Podcasts about original london cast

In this episode, Bobby and Steffan are joined by the incredible Vicki Lee Taylor, whose career has taken her from iconic musicals to TV screens and everything in between! Fresh from starting 2025 as the offstage standby for Jane McDonald & Marisha Wallace in Robin Hood at the London Palladium (while still making a brief appearance in every show!), Vicki's versatility and talent have made her a force in the industry.

It's that time again when Stage Door Athletic brings the year to a close and discuss their goals and commitments for the 12 months ahead!Rob and Jack talk about the state of the acting industry, their views on social media, staying present in the moment, enlivening or deadening their lives, sporting aspirations for the year and how we can all garner a bit more self love and self worth in all of our lives!We want to say a big thank you to all of you for listening over the past 12 months! We truly truly appreciate getting involved with the podcast and here's to next year! Tell your friends and give us a follow on our socials! @StageDoorAthleticHosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0036019Resolutions by Original London Cast of When Midnight Strikes ℗ 2007 MaKiNG RecordsHappy New Year by ABBA ℗ 2014 Polar Music International AB Hosted on Acast. See acast.com/privacy for more information.

Are you a teacher who misses singing? Or a performer who would love to know how to supplement your career with teaching? In this episode, Olly Christopher from The Book of Mormon and Hello Dolly reveals his journey from Musical Theatre professional performance to the teaching room, sharing how he found harmony between his dual passions. Discover how you can balance both a busy teaching schedule and a professional performing career.QUOTE‘Anything you do as a performer is going to be valuable to you as a teacher. I really think they go hand in hand.'WHAT'S IN THIS PODCAST?2:16-6:43 Getting in to Musical Theatre6:45-7:06 The most challenging vocal role8:07-17:23 Challenges & successes in Musical Theatre training20:13-25:46 Advice to the aspiring Musical Theatre performer25:46-27:45 Advantages & disadvantages a teaching & performance career28:20-37:12 Maintaining a teaching and performance career38:27-41:42 Advice for those wanting to do both41:42-43:23 Vocal Balance44:57-45:24 Get in touch with Olly About the presenter click HERERELEVANT MENTIONS & LINKS The Churchill TheatreGuildford School of ActingMountviewArts EdStephen OremusSinging Teachers Talk - Ep.109 Mastering ‘Acting Through Song' Techniques to Elevate Musical Theatre PerformanceVocal BalanceBAST Blog - How to Nurture a Singers Authentic VoiceDr Trineice Robinson-MartinABOUT THE GUESTOlly Christopher is both a performer and singing teacher and has worked across the UK and internationally.Olly trained at Arts Educational Schools, gaining a BA(Hons) degree in Musical Theatre. As a performer his credits include; A Christmas Carol (The Lowry, Manchester) Hello Dolly! (London Palladium), 42nd Street (Leicester Curve, Sadlers Wells, UK Tour & Toronto), Featured Soloist in The Greatest Showtunes (Raymond Gubbay Entertainment); South Pacific (Sadlers Wells & UK Tour); The Original London Cast of Pretty Woman: The Musical (Savoy Theatre, West End); The Book Mormon (Prince of Wales Theatre, West End); All Star Musicals (ITV); and Sweet Charity (Manchester Royal Exchange).Alongside Olly's performing career, he is an accredited Vocal Balance singing teacher and has taught in many drama schools including Italia Conti, Bird College, LAMDA and PPA. Olly also runs his own private practice for Musical Theatre professionals, young adults who wish to train in Musical Theatre and non-professionals.Instagram: @ollychristopher_vocalsBAST Training is here to help singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. Website: basttraining.com | Subscribe | Email Us | Join the Free FB Group "I am so glad I took the course! It has given me the confidence to move forward in my teaching knowing that I am practising safely, with a wealth of knowledge and support that I simply didn't have before! Hayley Ross, UK...more testimonials

What happens when three historians watch a key play about the First World War? This month we took a field trip to see Oh What A Lovely War at the Leeds Playhouse. As a result we discuss the nature of the performance, the changing image of Douglas Haig, and wonder whether audiences were supposed to sing along. ReferencesAlan Clark, The Donkeys (1961) John McCrae, In Flanders Field (1915) William Phillpot, Bloody Victory: The Sacrifice on the Somme and the Making of the Twentieth Century (2010) Dan Todman, The Great War in Myth and Memory (2005) Oh! What a lovely war (Original London Cast) (1983)  

