Podcasts about Radar Festival

Join Ben Jekyll for a sonic tour through some of the line up from this years RADAR Festival including music from Carpenter Brut-imaginary fire feat Greg Puciato Zeal & Ardor-church burns As Everything Unfolds-ultraviolet As December Falls-angry cry Lake Malice-scatterbrain Floya-drift Future Palace-dream state Cyan Kicks-echo Tropic Gold-the way u love Bob Vylan-dream big Normandie-serotonin Novelists-say my name Allt-echoes ShelfLives-psycho Arch Echo-final pitch Lastelle-life in silhouettes Air Drawn Dagger-bellyaches Underoath-teeth Vukovi-sno Dream State-anxioous state of mind Artio-product of my own design Tiberius-soul saviour Yonaka-you`ve got another thing coming Continents-corrupted feat Cherry Hero In Error-moth to a flame Join Ben Jekyll every Friday night for two hours of the best new music we can find. Rock, metal, punk, indie, industrial and more mmhradio.co.uk from 10pm UK time every Friday night. Any suggestions/submissions/requests drop a mail to benjekyll@mmhradio.co.uk 

It's almost time for festival season, and we've got all the latest updates! The Download Takeover is open for band submissions—so if you're in an unsigned band, this is your shot at playing the festival. We also discuss the secret sets confirmed for this year, the latest lineup details, and some truly bizarre festival facts (yes, the Download Dog is throwing 200 horns this year).Beyond Download, we also talk about other major UK festival updates, including Radar Festival's expansion, Hammerdown's lineup, and even a look at Glastonbury's rock scene. If you're a fan of rock, metal, and live music, this episode is for you!with our sponsor, Fat Frank's Camping Shop https://fatfrankscampingshop.comFind all our video episodes in this playlist: https://youtube.com/playlist?list=PLlfyhNTZm6HBHjHm4kSORo_HykWXf0KGu&si=_5FbNi1-Rfe0sU1tPlease support us on Patreon! https://www.patreon.com/festpodIf you'd like to buy our merch, visit our merch store here: https://etsy.com/uk/shop/FestpodAll our links here: https://festpod.co.ukTimestamps ⏱:0:00 - Pre Titles0:30 - Fat Frank's Camping Shop - 1st sponsor spot01:11 - Title sequence01:38 - Welcome-- Festival News --04:25 - Download Festival Takeover: Who should apply?07:26 - 100 days to go til Download Festival 202513:25 - Secret sets confirmed17:31 - Rock am Ring and Rock im Park lineup22:26 - Hammerdown Festival adds 4 more bands24:17 - Download Family email update25:15 - Slayer gigs27:07 - Voucher code for Big Green Coach to Download28:56 - Radar Festival adds to lineup33:50 - Radar has a new app34:47 - Glastonbury lineup & UK Festival trends41:31 - Spudman returns for Bloodstock 202545:30 - Phoenix Lake break bumper45:37 - Fat Frank's Camping Shop - 2nd sponsor spot-- Gig Guide --46:39 - Waterlines & Rituals, with Veiled & Within Reach 'Northern Dirtbags' tour48:16 - Volbeat-- Augasm --49:55 - The Five Hundred interview-- Festpod Favourites --54:42 - Bloodstock black-on-black logo t-shirt59:08 - Festival drinks pouches1:03:44 - Outro Get bonus content on Patreon including exclusive outtakes of the show! Hosted on Acast. See acast.com/privacy for more information.

‘Aether' is the much-anticipated debut album of Forlorn, the ‘folk horror' band who blend expressionist art, crushing soundscapes and paganism to carve out their own brand of innovative alternative music. Throughout ‘Aether', Forlorn pay their respects to the major 'elements', acting as part of a progressing metal pagan ritual. The juxtaposition of ethereal vocals, with chaotic drums and crushing low-level guitars, paired with vocalist Megan Jenkin's brutal screams, bring together Forlorn's unique sound and visual identity. Their haunting live presence has also graced stages across the UK, alongside artists like Dying Wish, DESTRAGE, CRYPTA, Ithica, Devil Sold His Soul and URNE as well as festivals like at Radar Festival, Tech Fest and Collision Festival. Anyone who has seen Forlorn live can attest to the immersive experience it is, with us describing our first time seeing them in 2022 as: A 30-minute showcase of dreamy post-metal with the sharpness of hardcore, explosivity of metalcore and a touch of Midsommar-esqe eeriness. 2025 is looking to be the year they truly break out, and ‘Aether' will be released on March 28th, 2025, via Church Road Records. We spoke to vocalist Megan and guitarist Edd about the new album, and the journey that Forlorn has been on over the past few years. We also learn how Forlorn has slowly found its identity, taking that creativity to another level, expanding on it in both record and live form, and so much more. Find out more here: https://forlornsc.bandcamp.com/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Middle of a Breakdown. Finlands resident sassy badass, empowering dream rock figure and , custom fashion designer, Susanna Alexandra, is our guest on Episode 328 of Sappenin' Podcast. The Cyan Kicks vocalist trusts us with her first ever in-depth interview, speaking fully in English, for the first time, as we spread exclusive news on the bands famous DIY blueprint, new single Echo and their upcoming debut UK headline tour. In this conversation, Susanna opens up over stimulating secrets dealing with life on the road, transforming recycled cloths into revamped stage outfits, tattoo hiccups, evolving into International markets, how competing in the UMK song competition helped change everything, playing on TV vs playing live, embarrassing tour mishaps, volleying a tampon, van arguments, building their own recording studio, new music plans, lyric inspiration, independent freedom vs record labels, karaoke chaos, crowd surf goals, lead singer privileges, Radar Festival 2025 and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpodInstagram: @sappeninpodSpecial thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Janelle Caston, Paul Hirschfield, Tony Michael, Scarlet Charlton, Dilly Grimwood, Mitch Perry, Nathan Crawshaw, Molly Molloy, James Bowerbank, Amee Louise, Kat Bessant, Kieran Lewis, Alexandra Pemblington, Jonathan Gutierrez, Jenni Robinson, Stuart McNaught, Jenni Munster, Louis Cook, Carl Pendlebury, James Mcnaught, Martina McManus, Jason Heredia, John&Emma, Danny Eaton, RahRah James, Sian Foynes, Evan, Ollie Amesbury, Dan Peregreen, Emily Perry, Kalila Keane, Adam Parslow, Josh Crisp, Vicki Henshaw, Laura Russell, Fraser Cummings, Sophie Ansell, Kyle Smith, Connor Lewins, Billy Hunter, Harry Radford, George Evans, Em Evans Roberts, Thomas O'Neill, Sinead O'Halloran, Kael Braham, Jade Austin, Charlie Wood, Aurora Winchester, Jordan Harris, James Page, Georgie Hopkinson, Helen Anyetta, John Wilson, Lisa Sullivan, Ayla Emo, Kelly Young, Jennifer Dean, Tj Ambler-Shattock, Chaz Howkins, Michael Snowden, Justine Baddeley, David Winchurch, Jim Farrell, Scott Evans, Andrew Simpson, Shaun Croucher, Lewis Sluman, Ellie Gowers, Luke Wardle, Grazyna McGroarty, Nathan Matheson, Matt Roberts, Joshua Lewis, Erin Howard,, Chris Harris, Lucy Neill, Amy Thomas, Jessie Hellier, Stevie Burke, Robert Pike, Anthony Matthews, Samantha Neville, Sarah Maher, Owen Davies, Bethan Downing, Jessica Tiernan, Danielle Oldershaw, Samantha Bowen, Ruby Price, Jule Ferl, Alice Wood, Billy Parmiter, Emma Musgrave, Rhian Friggens, Hannah Kenyon, Patrick Floyd, Hayley Taylor, Loz Sanchez, Cerys Andrews, Dan Johnson, Eva B, Emma Barber, Helen Macbeth, Melissa Mercury, Joshua Ryan, Cate Stevenson, Emily Moorhouse, Jacob Turner, Madeleine Inez, Robert Byrne, Christopher Goldring, Chris Lincoln, Beth Gayler, Lesley Dargie-Walker, Sabina Grosch, Tom Hylands, Andrew Keech, Kerry Beckett, Leanne Gerrard, Ieuan Wheeler, Hannah Rachael, Gemma Graham, Andy Wastell, Jay Smith, Nuala Clark, Liam Connolly, Lavender Martin, Lloyd Pinder, Ghostly Grimoire, Amy Hogg.Diolch and Thank You x Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Surviving NIRVANA members - drummer Dave Grohl, bassist Krist Novoselic and touring guitarist-turned-actual-band member Pat Smear reunited onstage last Thursday night (January 30th) during the FireAid benefit concert in LA for a previously-unannounced performance of several of Nirvana's classic songs. Filling the lead vocal slot vacated by Kurt Cobain's death almost 31 years ago were guest singers St. Vincent, Joan Jett, Kim Gordon and Violet Grohl, Dave's 18-year-old daughter. There's plenty of other occasions over the last 30-odd years where the Nirvana guys have played together as well, and with Youtube views of their FireAid performance already well into the millions, it doesn't feel disrespectful to ask the question; Is it time for a full-on Nirvana reunion? The guys also chat about new releases from Spiritbox and Stray From The Path, along with big announcements from Radar Festival and Arctangent. Check out our chosen charity Metal For Good and some of the great charity work they do here https://metalforgood.org/ https://primordialradio.com https://www.instagram.com/primordialradio https://tiktok.com/@primordialradio https://www.facebook.com/primordialradio https://www.x.com/primordialradio​

