Podcast appearances and mentions of judson church

We are so thrilled to be welcoming back the co-producers of this year's EstroGenius Festival on the latest Whisper in the Wings from Stage Whisper. Melissa Riker, Portia Wells, and Sabrina Canas shared with us all the exciting things we can look forward to at this year's events. You won't want to miss this incredible event. So be sure you tune in and turn out for this fabulous festival!Manhattan Theatre Source Presents2025 EstroGenius Festival: All InMay 8th-24th@ Judson Church, The Cell, Under St. Marks, The Rat NYC, and Downtown Art TheaterTickets and more information are available at estrogenius.nyc And be sure to follow our guests to stay up to date on all their upcoming projects and productions:EstroGenius Festival: @estrogenius and estrogenius.nyc Melissa: kinesisproject.com and @kinesisprojectPortia: @portia_e_wells and portiaewells.com Sabrina: @sabrina_canas and @tidbit_collective

Welcome to this Inwood Art Works On Air podcast artist spotlight episode featuring costume designer, Barbara Erin Delo. Barbara Erin Delo is a Costume Designer and Artisan working in dance, theatre and opera. A New York native, she has previously designed costumes for Williamstown Theatre Company, Bay Street, Berkshire Theatre Group, Theatre at St Clements, Judson Church, The Flea, Hideaway Circus, York Theatre, Capital Repertory Theatre, Castillo Theatre, Martha Graham Dance Company, Paul Taylor Dance Company, Parsons Dance Company, Megan Williams Dance Projects, Battery Dance Company, NYC Fringe Festival, Chain Theatre Company, Third Rail Productions as well as many other NY and regional theatres. In addition, she studied costume design at SUNY Binghamton and NYU Tisch. For more info visit www.barbaraerin.com

On today's episode of Conversations On Dance, we are joined by Dani Rowe, choreographer and Artistic Director of Oregon Ballet Theatre and composer Shannon Rugani. The two artists are collaborating on "Marilyn", a world premiere production centered on the life of immortal cinema icon Marilyn Monroe. They take us through their collaborative process and give us a sneak peak into what audiences can expect from this ambitious project. If you're in the Portland area and want to purchase tickets to "Marilyn", visit www.obt.org. Performances run April 4 through the 13th at the Newmark theater. This episode's sponsor: Paying tribute to the groundbreaking Judson Church choreographers who radically pushed the boundaries of what dance could be, New York Theatre Ballet presents Legends & Visionaries: Postmodern Dance at Judson Church, Friday, April 25 at 7:00PM and Saturday, April 26 at 3:00PM.In two programs of works by Trisha Brown, David Gordon, James Waring, Douglas Dunn, and Amanda Treiber, New York Theatre Ballet celebrates the spirit of the legendary Judson Dance Theatre of the 1960's. All seats are $30. For tickets, please visit www.nytb.org/ticketsLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

This week Jeremy and Reid are discussing Judson Church, Flowers In The Attic, Movies Movies Movies!!!, and the state of the union. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ WEBSITE⁠ ◦ ⁠YOUTUBE ⁠◦⁠ ⁠⁠INSTAGRAM⁠⁠ ⁠ ⁠➩ SUPPORT W/$.99⁠ ◦ ⁠PATREON⁠ ◦ ⁠THE MERCH⁠ ⁠➩ REID⁠ ◦ ⁠JEREMY⁠ ◦ ⁠JACK⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ withdanceandstuff@gmail.com⁠

American choreographer and dancer Trajal Harrell chats to Dheepthika Laurent about his career retrospective at Paris' Festival d'Automne. They also talk about voguing, the focus of his seminal eight year project, Twenty Looks or Paris is Burning at the Judson Church, and his current field of interest: Japanese dance style Butoh.

