Podcasts about poetry london

In this episode of The Poetry Exchange, poet Nick Makoha talks with us about the poem that has been a friend to him: 'White Egrets (I)' by Derek Walcott.Nick actually joined us back in 2017 at Pushkin House, London, and we are delighted to be sharing this conversation with you now. It is very special to hear Fiona in this conversation, with all her usual warmth and brilliance.Nick Makoha's latest collection 'The New Carthaginians' is published this month from Allen Lane - you can order/buy your copy here.The event for 'On the Brink of Touch' by Fiona Bennett is on 26th February at The Bedford in Balham, London, and live streamed. We'd love for you to join us, and you can book your places here!Dr Nick Makoha is a Ugandan poet. His new collection is The New Carthaginians published by Penguin UK. Winner of the 2021 Ivan Juritz Prize and the Poetry London Prize. In 2017, Nick's debut collection, Kingdom of Gravity, was shortlisted for the Felix Dennis Prize for Best First Collection and was one of the Guardian's best books of the year. He was the ICA 2023 Writer-in-Residence. He was the 2019 Writer-in-Residence for The Wordsworth Trust and Wasafiri. A Cave Canem Graduate Fellow and Complete Works alumnus. He won the 2015 Brunel African Poetry Prize and the 2016 Toi Derricotte & Cornelius Eady Prize for his pamphlet Resurrection Man. His play The Dark—produced by Fuel Theatre and directed by JMK award-winner Roy Alexander—was on a national tour in 2019. It was shortlisted for the 2019 Alfred Fagon Award and won the 2021 Columbia International Play Reading prize. His poems have appeared in the Cambridge Review, the New York Times, Poetry Review, Poetry Wales, Rialto, Poetry London, TriQuarterly Review, 5 Dials, Boston Review, Callaloo Birmingham Lit Journal and Wasafiri.*********White EgretsBy Derek Walcott I The chessmen are as rigid on their chessboard as those life-sized terra-cotta warriors whose vowsto their emperor with bridle, shield and swordwere sworn by a chorus that has lost its voice;no echo in that astonishing excavation.Each soldier gave an oath, each gave his wordto die for his emperor, his clan, his nation,to become a chess soldier, breathlessly erectin shade or crossing sunlight, without hours – from clay to clay and odourlessly strict.If vows were visible they might see oursas changeless chessmen in the changing lighton the lawn outside where bannered breakers tossand palms gust with music that is time's above the chessmen's silence. Motion brings loss.A sable blackbird twitters in the limes. From White Egrets by Derek Walcott, Faber & Faber 2010. Hosted on Acast. See acast.com/privacy for more information.

Niall Campbell is the subject of this month's Nothing But The Poem podcast. The South Uist poet has had three collections of poetry published, has won many major poetry prizes, and is currently poetry editor of Poetry London. ​‘Noctuary is a homage to night-time, to "that midnight thrill of being alive", to the small, stray moments that make up a life. It is also a passionately tender examination of what it means to have and care for a small child.' – Suzannah V. Evans, Times Literary Supplement 'The poems in the book place his Hebridean homeland in an ever-shifting mosaic of tidal gifts, memories, folklore, conversations and people. Always there is an awareness of the sea that surrounds, that change is constant, and that there is no going back.' – The Scotsman, Poem of the Week, on The Island in the Sound Our resident podcast host Sam Tongue took an immersive dive into two Niallcampbel poems. The Night Watch from his second collection 'Noctuary' (2019, Bloodaxe) and Apprenticeship from his third collection 'The Island in the Sound' (2024, Bloodaxe). Find out what Sam - and the Friends Of The SPL group - took from these poems in this Nothing But The Poem podcast.

