Podcasts about abc classic fm

This week we hear from two incredible entertainers about the extraordinary women they have known.   A Tale of Two Women - told by Eddie Ayres In our first story, Eddie Ayres (also known as Ed Le Brocq) looks to the past to share stories of bravery from queer women in the 1960s. Eddie is a musician and writer known for presenting a popular radio program on ABC Classic FM. If this story has brought up anything for you, help is available. Call lifeline on 13 11 14 or Beyond Blue on 1300 22 4636 for 24 hour support   To My Mother - told by Fahad Ali Then, Fahad remembers what it took for his mother to finally meet one of his boyfriends. Fahad Ali is a molecular biologist, science educator, and writer. He is a member of the Palestinian diaspora, a co-founder of the Queer Solidarity Film Festival and the Muslims for Marriage Equality campaign group, and a community advocate and organiser. He performed this piece at Riverside Theatres in Parramatta then again at the Sydney Opera House for All About Women. Today's stories come from the Queerstories podcast, the recorded version of the live LGBTQIA+ storytelling night. To hear more or learn about the upcoming Queerstories book, head to www.queerstories.com   UPCOMING QUEERSTORIES EVENT Oct 5 2023 The next Queerstories event is October 5 at The Grand Electric featuring Narelda Jacobs, Anna Piper Scott, Kirly Saunders, and more to be announced. Keep an eye out for details at maevemarsden.com   All The Best credits: Production Manager: Phoebe Adler-Ryan Editorial Manager: Mell Chun Host: Madhuraa Prakash   JOIN THE ALL THE BEST TEAM! Recruiting Supervising Producers

Passionate about interrogating, developing and devising new Australian work, Tim trained at the Western Australian Academy of Performing Arts and works as a writer, director, dramaturge and a devising theatre maker. Tim is currently a commissioned writer for Riverside Theatres, Parramatta and The Art House Wyong to create a write a new play based on Colleen McCullough's award-winning novel Tim due to hit the stage in 2023. Most recently Tim saw his 2019 commission by Queensland Theatre to create a theatre script based on Trent Dalton's Boy Swallows Universe come to life with a sold out production which premiered at the 2021 Brisbane Festival. In 2019 he was also commissioned by the Australian Chamber Orchestra (ACO) to write and direct a new work based on Margaret Wild's There's a Sea in My Bedroom which is due to hit the stage in July 2022. In 2018 Tim stepped in as interim Director on Caleb Lewis's Maggie Stone for the Eternity Playhouse, and wrote and directed Music for the Dreaming, a collaboration between ABC Classic FM and Sydney Opera House Presents. Tim also directed the ABC Classic FM/SOH Sounds like Australia earlier in 2018. He devised a new work for the SSO with Simon Tedeschi Who Needs A Conductor Anyway which premiered in March 2018. Tim was engaged by CDP to translate and write additional content for the Australasian version of Spot the Dog, set to tour nationally in 2019. Between 2005-2017 Tim was a Creative Director and Producer at Monkey Baa Theatre Company, one of Australia's largest touring companies for young audiences, where he co-wrote and produced nearly 20 new Australian works, including the critically acclaimed Goodbye Jamie Boyd, award winning Jackie French's Hitler's Daughter and Sonya Hartnett's Thursday's Child. Tim directed multi award winning The Peasant Prince – The True Story of Mao's Last Dancer, which toured 36 theatres nationally. He assistant directed on Tim Winton's The Bugalugs Bum Thief and was the remount Director on The Unknown Soldier, a new Australian play written by Sandra Eldridge. In 2017 he worked as dramaturgical consultant on Randa Abdel Fattah's Where the Streets Had a Name. In 2013 Tim was engaged by CDP Producers to write and direct several works for the Sydney Opera House Baby Proms Program including Swing Baby Swing featuring Wayne Scott Kermond and The Nutcracker (co directed with choreographer Adrian Burnett). He co-devised The Pirate Ship (script) for Urban Myth Theatre Company SA, A More Fortunate Life for Theatre Ink and EscapAIDS for the One Night Stand Theatre Company, a work which targeted both young people at risk and the WA prison population about HIV AIDS. He is devised a new work for the SSO Education with Simon Tedeschi called Who Needs A Conductor Anyway , which premiered in 2018.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Featuring the music of Felix Mendelssohn's 3rd symphony, the organ and the choir of the St Giles Cathedral in Edinburgh, Scotland, and readings from Yeshua and the former Rabbi Saul of Tarsus, Bob shares about legacy. What will be yours? What will be his?Russell Torrance of ABC Classic FM here in Australia shared some thoughts last week which find their way onto the podcast again in light of Jewish influence on classical music and an episode from Budapest and Hitler. Where is your hope? What is your legacy? Worth the 18 minutes to ponder. Support the show

