Podcasts about Ziggy Stardust

It was a bold move, and a desperate one, when David Bowie, struggling to make a go of it as a rock musician, adopted a pseudonym and donned a wild outfit in 1972. It was the birth of Ziggy Stardust, and it worked. The look and sound of Ziggy took the rock world by storm, and Bowie's concept album based on the character, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, released on June 16, 1972, marked the beginning of Bowie's rise to super-stardom. Randy Renaud has the story behind it all on this week's episode of the Chronicles of Rock.

Hablamos de la canción «Starman», de David Bowie, con el cantante y compositor Héctor Gerónimo como invitado. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos comentado en el pódcast. Escucha el comentario completo del disco 'The Rise and Fall of Ziggy Stardust and the Spiders From Mars' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/7fYfKW3laDvlr57B3C5yQD?si=85ab686289234ceb IVOOX: https://go.ivoox.com/rf/111908468 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-6-ziggy-stardust-de-david-bowie-con-h%C3%A9ctor-ger%C3%B3nimo/id1672847595?i=1000619589149 WEB: https://marcaliana.com/david-bowie-ziggy-stardust-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 16ú lá de mí an Mheithimh, liomsa Lauren Ní Loingsigh. I 1978 tháinig sé amach gur chaith daoine sa tír níos mó ná 520 milliún punt ar alcól agus tobac I rith 1976 agus d'ardaigh sé nach mór 87 milliún punt ón bhliain roimhe. I 2000 ní raibh an rialtas ag sheachaint beart níos mó chun na tithe a dhéanamh níos inacmhainne mura n-oibríonn an phacáiste nua. I 1989 bhí daoine ag súil leis an vótáil chun a bheith cóngarach chuig 75%. I 2000 labhair na h-altraí san ospidéal in Inis amach I gcoinne na plean chun aon síciatrach ardslándála a thógáil I Spanish Point. Sin John Travolta agus Olivia Newton John le You're The One That I Want – an t-amhrán is mó ar an lá seo I 1978 Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1972 tháinig David Bowie amach lena 5ú halbam The Rise And Fall Of Ziggy Stardust And The Spiders From Mars – an coincheap den albam ná chun scéal a rá d'eachtrán darbh ainm Ziggy Stardust. Chuaigh an t-albam chuig uimhir a 5 sa Bhreatain agus uimhir 75 I Meiriceá agus tháinig sé amach go raibh sé an t-albam ab fhearr riamh. I 2002 46 bhliain tar éis a chéad amhrán, chuaigh Elvis Presley chuig uimhir a haon sa Bhreatain lena amhrán Little Less Conversation. Tar éis é sin bhí 18 uimhir a haon aige. Agus chomh maith bhí sé an t-amhránaí a raibh sna cairteacha den chuid is mó I rith 44 bhliain. A chéad uimhir a haon a bhí aige ná All Shook Up I 1957. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Jurgen Klopp sa Ghearmáin I 1967 agus rugadh amhránaí John Newman sa Bhreatain ar an lá seo I 1990 agus seo chud de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 16th of June, with me Lauren Ní Loingsigh 1978: irish people spent a record of £520m on alchol and tobacco during 1976 which waas an increase of almost £87m. 2000: the government were not shrinking from further action to make houses more affordable if the sweeping package unveiled does not work. 1989: It was expected that there would be a poll close to seventy five percent. 2000: Nurses in our lady hospital in ennis spoke out against plans to develop a high security psychiatric unit at spanish point. That was John Travolta and Olivia Newton John with You're The One That I Want – the biggest song on this day in 1978 Onto music news on this day In 1972 David Bowie released his fifth studio album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars a concept album telling the story of a fictional bisexual alien rock star named Ziggy Stardust. The album which reached No.5 in the UK and No. 75 in the US has been consistently considered one of the greatest albums of all time. 2002 46 years after his first hit, Elvis Presley started a four week run at No.1 on the UK singles chart with 'A Little Less Conversation', (Elvis vs. JXL), giving Elvis a total of 18 UK No.1 singles, the most by any artist in chart history. This also set a new record for the longest span of No.1 hits with 44 years, 11 months and 9 days. His first UK No.1 single was 'All Shook Up' in 1957. And finally celebrity birthdays on this day – soccer coach Jurgen Klopp was born in Germany in 1967 and singer John Newman was born in the UK on this day in 1990 and this is one of his songs. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

On this week's show, we discuss how the greatest song ever written came together, how the template for rock festivals came together, and we wish a happy birthday to the man who helped to write Come Together.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠Resources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

Live from the Belfast Book Festival 2024, at the Crescent Arts Centre, with Ways of Seeing. Writers: Jan Carson, Lucy Caldwell, Glenn Patterson, Emily Byers-Ferrian and Maria McManus, with music from Scott Flanigan, Sinéad McKenna & Micky Fearon and Trú

