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3 episodes with Jerry Fielding
10 episodes with Jerry Fielding
2 episodes with Jerry Fielding
3 episodes with Jerry Fielding
2 episodes with Jerry Fielding
Vá em frente, faça o seu dia e mergulhe de cabeça em nosso primeiro episódio dedicado ao inigualável Lalo Schifrin. Falamos sobre as trilhas que ele fez para os filmes de Dirty Harry, e se você acha que esquecemos da contribuição de Jerry Fielding, só vamos olhar feio e perguntar: do you feel lucky, punk?
Alright Mr. DeMille, they're ready to Babble! On today's episode of FilmBabble, Charlie and Antonio take a quick detour onto SUNSET BOULEVARD, the 1950 classic chock-full of romance, intrigue, and.... murder? Take a seat, order a coffee, and listen up! Intro/outro music: "Main Title from 'The Wild Bunch'", composed by Jerry Fielding. SUNSET BOULEVARD (1950), written by Charles Brackett, Billy Wilder, and D.M. Marshman Jr., directed by Billy Wilder, cinematography by John Seitz, featuring William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, and Cecil B. DeMille
Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖1️⃣5️⃣ | GRUPO SALVAJE Dirigida por Sam Peckinpah, este clásico del western nos cuenta la historia de un grupo de veteranos atracadores de bancos que viven al margen de la ley y que actúan en la frontera entre los Estados Unidos y México, se ven acorralados a la vez por unos cazadores de recompensas y por el ejército mexicano. El guión, obra de Walon Green y el propio Sam Peckinpah, adapta una historia de Walon Green y Roy N. Sickner. La fotografía, en manos de Lucien Ballard y la música, compuesta por Jerry Fielding, claves en esta obra. ¿Conoces las polémicas de Sam Peckinpah?. ¿Crees que el montaje y el guion son protagonistas de la película? ¿Cuál es el papel de la violencia y qué influencia tuvo en el cine?. Y debatimos, ¿Sigue teniendo influencia en el Western moderno? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Grupo Salvaje. SECCIONES ▪️ Contexto ▪️ Sam Peckinpah: un director polémico ▪️ Montaje y guion, protagonistas ▪️ El papel de la violencia ▪️ ¿Sigue teniendo influencia en el Western moderno? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x15-podcastwood-grupo-salvaje/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024
Tonight's show: Benny Carter, Ella Fitzgerald, Zoot Sims & Bob Brookmeyer, Stanley Turrentine with Grant Green and Tommy Flanagan, Roy Eldridge, Dave Brubeck, Ramsey Lewis, Jerry Fielding, Stan Getz with Kenny Barron, Etta James, and The Rosenberg Trio.
Content warning: Discussions of attempted sexual assault. Reprehensible and unrepentant, BRING ME THE HEAD OF ALFREDO GARCIA trades in the same extensive violence and fragility-masked-by-corruption that became a trademark of director Sam Peckinpah. Running a seedy bar in Mexico City, small-time lowlife Bennie sees a chance to elevate himself above his station when the titular job lands in his lap. His white-collar employers give him just enough rope to hang himself – and his partner, Elita – as they travel the Mexican countryside to deliver the head of a dead man to the crime boss he crossed. In this episode, we discuss seeing ALFREDO GARCIA at the Trylon after so long; Bennie's tenuous, poisonous drive to assert himself over the people and land around him; and the movie's bizarre, humorous, rage-addled final act. Watch BRING ME THE HEAD OF ALFREDO GARCIA for free on the Internet Archive: https://archive.org/details/bring.-me.the.-head.of.-alfredo.-garcia.-1974.-remastered.-1080p.-blu-ray.-h-264.-aac-rarbg “Scent, Sense, and Senselessness in Bring Me the Head of Alfredo Garcia” by Sophie Durbin at Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/28/scent-sense-and-senselessness-in-bring-me-the-head-of-alfredo-garcia/ “A Head's Tale: The Emotional Journey of Bring Me the Head of Alfredo Garcia” by Lucas Hardwick at Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/28/a-heads-tale-the-emotional-journey-of-bring-me-the-head-of-alfredo-garcia/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "El Jefe" by Jerry Fielding from the BRING ME THE HEAD OF ALFREDO GARCIA soundtrack. Timestamps 0:00 - Episode 226: BRING ME THE HEAD OF ALFREDO GARCIA (1974) 2:46 - The Patented Aaron Grossman Summary 5:01 - “Unfortunately, it's a masterpiece” 13:31 - A third-act shift 23:57 - A cuck fear movie 38:13 - Commenting on the nihilism of ‘70s cinema 45:37 - Set design, privilege, and perfect ridiculous symbolism 54:37 - The Junk Drawer 1:02:58 - Good Grief, Give Me a GIF! 1:07:19 - Trylibs: Presented by Peckinpah