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop performance experiments. Nile Harris is interviewed by Chisom Awachie (SLC'23)and Marisa Conroy (SLC'23)and produced by Chisom Awachie (SLC'23) Nile Harris is a performer and a director of live works of art. His work has been presented at the Palais de Tokyo, Under the Radar Festival (Public Theater), The Watermill Center, Volksbühne Berlin, Prelude Festival, Bronx Academy of Arts and Dance, Otion Front Studio, and Movement Research at Judson Church. His work has been supported by Pepatián, Foundation for Contemporary Art, Abrons Arts Center, YoungArts, and Brooklyn Arts Exchange. He is currently a resident of the Devised Theatre Working Group at the Public Theater/Under the Radar Festival under the leadership of Mark Russell. He has worked extensively as a performer originating roles in works by various artists including Jaamil Olawale Kosoko, 600 HIGHWAYMEN, Bill Shannon, Robert Wilson, Nia Witherspoon, Lilleth Glimcher, Malcolm Betts X, and Miles Greenberg in venues including New York Live Arts, Museum of Modern Art, Tanz im August, The Walker Art Center, EMPAC, Danspace Project, Superblue, Stanford Live, Dublin Theatre Festival, and MESS Festival. Photo by Chloé Bellemère

Today's iMMERSE podcast is even more unusual than many of the others. I interviewed Elke and Peter Schumann in February of 2020 in their Glover, Vermont home along with Jay Walbert, the archivist for my Archive in nearby Barton, Vermont. The octagenarian Schumanns immigrated from Germany to New York in 1961 and have led the Bread and Puppet Theater since 1963.  In this podcast, they share their history and artistic politics and bread. As Peter says here: We went around and gave them pieces of bread to eat and found they were a better audience when they were chewing – we liked them better…" In the beginning of our chat, Peter turns to Elke and says, "When I don't remember something, you will". "I will" she says. This happy conversation is ever so dear to me because Elke passed away on August 1, 2021. I first met Peter in New York in the 1970s through public events maker, Karin Bacon. I first came to the Northeast Kingdom of Vermont in 1968 to work with Fluxus artists Dick Higgins and Alison Knowles. In the years that followed, I bought some land from them and built a house there in the 1990, the house where I now live and am recording this introduction. Since 1990, my relationship with Bread and Puppet and the Schumann in the neighboring town of Glover continued to grow.  The Bread and Puppet Theater engages people, after filling them with hand-milled sourdough bread. They work environmentally and for many decades now, they've been making amazing use of the landscape, natural light changes and natural acoustics.  Puppets from tiny to gigantic, signs, banners and hand-made art have always animated their events. Their roadside museum is filled with decades worth of their fanciful performance objects from their local, national and international pageants.  The tradition of handing-out bread always guarantees good spirits and an enthusiastic audience ready to be entertained by the humor, irony, politics, pageantry and their deep concerns for humanity. But let's just let them tell their own story. Topics covered in podcast John Cage, Merce Cunningham, Claes Oldenberg, anti-Vietnam war protests, Judson Church, Living Theatre, Red Grooms, Stefan Brecht, Tompkins Square Park, Lower Eastside, Daily street muggings of the Bread & Puppet performers, street performances, Grace Paley, volunteerism, Burning Man, War Resisters League, Strike for Peace, Vermont, Barton, Glover, Northeast Kingdom, Socialist pageants, searching for clay, puppet historian, John Bell, Alison Knowles, Dick Higgins, Earth People Park, Burke, pianist Karl Schwartz, Sheffield, baking rye bread, summer Bread & Puppet performances in Vermont, homemade clay bread oven, May Day, Pageant Park, Crystal Lake, Peter Schumann's sculptures, the Bread & Puppet Museum, Sheffield River clay wall, The Charlie Morrow Archive ... Samples playlist: Insurrection Oratorio • Charlie Morrow / Strange Circus • Lee Volfoni / Carnival Of Souls • Verne Langdons / Wonder Bread Commercial 1950s / Bread and Puppet Theater 2021 • Tetsuro Hoshii / Brother Bread Sister Puppet • Grace Paley / Grosse Fuge • Charlie Morrow / Fellini's Circus • Daniele Benati / Kiddie Land • Prelude to a Nightmare