Alex Kane is a fiercely inventive guitarist, songwriter, and musical visionary whose career has spanned decades and continents. Best known for his work with bands like Life Sex & Death, Marky Ramone's Blitzkrieg, Antiproduct, and Enuff Z'Nuff, Kane is one of rock's true cult heroes—a player whose style fuses punk ferocity, glam flamboyance, metal precision, and a sense of showmanship that feels equal parts Ziggy Stardust and Sid Vicious.Born in Chicago, Alex Kane grew up soaking in a wild mix of musical influences—from KISS and The Sex Pistols to Cheap Trick and Queen. He picked up the guitar early and soon developed a sound that combined attitude with technical flair. His Chicago roots also gave him a gritty, no-nonsense approach that would become a signature element of his music.Life, Sex & Death (L.S.D.)Kane first gained national attention in the early '90s as the guitarist and primary songwriter for the controversial and utterly unique band Life Sex & Death. Known for blending sleaze-rock with raw punk energy and philosophical lyrics, the band featured a homeless-savant frontman named Stanley, who became a kind of underground legend.Their debut album, The Silent Majority (1992), released on Warner Bros., drew critical acclaim and cult fascination. Songs like “Tank,” “School's for Fools,” and “Jawohl Asshole” were full of snarling riffs, sharp social commentary, and theatrical swagger. Though commercial success was elusive, the band's live shows and Kane's explosive playing style left a lasting mark on the rock underground.Post-LSD & AntiproductAfter the dissolution of L.S.D., Kane relocated to the UK and co-founded Antiproduct, a glam-punk power-pop explosion that further stretched his musical boundaries. Antiproduct quickly developed a rabid UK fan base with their high-energy shows and outrageous visual style.Their album Consume and Die… The Rest Is All Fun showcased Kane's diverse influences—from Ramones-speed punk to Beatles-style melody—wrapped in crunchy guitars and rebellious hooks. The band was hailed in the British press as a breath of fresh air, and they toured relentlessly with artists like The Wildhearts and Wednesday 13.Collaborations & Side ProjectsAlex Kane is known for his prolific collaborations. He played guitar with Marky Ramone's Blitzkrieg, joining the punk legend for international tours and celebrating the legacy of The Ramones with thunderous authenticity. His stage presence and aggressive playing perfectly matched the spirit of the punk classics.Kane has also worked with an array of artists across genres including Pretty Boy Floyd, Richie Ramone, and Shameless, and has guested on countless albums. A fearless player, he's comfortable shredding on heavy metal tracks, laying down sleazy glam riffs, or playing melodic hooks with pop sensibility.Enuff Z'Nuff & Recent WorkIn recent years, Kane returned to his Chicago roots and joined Enuff Z'Nuff for several tours, bringing a harder-edged guitar vibe to the band's power-pop and psychedelic-tinged catalog. His addition reinvigorated the band's sound onstage, and his chemistry with Chip Z'Nuff made him a fan-favorite during live shows.Kane also continues to produce, write, and record solo material. His sharp wit, eclectic taste, and raw energy continue to push creative boundaries. He's known for mentoring young musicians and remaining fiercely independent in an industry often driven by trends and compromise.LegacyAlex Kane's legacy is one of rebellion, craft, and fearless creativity. He's not just a guitar player—he's a musical mischief-maker and a genre-blending explorer. While he may have flown under the mainstream radar, those who know Kane's work recognize him as one of the most exciting and original rock guitarists of his generation.https://www.instagram.com/alexfuckingkane?igsh=MTV1OWhuaGt1NWNlbA==

What's the greatest album of all time—and why does it feel like the answer changes depending on who's holding the aux cord?In this music-fueled, laugh-out-loud episode of The Ben and Skin Show, with Ben Rogers still out on vacation, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive deep into a newly compiled list of the top-rated albums of all time—sourced from seven major music outlets and mashed together into one glorious, chaotic ranking.

David Bowie's immensely successful follow-up to Ziggy Stardust - if you only judge it by how famous the album cover is - is a bizarre story about a Ziggy disciple touring America and musing about what he sees. Maybe. Do the theater kids agree? Well find out as they talk about what might be one of Bowie's most theatrical albums, Aladdin Sane!Originally recorded December 8, 2024.

We're back again to review a classic album that we previously knew very little about. This time around it's David Bowie's “The Rise and Fall of Ziggy Stardust and the Spiders From Mars.” How did hosts E and Tank find their first experience with Bowie? Watch and find out!What album have you just never got around to listening to? Let us know in the comments. Listen to “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” for yourself.Watch previous episodes. Please like/follow/subscribe to The Extended Play Podcast.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Manuel sigue su recorrido por la historia de la interacción entre la música y la C-F. En este programa la toca el turno al año 1972. Suenan los temas: - "Changes" de David Bowie. - "Starman" de David Bowie. - "Five Years" de David Bowie. - "Rocket Man" de Elton John. - "Stardancer" de Tom Rapp. - "Ballroom of Mars" de T Rex. - "Flying Saucer's Daughter" de The Sensational Alex Harvey Band. - "Watcher of the Skies" de Genesis. - "Supersonic Rocket Ship" de The Kinks. - "Space Truckin'" de Deep Purple. - "Mesmerization Eclipse" de Captain Beyond. - "Dancing Madly Backwards" de Captain Beyond. - "Rejoice in the Sun" de Joan Baez. - "Future Shock" de Curtis Mayfield. - "Moonage Daydream" de David Bowie. - "Ziggy Stardust" de David Bowie. Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), en Twitter ( @losretronautas), en BlueSky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com También puedes unirte a nuestro grupo de Telegram. Contacta con nosotros para enviarte el enlace de invitación. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a estos "Micronautas". Saludos desde los días del futuro pasado. Escucha este episodio completo y accede a todo el contenido exclusivo de Los Retronautas. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/57575

De ses débuts comme acheteur pour Champs Disques, disquaire culte de l'avenue des Champs-Elysées dans les années 1970-1980, à la dernière fashion week parisienne, où il a créé les bandes-son pour les collections de pas moins de six marques, Michel Gaubert s'est imposé comme l'un des illustrateurs sonores les plus célèbres de la planète. Cet expert du son a mis en musique plus de 1 800 défilés Chanel, aux côtés de son ami Karl Lagerfeld, et collaboré avec de nombreuses grandes maisons. Il retrace cette odyssée musicale dans une autobiographie, « Remixed » (Fayard, 22,90 €), qui vient de sortir.Il nous reçoit chez lui, dans son appartement-studio du 16e arrondissement de Paris, avec vue sur la rue, où se côtoient une œuvre du plasticien Cyprien Gaillard, un fauteuil d'Harry Bertoia, « trop confortable » avec son ottoman, et une photographie de Willy Vanderperre pour Margiela. L'illustrateur sonore nous fait découvrir sa bibliothèque et son « bureau secret » : sa « caverne d'Ali Baba », où s'empilent CD et vêtements, où il écoute de la musique et commence les montages.Dans cet épisode du « Goût de M », Michel Gaubert raconte ses nuits à mixer derrière les platines du Palace, club mythique des nuits parisiennes des années 1980, son admiration pour David Bowie et son personnage de Ziggy Stardust, ou encore cette drôle de nuit de 1990, où Karl Lagerfeld l'appelle et lui demande de changer la musique pour le défilé du lendemain alors qu'il a « un somnifère dans les gencives ». Au cœur d'un monde où musique et mode sont intrinsèquement liées, les souvenirs de Michel Gaubert voient défiler les grands de ces deux univers.Cet épisode a été publié le 23 mai 2025.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal), préparé avec l'aide de Diane Lisarelli et de Juliette SavardRéalisation : Anaïs ReinhardtMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

This week we start our first of a two part dive into the music of David Bowie! This episode features Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and Young Americans.

Sie schlagen eine Brücke zwischen Tik Tok und den tragischen Helden unserer Väter: Die Indie-Rocker Car Seat Headrest haben es unter dem Einfluss von Tommy, Ziggy Stardust und The Wall gewagt, eine Rockoper fürs neue Jahrtausend zu machen. Pomp! Überlänge! Drama! Genau so verbindet man Generationen.