It turns out there's no fence-sitting at the end of the Wild West. You wouldn't call THE WILD BUNCH particularly swashbuckling, but there's a sort of uncomfortable excitement to its bandolier antics. A band of outlaws eyes one last prize near the US/Mexico border in 1913. The sociopolitical tumult of the place, and the rapid advance of the punitive system of capital at the time, threaten to derail their plans until a Mexican general hires them to steal guns from a moving train. No matter which side of the border they're on, the Wild Bunch feel their God-given right to subvert systems of power slipping with each gold piece snatched and each bullet dodged. Listen in for our thoughts on the movie that made Sam Peckinpah's career and changed how people thought of violence in movies! Subscribe to Region Free, AJ Moser and Blake Hester's podcast Jason guested on the week this episode came out: https://podcasts.apple.com/us/podcast/region-free/id1669819287 Get tickets to BROUGHT TO LIFE BY ERNEST BORGNINE (April 2023): https://www.trylon.org/films/category/brought-to-life-by-ernest-borgnine/ Get tickets to “BLOODY SAM” PECKINPAH (May at the Trylon): https://www.trylon.org/films/category/bloody-sam-peckinpah/ “The Wild Bunch: Between Companionship and Despair” by Rowan A. Smith for Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/02/the-wild-bunch-between-companionship-and-despair/ “The Wild Bugs” by Brogan Earney for Perisphere, the Trylon blog: https://www.perisphere.org/2023/04/02/the-wild-bugs/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "End Credits (La Golondrina)" by Jerry Fielding from the THE WILD BUNCH soundtrack. Timestamps 0:00 - Episode 222: THE WILD BUNCH (1969) 4:10 - The episode actually starts 6:18 - The Patented Aaron Grossman Summary 9:18 - Uncomfortable, not swashbuckling 15:51 - Individual responsibility vs. larger systems at work 21:17 - The bunch, Angel, and the end of ourselves 40:36 - The meta response to violence in THE WILD BUNCH 49:42 - Deke and survival and hope 58:19 - The Junk Drawer 1:12:38 - Good Grief, Give Me a GIF! 1:17:15 - Cody's Noteys: Crazy Gang
L'expérience Fielding de Total Trax se poursuit avec l'ajout d'un réalisateur d'exception aux collaborations privilégiées du compositeur : l'incontournable Clint Eastwood !
Première partie de notre portrait musical de Jerry Fielding, compositeur torturé et sans concessions qui a entre autres mis en musique l'essentiel des films des réalisateurs Sam Peckinpah et Michael Winner.
After ignoring a warning buoy to stay away, Captain Kirk and his landing party are punished for violating Melkotian space by being made to appear as the Clanton gang in a facade of Tombstone, Arizona, on October 26, 1881. According to history, the "Clantons" -- in this case, Kirk, Spock, McCoy, Scotty and Chekov -- will meet their fate later that day at the OK Corral in a gunfight with the Earps and Doc Holliday. Captain Kirk tries everything he can to avoid the showdown and prove his peaceful intentions, but history cannot be changed -- or can it? Despite all of the cards stacked against it (and there were many), Season 3 of "Star Trek" got off to a pretty terrific start -- at least, in terms of its production order -- with "Spectre of the Gun," superbly written by the always-reliable Gene L. Coon (under his pseudonym "Lee Cronin"). While the end result is basically a rehash of the first season classic "Arena" (also written by Coon), "Spectre of the Gun" ultimately succeeds as one of the third season's finest episodes, thanks to a clever and surreal setting, intense direction by Vincent McEveety, a stellar score composed by Jerry Fielding and strong performances from the entire cast. Guest: Marc Cushman (author, "These Are the Voyages") Your Star Trek library is not complete without our guest, Marc Cushman's definitive history, These Are the Voyages. Signed, and even inscribed copies are available here. http://www.jacobsbrownmediagroup.com/ You can support Enterprise Incidents right here: https://anchor.fm/enterpriseincidents (Just think of it as a “Tip Jar”) You can follow Enterprise Incidents at: Facebook https://www.facebook.com/EnterpriseIncidents Twitter @enterincidents Instagram @enterpriseincidents Follow Scott Mantz @moviemantz on Twitter and Instagram Follow Steve Morris @srmorris on Twitter and srmorris1 on Instagram --- Support this podcast: https://anchor.fm/enterpriseincidents/support
