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The Writer Files: Writing, Productivity, Creativity, and Neuroscience
Acclaimed debut novelist and award-winning poet Jeanette Horn spoke to me about writing experimental poetry, getting a fateful call from the Iowa Writer's Workshop, and the magical realism in her debut novel PLAY, WITH KNIVES. Jeanette Horn is an Iowa Writers' Workshop MFA program graduate and was a Maytag Fellow. Her debut novel, Play, With Knives, is described as the story of “A struggling theater troupe [that] tours the Midwest by surreal train—where aspects of their plays come to life and wreak havoc—in this inventive literary novel.” Elizabeth Gilbert, #1 New York Times bestselling author of Eat Pray Love, said of the book, "Play, With Knives is a work of wondrous imagination—a dream from which I did not want to awaken." Jeanette also earned a BA in English from the University of Texas, where she won several Adele Steiner Burleson Awards for poetry and essay writing. Her work has appeared in MARGIE, Poetry International, Stand, Washington Square, and other journals. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Jeanette Horn and I discussed: What it was like at Iowa's famed Writer's Workshop Why her debut novel was a labor of love (10 years in the making) The successful query letter that led to publishing the book Her true feelings about the cover art Why it's ok to write in the margins And a lot more! Show Notes: www.jeanettehorn.com Play, With Knives by Jeanette Horn (Amazon) Successful Queries: Jaynie Royal and “Play, With Knives,” by Jeanette Horn By Any Other Name Paperback by Jodi Picoult (Amazon) The Stab - jeanettehorn.substack.com Jeanette Horn on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
'Beeldspraak' is de podcast van Poëziecentrum. In deze maandelijkse reeks praat een kenner/liefhebber met een dichter over zijn/haar/hun nieuwe dichtbundel. In deze aflevering praat Marjolein Visser met Pim Lammers over diens bundel 'Ik denk dat ik ontvoerd ben'. Recentelijk won Pim Lammers met twee gedichten uit deze bundel een Poëziester, meteen de aanleiding voor deze podcast. Pim Lammers (1993) is schrijver en dichter. Begin 2017 verscheen zijn debuut 'Het lammetje dat een varken is'. Het prentenboek werd bekroond met een Zilveren Griffel. Inmiddels heeft hij verschillende titels op zijn naam staan, waaronder een groot aantal kinderboeken over gender- en seksuele diversiteit. Marjolein Visser schrijft proza en non-fictie. Ze is oprichter van het landelijke platform ‘de Schrijfwerkplaats voor Nieuwkomers', waarmee ze meer dan honderd schrijvers, journalisten en dichters met een vluchtachtergrond hielp te publiceren in Nederland. Ze schreef de roman 'Restmens' en de jeugdroman 'De Verboden Duinen'. Het project Gouden Poëziemedaille en Poëziesterren is een initiatief van Poëziecentrum en CANON Cultuurcel. We danken de collega's van Poetry International voor de logistieke ondersteuning.
Hans en Chrétien bespreken de aankondigingstekst van het Poetry International festival en de terugkerende geloofsijver onder schrijvers. Het te recenseren boek is ditmaal ‘Een driebenig paard', een late verzameling brieven van de Tsjechische meester Bohumil Hrabal. En tot slot zijn we getuige van een beginnende liefde tussen Eveline Aendekerk en De Nieuwe Contrabas, waarbij Aendekerk uitlegt hoe de doelgroep Incidentele Kopers wordt bewerkt. Luister, like en abonneer.
In the last episode of season 4 of the True Fiction Project, I am honored to welcome the amazing Anand Thakore. I've known Anand since we were in school together, and it has been incredible to see his journey and learn of his success as an Anglophone Poet and Hindustani Classical Musician. During this episode we reminisce on some of our school experiences and share stories. Then we dive in to learn what Anand is up to now, while he shares his latest projects. We hear an excerpt of music and a poem from Deepankar Khiwani, titled Cathedral. Anand shares his experience working with Deepankar and how their work together inspired him to start writing poetry again. The episode goes on to include three original pieces by Anand Thakore titled Sea Link, My Place and Mughal Sequence. Tune in for this entertaining episode! IN THIS EPISODE: [2:28] Anand shares about his journey with Sanskrit. [4:03] What was Anand's journey with music and poetry? [9:49] What is the style of contemporary Indian writing? [10:50] Anand shares his story about the creation of the Mughal Sequence. [13:50] What is the backstory behind some of his latest pieces? [16:30] How do poets utilize characters in their poetry? [18:42] Anand talks about the work he's done with Deepankar Khivani. [21:23] Anand shares the song and poem Cathedral by Deepankar Khivani. [22:51] We hear the poem Sea Link, by Anand Thakore. [25:09] We hear the poem My Place, by Anand Thakore [26:24] Why was Anand feeling like a sock puppet? [29:01] Anand shares more about the poem Mughal Sequence and then we hear an excerpt from it. KEY TAKEAWAYS: [12:51] Anand wants the American audience to understand that they are a trans culture, multicultural, multilingual people. Their themes are Indian, their language is English, their music can be Indian, they can also experience Western music in great depth. [14:49] Anand feels that poetry really has to embrace the moment and be very short and brief and make its statement in a short space. [16:32] Sometimes poets reveal themselves when they are pretending to be someone else. Fiction Credits: Poems below written and narrated by: Anand ThakoreSea Link My PlaceMughal SequenceCathedral Poem: Written by Deepankar Khiwani and narrated by Anand Thakore The Cathedral & John Connon School Anand's song at end of episode: Pt. Anand Thakore - Kabir Bhajan-Kuan thagva nagariya lutal ho (Juhu Hamara Festival Kaifi Azmi Park 2019)Anand's other works and information:De Kooning's Smile: Collected PoemsIn Praise of BoneElephant BathingSeven Deaths and Four ScrollsSelected Poems-1992-2012youtube interview and reading at book launchAnand Thakore introduces you to 'In Praise of Bone' ( video)_THE-KOH-I-NOOR, Poetry International , Anand ThakoreBIO: Born in Mumbai in 1971, Anand Thakore grew up in India and in the United Kingdom. He has spent most of his life in Mumbai. His published collections of poetry include In Praise of Bone (2023), Waking In December (2001), Elephant Bathing (2012), Mughal Sequence (2012), and Seven Deaths and Four Scrolls (2017). A Hindustani classical vocalist by training, he has devoted much of his life to the study, performance, composition and teaching of Hindustani vocal music. He received musical instruction for many years from Ustad Aslam Khan, Pandit Baban Haldankar and Pandit Satyasheel Deshpande. He is the founder of Harbour Line, a publishing collective, and of Kshitij, an interactive forum for musicians. He holds an MA in English Literature and is the recipient of grants from The Ministry of Human Resource Development and The Charles Wallace India Trust. He lives in Mumbai and divides his time between writing, performances, and teaching music. His fourth collection of verse, entitled Seven Deaths and Four Scrolls, was recently shortlisted for The Jayadeva National Poetry Award. Anand Thakore's Facebook Anand Thakore's Website Poetry International Website Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Danielle Chapman is a poet, essayist, and lecturer in English at Yale University. Her poems have appeared in The New Yorker, The Atlantic Monthly, The Nation, Poetry International and elsewhere. Delinquent Palaces, released by Northwestern University Press in April 2015, is her debut collection of poems.