46. PressureAfter a weekend where the Premier League, Championship and Scottish Premier League all tightened up at the top, Jack & Rob get together in the clubhouse to talk about pressure, who will buckle and why.They talk through how they have handled pressure on stage and off and discuss their various coping strategies. Jack shares his press night pressures on ‘Dear Evan Hansen' and coping with stress on ‘War Horse' and Rob talks about facing the cameras for the first time on ‘Eastenders' as well as his I'm OK-You're OK psychological approach. But remember folks…pressure makes Diamonds! #jackloxton #robertshawcameron #dearevanhanson #deh #eastenders #warhorse #nationaltheatre #liverpoolfc #manu #mancity #arsenalfc #gooners #pressure #premierleague #championship #rorymcolroy #golf #actors #westend #theatre #billyjoel #hairthemusical #musicals #TikTok #Instagram #StageDoorAthletic #Podcast #sportspodcast #theatrepodcastHosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw CameronDesign by: Charlie Finn@jackloxton1 @robshawcameron@thecourtofjames @finn__studioStage Door Athletic is a [NON]FICTION PEOPLE Podcast© Robert Shaw Cameron, Jack Loxton and James CourtPRS Licence Reference: LE-0031956Music:Pressure, Billy Joel - ℗ 1982 Columbia Records, a division of Sony Music EntertainmentHair, Paul Nicholas, Oliver Tobias & Original London Cast - ℗ 2001 Universal Classics Group, a Division of UMG Recordings Inc. Hosted on Acast. See acast.com/privacy for more information.

Taylor J. Williams is a 2023 Tony Award-nominee in the Best Sound Design of a Play category for Ain't No Mo'. He is also a musician who has worked as an electronic music designer on more than 30 Broadway productions including Moulin Rouge, Beetlejuice, Be More Chill, King Kong, Frozen, and Falsettos. Topics include: pageantry, melodrama, Jonathan Deans, Jonathan Deans, Jonathan Deans, napping in a rats' nest of cables, Adam Pascal bootlegs, and what does a programmer . . . do? Taylor J Williams Dot Com Featured recordings: Marguerite - Original London Cast Recording (2008) • Aida - Original Broadway Cast Recording (2000) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email

David Sedaris is a writer whose humorous stories and wry takes on everyday encounters have led to 13 bestselling books and many radio programmes including Meet David Sedaris on BBC Radio 4. His work is based on his own life and, although very funny, does not shy away from the bleaker aspects of his experiences. David was born in New York State and grew up in Raleigh in North Carolina. He dropped out of university and became a performance artist for a while, but says he lacked artistic talent and chose not to pursue art as a career. In 1990 he moved to New York City where he supported himself by working as a Christmas elf called Crumpet at Macy's department store. He wrote an essay about this experience called Santaland Diaries which he read on National Public Radio. His performance attracted an enthusiastic response from listeners and led to his first major break as a writer and broadcaster. David's later collections of stories and essays have won non-fiction awards and in 2002 he gave a sold-out performance at Carnegie Hall in New York. The recording of this event was later nominated for a Grammy Award for Best Comedy Album. David's most recent collection of essays addresses a range of subjects including the end of Donald Trump's administration, the COVID-19 pandemic and the death of his father. David lives with his boyfriend Hugh and they divide their time between New York and West Sussex. David is a committed litter-picker which prompted his local Sussex council to name a refuse vehicle after him - Pig Pen Sedaris. DISC ONE: I Don't Wanna Play House by Tammy Wynette DISC TWO: Where is Love, composed by Lionel Bart and performed by Keith Hamshere and Original London Cast of Oliver! DISC THREE: Dindi by Maria Bethânia DISC FOUR: Until You Come Back to Me (That's What I'm Gonna Do) by Aretha Franklin DISC FIVE: I Got A Right to Praise The Lord by The Georgia Mass Choir DISC SIX: Manhattan by Blossom Dearie DISC SEVEN: You and I by Abbey Lincoln DISC EIGHT: They Say It's Wonderful by John Coltrane and Johnny Hartman BOOK CHOICE: A German dictionary LUXURY ITEM: Pencils and paper CASTAWAY'S FAVOURITE: You and I by Abbey Lincoln Presenter: Lauren Laverne Producer: Paula McGinley