durée : 01:27:58 - Musique matin, samedi du samedi 19 décembre 2020 - par : Saskia de Ville - réalisé par : Félix Levacher
Bob Fleming of the Progtor Who and Trek this Out podcasts joins us to discuss one of his favourite Star Trek episodes, Deep Space Nine 30th Anniversary celebration, Trials and Tribble-ations. We compare Trek's 30th Birthday celebrations with that of Doctor Who's, debate Quentin Tarantino's proposed big screen reimagining of The Original Series Gangster classic, 'A Piece of the Action', celebrate the "lads lads lads" of DS9, Bashir and O'Brien, enjoy the drunken trash talking going down in the Enterprise bar, while Liam shamefully fails to remember who Jerry Fielding is and talks up the importance of Sisko meeting Kirk on the bridge. As usual you can find SPOCKLIGHT on: TWITTER - @spocklightpod INSTAGRAM – @spocklightpod FACEBOOK – https://www.facebook.com/spocklightpod/ EMAIL - spocklightpod@gmail.com Please Follow, like, share, subscribe, review and all that good stuff. You can find Progtor Who and Trek this Out where all good podcasts are available. Credit for our wonderful theme music goes to the incredibly talented, Adam Johnston’s, you can find more of his work at - https://adamjohnstonuk.bandcamp.com/ Our beautiful artwork was created by Stephen Trumble, see more at http://www.stephentrumble.com
El más estrecho colaborador musical de Clint Eastwood fue Lennie Niehaus, quien, antes de convertirse en un reputado compositor cinematográfico, fue orquestador de la mayoría de los scores de Jerry Fielding. En el programa le rindo un homenaje en forma de suite que incluye temas de las siguientes películas: Ciudad muy caliente, El jinete pálido, Sin perdón, Un mundo perfecto, Los puentes de Madison, Poder absoluto, Space Cowboys, Deuda de sangre, Million Dollar Baby. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.
El más estrecho colaborador musical de Clint Eastwood fue Lennie Niehaus, quien, antes de convertirse en un reputado compositor cinematográfico, fue orquestador de la mayoría de los scores de Jerry Fielding. En el programa le rindo un homenaje en forma de suite que incluye temas de las siguientes películas: Ciudad muy caliente, El jinete pálido, Sin perdón, Un mundo perfecto, Los puentes de Madison, Poder absoluto, Space Cowboys, Deuda de sangre, Million Dollar Baby. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.
Grab a bucket of popcorn, throw it all over the floor - it's time to hunker down in a cinema seat for Annie Baker's The Flick. Lexie is delighted with the word Guggenheim, we find out just what snacks our hosts have snuck into cinema screens, and Meg tells us what she really thinks of the movie Avatar.Co Hosted by Lexie Ward and Meg Robinson.Music By Connor Barton (Sethera Sound Design)Find SCRIPT IN HAND on Twitter/Instagram/Facebook - Give us a like/follow to keep up to date with episode information and extra content.EPISODE BIBILOGRAPHYSteppenwolf Articlehttps://www.steppenwolf.org/articles/a-note-on-run-time--use-of-silence-in-annie-bakers-the-flick/Pulitzer Websitehttps://www.pulitzer.org/winners/annie-bakerPrelude to ‘The Naked and The Dead' by Bernard Herrmann https://www.youtube.com/watch?v=htKa6dzfgcs The Wild Bunch Opening Credit Scene (6min) by Jerry Fielding - https://www.youtube.com/watch?v=tQ_hSyUCSOI
He tardado demasiado tiempo en dedicarle un programa a Jerry Fielding, uno de los más importantes compositores cinematográficos, especialmente de los años 70. En el podcast le rindo homenaje con una extensa suite que incluye temas de las siguientes películas, distribuidas en orden cronológico: Tempestad sobre Washington, Grupo salvaje, Los últimos juegos prohibidos, Perros de paja, Chato el apache, Fríamente...sin motivos personales, Scorpio, Quiero la cabeza de Alfredo García, El fuera de la ley, Harry el ejecutor, Engendro mecánico, Ruta suicida, Alerta roja: Neptuno hundido, Detective privado, Más allá del Poseidón, Fuga de Alcatraz. Música compuesta e interpretada por Curro Martín. Voz: Pablo Silicato.