"This weirdness swims up..." Alexandra Regalado talks to Farnaz Fatemi about teeth as relics, finding inspiration in visual artists, attempting to say the unsaid, writing things in poems that might never get said aloud--and more serious and not-so-serious preoccupations. Our conversation focuses on Regalado's second book, the National Poetry Series publication Relinquenda, from Beacon Press. Alexandra Lytton Regalado is a Salvadoran-American author, editor, and translator. She is the author of Relinquenda, winner of the National Poetry Series (Beacon Press, 2022); the chapbook Piedra (La Chifurnia, 2022); and the poetry collection, Matria, the winner of the St. Lawrence Book Award (Black Lawrence Press, 2017). Alexandra holds fellowships at CantoMundo and Letras Latinas; she is winner of the Coniston Prize, and her work has appeared in The Best American Poetry, poets.org, World Literature Today, Narrative, and The Poetry Foundation's Harriet blog, among others. Her translations of contemporary Latin American poetry appear in Poetry International, FENCE, and Tupelo Quarterly and she is translator of Family or Oblivion by Elena Salamanca. She is co-founding editor of Kalina, a press that showcases bilingual, Central American-themed books and she is assistant editor at SWWIM Every Day an online daily poetry journal for women-identifying poets. www.alexandralyttonregalado.com
Poëzieweek 2024 (25 januari tot 31 januari): thema 'thuis' Sinds 2000 wordt elk jaar eind januari poëzie extra in de kijker gezet. Op initiatief van Poetry International werd de laatste donderdag van januari uitgeroepen tot Gedichtendag. Een breed samenwerkingsverband van dichters, literaire organisaties, scholen, bibliotheken en andere verenigingen zorgde ervoor dat de donkere januaridagen in […]
Tony Diaz, El Librotraficante & Literary Curator for the Latino Bookstore at the Guadalupe Cultural Arts Center in San Antonio Texas, welcomes award winning author John Olivares Espinoza to the show to discuss his book THE DATE FRUIT ELEGIES (Bilingual Review Press, 2008) ahead of his Texas Author Series appearance on October 13th 2023 at the Guadalupe. John shares with us his work, reads some of his poems (including unreleased portions of his upcoming book), the inspiration behind his work, as well as his current as editor / poetry coach to several well known literary figures, including Chicana icon Sandra Cisneros. John Olivares Espinoza is a recipient of a 2023 City of San Antonio Project Grants for Individual Artists. Born and raised in Indio, California, and the son of immigrants from Mexico, he received degrees in creative writing from the University of California, Riverside and Arizona State University. He is the author of the poetry collection, The Date Fruit Elegies (Bilingual Review Press, 2008), as well as two chapbooks, Aluminum Times (Swan Scythe Press, 2002) and Gardeners of Eden (Chicano Chapbook Series, 2000). His poetry has appeared in journals and anthologies domestically and internationally such as Alta Journal, American Poetry Review, Berkeley Poetry Review, New Letters, Poetry International, Quarterly West, Rattle, ZYZZYVA and In Xóchitl in Cuícatl: Floricanto: Cien años de poesía chicanx/latinx (1920-2020) (Editorial Polibea: Madrid, 2021). His honors include a writing grant from The Elizabeth George Foundation, a Paul and Daisy Soros Fellowship for New Americans, and a residency at the Smithsonian Institute in Washington, D.C. Espinoza has been a member of the Macondo Writers Workshop since 2004 and lives in San Antonio with his family. John attempts to create a family mythology around their experiences and identities as immigrants, laborers, and New Americans. Meanwhile, other speakers in his poems grapple with their identities as first generation Americans. Poet Christopher Buckley introduces Espinoza's poetry by saying, “…[I]t was the lives of his family, of the people who did not stay at resorts [and the homes of the rich], that became [John's] theme, and his poems risked clarity at every turn to do them justice. John's poems are witness to this life, and with poignancy and inventiveness they reveal the essential dignity and compassion of the people he knows.” Tony Diaz Writer and activist Tony Diaz, El Librotraficante, is a Cultural Accelerator. He was the first Chicano to earn a Master of Fine Arts degree from the University of Houston Creative Writing Program. In 1998, he founded Nuestra Palabra: Latino Writers Having Their Say (NP), Houston's first reading series for Latino authors. The group galvanized Houston's Community Cultural Capital to become a movement for civil rights, education, and representation. When Arizona officials banned Mexican American Studies, Diaz and four veteran members of NP organized the 2012 Librotraficante Caravan to smuggle books from the banned curriculum back into Arizona. He is the author of The Aztec Love God. His book, The Tip of the Pyramid: Cultivating Community Cultural Capital, is the first in his series on Community Organizing. Tony hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. * This is part of a Nuestra Palabra Multiplatform broadcast. * Video airs on www.Fox26Houston.com. * Audio airs on 90.1 FM Houston, KPFT, Houston's Community Station, where our show began. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records baydenrecords.beatstars.com
CLEM BOWEN + DAWAD PHILIP Clem Bowen grew up in Princess Town, Trinidad, and became an avid sportsman. For over a decade he worked in the aviation industry in Egypt and Saudi Arabia, where he began his journey in the entertainment industry as a DJ. Soon he was driving tours for artists such as Sister Carol and Sugar Minot, and progressed to becoming a road manager of Soca artists throughout the Caribbean, Europe and Africa. He formed his Cariwak Management Agency, which books Calypso & Soca artists worldwide, acquires work permits, travel etc, which also includes Event planning & Productions and more. He is also President of the yearly July, “Sunday Brunch on the Green', in Brooklyn. His mas band, Burokeete, impacted the art of Carnival and is in the history books, with a song “Burrokeet Woman” by Calypsonian, “Mighty Swallow” created for Burrokeet; won ‘Band of the Year' twice, with approximately 3000 masqueraders and was the first Trini style mas camp at the Shell, which was renamed Burrokeet mas camp. Clem franchised Burrokeet to Atlanta, Boston, Miami and London. The Burrokeet is a costume that resembles a person riding a donkey, which has its origins in the Spanish and Venezuelan cultures. Clem is passionate about preserving and promoting the cultural heritage of Trinidad and Tobago. >>>>>>>>>>>> Dawad Philip who holds a Masters of Arts (Carnival Arts) degree from the University of Trinidad and Tobago is a mas man, journalist, painter, calypso ten manager, organizer of Caribbean Theatre Week (NY), and poet. Philip was one of five poets selected to represent Brooklyn in a Brooklyn-Leningrad Literary Exchange in the 1990s. He is the author of three volumes of poetry, Invocations 1980, A Mural by the Sea 2017 (City Twilight 2020), and Jayden and the King of the Brooklyn Carnival, (co-authored with Yolanda Lezama-Clark, 2019), Dawad's collection of poems is an homage not only to our elusive “Sweet Trinidad” but to the many homes and everyday people he encountered in his pilgrimage through life. Some of his poems discern echoes of the distinctive riddims of Andre Tanker's “Back Home” and Sir Derek Walcott's intimations in “Hic Jacket,” and have appeared in anthologies including Steppingstones, Bomb, Caribbean Voices, Poetry International, Voicing Our Vision and New Rain. A recipient of New York State Fellowship on the Arts (Poetry), he has performed his works around the Caribbean, U.S., Canada; Riga, Latvia; Moscow and St. Petersburg. Selected poems of his, have been translated into Russian by the former Leningrad Writers Union. Philip keeps an active hand in the annual Trinidad Carnival and further afield as a costume designer and mas-maker, after winning back in the day, mas band awards in San Fernando Carnival. He was instrumental in the genesis of Jazz on the San Fernando Hill and gave birth (with others) to We People Mas, an all-inclusive mas band in South with designs reminiscent of mas icon Peter Minshall. After living and working in Brooklyn for nearly four decades as a poet, journalist and artist, Philip has since resettled in his hometown of ‘Sando' San Fernando, Trinidad. A Mural by the Sea (2018), a film by the late playwright/filmmaker Tony Hall, is based on selected poems from the book of the same title. His latest book Ayedemah, which means “We are a proud nation” is the precursor to another deep dive into the 100 years of New York Carnival. His works will shortly be entered into the Library of Congress. He remains active in the annual carnival with the National Carnival Commission in Trinidad, as well as being a J'Ouvert advisor to the Trinidad and Tobago Ministry of Culture --- Support this podcast: https://podcasters.spotify.com/pod/show/ozzie-stewart/support
Daan Doesborgh gaat in gesprek met Danae Sioziou en Radek Jurczak over de Griekse en Poolse poëziescene, verjaardagen na je dertigste en het nut van AI in de poëzie. Deze aflevering werd opgenomen op Poetry International in Rotterdam, waar het erg gezellig was. We zaten op de zolder van verhalenhuis Belvedère, dat ik een keer per ongeluk Bellevue noem omdat ik een domme Amsterdammer ben.
Elke zaterdagochtend tussen 6 en 7 uur deelt presentator Teddy Tops de beste cultuurtips met je. Op 10 juni waren dat: Boeken: Coulis (https://www.atlascontact.nl/boek/coulis/), met schrijver Bilal Al Mashta Poëzie: Poetry International, (https://www.poetryinternational.com/nl/festival/festival/50-153_53rd-Poetry-International-Festival-Rotterdam#festival-programma153)met hoofdprogrammeur Fleur Jera Dans: House of Strength (https://www.ickamsterdam.com/en/artist-space/productions/house-of-strength-151) en Solos of Solitude (https://www.oerol.nl/nl/programmering/roshanak-morrowatian-roshanak-morrowatian-tent-de-tent/), danser en choreograaf Roshanak Morrowatian Theater: Holland Festival (https://www.vpro.nl/festivals/holland-festival.html)(Special), met eindredacteur Renate Verhoofstad Muziek: Sun Kil Moon (https://open.spotify.com/track/0VkfAjOsHR7Nuh8uJOWInC?si=7b8fa20161004c3e), Ntjam Rosie (https://open.spotify.com/track/1v0PYipTR3mxh3EIGKoDae?si=e9dad5c88eaa42ee), Arlo Parks (https://open.spotify.com/track/77F6ryVdeVe0ZabzhpCad2?si=6b6f7e88afe54990) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl
Hans en Chrétien nemen het mogelijk nieuwe vak ‘counter reading', een openingszin van Ellen Deckwitz, de zorgen van Marente de Moor en het aanstaande motto van Poetry International met je door. Verder een bespreking van de pas gebundelde romans van Sergej Dovlatov (1941-1990), die onder de titel ‘Omtrekkende bewegingen' zijn strijd beschrijft tegen de omgekeerde meritocratie: hoe geringer je talent, hoe hoger je positie in de Sovjet Schrijversbond. Tot slot een closeread van Joris Miedema's nieuwe bundel ‘De vlucht van de levenloze libellen'. Luister, like en abonneer.