On this week's episode, Wyatt talks with Taryn Smithson who plays Rumpleteazer in the North American Tour "Cats" The Musical. They talk about the importance of having a mentor who believes in you when you don't fully believe in yourself and so much more!Go see Taryn in "Cats" The Musical: https://ustour.catsthemusical.com/tickets/Follow Taryn on insta @ tmsmithsonThe Overture · Andrew Lloyd Webber · "Cats" 1981 Original London Cast

We open with the “Harlem Renaissance”, the commercial venturing of Black stage plays. The Play: The setting takes place in Harlem in the ‘50s, Simply Heavenly follows Jess Simple as he tries to raise enough money for a divorce so he can marry his new love and eloquently captures the color, humor and poetry of that time and place. The musical is based on Hughes' novel Simple Takes A Wife and other Simple stories. Runtime: 20 August – 12 October, 1957 (Source: Masterworks Broadway) blackworkbroadway.com Langston Hughes' Simply Heavenly featuring Anna English, “Look for the Morning Star” and Melvin Stewart singing “the Flying Saucer Monologue” and the “Gate Keeper of my Castle”           At the beginning of the play, Walter and Beneatha's father has recently died, and Mama (Lena) is waiting for a life insurance check for $10,000. Walter has a sense of entitlement to the money, but Mama has religious objections to alcohol and Beneatha has to remind him it is Mama's call how to spend it. Eventually, Mama puts some of the money down on a new house, choosing an all-white neighborhood over a black one for the practical reason that it happens to be much cheaper. Later she relents and gives the rest of the money to Walter to invest with the provision that he reserve $3,000 for Beneatha's education. Walter passes the money on to Willy's naive sidekick Bobo, who gives it to Willy, who absconds with it, depriving Walter and Beneatha of their dreams, though not the Youngers of their new home. Meanwhile, Karl Lindner, a white representative of the neighborhood they plan to move to, makes a generous offer to buy them out. He wishes to avoid neighborhood tensions over the interracial population, which to the three women's horror Walter prepares to accept as a solution to their financial setback. Lena says that while money was something they try to work for, they should never take it if it was a person's way of telling them they weren't fit to walk the same earth as they.          And, Beneatha's character and direction in life are being defined for us by two different men: Beneatha's wealthy and educated boyfriend George Murchison, and Joseph Asagai. Neither man is actively involved in the Youngers' financial ups and downs. George represents the “fully assimilated black man” who denies his African heritage with a “smarter than thou” attitude, which Beneatha finds disgusting, while dismissively mocking Walter's lack of money and education. Joseph patiently teaches Beneatha about her African heritage; he gives her thoughtfully useful gifts from Africa while pointing out she is unwittingly assimilating herself into white ways. She straightens her hair, for example, which he characterizes as “mutilation.”           When Beneatha becomes distraught at the loss of the money, she is upbraided by Joseph for her materialism. She eventually accepts his point of view that things will get better with a lot of effort, along with his proposal of marriage and his invitation to move with him to Nigeria to practice medicine.           Walter is oblivious to the stark contrast between George and Joseph: his pursuit of wealth can be attained only by liberating himself from Joseph's culture, to which he attributes his poverty, and by rising to George's level, wherein he sees his salvation. Walter redeems himself and black pride at the end by changing his mind and not accepting the buyout offer, stating that the family is proud of who they are and will try to be good neighbors. The play closes with the family leaving for their new home but uncertain future. Lorraine Hansbury (Playwright) 19 October – 25 June, 1960 (Source: Wikipedia) Brews, Pours and Sips gives is finale with: Simply Heavenly, from "Simply Heavenly" youtube.com2:09 "Simply Heavenly" (Track 02) from the 2005 Original London Cast recording of "Simply Heavenly" featuring Allyson Brown, Rhashan Stone More like this at http://www.firstnightrecords.com --- Support this podcast: https://anchor.fm/stringer5/support