He tardado demasiado tiempo en dedicarle un programa a Jerry Fielding, uno de los más importantes compositores cinematográficos, especialmente de los años 70. En el podcast le rindo homenaje con una extensa suite que incluye temas de las siguientes películas, distribuidas en orden cronológico: Tempestad sobre Washington, Grupo salvaje, Los últimos juegos prohibidos, Perros de paja, Chato el apache, Fríamente...sin motivos personales, Scorpio, Quiero la cabeza de Alfredo García, El fuera de la ley, Harry el ejecutor, Engendro mecánico, Ruta suicida, Alerta roja: Neptuno hundido, Detective privado, Más allá del Poseidón, Fuga de Alcatraz. Música compuesta e interpretada por Curro Martín. Voz: Pablo Silicato.
Boo! It’s a word designed to scare… or to heckle a comedian. Somehow both definitions apply this week as Craig tackles his ultimate fear by watching two notoriously awful Twilight Zone comedies (“Mr. Bevis” and “Cavender is Coming”), and honestly, what’s more terrifying than that? It’s a Hallowe’en episode with a smile. Oh wait, that’s not a smile…. that’s a frozen mask of abject terror. Boo! Twitter: @ZoneCraB facebook.com/zonepod/ Theme: “Neither Here Nor There (Very Hairy Variant)” by Twin Loops “Opus 185: Descent” composed and performed by Sigmund Krähe (copyright Sigmund Krähe) “Yakety Sax” (aka The Benny Hill Theme) performed by Ronnie Aldrich and His Orchestra “The Wild Bunch: Main Title” composed and conducted by Jerry Fielding (from The Wild Bunch Original Motion Picture Soundtrack, copyright 1968 by Warner Records Inc.) “The Third Man Theme” (aka “The Harry Lime Theme”) performed by Anton Karas (single, copyright 1949 by Decca Records) “Everybody Wants to Rule the World” performed by Tears for Fears (from the album Songs from the Big Chair, copyright 1985 by Phonogram/Mercury Records) “Firewater” performed by The Astronauts (from Surf Party: The Original Soundtrack Album, copyright 1964 by 20th Century Records) “I’m So Glad We Had This Time Together” performed by Carol Burnett (probably copyrighted, I dunno) The Twilight Zone is a trademark of CBS, Inc. Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.
El cine de catástrofes tiene una década protagonista, los años 70, y compositores de referencia como John Williams, John Cacavas o Jerry Fielding, en las películas: Aeropuerto, La aventura del Poseidón, El coloso en llamas, Terremoto, Aeropuerto 75, Aeropuerto 77, Hindenburg, Domingo negro, Alerta roja: Neptuno hundido, Avalancha, Más allá del Poseidón, Meteoro, Aeropuerto 80.
El cine de catástrofes tiene una década protagonista, los años 70, y compositores de referencia como John Williams, John Cacavas o Jerry Fielding, en las películas: Aeropuerto, La aventura del Poseidón, El coloso en llamas, Terremoto, Aeropuerto 75, Aeropuerto 77, Hindenburg, Domingo negro, Alerta roja: Neptuno hundido, Avalancha, Más allá del Poseidón, Meteoro, Aeropuerto 80.
Greig McRitchie fue uno de los más importantes colaboradores como orquestador de compositores de la talla de Basil Poledouris, Jerry Fielding, James Horner, Randy Edelman y, en su última etapa, John Barry. En el programa le rindo un más que merecido homenaje con los siguientes scores: Chato el apache, El gran miércoles, El lago azul, Conan el bárbaro, Natty Gann, Willow, Bailando con lobos, Habana, Poli de guardería, Hook, Dragón,la vida de Bruce Lee, Starship Troopers.
Greig McRitchie fue uno de los más importantes colaboradores como orquestador de compositores de la talla de Basil Poledouris, Jerry Fielding, James Horner, Randy Edelman y, en su última etapa, John Barry. En el programa le rindo un más que merecido homenaje con los siguientes scores: Chato el apache, El gran miércoles, El lago azul, Conan el bárbaro, Natty Gann, Willow, Bailando con lobos, Habana, Poli de guardería, Hook, Dragón,la vida de Bruce Lee, Starship Troopers.