In this episode, we explore Susannah Dickey's Outtake #3, a thought-provoking piece from her debut collection, Isdal. This poem critically examines the true crime genre, questioning the ethics of deriving entertainment from real-life tragedies.Dickey's work is inspired by the mysterious case of the Isdal Woman, weaving a narrative that challenges our fascination with true crime. Through a fictional podcast setting, the poet addresses the problematic nature of exploiting such stories for entertainment. The poem critiques the voyeuristic tendencies in true crime consumption and the moral dilemmas faced by creators and audiences alike.In Outtake #3, Dickey confronts the normalisation of violence against women in media. The poem begins by dismissing the notion that consuming stories of femicide is subversive, drawing parallels with other acts of accepted cruelty. It then moves into a reflective phase, examining the thin line between observing, studying, and committing acts of violence.The poem concludes with a sharp turn, highlighting the commercial aspects of podcast production. This ending serves as a stark reminder of the industry's prioritisation of profit over ethical storytelling.All of this serves to show how Susannah Dickey is a poet specialising in building intricate verse that makes her readers think about and examine the established in whole new ways.Susannah Dickey grew up in Derry and now lives in London. She is the author of four poetry pamphlets, I had some very slight concerns (2017), genuine human values (2018), bloodthirsty for marriage (2020), and Oh! (2022). Her poetry has been published in The TLS, Poetry London, and Poetry Ireland Review. Her short fiction has been published in The Dublin Review and The White Review.The Music In This Week's Episode:'Effervescence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.auFollow Susannah Dickey:InstagramXFollow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Tune in for the second half of our special two-part podcast featuring Major Jackson, who shared selections from his new book Razzle Dazzle: New & Selected Poems (https://wwnorton.com/books/9781324064909) (W.W. Norton & Co, 2023) at a recent event at APR's home base, the Philadelphia Ethical Society. Major Jackson is the author of six books of poetry, including_ The Absurd Man_ (2020),_ Roll Deep_ (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn _(2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: _Best American Poetry 2019, Renga for Obama, and Library of America's Countee Cullen: Collected Poems. He is also the author of A Beat Beyond: The Selected Prose of Major Jackson _edited by Amor Kohli. A recipient of fellowships from the Academy of American Poets, Fine Arts Work Center in Provincetown, John S. Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers' Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in _American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares, Poetry, Poetry London, and World Literature Today. Major Jackson lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review.

Poets Jason Schneiderman, Cate Marvin, R. A. Villanueva, Lynn Xu and Rachel Zucker consider the pleasures, challenges, eccentricities and value of live, in-person poetry readings. These musings are followed by excerpts of the June 6, 2023 reading in Bryant Park (hosted by Jason and featuring Cate, Ron, Lynn and Rachel) and comments from the audience. PODCAST: PLAY IN NEW WINDOW | TRANSCRIPT SUBSCRIBE:APPLE PODCASTS | GOOGLE PODCASTS | AMAZON PODCASTSSUPPORT: PATREON | VENMO: @Rachel_ZuckerLinks, Bios, & Support InfoBryant Park Reading SeriesUniversity of MarylandLibrary of CongressWilliam MeredithKim NovakBMCCKGB reading seriesDavid LehmanStar BlackPaul RomeroSonia SanchezAllen Ginsberg's “Sunflower Sutra”Phllyis Levin Matt YeagerDavid LehmanWill Harris's Brother PoemJosé Oliverez's Promises of GoldMartha Graham CrackerJustin Vivian BondPatty LuPoneBridget EverettKGB Bar ReadingRichard McCann Kinokuniya BookstoreWillam Blake's “Ah! Sun-flower” June Jordan's “Sunflower Sonnet Number 1"June Jordan's “Sunflower Sonnet Number 2"Bios, in order of appearance:Jason Schneiderman is the author of four poetry collections, most recently Hold Me Tight (Red Hen, 2020). He is Professor of English at CUNY's BMCC and teaches in the MFA Program for Writers at Warren Wilson College. His next collection, Self Portrait of Icarus as a Country on Fire, will be published by Red Hen Press in 2024. Cate Marvin's latest book of poems is Event Horizon (Copper Canyon Press, 2022). She teaches at the College of Staten Island, City University of New York and resides in Southern Maine. Her poems have recently appeared in The Kenyon Review.R. A. Villanueva is the author of Reliquaria, winner of the Prairie Schooner Book Prize. New work has been featured by the Academy of American Poets, Ploughshares, Poetry, and National Public Radio—and his writing appears widely in international publications such as Poetry London and The Poetry Review. His honors include commendations from the Forward Prizes and fellowships from the Sewanee Writers' Conference, the Constance Saltonstall Foundation for the Arts, and Kundiman. Born in New Jersey, he lives in Brooklyn.Born in Shanghai, Lynn Xu is the author of And Those Ashen Heaps That Cantilevered Vase of Moonlight (Wave, 2022) and Debts & Lessons (Omnidawn, 2013) and the chapbooks: June (Corollary Press, 2006) and Tournesol (Compline, 2021). She has performed cross-disciplinary works at the MOCA Tucson, Guggenheim Museum, The Renaissance Society, Rising Tide Projects, and 300 S. Kelly Street. She teaches at Columbia University, coedits Canarium Books, and lives with her family in New York City and West Texas. Rachel Zucker is the author of a bunch of books, including, most recently, The Poetics of Wrongness. She is the founder and host of Commonplace and directrix of the Commonplace School of Embodied Poetics. She lives in Washington Heights, NY and Scarborough, ME and is mother to three sons.Please support Commonplace by becoming a patron here!Sign up for “Reading with Rachel,” the newest course in The Commonplace School for Embodied Poetics.