ABC Classic FM in Australia features Russell Torrance, originally from Scotland, who moved to Manchester in the UK, then to Perth and finally the Adelaide Hills in South Australia.  His love of music and his concerns for people to speak honestly about mental health, his views on Covid and loneness all come to the fore in this first of a 2-part series with your host Bob Mendelsohn.  You'll love Russell's manner and his concerns, his passion and his good humour-- it's all there. For his website and to listen to his morning breakfast show, check here: https://www.abc.net.au/classic  Amanda McInnes is Bob's travel agent and she'll help you find great deals out there. Contact her at Travel Partners by using this URL:  https://bit.ly/amanda365  Historical markers of the week are about black people in the slave trade in 1800 and in outer space on Challenger.Support the show

Bruce has a suggestion for ABC Classic FM.

UK-based Australian composer, artist, and writer/broadcaster Julian day talks about reconsidering classical music traditions, interactive music and his studies overseas.Julian Day treats sound as a powerful socio-political agent. Since 2007 they have co-facilitated Super Critical Mass, a radically inclusive orchestra project in which temporary communities of untrained participants develop sonic actions in civic spaces, drawing on aspects of emergence and game theory.Julian Day: https://www.julianday.com/__________– Discussed in this episode –• ABC Classic FM: https://www.abc.net.au/classic/• Music Australia: https://musicaustralia.org.au/• Marco Fusinato: http://marcofusinato.com/• La Biennale di Venezia (Venice Bienale): https://www.labiennale.org/en• Elegy: https://ensembleoffspring.com/event/o4a-elegy/• Louis Andriessen: https://www.boosey.com/composer/Louis+Andriessen• Super Critical Mass: https://www.supercriticalmass.com/• Damian Barbeler: https://www.australianmusiccentre.com.au/artist/barbeler-damian• Music After the Fall: Modern Composition and Culture Since 1989 – Tim Rutherford-Johnson: https://johnsonsrambler.wordpress.com/music-after-the-fall/• David Lang: https://davidlangmusic.com/• Sticky Notes: https://ensembleoffspring.com/event/sticky-notes/2022-03-15/• Ciaran Frame: http://www.ciaranframe.com/• Game On: https://ensembleoffspring.com/event/game-on-backstage/• Institute of Modern Art, Brisbane: https://ima.org.au/• La Monte Young: https://www.melafoundation.org/lmy.htm• Phillip Glass: https://philipglass.com/__________Opening music: Heaven Only Empty (2014) – Damien RicketsonClosing music: Light for the First Time (2017) – Bree van ReykThe Offcast is hosted by Claire Edwardes OAM, and produced and edited by Ben Robinson.Ensemble Offspring: https://ensembleoffspring.com/This episode of The Offcast is sponsored by Limelight

Dr. Heim will quickly become your favorite source for understanding the human condition. He has become mine. Just listen and you WILL understand.   https://www.drchristianheim.com/ Dr. Heim is an award-winning Psychiatrist, Music Professor, and Churchill fellow. During his 18 years of continuing psychiatry practice, he has heard the stories of 1000s of people. Combining science, entertainment, and large doses of Australian humor, he speaks from a place of deep compassion and authority on 21st Century Mental Health issues that can affect us all. Dr. Heim has spoken extensively in both public and corporate forums in the US and Australia and has a natural ability to explain complex mental health issues in lay language, giving practical takeaways that can be actioned straight away. He delivers CLE talks to law firms, talks on mental health to corporate firms and retirement companies.  His writings and public lectures reference medicine and music and cover a range of topics – the mental health crisis, happiness, stress management, neuroplasticity, work/life balance, the pleasure myth – but primarily focus on how to get the right DOSE of brain chemicals to help overcome 21st Century mental health issues such as anxiety, depression, suicide, trauma, personality disorders, and addictions. Dr. Heim includes memorable experiences in his talks, such as music, to keep audiences engaged. Dr. Heim is an associate senior lecturer at the University of Queensland in the School of Medicine and in music has lectured at Manhattan School of Music, The University of Newcastle, and the University of Wollongong. He has a Ph.D. from the University of Sydney and has published research articles and music compositions. He is the 2014 recipient of the Newton-John award for innovation and creativity and the 2000 Blackwell Award for Critical Reasoning in Science. His music compositions are played on ABC Classic FM. Dr. Heim currently lives on the beautiful Sunshine Coast in Australia with his wife Dr. Caroline Heim and he gives virtual lectures all over the world from his professional studio.