BigBand timen #6 præsenteres af Radio Jazz studievært, trompetisten Benny Rosenfeld. Denne gang med Count Basie, Jimmy Heath Orchestra, Stockholm Jazz Orchestra, Radioens Big Band, Harry James Orchestra, Clark Boland Big Band, Thad Jones/Mel Lewis Orchestra og Jerry Fielding. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk
Killer Knowns From Outer Space composer, John Massari sits in for part 1 of this fascinating and educational installment of Scored to Death: The Podcast. He reveals personal insights into his craft, as well as trade-secrets, and lessons learned from his esteemed mentors--the great Jerry Fielding and David Rose. He also relays a story about how advice from his mother led to a job working with one of the 20th century's greatest literary minds, on The Ray Bradbury Theater. For Part 2 of this interview, check out the book SCORED TO DEATH 2: MORE CONVERSATIONS WITH SOME OF HORROR'S GREATEST COMPOSERS
Episode 54 of el diabolik’s world of psychotronic soundtracksis now online! Download it Here Or subscribe via iTunes We are back with another show featuring music from Ennio Morricone, Francis Lai, Sante Maria Romitelli, Michel Colombier, William Sheller, Jerry Fielding, Bruno Nicolai and more! el diabolik’s world of psychotronic soundtracks, always the same, always different. … Continue reading Episode 54 →
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On episode nine of THE ARCHIVE, host Jason Drury presents music from both film and television from genres ranging from westerns, science-fiction, fantasy, and horror. The show starts with music from 1985 Richard Donner classic THE GOONIES with an original score by Dave Grusin. You’ll then hear selections from Tadlow Records second volume of newly recorded music from the early 60’s anthology television series THRILLER with music by Jerry Goldsmith. And then you’ll hear music from Jerry’s son, Joel, newly released score of the pilot of STARGATE SG-1, which premiered in 1997. Then Jason raids the western film music archive with suites from two classics; THE WILD BUNCH by Jerry Fielding and BIG JAKE by Elmer Bernstein. Afterward, you’ll hear selections from the British TV horror/thriller FORTITUDE with music by Ben Frost and the show finishes off with music from the 1985 fantasy/adventure film BABY: SECRET OF THE LOST LEGEND with original music by Jerry Goldsmith. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Episode 052 - The Outlaw Josey Wales (1976) Intro Music: "Field Of The Dead" by Jerry FieldingOutro Music: "Missouri Boat Ride" by Jerry Fielding
En este podcast os invitamos a hacer un recorrido por las bandas sonoras más representativas de este género., que es sin lugar a dudas, el género clásico americano por excelencia. Música de algunos de los mejores compositores de la historia del cine con obras maestras inolvidables. En la playlist escucharemos bandas sonoras de Ennio Morricone, John Williams, Elmer Bernstein, Jerry Goldsmith, Alex North, Dimitri Tiomkin, John Barry, Victor Young, Bruce Broughton y muchos más. Sabemos que nos hemos dejado muchas, y ha sido complicado hacer la selección, pero las que hemos seleccionado seguro que os trasladarán al Oeste Americano. En este podcast nos vamos a hace mucho tiempo, a una tierra muy lejana , salvaje y legendaria. En la Cara B nos vamos al Oeste. Tracklist: - Horizontes de Grandeza (Jerome Moross) 1:45 - La Conquista del Oeste (Alfred Newman) 5:03 - La leyenda de la ciudad sin nombre “I’m on my way” (Frederick Loewe, André Previn, Nelson Riddle) 12:10 - El bueno el feo y el malo (Ennio Morricone) 15:30 - El bueno, el feo y el malo (El extásis del oro) (Ennio Morricone) 18:11 - Los 7 magníficos (Elmer Bernstein) 21:29 - Centauros del desierto (Max Steiner) 25:00 - Duelo en O.K. Corral (Dimitri Tiomkin) 26:33 - John Wayne y los Cowboys (John Williams) 28:49 - Duelo al sol (Dimitri Tiomkin) 38:27 - El fuera de la ley (Jerry Fielding) 42:53 - Silverado (Bruce Broughton) 47:15 - La balada de Cable Hogue (Jerry Goldsmith) 51:14 - Por un puñado de dólares (Ennio Morricone) 54:12 - Río Bravo “My rifle, my pony and me” (Dean Martin) 56:53 - Un vaquero sin rumbo (Basil Poledouris) 58:40 - Los profesionales (Maurice Jarre) 1:02:57 - Bailando con lobos “John Dumbar theme” (John Barry) 1:08:18 - Bailando con lobos “Buffalo hunt” (John Barry) 1:10:31 - Solo ante el peligro “Do not forsake me, oh, my darling“ (Dimitri Tiomkin / Ned Washington) 1:13:10 - Hasta que llegó su hora “Man with a harmonica” (Ennio Morricone) 1:15:37 - Hasta que llegó su hora “L’America di Jill” (Ennio Morricone) 1:18:53 - Shane (Victor Young) 1:21:36 - Sillas de montar calientes (John Morris) 1:24:08 - Wyatt Earp (James Newton Howard) 1:29:10 - Dos hombres contra el oeste (Jerry Goldsmith) 1:33:49 - Johnny Guitar (Victor Young / Peggy Lee) 1:37:32 - Por un puñado de dólares (Ennio Morricone) 1:39:33 - Valor de Ley (Elmer Bernstein) 1:42:26 - Sin perdón (Lennie Niehaus / Clint Eastwood) 1:47:02 - Muerde la bala (Alex North) 1:53:14 - El Álamo (Dimitri Tiomkin) 1:55:56 - El árbol del ahorcado (Max Steiner) 1:59:13 - El árbol del ahorcado “The hanging tree” (Max Steiner / Marty Robbins) 2:01:09 - Tombstone (Bruce Broughton) 2:03:58 - La leyenda de la ciudad sin nombre “Wand’rin star” 2:06:02 - 3:10 to Yuma (Marco Beltrami) 2:10:27 - Río Bravo “Rio Bravo” (Dimitri Tiomkin /Dean Martin) 2:12:29 - Río Bravo “De Guella nº4” (Dimitri Tiomkin) 2:15:24 - 3 10 to Yuma (George Duning / Frankie Laine) 2:18:18 - El Llanero solitario “William Tell overture” (Giacomo Rossini) 2:20:03 Puedes enviar tus comentarios y sugerencias por twitter a @lacarab_cine *Imagen de Clint Eastwood cedida amablemente por Andrés Antúnez de DibuNaif
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On episode four of THE ARCHIVE, host Jason Drury presents another jam-packed show featuring four new releases and four releases mined from the archive. The program opens up with music Intrada Records new release of James Horner’s controversial replacement score to TROY. Jason then takes you back to 1982 and features Vangelis’ classic score to Ridley Scott’s sci-fi masterpiece, BLADE RUNNER. Roy Budd returns to The Archive as we play selections from Caldera Records release of WILD GEESE 2. James Newton Howard’s swashbuckling action-adventure score to WATERWORLD was recently released in expanded form from La La Land Records; Jason will have selections from that album for you as well. Clint Eastwood’s Academy Award-winning film UNFORGIVEN turns 25 years old this year and in celebration, we’ll play selections from Lennie Niehaus’ delicate score. You’ll also hear music from THE OUTLAW JOSEY WALES by Jerry Fielding. CINEMATIC SOUND RADIO says Happy 91st Birthday to Laurence Rosenthal by playing a suite from the TV series LOGAN’S RUN, which first aired in 1977. The program ends with cues from La La Land Records’ superb release of John Williams Academy Award-winning score to E.T THE EXTRA-TERRESTRIAL, which turned 35 this year. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com
This week Lee and Daniel take a look at Sam Peckinpah's boozy crime/revenge tale, "Bring Me the Head of Alfredo Garcia" (1974). Is it a late Peckinpah masterpiece, or is it just a mess? Also talked about: what they've watched as of late (including the new MST3K), and they read a couple of listener comments. NOTE: there are a few audio glitches in this due to Skype being a prick. Sorry about that. "Bring Me the Head of Alfredo Garcia" IMDB Featured Music: "Killer's Rhapsody" by Jerry Fielding.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from 5 brand new albums. You’ll hear selections from Ramin Djawadi’s THE GREAT WALL, Paul Haslinger’s RESIDENT EVIL: THE FINAL CHAPTER, and Lorne Balfe’s LEGO BATMAN. Our re-recording of the week is Varese Sarabande’s new album featuring the piano music of Bruce Rowland called THE MAN FROM SNOWY RIVER AND OTHER THEMES FOR PIANO. And our video game selection of the week is Chris Tilton’s new score to DIVIDE; a game he helped produce. Our John Williams selection of the week is JAWS released in 1975. Our film music vault selection is Franz Waxman’s classic score to PEYTON PLACE released in 1957. And we end off the program celebrating the 40th anniversary of Clint Eastwood’s THE GAUNTLET featuring music by Jerry Fielding. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com
Mardi 22 mars, nous avons eu le plaisir de recevoir Monk E, artiste montréalais aux talents multiples (rap, graff, peinture..) et Gyver Hypman, producteur français, à l'occasion de la sortie de leur album commun "Gris Impérial".La tracklist Le sample du jour spécial DJ Premier :John Dankworth - Two Piece Flower - 1967Gang Starr feat Inspectah Deck - Above The Clouds - 1998The Moments - When The Morning Comes - 1976Pitch Black - Its All Real -2003Lalo Schifrin et Jerry Fielding feat. Roberta Flack - This Side Of Forever -1983AZ - The Format - 2006---Les News :[REC] - BlowSlot-A - Jungle Boogie$lim Gucci - No Caller I.D.Fukkit - SavorEDEN IVY x RAMIREZ - ECLIPSE [PROD. $UIJIN]Billy Blanka - A1 Feat. Nacho Picasso (Prod. By 88 ULTRA et QREEPZ)Denzel Curry - ULTDEVILISH TRIO - BURNT UPMbe - Sorry, I Didn't Read The ManualTOMMY KRUISE - GOT ME FUCKED UPContour - Whisper---Monk-E et Gyver Hypman "Le Gris Impérial"Saveur et substance E minor---Monk-E x Offmike x Gyver Freestyle