An American poet and artist, Sally Van Doren is the author of four poetry collections, Sibilance, (LSU Press 2023) Promise, (2017) Possessive, (2012) and Sex at Noon Taxes (2008) which received the Walt Whitman Award from the Academy of American Poets. Her poems have been featured by NPR, PBS, The Poetry Foundation, American Life in Poetry, and Poetry Daily, and nominated for a Pushcart Prize. Her poetry has appeared widely in national and international publications such as American Letters and Commentary, American Poet, Barrow Street, Boulevard, Cincinnati Review, Colorado Review, Crazyhorse, december, Lumina, The Moth, The New Republic, Poetry Ireland Review, Poetry London, Southern Review, Southwest Review, Verse Daily and Western Humanities Review. Her ongoing poetic memoir, The Sense Series, served as the text for a multi-media installation at the Contemporary Art Museum St. Louis. ------ As a practicing visual artist, Van Doren formalized her training at Hunter College and The School of Visual Arts in New York. She has had solo exhibitions at Furnace Art on Paper Archive and other venues and participates in group shows regularly. Her work is held in distinguished private and corporate collections, including a print commission for each guest room for the Hotel Downstreet in North Adams, MA.  Her art appears on the cover of The Difference is Spreading: Fifty Contemporary Poets on Fifty Poems (UPenn Press 2022) and in literary magazines such as The Nashville Review and 2River. ------ A graduate of Princeton University (BA) and University of Missouri-St. Louis (MFA), Van Doren has taught poetry workshops for a variety of educational institutions, among them the 92nd Street Y, the St. Louis Public Schools, Washington University in St. Louis, the St. Louis County Juvenile Detention Center and Scoville Memorial Library. She curated the Sunday Poetry Workshops for the St. Louis Poetry Center and serves on the board of the Five Points Center for the Visual Arts in Torrington, CT. A native St. Louisan, she works from her studio in West Cornwall, CT. -------

