who knows what reality looks like at the moment. Do take a minute, though, and look at the troubling number of hospitalizations—we’re not too far off from where we were all the way back in April. Locally, we’re seeing a reflection of the same statewide trends in case counts: up, up, up, and then down a bit. I’d wait on declaring us past the peak until next week on these, too.Kate Masters at the Virginia Mercury has a good piece today about what’s driving the recent spread in COVID-19 and how the case investigation process works to help answer those questions. I’m fascinated by the work case investigators do. They’re literal detectives, like something you’d find in Busytown—but, I guess, some sort of bizarro, disease-ridden Busytown. Anyway, if you ever get a call from someone at the local health district investigating a coronacase, please pick up the call and do your best to be helpful!Oh no, this press release from the Mayor’s office is terrifying: “Acting Chief Administrative Officer Lenora Reid has been hospitalized after suffering a medical event earlier this week. She is currently recovering but unable to fulfill her duties at this time.” Having to deal with a medical emergency along with everything else going on in the world sounds absolutely horrible. Mayor Stoney will call Council together for a special meeting on Monday to consider a resolution appointing his Chief of Staff Lincoln Saunders as Acting CAO.In his email yesterday, RPS Superintendent Kamras said he’ll recommend that the district remain fully virtual for the second semester. Kamras lays out three reasons for this decision: 1) With case counts rising he’s concerned for the health and safety of students, staff, and families—while acknowledging that in-school transmission rates are low; 2) In a survey RPS sent out a while back, 80% of staff and 63% of families (70% of Black families) said they’d prefer to remain fully virtual; and 3) There are a bunch of logistical challenges to opening to in-person instruction while still providing services for families that choose to remain virtual. Kamras then points out some of the very real impacts this choice will have on RPS students and families over the next semester and beyond. This entire email is worth your time, and, as always, I’m incredibly envious of the empathetic way in which Kamras communicates these tough decisions.I continue to noodle on the City’s process to bring a resort casino to town. I think it’s helpful to clarify that before a potential November referendum, the City must select a preferred casino operator and location for said casino. This could be the Pamunkey Indian Tribe and the land they now own off Commerce Road or this could be an entirely new operator and new location—like Downtown where the Coliseum now sits. I don’t really want a resort casino anywhere and that includes using one as a replacement for the now-failed downtown arena project. I’m not the only one who thinks this way, either! A member of the Good Morning, RVA Slack (to which all patrons have access!), pointed out that the City has, as part of the Richmond 300 process, already asked a few folks about a downtown casino. Turns out, those folks were not stoked on the idea of plopping a casino down north of Broad Street (PDF, p. 12). Additionally, and kind of tangentially, compare and contrast the language used by Superintendent Kamras when talking about exploring year-round school to what the City uses on their Casino page. Here’s Kamras: “For example, we’re looking into whether a year-round calendar might be financially possible and whether that’s something our teachers and families would be interested in pursuing. Note that we won’t make any decisions on this until late winter or early spring, as we of course want to gather a great deal of feedback.” And here’s the City: “To begin the competitive selection process for the operator and site for this resort casino, the administration needs your input. CLICK HERE to take this survey to make sure the Request for Qualifications/Proposals reflects your goals for a new economic development initiative.” As @Kate_Howell_PHD said on Twitter, “Moving around small pieces in a decided plan isn’t community engagement.”Here’s this month’s unemployment insurance claims graph, the shape of which I still find fascinating. The total number of claims has dropped about 26% from the end of October to the end of November. However, at 80,911 total claims, we’re still seeing more than three times the number of weekly claims than we were back in March. 