Podcasts about Paul Buckmaster

In this mix, I give my respectful nod to Stomu Yamashta and my tribute to the wonderful voice we have lost, Linda Lewis from the last of the Go Sessions, In the last album of the trilogy, a stroke of genius was made by Stomu Yamashta, the decision to bring in Linda Lewis for the lead female voice. Later this year I will produce another mix where I will dig deeper into the Go series of albums. RIP Linda Lewis Stomu Yamashta's Go – The Complete Go Sessions 3 albums ·       Studio Album 'Go'. ·       Live Album ‘Live From Paris'. ·       Studio Album 'Go Too'. Arranged By Paul Buckmaster Backing Vocals – Doreen Chanter, Liza Strik), Rub), Thunderthighs' Bass – Jerome Rimson, Paul Jackson , Rosko Gee. Compiled By, Supervised By Glenn A. Baker Compiled By, Supervised By Ian McFarlane, Peter Shillito Composed By, Arranged By Klaus Schulze, Stomu Yamashta. Congas – Brother James, Lennox Langton. Drums - Michael Shrieve Guitar – Bernie Holland, Pat Thrall. Guitar, Soloist – Al DiMeola Guitar, Vocals – Doni Harvey. Keyboards, Synthesizer – Peter Robinson. Layout, Design – Black Widow Graphic Design Lead Vocals – Jess Roden, Lead Vocals - Linda Lewis, Lyrics By – Michael Quartermain. Mastered By – Warren Barnett. Orchestra – The Martin Ford Orchestra. Percussion [Latin] – Brother James. Percussion, Synthesizer (Korg), Piano, Percussion, Synthesizer – Stomu Yamashta Piano, Vocals, Organ, Guitar, Synthesizer - Steve Winwood. Producer – Dennis McKay, Paul Buckmaster, Stomu Yamashta Rhythm Guitar – Chris West, Julian Marvin. Rhythm Guitar, Guitar, Soloist – Pat Thrall. Synthesizer – Klaus Schulze. Synthesizer – Klaus Schulze. Synthesizer [Moog] – Klaus Schulze (tracks: 2-3 to 2-10) Violin, Voice – Hisako Yamashta. Vocals – Karen Friedman. Also in this mix, a new name for me is Vuma Levin, In my opinion, he is destined to be one of South African Jazz's greatest musicians. an eclectically cutting-edge, refreshing new addition to the contemporary African jazz scene. Watch out, Vuma Levin's in the building. Info NDFM Website - info – pics – Content - Music Videos – NDFM's Music Player Please go to - https://linktr.ee/NDFM Please enjoy the music I love Playlist DoomCannon – Amalgamation Alfa Mist Kaya Thomas-Dyke – Aged Eyes Stomu Yamash'ta – 4 tracks from Go Too T2 - Seen you Before T3 - Madness T4 - Mysteries of Love T5 - Wheels of Fortune Vuma Levin – Yaka Yaka GoGo Penguin – Parasite Amadou & Mariam – Magossa Skalpel – Long Distance Call Paul Randolph – Fall Away Bokani Dyer – Tiya Mowa GoGo Penguin -Saturine Lakecia Benjamin - New Mornings