This week, Jessica is joined by enemy of the state and husband, playwright and poet Dan O'Brien to discuss the launch of his three new books, including a memoir of his childhood and a book of prose poems about the year following their treatment for cancer. They talk about what inspired Dan to start writing, how they showed up for each other during that terrible time and dig into his heartbreakingly beautiful poems about coming back to life and finding yourself again. Grab the tissues, Deep Divers. Attend Dan's book release in person on Thursday 9/7/2023 at Diesel Book Store in Los Angeles https://www.dieselbookstore.com/event/Dan-O-Brien-Author-signingOr stream online LIVE 6:30pm PT Twitch.com/friendzone Donations for Stand Up To Cancer @SU2C encouraged http://standuptocancer.org/DanOBrien You can also buy signed copies of Dan O'Brien's books through the Diesel online store https://www.dieselbookstore.com/event/Dan-O-Brien-Author-signingSurvivor's Notebook from Acre Books 9/15/23From Scarsdale: A Childhood from Dalkey Archive Press 9/28/23True Story: A Trilogy (drama)from Dalkey Archive Press 9/28/23Newtown at Geva Theatre Center 2024Newtown from CB Editions (London)Flying on Easter from Poetry London 2024www.danobrien.org The Deep Dive Academy is offering 15% off subscriptions with code LISTENER www.thedeepdiveacademy.comOur hot new summer merch is out now https://kinshipgoods.com/collections/deep-dive  Send any questions you have for June and Jessica for The Deep Dive Academy of Significance to thedeepdiveacademy@gmail.com  June's new Amazon Store https://www.amazon.com/shop/junedianeJessica's Amazon Store https://www.amazon.com/shop/StclairjessicaYou can follow The Deep Dive on Twitter @thedeepdivepodJune Diane Raphael @MsJuneDiane on Twitter @junediane on InstagramJessica St. Clair @Jessica_StClair on Twitter @stclairjessica on InstagramCheck out the Jane Club at www.janeclub.com

We want to empower you to choose whether you listen to this episode or not, and let you know that in this episode slavery is mentioned. If you are affected by anything discussed in this episode, we have provided links to organisations you may find helpful at the bottom of these show notes.   The mightiness of this episode is next level! Join us as we talk with Safiya about the power that language carries - through the lens of her debut poetry collection Cane, Corn & Gully, ancestry, dance and poetry.   A powerful & passionate choreo-poet who is just getting started. Safiya Kamaria Kinshasa is a British born Barbadian raised choreo-poet and PhD student at the University of Leeds in Cultural Studies. Her interdisciplinary art braids dance and poetry on the page and stage. She is an Obsidian Foundation fellow and an Apples & Snakes/ Jerwood Arts Poetry in Performance recipient. Her work has appeared in a variety of journals including Poetry London, Poetry Review and Wasafiri. Safiya is also a national and international spoken word champion and came third place in The London Magazine Poetry Prize (2022).   Mentions: Connect with Safiya:  Website: https://www.safiyakamaria.com/ IG: @safiyakamaria Buy Cane, Corn and Gully: https://www.safiyakamaria.com/product-page/cane-corn-gully Hair & MUA, Consultant - Kamanza IG: @kamanzaa Labanotation: Graphic notation for dance/dance scores The Kamaria technique Ep 41: We Move in Circles with Thomas "Talawa" Presto https://open.spotify.com/episode/1549ahF6J5dojFC35OvC3i?si=daff6659ad68482e Poem read: Speightstown Is Such a Darling Place   Connect with us: Ama Rouge Website: www.wearewildwithin.com IG: @powerup.podcast @ama.rouge @wearewildwithin  LinkedIn: linkedin.com/in/ama-rouge-870b60138 FB: AmaRougemoves Twitter: @podcastpowerup   Ella Mesma Website: www.ellamesma.co.uk, www.mayagandaia.com,  LinkedIn: https://www.linkedin.com/in/ella-mesma-b6071320/ IG: @powerup.podcast @Ellamesma  FB:@EllaMesma  Twitter: @podcastpowerup   Music by Tomo Carter IG: @tomocarter   Everything else brought to you by us, the PowerUp! power team   If you are or have been affected by any of the topics we've discussed in this episode here are some organisations you may find helpful:   https://www.blackmindsmatteruk.com/ www.mind.org.uk https://thenapministry.wordpress.com/