80,000 is a lot of folks.The Washington Post says President-elect Biden will tap Dr. Fauci as his chief medical advisor, which feels reassuring to me. Biden also says he’ll ask Americans to wear masks for the first 100 days he’s in office. I don’t know if he’s planing (or has the authority to implement) a national mask mandate, but, personally, I think we’ll be wearing masks a lot longer than just through the spring. Get yer COVID test! Get yer COVID test, here! Today from 1:00–3:00 PM at the Eastern Henrico Health Department (1400 N. Laburnum Avenue), the Richmond and Henrico Health Districts will host a free, drive-through COVID-19 testing event.This morning’s longreadVerdigris: The Color of Oxidation, Statues, and ImpermanenceI continue to love these color essays in The Paris Review. I guess I should just start reading that whole magazine?And Farrow & Ball names are very, very good. Some are whimsical and child-like (like Mole’s Breath or Mouse’s Back), some are charmingly old-fashioned (Lamp Room Gray or Wavet, an “old Dorset term for a spider’s web”); a few are winter vegetables (Cabbage White, Brassica, Broccoli Brown), a few are obviously fancy (Manor House Gray, Mahogany), and many are simply obscure (Incarnadine, Dutch Orange, and Verdigris). Reading through the list reminds me of when I was a child, browsing J. Crew catalogues for overpriced sweaters, wondering what kind of woman would wear a “harvest grape” cashmere shell or a “dusty cobblestone” merino turtleneck. It has the same preppy, old money allure. A person who would paint their bedroom Brinjal (“a sophisticated aubergine”) probably spent their childhood in a house with a drawing room, summering in some coastal region I’ve never heard of, and capering about in child-size loafers. They’re a competent sailor. They have never applied for Obamacare.If you’d like your longread to show up here, go chip in a couple bucks on the ol’ Patreon.

Obsession in Yellow by Jessie Blanchard - 01:10Essential Delivery by Lindsay Hepburn - 13:52The Hostage by Robert Herr - 27:01Download Best Fiends (https://bestfiends.com/) for some quality game play, cute characters, and fun puzzles!For 10% off your first month of BetterHelp go to https://www.betterhelp.com/scareTo become a Patreon patron of the show, click here (https://www.patreon.com/scareyoutosleep) !Music:Sancho Panza gets a Latte by Kevin MacLeodLink: https://filmmusic.io/song/4317-sancho-panza-gets-a-latteLicense: http://creativecommons.org/licenses/by/4.0/Evening of Chaos by Kevin MacLeodLink: https://filmmusic.io/song/3723-evening-of-chaosLicense: http://creativecommons.org/licenses/by/4.0/Clean Soul by Kevin MacLeodLink: https://filmmusic.io/song/3514-clean-soulLicense: http://creativecommons.org/licenses/by/4.0/Long Note Four by Kevin MacLeodLink: https://filmmusic.io/song/3991-long-note-fourLicense: http://creativecommons.org/licenses/by/4.0/"Quinn's Song:  A New Man"Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/Dark Secrets (DECISION) by Sascha EndeLink: https://filmmusic.io/song/246-dark-secrets-decision-License: http://creativecommons.org/licenses/by/4.0/Giant Wyrm by Kevin MacLeodLink: https://filmmusic.io/song/3807-giant-wyrmLicense: http://creativecommons.org/licenses/by/4.0/Colorless Aura by Kevin MacLeodLink: https://filmmusic.io/song/3524-colorless-auraLicense: http://creativecommons.org/licenses/by/4.0/Redletter by Kevin MacLeodLink: https://filmmusic.io/song/4268-redletterLicense: http://creativecommons.org/licenses/by/4.0/"Haunting Dark Music  -   A Darker shade of Darkness", "Haunting Atmospheric  Soundscape  -  Abandoned-ZCXnD1yg_D0", "You have doubts -  Dark Atmospheric  Soundscape"CO.AG Music https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvASound Effects:All sound effects are a combination of my own and the following from FreeSound.org (https://freesound.org/) : S: Sausage in oily frying pan sizzling.wav (https://freesound.org/people/pooky1/sounds/432151/) by pooky1 (https://freesound.org/people/pooky1/) | License: Creative Commons 0S: Wet Sloppy Eating.wav (https://freesound.org/people/bbrocer/sounds/382673/) by bbrocer (https://freesound.org/people/bbrocer/) | License: Creative Commons 0S: Sausage_Sizzle.wav (https://freesound.org/people/mshahen/sounds/185446/) by mshahen (https://freesound.org/people/mshahen/) | License: AttributionS: Berger Blanc Suisse whining (https://freesound.org/people/PolecatMan/sounds/495806/) by PolecatMan (https://freesound.org/people/PolecatMan/) | License: Creative Commons 0S: Lottie small dog growling barking and playing 3 (https://freesound.org/people/thaighaudio/sounds/478107/) by thaighaudio (https://freesound.org/people/thaighaudio/) | License: Creative Commons 0S: boiling_water_pot_1_cover.mp3 (https://freesound.org/people/geodylabs/sounds/122790/) by geodylabs (https://freesound.org/people/geodylabs/) | License: AttributionS: Lid_IronPan.mp3 (https://freesound.org/people/vicoughetto/sounds/457468/) by vicoughetto (https://freesound.org/people/vicoughetto/) | License: AttributionS: simmering_pot.wav (https://freesound.org/people/Incarnadine/sounds/16121/) by Incarnadine (https://freesound.org/people/Incarnadine/) | License: Sampling+S: cold_water_in_hot_pan.wav (https://freesound.org/people/Peacewaves/sounds/317666/) by Peacewaves (https://freesound.org/people/Peacewaves/) | License: AttributionS: Glassy bits 06 (https://freesound.org/people/cabled_mess/sounds/352065/) by cabled_mess (https://freesound.org/people/cabled_mess/) | License: Creative Commons 0S: Glass lid off.wav (https://freesound.org/people/BillyOftenWilliamPalmer/sounds/435000/) by BillyOftenWilliamPalmer (https://freesound.org/people/BillyOftenWilliamPalmer/) | License: Creative Commons 0S: Adding Bacon To Frying Pan (https://freesound.org/people/Bon_Vivant_Pic--- Send in a voice message: https://anchor.fm/scareyoutosleep/message Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Obsession in Yellow by Jessie Blanchard - 01:10 Essential Delivery by Lindsay Hepburn - 13:52 The Hostage by Robert Herr - 27:01 Download Best Fiends (https://bestfiends.com/) for some quality game play, cute characters, and fun puzzles! For 10% off your first month of BetterHelp go to https://www.betterhelp.com/scare To become a Patreon patron of the show, click here (https://www.patreon.com/scareyoutosleep) ! Music: Sancho Panza gets a Latte by Kevin MacLeod Link: https://filmmusic.io/song/4317-sancho-panza-gets-a-latte License: http://creativecommons.org/licenses/by/4.0/ Evening of Chaos by Kevin MacLeod Link: https://filmmusic.io/song/3723-evening-of-chaos License: http://creativecommons.org/licenses/by/4.0/ Clean Soul by Kevin MacLeod Link: https://filmmusic.io/song/3514-clean-soul License: http://creativecommons.org/licenses/by/4.0/ Long Note Four by Kevin MacLeod Link: https://filmmusic.io/song/3991-long-note-four License: http://creativecommons.org/licenses/by/4.0/ "Quinn's Song:  A New Man" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Dark Secrets (DECISION) by Sascha Ende Link: https://filmmusic.io/song/246-dark-secrets-decision- License: http://creativecommons.org/licenses/by/4.0/ Giant Wyrm by Kevin MacLeod Link: https://filmmusic.io/song/3807-giant-wyrm License: http://creativecommons.org/licenses/by/4.0/ Colorless Aura by Kevin MacLeod Link: https://filmmusic.io/song/3524-colorless-aura License: http://creativecommons.org/licenses/by/4.0/ Redletter by Kevin