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: John ShafranskiHarry Nilsson “Without You" from the  1971 album "Nilsson Schmilsson" released on RCA. Written by Pete Ham and Tom Evans and produced by Richard Perry. Personel:Harry Nilsson – vocalsGary Wright – piano John Uribe – acoustic guitarKlaus Voormann – bass guitar Jim Keltner – drums Paul Buckmaster – string and French horn arrangementsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Jeff BeckDavid CrosbyThe ByrdsCrosby, Stills, and NashGallagherBob DylanThe Beatles “A Day in the Life”The YardbirdsCSNY “So Far”Neil Young “Decade”David Crosby “Almost Cut My Hair”The Byrds “Mr. Tambourine Man”They Byrds “My Page Pages”CSN “Guinneviere”CSN “Deja Vu”The Byrds “We've All Been Burned”Buffalo SpringfieldThe Byrds “Triad”CSN “Wooden Ships”SupermanMonterrey Pop FestivalAmerica the BeautifulBarack ObamaCSNY “Four Way Street”Mariah CareyHarry Nilsson “Everybody's Talkin'”Harry Nilsson “One”Paul McCartneyBadfingerHarry Nilsson “Gotta Get Up”Harry Nilsson “Early in the Monring”Harry Nilsson “Jump Into the Fire”Captain BeefheartFats DominoTiny TimCeline DionTitanticWhitney Houston “I Will Always Love You”Dolly PartonGary Wright “Dream Weaver”John LennonGeorge HarrisonThe Beatles “Revolver”The Traveling WilburysDavid Bowie “Space Oddity”Elton John “Levon”Elton John “Tiny Dancer”Elton John “Your Song”The Rolling Stones “Moonlight Mile”The Rolling Stones “Sway”The Beatles “For No One”Ringo StarrSam CookeRoy OrbisonThe Beatles “Yesterday”The Rules of AttractionJames van der BeekGlen CampbellAfrica “Toto”The Skyliners “Since I Don't Have You”Guns n Roses “November Rain”The Platters “Only You”Billy JoelPhil Collins “Against All Odds”Billy Vera “If You Don't Know Me By Now”Sinead O'Conner “Nothing Compares To You”U2 “With or Without You”BonoO, Holy NightAretha FranklinWhitney HoustonTG Sheppard 

Click Vortex comes to a close for 2022 with a real roaster of the Kenny Rogers variety. This episode finds Jason tracing the journey of NYC punk guitarist Robert Quine, from the underground to the power pop mainstream, with digressions into the work Matthew Sweet, Lloyd Cole, string arranger Paul Buckmaster, Kelly Clarkson (!) and Mike Watt. Then Sam spins the dial on the ole satellite radio and uncovers the saga of Dodie Stevens, who scored a hit with "Pink Shoelaces" just shy of her 13th birthday and went on to record an answer song to "Ruby, Don't Take Your Love to Town": "Billy, I've Got To Go To Town." And that's where Kenny comes in...Got a story to share with us? A strange story to confess? Anything else you want to share with the WASTOIDS crew? Just dial 1-877-WASTOIDS and leave a message.

On this week's episode, we discuss Elton John's third, 1970's Tumbleweed Connection. Elton John's second LP was a lushly orchestrated affair that launched Elton John's career into the stratosphere, largely due to the single "Your Song", which was a top ten single all over the world. Not wanting to be pigeonholed, Elton John, chose to make an album that was more stripped down.  There are elements of gospel, folk country, and even funk. Long time Elton John collaborator Paul Buckmaster's string arrangment are present, but they are more subdued and rawer. The sound of Tumbleweed Connection couldn't be more different than the album before it.  However, the thing that makes this album truly unique is the subject matter. The lyrics, by Elton John's songwriting partner Bernie Taupin, were influenced by both the westerns Taupin watched as a child, and the music of the Band. The songs center mostly on an idealized and romanticized version of post-Civil War America and the American West, one inhabited by cowboys, civil war vets, and gunslingers, but also one that focused on the simpler things in life. Tumbleweed Connection gives us a version of America  filtered through the eyes of two young Englishmen that is at once charming, beautiful, and poignant. 