"I think affinity bias is the one where I feel is the deal breaker , if you can meet someone, and you can see something in them, that reflect you be a principle, be a belief, be it a way that you would like to be seen. I think that's the one that draws you in, you know, we talk about being charismatic, we talk about being charming,some people are very naturally charismatic, which means it's not, you know, they're not learned. It's not trained. But I also think there's an element of how does that charisma impact and affect us in different ways?" Anthony Anaxagorou is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. Anthony is the winner of the 2023 Royal Society of Literature Ondaatje prize for his most recent poetry collection “Heritage Aesthetics” published by Granta. The chair of judges, journalist Samira Ahmed, said Anthony's poetry “is beautiful, but does not sugar coat. The arsenic of historical imperial arrogance permeates the Britain he explores in his writing. And the joy of this collection comes from his strength, knowledge, maturity, but also from deeply felt love.” His poetry has been published in POETRY, The Poetry Review, Poetry London, New Statesman, Granta, and elsewhere. His work has also appeared on BBC Newsnight, BBC Radio 4, ITV, Vice UK, Channel 4 and Sky Arts. His second collection After the Formalities published with Penned in the Margins is a Poetry Book Society Recommendation and was shortlisted for the 2019 T.S Eliot Prize along with the 2021 Ledbury Munthe Poetry Prize for Second Collections. It was also a Telegraph and Guardian poetry book of the year. In 2022 he founded Propel Magazine, an online literary journal featuring the work of poets yet to publish a first collection. Anthony is artistic director of Out-Spoken, a monthly poetry and music night held at London's Southbank Centre, and publisher of Out-Spoken Press. This is what one reviewer says of Anthony and his work ‘One of the most politically engaged poets of our time, Anthony holds the busy intersectionality of history, politics and ideology in poems that remain fresh and open. To stay up to date, follow @SmitaTharoor on Smita Tharoor (@SmitaTharoor) / Twitter or Smita Tharoor (@smitatharoor) | Instagram and follow the podcast on your favorite streaming service.

In this episode, Book Dreams producer and guest host Gianfranco Lentini takes us on a journey to a real-life literary paradise—a thin barrier island just 50 miles east of New York City—that has been a haven for authors, especially queer authors, for more than a century. Author and scholar Jack Parlett joins Gianfranco to discuss the subject of Jack's latest book, Fire Island: A Century in the Life of an American Paradise. They talk about the significance of creating and maintaining queer spaces as havens, and they examine the cultural context that led many writers—including Noël Coward, W. H. Auden, Walt Whitman, Tennessee Williams, and James Baldwin—to spend summers on Fire Island, experiencing personal freedom that was denied to them everywhere else. They also explore the effect that those earlier writers, as well as Fire Island itself, had on the authors who make the island their second home today. Says Jack, “The [Fire Island] landscape itself knows something, feels something, about the people who were there. It's a repository of their legacies." Jack Parlett is a writer, poet, and scholar. He is the author of three books: Fire Island: A Century in the Life of an American Paradise; The Poetics of Cruising: Queer Visual Culture from Whitman to Grindr; and Same Blue, Different You, a poetry pamphlet. Fire Island was named an Editor's Pick by The New York Times and One of the Best Books of 2022 by The New Yorker and BBC Culture. His writing has appeared in The New Yorker, Boston Review, Granta, Literary Hub, BBC Culture, Poetry London, and elsewhere. Jack currently holds a junior research fellowship at University College Oxford, where he also teaches. His research focuses on 20th and 21st century American literature and culture with an emphasis on queer writing and questions of gender, sexuality, and race. Find us on Twitter (@bookdreamspod) and Instagram (@bookdreamspodcast), or email us at contact@bookdreamspodcast.com. We encourage you to visit our website and sign up for our newsletter for information about our episodes, guests, and more. Book Dreams is a part of Lit Hub Radio and the Podglomerate network, a company that produces, distributes, and monetizes podcasts. For more information on how The Podglomerate treats data, please see our Privacy Policy. Since you're listening to Book Dreams, we'd like to suggest you also try other Podglomerate shows about literature, writing, and storytelling like Storybound and The History of Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet Naush Sabah is re-visiting her childhood home in Sparkbrook, Birmingham Naush is a poet, writer, editor, critic and educator based in the West Midlands. In 2019, she co-founded the Poetry Birmingham Literary Journal where she is currently Editor and Publishing Director. Naush also co-founded Pallina Press where she is Editor-at-Large and she currently serves as a trustee at Poetry London. Her writing has appeared in The Poetry Review, the TLS, PN Review, The Dark Horse, Modern Poetry in Translation, and elsewhere. She was shortlisted for the Royal Society of Literature's 2021 Sky Arts Writers Award. Her debut pamphlet Litanies was published by Guillemot Press in November 2021. She's a visiting lecturer in creative writing at Birmingham City University. Producers: Rosie Boulton and Melvin Rickarby A Must Try Softer Production A co-commission between BBC Radio 3 and the Space with funding from Arts Council England.