MacLeod Link: https://filmmusic.io/song/4268-redletter License: http://creativecommons.org/licenses/by/4.0/ "Haunting Dark Music  -   A Darker shade of Darkness", "Haunting Atmospheric  Soundscape  -  Abandoned-ZCXnD1yg_D0", "You have doubts -  Dark Atmospheric  Soundscape" CO.AG Music https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA Sound Effects: All sound effects are a combination of my own and the following from FreeSound.org (https://freesound.org/) :  S: Sausage in oily frying pan sizzling.wav (https://freesound.org/people/pooky1/sounds/432151/) by pooky1 (https://freesound.org/people/pooky1/) | License: Creative Commons 0 S: Wet Sloppy Eating.wav (https://freesound.org/people/bbrocer/sounds/382673/) by bbrocer (https://freesound.org/people/bbrocer/) | License: Creative 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License: Sampling+ S: cold_water_in_hot_pan.wav (https://freesound.org/people/Peacewaves/sounds/317666/) by Peacewaves (https://freesound.org/people/Peacewaves/) | License: Attribution S: Glassy bits 06 (https://freesound.org/people/cabled_mess/sounds/352065/) by cabled_mess (https://freesound.org/people/cabled_mess/) | License: Creative Commons 0 S: Glass lid off.wav (https://freesound.org/people/BillyOftenWilliamPalmer/sounds/435000/) by BillyOftenWilliamPalmer (https://freesound.org/people/BillyOftenWilliamPalmer/) | License: Creative Commons 0 S: Adding Bacon To Frying Pan (https://freesound.org/people/Bon_Vivant_Pictures/sounds/440830/) by Bon_Vivant_Pictures (https://freesound.org/people/Bon_Vivant_Pictures/) | License: Creative Commons 0 S: Dark Ambience (https://freesound.org/people/PatrickLieberkind/sounds/244961/) by PatrickLieberkind (https://freesound.org/people/PatrickLieberkind/) | License: Attribution S: Sticky Sounds.mp3 (https://freesound.org/people/oddmonolithsound/sounds/334164/) by oddmonolithsound (https://freesound.org/people/oddmonolithsound/) | License: Attribution S: Slap to the Face (https://freesound.org/people/TobiasKosmos/sounds/317382/) by TobiasKosmos (https://freesound.org/people/TobiasKosmos/) | License: Attribution S: Tortured distorted scream (https://freesound.org/people/jhumbucker/sounds/250543/) by jhumbucker (https://freesound.org/people/jhumbucker/) | License: Creative Commons 0 S: Whip Cracks.WAV (https://freesound.org/people/G.Lamont/sounds/118068/) by G.Lamont (https://freesound.org/people/G.Lamont/) | License: Creative Commons 0 S: Running, Snow, A.wav (https://freesound.org/people/InspectorJ/sounds/421022/) by InspectorJ (https://freesound.org/people/InspectorJ/) | License: Attribution S: 001.wav (https://freesound.org/people/gevaroy/sounds/173560/) by gevaroy (https://freesound.org/people/gevaroy/) | License: Creative Commons 0 S: Snap-a-neck 02.wav 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(https://freesound.org/people/JuliusMabe/sounds/445194/) by JuliusMabe (https://freesound.org/people/JuliusMabe/) | License: Attribution S: Fire.wav (https://freesound.org/people/Adam_N/sounds/164661/) by Adam_N (https://freesound.org/people/Adam_N/) | License: Creative Commons 0 S: Head Slam.L.aif (https://freesound.org/people/ootlivan/sounds/184992/) by ootlivan (https://freesound.org/people/ootlivan/) | License: Attribution Noncommercial S: Kicking/Forcing/Breaking Wooden Door (https://freesound.org/people/qubodup/sounds/160213/) by qubodup (https://freesound.org/people/qubodup/) | License: Creative Commons 0 S: Snow crunch 01.WAV (https://freesound.org/people/luminadii/sounds/336765/) by luminadii (https://freesound.org/people/luminadii/) | License: Attribution S: Snow crunch 02.WAV (https://freesound.org/people/luminadii/sounds/336763/) by luminadii (https://freesound.org/people/luminadii/) | License: Attribution S: Askeleet metsässä, talvi / Footsteps, walking in the forest in the winter, ice and snow, underbrush, a close sound (https://freesound.org/people/YleArkisto/sounds/334249/) by YleArkisto (https://freesound.org/people/YleArkisto/) | License: Attribution S: Vibrating Mobile Phone 2 x 1500ms (https://freesound.org/people/ThePacifist/sounds/349483/) by ThePacifist (https://freesound.org/people/ThePacifist/) | License: Creative Commons 0 S: Car Driving Interior (https://freesound.org/people/squareal/sounds/237374/) by squareal (https://freesound.org/people/squareal/) | License: Creative Commons 0 S: Car Interior Driving Down Road.aiff (https://freesound.org/people/jc144940/sounds/179121/) by jc144940 (https://freesound.org/people/jc144940/) | License: Creative Commons 0 S: drunk_teenagers_4.flac (https://freesound.org/people/Zabuhailo/sounds/195718/) by Zabuhailo (https://freesound.org/people/Zabuhailo/) | License: Attribution S: atmosphere in the pub.wav (https://freesound.org/people/Zabuhailo/sounds/150336/) by Zabuhailo 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(https://freesound.org/people/washout/sounds/235681/) by washout (https://freesound.org/people/washout/) | License: Attribution S: Body fall.wav (https://freesound.org/people/Suburbanwizard/sounds/417994/) by Suburbanwizard (https://freesound.org/people/Suburbanwizard/) | License: Creative Commons 0 S: Door, Front, Opening, A.wav (https://freesound.org/people/InspectorJ/sounds/431117/) by InspectorJ (https://freesound.org/people/InspectorJ/) | License: Attribution S: Turning on TV and Switching Channels_1-2.aif (https://freesound.org/people/SteveMannella/sounds/86202/) by SteveMannella (https://freesound.org/people/SteveMannella/) | License: Sampling+ S: pouring wine (https://freesound.org/people/Tobias_Sieben/sounds/194253/) by Tobias_Sieben (https://freesound.org/people/Tobias_Sieben/) | License: Attribution Noncommercial S: Front door open and close.wav (https://freesound.org/people/DSISStudios/sounds/156001/) by DSISStudios (https://freesound.org/people/DSISStudios/) | License: 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Roger becomes a recording artiste, with the release of a DVA track on the "1980 - The First Minutes" EP on Neutron Records. Not much beats the thrill of hearing John Peel play your record on the radio.Also featured are I'm So Hollow, who deliver another powerful set upstairs at the George IV, and the Stunt Kites, who are about to crash and burn.Intro and outro music by Simon Elliott-Kemp.Artwork by Rionagh.Guest voice by Jono Podmore.Sound FX courtesy of Zapsplat and Freesound.With thanks to Rutger Muller (punk band), "000600" (stomps), Incarnadine and Mr. Auralization.

Valachi took the stand and revealed some of the strangest Cosa Nostra secrets - but the Mafia wouldn't stand idly by while their rules were broken. And when he had served his purpose, even the FBI couldn't keep him safe forever.  Our Sponsors this episode are:  Upstart (https://www.upstart.com/mafia) Manscaped (https://www.manscaped.com/) (code: MAFIA) Mafia's theme is "Spellbound Hell" by Damiano Baldoni (http://damianobaldoni.altervista.org/index.php/en/) . Music in this episode is ”Misery" by Damiano Baldoni; “Gagool,” “Acid Jazz,” “Heart of the Beast,” “Dances and Dames,” and “Mourning Song,”  by Kevin MacLeod (http://incompetech.com/) ; “The One Great Step” by the Victor Dance Orchestra (https://freemusicarchive.org/music/Victor_Dance_Orchestra) ; “Angst” by Xenojam (https://www.google.com/search?q=xenojam&oq=xenojam&aqs=chrome..69i57j69i61j69i60l2.1647j0j1&sourceid=chrome&ie=UTF-8) ; “Golden Eye” by Daniel Birch and Ben Pegley (https://daniel-birch.bandcamp.com/) ; and “Thoughts About Future” by Parvus Decree (https://archive.org/details/PD_Aeon1) . Sound Effects from freesound.org (https://freesound.org/home/) by Kyster, (https://freesound.org/people/Kyster/sounds/124027/) Incarnadine (https://freesound.org/people/Incarnadine/sounds/30553/) , and lawnjelly (https://freesound.org/people/lawnjelly/sounds/156890/) . Additional sound effects from freesfx.co.uk (https://www.freesfx.co.uk/) . Licensed under Creative Commons: By Attribution 3.0 License (http://creativecommons.org/licenses/by/3.0/) .