Dr. Christian Heim is an award-winning clinical psychiatrist, Australian music lecturer (= US professor) and a Churchill fellow. He is a senior lecturer at the University of Queensland in the School of Medicine and in music has lectured at Manhattan School of Music, The University of Newcastle and had a tenured position at the University of Wollongong where he was nominated for a teaching award. He was on staff at several Australian hospitals. During his 20 years as a doctor he has heard the stories of thousands of people. He speaks globally in-person and virtually at law firms, medical organisations, leisure companies and universities about preventative mental health. Dr. Heim has a PhD from the University of Sydney and has published research articles and music compositions. He is the 2014 recipient of the Newton-John award for innovation and creativity and the 2000 Blackwell Award for Critical Reasoning in Science. His music compositions are played on ABC Classic FM. His writings and public lectures reference medicine and music and cover a range of topics – burnout, brain fitness, the mental health crisis, neuroplasticity, the neurobiology of love, healthy relationships as a protective factor – but primarily focus on how to get the right DOSE of brain chemicals to help overcome 21st Century mental health issues such as anxiety, depression, suicide, trauma, personality disorders and addictions. Dr. Heim speaks from a place of deep compassion and authority. His talks all combine science, music and large doses of Australian humour.   He loves taking long walks along deserted Australian beaches with his love-partner Caroline, playing piano, laughing with his boys, and eating celery. 

Dr. Christian Heim is an award-winning clinical psychiatrist, Australian music lecturer (= US professor) and a Churchill fellow. He is a senior lecturer at the University of Queensland in the School of Medicine and in music has lectured at Manhattan School of Music, The University of Newcastle and had a tenured position at the University of Wollongong where he was nominated for a teaching award. He was on staff at several Australian hospitals. During his 20 years as a doctor he has heard the stories of thousands of people. He speaks globally in-person and virtually at law firms, medical organisations, leisure companies and universities about preventative mental health. Dr. Heim has a PhD from the University of Sydney and has published research articles and music compositions. He is the 2014 recipient of the Newton-John award for innovation and creativity and the 2000 Blackwell Award for Critical Reasoning in Science. His music compositions are played on ABC Classic FM. His writings and public lectures reference medicine and music and cover a range of topics – burnout, brain fitness, the mental health crisis, neuroplasticity, the neurobiology of love, healthy relationships as a protective factor – but primarily focus on how to get the right DOSE of brain chemicals to help overcome 21st Century mental health issues such as anxiety, depression, suicide, trauma, personality disorders and addictions. Dr. Heim speaks from a place of deep compassion and authority. His talks all combine science, music and large doses of Australian humour.   He loves taking long walks along deserted Australian beaches with his love-partner Caroline, playing piano, laughing with his boys, and eating celery. 

Time for us to step into the world of classical music. To the world behind the baton. How does the conductor of an orchestra think about music? How do they merge those different pieces of the orchestral puzzle and combat yawning audiences, standing ovations, to create programs of music performed in venues like the Sydney Opera House - that are often just as as referred as the composers they are playing.How does historical art connect with today's community and drum roll… is music something only reserved for the elite. Or those who are best at it. Todays Ramble Chat is with Guy Noble one of Australia's most versatile conductors and musical entertainers, he has lead all the major Australian orchestras with and without performers such as The Beach Boys, Ben Folds, Randy Newman and Clive James. He has cooked on stage with Maggie Beer, and might be the only person to have ever sung the Ghostbusters theme live on stage accompanied by The Whitlams. As regular guest presenter on ABC Classic FM, writer for Limelight Magazine and presenter of inflight classical channels on airlines worldwide - he knows music - and we speak in 2019, yes two years ago, sitting opposite each other on two soft great coaches, from his house in Sydney. Listen to the GUY NOBLE RADIO SHOW on ABCGuy Noble writing for Limelight Produced by Old Fashioned StudiosHosted by Bradley McCawSound design by Matt Erskine & Cross Point SolutionsStory Producer & additional engineering by Gilang CandradityaTheme composed by James Ryan