George trained at Mountview Academy of Theatre Arts, London.  He made his debut in the London company of WICKED (Apollo Victoria) in the role of Boq, later reprising his role as part of the Original UK/Ireland Tour, spending a total of four years with the show.  Credits include: Tobias in SWEENEY TODD (Welsh National Opera & UK Tour), HAIR (European Arena Tour), the title role in PETER PAN (Milton Keynes Theatre ) alongside Bradley Walsh, and Zaki in the Original London Cast of BIG FISH (The Other Palace) with Kelsey Grammer.   He was a series finalist in BRITANNIA HIGH (ITV) and performed alongside Rod Stewart and Michael Bublé as part of ROD STEWARTS CHRISTMAS (ITV). In 2017 George took on the lead role of Rusty in the London Redevelopment Workshop of STARLIGHT EXPRESS (The Other Palace) directed by Arlene Phillips, and was invited by Andrew Lloyd Webber to record  "I Am The Starlight" (duetting with Mica Paris) for his latest album, UNMASKED: THE PLATINUM COLLECTION. George is an accomplished Vocal & Performance coach, and has worked with clients including Zoë Wanamaker, Jessica Wright, Jorgie Porter and BGT's Sarah Ikumu. He has also spent the past 11 years teaching at some of the UK's leading conservatoires including Mountview Academy, Italia Conti and LAMDA. He has been a core member of the Musical Theatre faculty at The Urdang Academy since 2015, and his credits as a Director include SPRING AWAKENING, A MAN OF NO IMPORTANCE, INTO THE WOODS, A NEW BRAIN, BAT BOY and BAD GIRLS.  Most recently George was invited by the BBC to join four other industry experts and sit on the professional jury representing the UK at the Eurovision Song Contest 2019. Connect with George on Instagram @george_ure https://www.instagram.com/george_ure/?hl=en   

Broadway vet and cabaret mainstay Marty Thomas is here for a show he first saw on Broadway when he was 11 and thought everyone was just really good friends at Dreamland in Saigon. Topics include: How one pronounces “Alain Boublil;” Double-tape deck stereos; Branson, MO; changed lyrics; And why cast Jonathan Pryce in the first place? Marty Thomas Dot Com Chris, what’s haunting you? on Instagram The Broadway Hot Dog Featured recordings: Miss Saigon - Original London Cast Recording (1990) • My Broadway - Sean McDermott (1999) • Slow Dancing with a Boy - Marty Thomas (2019) • It’s a Holiday Soul Party - Sharon Jones & the Dap-Kings (2015) • The Award Winning Holiday Album - Marty Thomas & Marissa Rosen (2020) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! This month’s episode has Broadwaysted!’s Bryan Plofsky and fan-favorite Kenny Neal talking about the most Academy Award-winning entry in Sondheim’s filmography West Side Story (1961). Patreon • Twitter • Facebook • Email Mandy Patinkin Sings 90s Hits!

Danny joins us all the way from the United Kingdom! He has been in many productions which include...Theatre productions of Last 5 Years, the Original London Cast of The Price of Egypt, Singin' In The Rain, The light in the Piazza, Disney's Aladdin, Follies at Royal Albert Hall, The Who's Tommy, the UK tour of The Little Mermaid, Asian tour of The Twelve Tenors, Out of this World, Cinderella. Television includes... Humans, All Star Musicals, Dancing on Ice. Film includes... Rocketman and The Theory of Everything. His is also a lead vocalist for Aida Cruise Lines, and a soloist on BBC Radio 2's Friday Night is Music Night. @dannybeckerukTwitterdannybecker.co.ukTake Your Career to the Next Level!Work 1-on-1 with Dane, host of You Booked It.

Dana Gillespie in conversation  with David Eastaugh Dana Gillespie recorded initially in the folk genre in the mid-1960s. Some of her recordings as a teenager fell into the teen pop category, such as her 1965 single "Thank You Boy", written by John Carter and Ken Lewis and produced by Jimmy Page. Her acting career got under way shortly afterwards, and it overshadowed her musical career in the late 1960s and 1970s. The song "Andy Warhol" was originally written by David Bowie for Gillespie, who recorded it in 1971, but her version of the song was not released until 1973 on her album Weren't Born a Man. Her version also featured Mick Ronson on guitar. After performing backing vocals on the track "It Ain't Easy" from Bowie's Ziggy Stardust and the Spiders from Mars, she recorded an album produced by Bowie and Mick Ronson in 1973, Weren't Born a Man. Subsequent recordings have been in the blues genre, appearing with the London Blues Band. She is also notable for being the original Mary Magdalene in the first London production of Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar, which opened at the Palace Theatre in 1972. She also appeared on the Original London Cast album. During the 1980s Gillespie was a member of the Austrian Mojo Blues Band.