Bienvenue dans cet épisode bonus de 4 Quarts d'Heure qui dure deux quarts d'heure, car nous étions les invitées du Festival Radar de Spotify et que c'était le temps imparti. Hervé est venu nous rejoindre pour nous raconter la meilleure anecdote de sortie d'album.Merci à Spotify de nous avoir invitées au Festival Radar, merci à toutes les équipes techniques et à La Machine du Moulin Rouge. L'épisode est disponible en vidéo sur Spotify.Pour écouter le 5ème Quart d'Heure, abonnez-vous à Acast+ comme ceci :Téléchargez une application de podcasts (Apple Podcasts, Podcast Addict, Castbox...) : elles sont toutes gratuites ! (l'abonnement ne fonctionne pas sur les applications de streaming : Spotify, Deezer, Amazon Music). Cliquez sur le lien suivant : https://plus.acast.com/s/4-quarts-dheure.Attention, les formules d'abonnement proposées sont hors TVA.Les ups and downs :Le up d'Alix : le cabaret FantasmaLe up de Louise : l'album Debí Tirar Más Fotos de Bad BunnyLe rollercoaster d'Hervé : une sombre histoire avec Luis FonsiLe rollercoaster de Kalindi : toujours pas être chanteuse et aller en concert soloLe up de Camille : sa connexion cosmique à AviciiDans cet épisode, on parle de ça :le cabaret Fantasmale titre Un Verano en Nueva Yorkl'album adrénaline de HervéLuis FonsiSylvan LaCuele documentaire Avicii: I Am Timle documentaire Avicii : True StoriesSuivez-nous sur Instagram :Louise : @petrouchka_Alix : @alixmrtnKalindi : @kalramphulCamille : @camille.lorenteHervé : @hervemusique Abonnez-vous au 5ème Quart d'heure ici : https://plus.acast.com/s/4-quarts-dheure. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to the One Hundred & Fifty-Seventh Edition of The Chronicles Of Podcast, These are The Chronicles of Radar Festival In this edition we sit down with Joe James, festival director and band booker of Radar Festival, to dive deep into the world of one of the UK's most exciting rock and metal festivals. Joe shares his journey into the music industry, how Radar Festival was born, and how it has rapidly grown into a must-attend event. We explore what sets Radar apart from other festivals, including their unique masterclasses, the process of booking bands, and what fans can expect from Radar Festival 2025. Also this week, we dive into the mysteries of underground tunnels, question how we're supposed to know if someone's actually being chased when everyone just runs these days, and break down the NFL playoffs and Super Bowl madness—including a wild $3 million bet. Tom challenges Jamie with a brutal "Would You Rather" about car accidents, and Jamie asks the question no one else dares: where does Hollywood get all those new-born babies from? The boys also catch up on their week, including Tom's bizarre tale of getting trapped in his own room. Unfortunately there is no Callum's Treaching this week but as always, Tom's Journal is packed with the funniest internet finds of the week, and Jamie's Audience Participation Challenge asks—what's the first thing you'd do if you won a million pounds or dollars? Official Website - Radar Festival Official Website - The Chronicles of Podcast Official Sponsor - SayWeCanFly Affiliate Charity - Sophie Lancaster Foundation

Dead As A Dodo runs at the Baruch Performing Arts Center through February 9th. Dead As A Dodo is presented with the Under the Radar Festival. For more information, please visit https://bpac.baruch.cuny.edu. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

A Knock On The Roof runs at New York Theater Workshop through February 16th. It is presented by the Under the Radar Festival. For more information, please visit www.nytw.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Joey had the chance to sit down with Joe James, organiser and booker for Radar Festival. Throughout this chat, the pair talk about the festival's conception right through to this year's line-up. Along the way, they also chat about bands on the wish list and the state of festivals/ gigs today.

In the 69th episode of Festpod: The Unofficial Rock Festival Guide...Our hosts are: Neill Wilkinson, Rich Holmes - from Richard Holmes Photography, and Arran Prime from the metal band Crushed By Waves.This time we're talking about Radar Festival - a 3-day indoor rock festival held in Manchester. It's described as modern, contemporary and progressive. It won 'Best New Festival' in 2022. And we love it!with https://fatfrankscampingshop.comTimestamps ⏱:0:00 - Pre-titles0:26 - Fat Frank's Camping Shop - 1st sponsor spot01:08- Title sequence01:29- Welcome05:12 - Crushed By Waves at Radar 2023-- Friday at Radar Festival --08:38 - Trafford Park in Manchester 09:16 - Friday timings poster 09:43 - Cestra 10:55 - Music & Gaming Market 12:19 - Earthside13:13 - Unpeople14:38 - Ichika Nito16:14 - Vower17:55 - Vola20:29 - Food vendors and outdoor area20:59 - Thrown21:15 - Plini22:24 - Caskets25:12 - The Midnight-- Saturday at Radar Festival --28:36 - Saturday timings poster 29:07 - Tesseract35:20 - Bars & Merchandise37:43 - Combichrist break bumper37:52 - Fat Frank's Camping Shop - 2nd sponsor spot-- Sunday at Radar Festival --38:57 - Sunday timings poster 39:27 - Adharma40:09 - The Omnific41:34 - Future Static42:20 - Mike Dawes46:44 - Siamese48:14 - Sungazer51:48 - Blood Command53:51 - Holding Absence57:24 - Humanity's Last Breath59:10 - Leprous1:05:10 - Our conclusions1:07:38 - 2025 lineup so far1:17:38 - OutroPlease support us on Patreon! https://www.patreon.com/festpodIf you'd like to buy our merch, visit our merch store here: https://etsy.com/uk/shop/FestpodAll our links here: https://festpod.co.uk#festpod #festival #music #livemusic #rock #metal #rockmusic #metalmusic #podcasting #podcast #wilkoproductionsuk #wilkoproductions #radarfestival #radarfest #rockfestival #radarmanchester #radar2024 #radarfestival2024 Get bonus content on Patreon including exclusive outtakes of the show! Hosted on Acast. See acast.com/privacy for more information.