Rebecca VerNooy is an actor, writer, educator, and Movement Theater artist.  Her original work has been produced at Dixon Place, P.S. 122, Judson Church, Ensemble Studio Theatre, Dance Theatre Workshop, and Joyce Soho. The practice of Authentic Movement is her anchor for processing her thinking, accessing the imagination, and grounding herself in a chaotic world. Best Links: https://www.rebeccavernooy.com/ https://www.instagram.com/rebecca_vernooy/ https://www.facebook.com/rebeccavernooy.theaterartist/

Hillary and Tina interview artist, writer, and podcaster, Maya Gurantz. Maya Gurantz is an artist and writer whose work interrogates social imaginaries of American culture, and how constructions of gender, race, class, and progress operate in our shared myths, public rituals, and private desires. Maya's videos, performances, installations, and social practice projects have been shown and commissioned by (solo): Museum of Contemporary Art Denver, the Grand Central Art Center, Catharine Clark Gallery, Greenleaf Gallery, Pieter PASD; (group) the Museum of Contemporary Art Utah, Angels Gate Cultural Center, the Oakland Museum of California, Beaconsfield Gallery Vauxhall, Navel LA, Art Center College of Design, The Goat Farm Atlanta, The Great Wall of Oakland, High Desert Test Sites, Autonomie Gallery, and Movement Research at Judson Church, among others. She is the recipient of the inaugural Pieter Performance Grant for Dancemakers and an Artist Residency at the McColl Center For Art + Innovation. Maya is a regular contributor to The LA Review of Books (where her essay, Kompromat, was the most-read article of 2019), and has written for This American Life, The Frame at KPCC, The Awl, Notes on Looking, Avidly, Acid-Free, Baumtest Quarterly, RECAPS Magazine, and an anthology, CRuDE, published by the École Nationale Supérieure d'Art, Bourges. She co-translated Be My Knife and Someone to Run With by Israeli novelist David Grossman. In 2018 she received a grant from the UC Humanities Research Institute for “Out of the Archive,” an ongoing project making archives more widely accessible to citizen-researchers. She co-hosts the culture and politics podcast, The Sauce. For show notes and links to our sources, please click here (https://themuckpodcast.fireside.fm/articles/lmep33notes). Special Guest: Maya Gurantz.

In this episode, dancer, choreographer, and movement teacher Paul Singh  joins us to share about his experiences in the movement form of contact improvisation (CI). Paul  first studied dance at the University of Illinois and began dancing contact improv in New York City. He's taught CI around the world and led movement classes for Movement Research, Sarah Lawrence College, and Julliard. A creative force, Paul has deep and insightful shares about what it means to move and be moved, be totally and radically present in the moment, and create space for ourselves and others in the dance and in our lives.In this episode we discuss: Paul's background and upbringing in Illinois Why Paul switched from a pre-med to music to dance track in college What contact improvisation (CI) is and why it's different from other movement formsBringing identity into the dance and CI spacesThe healing aspects of CI and renegotiating where you are in relationship to others at all timesWhat it means to be "advanced" and what deep listening has to do with itThe intersection of CI and queer studiesEmbodiment and being patient enough to fall into the bodyHow CI teaches us about tuning into our needs and desiresWhat RuPaul's Drag Race and Buddhist texts have in commonPractical tools for embodiment in daily lifeContact Improv and taking on the worldLinks and Resources: Paul on IG: @paulsinghdanceMay You Live Well on IG: @mayyoulivewellPeaceable Barn StudioLeviathan StudioPaul dancing CI at the Judson Church 

Dance writer Wendy Perron, a former associate director of Jacob's Pillow, explores Grand Union, a maverick 1970s improvisation group based in downtown New York. Perron tells their story through the voices of four key members: Yvonne Rainer, Steve Paxton, Trisha Brown, and David Gordon.Special thanks to New England Public Media, for their support of this episode of PillowVoices. 