For the first episode of Tête-à-Tête, Christina delves into some of the difficulties and challenges that take place when it comes to interracial dating as a black woman. She shares the affects of her own experiences, while intertwining the cultural, historical, and societal contexts of being a black woman in the dating world. This episode includes the following sounds from Freesound: Boom Bang by bareform; Accordion bar ambience.wav by Figowitz; record scratch.wav by luffy; simmering_pot.wav by Incarnadine; Tea Kettle Whistle.aif by JasonElrod

In this second episode, i discuss my beard a little more and my granddaughter's reaction to having a mummum with a beard. Then I interview Michael S. Miller game designer and Indie Games eXplosion Organizer about indie games.

As entrepreneurs and creatives, we know the feeling of pouring our whole heart into our work. Of devoting all our attention to the project at hand in pursuit of something greater than ourselves. How do we balance that quest for our best work with the desire to nurture our long-term, loving relationships?  How do we make room for the people we love—and love us back? What if the qualities necessary to sustain our long-term, loving relationships are the very same qualities we use to sustain our commitment to the creative path? On this episode of Tracking Wonder, Jeffrey is joined by Susan Piver, renowned Shambhala Buddhist teacher, New York Times bestselling author, and founder of the world’s largest virtual mindfulness community, the Open Heart Project. Susan shares the significance of bringing a constant curiosity to our loving relationships, explaining how the practice of love demands an attention not on the extraordinary, but on the familiar and ordinary. She offers insight around the four noble truths of love, the challenges of standing in love versus falling in love, and the idea of meeting instability together. Listen in to understand why long-term love doesn’t have to be in battle with one or both partners’ devotion to creative work and learn and learn how mindfulness is the practice of love. Key Takeaways [3:19] Susan’s young genius At best when at worst Desire to connect through reading, music [7:04] Susan’s experience being hit by a drunk driver Working at Blues bar in Austin Accident caused sense of unreality Felt ‘between worlds’ Then-boyfriend infused with life force [15:36] How Susan came to practice Buddhism Moved back east after breakup Extensive reading about heartbreak Resonated with wisdom of strong emotion Extraordinary meditation training [21:59] Why Susan is fascinated with love Confounded by way people treat each other Born with sensitivity to way taken in/not [26:28] The four noble truths of love Life is suffering, relationships never stabilize Grasping causes suffering Cessation of suffering (offers sense of cure) Path to liberate from cycle, meet instability together [34:04] The tension between familiarity and mystery Knowing of each other IS love Romance ends, intimacy lives on [45:29] The practice of conversation in long-term relationships Set aside 20 minutes to ask, ‘How are you?’ Really listen and really answer [51:22] The challenge of long-term relationships and creative work Problem arises when want other to be different One pulls for togetherness, one for individuation Both important to healthy relationship, tension is useful [1:02:20] Susan’s insight on negotiating attention ‘Attention is most basic form of love’ Take mind out of self, place in partner’s experience [1:03:58] The noble truths of love through music “I’d Rather Go Blind” by Etta James “Blue Gardenia” by Dinah Washington John Coltrane and Johnny Hartman [1:09:21] What Susan is pursuing moving forward Meditation as path to love (not life hack) Genuine quest for inclusiveness Connect with Susan Open Heart Project Resources Credit: “To You Again” is from Incarnadine by MarySzybist, . Copyright © 2012 byMarySzybist. Used with the permission of the publisher, Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org. The Four Noble Truths of Love: Buddhist Wisdom for Modern Relationships by Susan Piver The Hard Questions: 100 Essential Questions to Ask Before You Say ‘I Do’ by Susan Piver The Wisdom of a Broken Heart: An Uncommon Guide to Healing, Insight, and Love by Susan Piver The Art of Loving by Erich Fromm All About Love: New Visions by Bell Hooks Incarnadine: Poems by Mary Szybist Start Here Now: An Open-Hearted Guide to the Path and Practice of Meditation by Susan Piver “Big Red Sun Blues” by Lucinda Williams “I Felt the Chill” by Elvis Costello and Loretta Lynn “I’d Rather Go Blind” by Etta James “Blue Gardenia” by Dinah Washington John Coltrane and Johnny Hartman Brand Artistry Labs