25 Konzerte, 8 Bühnen, die berühmteste (aber auch hipste) Strasse Zürichs und Kartellentwicklung im Kulturbetrieb. Inwiefern das mit dem Radar Festival zusammenhängt erfahrst du im Beitrag Charida Bänziger . Bild: Charida Bänziger

This is a special bonus episode with a bunch of chats that I had with some bands who were at this year's RADAR Festival.Across the three day weekend I had the chance to speak with Unpeople, Future Static, Ithaca, Holding Absence, Humanity's Last Breath and Blood Command. A new episode will be released every Thursday.-----HOW TO SUPPORT THE PODCAST:

Ryan J. Haddad is an actor, playwright, and autobiographical performer known for his on stage and off. His acclaimed solo play, HI, ARE YOU SINGLE?, premiered at The Public Theater's Under the Radar Festival, and he continued his career with The Public, making his off-Broadway debut as a playwright and performer with his autobiographical DARK DISABLED STORIES, which was named a New York Times Critic's Pick. His latest work, HOLD ME IN THE WATER, was recently announced for the Spring 2025 season at Playwrights Horizons.   In this episode, Ryan shares how he transforms his personal essays into plays, the importance of taking up space, and getting creative about accessibility in live theater.   Ryan Haddad   Playwrights Horizons   Dictionary of Obscure Sorrows

January might be a slow month in the entertainment world, but not here in New York, where for the twelfth year JanArtsNYC will spotlight new works in music, theater and art. We get a preview of events including Winter JazzFest and Under the Radar Festival with Commissioner Pat Kaufman of the Mayor's Office of Media and Entertainment as well as a detailed discussion on the reimagined Under the Radar theater festival with director Mark Russell and participant Luke Murphy.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

My friend and I enjoy coming up with more accurate names for performing arts festivals here in NYC. You like the Next Wave Festival at BAM? Me too! We call it the Previous Wave, though, because almost everything in it hit its stride 30 to 40 years ago. Which is not to say it's not good! Pina Bausch's company still performs her work with integrity and style. But Pina Bausch died 14 years ago and the last time she was a new up and coming artist was around about 40 or 50 years ago.   Now everyone's talking about the Under the Radar Festival recently, due to its being canceled, either permanently or temporarily. My friend and I used to call it the Directly in Line with the Radar Festival due to its shows mostly being works and companies already receiving a fair amount of attention, often European. That is, directly in line with the radar if you happen to have a radar that detects weirdo performing arts. Most of NYC's Indie Arts scene could be standing directly in front of the Public Theater (home of Under the Radar or UTR) waving our arms and shouting, “Hey Radar! Run that radar this way, would you?”  But somehow almost everyone I know was under Under the Radar's radar. To keep reading Joining the Under the Radar Mourners, visit the Songs for the Struggling Artist blog. This is Episode 361 Song: Under the Radar Image: Portrait of me by Christopher Cartmill To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: https://ratethispodcast.com/strugglingartist Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or help me pay off my tickets to and from Crete on Kofi: http://ko-fi.com/emilyrainbowdavis or PayPal me: https://www.paypal.me/strugglingartist Join my Substack: https://emilyrainbowdavis.substack.com/ Follow me on Twitter @erainbowd Me on Mastodon - @erainbowd@podvibes.co Me on Hive - @erainbowd Instagram and Pinterest Tell a friend! Listen to The Dragoning here (it's my audio drama) and support via Ko-fi here: https://ko-fi.com/messengertheatrecompany As ever, I am yours, Emily Rainbow Davis

Packing out their debut year only to crash into a global pandemic, moving to Manchester then being chucked out their new arena shortly afterwards and landing Sleep Token before they became the band who'd sell out Wembley Arena in 10 minutes...The first few years of Radar have been a rollercoaster and as they head into this year's festival, co-organiser/director Ash Cook joins Damnation Vs to share the highs and lows. Thanks for listening, please give the show a follow and tell your mates! ;)

Ahead of Forlorn's appearance at RADAR Festival in a few weeks, we caught up with Megan and Edd from the band. We cover their plans for the festival and other summer dates, their routes into music, how the band formed and more. ===================== Follow The Razor's Edge online: Web: https://therazorsedge.rocksFacebook: https://www.facebook.com/therazorsedgerocksTwitter: https://twitter.com/_therazorsedge_Instagram: https://www.instagram.com/therazorsedgerocks

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop performance experiments. Nile Harris is interviewed by Chisom Awachie (SLC'23)and Marisa Conroy (SLC'23)and produced by Chisom Awachie (SLC'23) Nile Harris is a performer and a director of live works of art. His work has been presented at the Palais de Tokyo, Under the Radar Festival (Public Theater), The Watermill Center, Volksbühne Berlin, Prelude Festival, Bronx Academy of Arts and Dance, Otion Front Studio, and Movement Research at Judson Church. His work has been supported by Pepatián, Foundation for Contemporary Art, Abrons Arts Center, YoungArts, and Brooklyn Arts Exchange. He is currently a resident of the Devised Theatre Working Group at the Public Theater/Under the Radar Festival under the leadership of Mark Russell. He has worked extensively as a performer originating roles in works by various artists including Jaamil Olawale Kosoko, 600 HIGHWAYMEN, Bill Shannon, Robert Wilson, Nia Witherspoon, Lilleth Glimcher, Malcolm Betts X, and Miles Greenberg in venues including New York Live Arts, Museum of Modern Art, Tanz im August, The Walker Art Center, EMPAC, Danspace Project, Superblue, Stanford Live, Dublin Theatre Festival, and MESS Festival. Photo by Chloé Bellemère

 Listen to the Show Right Click to Save Guests Pedemonte Productions Julieta Tiene La CulpaSummer Break Theatre Thank you, and Have a Nice Day  What We Talked About Grey House Wet Brain Tonys this Sunday Theatre Teacher Why They Act Tyne Daily and Liv Schrieber in Doubt Encores – mattress, Jelly, and Titanic The Alliance Theatre Premieres The Preacher's Wife Under the Radar Festival on Hiatus Most Produced shows in High School Amadeus Revival Anti Drag Law Shut Down  Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Whether you refer to it as "sunsetting" or "supernova'ing," what's true is that there are few resources to guide those wanting to intentionally shutdown an organization's operations. While a multitude of resources exist dedicated to starting and scaling ventures, the same can't be said when one finds themself on the other end of the organizational life cycle. In this episode, host Tim Cynova connects with guests who were tasked with leading companies through this final phase. We'll hear how they came to the decision, how they approached the work, and what resonates for them as they reflect on it all.This episode include two conversations. The first is with Michelle Preston and Megan Carter who helped lead the transition at SITI Company. The second is with Jamie Bennett who helped lead the transition at ArtPlace America. In all of this, we consider how centering values when closing a company can help us even when we're not.MEGAN E. CARTER is a creative producer, strategy consultant, and dramaturg with a track record of sustained success in theatre, interdisciplinary performing arts and live events. Most recently, she led SITI Company, an award-winning theater ensemble, through a comprehensive legacy plan, archive process, and finale season. She is currently a creative consultant with A TODO DAR Productions on rasgos asiaticos, a performance installation by Virginia Grise and Tanya Orellana exploring migration, borders, and family. Megan has developed and produced new and classic works Off-Broadway, as well as internationally at theatres, venues, and festivals like The Fisher Center at Bard, BAM, City Theatre in Pittsburgh, Singapore International Festival of the Arts (SIFA), REDCAT (LA), Teatr Studio (Warsaw), Wuzhen Theatre Festival (Wuzhen, China), Under the Radar Festival, the Huntington Gardens (LA, site-specific), International Divine Comedy Theatre Festival at Małopolska Garden of Arts in (Krakow), the Walt Disney Modular Theater (LA), Classic Stage Company, Cherry Lane Theatre, WP Theater, the World Financial Center (site-specific). At WP Theater, she led the Lab for Directors, Playwrights, and Producers and managed new play development and commissions. Megan served as dramaturg on the American Premiere of Jackie by Elfriede Jelinek and has edited the English translations of a number of Jelinek's plays, including Rechnitz and The Charges (The Supplicants). She has also edited the SITI Company anthology – SITI COMPANY: THIS IS NOT A HANDBOOK, coming out in 2023. Megan has been on faculty at the Brooklyn College, SITI Company Conservatory and California Institute of the Arts. She is currently on faculty at Primary Stages' Einhorn School for the Performing Arts (ESPA). Education: MFA in Dramaturgy, Brooklyn College/CUNY; BA in Theatre, Centenary College of Louisiana.MICHELLE PRESTON began her career in arts administration at the Columbus Symphony Orchestra before coming to New York City where she has worked with Urban Bush Women, Bill T. Jones/Arnie Zane Dance Company and the School of American Ballet. She began at SITI Company in 2012 as the Deputy Director and served as Executive Director from 2014-2022. While at SITI, Michelle produced 9 world premieres, 17 domestic and international tours, and 5 New York City seasons. She also led the multi-year strategic planning process that resulted in the SITI Legacy Plan, a comprehensive set of activities meant to celebrate the accomplishments and preserve the legacy of the ensemble before the organized and intentional sunset at the end of 2022. She is currently the Executive Director of the José Limón Dance Foundation. She holds an M.F.A. in Performing Arts Management from Brooklyn College and a B.F.A. in...