Benedict Nguyen is a writer, dancer, and curator based on occupied Lenape and Wappinger lands (South Bronx, NY). Benedict's poetry has appeared or is forthcoming in AAWW's the Margins, Flypaper, and PANK. Their fiction writing was supported by an AWP Writer to Writer Mentorship in 2017. They're at work on a novel. Their criticism has appeared in the Brooklyn Rail, Shondaland, the Establishment, and Culturebot, among others, and in commissioned profiles for Danspace Project, Baryshnikov Arts Center, and Fusebox Festival. As the 2019 Suzanne Fiol Curatorial Fellow at ISSUE Project Room, Benedict created the multidisciplinary performance platform “soft bodies in hard places,” which has partnered with Materials for the Arts, Culturebot, the Asian American Writers Workshop, Center for Performance Research, and Bronx Academy of Arts and Dance! (BAAD!). They've performed in DapperQ Fashion week and in recent works by Sally Silvers, José Rivera, Jr., Nick Mauss at the Whitney Museum, Monstah Black, and more. They've worked as an arts admin unicorn and grant writer for Jennifer Monson, Donna Uchizono, and John Jasperse. They've served on selection committees for Movement Research at Judson Church, the MAP Fund, and Bronx Council on the Arts. Otherwise, Benedict has worked a tutor, grant writer, Postmate, cater waiter, and more. As a producer, educator, and artistic entrepreneur, Johnnie Cruise Mercer leads as the Company Director of Johnnie Cruise Mercer/TheREDprojectNYC (@jcm_redprojectnyc). His process-memoirs, happenings, and performance events have been commissioned/held at The Dixon Place, Bates Dance Festival (@batesdancefestival), Brooklyn Arts Exchange (@baxarts), AUNTS @NYU Skirball, The NADA Conference (@newartdealers), Abrons Arts Center (@abronsartcenter), The Fusebox Festival (@fuseboxfestival), Gibney (@gibneydance), Danspace Project Inc (@danspaceproject), The Clarice Smith Performing Arts Center (@theclaricemd), and most recently at the 92Y Harkness Dance Center. Mercer is currently 2019-2021 Artist in Residence at Brooklyn Arts Exchange (@baxarts), 2020-2021 Black Artist Space to Create AIR through The New Dance Alliance (@newdancealliance) and a 2020-2021 Ping Chong + Company (@pingchongco) Creative Fellow. Find out more info on the company and the work at www.trpnyc.com. Transcripts of this episode are available at odc.dance/stories.

Isabel Lewis (1981, Berlin) is an artist of Dominican and American origin who grew up on a suburban island off the coast of southwest Florida. She lived in New York City where she danced for many choreographers and where she has shown commissioned works from 2004 onward at The Kitchen, New Museum, and Movement Research at Judson Church among others. Lewis is based in Berlin since 2009. Trained in literary criticism, dance, and philosophy her current work takes the form of hosted occasions which are celebratory meetings of things, people, music, smells and dances and have been presented internationally and most recently at Tate Modern. Lewis' interests circle dance (as a cultural storage system, as a technology of the self) and aesthetics in the space of social encounter. In the format she calls hosted occasions, particular conditions are created for a celebratory meeting of things, that conjure perhaps the ancient Greek symposium, where philosophizing, drinking and the sensual were inseparable. The entire human sensorium is engaged including the sense of smell with scents composed in collaboration with Norwegian chemist and smell researcher Sissel Tolaas. In the last years Lewis has been working and crafting a specific way of performing which combines the skills of the dancer, the DJ, and the orator. In this way of performing a dancer becomes a host crafting the atmosphere, and attending to her guests offering stimulus and sociality in a space that is imagined as a kind of indoor garden and meeting place. It is a space for the exercise of the aesthetic, the spiritual, and the political. Different from theatrical dance performances that create a space of distanced observation and intellectual contemplation and work with the excitement and anticipation of the "event," this format works towards creating the conditions for a bodily experience of relaxation and well-being. In this new format sound, smell, and touch play as important a role as sight. As the host Lewis unfolds a dramaturgy specific to each occasion, its guests and their energies, that includes dances, smells, music, and spoken address in a way that allows for conversation, contemplation, dancing, listening, or just simply being. Her regular collaborators are Sissel Tolaas and Juan Chacón of architecture collective Zuloark. Ph: Isabel Lewis by Joanna Seitz