Beaucoup aujourd'hui regrettent les années 2000. C'est drôle quand on sait qu'on en rêvait depuis les années 50 mais pas pour les mêmes raisons. La preuve ? Les années 2020, c'est nettement moins bien. Car vous savez ce qu'il y avait de bien dans les années 2000 et qu'il n'y a plus maintenant ? Déjà on pouvait envoyer un Bzzz sur MSN pour réveiller celui ou celle avec qui on discutait mais qu'on sentait distrait, parce qu'il répondait pas. Alors on faisait trembler son ordi. Vous vous souvenez ? Essayez avec Whatsapp, y a pas !Mais bon, plus sérieusement, à cette époque où Star Wars n'avait pas encore été acheté par Disney, franchement on nous l'aurait dit, c'était un truc à mettre dans un sketch, mais bref, dans les années 2000, on a eu Astérix Mission Cléopâtre, Gladiator, Les Seigneur des anneaux, Harry Potter, Pirates des Caraïbes, Love Actually et autres Batman de Christopher Nolan. Et Daniel Craig qui ressuscite James Bond. Bref, de très bonnes raisons d'aller au cinéma. Et puis, qu'on ait 15 ou 30 ans, le lendemain au boulot ou dans la cour de récré, tout le monde avait vu les nouveaux épisodes de Charmed ou de Desperate Housewives. Pourquoi ? Parce que tout le monde regardait les mêmes trois, quatre chaînes de télé. Allez-y aujourd'hui. Vous avez déjà fait le test de vous écrier “Et vous avez vu la nouvelle série ?” et de ne recevoir en retour que des yeux en forme de points d'interrogation, avant de comprendre que vous le ou la seule abonnée à ce site. Et que même ça vous vaut des regards méprisants d'envie. Si, parfois.Et puis, y avait Brice de Nice à la télé. Et la StarAc. Là, c'était sûr que tout le monde avait regardé. Bien sûr, il y avait les pour et les contre. Ceux qui trouvaient ça chouette de retrouver de grandes communions populaires autour de la chanson, alors la disparition des émissions de variétés. Et ceux qui se lamentaient ou se fâchaient sur cette télévision réalité qui sortaient des artistes de nulle part, sans expérience, et les transformaient en stars du jour au lendemain. Mais bon, on allait quand même y chanter car il faut bien vendre le nouveau disque. Enfin, c'est l'occasion que ces années 2000 ont porté de solides nouveaux noms. Dont des étranges. Tenez ce gars qui avait une coiffure reconnaissable de loin comme Jamiroquaï. Ben oui, M. Comme Mathieu Chédid mais M c'est un personnage qu'il s'invente pour se donner en spectacle sur scène, un art qu'il maîtrise avec une vraie musique organique, du funk et du rock, en français. C'est le Ziggy Stardust de David Bowie version Millenium et francophone, évidemment, et une occasion, si pas un espoir, la musique et la création font encore et toujours bon ménage.

Ziggy Stardust er et koncept album om en androgyn og extravagant rockstjerne, der kommer fra en fjern planet og bringer meddelelser fra rummet til menneskeheden. Der ud over handler det om Ziggys opstigen til berømmelse, hans succes og hans fald. Det er en vildt spraglet historie, spækket til randen med usædvanligt gode numre, der fint … Læs videre "Ziggy Stardust"

Dans les hauts de Belleville, à Paris, dans un immeuble des années 1960, Jeanne Cherhal habite un appartement « sans moulures ni fioritures ». Dans son « cocon en étage élevé », la chanteuse nous accueille parmi ses « objets bienveillants ». Dans la cuisine, une affiche du film « Jules et Jim », avec l'actrice Jeanne Moreau qu'elle adule, et une autre de David Bowie, Ziggy Stardust étant un de ses albums de chevet. Dans une autre pièce, elle s'amuse d'une tasse blanche qu'elle a volée dans un hôtel de Bretagne et qui lui rappelle un bon concert qu'elle avait fait la veille. Au milieu de valises éparpillées en vue d'un prochain voyage, Jeanne Cherhal raconte la formation de son goût.Elle a grandi près de Nantes avec ses deux sœurs, son père plombier, « attentif à ne pas gaspiller l'eau », et une mère institutrice, « passionnée de théâtre, de cinéma et de littérature ». Dans l'enfance, Jeanne Cherhal pratiquait la danse classique, mais c'est finalement la musique qui l'a emporté. Elle apprend le piano en autodidacte, en reprenant note à note l'album « Sheller en solitaire », sorti en 1991. Parmi les figures qui ont marqué son adolescence, elle désigne aussi Alain Souchon, Patricia Kaas, Kurt Cobain, Véronique Sanson…C'est après avoir assisté à la prestation émouvante d'un chanteur de bar avec accordéon qu'elle se décide à écrire elle-même ses propres chansons sur un petit clavier électronique, alors qu'elle étudiait la philosophie à l'université. Jeanne Cherhal évoque aussi son septième album, « Jeanne », qu'elle a écrit et réalisé avec son complice Benjamin Biolay. Après avoir percé dans la chanson française au début des années 2000, l'artiste de 47 ans continue, au piano, d'aborder des thèmes comme la vie, la féminité, le temps qui passe, l'époque post-MeToo, les rapports homme-femme, le couple et le désir.Cet épisode a été publié le 18 avril 2025.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal), préparé avec l'aide de Diane Lisarelli et de Juliette SavardRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Hablamos de la canción «Moonage Daydream», de David Bowie, con el cantante y compositor Héctor Gerónimo como invitado. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos comentado en el pódcast. Escucha el comentario completo del disco 'The Rise and Fall of Ziggy Stardust and the Spiders From Mars' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/7fYfKW3laDvlr57B3C5yQD?si=85ab686289234ceb IVOOX: https://go.ivoox.com/rf/111908468 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-6-ziggy-stardust-de-david-bowie-con-h%C3%A9ctor-ger%C3%B3nimo/id1672847595?i=1000619589149 WEB: https://marcaliana.com/david-bowie-ziggy-stardust-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Send us a message, so we know what you're thinking!Why do you like the music you do?  Is it as simple as “It's what I heard on the radio”? Or something deeper? People with elder siblings may be exposed to music earlier than first children.   Jeff had an older brother, so was exposed earlier to cool music - Beatles, Janis, Hendrix, and so on.  Mick was the eldest in his family and had to find his own taste. (No surprise considering what he listens to!) Were you bullied as a child?  Influence!  Did you share music with your friends?  Influence!  Did you have access to a good radio station?  Or print media?  Influence!! We talk about our early influences – musical & otherwise – and look at how they played a role in what we listen to today.    In Rock News, Ringo has released a country album, and Toto is touring.  Oh well, shouldn't take them long to play their 3 hits. You know Jeff's obsessed with AI, so he asked three AI brands to nominate the greatest albums of 1971.  Not much variation, really.  One day, we may ask them to understand quality, rather than sales figures, and see what they give us.    Our Album You Must Listen to Before you Die is “Blue” by Joni Mitchell - an top grade album that deserves to be here.  Mick references Atlantic Records' sampler called “Very Together” which featured “Carey” from this album, and pointed out a link between Joni Mitchell and Scottish hard rock band, Nazareth. How did YOUR tastes develop?  Drop us a line & let us know. Enjoy! References:  RAM Magazine, Rock Australia Magazine, Countdown, Molly Meldrum, 2DoubleJay, The Magus/Holger Brockman, Chris Winter, Mac Cocker, “Never Mind the Bollocks”, The Sex Pistols, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie, “Five Years”, “Room to Move”, Chris Winter, “Starman”, “Rock'n'roll Suicide”, Birdland, Weather Report, Joe Zawinul, Brian Eno, “Another Green World”, “Zawinul Lava”, “Rock'n'Roll Animal”, Lou Reed, Steve Hunter, “Sweet Jane”, “Heroin”, “Rock'n'Roll”, Berlin, Alice Cooper, Velvet Underground, Peter Gabriel, “Car”, “Stranded”, Roxy Music, Bryan Ferry, “Song for Europe”, “Street Life”, “Psalm”, Sisters of Mercy, XTC, Nico, REM, Television, Patti Smith, “Sgt Pepper's Lonely Heart Club Band”, The Beatles, "Within You Without You”, “Tomorrow Never Knows”, Bob Dylan's Greatest Hits, Like a Rolling Stone”, Revolver, Bridge Over Troubled Water, Simon and Garfunkel, Pearl, Janis Joplin, Tapestry, Carole King, Slade Alive, Hot August Nigh”, “Goodbye Yellow Brick Road”, “Dark Side of the Moon”, “Led Zeppelin IV”, “Silk Degrees”, Box Scaggs, “Journey to the Centre of the Earth”, Rick Wakeman, “Woodstock”, “Monterey Pop”, “The Song Remains the Same”, “The Last Waltz”, The Guitar Spa, Redeye Records, John Foy, bootleg records, “His Master's Voice”, “Sheetkeeckers”, Australian electronica/dance music store, Hipgnosis, Pink Floyd, Peter Gabriel, Regurgitator, “I like your old stuff better than your new stuff", DeepSeek, ChatGPT, Google Gemini, Blue, Joni Mitchell, Henry Lewy, “Very Together”, “This Flight Tonight”, Nazareth  Episode Playlist  The first song played by 2DoubleJay - “You Just Like Me ‘Cos I'm Good in Bed” 