Poet, novelist, translator, journalist, crime fiction writer, children's book author, teacher, math tutor: now here is a man who contains multitudes. Jerry Pinto joins Amit Varma in episode 314 of The Seen and the Unseen to talk about his life and learnings. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Jerry Pinto on Instagram, Amazon and his own website. 2. Em and the Big Hoom -- Jerry Pinto. 3. The Education of Yuri -- Jerry Pinto. 4. Murder in Mahim -- Jerry Pinto. 5. A Book of Light -- Edited by Jerry Pinto. 6. Baluta -- Daya Pawar (translated by Jerry Pinto). 7. I Have Not Seen Mandu -- Swadesh Deepak (translated by Jerry Pinto). 8. Cobalt Blue -- Sachin Kundalkar (translated by Jerry Pinto). 9. The Life and Times of Shanta Gokhale -- Episode 311 of The Seen and the Unseen. 10. ‘Sometimes I feel I have to be completely invisible as a poet' -- Jerry Pinto's interview of Adil Jussawalla. 11. A Godless Congregation — Amit Varma. 12. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 13. The Big Questions — Steven E Landsburg. 14. Unlikely is Inevitable — Amit Varma. 15. The Law of Truly Large Numbers. 16. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 17. Young India — Episode 83 of The Seen and the Unseen (w Snigdha Poonam). 18. Dreamers — Snigdha Poonam. 19. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 20. The History Boys -- Alan Bennett. 21. The Connell Guide to How to Write Well -- Tim de Lisle. 22. Thinking Better: The Art of the Shortcut -- Marcus Du Sautoy. 23. Dead Poet's Society -- Peter Weir. 24. A Mathematician's Apology -- GH Hardy. 25. The Man Who Knew Infinity -- Robert Kanigel. 26. David Berlinski and Martin Gardner on Amazon, and Mukul Sharma on Wikipedia.. 27. Range Rover -- The archives of Amit Varma's column on poker for The Economic Times. 28. Luck is All Around -- Amit Varma. 29. Stoicism on Wikipedia, Stanford Encyclopedia of Philosophy and Britannica. 30. House of the Dead — Fyodor Dostoevsky. 31. Black Beauty -- Anna Sewell. 32. Lady Chatterley's Lover -- DH Lawrence. 33. Mr Norris Changes Trains -- Chistopher Isherwood. 34. Sigrid Undset on Amazon and Wikipedia. 35. Some Prefer Nettles -- Junichiro Tanizaki. 36. Things Fall Apart — Chinua Achebe. 37. Jane Austen and Thomas Hardy on Amazon. 38. Orientalism -- Edward Said. 39. Edgar Allan Poe, Nathaniel Hawthorne and Kurt Vonnegut on Amazon. 40. Johnny Got His Gun -- Dalton Trumbo. 41. Selected Poems -- Kamala Das. 42. Collected Poems -- Kamala Das. 43. In Which Annie Gives It Those Ones — Pradip Krishen. 44. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 45. Tosca -- Giacomo Puccini. 46. Civilisation by Kenneth Clark on YouTube and Wikipedia. 47. Archives of The World This Week. 48. Dardi Rab Rab Kardi -- Daler Mehndi. 49. Is Old Music Killing New Music? — Ted Gioia. 50. Mother India (Mehboob Khan) and Mughal-E-Azam (K Asif). 51. A Meditation on Form — Amit Varma. 52. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 53. Collected Poems — Mark Strand. 54. Forgive Me, Mother -- Eunice de Souza. 55. Porphyria's Lover -- Robert Browning. 56. Island -- Nissim Ezekiel. 57. Paper Menagerie — Ken Liu. 58. Jhumpa Lahiri on Writing, Translation, and Crossing Between Cultures — Episode 17 of Conversations With Tyler. 59. The Notebook Trilogy — Agota Kristof. 60. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 61. The Blue Book: A Writer's Journal — Amitava Kumar. 62. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 63. Adil Jussawalla on Amazon, Wikipedia and Poetry International. 64. Eunice de Souza on Amazon, Wikipedia and Poetry International. 65. Dom Moraes on Amazon, Wikipedia and Poem Hunter. 66. WH Auden and Stephen Spender on Amazon. 67. Pilloo Pochkhanawala on Wikipedia and JNAF. 68. Arvind Krishna Mehrotra on Amazon, Wikipedia and Poetry Foundation. 69. Amar Akbar Anthony -- Manmohan Desai. 67. Ranjit Hoskote on Amazon, Instagram, Twitter, Wikipedia and Poetry International. 71. Arundhathi Subramaniam on Amazon, Instagram, Wikipedia, Poetry International and her own website. 72. The Red Wheelbarrow -- William Carlos Williams. 73. Mary Oliver's analysis of The Red Wheelbarrow. 74. A Poetry Handbook — Mary Oliver. 75. The War Against Cliche -- Martin Amis. 76. Seamus Heaney on Amazon, Wikipedia and Poetry Foundation. 77. The world behind 'Em and the Big Hoom' -- Jerry Pinto interviewed by Swetha Amit. 78. Jerry Pinto interviewed for the New York Times by Max Bearak. 79. Salman Rushdie, Amitav Ghosh and GV Desani on Amazon. 80. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 81. Graham Greene, W Somerset Maugham and Aldous Huxley on Amazon. 82. Surviving Men -- Shobhaa De. 83. Surviving Men -- Jerry Pinto. 84. The Essays of GK Chesterton. 85. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 86. City Improbable: Writings on Delhi -- Edited by Khushwant Singh. 87. Bombay, Meri Jaan -- Edited by Jerry Pinto and Naresh Fernandes. 88. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 89. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 90. Wanting -- Luke Burgis. 91. Kalpish Ratna and Sjowall & Wahloo on Amazon. 92. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 93. Ashad ka Ek Din -- Mohan Rakesh. 94. Anna Karenina -- Leo Tolstoy (translated by Constance Garnett). 95. Gordon Lish: ‘Had I not revised Carver, would he be paid the attention given him? Baloney!' -- Christian Lorentzen.. 96. Sooraj Barjatya and Yash Chopra. 97. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 98. Don't think too much of yourself. You're an accident — Amit Varma. 99. Phineas Gage. 100. Georges Simenon on Amazon and Wikipedia.. 101. The Interpreter -- Amit Varma on Michael Gazzaniga's iconic neuroscience experiment. 102. The Life and Times of Abhinandan Sekhri — Episode 254 of The Seen and the Unseen.. 103. Madame Bovary -- Gustave Flaubert. 104. Self-Portrait — AK Ramanujan. 105. Ivan Turgenev, Ryu Murakami and Patricia Highsmith on Amazon. 106. A Clockwork Orange -- Anthony Burgess. 107. On Exactitude in Science — Jorge Luis Borges. 110. Playwright at the Centre: Marathi Drama from 1843 to the Present — Shanta Gokhale. 111. Kubla Khan -- Samuel Taylor Coleridge. 112. Girish Shahane, Naresh Fernandes, Suketu Mehta, David Godwin and Kiran Desai. 113. The Count of Monte Cristo -- Alexandre Dumas. 114. Pedro Almodóvar and Yasujirō Ozu. 115. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 116. The Lives of the Poets -- Samuel Johnson. 117. Lives of the Women -- Various authors, edited by Jerry Pinto. 118. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 119. On Bullshit — Harry Frankfurt. 120. The Facts Do Not Matter — Amit Varma. 121. Beware of the Useful Idiots — Amit Varma. 122. Modi's Lost Opportunity — Episode 119 of The Seen and the Unseen (w Salman Soz). 123. Kesavananda Bharati v. State of Kerala. 124. The Importance of Data Journalism — Episode 196 of The Seen and the Unseen (w Rukmini S). 125. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 126. Pramit Bhattacharya Believes in Just One Ism — Episode 256 of The Seen and the Unseen. 127. Listen, The Internet Has SPACE -- Amit Varma.. 128. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 129. The Reflections of Samarth Bansal — Episode 299 of The Seen and the Unseen. 130. The Saturdays -- Elizabeth Enwright. 131. Summer of My German Soldier -- Bette Greene. 132. I am David -- Anne Holm. 133. Tove Jannson and Beatrix Potter on Amazon. 134. The Hobbit and The Lord of the Rings -- JRR Tolkien. 135. Darkness Visible: A Memoir of Madness -- William Styron. 136. An Unquiet Mind: A Memoir of Moods and Madness -- Kay Redfield Jamison. 137. Searching for Swadesh -- Nirupama Dutt.. 138. Parsai Rachanawali -- Harishankar Parsai. 139. Not Dark Yet (official) (newly released outtake) -- Bob Dylan.. 140. How This Nobel Has Redefined Literature -- Amit Varma on Dylan winning the Nobel Prize.. 141. The New World Upon Us — Amit Varma. 142. PG Wodehouse on Amazon and Wikipedia. 143. I Heard the Owl Call My Name -- Margaret Craven. 144. 84, Charing Cross Road -- Helen Hanff. 145. Great Expectations, Little Dorrit and Bleak House -- Charles Dickens. 146. Middlemarch -- George Eliot. 147. The Pillow Book -- Sei Shonagon. 148. The Diary of Lady Murasaki -- Murasaki Shikibu. 149. My Experiments With Truth -- Mohandas Gandhi. 150. Ariel -- Sylvia Plath. 151. Jejuri -- Arun Kolatkar. 152. Missing Person -- Adil Jussawalla. 153. All About H Hatterr -- GV Desani. 154. The Ground Beneath Her Feet -- Salman Rushdie. 155. A Fine Balance -- Rohinton Mistry. 156. Tales from Firozsha Baag -- Rohinton Mistry. 157. Amores Perros -- Alejandro G Iñárritu. 158. Samira Makhmalbaf on Wikipedia and IMDb. 159. Ingmar Bergman on Wikipedia and IMDb. 160. The Silence, Autumn Sonata and Wild Strawberries - Ingmar Bergman. 161. The Mahabharata. 162. Yuganta — Irawati Karve. 163. Kalyug -- Shyam Benegal. 164. The Hungry Tide -- Amitav Ghosh. 165. On Hinduism and The Hindus -- Wendy Doniger. 166. I, Lalla: The Poems of Lal Dĕd — Lal Dĕd (translated by Ranjit Hoskote). 167. The Essential Kabir -- Arvind Krishna Mehrotra. 168. The Absent Traveller -- Arvind Krishna Mehrotra. 169. These My Words: The Penguin Book of Indian Poetry -- Edited by Eunice de Souza and Melanie Silgardo. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘He is Reading' by Simahina.