Check out www.DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Catie Leasca is a dance artist currently based in Brooklyn, NY. With roots in Massachusetts, she has traveled and danced abroad in Israel, France, Belgium, and Germany. Catie has been a resident artist in NYC at Gibney Dance through Work Up 5.0, Brooklyn Arts Exchange as a 2019 Space Grant Recipient, New Dance Alliance as a LiftOff artist, CPR as part of UArts/Chez Bushwick Creative Exchange, and has shown her work at Movement Research through Judson Church, Dixon Place, createART, Dance in Bushwick, The Woods, and STUDIO4. She has danced professionally with Netta Yerushalmy, Helen Simoneau Danse, Jessie Young, Janessa Clark, Sophie Tibiletti, Bryn Cohn + Artists and is a founding company member of MG+Artists. Her film work has been presented at Screendance Miami through Miami Light Project and Philadelphia Screendance Festival. She has curated and produced her own publication ideasinisolation, in response to COVID-19 and gather / an evening of fall dances, a free community performance in Brooklyn Bridge Park. Most recently, she was awarded the Masterworks Foundation Choreographic Award. Catie has taught in NYC at Gibney Dance, FAILSPACE and Bridge For Dance. Her writing has been published in DanceGeist Magazine. Catie graduated with her B.F.A. in Dance from the University of the Arts, with the Dean's Award for Excellence and the Sustainability award. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, Trajal Harrell, the American dancer and choreographer, talks to Shwetal A. Patel about how the lockdown has influenced his working practices and ideas. Harrell also discusses his childhood in Georgia and how he ended up at Yale, as well as his epic series entitled "Twenty Looks or Paris is Burning" at The Judson Church in New York City.

Intermedia artist Phill Niblock discusses his early years in NY and the beginnings of his art making at Judson Church and the founding of the Experimental Intermedia Foundation by Elaine Summers. Phill discusses his thick, loud drones and microtones as we listen to Feed Corn Ear and Hurdy Hurry. He says, “What I am doing with my music is to produce something without rhythm or melody, by using many microtones that cause movements very, very slowly.”

Tom Service talks to Steve Reich, for many one of the most important composers alive today. He visits Carnegie Hall and St George’s Episcopal Church Rutherford Place where Dvorak played a key role in the development of black American classical music. Then to The New School which opened in 1919 as a centre of intellectual and artistic freedom where John Cage studied and taught experimental composition as well as Judson Church where choreographers, artists, and composers met in a socially engaged space to redefine what it is to make art in a spiritual and secular community. Tom also talks to composers and performers Claire Chase and Kamala Sankaram who breathe life and sound into this city, creating a multi-dimensional song that’s as vibrant and visionary as New York has always been.

Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.

Tune in this week where I talk to Nana Chinara about her upcoming show at Judson Church on May 13. How does the creative process allow for healing and liberation? Listen and Find Out! If you want to be a part of the conversation email me at kadiesmiles.nyc@gmail.com. As always, make it live, make it breathe, Just Make It! See acast.com/privacy for privacy and opt-out information.

Hello to our fans, old and new, whos and thems, etc. etc. etc.! This week is the first episode of what we hope will be a series on religion and queerness, but today our focus is specifically on homosexuality and christianity. We start out with a rundown of the gay christian content we know (featuring an appearance from our future selves to talk about THE BEST MOVIE OF ALL TIME, THELMA) and then debrief our trip... to church. That's right, these two sinners entered a holy building. And guess what? We loved it. Now we go every week. Joining us from Judson Church is Reverend Micah Bucey, who talks to us about being a gay pastor and his favorite Bible verses and adaptations, and then answers some questions from queer teens on bible.com (actual url.) Let us know which Joseph caused your sexual awakening! **NOTE: This episode contains mentions of pedophilia, sexual assault, and suicide. But then again, so does the Bible. PATREON: www.patreon.com/onemorethingTWITTER/INSTAGRAM: @OneMoreThangNEWSLETTER: www.tinyletter.com/onemorethingFACEBOOK: One More Thing PodcastEMAIL: 1morethingpodcast@gmail.com