On today's show: We connected with the University of Calgary's trade expert Carlo Dade to hear what our neighbor's new trade policy could mean for both Canada and the global economy; With all this talk of accessing new markets for Canada's exports, we heard from a local researcher who has spent years studying the idea of energy corridors; The epic rock opera and high concept album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" will fill the Jack Singer Concert Hall tonight, and we spoke to a guitarist ready to rock out.

In 2000, “John Titor” claimed to be a soldier from 2036—but leaked NSA docs suggest he was a CIA experiment to test disinformation tactics. This episode tracks Titor's IP to a Langley server, decodes his “2036 prophecies” as Cold War nuclear codes, and exposes the actor hired to play him. Featuring deepfake audio of Titor's “mother” admitting, “He's a character, like Bowie's Ziggy Stardust.”

In this episode, we talk to singer/songwriter/multi-instrumentalist Rocket Stahr about his great animated rock opera Death Of A Rock Star. If you are into Glam Rock, 70s Rock, and Theater Rock, this episode is for you!

Musicians recount the strange and unexpected story behind the making of your favorite albums. David Bowie finally locked in on a way to connect with the record buying public - by transforming himself into an alien savior / fame monster. The guys continue their 200th episode celebration and talk about unintelligible but cool lyrics, the melodic bass of Trevor Bolder, and those persistent sharp 4th notesBuy a copy of The Beverly Crushers "Enterprise" (Rob and Tom's new album) and have a chance to pick what album we cover next Join our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/4WZR9SJmpBnZljWNej5BQm?si=dbd81bad8a034df1Listen to Ziggy Stardust here:https://open.spotify.com/album/48D1hRORqJq52qsnUYZX56?si=ClTGG7-sR7Kr3LH1nzmDlQIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 30+ hrs of bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: The Sex Pistols - Nevermind the Bollocks

Musicians recount the strange and unexpected story behind the making of your favorite albums. David Bowie wanted to be a star. It took a few tries but after changing his name and shaving his eyebrows off, he finally made it. The boys celebrate a big milestone episode and discuss methods for learning vocal harmony, ancient Egyptian religions, and vocal cord rupturing single takes,Buy a copy of The Beverly Crushers "Enterprise" (Rob and Tom's new album) and have a chance to pick what album we cover next Submit your snarky tweet about "Enterprise" hereJoin our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/32VqnBD5EYWflsreOc7YVs?si=db867ef7a24c4a80Listen to The Rise and Fall of Ziggy Stardust and the Spiders from Mars here:https://open.spotify.com/album/48D1hRORqJq52qsnUYZX56?si=5xRs7WweRdaGwa07QsmxMQIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 30+ hrs of bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: The Rise and Fall of Ziggy Stardust and the Spiders from Mars: SIDE 2

Musicians recount the strange and unexpected story behind the making of your favorite albums. Nine Inch Nails was born from the late night studio experiments of Trent Reznor, who rocketed to stardom in the early nineties with this sonically experimental and lyrically provocative album. The boys discuss Trent's rural Pennsylvania beginnings, early ProTools workflows, and the importance of twisting up samples so as to be unrecognizableBuy a copy of The Beverly Crushers "Enterprise" (Rob and Tom's new album) and have a chance to pick what album we cover next Submit your snarky tweet about "Enterprise" hereJoin our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/5WMPhYkRf7F0sH6Vi3eztx?si=5c91e3592a6d472aListen to The Downward Spiral here:https://open.spotify.com/album/7a7arAXDE0BiaMgHLhdjGF?si=R2YGEMcIRPaHsW10fDBJywIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 30+ hrs of bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars

RockerMike and Rob Presents:Suzi RonsonSuzi Ronson (née Fussey) played a crucial behind-the-scenes role in shaping David Bowie's image during his Ziggy Stardust era. Born in England, she worked as a hairdresser in Beckenham when she first encountered Bowie and his then-wife, Angie Bowie. It was Suzi who gave Bowie the now-iconic red mullet haircut, which was inspired by a style from a Japanese fashion magazine. Impressed by her work, Bowie invited her to join his team as a personal stylist, making her the first woman to be part of his touring crew.During the early 1970s, Suzi traveled with Bowie and his band, the Spiders from Mars, styling his hair, helping with wardrobe, and supporting the overall theatrical vision of his performances. This period was one of the most visually striking and influential phases of Bowie's career.While working with Bowie, she met Mick Ronson, Bowie's lead guitarist and arranger. The two fell in love and eventually married, starting a family together. After Mick's passing in 1993, Suzi continued working in creative fields, including music production, writing, and storytelling.In recent years, she has shared her experiences from the Ziggy Stardust era through interviews and articles, giving fans a glimpse into the behind-the-scenes world of one of rock's most transformative periods. Her contributions to Bowie's image and legacy remain a vital part of his history.#SuziRonson #MickRonson#ZiggyStardust #DavidBowie#BowieStyle #GlamRock#SpidersFromMars #RockHistory#70sRock #HairAndFashion#MusicLegends #RockAndRollhttps://www.amazon.com/stores/Suzi-Ronson/author/B0CXJ9S28L?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=truehttps://www.instagram.com/suzironson?igsh=Y3FobWFtNml6ZDUzhttps://www.facebook.com/share/16MPXz9Wqc/?mibextid=wwXIfrhttps://x.com/ronsonsuzi?s=21&t=Mzw5de5zsR-SDDbhyzH0Lg#classicrock #rockhistory #70smusic #musichistory #rockandroll #rocklegends

Glam rock was more than just a sound—it was a shift in how music, fashion, and identity intertwined.  We explore the rise of Glam in the early ‘70s, with David Bowie as its central figure. Through alter egos like Ziggy Stardust and the Thin White Duke, Bowie use theatricality, androgyny, and science fiction themes to push the boundaries of rock music and stardom.  But Glam wasn't just Bowie. UK Artists like T. Rex and Slade, and Americans like Lou Reed and Alice Cooper each brought their own take, blending rock with elaborate visuals and a playful disregard for traditional norms.  Glam faded after a few short years, but its influence is lasting. Glam style and attitude reappear, over and over, in Rock Music.  Producer and Host: Christian Swain  Head Writer: Richard Evans  Sound Designer: Jerry Danielsen Learn more about your ad choices. Visit megaphone.fm/adchoices

No musician is more closely associated with London or left more footprints than Bowie, and you can trace its influence on his life and work (and vice versa) through a series of landmarks from the suburbs to the centre. Author and curator Paul Gorman has just published an annotated street-map – David Bowie's London - listing the places that played a formative role in his world and music, the places he rehearsed, performed, filmed and recorded, the homes of friends and managers, his schools and the addresses where he lived, worked and was photographed, made connections, bought clothes and generally raised the temperature. We talk here about many of those old haunts and the stories attached to them, which include… … mysterious manager Ralph Horton who got him to change his name to Bowie and then vanished from the face of the earth. … the fate of Heddon Street, home of K-West and the Ziggy phone-box.  … Marc Bolan refusing to let him sing at an all-night benefit at Middle Earth. … “the Fairy Godmother of the New Romantics” at the WAG Club. … when Lionel Bart came to Haddon Hall. … Bowie and Steve Marriott auditioning for the Lower Third. … how he levered his way into a Fabulous magazine fashion shoot. … “the end of the age of Showbiz”: performing Chim Chim Cher-ee at the Marquee when at a crossroads between rock and roll and cabaret. … the magical piano at the Trident Studios. … a chance encounter with the otherworldly Vince Taylor whose ‘UFO map' helped inspire the concept of Ziggy Stardust. … the legend of Mr Fish, creator of the man-dress on the cover of The Man Who Sold The World. … the days when people had a white Rolls Royce and matching Alsatian – and “the Great Sarong Scare of the ‘90s”. … and various fringe figures including his art teacher Owen Frampton, Konrads agents Bob Knight and Eric Easton, muse and heartbreaker Hermione Farthingale, producers Shel Talmy and Tony Hatch (“the original Mr Nasty from Opportunity Knocks”) and slum landlord and racketeer Peter Rackman. Order Paul's street-map here:https://www.amazon.co.uk/David-Bowies-London-Paul-Gorman/dp/1068523476Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

No musician is more closely associated with London or left more footprints than Bowie, and you can trace its influence on his life and work (and vice versa) through a series of landmarks from the suburbs to the centre. Author and curator Paul Gorman has just published an annotated street-map – David Bowie's London - listing the places that played a formative role in his world and music, the places he rehearsed, performed, filmed and recorded, the homes of friends and managers, his schools and the addresses where he lived, worked and was photographed, made connections, bought clothes and generally raised the temperature. We talk here about many of those old haunts and the stories attached to them, which include… … mysterious manager Ralph Horton who got him to change his name to Bowie and then vanished from the face of the earth. … the fate of Heddon Street, home of K-West and the Ziggy phone-box.  … Marc Bolan refusing to let him sing at an all-night benefit at Middle Earth. … “the Fairy Godmother of the New Romantics” at the WAG Club. … when Lionel Bart came to Haddon Hall. … Bowie and Steve Marriott auditioning for the Lower Third. … how he levered his way into a Fabulous magazine fashion shoot. … “the end of the age of Showbiz”: performing Chim Chim Cher-ee at the Marquee when at a crossroads between rock and roll and cabaret. … the magical piano at the Trident Studios. … a chance encounter with the otherworldly Vince Taylor whose ‘UFO map' helped inspire the concept of Ziggy Stardust. … the legend of Mr Fish, creator of the man-dress on the cover of The Man Who Sold The World. … the days when people had a white Rolls Royce and matching Alsatian – and “the Great Sarong Scare of the ‘90s”. … and various fringe figures including his art teacher Owen Frampton, Konrads agents Bob Knight and Eric Easton, muse and heartbreaker Hermione Farthingale, producers Shel Talmy and Tony Hatch (“the original Mr Nasty from Opportunity Knocks”) and slum landlord and racketeer Peter Rackman. Order Paul's street-map here:https://www.amazon.co.uk/David-Bowies-London-Paul-Gorman/dp/1068523476Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