Time for us to step into the world of classical music. To the world behind the baton. How does the conductor of an orchestra think about music? How do they merge those different pieces of the orchestral puzzle and combat yawning audiences, standing ovations, to create programs of music performed in venues like the Sydney Opera House - that are often just as as referred as the composers they are playing.How does historical art connect with today's community and drum roll… is music something only reserved for the elite. Or those who are best at it. Todays Ramble Chat is with Guy Noble one of Australia's most versatile conductors and musical entertainers, he has lead all the major Australian orchestras with and without performers such as The Beach Boys, Ben Folds, Randy Newman and Clive James. He has cooked on stage with Maggie Beer, and might be the only person to have ever sung the Ghostbusters theme live on stage accompanied by The Whitlams. As regular guest presenter on ABC Classic FM, writer for Limelight Magazine and presenter of inflight classical channels on airlines worldwide - he knows music - and we speak in 2019, yes two years ago, sitting opposite each other on two soft great coaches, from his house in Sydney. Listen to the GUY NOBLE RADIO SHOW on ABCGuy Noble writing for Limelight Produced by Old Fashioned StudiosHosted by Bradley McCawSound design by Matt Erskine & Cross Point SolutionsStory Producer & additional engineering by Gilang CandradityaTheme composed by James Ryan

Now in its 10th season, Melbourne Recital Centre's Great Performers series presents great artists giving extraordinary performances of compelling classical, bold and cutting-edge repertoire in Elisabeth Murdoch Hall. This year, the Centre has partnered with renowned presenter/producer and conductor Graham Abbott to create the Great Talks podcast – an audio companion to each concert in the 2021 Great Performers series. Part pre-concert talk, part deep-dive into the music, artists and program curated for each concert, these podcasts are designed enhance the concert experience for music-lovers for all ages and levels of music knowledge. In their upcoming concert on Wednesday 7 July, classical luminaries David Greco and Erin Helyard perform their ARIA-nominated interpretation of Die schöne Müllerin (The Maid of the Mill). In Die schöne Müllerin, we meet a young man with thoughts of love. Just one glimpse of the miller's daughter at the window and he's smitten, but in vain, for she loves another. The song cycle is loved for its breathtaking complexity, intense originality and the rich melodies that carved Schubert's reputation as a genius of the lieder genre. Greco and Helyard's Müllerin brings fresh insight into Schubert's masterpiece while retaining the beauty that has made it so iconic. More about Graham Abbott: Graham Abbott has been Conductor-in-Residence at the Elder Conservatorium of Music Adelaide, Musical Director of Adelaide Philharmonia Chorus, Associate Conductor of the Melbourne Symphony Orchestra, Musical Director of Melbourne Chorale, and Guest Chorus Master for the Royal Scottish National Orchestra. He is a frequent guest conductor with the major Australian orchestras and opera companies, leading choral societies and numerous new and early music ensembles. Graham is also a respected speaker and broadcaster and was producer and presenter of the highly successful Keys To Music series on ABC Classic FM from 2003 – 2017. In 2021 Graham will return to the Melbourne and Adelaide Symphony Orchestras, Auckland Philharmonia Orchestra, the Oriana Choir and conduct The Barber of Seville for State Opera South Australia. Graham will also lead tours for Hayllar Music Tours, including to the Bendigo Chamber Music and Adelaide Festivals, and host performances at the Four Winds Easter Festival, Bermagui.