Our Judson Church performance from earlier this year featured monologues about the Occupy movement. The interviews were conducted as part of our open-sourced investigative call to action, Occupy Your Mind. Mark Stetson from Arts Diaspora performs an Occupy Activist who participated in Occupy in New York, D.C., and Oakland, and who was around when things got very tough in Oakland. Aidan O'Shea, a member of Judson Church, performs the Pastor of Judson, Michael. Indika Senanayake performs Manissa, a member of the POC caucus, and an activist who interviewed Eliot Spitzer. She tells her now legendary story of blocking consensus at Zuccotti Park. Many thanks to those who conducted these interviews: Mark Stetson, Aidan O'Shea, and Jackie Sibblies Drury! For more, please visit http://www.thecivilians.org.To leave a comment, please visit The Civilians' blog http://blogforthecivilians.blogspot.com/!

Alex Escalante's new evening-length work--"Clandestino"--pays tribute to his Mexican heritage, his immigrant parents, and the courage of undocumented workers, living in the United States, who, in the spring of 2006, turned out for massive rallies for their human rights. At a time when illegal immigration has become an exploited political flashpoint, Escalante asks audiences to confront their own feelings and opinions on this issue. The personal is the political, and vice-versa, in this vibrant presentation featuring live and recorded music, film, and a movement vocabulary inspired by contemporary Mexican social dances. Visit "Clandestino" on MySpace (see link below). BIO Alex Escalante, originally from Los Angeles, graduated from SUNY Purchase. He has worked in New York with Donna Uchizono, Jennifer Monson/Birdbrain, Doug Elkins, Doug Varone, David Neumann, Gerald Casel, the Metropolitan Opera, and has been fortunate to tour as Merce Cunningham's personal assistant. He was featured in the musical film Romance and Cigarettes, directed by John Turturro. His own work, as well as choreography for theatre with Division 13 Productions, has been presented at Dance Theater Workshop, Danspace Project, La MaMa E.T.C., Dixon Place, Movement Research at Judson Church, Joe's Pub, and Here Arts Center. In February 2007, his most recent work, Swallow Sand, was presented by Dance Theater Workshop as part of a Studio Series residency. Escalante is currently a 2007-2008 Movement Research Artist-in-Residence. He also works as a freelance photographer and is an avid surfer. EVENT Premiere of "Clandestino" at Danspace Project, St. Mark's Church, Thursday-Saturday, April 10-12 (8:30pm) Reservations: 212-674-8194 or at Danspace Project's Web site (see link below). LINKS Alex Escalante's "Clandestino" http://www.myspace.com/_clandestino Danspace Project http://www.danspaceproject.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

Alex Escalante's new evening-length work--"Clandestino"--pays tribute to his Mexican heritage, his immigrant parents, and the courage of undocumented workers, living in the United States, who, in the spring of 2006, turned out for massive rallies for their human rights. At a time when illegal immigration has become an exploited political flashpoint, Escalante asks audiences to confront their own feelings and opinions on this issue. The personal is the political, and vice-versa, in this vibrant presentation featuring live and recorded music, film, and a movement vocabulary inspired by contemporary Mexican social dances. Visit "Clandestino" on MySpace (see link below). BIO Alex Escalante, originally from Los Angeles, graduated from SUNY Purchase. He has worked in New York with Donna Uchizono, Jennifer Monson/Birdbrain, Doug Elkins, Doug Varone, David Neumann, Gerald Casel, the Metropolitan Opera, and has been fortunate to tour as Merce Cunningham's personal assistant. He was featured in the musical film Romance and Cigarettes, directed by John Turturro. His own work, as well as choreography for theatre with Division 13 Productions, has been presented at Dance Theater Workshop, Danspace Project, La MaMa E.T.C., Dixon Place, Movement Research at Judson Church, Joe's Pub, and Here Arts Center. In February 2007, his most recent work, Swallow Sand, was presented by Dance Theater Workshop as part of a Studio Series residency. Escalante is currently a 2007-2008 Movement Research Artist-in-Residence. He also works as a freelance photographer and is an avid surfer. EVENT Premiere of "Clandestino" at Danspace Project, St. Mark's Church, Thursday-Saturday, April 10-12 (8:30pm) Reservations: 212-674-8194 or at Danspace Project's Web site (see link below). LINKS Alex Escalante's "Clandestino" http://www.myspace.com/_clandestino Danspace Project http://www.danspaceproject.org Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