Monica Mody was born in Ranchi, India. She holds a PhD in East-West Psychology from the California Institute of Integral Studies and an MFA in creative writing from the University of Notre Dame. She is the author of three poetry chapbooks, including Ordinary Annals, and two full-length books, Kala Pani, a cross-genre work, and Bright Parallel, which is forthcoming from Copper Coin. Her writing has won awards including the Sparks Prize Fellowship, the Zora Neale Hurston Award, and a Toto Award for Creative Writing. Her work has been published in Poetry International, Indian Quarterly, Almost Island, Dusie, The Fabulist, and anthologies including Future Library: Contemporary Indian Writing and The Penguin Book of Indian Poets. Poet and dramatist Michael Madhusudan Dutt was born in Bengal, India. He studied several languages and was well-versed in English and European literature. In 1861, Dutt published the epic poem Meghnadbadh Kabya, which is, perhaps, his most famous work. Between 1858 and 1874, Dutt penned at least nine plays, including three translations. He is known for his experimentation with verse forms, introducing blank verse in Bengali literature and the sonnet in Bengali—through a reconstruction of both Petrarchan and Shakespearean forms.Links:Read "Glass House--Anthropocene" and "That I exist only as a speck on your bloodshot eyes but I am willing to sweat"Read "Sonnets" by Michael Madhusudan DuttMonica Mody's website"What Was Alive" at Yes PoetryInterview with Mody at Poetry Mini InterviewsMody reads from Ordinary Annals at Periodicities' Virtual Reading Series (Video) "Homing Instinct" at The Other Side of HopeMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser
Monica Mody was born in Ranchi, India. She holds a PhD in East-West Psychology from the California Institute of Integral Studies and an MFA in creative writing from the University of Notre Dame. She is the author of three poetry chapbooks, including Ordinary Annals, and two full-length books, Kala Pani, a cross-genre work, and Bright Parallel, which is forthcoming from Copper Coin. Her writing has won awards including the Sparks Prize Fellowship, the Zora Neale Hurston Award, and a Toto Award for Creative Writing. Her work has been published in Poetry International, Indian Quarterly, Almost Island, Dusie, The Fabulist, and anthologies including Future Library: Contemporary Indian Writing and The Penguin Book of Indian Poets. Poet and dramatist Michael Madhusudan Dutt was born in Bengal, India. He studied several languages and was well-versed in English and European literature. In 1861, Dutt published the epic poem Meghnadbadh Kabya, which is, perhaps, his most famous work. Between 1858 and 1874, Dutt penned at least nine plays, including three translations. He is known for his experimentation with verse forms, introducing blank verse in Bengali literature and the sonnet in Bengali—through a reconstruction of both Petrarchan and Shakespearean forms.Links:Read "Glass House--Anthropocene" and "That I exist only as a speck on your bloodshot eyes but I am willing to sweat"Read "Sonnets" by Michael Madhusudan DuttMonica Mody's website"What Was Alive" at Yes PoetryInterview with Mody at Poetry Mini InterviewsMody reads from Ordinary Annals at Periodicities' Virtual Reading Series (Video) "Homing Instinct" at The Other Side of HopeMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser
Deze aflevering van de podcast Beeldspraak werd gemaakt in het kader van Poëzieweek 2023 en is een samenwerking tussen Poëziecentrum en Poetry International. In deze aflevering praat dichter en (oud-)programmator van Poetry International, Jan Baeke met de twee dichters Miriam Van hee en Hester Knibbe over het Poëziegeschenk 2023, 'Er staat te gebeuren', dat ze samen schreven. Miriam Van hee debuteerde in 1978 met 'Het karige maal'. Haar werk werd meermaals bekroond met onder meer de Jan Campert-Prijs, de Herman de Coninckprijs en de Ultima voor de Letteren. Naar aanleiding van haar zeventigste verjaardag verscheen in 2022 het 'Van hee Handboek' en de bundel 'Voor wie de tijd verstrijkt'. Hester Knibbe debuteerde in 1982 met 'Tussen gebaren en woorden'. Ze won onder meer de Herman Gorter Prijs, de Anna Blamanprijs en de VSB-Poëzieprijs. Van 2008 tot 2010 was ze voorzitter van de Nederlandse afdeling van PEN. In 2015 en 2016 was ze stadsdichter van Rotterdam. Jan Baeke is dichter en vertaler. Hij debuteerde in 1997 met 'Nooit zonder de paarden'. Hij werd genomineerd voor de VSB-Prijs en won in 2016 de Jan campert-Prijs. In 2020 won hij de Melopee Poëzieprijs. In 2022 verscheen een nieuwe bundel, 'Het verkeerde hart'. Mixing: Jan Willem van Hemert
A Penny for Your Thoughts: Penny Johnson's Legacy by Jane Penny JohnsonPoetry is the song that poets sing to beautify the world. In A Penny for Your Thoughts, contemporary American poet Penny Johnson presents verses about nature, love, life, death, philosophy, and religion. She considers American life in the present day. With her writing, she hopes to teach, fulfill, entertain, heal wounds, and show the beauty of the world. Johnson offers her work as a gift to anyone longing for the uplifting and nourishing experience that poetry can provide. This poetry collection explores a wide range of themes and seeks to provide inspiration and satisfaction while enhancing the natural splendor of the world. A Special Joy On Thursday morn, a colt was born To everyone's delight As our gaze met, how his eyes did shine and the last thing I thought when I looked at him was, I wish that he were mine.Penny Johnson is an International Poet. She is a member and advisor to the International Society of Poets. She helped the society write the largest poem for peace (still in progress) and sent it to the United Nations. She is a semi-finalist in the North American Poetry Open and a semi-finalist in the International Poetry Open sponsored by Library of Poetry International. She is a National Author Registry member. https://www.amazon.com/Penny-Your-Thoughts-Jane-Johnson-ebook/dp/B086H3JVTJ/ref=sr_1_4?crid=OKRAXK89QWH1&keywords=penny+johnson+book&qid=1670615173&s=books&sprefix=penny+johnson+book%2Cstripbooks-intl-ship%2C607&sr=1-4http://www.bluefunkbroadasting.com/root/twia/121522amg1.mp3
A very happy international men's day to every man out there working his heart out to support his family, friends, and world. You a wonderful but under-appreciated, you are making this world better with each passing day. This one is for you. Keep grinding and keep making this world a better place to live. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
We had a WONDERFUL time chatting with associate literary agent, Ameerah Holliday today! She is fun, funny, and beautifully genuine. Anyone would be lucky to have her as their agent. A bit more about Ameerah: (https://www.serendipitylit.com) Ameerah Holliday is a dancer and self-proclaimed poetess from San Diego, California. She received her Bachelor's degree in English Literature from San Diego State University. Holliday is a former editorial assistant intern for Poetry International and currently serves as editorial director for the San Diego Poetry Annual and editor for Kids! San Diego Poetry Annual. HOSTED BY: Angela Montoya: @angelamontoya_author & Melanie Schubert: @melanie_schubert_writer #OfthePublishingPersuasion #podcast
In this episode, we meet East-West Psychology PhD, Monica Mody, who is a writer, poet, and educator aligned with earth-based and decolonial feminist perspectives. Monica speaks about her approaches to writing, scholarship, and poetry as a cross-genre, transdisciplinary practitioner, and we discuss her dissertation, titled "Claiming Voice, Vitality, and Authority in Post-secular South Asian Borderlands: A Critical Hermeneutics and Autohistoria/teoría for Decolonial Feminist Consciousness," which received the 2020 Kore Award for Best Dissertation in Women and Mythology awarded by the Association for the Study of Women and Mythology. Monica speaks about the importance of tracing and reconstructing her motherline story and how her creative process helps to tap into the voice of her ancestral memory and the voices of the ancestresess. She shares two of her poems and we discuss the role of poetics in her academic writing and what the intersection of knowledge and creativity looks like to her. We end with discussing Monica's ideas about what she calls earth-ecstatic spirituality. Monica Mody is the author of Kala Pani (1913 Press), the forthcoming Bright Parallel (Copper Coin), and three chapbooks including Ordinary Annals (above/ground press). Her academic writing can be found in The Land Remembers Us: Women, Myth, and Nature, and Integral Review: A Transdisciplinary and Transcultural Journal For New Thought, Research, and Praxis. Her poems appear in anthologies including The Penguin Book of Modern Indian Poets, Future Library: Contemporary Indian Writing, Witness: The Red River Book of Poetry of Dissent, and &Now Awards 2: The Best Innovative Writing. Her poetry has also been published in Poetry International, Indian Quarterly, Almost Island, Boston Review, and other literary journals. Besides a Ph.D. in East-West Psychology, Monica holds an M.F.A. in Creative Writing from the University of Notre Dame, and a B.A. LL.B. (Hons.) from the National Law School of India University. Among the awards she has received are the Sparks Prize Fellowship (Notre Dame), the Zora Neale Hurston Award (Naropa), and the Toto Award for Creative Writing. Monica has presented her work widely, including at the Parliament of World Religions, Symposia of the Association for the Study of Women and Mythology, American Academy of Religion Western Region, Association of Writers & Writing Programs Conferences, and Oakland Summer School. She has been invited to read her poetry at events including Poetry with Prakriti, Bengaluru Poetry Festival, the Trauma and Catharsis Symposium on Performing the Asian Avant-Garde, and the Asian American Writers' Workshop—as well as been a part of art shows including Rites of Passage: 20/20 Vision. Monica was born in Ranchi, India, and currently lives in San Francisco, unceded Ramaytush Ohlone territory. She teaches as an adjunct professor at the California Institute of Integral Studies. Monica Mody website: www.drmonicamody.com Connect with EWP: Website • Youtube • Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode, we meet East-West Psychology PhD, Monica Mody, who is a writer, poet, and educator aligned with earth-based and decolonial feminist perspectives. Monica speaks about her approaches to writing, scholarship, and poetry as a cross-genre, transdisciplinary practitioner, and we discuss her dissertation, titled "Claiming Voice, Vitality, and Authority in Post-secular South Asian Borderlands: A Critical Hermeneutics and Autohistoria/teoría for Decolonial Feminist Consciousness," which received the 2020 Kore Award for Best Dissertation in Women and Mythology awarded by the Association for the Study of Women and Mythology. Monica speaks about the importance of tracing and reconstructing her motherline story and how her creative process helps to tap into the voice of her ancestral memory and the voices of the ancestresess. She shares two of her poems and we discuss the role of poetics in her academic writing and what the intersection of knowledge and creativity looks like to her. We end with discussing Monica's ideas about what she calls earth-ecstatic spirituality. Monica Mody is the author of Kala Pani (1913 Press), the forthcoming Bright Parallel (Copper Coin), and three chapbooks including Ordinary Annals (above/ground press). Her academic writing can be found in The Land Remembers Us: Women, Myth, and Nature, and Integral Review: A Transdisciplinary and Transcultural Journal For New Thought, Research, and Praxis. Her poems appear in anthologies including The Penguin Book of Modern Indian Poets, Future Library: Contemporary Indian Writing, Witness: The Red River Book of Poetry of Dissent, and &Now Awards 2: The Best Innovative Writing. Her poetry has also been published in Poetry International, Indian Quarterly, Almost Island, Boston Review, and other literary journals. Besides a Ph.D. in East-West Psychology, Monica holds an M.F.A. in Creative Writing from the University of Notre Dame, and a B.A. LL.B. (Hons.) from the National Law School of India University. Among the awards she has received are the Sparks Prize Fellowship (Notre Dame), the Zora Neale Hurston Award (Naropa), and the Toto Award for Creative Writing. Monica has presented her work widely, including at the Parliament of World Religions, Symposia of the Association for the Study of Women and Mythology, American Academy of Religion Western Region, Association of Writers & Writing Programs Conferences, and Oakland Summer School. She has been invited to read her poetry at events including Poetry with Prakriti, Bengaluru Poetry Festival, the Trauma and Catharsis Symposium on Performing the Asian Avant-Garde, and the Asian American Writers' Workshop—as well as been a part of art shows including Rites of Passage: 20/20 Vision. Monica was born in Ranchi, India, and currently lives in San Francisco, unceded Ramaytush Ohlone territory. She teaches as an adjunct professor at the California Institute of Integral Studies. Monica Mody website: www.drmonicamody.com Connect with EWP: Website • Youtube • Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices
Daan Doesborgh is op Poetry International en geeft een sfeerbeeld met bijdragen van Athena Farrokhzad, Maxime Garcia Diaz, Ilya Kaminski, Ferdy Karto, Paul Keijzer, Myrte Leffring, Nisrine Mbarki, José Semple, Reinier Weers, en Esohe Weijden.