The transcript for this episode is available here. Ryan J. Haddad is an actor, playwright, and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater's Under the Radar Festival and continues to tour the country. Other New York credits include My Straighties (Ars Nova/ANT Fest), Noor and Hadi Go to Hogwarts (Theater Breaking Through Barriers), and the cabaret Falling for Make Believe (Joe's Pub/Under the Radar). Regional theatre: The Maids, Lucy Thurber's Orpheus in the Berkshires (Williamstown Theatre Festival), and Hi, Are You Single? (Guthrie Theater, Cleveland Play House, Williamstown Theatre Festival). He has a recurring role on the Netflix series "The Politician." Additional television: "Bull," "Madam Secretary," and "Unbreakable Kimmy Schmidt." Haddad is a recipient of IAMA Theatre Company's Shonda Rhimes Unsung Voices Playwriting Commission and Rising Phoenix Repertory's Cornelia Street American Playwriting Award. His work has been developed with The Public Theater, Manhattan Theatre Club, New York Theatre Workshop, Berkeley Repertory Theatre, Noor Theatre, Rattlestick Playwrights Theater, Primary Stages, and Pride Plays. His writing has been published in the New York Times, Out Magazine, and American Theatre. Ryan is an alum of The Public Theater's Emerging Writers Group and a former Queer|Art Performance and Playwriting Fellow, under the mentorship of Moe Angelos. @ryanjhaddad and ryanjhaddad.com. Related Links: Ryan's Website Dark Disabled Stories at The Public Theater Tickets and Information Hi, Are You Single? Woolly Mammoth Theatre Trailer The Politician on Netflix For 2023, we're inviting our listeners to participate in Ask Judy in a new way. We want you to send us voice memos with messages and questions for Judy that we'll feature in an episode of The Heumann Perspective. If interested, please send yours to media@judithheumann.com Check out the video version of this episode on Judy's YouTube channel.  Intro music by Lachi. Outro music by Gaelynn Lea.

Roger Guenveur Smith - Award-winning actor, playwright, director, and educator who has created a prolific body of work on stage and screen who is returning to the stage! He will premiere his new solo performance of “OTTO FRANK” at the Public Theater's Under the Radar Festival, January 12 - January 22, 2023. Smith can currently be seen in MGM's Orion Pictures acclaimed feature film TILL from Chinonye Chukwu where he stars as the unsung Mississippi radical Dr. TRM Howard. He joins Tavis for a conversation about his latest projects

This episode is also available as a blog post: https://thecitylife.org/2022/12/13/joes-pub-in-concert-series-returns-to-the-public-theaters-under-the-radar-festival-from-january-4-22/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/12/05/migguel-anggelo-brings-latinxoxo-to-under-the-radar-festival-2023-at-joes-pub/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Der heutige Schweizer Musiktag gipfelt in Live-Konzerten vom schönen Lausanner Festival «Label Suisse» ab 19.30 Uhr von Ta'Shan, Best Talent vom Juli 2019. Bis dahin gibt's neue Musik von den Bumblebees, Zürcher Dreampop-Band mit Tessiner Wurzeln und von Kings Elliot.  Unser Best Talent vom Mai 2021 ist momentan auf dem Nachhauseweg von ihrer Amerikatour  und spielt morgen am «Radar Festival» in Zürich. 

Soprano, musician, performer, and singing teacher https://www.vannordstrandvoice.com/ (Shelby VanNordstrand) shares her love for singing and her passion for expressing stories through music. As well as her classical background, VanNordstrand also creates and performs avant garde music, including r u ok (created with Seth Shafer) which they performed at the 2022 https://www.undertheradaromaha.com/ (Omaha Under the Radar Festival). You can watch a video of that performance via https://www.youtube.com/watch?v=rFNnGY1l0Y0 (this link here). https://www.unomaha.edu/college-of-communication-fine-arts-and-media/about-us/faculty/music/shelby-vannordstrand.php (Shelby VanNordstrand) has appeared as a soloist with a wide range of ensembles and companies; including Lorin Maazel's Castleton Festival, New York Lyric Opera Theatre, Opera Omaha, Omaha Symphony, Cedar Rapids Opera Theatre, and the Simon Estes Young Artist Program.  VanNordstrand is passionate about connecting song and opera repertoire to today's audience. Her recital project “The Giving Voice Project: Ophelia” examines the gendered oppression of Hamlet's Ophelia from a twenty-first century view point through song, opera, and dance. She continues to share her love of song across the globe at many locations including Indonesia, Japan, China, Hawaii, and Lithuania. She is an alumnus of the SongFest program and is Associate Professor of Voice, Vocal Area Coordinator, and Director of Opera at the University of Nebraska at Omaha.

On the July 22 program, Genevieve Randall and Shannon Claire have lively conversations about: the Humanities Nebraska Chautauqua in McCook; Lincoln Crossroads Music Festival; Omaha Under the Radar Festival; and Angels Theatre Company's First Flight Festival. Also, live music, poetry by Twyla Hansen and Jackie Ourada experiences Carne y Arena in Omaha.

On the July 22 program, Genevieve Randall and Shannon Claire have lively conversations about: the Humanities Nebraska Chautauqua in McCook; Lincoln Crossroads Music Festival; Omaha Under the Radar Festival; and Angels Theatre Company's First Flight Festival. Also, live music, poetry by Twyla Hansen and Jackie Ourada experiences Carne y Arena in Omaha.