My guest, Carrie Ahern, is a dancer and an independent choreographer whose work shows a powerful sense of visual order and psychological depth. We met in the dressing room at St. Mark's Church, home of Danspace Project, to talk about "Red," which premiered there in 2006, and her new piece--"The Unity of Skin"--which will premiere on April 3 and run through April 5. To listen to original music composed for "The Unity of Skin" by cellist Greg Heffernan, visit http://www.carrieahern.com/calendar/calendar.html. BIO Carrie Ahern, a Wisconsin native, is an independent dance and performance artist who has been based in New York City since 1995. She worked primarily as a freelance performer/choreographer for over a dozen dance and theater companies until forming Carrie Ahern Dance in 2005. Her current evening length project, "The Unity of Skin" is commissioned by Danspace Project for performances April 3-5, 2008 and is being presented at Baltimore Theatre Project March 6-9, 2008. Investigations into "The Unity of Skin" were shown at Dance Conversations at the Flea, Danceworks in Milwaukee, Movement Research at Judson Church and at Brooklyn Arts Exchange (BAX) as part of their 2007 Space Grant Residency. Her studies of Ancient Greek Philosophy for this piece were funded, in part, by Fractured Atlas' Creative Development Grant. Carrie's first evening length work "Red" (2006) was commissioned both by Danspace Project at St. Mark's Church and the Guggenheim Works-and Process Series. Her shorter works have been seen at over a dozen venues in New York City such as Danspace Project, P.S.122, Dixon Place, the Angel Orensanz Foundation, Dance Space Center (now DNA), Chashama, The Flea and Soundance among others. Nationally and internationally, her work has been presented at Baltimore Theatre Project, Danceworks and Walker's Point Arts Center in Milwaukee, Le Regard du Cygne in Paris and at the Festival D'OFF in Avignon, France. She self-produced two seasons in conjunction with her frequent collaborator, Jennifer A. Cooper: "Alteregomania" at Cunningham in 1999 and "Exploding Plastic Acorns" at the Williamsburg Art Nexus (WAX) in 2003. In 2002, Bessie award winning dancer Carolyn Hall commissioned a solo, with an original score by Grammy award winner Matt Darriau and Ivan Goff. As a performer Carrie has had the pleasure of working with many artists here in New York City including, Pat Cremins/Wyoming, Heather Kravas, Heidi Latsky, Allyson Green, Nina Winthrop, Jeffrey Frace, Ridge Theater, Donna Bouthillier and Jennifer A. Cooper. Upcoming choreographic experiments include a collaborative effort with The Nietzsche Circle -the exciting and daunting task of using Nietzsche's "Thus Spake Zaranthustra" as a jumping off point for a dance. She is exploring remounting 2006's "Red" for the crumbling and infamous Eastern State Penitentiary. Ahern is a sought-after teacher of pilates and yoga throughout NYC. She has taught improvisation at the University of Wisconsin-Milwaukee and dance technique in the New York City Public Schools. LINKS Carrie Ahern http://www.carrieahern.com Greg Heffernan (composer) http://www.gregheffernan.com Agata Oleksiak (visual designer) http://www.agataolek.com Danspace Project http://www.danspaceproject.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