Now in its 10th season, Melbourne Recital Centre’s Great Performers series presents great artists giving extraordinary performances of compelling classical, bold and cutting-edge repertoire in Elisabeth Murdoch Hall. This year, the Centre has partnered with renowned presenter/producer and conductor Graham Abbott to create the Great Talks podcast – an audio companion to each concert in the 2021 Great Performers series. Part pre-concert talk, part deep-dive into the music, artists and program curated for each concert, these podcasts are designed enhance the concert experience for music-lovers for all ages and levels of music knowledge. In his Great Performers debut, celebrated pianist Ian Munro explores inspired repertoire from Romantic masters Mendelssohn, Rachmaninoff and a new work of his own. Munro is one of Australia’s most distinguished artists, in demand as both a performer and composer. His gifted range and sensitivity at the piano makes him a great partner to even the most emotionally complex repertoire. In this episode, Graham delves into the program for Munro's solo recital. More about Graham Abbott: Graham Abbott has been Conductor-in-Residence at the Elder Conservatorium of Music Adelaide, Musical Director of Adelaide Philharmonia Chorus, Associate Conductor of the Melbourne Symphony Orchestra, Musical Director of Melbourne Chorale, and Guest Chorus Master for the Royal Scottish National Orchestra. He is a frequent guest conductor with the major Australian orchestras and opera companies, leading choral societies and numerous new and early music ensembles. Graham is also a respected speaker and broadcaster and was producer and presenter of the highly successful Keys To Music series on ABC Classic FM from 2003 – 2017. In 2021 Graham will return to the Melbourne and Adelaide Symphony Orchestras, Auckland Philharmonia Orchestra, the Oriana Choir and conduct The Barber of Seville for State Opera South Australia. Graham will also lead tours for Hayllar Music Tours, including to the Bendigo Chamber Music and Adelaide Festivals, and host perfomances at the Four Winds Easter Festival, Bermagui.

Now in its 10th season, Melbourne Recital Centre’s Great Performers series presents great artists giving extraordinary performances of compelling classical, bold and cutting-edge repertoire in Elisabeth Murdoch Hall. This year, the Centre has partnered with renowned presenter/producer and conductor Graham Abbott to create the Great Talks podcast – an audio companion to each concert in the 2021 Great Performers series. Part pre-concert talk, part deep-dive into the music, artists and program curated for each concert, these podcasts are designed enhance the concert experience for music-lovers for all ages and levels of music knowledge. In their upcoming concert, one of Australia’s favourite musical couples Slava and Sharon Grigoryan play their favourite pieces of music, performing selections from their album Our Place and works that have meant the most in their lives including those written by their heroes and peers. In this episode, Graham delves into the program for Our Place including Vivaldi, Ravel, Arvo Pärt, Enrique Granados and more. More about Graham Abbott: Graham Abbott has been Conductor-in-Residence at the Elder Conservatorium of Music Adelaide, Musical Director of Adelaide Philharmonia Chorus, Associate Conductor of the Melbourne Symphony Orchestra, Musical Director of Melbourne Chorale, and Guest Chorus Master for the Royal Scottish National Orchestra. He is a frequent guest conductor with the major Australian orchestras and opera companies, leading choral societies and numerous new and early music ensembles. Graham is also a respected speaker and broadcaster and was producer and presenter of the highly successful Keys To Music series on ABC Classic FM from 2003 – 2017. In 2021 Graham will return to the Melbourne and Adelaide Symphony Orchestras, Auckland Philharmonia Orchestra, the Oriana Choir and conduct The Barber of Seville for State Opera South Australia. Graham will also lead tours for Hayllar Music Tours, including to the Bendigo Chamber Music and Adelaide Festivals, and host perfomances at the Four Winds Easter Festival, Bermagui.