Megan Ihnen is a “new music force of nature.” The act of live performance is integral to Megan's work and her performances thrive on elaborate sound worlds and fully-developed dramatic interpretations. Through narrative and non-narrative musical storytelling, she explores the subjects of memory, nostalgia, the perception of time, and relationships. Whether through chamber music, staged recitals, opera, or large ensemble soloist work, she emphasizes the full range of vocal sounds, timbres, colors, and uses that characterize the 21st century voice. Megan is a prolific new music vocalist who has appeared with the International Contemporary Ensemble, Fifth House Ensemble, Latitude49, Great Noise Ensemble, Stone Mason Projects, Rhymes With Opera, SONAR new music, and more. She has sung with many outstanding performers including Nadia Shpachenko, Michael Hall, Gregory Oakes, Nick Zoulek, Hillary LaBonte as well as premiered the work of Mara Gibson, Griffin Candey, Garrett Schumann, Christian Carey, Alan Theisen, Anna Brake, D. Edward Davis, and more. A gifted narrative and non-narrative musical storyteller, Megan's performance work explores the depths of memory, nostalgia, the perception of time, and complex relationships. Ihnen's interpretations of modern and contemporary repertoire have garnered growing acclaim. She is particularly recognized as an excellent recitalist. Her This World of Yes program of contemporary music for voice and saxophone with Alan Theisen explores the themes of pathways, choices, and duality through the work of contemporary composers such as Jessica Rudman, Michael Young, and Michelle McQuade Dewhirst. This World of Yes has been performed across the United States including appearances in Kansas City, New Orleans, Atlanta, Washington D.C., Detroit, and Baltimore. With performances in Washington D.C., Baltimore, Colorado Springs, and Kansas City, Ms. Ihnen has worked with violinist Martha Morrison Muehleisen and Rome Prize winner video artist Karen Yasinsky to take audiences on a profound journey through György Kurtág's Kafka Fragments through video and sound. Finally, Ihnen's Single Words She Once Loved is a performance that centers around the ideas and effects of memory, dementia, and time. It is a deeply personal exploration of the dueling forces of ‘eternal sunshine of the spotless mind' and ‘God gave us memories so that we may have roses in winter'. Single Words She Once Loved features compositions by David Smooke, Ryan Keebaugh, Daniel Felsenfeld, Jeffrey Mumford, and more. Megan has enjoyed performing as part of Tuesdays @ Monk Space, Access Contemporary Music Thirsty Ears Festival, NEXTET, Ethos NewSound, 6:30 Concert Series, International U.S. Navy Saxophone Symposium, SPLICE Festival, Oh My Ears, Second Sunday Concert Series at Boston Sculptors Gallery, Winifred M. Kelley Music Series at Salisbury House, and more. She has appeared with Zeitgeist New Music, ÆPEX Contemporary Performance, Detroit New Music “Strange Beautiful Music Marathon”, Omaha Under the Radar Festival, Works and Process at the Guggenheim Series, Notes on Fiction Series at the Center for Fiction, New Music Gathering, Contemporary Undercurrent of Song Project, American Opera Theatre, Vivre Musicale, UCCS Music/Peak Frequency Creative Arts Collective, Harford Community College Sunday Afternoon Concert Series, and Silver Finch Arts Collective. In the spring of 2017, Megan undertook a fundraising project for her first album, “Sleep Songs: Wordless Lullabies for the Sleepless.” She commissioned over 25 diverse composers from the United States and abroad to write brief, wordless lullabies for mezzo-soprano. Megan has also had recordings on Navona Records, Hoot/Wisdom Recordings, I CARE IF YOU LISTEN Fall 2015 Mixtape, and the CarpeDM Seize Des Moines “Music Mix: Volume III” which was featured at the 2016 SXSW Festival. As a chamber musician, Megan is proud to have trained at the following summer festivals: impuls International Ensemble and Composers Academy for Contemporary Music, Summer Institute for Contemporary Performance Practice (SICPP), Fresh Inc Festival, Bang on a Can Summer Music Festival at MASS MoCA, and MusicX. Her devotion to the proliferation of new music extends beyond the commissioning and performing of music to teaching, workshopping, and mentoring of emerging artists in the field. She also works to increase the visibility and influence of new music through writing on the subject for multiple online and print publications. As a curator, she selected twenty songs for mezzo-soprano and piano for the NewMusicShelf Anthology of New Music. Mezzo-Soprano, Vol. 1 includes works by: Michael Betteridge, Mark Buller, Stephen DeCesare, Douglas Fisk, Matt Frey, Jodi Goble, Ricky Ian Gordon, Cara Haxo, Cameron Lam, Cecilia Livingston, Shona Mackay, Tony Manfredonia, Nicole Murphy, Eric Pazdziora, Frances Pollock, Julia Seeholzer, Alan Thiesen, Dennis Tobenski, Moe Touizrar, and Ed Windels. Megan was honored to receive a Phyllis Bryn-Julson Award for Commitment to and Performance of 20th/21st Century Music in 2009 and a Maryland State Arts Council Individual Artist Award in Classical Music: Solo Performance in 2014. She was an accomplished violist and drama student before pursuing degrees in music and vocal performance from Augustana University and the Peabody Institute of Johns Hopkins University. Ihnen has been a board member for Baltimore Concert Opera and HOWL performing arts ensemble. Megan is a devoted teacher who recently shepherded studios at Drake University Community School of Music, Southwestern Community College School for Music Vocations, and Graceland University before taking on communications roles at Nief-Norf, Live Music Project, and New Music USA. She has also been a resident faculty artist for the UMKC Summer Composition Workshop and the Mostly Modern Festival. In addition to UMKC, Megan has presented her popular masterclasses, workshops, and lectures a Bowling Green State University, Xavier University of Louisiana, New Music Gathering, Iowa Thespian Festival, UNCG Greensboro, and Florida Atlantic University. She was also a Visiting Artist for Louisiana State University for the 2018-2019 academic year. In addition to being an avid podcast listener, Ihnen enjoys drinking good coffee, joking around with her sisters, tweeting about contemporary poetry, and watching Law & Order. She has grand dreams that one day her dog, Hunter, will be the best dog in the neighborhood. She lives in New Orleans, LA and out of her suitcase equally.

This episode is also available as a blog post: https://thecitylife.org/2021/11/29/the-public-theater-announces-line-up-for-18th-annual-under-the-radar-festival-january-12-30-2022/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

NGOZI ANYANWU is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at Atlantic Theater Company). Good Grief was on the Kilroys List 2016 and a semifinalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, Atlantic Theater, and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film, and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego. DANIEL J. WATTS is an NYC-based multidisciplinary artist. For acting, Watts is a 2020 Tony Award nominee and Outer Critics Circle Award winner for his portrayal of Ike Turner in the hit Broadway musical TINA. He has appeared in nine Broadway shows including Hamilton, Memphis, and After Midnight. He received the Barrymore Award (People's Light) and the LA Ovation Award (Geffen Playhouse) for Best Featured Actor for his portrayal of Sammy Davis, Jr. in Lights Out: Nat King Cole opposite Dulé Hill. TV credits include Season 3 of “The Marvelous Mrs. Maisel,” Seasons 1 & 2 of “The Last OG,” “Blindspot,” and “Vinyl.” Off-Broadway he has starred as the title character in Suzan-Lori Parks' Death of the Last Black Man in the Entire World AKA The Negro Book of the Dead (Signature Theatre) and Whorl Inside a Loop (Second Stage Theater). A play-on-words, Daniel J. Watts' The Jam pays homage to Watts' great-grandmother who, after making jam from scratch, would share with others what she was unable to consume herself. The Jam is Watts' continuation of that legacy, blending elements of stand-up comedy and compelling storytelling with his original spoken word, often set to music and/or dance. The Jam: Only Child was a wide success at the 2020 Public Theater Under the Radar Festival and has also streamed as part of the Signature Theater (DC) 2020-2021 season. Inaugural (2020) ANTONYO Award Winner for Best Quarantine Content. His original work and musical collaborations are featured on Raphael Saadiq's newest album “Jimmy Lee,” Tituss Burgess' “Saint Tituss,” Divinity Roxx's “ImPossible,” Nick Blaemire's “Ampersand;” as a contributing artist for Armstrong Now in conjunction with The Louis Armstrong House Museum; and featured in the young adult anthology "How I Resist" edited by The New York Times Best Seller Maureen Johnson for Wednesday Books/Macmillan. His TED talk “To Accomplish Great Things, You Need to Let Paint Dry” appears at go.Ted.com/danieljwatts. Watts is an artist in residence at ASU Gammage and also serves as an adjunct professor of NYU's Tisch New Studio. BFA, Elon University Music Theatre Program. 2021 Commencement SpDaniel J. Watts has appeared in eight Broadway shows including Tina : The Tina Turner Musical, Hamilton, In The Heights and Memphis. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I welcome Joe James to the podcast this week, he is the co-director of the Radar Festival here in the UK. We talk about this years line up, what being a promotor is like during covid and more! Enjoy! ————— https://www.radarfestoval.co.uk Podcast available on multiple platforms! https://www.linktr.ee/djforcex​ ————— #Podcast #Interview #Rock #Punk #Indie #Chat #Alternative #Metal #InConversation  ————— DJ Force X Socials: Check out ‘The Dirtchamber’ Every Sunday 6pm on TotalRock SUBSCRIBE  ►► https://www.youtube.com/djforcex  WEBSITE  ►► https://www.djforcex.com   TWITCH ►► https://www.twitch.tv/djforcex   MIXCLOUD ►► https://www.mixcloud.com/djforcex   FOLLOW INSTAGRAM  ►► https://www.instagram.com/djforcex   FOLLOW TWITTER  ►► https://www.twitter.com/djforcex  FOLLOW FACEBOOK ►► https://www.facebook.com/djforcex   FOLLOW TIKTOK ►► https://www.tiktok.com/@djforcex  