No musician is more closely associated with London or left more footprints than Bowie, and you can trace its influence on his life and work (and vice versa) through a series of landmarks from the suburbs to the centre. Author and curator Paul Gorman has just published an annotated street-map – David Bowie's London - listing the places that played a formative role in his world and music, the places he rehearsed, performed, filmed and recorded, the homes of friends and managers, his schools and the addresses where he lived, worked and was photographed, made connections, bought clothes and generally raised the temperature. We talk here about many of those old haunts and the stories attached to them, which include… … mysterious manager Ralph Horton who got him to change his name to Bowie and then vanished from the face of the earth. … the fate of Heddon Street, home of K-West and the Ziggy phone-box.  … Marc Bolan refusing to let him sing at an all-night benefit at Middle Earth. … “the Fairy Godmother of the New Romantics” at the WAG Club. … when Lionel Bart came to Haddon Hall. … Bowie and Steve Marriott auditioning for the Lower Third. … how he levered his way into a Fabulous magazine fashion shoot. … “the end of the age of Showbiz”: performing Chim Chim Cher-ee at the Marquee when at a crossroads between rock and roll and cabaret. … the magical piano at the Trident Studios. … a chance encounter with the otherworldly Vince Taylor whose ‘UFO map' helped inspire the concept of Ziggy Stardust. … the legend of Mr Fish, creator of the man-dress on the cover of The Man Who Sold The World. … the days when people had a white Rolls Royce and matching Alsatian – and “the Great Sarong Scare of the ‘90s”. … and various fringe figures including his art teacher Owen Frampton, Konrads agents Bob Knight and Eric Easton, muse and heartbreaker Hermione Farthingale, producers Shel Talmy and Tony Hatch (“the original Mr Nasty from Opportunity Knocks”) and slum landlord and racketeer Peter Rackman. Order Paul's street-map here:https://www.amazon.co.uk/David-Bowies-London-Paul-Gorman/dp/1068523476Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

February 10, 1972. When his music career begins to stagnate, David Bowie reinvents himself with an alien alter-ego he names Ziggy Stardust.You can listen ad-free in the Wondery or Amazon Music app. Or for all that and more, go to IntoHistory.comHistory Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

February 10, 1972. When his music career begins to stagnate, David Bowie reinvents himself with an alien alter-ego he names Ziggy Stardust.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

By the time that Led Zeppelin was releasing their sixth studio album, they were solidly on top of the rock pantheon.  They had just switched to Swan Song Records, their own label, and had plenty of time to create this double album work, Physical Graffiti.  They had three sides-worth of new songs largely recorded at Headley Grange in Hampshire in early 1974, and they expanded it to a double album by including unreleased tracks from sessions for their previous three albums.  Physical Graffiti went to number 1 on the UK chart and number 3 on the US charts immediately.  They had planned to release the album in November 1974, but delays in producing the album's sleeve design pushed it back to February 1975.  Demand was so strong that it became the first album to go platinum on advance orders alone.The album itself reflects a diversity that runs from hard rock to prog rock to funk - even country and honky-tonk get represented.  The group never seemed too interested in creating single-friendly compositions, so many tracks run well over 6 minutes, along with some shorter instrumental numbers.  Led Zeppelin was considered the biggest rock band on tour during this time, and Physical Graffiti was the album that wrapped up this period.  Robert Plant was in a serious car accident with his wife in August 1975, and the group went on hiatus from touring until 1977.  Many consider this album to be the high water mark for the Led Zeppelin discography.  Bruce presents this monster double album for this week's podcast. KashmirThis is one of Led Zeppelin's signature songs.  It started as an instrumental recording from Jimmy Page and John Bonham.  Robert Plant wrote the lyrics while vacationing in southern Morocco (not Kashmir, as no band members had been there when this song was written).  John Paul Jones plays mellotron and added the orchestration which was played by session musicians.  All members of the band consider it one of their best tracks, and it has played in almost every concert since its debut.Trampled Under FootThis is a funk piece largely created by John Paul Jones.  The beat was inspired by Stevie Wonder's “Superstition,” and the lyrics are drawn largely from Robert Johnson's “Terraplane Blues.” Jones originally created this in the soul genre, but John Bonham convinced the group to add a more funky feel. The Wanton SongMany Led Zeppelin songs have a title which does not appear in the lyrics, and this is one of those.  Jimmy Page developed the riff in 1973 and brought it to the Physical Graffiti sessions.  Page uses a backward echo on this, where the echo appears before the note.  It was played during the 1975 tour but was dropped from the setlist thereafter, making it perhaps a deeper cut.  Houses of the HolyThis track is one of the unreleased tracks from previous sessions.  It was intended as the title track from their fifth album, but was considered too similar to other songs on the album and was dropped.  Led Zeppelin never played this song live.   ENTERTAINMENT TRACK:Movin' On Up (Theme from the television series “The Jeffersons”) This sitcom was a spinoff from “All In the Family” which got its start in January 1975.  STAFF PICKS:Any Major Dude Will Tell You by Steely DanLynch kicks off the staff picks with the B-side from “Rikki Don't Lose That Number.” Donald Fagen says that the inspiration was hearing a lot of people using the term “dude” after they moved to L.A., finding the phrase funny and deciding to include it in a song.  The idea is that times will get better, and hope is around the corner.Cat's In the Cradle by Harry ChapinRob brings us a folk rock story about a father who finds the tables turned.  He didn't have time for his son as he was growing up, and his son doesn't have time for his father when he is older.  The lyrics were inspired by a poem written by Chapin's wife regarding her first husband's strained relationship with his father.Angie Baby by Helen ReddyWayne features another storytelling song, this one with some spookiness.  Angie is a girl of questionable sanity who lives in her own world at home with her parents.  When a neighborhood boy decides to make advances on her when her parents are gone, Angie causes him to disappear into the music of her radio…  It was a number 1 hit song.Changes by David BowieBruce closes out the staff picks with a song that largely flopped when originally released as a single in 1971.  Bowie's “Hunky Dory” album did not do well until it got a second look after his 1972 release “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.”  It was re-released in 1975 as a single and went to number 1 in the UK.   INSTRUMENTAL TRACK:Bron-Yr-Aur by Led ZeppelinWe close out with some double dipping from Physical Graffiti for this acoustic instrumental.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