We look at Elton John's “Goodbye Yellow Brick Road” (1973) one of the most important and influential albums of the modern rock period.  An album with serious lyrics, tight ensemble playing from the band, and cover art as good as it gets, this album marks a high point for Elton John.  In his career of over 50 years, he may have matched, but never bettered, this album. We also look at the 80's, which get a bit of a bum rap from many people for “manufactured bands and music”. This is perhaps unfair, with a lot of great music, Live Aid, the Berlin Wall coming down and the arty New Romantic style following a direct line from punk right at the start of the decade! Spandau Ballet, along with ABC, Visage, Duran Duran, A Flock of Seagulls, Boy George / Culture Club were at the vanguard of a style that owed a lot to the simplification and availability of keyboards/synthesisers.  Simple songs, no virtuoso playing but heaps of fun. From the burbling keyboards of “To Cut a Long Story Short” through to the blue-eyed soul of “True” and “Gold”, they provided a glamorous soundtrack for a new decade that still stands up today. Jeff's Rant urges everyone to get involved in bitcoin before becomes so worthless no one will want to buy it!!References:  Gus Dudgeon, Elton John, Nigel Olsson, Dee Murray, Davey Johnstone, Goodbye Yellow Brick Road, “Candle in the Wind”, Paul Buckmaster, 1001 Songs You Must Hear Before You Die”, Robert Dimery, double albums, Spandau Ballet, New Romantics, Blitz, Bowie, Pierrot costume, Rick Wakeman, Tony Hadley, Journeys to Glory, “Soul Boys of the Western World”, “True”, “The Wedding Singer”, Steve Buscemi Spandau BalletYellow Brick RoadTrade DogecoinBored Ape Yacht Club

Everybody knows Cyndi Lauper's big hit, “Girls Just want to have Fun”, but not so well-known is her career since then - a star-turn on “We are the World”, a string of great albums including Billboard's Blues Album of the Year, and writing “Kinky Boots”, a hit Broadway musical, all contribute to her story.   Our album "To Listen To Before You Die" this week – Leonard Cohen's “Songs of Love and Hate” - is chock-full of understated songs and amazing turns of phrase. Show regulars will know that Mick loves it, and Jeff not so much.  Tune in to find out why. Jeff takes a look at Extreme Ironing as an up-and-coming sport, and the boys look at how one of Elon Musk's batteries could boost tourism to Central Australia by allowing a pizza shop and ice-creamery to open in the country's most remote parts.    References:  “1001 Albums You Must Hear before You Die” Robert Dimery, Leonard Cohen, Songs of Love and Hate, Jennifer Warnes, Paul Buckmaster, Elton John, “Hallelujah”, ”Famous Blue Raincoat”, Lloyd Cole, “Avalanche”, Nick Cave, “From Her to Eternity”, “There's a crack in everything / That's how the light gets in”, “The Young Ones”, 70's British comedy, Rick Mayall, Adrian Edmondson, Nigel Planer, Polydor Records, Portrait Records, David Thornton, Patti Smith, Debbie Harry, Eurythmics, Annie Lennox, Rolling Stone's 500 Greatest Albums of All Time, Sinead O'Connor, Prince, Masturbation, Donny Sutherland's “Sounds”, “She's So Unusual”, The Hooters, Eric Bazilian, ”We are the World”, Quincy Jones, Memphis Blues, Yoko Ono, John Lennon, “Working Class Hero”, “Life with Mikey”, “Mad About You”, The Simpsons, "Wild Barts Can't Be Broken", “Cyndi Lauper: A Memoir” By Cyndi Lauper with Jancee Dunn, Richmond Hill High School in Queens, Broadway, “Kinky Boots”, 2013 Tony Awards, Best Musical, Best Actor, first woman to win solo Best Original Score Tony Award, Mattel, Cyndi Lauper Barbie Doll Extreme Ironing Around the World Extreme Ironing Skysurf Playlist