Annemieke Bosman praat met Sasja Janssen over haar bejubelde dichtbundel Virgula. Janssen treedt 12 juni op tijdens het festival Poetry International in Rotterdam. Virgula, Latijn voor komma, houdt de stilstand tegen, laat de gedachten en de taal voortgaan. De dichteres roept haar in elk gedicht aan, als zou ze een godin zijn, een vriendin of geliefde, iemand die ruimte biedt als de leegte te zwaar wordt. Of ze jaagt haar Virgula's juist weg als duivelinnen, wanneer angst en paniek haar denken niet laten stoppen. ‘Ik verlang naar een punt, maar mijn Virgula's kijken er voor uit die te zetten/ik dicht ze me toe, alsof de dood me op de hielen zit'. Janssens gedichten, rijk aan gulzige taal en beelden, zijn gevuld met melancholische herinneringen en, tegelijk, met een groot verlangen naar levenslust. Virgula ontving de Awater Poeziëprijs en was genomineerd voor de Herman de Konickprijs, de Ida Gerhardtpoëzieprijs en de Grote Poëzieprijs.
Darrel Alejandro Holnes is the author of the poetry collection Stepmotherland (University of Notre Dame Press). It is the winner of the Andres Montoya Poetry Prize. Holnes is an Afro-Panamanian American writer and is the recipient of a National Endowment for the Arts Literature Fellowship in Creative Writing (Poetry). His poems have previously appeared in the American Poetry Review, Poetry, Callaloo, Best American Experimental Writing, and elsewhere. Holnes is a Cave Canem and CantoMundo fellow who has earned scholarships to the Bread Loaf Writers' Conference, Fine Arts Work Center in Provincetown, Postgraduate Writers Conference at Vermont College of Fine Arts, and residencies nationwide, including a residency at MacDowell. His poem "Praise Song for My Mutilated World" won the C. P. Cavafy Poetry Prize from Poetry International. He is an assistant professor of English at Medgar Evers College, a senior college of the City University of New York (CUNY), where he teaches creative writing and playwriting, and a faculty member of the Gallatin School of Individualized Study at New York University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer's Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common's fall issue. In this conversation, Mona talks about her family's experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh's Instructions Within and Ra'ad Abdulqadir's Except for This Unseen Thread. Read Mona's essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait. Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com. Follow her on Twitter at @monakareem. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How do I sum up this conversation? Because we could have talked for days. Dr. Shaw's work is incredibly powerful, so get ready for a very depth-oriented and intense conversation. For example, Dr. Shaw and I cover the real meaning of blessing and the importance of being defeated—not winning. The power of story and myth, comfort versus shelter, and how it all relates to how we're living now. Martin Shaw is widely regarded as one of the most exciting teachers of the mythic imagination. Author of the award-winning Mythteller trilogy (A Branch from the Lightning Tree, Snowy Tower, Scatterlings), he founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK. He has introduced thousands of people to mythology, and for twenty years, Shaw has been a wilderness rites of passage guide, working with at-risk youth, those who are unwell, returning veterans as well as many women and men seeking a deeper life. His translations of Gaelic poetry and folklore (with Tony Hoagland) have been published in Orion Magazine, Poetry International, and Poetry Magazine. Dr. Shaw's work has received top praise from the likes of Malidoma Somé, Stephen Jenkinson, Coleman Barks, Robert Densmore, and Robert Bly. His essay and conversation with Ai Weiwei on myth and migration was released by the Marciano Arts foundation. Connect with Dr. Shaw -Website: https://drmartinshaw.com/ -Substack, The House of Beasts & Vines: https://martinshaw.substack.com/ -Westcountry School of Myth: https://schoolofmyth.com/ -Books at Cista Mystica Press: https://cistamystica.com/ -Latest Book, Smoke Hole: https://cistamystica.com/shop/smoke-hole/ Did you enjoy the podcast? If so, please leave us a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the self-leadership they're looking for. Are you looking to find purpose, navigate transition, or fix your relationships, all with a powerful group of men from around the world? Check out The Alliance and join me today. Check out our Facebook Page or the Men's community. Subscribe on Apple Podcasts | Google Podcasts | Spotify For more episodes visit us at ManTalks.com | Facebook | Instagram | Twitter See omnystudio.com/listener for privacy information.
A Penny for Your Thoughts: Penny Johnson's Legacy by Penny JohnsonPoetry is the song that poets sing to beautify the world. In A Penny for Your Thoughts, contemporary American poet Penny Johnson presents verses about nature, love, life, death, philosophy, and religion. She considers American life in the present day. With her writing, she hopes to teach, fulfill, entertain, heal wounds, and show the beauty of the world. Johnson offers her work as a gift to anyone longing for the uplifting and nourishing experience that poetry can provide. This poetry collection explores a wide range of themes and seeks to provide inspiration and satisfaction while enhancing the natural splendor of the world. A Special Joy On Thursday morn, a colt was born To everyone's delight As our gaze met, how his eyes did shine and the last thing I thought when I looked at him was, I wish that he were mine.Penny Johnson is an International Poet. She is a member and advisor to the International Society of Poets. She helped the society write the largest poem for peace (still in progress) and sent it to the United Nations. She is a semi-finalist in the North American Poetry Open and a semi-finalist in the International Poetry Open sponsored by Library of Poetry International. She is a National Author Registry member.https://www.amazon.com/Penny-Your-Thoughts-Jane-Johnson-ebook/dp/B086H3JVTJ/ref=sr_1_2?crid=99B1F77NMI5R&keywords=penny+johnson&qid=1640642497&s=books&sprefix=penny+johnso%2Cstripbooks%2C352&sr=1-2http://www.bluefunkbroadcasting.com/root/twia/12722afm.mp3
On January 25th, 2022, the Lannan Center presented a reading and talk featuring poets Valzhyna Mort and Michael Prior. Moderated by Carolyn Forché.About Valzhyna Mort Valzhyna Mort is a poet and translator born in Minsk, Belarus. She is the author of three poetry collections, Factory of Tears (Copper Canyon Press 2008), Collected Body (Copper Canyon Press 2011) and, mostly recently, Music for the Dead and Resurrected (FSG, 2020). Mort is a recipient of fellowships from the Lannan Foundation, the Amy Clampitt residency, and the Civitella Raineri residency. Her work has been honored with the Bess Hokin Prize from Poetry and the Glenna Luschei Prairie Schooner Award. Her work has appeared in Best American Poetry, New Yorker, Poetry, Poetry Review, Poetry International, Prairie Schooner, Granta, Gulf Coast, White Review, and many more. With Ilya Kaminsky and Katie Farris, Mort co-edited Gossip and Metaphysics: Russian Modernist Poems and Prose. Mort teaches at Cornell University and writes in English and Belarusian. About Michael PriorMichael Prior is a writer and teacher born in Vancouver, Canada. He is the author of two books of poems: Burning Province (McClelland & Stewart/Penguin Random House, 2020), which won the Canada-Japan Literary Award and the BC & Yukon Book Prizes' Dorothy Livesay Poetry Prize, and Model Disciple (Véhicule Press, 2016). Prior is the recent recipient of fellowships from the New York Public Library's Cullman Center, the Jerome Foundation, and Hawthornden Literary Retreat. His poems have appeared in Poetry, The New Republic, Narrative Magazine, the Sewanee Review, PN Review, the Academy of American Poets' Poem-A-Day series, and elsewhere. He is an Assistant Professor of English and an ACM Mellon Faculty Fellow at Macalester College.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.