David Bowie murió un 10 de Enero de 2016. Su obituario en forma de disco - “Blackstar”-, dos dias después. Siempre cuidadoso con los tiempos. Su primer éxito “Space Oditty” (69) , coincidió con la llegada a la Luna. Determinado a las estrellas, creó un alter ego extraterrestre -"Ziggy Stardust”-, que Junto a su ambigüedad sexual el “marketing” definitivo."Aladdin Sane” con la icónica portada del rayo cruzando su cara, en plena fiebre "glam rock” de T. Rex o Gary Glitter que vio llegar y pasar el éxito desde lo alto de sus plataformas.Si su manager no le hubiera dirigido a America, tan efímero como los demas pero si quieres saber más del material del que la "última estrella" fue hecha, esta tu oportunidad.” Jean Genie”,”Young Americans" o “Let´s Dance” para los héroes de un dia. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Now on Air: Prog & Roll Radio Show 0:52 DAVID BOWIE Starman 4:17 The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) DAVID BOWIE The Man Who Sold the World 3:55 The Man who Sold the World (1970) DAVID ROBERT JONES (DAVID BOWIE) January 8, 1947 – January 10, 2016. 0:56 […]

El 10 de gener del 2016 moria David Bowie, i amb ell marxaven tantes coses que encara ara no les hem pogut quantificar. Avui escoltarem Bowie. 01 "Come and by my tops" 02 "Space oddity" 03 "The man who sold the world" 04 "Life on Mars?" 05 "Starman" 06 "Ziggy Stardust" 07 "Suffragette city" 08 "The Jean Genie" 09 "Sorrow" 10 "Rebel rebel" 11 "Young americans" 12 "Heroes" 13 "Ashes to ashes"

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

DJ St. Paul neemt de muzikale week door met liedjes van o.a. This Is Lorelei, Marvin Gaye & DORIS. Deze keer in de albumrubriek een uitgebreid gesprek met Gijsbert Kamer over Ziggy Stardust van David Bowie.  Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠ Meer podcasts van TivoliVredenburg ontdekken? Ga naar ⁠tivolivredenburg.nl/podcast

DJ St. Paul neemt de muzikale week door met liedjes van o.a. This Is Lorelei, Marvin Gaye & DORIS. Deze keer in de albumrubriek een uitgebreid gesprek met Gijsbert Kamer over Ziggy Stardust van David Bowie.  Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠ Meer podcasts van TivoliVredenburg ontdekken? Ga naar ⁠tivolivredenburg.nl/podcast

Shane and Ray talk the pros and cons of six LGBT classics. THE GIRLS ALBUM REVIEWS: Lady Gaga - The Fame Monster (Deluxe Edition) (2009) Chappell Roan - The Rise and Fall of a Midwest Princess (2023) Cher - Heart of Stone (1989) THE BOYS ALBUM REVIEWS: ABBA - Arrival (green) (1976) George Michael - Faith (1987) David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972)

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Benjamin James is a contributor at Oscillator and Factory. He's also the founder of Ziggy Ziggy, a music brand that celebrates on-chain music culture – named after one Ziggy Stardust. He's also a writer for Billboard and a former artist and producer. He used to run a small record label in the north of the UK, where he joined forces with a brother-sister combo of vocalists and started a group called Mausi. Together they built a career as artists, touring with big names like Charli XCX and Rudimental before succumbing to the suppressive power of a major label. MUSIC MENTIONS David Bowie The Cure Talking Heads Yeah Yeah Yeahs The Strokes “Meet Me in the Bathroom” by Lizzy Goodman LCD Soundsystem Interpol Faithless The Clooney (Newcastle) Polarsets SoundCloud Hype Machine Mausi Charli XCX RAC Future Tape Neon Gold Records Water & Music Catalog Factory.fm Oscillator Spotify Arcade Fire Q&A Little Simz XL Records Jamie xx Boards of Canada Black Dave Discovering music today (34:20): Soulection COLORS Factory.fm First album ever purchased (35:45): “Marshall Mathers LP” by Eminem Most recent album purchased (35:55): “Wet Leg” by Wet Leg Artists discovered in the past year (37:45): Samara Cyn Flying Lotus King Hannah Desert island discs (48:28): “Disintegration” by The Cure “XX” by The XX “In Rainbows” by Radiohead

This episode features George Underwood, album cover designer, artist and early schoolmate of David Bowie. After deciding that the music business was not for him, George returned to art studies and then worked in design studios as an illustrator. Initially he specialised in fantasy, horror and science fiction book covers. Most significantly, his art work for the first T Rex album and later David Bowie's Hunky Dory and Ziggy Stardust album covers established him as a leading and highly creative illustrator. Over this period George produced literally hundreds of book covers, LP and CD covers, advertisements, portraits and drawings, and today George is a fully recognised fine artist. Ladies and gentlemen, meet the very talented George Underwood. If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

No musical artist better personified the hedonism of the '70s than David Bowie. He captivated the imaginations of music fans all over the world with a dizzying array of creative alter egos; Major Tom, Ziggy Stardust and the Thin White Duke among them, and his obsession with occultist Aleister Crowley drove him down a dark, excessive hole filled with cocaine, orgies, arrests, fascism, death and madness that very nearly destroyed him. To see the complete list of contributors, visit disgracelandpod.com This episode was originally published on February 9, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Baker, the act you've known for all these years, is kicking his legs up again in 2025 on a thundering new theatre tour, ‘Aye Aye! Ahoy Hoy!' “Dead men tell no tales,” he points out, “so we might might as well get ‘em all told now.” This will be another barnstorming one-man circus - as, naturally, is this barrelling conversation with the two of us which collides with the following … … being shot, Welsh cake, an olive green Humber, goldfish, when videos were the size of a loaf of bread, why half his Maidstone audience got up and left, stolen gear being hustled over Waterloo Bridge, bad things done by Rod Stewart and Britt Ekland, ELP, the Average White Band, Max Miller, Kenneth Williams' loathing for Michael Aspel, when records become like furniture, getting £4k for a Ziggy Stardust white label, why he doesn't miss the 14,000 albums he sold, and the record that came out the same day as Sgt Pepper and Bowie's first album but is better than both. The podcast includes an extract from Ronnie Barker's “A Pint Of Old And Filthy” and Terry Thomas reading PG Wodehouse. Order tickets for Danny's 2025 tour here:https://www.dannybakerstore.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Danny Baker, the act you've known for all these years, is kicking his legs up again in 2025 on a thundering new theatre tour, ‘Aye Aye! Ahoy Hoy!' “Dead men tell no tales,” he points out, “so we might might as well get ‘em all told now.” This will be another barnstorming one-man circus - as, naturally, is this barrelling conversation with the two of us which collides with the following … … being shot, Welsh cake, an olive green Humber, goldfish, when videos were the size of a loaf of bread, why half his Maidstone audience got up and left, stolen gear being hustled over Waterloo Bridge, bad things done by Rod Stewart and Britt Ekland, ELP, the Average White Band, Max Miller, Kenneth Williams' loathing for Michael Aspel, when records become like furniture, getting £4k for a Ziggy Stardust white label, why he doesn't miss the 14,000 albums he sold, and the record that came out the same day as Sgt Pepper and Bowie's first album but is better than both. The podcast includes an extract from Ronnie Barker's “A Pint Of Old And Filthy” and Terry Thomas reading PG Wodehouse. Order tickets for Danny's 2025 tour here:https://www.dannybakerstore.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