A finales de los 60 y durante buena parte de los años 70 la influencia de Henry Mancini y su tendencia jazz-pop, además de la creciente presencia del rock and roll en la sociedad, y de los avances técnicos dentro de la producción musical, hacen que la música de cine se vea claramente influenciada por una especie de rupturismo estilístico que provoca un relativo aislamiento de la tradición orquestal. Así, los productores se decantan por bandas sonoras en las que las canciones, justificadamente o no, se convierten en las protagonistas, dejando la labor del compositor en un segundo plano. Asimismo, la irrupción de la música electrónica supondrá un giro de 180 grados gracias a autores como Giorgio Moroder, Vangelis o Wendy Carlos, auténticos protagonistas de la década. Sin embargo, la presencia de las figuras de John Williams y Jerry Goldsmith perpetúan en el estilo clásico, muy especialmente a partir del sonado éxito en 1977 de La guerra de las galaxias, pudiendo afirmarse que hay un antes y un después tras dicha banda sonora. Es un momento en el que otros compositores de renombre firman algunas de sus mejores obras ; es el caso de David Shire, Bill Conti, John Morris, Jerry Fielding y Marvin Hamlish. En Europa, como casi siempre, en la línea conservadora de costumbre, destacan músicos de la talla de Philippe Sarde, Vladimir Cosma, Geoffrey Burgon, Nicola Piovani, Gianni Ferrio o, en menor medida, Guido & Maurizio de Angelis, los genios tras la comedia casposa italiana. En nuestro país nos encontramos con la figura de García Abril, que continúa siendo, de lejos, el compositor nacional más importante del momento.
A finales de los 60 y durante buena parte de los años 70 la influencia de Henry Mancini y su tendencia jazz-pop, además de la creciente presencia del rock and roll en la sociedad, y de los avances técnicos dentro de la producción musical, hacen que la música de cine se vea claramente influenciada por una especie de rupturismo estilístico que provoca un relativo aislamiento de la tradición orquestal. Así, los productores se decantan por bandas sonoras en las que las canciones, justificadamente o no, se convierten en las protagonistas, dejando la labor del compositor en un segundo plano. Asimismo, la irrupción de la música electrónica supondrá un giro de 180 grados gracias a autores como Giorgio Moroder, Vangelis o Wendy Carlos, auténticos protagonistas de la década. Sin embargo, la presencia de las figuras de John Williams y Jerry Goldsmith perpetúan en el estilo clásico, muy especialmente a partir del sonado éxito en 1977 de La guerra de las galaxias, pudiendo afirmarse que hay un antes y un después tras dicha banda sonora. Es un momento en el que otros compositores de renombre firman algunas de sus mejores obras ; es el caso de David Shire, Bill Conti, John Morris, Jerry Fielding y Marvin Hamlish. En Europa, como casi siempre, en la línea conservadora de costumbre, destacan músicos de la talla de Philippe Sarde, Vladimir Cosma, Geoffrey Burgon, Nicola Piovani, Gianni Ferrio o, en menor medida, Guido & Maurizio de Angelis, los genios tras la comedia casposa italiana. En nuestro país nos encontramos con la figura de García Abril, que continúa siendo, de lejos, el compositor nacional más importante del momento.
The Outlaw Josey Wales is the result of Clint Eastwood's former collaboration with director Sergio Leone on "The Man with No Name Trilogy", a tender Western with an ensemble cast and a non-traditional ending. The film was the fifth one directed by Eastwood and was the beginning of his trail-blazing career which continues to this day with films like American Sniper and Jersey Boys. Jerry Fielding received an Oscar nomination for his score in The Outlaw Josey Wales. The film is currently widely available on DVD and Blu-Ray. Have a question or comment for the host? Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter via @1001MoviesPC, and look for the podcast's Facebook page.