On this Michael Bradford interview: This is a Masterclass in songwriting, in how the music business works on the other side of the glass & loads of other cool stuff. His early struggles in the industry and what it took to get him through this, the WORST thing you can do as an engineer, most important service you can provide to others inside the studio… Lessons learned working with Earl Klugh, Gerard Smereck, Paul Buckmaster, Madonna, Deep Purple, Kid Rock, Uncle Kracker, Dave Stewart… #1 thing all artists really need in the studio, What's Cheaper Than Free?  Cool Guitar & Music T-Shirts!: http://www.GuitarMerch.com   Michael Bradford is a multi-platinum producer and songwriter, who's produced artists including Anita Baker, Run-DMC, Stevie Nicks, Deep Purple, Terence Trent d'Arby, Beth Hart, Dave Stewart, Ben Folds, The Butthole Surfers, Kid Rock & others. His songwriting catalog includes several hits for Uncle Kracker, including his global smash Follow Me, which Michael also co-produced. As a musician, playing guitar, bass & keyboards, and often holding down the position of Music Director, Michael's recorded or toured with Anita Baker, Madonna, Uncle Kracker, Ringo Starr, Dave Stewart, Eurythmics, Richie Sambora, Kid Rock, Stevie Nicks, and others. He just finished up a European tour with English blues artist Joanne Shaw Taylor. Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support

Currently part of the incredible Woman To Woman project with Beverley Craven, Julia Fordham and Rumer , Judie Tzuke is not only one of the finest writers the UK has ever produced but also has one of the most distinctive voices full of warmth and believability. Here she talks about her beginnings writing poems which turned into songs forming the basis of her albums initially signed to Elton John's label with whom she toured with - yes that famous US show where he dressed as Donald Duck. Her seminal classic "Stay With Me Til Dawn" sounds as beautiful today as it ever did with its signature string arrangement by legend Paul Buckmaster. I have been lucky enough to write with her on songs I count to be my very best including "If (When You Go)" (recorded both by herself and with Beverley and Julia for the project) which has the loveliest story behind it and "Maybe This Christmas" with the truly breathtaking Harriet as well as writing classics with Lucie Silvas, Tom Baxter, Morcheeba and BT . She also talks about her battle with stage fright and how losing her voice on a show became the remedy for it as well as how surviving cancer and Covid have made her more fearless than ever. I've said it before, she's an angel, like a real life one. She's changed so many peoples lives, is always helping and nurturing new talent and continues to be one of my favourite writers and humans. I absolutely adore her and know you will too after listening to this. More on Jude here https://www.tzuke.com Woman To Woman Live Album https://open.spotify.com/album/0MN8WGGOEwpBwLQ7VG53We?si=8e14ff067e174556

In honor of our tenth episode we finally dug out the Rocky theme, it was only a matter of time. It seemed the only fitting way to close out a short audio piece recorded at a rally in support of the PA Film Tax Credit held on the steps at the Art Museum on June 3, 2017. Featured soundtracks of films shot in Philly include Peter Gabriel's score for Birdy, Paul Buckmaster's theme for Terry Gilliam's Twelve Monkeys and James Newtown Howard's score for M. Night Shyamalan's Unbreakable. We also devote a set of music to Sofia Coppola who just became only the 2nd women to be named Best Director at the Cannes Film Festival. Hear music from her first short film Lick the Star, Lost in Translation, Somewhere, Virgin Suicides and Marie Antoinette.

London and Yorkshire raised this honourable musician evolved from early classical piano and drum lessons with the notorious Fanny Waterman and Jimmy Blades on to Jazz, Blues and Rock & Roll upon hearing John Coltrane, The Beatles, Cream and John Mayall and then guided by John Taverner who "taught" him to improvise by duetting on a full size/3 console church organ. The early 70's manifested his first band, Global Village Trucking Company which led to non-stop touring establishing them as one of the most sought after UK acts with their lifestyle documented by the BBC on ‘By Way of a Change'. As a session keyboardist he recorded and toured with the likes of Frank Zappa, Joan Armatrading, Lee "Scratch" Perry, Annette Peacock, Snowy White, Shusha, Paul Buckmaster and L. Shankar whilst also fronting his own bands. Joining a pool of Caribbean, Japanese and European musicians saw 80's virtuosic jazz/funk outfit The Breakfast Band formed with further tours and albums that gained fans in Japan and spawned club hits in London. A sabbatical from gigging had him drive his family on an 8 month trip in a converted Mercedes motor home to Israel, Egypt, Morocco and Europe absorbing music, culture and instruments inspiring him to document and record Tribal music from around the world. Settling in New Mexico he released traditional Native American songs on his own label, Tribal Music International and soon became Albuquerque University resident DJ with his own show, Global Tribal Music exploring links and origins of instruments and tribes. Based back in the UK, we welcome this global music maker.