Deze aflevering van de podcast Beeldspraak werd gemaakt in het kader van Poëzieweek 2022. In deze aflevering praat dichter en programmator van Poetry International, Jan Baeke met dichter, acteur en regisseur Ramsey Nasr over het Poëziegeschenk 2022, 'Wij waren onder de betovering', dat Nasr schreef. In 2000 debuteerde Ramsey Nasr als dichter met de bundel '27 Gedichten & Geen lied'. Zijn tweede dichtbundel, 'Onhandig bloesemend' (2004), werd bekroond met de Hugues C. Pernath-Prijs. In 2005 werd hij benoemd tot Stadsdichter van Antwerpen. Van 2009 tot 2014 was hij ook Dichter des Vaderlands in Nederland. Ramsey Nasr won verschillende prijzen en zijn werk werd ook meermaals vertaald. Recent verscheen 'Nasr Compacter', een keuze uit zijn gedichten. Jan Baeke is dichter en vertaler. Hij debuteerde in 1997 met 'Nooit zonder de paarden'. Hij werd genomineerd voor de VSB-Prijs en won in 2016 de Jan campert-Prijs. In 2020 won hij de Melopee Poëzieprijs. Recent verscheen een nieuwe bundel, 'Het verkeerde hart'. Deze podcast is het resultaat van een samenwerking tussen Poëziecentrum en Poetry International. Mixing: Jan Willem van Hemert
Dr. Martin Shaw speaks about his new book, Smoke Hole: Looking to the Wild in the Time of the Spyglass. At a time when we are all confronted by not one, but many crossroads in our lives, Dr. Shaw delivers a work of literary tonic. In Smoke Hole, Martin shares three ancient stories that are metaphors for our world today, a world where we are losing our sense of direction. With extraordinary poignancy, Smoke Hole illuminates the complexities of contemporary life and–through story–a way forward. Martin Shaw is widely regarded as one of the most exciting teachers of the mythic imagination. Author of the award-winning Mythteller trilogy (A Branch from the Lightning Tree, Snowy Tower, Scatterlings), he founded the Oral Tradition and Mythic Life courses at Stanford University, and is director of the Westcountry School of Myth in the UK. He has introduced thousands of people to mythology, and for twenty years Shaw has been a wilderness rites of passage guide, working with at-risk youth, those who are unwell, returning veterans as well as many women and men seeking a deeper life. His translations of Gaelic poetry and folklore (with Tony Hoagland) have been published in Orion Magazine, Poetry International, and Poetry magazine. Dr. Shaw's work has received top praise from the likes of Malidoma Somé, Stephen Jenkinson, Coleman Barks, Robert Densmore, and Robert Bly. His essay and conversation with Ai Weiwei on myth and migration was released by the Marciano Arts foundation.
In our first segment for this week's episode of The Marc Steiner Show, Marc talks with Marjorie Cohn about the highly anticipated report from the International Commission of Inquiry on Systemic Racist Police Violence Against People of African Descent in the United States, which issued a blistering indictment of police-perpetrated racist violence in the U.S. As Cohn writes in Truthout, “The Commissioners concluded that the systematic police killings of Black people in the U.S. constitutes a prima facie case of crimes against humanity and they asked the prosecutor of the International Criminal Court (ICC) to initiate an investigation of responsible police officials.” Marjorie Cohn is professor emerita at Thomas Jefferson School of Law, former president of the National Lawyers Guild, and a member of the bureau of the International Association of Democratic Lawyers and the advisory board of Veterans for Peace. In our second segment, we bring you the latest installment of our ongoing series “Not in Our Name,” which highlights the diverse voices of Jewish activists, artists, intellectuals, and others who are speaking out against the Israeli occupation. In this installment, Marc talks with writer and translator Joanna Chen about the role of literature in understanding and resisting the inhumanity of occupation. Chen teaches poetry at the Helicon School of Poetry and her work has been published in outlets like Guernica, Poet Lore, Consequence, Poetry International, Narratively, and the L.A. Review of Books. Her full-length translations include Less Like a Dove, Frayed Light, and My Wild Garden. Tune in for new episodes of The Marc Steiner Show every Tuesday on TRNN.
In our first segment for this week's episode of The Marc Steiner Show, Marc talks with Marjorie Cohn about the highly anticipated report from the International Commission of Inquiry on Systemic Racist Police Violence Against People of African Descent in the United States, which issued a blistering indictment of police-perpetrated racist violence in the U.S. As Cohn writes in Truthout, “The Commissioners concluded that the systematic police killings of Black people in the U.S. constitutes a prima facie case of crimes against humanity and they asked the prosecutor of the International Criminal Court (ICC) to initiate an investigation of responsible police officials.” Marjorie Cohn is professor emerita at Thomas Jefferson School of Law, former president of the National Lawyers Guild, and a member of the bureau of the International Association of Democratic Lawyers and the advisory board of Veterans for Peace. In our second segment, we bring you the latest installment of our ongoing series “Not in Our Name,” which highlights the diverse voices of Jewish activists, artists, intellectuals, and others who are speaking out against the Israeli occupation. In this installment, Marc talks with writer and translator Joanna Chen about the role of literature in understanding and resisting the inhumanity of occupation. Chen teaches poetry at the Helicon School of Poetry and her work has been published in outlets like Guernica, Poet Lore, Consequence, Poetry International, Narratively, and the L.A. Review of Books. Her full-length translations include Less Like a Dove, Frayed Light, and My Wild Garden. Tune in for new episodes of The Marc Steiner Show every Tuesday on TRNN.
At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings: Getting Claimed in the Age of Amnesia (2016). He also directs the Westcountry School of Myth in the UK, and he devised and led the Oral Tradition course at Stanford University. And he has been published in Orion Magazine, Poetry International, Kenyon Review, Poetry Magazine, and Mississippi Review. Susan Grelock Yusem, PhD, is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings: Getting Claimed in the Age of Amnesia (2016). He also directs the Westcountry School of Myth in the UK, and he devised and led the Oral Tradition course at Stanford University. And he has been published in Orion Magazine, Poetry International, Kenyon Review, Poetry Magazine, and Mississippi Review. Susan Grelock Yusem, PhD, is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology
At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings: Getting Claimed in the Age of Amnesia (2016). He also directs the Westcountry School of Myth in the UK, and he devised and led the Oral Tradition course at Stanford University. And he has been published in Orion Magazine, Poetry International, Kenyon Review, Poetry Magazine, and Mississippi Review. Susan Grelock Yusem, PhD, is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings: Getting Claimed in the Age of Amnesia (2016). He also directs the Westcountry School of Myth in the UK, and he devised and led the Oral Tradition course at Stanford University. And he has been published in Orion Magazine, Poetry International, Kenyon Review, Poetry Magazine, and Mississippi Review. Susan Grelock Yusem, PhD, is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Jan Baeke (1956) is dichter, vertaler en medewerker van Poetry International. Zijn recentste bundel heet Houvastvergankelijkheidsleer (De Bezige Bij, 2018). Het Verblijf is een initiatief van Marc van Oostendorp. Redactie: Johan Oosterman, Iris van Erve, Jaap de Jong, Lot Broos. Presentatie, format, productie, vogels en muziek: Michiel van de Weerthof. Het verblijf wordt mede mogelijk gemaakt door de Nederlandse Taalunie. https://hetverblijf.online
David Keplinger is a Professor of Literature in the MFA Program at American University in Washington, D.C. He is the author of seven collections of poetry, including The Long Answer (2020) published by Stephen F. Austin State University Press, and The World to Come (Conduit Books and Ephemera, 2021), a collection of prose poems which has won the 2020 Minds on Fire Prize. David has been awarded many literary honors over the years for his works including the UNT Rilke Prize, the Colorado Book Award, the Cavafy Prize from Poetry International, the Erskine Prize from Smartish Pace; Poet Mary Oliver awarded David the T.S. Elliot Prize for his book of poetry, The Rose Inside. David Keplinger has received two fellowships from the National Endowment for the Arts. In 2011 he produced By and By, an album of eleven songs based on the poetry of his great-great grandfather, a Civil War veteran. He performed and presented on the project at the National Portrait Gallery’s Donald W. Reynolds Center in 2013. Mr. Keplinger’s work has been included in numerous anthologies in the United States as well as in China and Northern Ireland, and he has taught at the universities of Ostrava (Czech Republic) and Kosice (Slovakia) as well as co-founding and teaching in the summer creative writing institute at John Cabot University in Rome (2015-2016).
'Beeldspraak' is de podcast van Poëziecentrum. In deze maandelijkse reeks praat een kenner/liefhebber met een dichter over zijn/haar nieuwe dichtbundel. Deze aflevering werd gemaakt naar aanleiding van Poëzieweek 2021. De dichters die het Poëziegeschenk schreven, Maud Vanhauwaert en Rodaan Al Galidi gingen, geheel coronaproof, in gesprek met Jan Baeke. Samen een dichtbundel schrijven, hoe doe je dat eigenlijk? En wat met beeldspraak? Dit en nog veel meer... Deze podcast is het resultaat van een samenwerking tussen Poëziecentrum en Poetry International. Deze aflevering verschijnt simultaan als vijfde aflevering van Beeldspraak en als eerste aflevering van 'What you will hear is true', een nieuwe podcastreeks van Poetry International. Mixing: Jan Willem van Hemert Dank aan Boekhandel Waanders in de Broeren (Zwolle) voor de gastvrijheid.