Jerry Fielding. The name Jerry Fielding doesn't readily spring to mind when asked to name famous composers of film scores, yet he is a composer with a long pedigree in the industry. Having penned a large number of film scores from the 1960s onwards, Fielding composed the music for two episodes of Star Trek in 1966—both now iconic—"Spectre of the Gun" and "The Trouble with Tribbles." In this episode of Melodic Treks we take a look at Jerry and his life, including his forced exile from Hollywood and the early radio plays, including the now famous War of the Worlds adaptation by Orson Welles, from which he drew inspiration. We also talk about his extraordinary life and struggle to create a style all his own, as well as his collaboration with a diverse group of producers and directors that included Groucho Marx, Michael Winner, and Clint Eastwood. Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Chapters Working for Clint Eastwood (3:16) The Early Years (5:02) The McCarthy Era (10:33) Moving into TV Work (12:46) Scoring the Movies (15:41) His Epitaph (19:51) Closing (24:51)
Andy Loses His Sex Appeal, The Hardy Family. 1952. Andy suspects that he has lost his stuff with the ladies. Mickey Rooney, Lewis Stone, Jerry Fielding (composer, conductor), Herb Allen (announcer), Jameson Brewer (writer), Joe Bigelow (director), Eleanor Tanin, Gil Stratton, Lee Brooks, Fay Holden, Aurania Rouverol (creator). oldtimeradiodvd.com/sale
Hot Rod 1949. The Hardy Family. January 31, 1950 Andy enters his jalopy in a race, but Judge Hardy gets to it first! Fay Holden, Jack McCoy (announcer), Jack Rubin (writer), Jameson Brewer (writer), Jerry Fielding (composer, conductor), Lewis Stone, Mickey Rooney, Thomas A. McAvity (? director), Aurania Rouverol (creator) oldtimeradiodvd.com/sale
The Hardy Family - Andy Hardy was a fictional character played by Mickey Rooney in an extremely successful MGM film series from 1937 to 1958. Spanning over 20 years, the 16 movies were based on characters in the play Skidding by Aurania Rouverol. The initial Hardy film, A Family Affair (1937), was made before a series was contemplated. It featured Lionel Barrymore as Judge Hardy and Spring Byington as Mrs. Hardy, Andy's parents, and Margaret Marquis as Andy's on-again-off-again sweetheart, Polly Benedict. But when the series was launched, most of the cast was changed, with the notable exceptions of Rooney and Sara Haden as his Aunt Milly. The series entries starred Lewis Stone as Judge Hardy, Fay Holden as Mrs. Hardy, Cecilia Parker as Andy's older sister Marian Hardy, and Ann Rutherford as Polly. Most of the movies were set in the Hardys' fictional hometown of Carvel, located in Idaho in the original play but described in the films as being in the Midwest. All of the films were sentimental comedies celebrating ordinary American life. The people in Carvel, by and large, were pious, patriotic, generous and tolerant. The town represented movie mogul Louis B. Mayer's idealized vision of his adopted country. Some writers have compared Carvel to Mayberry, the setting of The Andy Griffith Show a generation later. THIS EPISODE: Program #1. MGM syndication. "Junior Chamber of Commerce". Sponsored by: Commercials added locally.. Andy finds himself "forced" to entertain a famous and beautiful athlete. She stands 6'2" tall. Mickey Rooney, Fay Holden, Lewis Stone, Jack Rubin (writer), Jameson Brewer (writer), Thomas A. McAvity (director), Jerry Fielding (composer, conductor), Aurania Rouverol (creator). 27:26.
Family Theatre presents The Hardy Family "Andy Loses His Sex Appeal". Andy suspects that he has lost his stuff with the ladies. The program opening is slightly upcut Fay Holden, Aurania Rouverol (creator), Mickey Rooney, Lewis Stone, Jerry Fielding (composer, conductor), Herb Allen (announcer), Jameson Brewer (writer), Joe Bigelow (director), Eleanor Tannen, Gil Stratton, Lee Brooks.
Best of Old Time Radio presents The Hardy Family,"Junior Executive"-1949 It's Andy's first job and it looks like a good one, or does it? Mickey Rooney, Fay Holden, Lewis Stone, Jack Rubin (writer), Jameson Brewer (writer), Thomas A. McAvity (director), Jerry Fielding (composer, conductor), Aurania Rouverol (creator).
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