In this podcast, the T.S. Eliot Prize-winning poet Sarah Howe talks to Jennifer Williams about kicking off the 2016 Edinburgh International Book Festival, writing with multiple languages and alphabets, sense and non-sense in poetry and much more. Sarah Howe is a British poet, academic and editor. Her first book, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and The Sunday Times / PFD Young Writer of the Year Award, and was shortlisted for the Seamus Heaney Centre Poetry Prize and the Forward Prize for Best First Collection. Born in Hong Kong in 1983 to an English father and Chinese mother, she moved to England as a child. Her pamphlet, A Certain Chinese Encyclopedia (Tall-lighthouse, 2009), won an Eric Gregory Award from the Society of Authors. Her poems have appeared in journals including Poetry Review, Poetry London, The Guardian, The Financial Times, Ploughshares and Poetry, and she has performed her work at festivals internationally and on BBC Radio 3 & 4. If you would prefer to read, rather than listen to, our podcast with Sarah Howe, click here to see a transcript of the interview.

Ella Frears is a poet and visual artist based in south-east London. She has had poetry published in the LRB, Poetry London, Ambit, The Rialto, Poetry Daily, POEM, and the Moth among others. Her pamphlet Passivity, Electricity, Acclivity was published by Goldsmiths Press 2018. Her debut collection, Shine, Darling is published by Offord Road Books, and came out in April, 2020. Suzannah V Evans spoke with Ella Frears at the StAnza Poetry Festival in 2019. Frears reads her poems and discusses sand, vintage porn, and the interplay between her roles as a writer and visual artist.

After taking a break last year as we took Poetry London on tour around the UK to celebrate the publication of PL's 100th issue, we're happy to be back with the second episode of the Poetry London Podcast. It is presented by PL's editor André Naffis-Sahely, supported by Aminata Sow, PL's digital assistant. This episode features readings by poets Chris McCabe, Romalyn Ante, and Eiléan Ní Chuilleanáin.

This week we are joined by award-winning poet John McCullough whose poems have appeared in magazines including Poetry Review, The Guardian, The New Statesman, Poetry London and Best British Poetry. His first collection The Frost Fairs (Salt, 2011) won the Polari First Book Prize and was Book of the Year for The Independent and The Poetry School. His last collection Reckless Paper Birds was shortlisted for the Costa Poetry Award. Finally he has his new collection called Panic Response out with Penned in the Margins. Today he gives us a poem by the brilliant Caroline Bird. We talk space, pauses and line-breaks in this fearless breakdown of an absolute belter.