https://youtu.be/oV8EZwLujNg “Adam Page is a multi-instrumentalist, composer, music educator and record producer based in Adelaide, South Australia. Known widely for his critically acclaimed solo multi-instrumental looping performances, Page has carved his path internationally as a composer. He has written major works for the Adelaide Symphony Orchestra, the New Zealand Symphony Orchestra, Orchestra Wellington, Zephyr Quartet and co-composed on numerous occasions with celebrated Kiwi composer John Psathas. Page has recently composed and performed with The Grigoryan Brothers, established the boutique record label - Wizard Tone Records, established and performed with his new 12 piece ensemble - The Adam Page Ensemble (TAPE), written and performed with The Adelaide Symphony Orchestra and also conducted the ASO in a concert featuring the music of Ross McHenry and Matthew Sheens.His orchestral music has also been recorded and broadcast twice by ABC Classic FM.Page's other musical collaborations stretch far and wide, working with artists and groups such as The Australian String Quartet, Tim Finn, Slava Grigoryan, Noel Gallagher, Katie Noonan, Riki Gooch, Jamie MacDowell and Tom Thum, Emma Pask, Ross Irwin, Ben Todd, The Shaolin Afronauts, 1.1 Immermann, Ross McHenry, Thomas Oliver, The Adelaide Sax Pack, Darren Percival, Mal Webb, Lisa Tomlins and the late Dr. Chandrakant Sardeshmukh. He has also recorded with artists such as Electric Wire Hustle, Julien Dyne, Mark de Clive-Lowe, Oisima, Spook City, The Shaolin Afronauts and Dave Whitehead (recording various sounds for The Hobbit films). In 2014, Page co-founded Adelaide's 'Wizard Tone Studios' with fellow Adelaide musicians James Brown and Jarrad Payne.”http://www.adampage.com.au/https://www.wizardtonestudios.com/So many topics covered in this interview including The different pathways available for creativesThe power of dreamingSaying YES to things that are super challengingSeriously too many topics to list you just have to listen to the podcastI just loved this interview Adam has so much positive energy and passion for all things creative as a musician he is also interested in other creative spaces as well including the Art Gallery and being inspired by all forms of Art.Adam has an incredible gig really creative and something not seen before here in Adelaide as far I know. Its coming up soon which I can't wait to share a mini podcast all about this gig  and I will be posting this podcast in the next couple of weeks once dates and tickets have been confirmed.Sundays you can see Adam play in The Ben Todd Band at the Gov see link for details.https://www.thegov.com.au/index.php/gig_guide/gig/e120472I think every time I feel like I am unsure of what I am doing as a creative person I am going to listen to Adam's interview and be reenergised.I would like to acknowledge that music played on my Podcast is an original tune by David Innocente, Jazz Musician/Artisthttps://www.innocente.com.au/

From 30 October to 8 November, the International Women's Jazz Festival will take place in Sydney. One of the musicians performing there - Maryanne Piper - speaks German, as she has spent many years in Europe, some of them in Germany. Of course, during her 2 decades of travelling she has also constantly made music, with all kinds of greats, from all kinds of cultures. She mainly plays clarinet, because that way you can always have your instrument with you, she says - but also other wind instruments, like saxophone - and she also composes. Maryanne is not genre-specific in her music, which includes pop, classical and ethnic music in addition to jazz, nor in her art form. She improvised with the Pina Bausch Theatre, played in film orchestras, organises musical literature readings, conducts workshops and of course tours with her project Lilith Nights, in which she collaborates with musicians from all over the world. We can hear four of them on 7 November at Foundry 616 in Sydney as part of the Women's Music Festival. Last year's Lilith Nights concert was recorded by ABC Classic FM and this programme gave us permission to play some of the pieces in this programme - in the podcast only small excerpts of them. - Vom 30. Oktober bis zum 8. November findet das Internationale Frauen Jazz Festival, in Sydney statt. Eine der dort auftretenden Musikerinnen - Maryanne Piper - spricht Deutsch, denn sie hat viele Jahre in Europa verbracht, und davon auch so einige in Deutschland. Natürlich hat sie auf ihren 2 Jahrzehnte dauernden Reisen auch ständig Musik gemacht, und zwar mit allen möglichen Größen, aus allen möglichen Kulturen. Sie spielt hauptsächlich Klarinette, weil man so sein Instrument immer dabei haben kann sagt sie - aber auch andere Blasinstrument, wie Saxophon - und komponiert auch. Genrespezifisch hat sich Maryanne weder in ihrer Musik, in die außer Jazz auch Pop, Klassik und ethnische Musik einfließt, noch in der Kunstform festgelegt. Sie improvisierte zum Bsp. mit dem Pina Bausch Theater, spielte in Film-Orchestern, organisiert musikalische Literaturlesungen, leitet Workshops und tourt natürlich mit ihrem Projekt Lilith Nights, in dem sie Kollaborationen mit Musikerinnen aus der ganzen Welt eingeht. Vier davon können wir am 7. November in der Foundry 616 in Sydney als Teil des Frauen Musikfestivals hören. Im letzten Jahr wurde das Lilith Nights Konzert von ABC Classic FM aufgenommen und dieses Programm hat uns die Erlaubnis gegeben einige der Stücke in diesem Programm zu spielen - im Podcast nur kleine Auszüge davon.