Abigail Browde and Michael Silverstone, who together are known as the experimental theater duo, 600 Highwaymen, join us to discuss a new in-person theatrical production, which runs at The Public Theater from June 8 to August 15. Titled, "A Thousand Ways (Part Two): An Encounter," the production is a continuation of their piece, "A Thousand Ways (Part One): A Phone Call," which premiered at the 2021 Under the Radar Festival and will also be available in an encore presentation that runs from May 20 through July 18. "An Encounter" will bring together two strangers in an empty room seated at opposite ends of a table and separated by plexiglass. The participants will then respond together to written prompts, creating their own private theatrical event.

I welcome Mirza from Siamese to the podcast this week for episode #200!!! We talk all things Siamese, their latest music and their forthing coming tour including RADAR Festival!  Enjoy! ————— https://linktr.ee/siameseband Podcast available on multiple platforms! https://www.linktr.ee/djforcex ————— #Podcast #Interview #Rock #Punk #Indie #Chat #Alternative #Metal #InConversation  ————— DJ Force X Socials: Check out ‘The Dirtchamber’ Every Sunday 6pm on TotalRock SUBSCRIBE  ►► https://www.youtube.com/djforcex  WEBSITE  ►► https://www.djforcex.com   TWITCH ►► https://www.twitch.tv/djforcex   MIXCLOUD ►► https://www.mixcloud.com/djforcex   FOLLOW INSTAGRAM  ►► https://www.instagram.com/djforcex   FOLLOW TWITTER  ►► https://www.twitter.com/djforcex  FOLLOW FACEBOOK ►► https://www.facebook.com/djforcex   FOLLOW TIKTOK ►► https://www.tiktok.com/@djforcex  

Actor, playwright, and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater's Under the Radar Festival and continues to tour the country.

Kait Kerrigan is a musical theater writer, YouTube creator, songwriter, and dramatist. Off-Broadway: The Mad Ones (formerly known as The Unauthorized Autobiography of Samantha Brown) and Henry and Mudge, which toured the country for over a decade. New projects include the immersive house party The Bad Years, slated for production in 2019, Republic directed by Michael Arden, a fancy new commission they can't talk about yet. Other musicals include Unbound, The Woman Upstairs, Wrong Number, The Freshman Experiment, and Flash of Time, an immersive art / puppet installation-musical hybrid at the Kimmel Center in Philadelphia, and Rosie Revere, Engineer & Friends, written with playwright Lauren Gunderson, which is currently touring the US. Kait Kerrigan received the 2009 Kleban Award for libretto-writing and the 2016 Emerging Artist Award for lyrics from the Theater Hall fo Fame (nominated by Lynn Ahrens. As a playwright, she has had her work developed at Page 73, where she was an Interstate 73 member, Primary Stages, the Lark, and Chautauqua Theatre Company, and the Weston. Her plays include Father / Daughter, Imaginary Love, Disaster Relief, and Transit.  Ryan Haddad: Ryan J. Haddad is an actor, playwright and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater’s Under the Radar Festival and continues to tour the country. Other New York credits include My Straighties (Ars Nova/ANT Fest), Noor and Hadi Go to Hogwarts (Theater Breaking Through Barriers), and the cabaret Falling for Make Believe (Joe’s Pub). Regional credits include The Maids, Lucy Thurber’s Orpheus in the Berkshires (Williamstown Theatre Festival), and Hi, Are You Single? (Guthrie Theater, Cleveland Play House, Williamstown Theatre Festival). Television credits include “Bull,” “Madam Secretary,” and “Unbreakable Kimmy Schmidt.” Haddad has performed original work at La MaMa E.T.C., the New Museum and The LGBT Center of New York City. His plays in development include Good Time Charlie and Dark Disabled Stories. He is a member of The Public Theater’s Emerging Writers Group and a former Queer|Art Performance and Playwriting Fellow under the mentorship of Moe Angelos. Learn more at www.ryanjhaddad.com and follow him on social @ryanjhaddad. Want more of My Broadway Memory?! Follow us on Social! @MyBroadwayMemory on Instagram and Facebook and @MyBwayMemory on Twitter MICHAEL KUSHNER: Instagram or The Dressing Room Project Dear Multi-Hyphenate Podcast REMY GERMINARIO (Guest Co-Host): @remygerminario BRIAN SEDITA: Instagram, Website, Page to Stage Podcast BROADWAY PODCAST NETWORK: Website or Instagram #MyBroadwayMemory Learn more about your ad choices. Visit megaphone.fm/adchoices

White & Kendall are the creators of the visual album Capsule, which will receive its world premiere at The Public's Under the Radar Festival 2021, beginning Jan. 6

Every year, The Public Theater presents new works for the stage in their Under the Radar festival. Mark Russell, the festival’s director, joins us with a preview of this year’s festival picks, which will all take place in the digital realm free of charge and will be available online through January 17.

Thanks for checking out the second episode of Festpod - The Unofficial Download Festival Guide. In this episode's Download News: • The lineup poster is still not complete and we speculate on who might yet be added. • Dropkick Murphys, Motionless in White, Polyphia, Fire from the Gods, and Bowling for Soup are all unconfirmed! • We wonder why vinyl records and cassettes are making a comeback. • Other festivals have been announcing their lineups - we compare and contrast. • Creeper, Wargasm, Higher Power, QOTSA, Loathe, Hacktivist, and Jimmy Eat World have confirmed for other festivals. • The differences between Reading and Leeds Festival and Download. • Similar festivals to Download like 2000 Trees, Bloodstock, ArcTanGent, TechFest, Radar Festival, and Damnation.  • How will the new Coronavirus restrictions affect us at festivals in 2021? • We wonder how crowds of thousands will be able to get into festivals despite Covid-19 with testing and social distancing. In this episode's The Guide : • We talk about The Arena - what exactly is the arena at Download? • Food vendors. • Merchandise stalls. • The stages. • VIP areas. • Fairground. • NXT wrestling. In this episode's The Legend: • Neil remembers the monsoon or "Drownload" in 2016. • Dave saw Skye from Sumo Cyco crowd surfing over to a kid to high-five him. • Leigh remembers watching Devin Townsend in 2017 who told the crowd to "hug your pals!", but Leigh was on his own! Send us a voice message to comment on anything we've talked about, or even just to say hi, by clicking on Message at anchor.fm/festpod and we could play it out on the next episode! Hosts: Neil Wilkinson, Leigh Ellingham and Dave Kingdon. Find us on the socials at Facebook, Twitter and Instagram by searching for Festpod. --- Send in a voice message: https://anchor.fm/festpod/message

This week we sit down with Catherine Jackson, co-founder and co-promoter of the new Radar Festival, as well as owning and running the Lounge Bar in Alton. Hit the button to hear all about Catherine's experience of being a woman in the music industry, as well as coordinating the launch of one of the most exciting new progressive music events in the country. For all RADAR Fest Enquiries: https://www.radarfestival.co.uk

DJ Swoosh seeks to champion new and emerging Black British genres like Drill, RnDrill, Afro-Bashment and more. Pre-lockdown Swoosh performed at Radar Festival in Zurich and is set to go back on tour with music icon S-X in October. Follow DJ Swoosh on Instagram: @djswoosh See acast.com/privacy for privacy and opt-out information.