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Your last encounter with a poem may well have taken place in a grim classroom, perhaps a painful dissection of WB Yeats or Matthew Arnold. Poetry can be something entirely different, however, and prize-winning poet John McCullough gives us poetry that is a source of joy, mindfulness and sheer fun. John McCullough “guides us through a world of déjà vu, doubt and rapture” (Helen Mort). His poetry gives us “fresh insight into vulnerability and suffering”, according to the judges of the Costa Poetry Award.  His poems reference Kate Bush, Lady Gaga, birdlife, Grindr and My Little Pony, while exploring love, loneliness and issues like homelessness and homophobia.  In this episode Andrew and John talk about the ways poetry can make your life richer, deeper and more meaningful. Poetry helps us live in the moment, it offers a rest from relentless rational thinking and it helps us to process our experiences and make sense of them. John McCullough's latest book of poems, Reckless Paper Birds, won the 2020 Hawthornden Prize for Literature and was shortlisted for the Costa Poetry Award. He has also won the Polari First Book Prize and his collections have been named Books of the Year in The Independent, The Guardian and The Observer. He is featured regularly in magazines such as Poetry London, Poetry Review and The New Statesman. Most recently, his poem 'Flower of Sulphur' was shortlisted for the 2021 Forward Prize for Best Single Poem. John lives in Hove with his partner and two cats, and teaches creative writing at the Open University and the University of Brighton.    Follow Up Join our Supporters Club to access exclusive behind-the-scenes content, fan requests and the chance to ask Andrew your own questions. Membership starts at just £4.50. Read Reckless Paper Birds, John McCullough's Hawthornden Prize winning collection. Find out about John McCullough's other books. Follow John McCullough on Twitter @JohnMcCullough_ and Instagram @mrjohnmccullough Get Andrew's advice on creating change in your life and relationships in his book Wake Up and Change Your Life: How to Survive a Crisis and Be Stronger, Wiser and Happier. Listen to Andrew's interview with author Josh Cohen on “How to Live: What You Can Learn From Your Favourite Literary Character”. Andrew offers regular advice on love, marriage and finding meaning in your life via his social channels. Follow him on Twitter, Facebook and YouTube @andrewgmarshall 

A club is a place for dancing, for abandon, for music, and for meeting strangers. Romeo Oriogun recalls a gay club that was for all those things, but also for escape. Living in a place where queer lives were under threat, he offers a praise song for this cathedral of safety and movement. Outside the world is silent, but inside the bar, people carry stories of their own desire, of their families, of their hopes; both for the future and the present.Romeo Oriogun is a Nigerian poet, essayist, and author of Sacrament of Bodies (University of Nebraska) and three chapbooks. He is the winner of the 2017 Brunel International African Poetry Prize. His poems have appeared in Poetry, Harvard Review, American Poetry Review, Poetry London, The Poetry Review, Narrative Magazine, The Common, and others. A graduate of the Iowa Writers' Workshop, his poems have been translated into several languages.Find the transcript for this show at onbeing.org.

Kathleen Winter is the author of three poetry collections: Transformer (The Word Works), I will not kick my friends (Elixir Press), and Nostalgia for the Criminal Past (Elixir Press). Her chapbook Cat's Tongue is forthcoming from Texas Review Press in 2022. Kathleen's poems and short fiction have appeared in The New Republic, The New Statesman, Poetry London, Yale Review, Agni, Five Points and Colorado Review. She was granted fellowships by the James Merrill House, Cill Rialaig Project, Sewanee Writers' Conference, Dora Maar House and Vermont Studio Center. Her awards include the Poetry Society of America The Writer Magazine/Emily Dickinson Award and the Ralph Johnston Fellowship at University of Texas's Dobie Paisano Ranch. Winter teaches creative writing at Sonoma State University.  

The Poetry London Podcast is produced by the team at Poetry London, a leading international poetry magazine in print since 1988. It is presented by PL's editor André Naffis-Sahely, supported by Aminata Sow, PL's production assistant. Poetry London is published three times a year in February, May and September and each issue contains new poetry, incisive reviews and featured essays. This episode features performances by Joy Harjo and Lewis MacAdams, as well as an inside look into the medium of Instapoetry, as well as tribute to the poet and critic Colin Falck (1934-2020).

The final episode of the second season and it is a special one. We are joined by the wonderful Ella Frears. She is a poet and artist based in London. Her debut collection, Shine, Darling, (Offord Road Books, 2020) was a Poetry Book Society Recommendation and was shortlisted for both the Forward Prize for Best First Collection, and the T. S. Eliot Prize for Poetry. She has had poetry published in the LRB, Poetry London, The Guardian, The Telegraph, Ambit, The Rialto, and the Moth among others. Today she brings in two strange, short poems. One by Dianne Williams called The Idea of Counting. The other is by Michael Earl Craig and it's called Tomatoes Disrespect us.