The words for today are: Convoluted, Opprobrium, Incarnadine, Impious. Today's quote is from Epictetus's: Enchiridion VictorPrep's vocab podcast is for improving for English vocabulary skills while helping you prepare for your standardized tests! This podcast isn't only intended for those studying for the GRE or SAT, but also for people who enjoy learning, and especially those who want to improve their English skills. I run the podcast for fun and because I want to help people out there studying for tests or simply learning English. The podcast covers a variety of words and sometimes additionally covers word roots. Using a podcast to prep for the verbal test lets you study while on the go, or even while working out!  If you have comments or questions and suggestions, please contact me at @SamFold or send me an email at sam@victorprep.com Check out the podcast website at VictorPrep.com or the Facebookpage at Facebook.com/victorpreplearning

In this episode we are joined by Alex's cousin, Clare. We fail to work out what is actually going on in the nominal plot of this episode, but nevertheless have a bonkers good time. Lex Evilness Rating: 0 Recs: Eggplant by astolat Incarnadine by rivkat

Our adventurers investigate some alarming happenings in the town of Haverton. What will they find as they peer into a secret world that nobody even knew existed? Heard in this episode Matt (DM) AJ (D'Ani Ventan) Bren (Ku-Ruk Lademan) Doug (Laryn Gitis) Credit Artwork by Ian McAfee Theme music composed and assembled by Josh Stitt Many thanks to all of the freesound.org members that we've used audio from: http://freesound.org/people/YapAudioProduction/sounds/250192/ http://freesound.org/people/JakLocke/sounds/261091/ http://freesound.org/people/Bliss/sounds/166829/ http://freesound.org/people/altfuture/sounds/174637/ http://freesound.org/people/Incarnadine/sounds/16121/ http://freesound.org/people/Jagadamba/sounds/257046/ http://freesound.org/people/thanvannispen/sounds/9429/ http://freesound.org/people/urupin/sounds/192415/ http://freesound.org/people/eliasheuninck/sounds/29530/ "Intrepid" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Find out more on the Almost Better Than Dragons website. What do you want to hear happen in an upcoming episode? https://pinecast.com/feedback/abtd/24af56c6-cdea-4f7e-8a14-8824ed4dddeb This podcast is powered by Pinecast.

David Plotz, Emily Bazelon, and John Dickerson discuss the results of the midterm elections, what's next for both parties, and the trend in ballot initiatives. Show notes at www.slate.com/gabfest. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel talks with Michael Jaime-Becerra, author of the short story collection "Every Night is Ladies Night" and the novel "This Time Tomorrow." Michael is also an Associate Professor in Creative Writing at the University of California at Riverside, where he takes great pride in the success of the department. He talks about the rapid success of his very first story collection, "Every Night is Ladies Night," and how a fiction workshop he took as an MFA student inspired its writing. This week's Poem of the Week is "Close Reading" by Mary Szybist, the winner of the 2013 National Book Award for Poetry. The poem comes from the collection "Incarnadine," and is read for us by local poet, Nancy Lechuga. And in today's Poetic License, Daniel is transported to Los Angeles, where he phones in his reflection on local ethnic communities like Little Ethiopia in L.A. What would a "Little U.S.A." in a foreign country be like?