Auf über 10 Bühnen spielten am Samstag über 35 Acts an der Zürcher Langstrasse. Das Newcomerfestival "Radar" ging bereits in die 3. Runde. Wir waren vor Ort und haben mit vielen Künstler*innen gesprochen. Die Highlights gibts hier:

Davey6000 spielt am Radar Festival. Vorher durften wir ihn zum Interview begrüssen.

Anger, das sind Julian Angerer und Nora Pider. Die beiden kommen eigentlich aus dem Südtirol, wohnen aber mittlerweile in Wien. Ihre Musik bewegt sich irgendwo zwischen Dream-Pop, Emo-Attitude und technoiden Beats. Klingt komplex aber gut! Im Interview am Radar Festival haben wir mit Julian und Nora über Vergleiche mit Bilderbuch, Hedonismus ihrer Musik und wo sie mit ihrer Band noch hin wollen.

This month's theater recap includes three Broadway shows, five productions from the Public Theater's Under the Radar Festival, many Off and Off-Off Broadway plays and a few dance performances.The Broadway shows discussed are Slava's Snowshow, Tina: The Tina Turner Musical and Jagged Little Pill based on Alannis Morrisette's music. Off-Off Broadway theaters companies visited this month include the Tank, The Barrow Group, Metropolitan Playhouse and LaMama. A review of a contemporary take on Medea starring Rose Byrne and Bobby Cannavale. Plus a few tips for upcoming sure-bets opening this spring.Finally, if you've ever wanted to know what's going on inside your phone, find out in my review of a fun new musical, Emojiland. A show to make you smize.

A quick rundown of the hottest singles and videos plus a look at the second wave of bands announcements for Prime Fest, Radar Festival, ArcTanGent and Euroblast!

Gadget, abc Production und Wepromote haben sich zusammengeschlossen. Die neu entstandene Firma ist der grösste Veranstalter der Schweiz. Das betrifft auch das Openair St. Gallen oder das Radar Festival. Was das für deine Konzer- und Festivalbesuche und die Schweizer Musiklandschaft bedeutet, erfährst du im Podcast.

Ryan J. Haddad is an actor, playwright and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater’s Under the Radar Festival and continues to tour the country. Other New York credits include My Straighties (Ars Nova/ANT Fest), Noor and Hadi Go to Hogwarts (Theater Breaking Through Barriers), and the cabaret Falling for Make Believe (Joe’s Pub). Regional credits include The Maids, Lucy Thurber’s Orpheus in the Berkshires (Williamstown Theatre Festival), and Hi, Are You Single? (Guthrie Theater, Cleveland Play House, Williamstown Theatre Festival). Television credits include “Bull,” “Madam Secretary,” and “Unbreakable Kimmy Schmidt.” Haddad has performed original work at La MaMa E.T.C., the New Museum and The LGBT Center of New York City. His plays in development include Good Time Charlie and Dark Disabled Stories. He is a member of The Public Theater’s Emerging Writers Group and a former Queer|Art Performance and Playwriting Fellow under the mentorship of Moe Angelos. Learn more at www.ryanjhaddad.com and follow him on social @ryanjhaddad.

The Sol Project’s Associate Artistic Director, David Mendizábal, and Producing Assistant, Joey Reyes, interview Maria Goyanes, Artistic Director of Woolly Mammoth Theatre in Washington D.C., and Stephanie Ybarra, Artistic Director of Baltimore Center Stage in Baltimore Maryland. They discuss leadership turnover, institutional values, and the changing landscape of the American Theater.  Maria Goyanes joined Woolly Mammoth Theater as the new Artistic Director in September 2018. Previously, she served as the Director of Producing and Artistic Planning at The Public Theater in New York City where she oversaw the day-to-day execution of the plays and musicals at the theatre’s five performance spaces, including the Delacorte Theater for the company’s Shakespeare in the Park programming. She also lead the season planning process as well as the theatre’s artistic programs, including Public Works, the Under the Radar Festival, and the offerings at Joe’s Pub. She is a faculty member at the Juilliard School, where she co-teaches a course on producing. She also creates the curriculum for Playwrights Downtown, the Playwrights Horizons Theater School at New York University. She serves as a board member of the National Alliance for Musical Theatre. She served as executive producer of the 13P playwrights collective and as the co-chair of the Soho Rep Writer/Director Lab. She was also the associate producer of Trinity Repertory Company. The League of Professional Theatre Women honored her with the Josephine Abady Award. She earned a B.A. at Brown University, where she was awarded the Susan Steinfeld Award. Stephanie Ybarra joined Baltimore Center Stage as the new Artistic Director full-time in December 2018. Previously, she served as the Director of Special Artistic Projects at The Public Theater, where she lead the Mobile Unit and Public Forum programs. She made her artistic producing debut with the original production of Tarell Alvin McCraney’s The Brothers Size, for which she received the inaugural Producer’s Chair Award from the Foundry Theater. She went on to serve as the first Producing Director for Playwrights Realm and Producing Artistic Director for the Cherry Lane Theater’s Mentor Project, collaborating with artists such as Jen Silverman, Snehal Desai, Greg Moss and Awoye Timpo. In 2015, she was the recipient of TCG’s Continuing Education Grant, which took her to Peru to explore socio-political theater, and in 2016 she received the Congressional Award for Achievement in Excellence from Zara Aina, an international nonprofit dedicated to community engaged artmaking. Stephanie holds an MFA in Theater Management from Yale School of Drama. David (daveed) Mendizábal is an NYC based director, designer, one of the Producing Artistic Leaders of The Movement Theatre Company, and Associate Artistic Director of The Sol Project. Learn more about David and his work at www.davidmendizabal.com.  Joey Reyes serves as the Producing Assistant of The Sol Project and Executive Assistant at Long Wharf Theatre in New Haven, CT. Originally from Southern California, they have worked as a producer, administrator, and facilitator on the east coast since late 2017. IG & Twitter: @joeykangarooooo. Follow us on Facebook at The Sol Project and Instagram and Twitter at @solprojectnyc!

In deze aflevering van Wijzen uit het Oosten spreken Jasper en Job met Koen Bredeveld en Eric van Oosterbaan van Absolutely Fresh. Absolutely Fresh is de organisator achter grote festivals en feesten zoals Freshtival, Onder de Radar Festival, Airforce Festival en Absolutely Kingsnight. Koen en Eric zijn twee van de drie eigenaren van de organisatie en staan al jaren bekend om de goede kwaliteit van hun festivals en hun creativiteit. 