Kate hails originally from the North East. She qualified with BAHons in History from Durham University before moving to London to pursue her dream of becoming a performer, beginning with a postgraduate course in Musical Theatre at the Royal Academy of Music. She was awarded the DipRAM for her study year, gained a teaching qualification (LRAM) and has since been made an Associate of the Royal Academy of Music (ARAM) for excellence in her field. Kate continues to explore aspects of vocal technique (including Estill method to advanced level) and is currently studying for a PGCert in Performance teaching at the Guildhall Schools of Music and Drama. Kate is currently playing Diane in Come From Away at the Phoenix Theatre, London. Theatre credits include Tanya in Mamma Mia (Novello Theatre) Cherry Sunday in the Original London Cast of Charlie and the Chocolate Factory (Theatre Royal, Drury Lane), Tanya in Mamma Mia! (International tour), Mrs Wilkinson in Billy Elliot the Musical (Victoria Palace theatre), Hold Me Touch Me in the Original London Cast of The Producers (Theatre Royal, Drury Lane), Babette in Disney's Beauty and the Beast (Dominion Theatre London and National Tour), A Bowl of Cherries (Charing Cross Theatre), Lucy in The Thing About Men (Landor Theatre), Miranda in A Comedy of Arias (King's Head and Jermyn St), Beggar Woman in Sweeney Todd (Derby Playhouse), Stepmother in Rodgers and Hammerstein's Cinderella (Bristol Old Vic), Elvira in High Spirits (Bridewell), Original Cast of Dick Barton Special Agent (Croydon Warehouse and National tours), Dick Barton and the Curse of the Pharaoh's Tomb (Greenwich), Jerry Springer The Opera (BAC),  No Way to Treat a Lady (Art's Theatre), Les Miserables (German Tour), Three Lost Souls (BAC and King's Head).Kate's first professional work upon leaving college was a concert with the Stephen Hill Singers for Radio 2. From then she became a regular member of 'Capital Voices' run by Annie Skates and has enjoyed an extremely wide variety of work with them. Solo concert work includes Christmas Singalong (Glasgow Royal Concert Halls), Friday Night is Music Night (Radio 2), Abba Symphonic (BSO), Cole Porter Classics (RFH and Bridgewater Hall), Concert tour with the RAF Central Band. Backing vocals for numerous artists including Westlife, Kylie and The Feeling at Proms in the Park, Russell Watson, Lesley Garrett, Cliff Richard, Elaine Paige, Michael Ball, KD Lang, John Wilson Orchestra and soundtracks including Galavant, Nine, Cats and Jesus Christ Superstar. Kate also appeared in Fiddler on the Roof (as Chava), Guys and Dolls (as Mimi) and Sweet Charity for BBC Radio 2. Alongside her professional work Kate has always enjoyed working with private students at home and has taken masterclasses and private lessons at several colleges including Momentum Performing Arts Academy, Performers College, LSMT, Millennium and RSAMD. She was also the Assistant Children's Director at Charlie and the Chocolate Factory and thoroughly enjoyed working with the extremely talented mini cast on their performances.http://www.kategraham.info

Hello, and welcome to Chatting From The Wings! Today, Alex is back again as we discuss this family-friendly West End adventure full of Stiles & Drewe's diverse music. From dream roles to raving about hats, tune in as we talk about an old tale turned contemporary fun-fest! DISCLAIMER: The streaming of this show is no longer free, but the following link will take you to a site where you can rent the official pro-shoot of the Original London Cast: https://www.willowsmusical.com Alex's YouTube Channel: https://www.youtube.com/channel/UCTQSxBuGKZwzE636rO89Lww I own no rights to any music used within this episode. All music is owned by Sony Masterworks Broadway.

Follow My Favourite Musical on Instagram!Listen to the Original Broadway Cast of Into the WoodsListen to the Original London Cast of Into the WoodsHere’s Last Midnight in German!And here’s the recent Broadway Revival Recording of Sunday In The Park With George

Tonight on #SpotlightOn we're looking at the musical Six (https://www.facebook.com/sixthemusical/) ! It was meant to be in Nottingham this week as part of its current UK tour, but take a listen to find out how you can still enjoy the magic of the live show at home, and make sure you watch the #Megasix to see fabulous performances from across the world. Here are a few of my favourites to get you started... The last night with all the members of the Original London Cast: youtube.com/SOV0nuNdiHI  (https://www.youtube.com/watch?v=SOV0nuNdiHI) The Norwegian Cruise cast: youtube.com/4pXCCO73boo  (https://www.youtube.com/watch?v=4pXCCO73boo) The Chicago (North American premiere) cast: youtube.com/Lw6v8CwCAMc  (https://www.youtube.com/watch?v=Lw6v8CwCAMc) The current UK tour cast: youtube.com/J-hqBNY19hY  (https://www.youtube.com/watch?v=J-hqBNY19hY) #Queendom #GetReadyToDance Music credit: Toby Marlow & Lucy Moss ('Six', Six The Musical, Studio Cast Recording, 2018)