This week Declassify has invited a familiar voice from ABC Classic FM onto the episode – Stephen Adams. Stephen is a beloved voice on the radio waves having worked with ABC Classic FM since 2004. He has been instrumental in programming, commissioning and broadcasting Australian music and new music. He is also an inexhaustible composer and performer with a recently released album, who aside from all this work, also runs his own podcast ‘New Waves,’ This episode’s conversation revolves around the nuances of media and institutional responsibilities relating to programming. How can statistically gradual progress in broadening programming choices – from radio production through to concert halls – chance what audiences wish to or would like to engage with? Is there room for and a desire for more diverse voices and new music on a wider platform within the classical music industry? --------------------------------------------------------------------------------------------------Stephen Adamshttps://www.australianmusiccentre.com.au/artist/adams-stephenhttps://www.abc.net.au/classic/stephen-adams/8168144 The New Waves Podcast: https://www.abc.net.au/classic/programs/new-waves/#:~:text=with%20Stephen%20Adams&text=For%20listeners%20interested%20in%20Australian,RSS%20and%20other%20podcast%20apps.Adams, Stephens. 2020. Sunset inside the listening room. Harrigans Lane Collective. The album can be purchased at this link:https://harriganslanecollective.bandcamp.com/album/sunset-inside-the-listening-room

Foundations of Amateur Radio How far can I talk on radio? A question that regularly hits the enquiring minds of people who are not (yet) radio amateurs is one about distance. For both amateurs and those who are not ye) inducted into our community the concept of distance speaks in ways that other parts of our hobby don't. It's a simple concept, between these two points, how far can you talk? The interesting thing to me about this phenomenon is that distance isn't a metric that we as amateurs use for anything other than calculating repeater coverage and then only for frequencies that are line-of-sight. If you're not an amateur then this might be unexpected or even illogical. Let me give you two questions: How far can you talk in amateur radio? - and - How far does light shine? If you're an amateur you'll know that those two questions are pretty similar, if not identical for certain frequencies, but if you're not, then these two questions appear completely unrelated to each other. Let me start with something that you might not realise. If you tune to a local AM radio station, let's say ABC 720 in Perth. It's located in the AM broadcast band and the number of the station, 720, is the frequency at which it's transmitting. 720 kHz, or 720 thousand Hz. If you had a radio capable, you could turn the dial to the right, and after passing 810 Radio National, eventually, if you kept turning to the right, you'd find ABC Classic FM at 97.7fm in the FM broadcast band. The station indicator, 97.7 is again the frequency, 97.7 MHz, or 97.7 million Hz. So, 720 and 97.7 are both on the same dial, just at different ends. Now if your radio was capable, you'd be able to keep winding it to the right, and after passing by Wi-Fi, at 2.4 GHz, or 2.4 billion Hz, you'd eventually come across light. Green light for example is about 560 THz, or 560 trillion Hz. You could keep going and end up with even more exotic stuff, like X-rays and Gamma-rays, in the exahertz range, a 1 with 18 zeros, but you get the point. Radio and light are the same thing. If fact, there are experiments around that are using light for Wi-Fi communications. So, How far does light shine is the same thing as How far can you talk in amateur radio? Before you start complaining about when it's different, let me point out that the only difference between these two is the frequencies at which we're comparing, with the characteristics that come with that. I'll get to that in a moment. Look at light. If you have a light bulb that's bright enough, you can see it in full daylight. If it's dark outside then you'll need less of a light bulb to see it. If it's raining, or if there is smoke in the air, you'll need more. If there's a wall between you and the bulb, you'd need a pretty bright light to shine through the wall, but you already know this. Covering up a torch with your palm shows the bones in your hand. Light gets through different parts of your hand in different ways. Another thing you've seen is when you put a straw into a glass and it looks like it's broken. That too is related to how light travels through different materials. You may even have been underwater in a pool and looked up to see a reflection. That too is a phenomenon familiar in amateur radio. Something that you might not realise is that something like an X-ray is identical to shining a light of a torch through your palm. Only X-ray's are used for diagnostic purposes, we shine an X-ray light at your body and some gets through and some doesn't. We take a photo of that and use it to figure out what's under your skin. Back to radio. The same phenomena happen in radio. Buildings are good at stopping certain radio frequencies, in much the same way as they block light, but other frequencies barely get noticed, they shine right through. Similarly, the ionosphere around the earth can act as a reflection like the surface of a swimming pool for some frequencies, but not for other frequencies. Interestingly this changes throughout the day, depending on the sun and a whole range of other factors which I'm not getting into today. Finally, just like with light, you can turn up the brightness for different effects, you'll get further, but only if the conditions allow for it. To answer the original question about how far you can talk on amateur radio becomes much harder and now you know why. I'm Onno VK6FLAB