Unenforceable Mandates. It's always difficult to know where we are even when our own government is watching and listening to us. Our lives are more complex and that makes us more vulnerable. Complexity makes us weaker. Simplicity makes us stronger. Politicians know how to be complex by confusing the American people. They say they're working for us. But you can't over reach if you have power. You can't mandate something you can't enforce and that's when people start saying "The emperor has no cloths". Things start getting dangerous when GROUP/THINK can't get what they want. MUSIC Hans Zimmer, Tyler Bates, Paul Buckmaster

Im Beatnikradio ist quasi alles möglich, obwohl der Moderator Gene Berlin als Gründer der "Kirche Eklektischer Elektrischer Religion" seinen Schwerpunkt auf elektronische Musik legt. == Die Soundtracknight IV SiFi Zu Gast im Studio "Die Rose" & Kyra am Telefon 1. Clifford Vaughan - Flash Gordon Theme 2. Der Silberne Planet - Score excerpt 3. Michael Kaman - Central Services 4. Peter Thomas - Raumpatrouille Orion - Position Overkill 5. Daft Punk - Castor 6. Paul Buckmaster - 12 Monkeys Titletheme 7. Jerry Goldsmith - Alien - Acid Attack 8. The Bob Crewe Generation Orchestra - Barbarella - Dead Duck 9. Vangelis - Bladerunner - Endtitles 10. Donnie Darko - Score excerpt 11. Bebe Baron & Louis Baron - Forbidden Planet - Robby, The Cook, And 60 Gallons Of Booze 12. Hans Zimmer - Inception - Maintheme 13. Oakenfo - Moon 14. Yuri Poteyenko - Daywatch - Jack 15. Fred Myro - Soylent Green 16. Russel Garcia - The Time Machine 17. Ennio Morricone & John Carpenter -The Thing 18. Paul Sawtell & Bert Shefter - The Lost World 19. Jerry Goldsmith - Planet Of The Apes == Beatnik Radio Beatnik Radio ist eine Sendung in der sozusagen alles möglich ist, auch wenn der Schwerpunkt auf elektronischer und experimenteller Musik liegt. So gibt es zum Beispiel unterschiedliche Sondersendungen, die sich thematisch auch wiederholen können, wie "Features" (zu aktuellen Themen), "Sexy Strings" (Gitarrensounds im Beatnikradio) oder die "Soundtrack-Night". Eingeladen werden zu den entsprechenden Themen unterschiedlichste, illustre Gäste. * Redaktion: Geneberlin/Tubafisch-Medientechnik * http://www.soundcloud.com/beatnikradio

Enormous thanks to John Higgins - Feature Writer for the eltonjohn.com website - who came onto the podcast to share his love for the 'Black Album', and to tell me some of the stories that he'd been able to hear during interviews that he carried out with Paul Buckmaster and Gus Dudgeon about their work on the project.  We listened through some 'mixes' that I've made of the tracks, making use of the separate channels in the 5.1 mixes, which I feel make for a pleasing new outlook onto some of Elton's densest material.  Apologies to anyone who's been waiting on an episode, or a reply from me. There are several excuses in the episode, I won't repeat them here.  Part two of this interview will be up very soon! 