Rattlecast #95 features a contributor to last winter's issue, Supriya Kaur Dhaliwal, and her debut collection The Yak Dilemma. She'll join us at noon EDT, but we'll start with a half-hour of Poets Respond Live. Supriya Kaur Dhaliwal was born in the Himalayan town of Palampur, India. She studied at St. Bede's College, Shimla; Trinity College, Dublin; and Queen's University, Belfast. Her poems have been translated into Arabic, German and Italian, and have recently appeared in Ambit, Banshee, Gutter, Poetry Ireland Review, Poetry Jukebox, Poetry London, The Bombay Literary Magazine, The Irish Times, The Lonely Crowd, The Pickled Body, The Tangerine and elsewhere. In 2018, she was one of the twelve poets selected for Poetry Ireland's ‘Introductions' series. She is the 2021 Charles Wallace India Trust Fellow at the University of Kent. The Yak Dilemma is her first full-length collection. For more on the author, and to order the book, visit: https://www.supriyakaurdhaliwal.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about a parasite—be as literal or figurative as you wish. Next Week's Prompt: Write a a poem in which an inanimate object or concept is personified. (See “Mirror” by Sylvia Plath for a great example.) The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts. Segments: 3:03 Richard Westheimer: "An American Jew Fails to Make Sense of the Carnage in Gaza" 12:35 Poets Respond Live continues 30:00 Featured Guest: Supriya Kaur Dhaliwal 1:33:15 Open Lines

Note: this interview is a repeat, having been recorded and interviewed last year. Full show notes at === Abi Palmer is a mixed-media artist and writer. Her work often includes themes of disability, gender and multisensory interaction. Her artworks include: Crip Casino, an interactive gambling arcade parodying the wellness industry and institutionalised spaces, displayed at the Tate Modern and Somerset House; and Alchemy, a multisensory poetry game, which won a Saboteur Award in 2016. She has written for BBC Radio, The Guardian and Poetry London. She recently published her first book, Sanatorium, through Penned in the Margins. Abi is also my sister, and we frequently collaborate on creative projects together. In this *very* rambling conversation, Abi and I discuss myriad topics, including: - Abi's book Sanatorium (out now from Penned in the Margins) - Physical movement (and embodiment) and thought processes - Constraints in creativity - Failure and experimentation - Underpowered vehicles as a metaphor for our creative relationship - Bath-tubs - Numerous artworks we've worked on, including Crip Casino, Nybble, Ant Ballet, etc. - Social media and filmic influences on framing the real world Links - Sanatorium - Abi's website --- Send in a voice message: https://anchor.fm/olliepalmer/message

Abi Palmer is a mixed-media artist and writer. Her work often includes themes of disability, gender and multisensory interaction. Her artworks include: Crip Casino, an interactive gambling arcade parodying the wellness industry and institutionalised spaces, displayed at the Tate Modern and Somerset House; and Alchemy, a multisensory poetry game, which won a Saboteur Award in 2016. She has written for BBC Radio, The Guardian and Poetry London. She recently published her first book, Sanatorium, through Penned in the Margins. Abi is also my sister, and we frequently collaborate on creative projects together. In this *very* rambling conversation, Abi and I discuss myriad topics, including: - Abi's book Sanatorium (out now from Penned in the Margins) - Physical movement (and embodiment) and thought processes - Constraints in creativity - Failure and experimentation - Underpowered vehicles as a metaphor for our creative relationship - Bath-tubs - Numerous artworks we've worked on, including Crip Casino, Nybble, Ant Ballet, etc. - Social media and filmic influences on framing the real world Links - Sanatorium - Abi's website --- Send in a voice message: https://anchor.fm/olliepalmer/message