Join this week’s episode with legendary Bgirl and MC Tara of the aNoMoLies crew, MAWU and the Heartbreakerz as she talks about her journey with health and wellness, spirituality and finding joy as a dancer. In this inspiring conversation with Hip Hop Bruha’s host and aNoMoLies crew member DJ Kuttin Kandi, she shares her legacy as a Black Bgirl in Hip Hop, and in dance culture, the erasure of Black Bgirls in Hip Hop, as well as the need for Hip Hop to be unified and be in the movement for justice. New York City native Tara Crichlow, affectionately known as “big tara,” is a pioneer in the world of hip hop. As a self-proclaimed New York club culture ambassador, she is an innovative artist best known for her contribution to the art form as an international teacher, performer and curator of related programs. big tara promotes New York’s underground music and dance culture accurately and positively through music, battling, performing, and teaching workshops, as well as, giving lecture/demonstrations. Her expertise lies within breaking, as well as proficiency in hip hop, house, waacking, vogueing, lindy hop and pole dance. At her core, big tara is a Bgirl and mc who has had the opportunity to perform her way onto many stages across the US including the Apollo, BB Kings,the Manhattan Center, and Lincoln Center. She has worked with Run DMC, the Roots, Erykah Badu and LL Cool J to name a few and has presented her own work at events like Central Park Summer Stage, DMC World Championship, Bgirl Be, Allied Media Fest, Ladies Hip Hop Get Down, Under the Radar Festival, Ladies of Hip Hop, J.U.I.C.E. Hip Hop Dance Festival and Howl Fest. big tara is a founding member of the Anomolies Crew, as well as a member of other crews including MAWU, and HeartBreakerz. She consciously uses her platform to empower women, people of color, and other under represented communities. Pronouns: she/her/hers Transcripts are available on our website! https://www.hiphopbruha.com/ Hip Hop Bruha is an online think platform and podcast show that seeks to provide a critical analysis on everything from Hip Hop, Pop Culture to all things political through an intersectional feminism lens. Follow us on Twitter, Instagram and Facebook!

In Episode 116 of the “High Regard Show,” “Rock Critic,” we talk to Jessica Blank and Erik Jensen, the creators of the solo play, “How to Be a Rock Critic,” which will run Jan. 5-15 as part of The Public Theater’s Under the Radar Festival. It's based on the writings of legendary rock critic Lester Bangs, and Jessica and Erik tell us how they brought the larger-than-life icon to the stage — and what he might think of the show. In “The POTSie,” Tom talks about revisiting some old meds due to some anger issues and how he’s going to rectify his recent malnourishment diagnosis. If you make one resolution this year, it should be to follow our rescue pit bull Kona via @TheKonaPersona on Instagram, Twitter and Facebook. She's too cut to miss, that's for damn sure. Jessica Blank & Erik Jensen interview: 18:30:00 “The POTSie” segment: 38:27:00 For more information about “How to be a Rock Critic:” Show page with ticket info: https://publictheater.org/Tickets/Calendar/PlayDetailsCollection/UTR-2018/HOW-TO-BE-A-ROCK-CRITIC/ Under the Radar Festival: https://publictheater.org/Programs--Events/Under-the-Radar-Festival/AboutUTR/?SiteTheme=UnderTheRadar Check back for new “High Regard Show” shows every Monday on SoundCloud and iTunes (please be sure to follow and rate us)! You can also follow us right here on highregardshow.com and on these social media sites: Twitter Facebook Instagram Tumblr Google+ Pinterest You can also find hosts @TomRoarty and @NikkiMMascali on Twitter. Finally, if you would like to have your work, product, band or even your mom promoted on the show, drop us a note at highregardshow@gmail.com

Jazzpod 055 – Johanna Schneider Recording from Sunday morning at Off Radar Festival 2016. https://soundcloud.com/johanna-schneider https://www.residentadvisor.net/dj/johannaschneider https://www.facebook.com/Bossmusik https://www.facebook.com/Esperanto-Music-367040720147397 For updates from Jazzpod, follow: www.facebook.com/jazzpod Subscribe to Jazzpod on iTunes: https://itunes.apple.com/se/podcast/jazzpod/id987206829?l=en&mt=2

One-on-One Conversation with Taylor Mac and Lee Breuer: On May 14, 2012, SDCF hosted a One-on-One conversation at the Axis Theatre Company in New York between theatre artists Lee Breuer and Taylor Mac, hybrid theatre artists of limitless imagination and inventiveness working mostly in experimental theatre both nationally and internationally, moderated by Mark Russell, Artistic Director and Producer of the Under the Radar Festival produced by The Public Theater. These artists, who work in multiple disciplines, discuss gaining power through their individuality and originality and identify those singular artists and companies from the past, most notably Charles Ludlam and The Ridiculous Theatre, whose work has inspired and influenced their own. They express their hopes for the future or theatre, and what they gain and learn by working internationally. They share their personal definitions of success and why their work is categorized as political. This insightful conversation sheds light on how to create theatre that is personal, relevant, collaborative and unique. Originally recorded - May 14, 2012. Running Time - 1:23:00 © 2012 SDCF

January is traditionally a lean month for the commercial theater, with tourists leaving and Broadway offering discounts. If you need help climbing out of the winter theater doldrums, New York Times theater critic Charles Isherwood suggests you consider some newly minted — as well as more experimental — works being presented in two festivals in New York. Two separate festivals this month bring more than a dozen shows of avant-garde work to the city. The largest is the Public Theater's Under the Radar Festival, which is celebrating its 10th anniversary. Meanwhile, PS 122 sponsors the COIL festival, which this year is focusing on work from New York City artists.

Writer/humorist John Hodgman joins Theater Talk to discuss many topics including his new show “I Stole Your Dad” at the Under the Radar Festival, as well as how to cook owls and Jerry Lewis's legendary suppressed film "The Day the Clown Cried."

Nature Theater of Oklahoma looks backward (and forward!) in theater time with curator Mark Russell of Under the Radar Festival in New York City.  Join us as we chat with Mark about his early years in the Austin, TX music scene, his tenure at PS122, the invention of UTR, and hopes and fears about his upcoming move to Lausanne, Switzerland.  Together we talk about drilling down, burning out, and branching out, and still somehow keeping one foot in the city we all love.

On May 14, 2012, SDCF hosted a One-on-One conversation at the Axis Theatre Company in New York between theatre artists Lee Breuer and Taylor Mac, hybrid theatre artists of limitless imagination and inventiveness working mostly in experimental theatre both nationally and internationally, moderated by Mark Russell, Artistic Director and Producer of the Under the Radar Festival produced by The Public Theater. These artists, who work in multiple disciplines, discuss gaining power through their individuality and originality and identify those singular artists and companies from the past, most notably Charles Ludlam and The Ridiculous Theatre, whose work has inspired and influenced their own. They express their hopes for the future or theatre, and what they gain and learn by working internationally. They share their personal definitions of success and why their work is categorized as political. This insightful conversation sheds light on how to create theatre that is personal, relevant, collaborative and unique.

Roger Guenveur Smith is an actor, writer, and director whose work has illuminated the international stage and screen. He adapted his Obie Award-winning solo performance of A HUEY P. NEWTON STORY into a Peabody Award-winning telefilm. His most recent play, RODNEY KING, has already been lauded by the Los Angeles Times and the LA Weekly as among the season's best, and is currently featured in the Under the Radar Festival at the Public Theater, where he has frequently presented his history-infused work.  For Spike Lee's classic DO THE RIGHT THING, Mr. Smith created the stuttering hero Smiley, as well as a gallery of memorable characters in Mr. Lee's MALCOLM X, GET ON THE BUS, and HE GOT GAME. His eclectic range of screen credits also includes EVE'S BAYOU, DEEP COVER, HAMLET, ALL ABOUT THE BENJAMINS, and the HBO series K STREET and OZ. He was nominated for the Screen Actors' Guild Award for his work in AMERICAN GANGSTER and recently starred in the acclaimed indie films MOOZ-LUM and BETTER MUS' COME, as the Prime Minister of Jamaica.  FREDERICK DOUGLASS NOW is Smith's signature solo, played on countless stages from the Kennedy Center to London's ICA. INSIDE THE CREOLE MAFIA, a "not-too-dark comedy" is his award-winning duet with Mark Broyard.  Roger studied at Yale University and Occidental College, and has taught at both institutions; as well as Cal Arts. Website: http://guenveur.com/ Mooz-lum movie Facebook page:https://www.facebook.com/Moozlumthemovie