Estelle Woodward Arnal (Director of Artist Services, Dance Theater Workshop) and Levi Gonzalez (dancer-choreographer) join me today to talk about DTW's Outer/Space Creative Residency Program. Levi Gonzalez is an independent choreographer living and working in New York City who has created a body of solo and group choreographic projects. He is interested in presenting work in a variety of venues and contexts, from small and intimate spaces to more traditional stages. Often the placement of the work in a certain environment shapes the content. Gonzalez is interested in furthering a dialogue of ideas about the body in society-at-large and about how we experience physical presence. He has gradually distanced himself from dance that concerns itself with the abstract designing of movement as an end in itself and towards work that addresses performance and the power and meaning of embodiment in daily life. His work and his choreographic collaborations with Luciana Achugar have been presented by Movement Research at Judson Church, Dance Theater Workshop, The Kitchen, Danspace Project, PS122, Dixon Place, and PS1 Contemporary Art Center. He has performed extensively with Donna Uchizono Company and John Jasperse Company, as well as ChameckiLerner, Jeremy Nelson and Dennis O’Connor. Additionally, he has worked for Michael Laub’s Remote Control Productions in Europe. Levi teaches technique and composition at Movement Research and with Dean Moss at The Kitchen. He was a Movement Research Artist in Residence from 2003-2004 and a 2006 NYFA Fellow in Choreography. He is an editor of Critical Correspondence, an online publication, and facilitates artist dialogues through Dance Theater Workshop’s Fresh Tracks Residency. LINKS: Dance Theater Workshop http://www.dancetheaterworkshop.org Movement Research (for Levi Gonzalez' upcoming workshop, "The Practice of Presence") http://www.movementresearch.org Critical Correspondence http://www.movementresearch.org/publishing/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

Today, we’ll hear from Mary Cochran (Chair of the Dance Department, Barnard College of Columbia University) and Luciana Achugar (2007 Bessie Award-winning choreographer) about Sugar Salon, a program dedicated to mentoring, commissioning and presenting women at the forefront of contemporary choreography. GUEST BIOS: Luciana Achugar Luciana Achugar is a Brooklyn-based Uruguayan choreographer. After moving to New York upon graduation from Cal Arts in 1995, Achugar danced with several choreographers, including Chameckilerner and John Jasperse. From 1999 to 2003, she worked in a close collaborative relationship with choreographer Levi Gonzalez. Their work was presented in New York by Dixon Place, Movement Research at Judson Church, PS1 Contemporary Art Center, Dance-in-Progress at The Kitchen, and at Dance Theater. Achugar has also worked collaboratively with visual artists Marcos Rosales and Michael Mahalchick. Mary Cochran Department of Dance Chair and Associate Professor of Professional Practice at Barnard College of Columbia University, Mary Cochran has performed and taught on every continent except Antarctica. A renowned soloist with Paul Taylor Dance Company from 1984-1996, Cochran continues her association with Taylor to this day having completed 19 restagings of his masterworks and as Director of the Paul Taylor School’s Summer and Winter Intensives. Cochran has taught at numerous colleges and conservatories including Mills College, the Juilliard School, University of Michigan, Harvard University, and the North Carolina School of the Arts. She received her MFA from the University of Wisconsin/Milwaukee in May of 2005. UPCOMING EVENT: See Sugar Salon's performances at Abrons Arts Center (February 15-16), featuring works by the 2007-08 residents: Luciana Achugar ("Franny and Zooey"), Renée Archibald ("Curtain Wall") and Heather McArdle/BLUEPRINTVIOLATION (excerpt from "Ballad of Arrivals & Departures"). Choreographer mentor Donna Uchizono will moderate a post-performance discussion with the artists on Friday, February 15. For full schedule and ticketing details, call 212-352-3101 or visit http://www.theatermania.com. INFORMATION LINKS: Department of Dance, Barnard College: http://www.barnard.edu/dance Williamsburg Art NeXus (WAX): http://www.wax205.com Abrons Arts Center: http://www.henrystreet.org/arts Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa