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La ganadora de los Premios Womenvalue 2025 en la categoría de capital riesgo, Sonia Fernández, ve oportunidades de inversión en inteligencia artificial, ciberseguridad y robótica. Más información: https://www.finanzas.com/inversion/womenvalue/sonia-fernandez-kibo-ventures-entrevista/
Con profundas raíces familiares en Carrizo de la Ribera, la científica y escritora Sonia Fernández-Vidal acumula una amplia lista de éxitos literarios vinculados al campo de la divulgación de la Física Cuántica. Su última entrega es la precuela de su popularísima saga juvenil de “La puerta de los tres cerrojos”, un soberbio resquicio por el cual adentrarse de forma amena y rigurosa en el siempre complicado, pero también fascinante, universo de lo cuántico.
El grupo de docentes Arte en Red, integrado por profesores y profesoras de secundaria, de la especialidad de Dibujo, organizan la III Muestra de Arte Contemporáneo Escolar de Asturias (MACEAS), con la colaboración del Área de Juventud del Ayuntamiento de Langreo y se puede visitar en El Tallerón del IES Cuenca del Nalón hasta el 16 de mayo. Hoy participan en el programa las profesoras Sonia Fernández González, Camino Gutiérrez Gómez y Elena Menéndez Muñoz, y los alumnos del IES Cuenca del Nalón Alex de la Cruz González y Arturo Ezama Gutiérrez. En la entrevista de Asturias al Día conversamos con Nino Antuña, director de la Fundación Marino Gutierrez. Cerramos el programa charlando con la escritora Reyes Monforte por la presentación de su última novela, La Diva, en Gijón.
La entrevista con Sonia Fernández de Tales S21 SEC discute el Thread Landscape Report 2024, un análisis semestral de las ciberamenazas. Se destaca el aumento en la sofisticación de ataques como el uso de vulnerabilidades zero-day y la persistente amenaza del ransomware, facilitado por modelos de "ransomware as a service". La experta subraya la importancia de la concienciación de los empleados y la necesidad de servicios de ciberseguridad para la detección y respuesta ante incidentes. Además, se analiza el impacto de la geopolítica en el panorama de amenazas y la necesidad de que los gobiernos proporcionen medidas de seguridad. Finalmente, se aborda la inteligencia de amenazas y las operaciones policiales contra la ciberdelincuencia, ofreciendo una perspectiva sobre las tendencias esperadas para 2025. Twitter: @ciberafterwork Instagram: @ciberafterwork Panda Security: https://www.pandasecurity.com/es/ +info: https://psaneme.com/ https://bitlifemedia.com/ https://www.vapasec.com/ VAPASEC https://www.vapasec.com/ https://www.vapasec.com/webprotection/
The interview with Sonia Fernández from Tales S21 SEC discusses the Thread Landscape Report 2024, a semi-annual analysis of cyber threats. It highlights the increase in the sophistication of attacks such as the use of zero-day vulnerabilities and the persistent threat of ransomware, facilitated by "ransomware as a service" models. The expert emphasizes the importance of employee awareness and the need for cybersecurity services for incident detection and response. Additionally, it analyzes the impact of geopolitics on the threat landscape and the need for governments to provide security measures. Finally, it addresses threat intelligence and police operations against cybercrime, offering a perspective on expected trends for 2025. Twitter: @ciberafterwork Instagram: @ciberafterwork Panda Security: https://www.pandasecurity.com/es/ +info: https://psaneme.com/ https://bitlifemedia.com/ https://www.vapasec.com/ VAPASEC https://www.vapasec.com/ https://www.vapasec.com/webprotection/
En este episodio se discuten noticias recientes sobre brechas de datos que afectaron a entidades como Comisiones Obreras y Generali, así como ciberataques a diputaciones y ayuntamientos españoles atribuidos a un grupo pro-ruso. El programa cuenta con la participación de Sonia Fernández de Tales S21 SEC, quien presenta un informe sobre tendencias en ciberamenazas para el segundo semestre de 2024, incluyendo el auge de ransomware y la explotación de vulnerabilidades, y ofrece recomendaciones para la protección de las empresas. Además, se comenta la participación de Pablo Sanemeterio en el RUTDcon, un evento de ciberseguridad, donde presentó un caso práctico de un ataque y discutió la importancia de la prevención, detección y respuesta ante las amenazas cibernéticas. Twitter: @ciberafterwork Instagram: @ciberafterwork Panda Security: https://www.pandasecurity.com/es/ +info: https://psaneme.com/ https://bitlifemedia.com/ https://www.vapasec.com/ VAPASEC https://www.vapasec.com/ https://www.vapasec.com/webprotection/
In this episode, recent news about data breaches affecting entities such as Comisiones Obreras and Generali are discussed, as well as cyberattacks on Spanish provincial and municipal governments attributed to a pro-Russian group. The program features the participation of Sonia Fernández from Tales S21 SEC, who presents a report on cyber threat trends for the second half of 2024, including the rise of ransomware and the exploitation of vulnerabilities, and offers recommendations for business protection. Additionally, Pablo Sanemeterio's participation in RUTDcon, a cybersecurity event, is commented on, where he presented a practical case of an attack and discussed the importance of prevention, detection, and response to cyber threats. Twitter: @ciberafterwork Instagram: @ciberafterwork Panda Security: https://www.pandasecurity.com/es/ +info: https://psaneme.com/ https://bitlifemedia.com/ https://www.vapasec.com/ VAPASEC https://www.vapasec.com/ https://www.vapasec.com/webprotection/
“Finding along the way” is episode 26, which follows a conversation with filmmaker Zheng Lu Xinyuan and Sonia Fernández Pan, the host of this podcast series. Xinyuan said she wasn't too worried that Western audiences wouldn't understand her films because they were made for Chinese audiences. Thinking about her comment, Sonia watched some of her films with the feeling of missing something very important due to different cultural sensitivities. Meanwhile, she experienced what we so often feel: the understanding of something without fully comprehending it. Cinema evokes memories and feelings that have been forgotten or hidden for a long time. At the same time, a film can show some emotions while producing different, even contradictory ones. Sonia's questions for the interview were more about feelings than cinema-making: how feelings help us to feel belonging. As Xinyuan recounts, belonging can also be a sentient situation in which the body feels pleasure or comfort. When talking about loss of control, anxiety appears. This feeling is also part of the process of making a film. As Xinyuan says, “finding along the way” is what matters when making films. Following Xinyuan's words, “it should not be artists who are afraid of censorship”. Those who censor are the ones who are afraid, but they pass this feeling on to those who are censored. It is not only about your own voice but also about those who accompany and support you so that your voice can speak and be heard.
We lost the plot, episode 25 of the Tale and the Tongue podcast series, follows a two-instant conversation with artist Ella C. Bernard and Sonia Fernández Pan, the host of this podcast series. The two speak about the cultural art scene in Berlin and how political identity has almost become more important than artistic practice, patronizing attitudes, censorship and Ella C. Bernard's personal account of having a Nazi grandfather. While Germany talks a lot about its Nazi past, it tells very little about it. Perhaps because it is often Germany that speaks, not Germans speaking in the first person. Unlike many other Germans, Ella C. Bernard does not hide her personal and emotional connection to the aftermath of Nazism in German society. As she says, taking responsibility starts with speaking in the first person. And doing so without guilt or shame for a past that is given and not chosen. We can try to be critical individuals and not compliant roles within given plots and scripts. A part of censorship is having to measure our tone and our wording, like it is often the case when talking about Israel and Palestine in Germany. As Sonia Fernández Pan says, she feels that moral arrogance, among many other things, is also part of the puzzle. Meanwhile, Ella C. Bernard is critical of the state's manipulation of both concepts: culture and remembrance. “Listening to Ella talk about her relationship with art, I wonder if the same thing is happening to art that happened to Germany: that we repeat an official narrative that is not really ours.” —Sonia Fernández Pan
Con más de 450.000 ejemplares vendidos y traducidos a más de 12 idiomas, la trilogía La puerta de los tres cerrojos se consagra como uno de los mayores éxitos de la divulgación científica en castellano. Esta noche, Entre Probetas charlará con su autora, Sonia Fernández-Vidal quien nos presentará su nueva obra. Con otra curiosidad de la naturaleza a cargo de nuestro catedrático de cabecera, José Luís Viejo, y la canción de la invitada, terminamos el programa.Escuchar audio
Licenciada en Física y doctora en Información y Óptica Cuántica, Sonia Fernández-Vidal compagina su faceta investigadora con la divulgación científica....
El Señor Jesús hace 8 severas advertencias a los religiosos que mantienen actitudes pecaminosas. Hoy quiere hacernos meditar profundamente en nuestros pecados. Por Ruby Sáez Montoya Más audios y vídeos en progrmacristiano.com Música incluida: 1 Jostin Oneill ★ Pruébame 2 Conjunto Horeb IECE V1 ★ Quiero ser como tú 3 Ruth Aregu ★ Tu Palabra 4 Abel Antonio Herrera ★ Necesito que me limpies (lavar pies) 5 MM covers - Santo Jesús ★ cover Sonia Fernández
Episode 96 of our B>Podcast. BIDE Artistic Director, Sebastián García Ferro, interviews Sonia Fernández Lage, Coordinadora artística del Graner.
En el mundo de lo muy pequeño se producen fenómenos que desafían nuestro sentido común: dualidad onda/partícula, efecto túnel, entrelazamientos, superposiciones... La Física Cuántica fue una revolución. Comprender sus principios es complicado, y explicarlos a un público joven, mucho más todavía. Pero esa es la virtud de Sonia Fernández Vidal, doctora en Óptica e Información Cuántica y Física, que nos ha visitado con su nueva obra "El origen de la puerta de los tres cerrojos" (Destino), un libro de aventuras y fantasía que relata el nacimiento de esta disciplina científica Casi dos semanas después de la DANA que arrasó localidades de Valencia y Albacete, preocupan los riesgos para salud que supone la falta de bienes de primera necesidad y las aguas estancadas. Verónica Fuentes nos ha hablado de cómo tratar de gestionar una catástrofe como ésta desde el punto de vista sanitario. Con Lluís Montoliu hemos comentado una de las noticias más llamativas que se han producido en los últimos meses: una crema que vuelve transparente la piel de los ratones. José Antonio López Guerrero nos ha contado una investigación que revela el papel de los retrovirus en el desarrollo de la mielina, la envuelta lipídica que protege a nuestros nervios y permiten el rápido impulso nervioso. Fernando Blasco nos ha enseñado un juego de cartas con la probabilidad como protagonista. Hemos reseñado los libros “El cerebro, el teatro del mundo”, de Rafael Yuste (Paidós); “Epigenética. Más allá del genoma”, de María Berdasco (Guadalmazán); “En qué piensan los robots. Bienvenidos a la era de la inteligencia artificial: todo lo que cambiará y todo lo que permanecerá”, de Miguel Serrano e Ignacio Peletier (Deusto) y “Números distinguidos en matemáticas. Su historia y aplicaciones”, de Agustín Carrillo de Albornoz Torres (Catarata).Escuchar audio
En el mundo de lo muy pequeño se producen fenómenos que desafían nuestro sentido común: dualidad onda/partícula, efecto túnel, entrelazamientos, superposiciones... La Física Cuántica fue una revolución. Comprender sus principios es complicado, y explicarlos a un público joven, mucho más todavía. Pero esa es la virtud de Sonia Fernández Vidal, doctora en Óptica e Información Cuántica y Física, que nos ha visitado con su nueva obra "El origen de la puerta de los tres cerrojos" (Destino), un libro de aventuras y fantasía que relata el nacimiento de esta disciplina científica Casi dos semanas después de la DANA que arrasó localidades de Valencia y Albacete, preocupan los riesgos para salud que supone la falta de bienes de primera necesidad y las aguas estancadas. Verónica Fuentes nos ha hablado de cómo tratar de gestionar una catástrofe como ésta desde el punto de vista sanitario. Con Lluís Montoliu hemos comentado una de las noticias más llamativas que se han producido en los últimos meses: una crema que vuelve transparente la piel de los ratones. José Antonio López Guerrero nos ha contado una investigación que revela el papel de los retrovirus en el desarrollo de la mielina, la envuelta lipídica que protege a nuestros nervios y permiten el rápido impulso nervioso. Fernando Blasco nos ha enseñado un juego de cartas con la probabilidad como protagonista. Hemos reseñado los libros “El cerebro, el teatro del mundo”, de Rafael Yuste (Paidós); “Epigenética. Más allá del genoma”, de María Berdasco (Guadalmazán); “En qué piensan los robots. Bienvenidos a la era de la inteligencia artificial: todo lo que cambiará y todo lo que permanecerá”, de Miguel Serrano e Ignacio Peletier (Deusto) y “Números distinguidos en matemáticas. Su historia y aplicaciones”, de Agustín Carrillo de Albornoz Torres (Catarata).Escuchar audio
Puedes descargar la transcripción completa de este podcast en la web de la Escuela de Español Quince TC: www.quincetc.es info@quincetc.es Youtube Se Habla Español: https://www.youtube.com/channel/UC4168uWwJqyBPAmhvcQ7BvQ Patreon: https://www.patreon.com/sehablaespanol Buy me a coffee: https://www.buymeacoffee.com/sehablaespanol/w/6450 Donaciones: https://paypal.me/sehablaespanol Contacto: sehablaespanolpodcast@gmail.com Facebook: www.facebook.com/sehablaespanolpodcast Twitter: @espanolpodcast
En Hoy por Hoy Cantabria charlamos con Sonia Fernández, de Renedo de Piélagos (Cantabria) que lleva 8 meses en Washington como cortadora de jamón.
www.missingwitches.com/litha2024/https://www.instagram.com/iamzoeflowers/https://www.instagram.com/soniafernandezleblanc/ About Missing WitchesAmy Torok and Risa Dickens produce the Missing Witches Podcast. We do every aspect from research to recording, it is a DIY labour of love and craft. Missing Witches is entirely member-supported, and getting to know the members of our Coven has been the most fun, electrifying, unexpectedly radical part of the project. These days the Missing Witches Coven gathers in our private, online coven circle to offer each other collaborative courses in ritual, weaving, divination, and more; we organize writing groups and witchy book clubs; and we gather on the Full and New Moon from all over the world. Our coven includes solitary practitioners, community leaders, techno pagans, crones, baby witches, neuroqueers, and folks who hug trees and have just been looking for their people. Our coven is trans-inclusive, anti-racist, feminist, pro-science, anti-ableist, and full of love. If that sounds like your people, come find out more. Please know that we've been missing YOU. https://www.missingwitches.com/join-the-coven/
Hoy hablamos de la II Muestra de Arte Contemporáneo Escolar de Asturias. Participan en el programa las profesoras Sonia Fernández del IES La Fresneda, Adela Carrero, del IES Juan José Calvo de SMRA y Abel Mayor del IES Cristo del Socorro de Luanco. También participan las alumnas del IES Cuenca del Nalón, Sara Suárez García y Lucía Martín Lavandeira. En la segunda parte del programa conversamos con el psicólogo Rafael Santandreu que presenta en Asturias su libro “No hagas montañas de granos de arena”.
Hoy hablamos de la II Muestra de Arte Contemporáneo Escolar de Asturias. Participan en el programa las profesoras Sonia Fernández del IES La Fresneda, Adela Carrero, del IES Juan José Calvo de SMRA y Abel Mayor del IES Cristo del Socorro de Luanco. También participan las alumnas del IES Cuenca del Nalón, Sara Suárez García y Lucía Martín Lavandeira. En la segunda parte del programa conversamos con el psicólogo Rafael Santandreu que presenta en Asturias su libro “No hagas montañas de granos de arena”.
EVERY GESTURE COUNTS, HOWEVER SMALL, is the 20th episode of the “Tale and the Tongue” podcast series. Full of intimate moments, Sonia Fernández Pan exchanged thoughts over months with Karolina Grzywnowicz, talking about plants, migration, activism and much more. “Dear Karolina, The cuttings of the plants you gave me are taking root in water. I put them on a windowsill so that they are closer to the sun. It is quite telling that plants, which apparently don't move from their place, make you travel so much. But as you say, plants are not as native as they appear to be in many places. How a landscape can be a crime scene and a place full of concealed violence, to borrow your words, reminds me of how the forests of my childhood did not exist in my grandparents' childhood... This podcast also relates to this moment: a shared need to meet and talk. Especially, when many want us to be silent, detached, and indifferent…. A feminist collective called for the need to talk about trees, connecting many, many feminist struggles around the world. As they say, to talk about trees is to talk about colonialism, extractivism, and injustice... I pause my words here, always curious to hear more stories from you. Take care, and water. Sonia ”
Abrimos el programa hablando del tiempo con Javier Martínez de Orueta antes de charlar con la cineasta asturiana Sonia Fernández, autora del documental "Habitando el tiempo". A continuación, en el tiempo del INEUROPA hablaremos con Rocío Álvarez Escudero, neuróloga, de migraña, para después mirar a las estrellas de la mano de Isaías Gonzalo, socio de Omega. Por último, una nueva entrega del Consejo de Actualidad, que en esta ocasión contará con las voces de Leopoldo Tolivar, Luis Ordóñez y Azucena Álvarez, el espacio de los druidas, hoy con el profesor de Zoología Carlos Nores, quien nos hablará de osos, y el habitual comentario semanal de José Luis Remis pondrán el punto y final al programa de hoy.
Abrimos el programa hablando del tiempo con Javier Martínez de Orueta antes de charlar con la cineasta asturiana Sonia Fernández, autora del documental "Habitando el tiempo". A continuación, en el tiempo del INEUROPA hablaremos con Rocío Álvarez Escudero, neuróloga, de migraña, para después mirar a las estrellas de la mano de Isaías Gonzalo, socio de Omega. Por último, una nueva entrega del Consejo de Actualidad, que en esta ocasión contará con las voces de Leopoldo Tolivar, Luis Ordóñez y Azucena Álvarez, el espacio de los druidas, hoy con el profesor de Zoología Carlos Nores, quien nos hablará de osos, y el habitual comentario semanal de José Luis Remis pondrán el punto y final al programa de hoy.
Abrimos el programa hablando del tiempo con Javier Martínez de Orueta antes de charlar con la cineasta asturiana Sonia Fernández, autora del documental "Habitando el tiempo". A continuación, en el tiempo del INEUROPA hablaremos con Rocío Álvarez Escudero, neuróloga, de migraña, para después mirar a las estrellas de la mano de Isaías Gonzalo, socio de Omega. Por último, una nueva entrega del Consejo de Actualidad, que en esta ocasión contará con las voces de Leopoldo Tolivar, Luis Ordóñez y Azucena Álvarez, el espacio de los druidas, hoy con el profesor de Zoología Carlos Nores, quien nos hablará de osos, y el habitual comentario semanal de José Luis Remis pondrán el punto y final al programa de hoy.
MOVING IN MIGRANT RHYTHMS is episode nineteen, which follows a conversation with artist and loud thinker Maya Saravia and the podcast host Sonia Fernández Pan. In their conversation the migrant experience is very present. Maya has lived in different cities since she left Guatemala, including Madrid, Lisbon and Berlin. Even if we are the same person, our bodies do not move in the same way in all places and cultures. Part of the insights Maya and Sonia share have a lot to do with feeling and thinking with other rhythms. One of the music genres that Maya often talks about is raggaeton. The raggaeton rhythms are dangerously catchy. It is one of those music rhythms whose will is stronger than ours. In the statement of one of her projects, she refers to raggaeton as a syncretic event. It is a volcano erupting in the world, driven by the flows of capital, labour, many displacements and musical traditions. Another of her projects, El Olvido, starts in a bar in Guatemala. She says it's a bar that could be anywhere in the world. A place where the light-hearted life of bars mixes with the violence of the news. Violence always makes words fall short. Making things happen is usually the attitude of people who see art as a way, and not so much as a destination. It is not about the destination or following a course, but about how one thing leads to another; it is not only important to move, but to create conditions for movement. Perhaps that is the most magical thing about conversations, that they move us without intending to.
Sonia Fernández de la Vega, psicóloga, valora el nuevo servicio de orientación psicológica que se ofrecerá en los espacios jóvenes de Valladolid
Hoy hablamos del Centro de Estudios sobre el Impacto Social de la Inteligencia Artificial en Lugones, con sus responsable: Roger Campione (Catedrático de Filosofía del Derecho de la Uniovi) y Agustina Bouchet (profesora en el departamento de Estadística e investigación operativa y didáctica de la Matemática en la Uniovi). Hoy conversamos con la cineasta Sonia Fernández por la presentación de su último documental, “Habitando el tiempo”, en la III edición del Festival Oriéntate Llanes que se celebra este fin de semana.
Hoy hablamos del Centro de Estudios sobre el Impacto Social de la Inteligencia Artificial en Lugones, con sus responsable: Roger Campione (Catedrático de Filosofía del Derecho de la Uniovi) y Agustina Bouchet (profesora en el departamento de Estadística e investigación operativa y didáctica de la Matemática en la Uniovi). Hoy conversamos con la cineasta Sonia Fernández por la presentación de su último documental, “Habitando el tiempo”, en la III edición del Festival Oriéntate Llanes que se celebra este fin de semana.
Hoy hablamos del Centro de Estudios sobre el Impacto Social de la Inteligencia Artificial en Lugones, con sus responsable: Roger Campione (Catedrático de Filosofía del Derecho de la Uniovi) y Agustina Bouchet (profesora en el departamento de Estadística e investigación operativa y didáctica de la Matemática en la Uniovi). Hoy conversamos con la cineasta Sonia Fernández por la presentación de su último documental, “Habitando el tiempo”, en la III edición del Festival Oriéntate Llanes que se celebra este fin de semana.
HOW CAN A FORM BE A HOLDER FOR INTENTIONS AND IDEAS is episode eighteen, following a conversation with multidisciplinary artist, experimental filmmaker, and writer Crystal Z Campbell. While form is one of the meaning-making elements in art, it can be often overlooked. Crystal Z Campbell, who furthermore refers to attention as a form of care, shaped formal relevance from a question: how can a form be a holder, a vessel, for intentions and ideas? In Crystal's work, which combines the specifics of historical events with the abstraction of artistic gestures and the serendipity of processes, form can be felt in many ways. Crystal's films are temporary places to enter and engage in a sensory relationship with the stories they make present. The witnessing relationship is also central to Crystal Z Campbell's work. Looking is not only a biological process, but also a historical one. They wonder in a public conversation: “How do we look at things we can't see?” Following Crystal's words, "looking should not be easy". Precisely when things are easy, our attention remains strategically distracted elsewhere, looking without seeing what is in front of us. The conversation with Crystal Z Campbell took place and words in November 2023. They were in Saint Louis, Oklahoma and Sonia Fernández Pan, the host of this podcast series, was in Berlin. Another thing Crystal mentioned in their conversation: the situation of indirect witness towards so many materials, events, and situations, the acts of omission, the gaps in the narratives. There are still many gaps in the official narratives, but also in our professional stories.
Dios ha escogido un pueblo para sí, que sea obediente y libre de todo pecado con el cual tiene promesas y habitará para siempre. ¿Eres tú un poblador de ese pueblo santo? Por Ruby Sáez Montoya Más audios y vídeos en programacristiano.com Música incluida: 1 Roberto Sáez ★ El pueblo que andaba en tinieblas 2 Edgar Guaran ★ Pueblo Escogido 3 Neto Hays ★ Pueblo adquirido 4 Cuarteto Linaje Escogido ★ Somos el pueblo de Dios 5 MM covers - Santo Jesús ★ cover Sonia Fernández 6 Kidush Hashem ★ Si mi pueblo 7 Padre Ayudame a Ser mejor ★ Pablo&Pavon cover
NOT KNOWING HOW A DEAD LANGUAGE SOUNDED—episode seventeen of the of The Tale and the Tongue series—follows a conversation with multi-media producer, writer, public speaker, educator, audio remixer, DJ, and owner of the Comatonse Recordings record label Terre Thaemlitz, and Sonia Fernández Pan, the host of this podcast series. The title of this podcast is inspired by a comment that appeared during the meeting with Terre Thaemlitz. She proposed a future in which aspects of the past are unknown as a critical gesture towards the ongoing and growing demand for visibility and preservation of mainstream, but not only, archival systems. Like any other medium, archives and documents produce ideology and are produced by ideology. Following more of Terre Thaemlitz's comments, this podcast conversation is also not excluded from how criticism of the system is part of the system. Because, as he says, analysis and artistic work is often confused with political organisation. The relational dynamics of gender also emerged in this conversation with Terre Thaemlitz. Like Brigitte Vasallo—author, activist and former guest of the Promise No Promises! podcast series, episode 27 The Monogamy of the System—he is very nuanced about the widespread belief that removing gender from language removes its impact on social realities. On the current situation of gender pronouns, Sonia Fernández Pan also shared with Terre Thaemlitz her thoughts on other uses for the pronoun “they.” Sometimes Sonia Fernández Pan perceives in this pronoun a chance to imply the plurality of the self: “they” in relation to the “I” and not so much to the “she” or “he.” We are often asked to speak in key words that make us less complex than we are. Identity as a comfort zone or final destination contradicts the identity discomfort of so many lives. Being different like others is not the same as being different from others.
Staying with the wonder, is the sixteenth episode of the Tale and the Tongue series. As with Luz Broto, this episode is created through an audio recording exchange by artist Daniela Medina Poch and Sonia Fernández Pan, the host of the Tale and the Tongue podcast series. Dear Daniela, I have been collecting bottle caps these days to keep bringing the sea closer to this marshy city. Yesterday I brought back several from a long journey to reach a lake, as well as some strange, very hard mushrooms growing on the trunks of some trees. Curiosity makes us eavesdrop and intrusive, diverts us from the straight and narrow, makes us perceive the extraordinary within the ordinary, even makes us change our minds. Do you think curiosity is a crossing point between seeking and finding? I feel it is an indispensable attitude to stay with the wonder, an idea of yours that is much more than an idea. It is perhaps a way of being in the world, an unstable position that makes and unmakes given realities. Someone told me that curiosity was a type of youth. And I think that if you stay with the wonder, you age youthfully. In starting to write this letter, which is for you, but also for anyone who wants to listen to us through your voice, I was trying to recall things I said to you in my voice notes but not doing so keeps the secret. However, it is not the mystery of my stories that is important here, but the possibility of not telling something or of telling it half-heartedly. Not knowing everything stops being uncomfortable and becomes a way to stay with the wonder. I stop here, a bit suddenly. A summer storm has just started. Perhaps these drops bring to Berlin the waters of so many rivers that are important to you. See you in the future to share flavors, wishes and stories. In the meantime, enjoy the unknown very much. Yours, Sonia
El ecosistema emprendedor ha multiplicado por 20 su valor en los últimos 10 años solo en España. Con más 12.000 startups en 2022 se considera que el emprendimiento español ha llegado a su esperada madurez; y se extiende a gran velocidad por México, Colombia y Argentina. Blink acudió al pasado BBVA Open Summit, la cita en la BBVA Spark con los emprendedores, donde hablamos con fondos, ‘startups', analistas y financieros. Todos ellos miran al futuro con optimismo. [mediacenter_panel align="right" type="post" post_id="1000568"][/mediacenter_panel] “Estas empresas tienen un enorme potencial”, subraya Roberto Albaladejo, responsable de BBVA Spark, quien reconoce que hasta ahora los bancos no habían sabido atacar de forma conveniente a este segmento. “Hemos tenido que cambiar de gafas. Dejar las gafas de corto con las que mirábamos hacia atrás. Y nos hemos puesto las de lejos”, explica Albaladejo, quien dice que para ofrecer financiación estratégica y a largo plazo a estas empresas, BBVA ha tenido que introducir nuevos factores en los análisis y crear un equipo especializado que entiende sus peculiaridades. Los resultados han sido más que satisfactorios, y en tan solo un año ha llegado a 700 clientes y opera en cuatro países. 'Blink', con la ayuda de Mateo Rouco, responsable de Marketing de BBVA Spark, también habla con: Sonia Fernández, partner de Kibo Venture Helena Torras, Venture Partner, Hans(wo)menGroup Joe Naffah, responsable de BBVA Spark en México María Julia Bearzi, Directora Ejecutiva, Endeavor Argentina Benoit Menardo, CEO de Payflow Alister Moreno, Fundador y Ceo de Clikalia No te pierdas este capítulo dedicado a los innovadores de España y América Latina, en el que se hace una llamada a la colaboración para seguir avanzando. “Construir ecosistema es tarea de todos”, asegura Rouco.
STORIES OF FRIENDSHIP is the fifteenth episode that emerged from a conversation with the podcast host Sonia Fernández Pan and the constellating artist-duo and friends Tara Njála Ingvarsdóttir and Silfrun Una Guðlaugsdóttir. They first met on their way to LungA School in Seyðisfjörður, Island, where they were invited to lead two workshops. Seeing Tara and Silla being dressed alike, giving two different characters to the same piece of clothing, gave a glimpse to something that is very present in their work as artists: the way in which everyday life and art can become friends. For this podcast episode Sonia Fernández Pan proposed a little play to them: to tell her separately about a memory of their friendship to add to this podcast together. Tara would tell the story of the little bugs, and Silla would return to Athens with Tara, sharing past situations and present emotions that make friendship a living home. Art is for both, Silla and Tara, a space where it is possible to be many other things at the same time. The artist becomes a shape shifter, a temporary identity. This way of doing things has enabled them to become waterproof gallerists, heads of a company providing apology support, emotional dinner party hosts, hairdressers for naughty hairstyles, talking pipes suppliers or bird-shaped instrument players. Not so long-ago Tara and Silla got married in blue, celebrating their friendship and their constellating life together. The wedding included a contract in which they signed a piece of advice that someone gave them: to put friendship first. Performance as an artistic device is a medium that not only allows them to invite many other media, but also lets them play with the framework as themselves. Stories of friendship are important and inspiring for many reasons, not least because they also make friends out of stories.
YOU NEVER KNOW WHAT YOU ARE CREATING SPACE FOR is the fourteenth episode of the Tale and the Tongue series and arises from a conversation with Teesa Bahana, the director of 32° East, an independent non-profit organisation focused on supporting, creating, and exploring contemporary art in Uganda, and the podcast host Sonia Fernández Pan. Music would appear at the beginning of their conversation, sharing together impressions of music's sensory ability to touch our emotions by bodily listening. The sensory dimension is something that music shares with artistic practices. However, there is a tendency to privilege its conceptual dimension, to locate art in the mind and not in the entire body. Being inspired by talking to other people is a kind of gift we receive, often without looking for it. In friendly conversations, ideas often come up that help us to shape or follow directions. They are part of a network that includes serendipities, spontaneity, and the pleasure in encountering each other. To borrow Teesa's words, the possibility of creating a community involves a common language and knowing how to relate to each other across differences. Another common term in the art context is «professional». This word refers to a way of doing or not doing, but it is also an ideological subject with different, sometimes contradictory, perspectives. As Teesa points out, the critique of the term must take into account who is professional by default and who is not, who can ignore prescribed conventions and who cannot. The title of this podcast, «You Never Know What You Are Creating Space For», is inspired by a comment from Teesa Bahana during the conversation that brings up unintentional yet essential situations when working: making space for the unexpected and paying attention to things that happen and we can sense without planning them.
“To Move a Conversation,” is the thirteenth episode of the Tale and the Tongue series. It is a very special one — created through an audio recording exchange over months by artist Luz Broto and Sonia Fernández Pan, the host of the Tale and the Tongue podcast series. “Dear Luz, I am writing to you from my room in Berlin, where the first prominent sun of the year amuses itself by appearing and disappearing. A window that opens becomes a door. A door for a breath of fresh air and an internal change of scenery, as in my case. I kept listening to you, this time with the whole conversation in my ears, feeling two sources of light: that of sun and yours. I find it very telling that your name in Spanish means light. Barcelona's nights have always been bright for me. And there are places where darkness goes beyond night, reaching into long summer days. As I also told you, snow and ice teach you that walking in a straight line can be very dangerous. You can be very clear about a direction to follow, but not about its path. Something like that happens to me with this letter I am writing to you after our spoken letters. We gave it a name: “Moving a Conversation.” And we came up with a little method: to move around spaces that were related to your projects. You in Barcelona, me in Berlin. I think we found a way to go back to the past by walking into the future. Thank you very much my dear, for moving me around, for taking me to so many places elsewhere, for making space for me among your words.”
"Rhythms of pleasure", episode twelve from from The Tale and the Tongue series—arises from a conversation with choreographer and performer Julia Barrette-Laperrière. Sonia Fernández Pan and Julia Barrette-Laperrière met at a dance class where everyone danced a lot except Sonia, who just watched the others move as she was unable to follow the steps. After that class they started talking about body, pleasure, desire, and music; about electronic dance music as a kind of continuous orgasm with no beginning and no end, closer to the female logics of pleasure, and rock music, by contrast, being more like a male ejaculation with short, hurried songs. Julia talked about her project Falla, where she moves and is moved by a dildo in collaboration with the musician and guitarist Pia Achternkamp. One of the many motives behind it was to consider the guitar as an icon of masculinity, as a sort of sonorous phallus. The way in which gender takes over bodies, pleasure and music is very present in Falla. Here, Julia expresses and moves an alternative female sexuality, freeing it from so many inherited complexes. This conversation with Julia Barrette-Laperrière “took screen” at the end of October 2022. Sonia Fernández Pan asked her about her archetype of the dangerous woman: for whom or for what can a woman be dangerous? Julia, who now expands this archetype beyond women, understands this dimension in the plural. Being dangerous, as a form of resistance, happens when people come together and ally themselves for a common cause. When Julia explains her personal and social relationship with femininity, her way of being a boy growing up reminds Sonia of many other experiences she came across. Sonia also feels part of the debate about gender pronouns, which simultaneously widen and tighten, and wonders if the rhythms of pleasure can be part of identities, making them strategic and non-essential for us to move in different ways.
“Hi, How Are You?”—episode eleven from The Tale and the Tongue series—arises from a conversation with Era Qena, an enthusiastic storyteller. Era is currently an active member of the social centre Termokiss in Prishtina. She was also part of the team of the European nomadic biennial Manifesta14, which took place between July and October 2022 in the capital of Kosovo, where Era Qena and Sonia Fernández Pan first met. The words “hi, how are you” came up a few times during their conversation, connecting to basic forms of hospitality and mutual care. This seemingly simple question is not always easy to answer. In some texts Sonia read about Kosovo and Prishtina, the notion of hospitality was a constant. Era would refer to an ancient book where hospitality already appears as a set of rules and principles. Far from written or spoken rules, conversations and shared stories are a place where hospitality can also happen. The conversation for this podcast episode took place in October 2022. Sonia and Era started talking about the difficulty of owning your own place when you are very young. Half of Kosovo's population is under thirty years old. In addition there are the severe limitations imposed by the EU on Kosovars, who need a visa to travel to other states. This reconnects with imbalances in hospitality: when it happens on the one side but not on the other. The conversation however led also to other directions: to private spaces with public uses, to Termokiss and its influence on other projects and social structures, to taking care of street dogs, to relationships in digital times, to the many lives that appear in one's own... For the question “how are you” is both a personal and collective one.
Programa completo de La rosa de los vientos con Bruno Cardeñosa y Silvia Casasola. Entrevistamos a Sonia Fernández Vidal que nos enseña qué es el LHC; en 'Materia Reservada' hablamos de Joe Biden; y en 'Desde la clandestinidad', descubrimos el último secreto de Lumumba. En 'El círculo secreto', desciframos a los UAPs; mientras, en 'Encuentros cercanos', hablamos de la escritora mexicana Alma Mancilla; y en 'Eureka' damos con las claves del bostezo; el peligro de las redes digitales o la causa de la peste también están entre los temas que tratamos durante el programa.
La ciencia se ha vuelto a convertir en noticia ya que, después de diez años, se ha puesto en marcha de nuevo el Gran Colisionador de Hadrones, que se encuentra en la frontera entre Francia y Suiza, uno de los lugares más espectaculares del mundo y que más aportaciones hace al mundo de la ciencia. Para entender cómo funciona hablamos con una persona que ha trabajado allí. Es doctora en Óptica, especialista en Información Cuántica, escritora, investigadora y divulgadora científica, Sonia Fernández Vidal.
Birds and cats is the ninth episode that follows a conversation with artist Laure Prouvost. The title of this podcast stems from one of the first questions Sonia Fernández Pan, the curator of this podcast asked Laure Prouvost during the conversation, inspired by the multiple characters Laure embodies through her projects. Her answer to the question about who she would like to be if she wasn't herself was "a bird", commenting on this animal's ability to fly. Sonia added that she would like to be a cat, perhaps because one of its great talents is the daily right to laziness in a world where life works relentlessly. They ended the conversation by returning to our animal relationship as bird and cat, with Laure flirting with the possibility that one catches and eats the other. In the many biographies that Laure Prouvost has written about herself over the years the artist strays from traditional artist biographies, describing her work according to the narrative and experiential drive of her projects and her way of naming them to ones where the institutional curriculum is replaced by a list of situations that her projects were able to create: Melting Into Another, an Occupied Paradise, Deep See Blue Surrounding You, a Waiting Room with objects, a New Museum for Grand Dad, A tearoom for Grand Ma, a lobby for love among the artists… Within these places we are no longer an impersonal audience, but characters who enter temporal worlds where fiction becomes materially present and real. The difference between fiction and lying is a question Sonia Fernández Pan also shared with Laure Prouvost, inspired by how she never fully reveals what is fiction and what is not in her work. The storytelling surrounding her artistic practice is another element of her work, strategically confusing spheres that the traditional art system insists on keeping apart. This conversation with Laure Prouvost took place in April 2022 in separate places. Sonia Fernández Pan was listening to Laure Prouvosts words from the computer and paying attention to the sound of the strokes of a drawing that Laure brought into their meeting. There are many similarities between writing and drawing. Both arise from the body; both produce a physical and intimate relationship between head and hands. The strokes of Laure's drawing added sound textures to her words. To listen to her voice and strokes, come in and enjoy.
Birds and cats is the ninth episode that follows a conversation with artist Laure Prouvost. The title of this podcast stems from one of the first questions Sonia Fernández Pan, the curator of this podcast asked Laure Prouvost during the conversation, inspired by the multiple characters Laure embodies through her projects. Her answer to the question about who she would like to be if she wasn't herself was "a bird", commenting on this animal's ability to fly. Sonia added that she would like to be a cat, perhaps because one of its great talents is the daily right to laziness in a world where life works relentlessly. They ended the conversation by returning to our animal relationship as bird and cat, with Laure flirting with the possibility that one catches and eats the other. In the many biographies that Laure Prouvost has written about herself over the years the artist strays from traditional artist biographies, describing her work according to the narrative and experiential drive of her projects and her way of naming them to ones where the institutional curriculum is replaced by a list of situations that her projects were able to create: Melting Into Another, an Occupied Paradise, Deep See Blue Surrounding You, a Waiting Room with objects, a New Museum for Grand Dad, A tearoom for Grand Ma, a lobby for love among the artists… Within these places we are no longer an impersonal audience, but characters who enter temporal worlds where fiction becomes materially present and real. The difference between fiction and lying is a question Sonia Fernández Pan also shared with Laure Prouvost, inspired by how she never fully reveals what is fiction and what is not in her work. The storytelling surrounding her artistic practice is another element of her work, strategically confusing spheres that the traditional art system insists on keeping apart. This conversation with Laure Prouvost took place in April 2022 in separate places. Sonia Fernández Pan was listening to Laure Prouvosts words from the computer and paying attention to the sound of the strokes of a drawing that Laure brought into their meeting. There are many similarities between writing and drawing. Both arise from the body; both produce a physical and intimate relationship between head and hands. The strokes of Laure's drawing added sound textures to her words. To listen to her voice and strokes, come in and enjoy.
En el último mes leemos y escuchamos que se acabó la fiesta para las startups. Por ello, hoy volvemos a hablar con Sonia Fernández de Kibo ventures. Sonia nos explicará lo que ha pasado en el Nasdaq y por qué, dará ejemplos de empresas que hasta hace poco eran "intocables" del mundo digital cuyas valoraciones y expectativas se han venido a pique, cómo afecta esto a las startups y scale ups y también a los venture capitals como el suyo. Reflexiones muy balanceadas e interesantes de una partner de uno de los fondos de capital riesgo pioneros del ecosistema español. Créditos Musicales: Jahzzar https://freemusicarchive.org/music/Jahzzar
Aprendemos juntos BBVA --- Send in a voice message: https://anchor.fm/jesus-romero-l/message
Sonia es el tercer alumni de Stanford que tenemos en el podcast, y al igual que sus predecesores, el paso por la pretigiosa universidad impulsa una carrera digital muy potente. Nos contará sobre su rol en los inicios de dos importantes empresas de Internet: Mercado Libre (de la cual ya hemos hablado en este podcast) y Match.com. Cuando sale de esta última, entra en el mundo del Venture Capital, lo cual aprovecharemos para entender en profundidad lo que hacen estas empresas y por qué son primordiales en el ecosistema digital actual, todo esto basado en sus años de experiencia invirtiendo en múltiples startups a través de su fondo Kibo Ventures. Créditos Musicales: Jahzzar https://freemusicarchive.org/music/Jahzzar
The podcast Promise No Promises! unfolds a further chapter under the name THE TALE AND THE TONGUE. This series of new episodes arises from conversations between curator and writer Sonia Fernández Pan and guests from different storytelling practices and world-making experiences. For a conversation to take place it is sufficient when two people to start talking to each other. However, conversations are never happening just between two people. A conversation holds many bodies, places, stories and experiences. It develops languages and creates interpersonal and temporary dialects. Sharing is also a way of collectivizing seemingly individual circumstances. Our bodies host many narratives, speaking borrowed words and making stories an important part of who we become. Stories travel between bodies, dwelling in them. Always in motion, they have no end. Words make worlds in which reality and its fictions travel through the tongue to become tales.SHELTER IN SOUNDS is the first episode that follows a conversation with musician and artist Sarah Badr. This conversation with Sarah Badr took place in mid-February 2021. As a composer, she produces music under the name FRKTL, her experimental solo project active since 2011. Throughout her life Sarah Badr has lived in different cities and has been exposed to different cultural contexts. Music, like smells or tastes, is a time machine. It reactivates the past, but it also awakens possible futures. Composing music for imaginary worlds that only exist in the digital world, as with the Matryoshka Club within Minecraft, is something that ties in with Sarah's long-standing passion for film soundtracks and music videos. Perhaps it is time to start thinking about music beyond the club and the stage.