David Bowie talks Tin Machine and Ziggy Stardust with Nestor in November 1991. here's a whole back story to Nestor panning David Bowie's "Sound And Vision" tour and then answering the phone when he called on November 8, 1991. The Thin White Duke was simply brilliant and charming in this interview with the very green Nestor Aparicio, then the music critic for The Evening Sun in Baltimore. This was the era of Tin Machine. The post David Bowie talks Tin Machine and Ziggy Stardust with Nestor in November 1991 first appeared on Baltimore Positive WNST.

Let the children lose it, let the children use it, and let all the children join in for Strong Songs!Kirk tackles a pair of classics by the great David Bowie: 1969's melancholy "Space Oddity" and 1972's triumphant "Starman." What goes up, as they say, must come down.Written by: David BowieAlbums: David Bowie (1969), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)Listen/Buy Bowie: Apple Music | Amazon | SpotifyListen/Buy Ziggy: Apple Music | Amazon | SpotifyALSO FEATURED:Audio of the 1969 Apollo 11 moon landing, courtesy NASA"A Day in the Life" by Lennon-McCartney, 1967A cool Guardian interview with Rick Wakeman about playing Mellotron on Space OddityOUTRO SOLOIST: Carlos "Insaneintherainmusic" EieineCarlos Eienie is a prolific multi-instrumentalist and YouTube creator who's done some extremely fun jazz arrangements of great video game music, among other things. You can find him on most social media as some variant of @insaneintherainmusic, and on his website at https://www.insaneintherainmusic.com/.----LINKS-----RECAST RECOMMENDATION: "Duck Ankles" by David Sanborn from Taking Off, 1975SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------OCTOBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyOCTOBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans and Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterRobert Granatdave malloyAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Send us a textMeg is haunted by the mysterious murder of Yeshiva boy Chaim Weiss. Jessica marvels at the silent rise and fall of mime, from Shields and Yarnell to Mummenschanz.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Müzik insanın düşünme şeklini ve hissettiklerini yönlendirebilen bir sanat. Peki ya bir şehrin yaşantısı... Onu da etkileyebilir mi müzik? Bu soruya cevap bulmak için bir yolculuğa çıkıyoruz bu 111 Hz bölümünde. Farklı destinasyonlara uğrayıp, müzik ve şehir kültürünün birbirlerini nasıl etkilediğini birlikte inceliyoruz.Sunan: Barış ÖzcanHazırlayan: Özgür YılgürSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee Media------- Podbee Sunar -------Bu Podcast Parolapara hakkında reklam içerir.Parolapara'nın toplamda 2.600 TL kazanabileceğiniz tüm nakit iade avantajlarından faydalanmak için uygulamayı şimdi indirin. Ayrıntılı bilgi ve ek koşullar için; Parolapara.com'u ziyaret edin.Bu podcast, Hiwell hakkında reklam içerir.Podbee50 kodumuzla Hiwell'de ilk seansınızda geçerli %50 indirimi kullanmak için Hiwell'i şimdi indirin. 1400'ü aşkın uzman klinik psikolog arasından size en uygun olanlarla terapi yolculuğunuza kolaylıkla başlayın.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Este episodio de El Siglo 21 es Hoy explora el legado de David Bowie a través de su distintiva anisocoria, una condición que le daba a sus ojos un aspecto único. Analizamos cómo este rasgo físico, originado por un accidente en su juventud, se convirtió en parte esencial de su imagen y de su arte, marcando su carrera como un ícono de la música, el cine, la moda y el arte visual.PLAYLIST de las canciones mencionadasTambién profundizamos en la creación de sus personajes más icónicos como Ziggy Stardust, Major Tom, y El Duque Blanco, personajes que no solo cambiaron el panorama musical de los años 70, sino que también redefinieron conceptos sobre la identidad, el género y la fama. Además, exploramos la relación de Bowie con el arte visual, su impacto en la cultura pop, y cómo su álbum Blackstar fue un reflejo de sus pensamientos finales sobre la vida y la muerte.En este episodio, contamos también la historia de Sara Chica, oftalmóloga que, tras su experiencia con el cáncer de mama, encontró una nueva manera de ver el mundo. Su historia se entrelaza con la de Bowie, mostrando cómo ambos transformaron sus cicatrices en una fuente de fortaleza y creatividad.Este episodio está disponible en todas las plataformas de pódcast de manera gratuita, incluyendo Spotify, donde puedes descargarlo gratis para escuchar sin conexión. También puedes disfrutarlo sin comerciales en Apple Podcasts mediante una suscripción al canal @LocutorCo.

Este episodio de El Siglo 21 es Hoy explora el legado de David Bowie a través de su distintiva anisocoria, una condición que le daba a sus ojos un aspecto único. Analizamos cómo este rasgo físico, originado por un accidente en su juventud, se convirtió en parte esencial de su imagen y de su arte, marcando su carrera como un ícono de la música, el cine, la moda y el arte visual.PLAYLIST de las canciones mencionadasTambién profundizamos en la creación de sus personajes más icónicos como Ziggy Stardust, Major Tom, y El Duque Blanco, personajes que no solo cambiaron el panorama musical de los años 70, sino que también redefinieron conceptos sobre la identidad, el género y la fama. Además, exploramos la relación de Bowie con el arte visual, su impacto en la cultura pop, y cómo su álbum Blackstar fue un reflejo de sus pensamientos finales sobre la vida y la muerte.En este episodio, contamos también la historia de Sara Chica, oftalmóloga que, tras su experiencia con el cáncer de mama, encontró una nueva manera de ver el mundo. Su historia se entrelaza con la de Bowie, mostrando cómo ambos transformaron sus cicatrices en una fuente de fortaleza y creatividad.Este episodio está disponible en todas las plataformas de pódcast de manera gratuita, incluyendo Spotify, donde puedes descargarlo gratis para escuchar sin conexión. También puedes disfrutarlo sin comerciales en Apple Podcasts mediante una suscripción al canal @LocutorCo.