A PENNY FOR YOUR THOUGHTS; PENNY JOHNSON'S LEGACY by Penny Johnson Poetry is the song that poets sing to beautify the world. In A Penny for Your Thoughts, contemporary American poet Penny Johnson presents verses about nature, love, life, death, philosophy, and religion. She considers American life in the present day. With her writing, she hopes to teach, fulfill, entertain, heal wounds, and show the beauty of the world. Johnson offers her work as a gift to anyone longing for the uplifting and nourishing experience that poetry can provide. This poetry collection explores a wide range of themes and seeks to provide inspiration and satisfaction while enhancing the natural splendor of the world. A Special Joy On Thursday morn, a colt was born To everyone’s delight As our gaze met, how his eyes did shine and the last thing I thought when I looked at him was, I wish that he were mine. Penny Johnson is an International Poet. She is a member and advisor to the International Society of Poets. She helped the society write the largest poem for peace (still in progress) and sent it to the United Nations. She is a semi-finalist in the North American Poetry Open and a semi-finalist in the International Poetry Open sponsored by Library of Poetry International. She is a National Author Registry member. https://www.amazon.com/Penny-your-Thoughts-Johnson/dp/1418424897/ref=sr_1_1?crid=1WKZI2NFXA32P&keywords=a+penny+for+your+thoughts+penny+johnson&qid=1571423554&s=books&sprefix=a+penny+for+%2Caps%2C348&sr=1-1 http://www.bluefunkbroadcasting.cim/root/twia/pennjohnson.mp3
'Beeldspraak' is de podcast van Poëziecentrum. In deze maandelijkse reeks praat een kenner/liefhebber met een dichter over zijn/haar nieuwe dichtbundel. In deze aflevering gaat Geertjan de Vugt in gesprek met Anne Vegter over haar recente dichtbundel 'Big data' (Querido, 2020). Deze opname kwam tot stand met behulp van Jan Willem van Hemert, die het interview vastlegde en werd mee mogelijk gemaakt door Poetry International.
Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it. Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook. A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it. Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook. A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoices
The poet and activist Nikki Giovanni discusses the power of literature as she joins us for Poetry International and London Literature Festival. An undeniable cultural icon, Giovanni is the winner of numerous awards, including the Langston Hughes Medal and NAACP Image Award, as well as a Grammy Award nomination for her album The Nikki Giovanni Poetry Collection. She appears here at Southbank Centre in conversation with the British Ghanaian writer, Bridget Minamore.
Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it. Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook. A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thank you for listening to Mormon Sex Info. This episode is an archived episode and is only now becoming publicly available. Mormon Sex Info relies on contributions. To contribute, please visit: mormonsex.info Please enjoy the episode. Natasha Helfer Parker interviews Dr. Holly Welker, author of Baring Witness: 36 Mormon Women Talk Candidly about Love, Sex and Marriage, about this collection of essays she painstakingly edited. They discuss how Holly became interested in this project through the observation of her own parents’ Mormon marriage, with the catalyst being the death of her mother. And how her curiosity about women, in particular, are affected by their faith journeys within the constructs of their courtships, marriages and sexuality. Are they satisfied? Are they content? Do they experience and prioritize sexual pleasure? From devoted voices to those who have walked away from their faith traditions, Holly does a beautiful job of alerting us to some of the many themes that came up throughout this project — the difficulty many Mormon women have in separating motherhood from being a wife, the interplay between sex and marriage, the role libido differences and unsatisfying sexual experiences play, infidelity, how faith transitions can affect partnered sex, lesbian relationships and even domestic violence. A podcast like this can be quite normalizing for many within the faith to help them understand the many challenges and successes members face. And for those who are motivated to learn more about the Mormon culture (especially non-LDS mental health professionals who work with Mormon clients) this is a great overview of some of the themes found within. She and several of the contributors will be doing some book readings in the upcoming month: The King’s English in Salt Lake City on September 21 at 7:00 pm and Writ and Vision on September 22. Dr. Holly Welker is a writer and editor who received an MFA in poetry from the University of Arizona, an MFA in nonfiction writing and a PhD in English literature from the University of Iowa. Her poetry and prose have appeared in dozens of publications ranging from Best American Essays to Bitch to Dialogue: A Journal of Mormon Thought to Poetry International to the New York Times. She grew up in southern Arizona, the descendant of Mormon pioneers. She is also one of the coeditors of Singing and Dancing to The Book of Mormon: Critical Essays on the Broadway Musical. Mentioned during the podcast: Minding the Body: Women Writers on Body and Soul by Patricia Foster The Bitch in the House: 26 Women Tell the Truth About Sex, Solitude, Work, Motherhood, and Marriage by Cathi Hanauer The Bastard on the Couch: 27 Men Try Really Hard to Explain Their Feelings About Love, Loss, Fatherhood, and Freedom by Daniel Jones Raw Edges: A Memoir by Phyllis Barber Joanna Brooks Kiwi Mormon Blog by Gina Colvin Naomi Watkins Marriage, a History: How Love Conquered Marriage by Stephanie Coontz
'the elephant' by Adelaide Ivánova, looks at how the human body processes trauma, drawing parallels between a mother reacting to the death of her young child and a woman experiencing sexual assault. In this recording, you will hear Ivánova talk about the origins of this poem in her friendship with an elderly German woman suffering from Alzheimer's disease before she reads her poem in the original Portuguese. Afterwards, you will hear the poet Rachel Long reading the English translation that she prepared collaboratively with the writer and editor Francisco Vilhena. Adelaide Ivánova and Rachel Long will be appearing together on Saturday, October 19th at the 'Exploring Translation as Disruption' event, part of Poetry International at the Southbank Centre, London. Book here: https://www.southbankcentre.co.uk/whats-on/138227-exploring-translation-disruption-2019 This is part of our new rebranded weekly release: the Dual Poetry Podcast, one poem in two languages from the Poetry Translation Centre. As ever we will be releasing a translated poem each week. Please take a moment to rate and review this podcast on iTunes or wherever you download.
In this episode of Unwrap Your Candies Now, Ernie Manouse introduces us to two of the performers taking to the Miller Outdoor Theatre stage as part of the 2019 Houston Shakespeare Festival. Shannon Uphold (Audrey/Ensemble) is a 2nd-year graduate student in the UH Professional Actor Training Program enjoying her second year with the festival; and Laura Frye is making her HSF debut after graduating from the University of Houston 12 years ago. Debuting in 1975,... Read More
Daan Doesborgh gaat in gesprek met Frank Báez, Lea Schneider, Patricia Lockwood en Péter Závada over de 50e editie van het festival, DJ Tiësto, prozagedichten, bubble tea en poëzie als escapistische selfcare. Lees de besproken gedichten en meer in het begeleidende Vrij Nederlandartikel: https://www.vn.nl/poeziepodcast-36-een-viering-van-poezie-in-al-haar-verschijningsvormen/
Bas Kwakman neemt na zestien jaar afscheid als directeur van stichting Poetry International. In zijn nieuwe boek ‘In poëzie en oorlog’ vormt de geschiedenis van het Poetry International Festival in Rotterdam de leidraad. Kwakman beschrijft zijn ervaringen in de wereld van de poëzie. Presentatie: Gijs Groenteman
Daan Doesborgh gaat in gesprek met Thomas Möhlmann over Boris Ryzji, Poetry International en waarom het volstrekt legitiem is om bang te zijn voor dokters en haaien. Lees de besproken gedichten en meer in het begeleidende Vrij Nederlandartikel: https://www.vn.nl/poeziepodcast-34-thomas-mohlmann/
Het is Poëzieweek! Luister hier naar onze korte poëziepodcasts: één dichter leest steeds één gedicht. Dit keer draagt Tom Lanoye ‘l’envoye de lanoye’ voor, een van de gedichten uit het Poëziegeschenk van dit jaar. Met dank aan Poetry International voor de opname. Nog geen genoeg van Lanoye? Op de website van Poetry International (https://www.poetryinternationalweb.net/pi/site/poet/item/29515) staan er meer!
Back in February, Mike sat down with poets Eric Morago, Nan Cohen, and Victoria Chang to discuss how becoming a publisher can affect one’s writing, the influence of history and religion, and intense poetry projects, plus a whole lot more! Eric Morago is a two-time Pushcart Prize nominated poet who believes performance carries as much importance on the page, as it does off. Currently he hosts a monthly reading series, teaches writing workshops, and serves as publisher and editor-in-chief of Moontide Press. Eric is the author of What We Ache For (Moon Tide Press) and Feasting on Sky (Paper Plane Pilots). He has an MFA in Creative Writing from California State University, Long Beach and lives in Los Angeles, California. Nan Cohen, the longtime poetry director of the Napa Valley Writers’ Conference, is the author of two poetry collections, Rope Bridge (2005) and Unfinished City (2017). Her work has appeared in magazines and anthologies including Ploughshares, Poet Lore, Poetry International, The New Republicand Slate. The recipient of a Wallace Stegner Fellowship, a Rona Jaffe Writer’s Award, and a Literature Fellowship from the National Endowment for the Arts, she lives in Los Angeles and teaches at Viewpoint School and the UCLA Extension Writers’ Program. Victoria Chang’s fourth book of poems, Barbie Chang, was published in 2017 by Copper Canyon Press. The Boss (McSweeney’s) won the PEN Center USA Literary Award and a California Book Award. Other books are Salvinia Molesta and Circle. Her poems have been published in places such as Best American Poetry, American Poetry Review, New England Review, Poetry, The Nation, etc. She was awarded a Guggenheim Fellowship in 2017. Her picture book, Is Mommy? (Simon & Schuster), illustrated by Marla Frazee was named a New York Times Notable Book. She lives in Los Angeles with her family and her weiner dogs, Mustard and Ketchup and teaches within Antioch University’s MFA Program. She also serves on the National Book Critics Circle Board. Writers’ Block Live! is recorded at the 1888 Center in Orange, California. 1888 Center programs are recorded and archived as a free educational resource on our website or with your favorite podcast app including Apple and Spotify. Each interdisciplinary episode is designed to provide a unique platform for industry innovators to share stories about art, literature, music, history, science, or technology. Produced in partnership with Brew Sessions. Producer and Host: Mike Gravagno Producer: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Guests: Doug Dechow and Jason Morphew Audio: Brew Sessions Live
Daan Doesborgh gaat in gesprek met Nora Gomringer, Dolores Dorantes, Zehar Lynn, Maria Stepanova en Danez Smith op Poetry International Rotterdam. Lees vertalingen van de besproken gedichten en meer in het bijbehorende Vrij Nederlandartikel: https://www.vn.nl/poeziepodcast-24/
De programmeurs van het festival hebben hun best gedaan een afwisselend tableau te maken, en blijkens het openingsprogramma is dat zeker gelukt. De voor zeker driekwart gevulde zaal van de Rotterdamse Schouwburg was enthousiast. Of het de komende dagen even fris blijft, gaan we checken. Volg deze site voor updates. In de podcast hoor je achtereenvolgens: Tijdelijke Toon, Safiya Sinclair, een festivalbezoekster, Joost Baars, de redactie van Awater, Jan Baeke en Feline Streekstra.