Amici Miei,Ecco la Seconda parte dello speciale dedicato ai Viaggi nel Tempo. In questo episodio prendiamo in esame il cosiddetto "paradosso del nonno" e vedremo come funzionano le trame di film come "Ritorno al Futuro", "L'Esercito delle 12 Scimmie" e "Donnie Darko".ASCOLTA, COMMENTA, CONDIVIDI!TRACK LIST01. PROLOGUE / THE BACK TO THE FUTURE THEME TUNE - di Alan Silvestri (dalla saga di Film “Back To The Future”)02. EARTH ANGEL - dei Penguins, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)03. NIGHT TRAIN - di Jimmy Forrest, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)04. JOHNNY B. GOODE - di Chuck Berry, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)05. DOCTOR WHO THEME - di Ron Grainer, nella versione “Twelfth Doctor” di Murray Gold (dalla serie “Doctor Who”)06. HEAD OVER HEELS - dei Tears for Fears (dal film “Donnie Darko”)07. 12 MONKEYS THEME - di Paul Buckmaster (dal film “L'Esercito delle 12 scimmie”)CORRELATOEpisodio 03 - Viaggio Nel Tempo - Prima Partehttps://www.spreaker.com/user/baccassino/episodio-003-viaggio-nel-tempo-prima-par

Trading the cinematic aspirations of Tumbleweed Connection for a tentative stab at prog rock, Elton John and Bernie Taupin delivered another excellent collection of songs with Madman Across the Water. Like its two predecessors, Madman Across the Water is driven by the sweeping string arrangements of Paul Buckmaster, who gives the songs here a richly dark and haunting edge. -AllMusic Review by Stephen Thomas Erlewine

a cura di Alessandro Achilli. Musiche di Jefferson Airplane, Tim Buckley, Kevin Ayers, Bonzo Dog Band, Colosseum, Manfred Mann Chapter Three (prima parte)

a cura di Alessandro Achilli. Musiche di Jefferson Airplane, Tim Buckley, Kevin Ayers, Bonzo Dog Band, Colosseum, Manfred Mann Chapter Three (prima parte)

Où il est question de ces histoires qui retournent le cerveau après un backflip arrière, 2 vrilles de côté, et une grimace de chez le dentiste. En bref, des dénouements imprévus, incroyables et implacables ! C’est donc parti pour un épisode spécial Jaw-Dropping en films, livres, jeux, et bien plus ! Pour les fans de la timeline: | 00:00: Un sketch comme JAMAIS vous n’en avez écouté | 03:02: Ouverture | 03:37: Le Sommaire de notre émission | 04:55: Film – Le Prestige, de Christopher Nolan (ou comment vivre l’art de la Magie jusqu’au bout du bout !) | 09:00: Film – Le Signal, de William Eubank (film original, intimiste, mais ne regardez pas le trailer, il divulgâche tout !) | 12:13: Film – L'Armée des 12 singes, de Terry Gilliam (où Bruce Willis fait partie des rares survivants d’un virus « du futur »… en 1996 !) | 19:42: Film – The Game, de David Fincher (Michael Douglas joue à un Escape Room grandeur réelle avec de vraies balles…) | 24:22: Livre – Le Prestige, de Christopher Priest (LIS-LE, AUDITEUR !!! LIS-LE !!!) | 25:45: Livre – Le Monde inverti, de Christopher Priest (Sujet de philo du jour : « J’avais atteint l’âge de mille kilomètres », vous avez 2 heures) | 30:56: La Planète des Singes, de Pierre Boule (Cocorico !!!) | 37:51: Bioshock (Would you kindly…) | 41:22: The Stanley Parable (La vie de l’employé 427) | 43:00: Une reprise magistrale de Dan de l’armée des 12 singes en mode Libertango (morceau dont s’est inspiré Paul Buckmaster)! Bonne écoute ! Et donnez-nous vos recommandations dans les commentaires ou en nous écrivant sur sjpmp@outlook.com.