Womxn in Motion: The fourth Master symposium in the series Women in the Arts and Leadership, on October 7 and 8, 2020, at the Art Institute at the FHNW Academy of Art and Design in Basel was dedicated to ideas and iterations of performance, and to the way in which its embodied practices—its bodies—are often framed or received by narrow notions not only of gender, race, class, geography, technology, and temporality, but of what performance itself means and entails: a body in motion, for example. Whose body, though, and what kind of movement? Movement, indeed, is always both, suggesting something singular—a body in tender, private effort—and something collective.Presence, proximity, voice, movement, and performative relations are the tools by which many contemporary artists, in unprecedented ways, continue to explore how to create equitable space for our ever-regulated, dully delimited bodies. This symposium served those practices, examining how performance has become the means by which so many artists and thinkers reflect on and denounce political systems that foster inequity, violence, and binary relations at their core. Our various guests made explicit this set of relations—between singularity and collectivity, authenticity and performativity, a language of narrativity both visual and linguistic, movement both physical and intellectual. The complicated desire to perform for others and with others, and to read such performances correctly, was a recurring idea and impulse of the Womxn in Motion symposium, as it continued with performances, conversations, screenings, and readings by artists, thinkers, poets, filmmakers, composers, and teachers—performers all—including Kat Anderson, Julieta Aranda, Barbara Casavecchia, Mayra A. Rodríguez Castro, Pan Daijing, Dorota Gawęda and Eglė Kulbokaitė, Ingela Ihrman, Pauline Curnier Jardin, Bhanu Kapil, Lynne Kouassi, Isabel Lewis, Tessa Mars, Sonia Fernández Pan, Sadie Plant, and Martina-Sofie Wildberger.ScreamersThis episode is based on a panel discussion with Chus Martínez, Quinn Latimer, Sonia Fernández Pan, Martina-Sofie Wildberger, and Barabara Casavecchia. Sonia Fernández Pan is a (in)dependent curator who researches and writes through art and, since 2011, is the author of esnorquel, a personal project in the form of an online archive with podcasts, texts, and written conversations. She currently hosts the podcast series Feminism Under Corona and Corona Under the Ocean produced by the Art Institute and TBA21–Academy.Martina-Sofie Wildberger is a performance artist working on the power of language, alternative ways of communicating, and the relationship between scribality and orality. Central to her practice is sound, the articulation of words, and the meanings constituted in the act of speaking as well as the poetic quality of language.Barbara Casavecchia is a writer, curator, and educator based in Milan, and currently mentor of the Ocean Fellowship at Ocean Space, Venice, for TBA21–Academy.
Womxn in Motion: The fourth Master symposium in the series Women in the Arts and Leadership, on October 7 and 8, 2020, at the Art Institute at the FHNW Academy of Art and Design in Basel was dedicated to ideas and iterations of performance, and to the way in which its embodied practices—its bodies—are often framed or received by narrow notions not only of gender, race, class, geography, technology, and temporality, but of what performance itself means and entails: a body in motion, for example. Whose body, though, and what kind of movement? Movement, indeed, is always both, suggesting something singular—a body in tender, private effort—and something collective.Presence, proximity, voice, movement, and performative relations are the tools by which many contemporary artists, in unprecedented ways, continue to explore how to create equitable space for our ever-regulated, dully delimited bodies. This symposium served those practices, examining how performance has become the means by which so many artists and thinkers reflect on and denounce political systems that foster inequity, violence, and binary relations at their core. Our various guests made explicit this set of relations—between singularity and collectivity, authenticity and performativity, a language of narrativity both visual and linguistic, movement both physical and intellectual. The complicated desire to perform for others and with others, and to read such performances correctly, was a recurring idea and impulse of the Womxn in Motion symposium, as it continued with performances, conversations, screenings, and readings by artists, thinkers, poets, filmmakers, composers, and teachers—performers all—including Kat Anderson, Julieta Aranda, Barbara Casavecchia, Mayra A. Rodríguez Castro, Pan Daijing, Dorota Gawęda and Eglė Kulbokaitė, Ingela Ihrman, Pauline Curnier Jardin, Bhanu Kapil, Lynne Kouassi, Isabel Lewis, Tessa Mars, Sonia Fernández Pan, Sadie Plant, and Martina-Sofie Wildberger.DancersThis episode is based on a lecture by Barbara Casavecchia, who is a writer, curator, educator based in Milan, and currently mentor of the Ocean Fellowship at Ocean Space, Venice, for TBA21–Academy. She is advocating for an embodied and entangled art and politics as found in her recent experience working within a set of queer and trans-feminist archives and collectives in Milan.
A "L'ofici de viure" parlem de l'art de viure moments inoblidables. Qu
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