Het gaat over nationalisme en identiteit, dit keer. Jan Baeke, dichter en programmeur van Poetry International Rotterdam, vertelt over de editie van 2018, en waarom hij meer van Franse, Amerikaanse en Engelse poëzie houdt, dan van Nederlandse. Het gaat natuurlijk ook over de nieuwste ontwikkelingen, waarin appropriatie, en uitwisseling een thema zijn. We hebben het erover of een poëziefestival zonder politiek kan, en over de vraag of poëzie altijd links is. Prangende vragen nu zich 'rechts' noemende liesden zich ook steeds meer in de kunsten willen roeren. Lees alles over Poetry op Cultureelpersbureau.nl.
The Gunpowder Plot in a new tv dramatisation by Ronan Bennett plus presenter Rana Mitter explores anti-Catholic prejudice in Britain today with Catherine Pepinster and Tim Stanley, and historians Richard McGregor and Hans van de Ven discuss relations between Japan, US and China. And the Icelandic poet and songwriter Sjón on hisrole in Poetry International as it celebrates its 50th anniversary since it was founded in 1967 by former poet laureate Ted Hughes. Richard McGregor is former Beijing bureau chief for The Financial Times and the author of Asia's Reckoning: China, Japan, and the Fate of U.S. Power in the Pacific Century. Hans van de Ven has written China at War: triumph and tragedy in the emergence of the new China 1937 - 1952. He is Professor of Modern Chinese History, Department of East Asian Studies, University of Cambridge. 'Gunpowder' a 3-part TV series developed by Ronan Bennett, Kit Harington and Daniel West will air on BBC TV Poetry International is on London's Southbank from Friday 13th-Sunday 15th October as part of the London Literature Festival. Catherine Pepinster has written The Keys and the Kingdom: The British and the Papacy from John Paul II to Francis. You can hear Ronan Bennett's Private Passions on BBC Radio 3 on November 5th. Producer: Fiona McLean.
Jenny is a poet who teaches at the U of Central MO. She is Co-editor of Pleiades www.PleiadesMag.com/ Her poems have appeared, or are forthcoming, in Ploughshares, The Missouri Review, Poetry International, North American Review, Copper Nickel, Best New Poets, and other publications. Her debut poetry collection, Marvels of the Invisible, won the 2014 Berkshire Prize and is now available through Tupelo Press www.tupelopress.org/product/marvels-of-the-invisible/ More about Jenny at www.JennyMolberg.com
Out of Our Minds is the second longest running poetry radio show in America hosted on KKUP Cupertino (The People's Radio) by Rachelle Escamilla aka Poetita. The show airs live every Wednesday night from 8-9pm on 91.5fm or www.kkup.org Hari Alluri is co-founding editor of Locked Horn Press, a community facilitator, and a poet. His work appears in B OD Y, Chautauqua, Contemporary Verse 2, Poetry International,Word Riot and Dismantle (Thread Makes Blanket). He is the author of Carving Ashes (CiCAC).
MPT’s Spring Issue 'Scorched Glass' focussed on Iranian poetry. In July 2015 we held a series of events celebrating Iranian Poetry at Poetry International, produced in partnership with Southbank Centre and the British Council. In this podcast you'll hear readings by Hubert Moore, Nasrin Parvaz, Stephen Watts, Ziba Karbassi, Paul Batchelor, Karen McCarthy Woolf and Pascale Petit.
In this BITCHIN' (our guest’s current favorite word) episode of SAY SOMETHING, ANYTHING, poet Garrett Bryant reads some incredible poetry and discusses the benefits of an MFA Creative Writing program. This is a bitchin’ (had to) episode for writers who have or are debating getting their MFA in Creative Writing. From first hand experience, Garrett talks about the payoff coming in the form of excellent one on one guidance, the connections made, and the collaborations that a program can lead to. Garrett Bryant co-founded Poetic Youth, an outreach organization, teaching poetry to underserved youth populations. He is also involved with SDSU’s annual poetry journal, Poetry International as well as the multi-genre publisher, Locked Horn Press. Poetry International: http://poetryinternational.sdsu.edu/ Poetic Youth: http://poeticyouth.org/ Locked Horn Press: http://www.lockedhornpress.org/
KAREN LEEDER Karen Leeder is Professor of Modern German Literature at the University of Oxford, and Fellow and Tutor in German at New College, Oxford. She has published widely on modern German literature, especially poetry and has been active in translation in the UK and beyond: including a stint on the English PEN Work in Translation Committee, the Steering Committee of the British Centre for Translation and on the Board of MPT. DURS GRÜNBEIN Durs Grünbein was born in Dresden in the former East Germany in 1962. He has lived in Berlin since 1985, working as poet, essayist and translator from English, Latin and Greek, and now as Professor at Kunstakademie Düsseldorf. He won Germany’s major literary prize, the Georg-Büchner-Preis, at the age of 33. Ashes for Breakfast (Faber), his ninth book of poems and his first in English translation, was launched at the 2006 Aldeburgh Poetry Festival.
Mihaela Moscaliuc is the author of Father Dirt (Kinereth Gensler Award, Alice James Books in 2010) and co-translator of Carmelia Leonte’s Death Searches for You A Second Time (Red Dragonfly Press, 2003). Her poems, reviews, translations and articles appear in The Georgia Review, Prairie Schooner, TriQuarterly, New Letters, Poetry International, Pleiades, Arts & Letters, Absinthe and elsewhere.
In de week van Poetry International kijken we ook buiten het festival, naar dichters die hun weg naar het grote podium nog moeten vinden. Anna-Sandrijn van Brouwershaven vraagt vier verse dichters naar hun eerste, fatale kennismaking met de poëzie. Vandaag: Nikki Dekker over het gedicht Der Panther van Rainer Maria Rilke. In het boek Reisoefeningen [...]
Ook dit jaar doet VPRO's De Avonden verslag van het jaarlijkse poëziefestival Poetry International, rechtstreeks vanuit de Schouwburg in Rotterdam. Allereerst twee Nederlandse dichters aan tafel, Jan Glas en Daniël Dee. Jan Glas wordt al jaren gezien als een van de belangrijkste stemmen in de Groningse poëzie, maar het verschijnen [...]
Ook dit jaar doet VPRO's De Avonden verslag van het jaarlijkse poëziefestival Poetry International, rechtstreeks vanuit de Schouwburg in Rotterdam. Ilya Kaminsky groeide op in Odessa en verhuisde op zijn zestiende met zijn familie naar de Verenigde Staten. Hij werkte mee aan diverse bloemlezingen, was jarenlang redacteur van het online [...]
In de week van Poetry International kijken we ook buiten het festival, naar dichters die hun weg naar het grote podium nog moeten vinden. Anna-Sandrijn van Brouwershaven vraagt vier verse dichters naar hun eerste, fatale kennismaking met de poëzie. Vandaag: Hannah van Binsbergen over het gedicht Ik heb mij met moeite alleen gemaaktvan Hans van [...]
In de week van Poetry International kijken we ook buiten het festival, naar dichters die hun weg naar het grote podium nog moeten vinden. Anna-Sandrijn van Brouwershaven vraagt vier verse dichters naar hun eerste, fatale kennismaking met de poëzie. Vandaag: Maarten van der Graaff over het gedicht The Love Song of J. Alfred Prufrock van [...]
In de week van Poetry International kijken we ook buiten het festival, naar dichters die hun weg naar het grote podium nog moeten vinden. Anna-Sandrijn van Brouwershaven vraagt vier verse dichters naar hun eerste, fatale kennismaking met de poëzie. Vandaag: Lieke Marsman over het gedicht Stadsgeluiden van Judith Herzberg. De Franse succesfilm Intouchables is gebaseerd [...]
Het thema van Poetry International, het festival dat deze week van start gaat in Rotterdam, is Het onvoltooide. Jeroen van Kan bezoekt elke dag een dichter om te praten over onvoltooid werk. Wat is af? Wanneer weet je dat een gedicht de vorm heeft gevonden die het moet hebben? Vandaag: Miek Zwamborn. In het kleine Groningse [...]
Het thema van Poetry International, het festival dat deze week van start gaat in Rotterdam, is Het onvoltooide. Jeroen van Kan bezoekt elke dag een dichter om te praten over onvoltooid werk. Wat is af? Wanneer weet je dat een gedicht de vorm heeft gevonden die het moet hebben? A.L. Snijders leest een ‘zeer [...]
Een weekserie over poëzie, naar aanleiding van de 43ste editie van Poetry International, waarin de dichters Márcio-André, Hédi Kaddour en K. Schippers over hun werk praten. Arnon Grunberg leest - waar ook ter wereld - zijn wekelijkse kroniek voor. In 1962 stierf Marilyn Monroe. Ter gelegenheid van de vijftigste verjaardag van deze gedenkwaardige [...]
In Rotterdam vindt van 14 tot en met 19 juni de 42e editie van het Poetry International Festival plaats. In het kader van dit festival spreekt Wim Brands in de Poetry-special van Boeken met zeven dichters. Esther Jansma schreef een essaybundel over poezie en vertelt daarover. In deze bundel besteedt ze onder meer aandacht aan [...]