This episode takes you back to the 2nd of November 1969, to a Miles Davis gig, at Ronnie Scott's jazz club, where Elton met a 23 year old Paul Buckmaster for the first time. How did Buckmaster get to be the guest of Miles Davis that night? What was the musical background of this graduate of the Royal Academy of Music? This episode is a musical journey through Buckmaster's early arrangements and his earliest 'cello performances on vinyl. 

Let it bleed. Mayormente grabado sin Brian Jones - quien murió unos meses antes de su lanzamiento (aunque él toca en dos pistas) y fue reemplazado por Mick Taylor (quien también toca en sólo dos canciones) - en el disco se extiende el rock y el blues que se sintió en el Beggars Banquet a un poco de más Hard Rock, y llegando a un territorio más demoniacamente sexual. Los Stones nunca fueron tan consistentes en un álbum como sus principales rivales, los Beatles, y Let It Bleed adolece de tener algunas pistas más superficiales, como "Monkey man" y una nueva versión country del clásico "Honky Tonk Woman" (aquí titulada "Country Honk "). Sin embargo, algunas de las canciones se encuentran entre lo mejor de la banda, sobre todo "Gimme Shelter", con sus líneas de guitarra brillantes y letras apocalípticas; la armónica impulsada por "Midnight Rambler"; el ambiente de fiesta de drogas de la pista del título; y la impresionante "You Can't Always Get What You Want", que fue el "Hey Jude" de los Stones, con su estructura épica, cornos, letras filosóficas, y la ambientación de voces corales. "You Got the Silver" (Keith Richards es primera voz principal) y "Love in Vain", de Robert Johnson por el contrario, estaban tan cerca de las raíces de los Blues acústicos tradicionales como los Stones nunca lo habían conseguido. Sticky fingers Armado a partir de tomas falsas y canciones sobre trabajadas, Sticky Fingers consigue tener un ambiente ligero desarticulado que se contradice tanto en sus orígenes y las corrientes oscuras de las canciones. Es un disco cansado, cargado con las drogas - más de la mitad de las canciones mencionan explícitamente el uso de drogas, mientras que las otras simplemente aluden a ella - que nunca se desvanecen, pero apenas se mantienen a flote. Además de la apertura de la clásica, "Brown Sugar" (una melodía alegre sobre la esclavitud, sexo interracial, y la virginidad perdida, no necesariamente en ese orden), el largo tratamiento de "Can't You Hear Me Knocking" y la media de espíritu "Bitch. "Sticky Fingers es un compendio de blues lento, con unos toques de country adicionados en una buena medida. El tono relajado del álbum da un amplio espacio para que el nuevo guitarrista Mick Taylor, se luzca, particularmente en la coda extendida de "Can't You Hear Me Knocking". Pero la clave para el álbum no es la interacción fundamental - aunque eso es fenomenal - es el cansancio absoluto de las canciones. "Wild Horses" es su primer intento no irónico de hacer una canción country, y es una hermosa obra de arte, de romper el corazón. Del mismo modo, "I Got the Blues" es un clásico clavado, una canción de ocaso que se encuentra entre sus mejores Blues. "Sister Morphine" es un cuento de sobredosis horrible, y "Moonlight Mile", con cuerdas impresionantes de Paul Buckmaster, es un cierre perfecto: triste, anhelante drogadicto y hermosa. Con su mezcla de improviso de la decadencia, la música de raíces, y la malevolencia pura y simple, Sticky Fingers establece el tono que prevalecería para el resto de la década de los Stones.

Today we sit down with Grammy award winning arranger Paul Buckmaster to talk about Roman's tardyness, road rage, and oh ya, David Bowie's Space Oddity.

Today we sit down with Grammy award winning arranger Paul Buckmaster to talk about Roman's tardyness, road rage, and oh ya, David Bowie's Space Oddity.

The interesting tale of "Landed" - the smash hit that never was and the big-budget Paul Buckmaster string arrangement.