Rachel John is currently playing Mrs Neilsen in Girl from the North Country at the Gielgud Theatre in the West End.  You may have previously seen her as Angelica in the Original London Cast of Hamilton, for which she received an Olivier nomination. Her other credits include The Bodyguard, Memphis, We Will Rock You and Sister Act.  You can follow Backstage With… on Twitter, Instagram and Facebook to find out which stage door we’re going through next.

It’s a Double Feature Week on Pod Sematary! Chris & Kelsey decide whether or not to check the children in this urban-legend-turned-feature-film combo recommended by listener Alex! The Original: When a Stranger Calls (1979) “A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again" (IMDb.com). It’s everyone’s favorite UL: The Babysitter and the Man Upstairs! Plus, we talk way too much about gender dynamics and dating. The Remake: When a Stranger Calls (2006) “During a babysitting gig, a high-school student is harassed by an increasingly threatening prank caller" (IMDb.com). In 1979, Fred Walton added about 70 or so minutes of content to a 20-minute concept to make a pretty awesome film; in 2006, Simon West tried to get about the same length without adding ANYTHING. It goes about as well as you could expect. Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1153434017313640448 Audio Sources: "Black Christmas" (1974) produced by Film Funding Ltd. of Canada, et al. "Down Once More/Track Down This Murderer" written by Charles Hart, Richard Stilgoe, & Andrew Lloyd Webber and performed by Michael Crawford, Mary Millar, Steve Barton, and the Original London Cast "Forgetting Sarah Marshall" produced by Universal Pictures & Apatow Productions “Grandma’s Boy” produced by Happy Madison Productions, et al. "New in Town" written and performed by John Mulaney "Old Town Road" written and performed by Lil Nas X "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Princess Bride" produced by The Princess Bride Ltd., et al. "S&M Present" (Robot Chicken S01E09) produced by Stoopid Monkey, et al. "Scrooged" produced by Paramount Pictures & Mirage Productions "Split" produced by Universal Pictures, et al. “The Three Caballeros” produced by Walt Disney Pictures & Walt Disney Productions "Urban Legend" produced by Phoenix Pictures, et al. "Weird Satanist Guy" via BowserVids @ www.youtube.com/watch?v=YErFwJX0HKE "When a Stranger Calls" (1979) produced by Melvin Simon Productions "When a Stranger Calls" (2006) produced by Screen Gems & Davis Entertainment "zendaya is meechee" via Gabriel Gundacker @ https://www.youtube.com/watch?v=Xx5YqFKjTCY

This week, Steve Jobs ALMOST claims Cristaly for the nether realm, but we shout him down. Alicia promotes Nyasporin, a hot new first aid product. Jay gets mad about a self-righteous web-slinging man. Cristaly mourns a 1055. CONTENT WARNINGS: Mentions of eye injuries (in the context of first aid care), discussion of cut/wound care, blood mentions. Music samples (for educational purposes): "Try It And See" by Rita Pavone (written by Andrew Lloyd Webber), "King Herod's Song" by Bruce Dow (also written by Andrew Lloyd Webber), "Jellicle Song for Jellicle Cats" by Cats: 1981 Original London Cast (written by - wouldn’t you know it - Andrew Lloyd Webber).

Playwright Liz Maestri stops by to talk about the London cast recording of LES MISÉRABLES. Patrick and Liz discuss the difference between a “leading lady” and a “lady,” roles that are beneath Patti LuPone, and whether woodwinds belong in a marching band. Featured recordings: LES MISÉRABLES - Original London Cast Recording (1985) JESUS CHRIST SUPERSTAR - A Rock Opera (1970) LES MISÉRABLES - Original Broadway Cast Recording (1987) LES MISÉRABLES - The Complete Symphonic Recording (1990)   Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod Email: OriginalCastPod@gmail.com  

Drink: Bud LightSalmonella ContaminationVisiting with my dadSports TalkMy 5 Year PlanDecorating my placeCher’s Living Proof Tour“I’m no princess either”Memorial Day thoughtsTell me about your adventuresListen to http://www.galorepodcast.comEnd song: Anything Can Happen from the Original London Cast of Mary Poppins