Eddie Ayres shares two stories from the 1960s to remind us how to be brave. Eddie Ayres learnt the viola as a child in England, studying in Berlin and London before eight years with the Hong Kong Philharmonic. He presented a long-running and extremely popular breakfast radio program on ABC Classic FM, while teaching music privately and professionally. In 2016, he accepted a teaching position at the world-renowned Afghanistan National Institute of Music but returned to Australia to begin transitioning. He’s written two books - Danger Music and Cadence: Travels with Music, as well as a children’s picture book, Sonam and the Silence, published this year. Queerstories is an LGBTQI+ storytelling night programmed by Maeve Marsden, with regular events around Australia. For Queerstories event dates, visit www.maevemarsden.com, and follow Queerstories on Facebook. The Queerstories book is published by Hachette Australia, and can be purchased from your favourite independent bookseller or on Booktopia. To support Queerstories, become a patron at www.patreon.com/ladysingsitbetter And for gay stuff and insomnia rants follow me - Maeve Marsden - on Twitter and Instagram.  

Tom Misson is a composer from Tasmania who has had his music played on ABC Classic FM and performed by the Hobart Wind Symphony. Words About Music participant Stella Joseph-Jarecki sat down with Tom to discuss how he found himself composing, the challenges of creating music, and his work Three Pieces for Orchestra. Written, produced and edited by Stella Joseph-Jarecki and Madi Chwasta 'Three Pieces for Orchestra' was performed by an ensemble of tutors and students from National Music Camp 2019 Opening and closing music: excerpt from Wild October Jones by Melody Eötvös With thanks to Jim Atkins, Jakub Gaudasinksi and Phillip Sametz

People ask us all the time 'where did you find Deano', and in a lot of cases they're literally imagining that we tripped over him, sleeping in a street or something, and brought him home to nurse him back to health. But did you know that Deano's roots are far classier than you may have thought? Sam has found out, via our boss, Soup Cans, that Deano actually was discovered on ABC Classic FM. So how did it sound? See acast.com/privacy for privacy and opt-out information.

If you're new to the podcast, this music only episode is a little different to the others. Instead of leading you through a yoga sequence, Lara will leave it up to you to enjoy the music in a way that best suits your mood, right now.  This is the Music of Classic Flow. Like the music? Check out the full listing on our website. Hear more classical favourites on ABC Classic FM radio.abc.net.au/programs/classic/live Follow Classic Flow on Instagram @classicflow_yoga 

If you're new to the podcast, this music only episode is a little different to the others. Instead of leading you through a yoga sequence, Lara will leave it up to you to enjoy the music in a way that best suits your mood, right now.  This is the Music of Classic Flow. Like the music? Check out the full listing on our website. Hear more classical favourites on ABC Classic FM radio.abc.net.au/programs/classic/live Follow Classic Flow on Instagram @classicflow_yoga 

Turn up the volume, close your eyes and dive deep into this special, music only episode of Classic Flow. Like the music? Check out the full listing at https://www.abc.net.au/radio/programs/classicflow/the-music-of-classic-flow-1/9742848 Hear more classical favourites on ABC Classic FM radio.abc.net.au/programs/classic/live Follow Classic Flow on Instagram @classicflow_yoga 

Turn up the volume, close your eyes and dive deep into this special, music only episode of Classic Flow. Like the music? Check out the full listing at http://www.abc.net.au/radio/programs/classicflow/the-music-of-classic-flow-1/9742848 Hear more classical favourites on ABC Classic FM radio.abc.net.au/programs/classic/live Follow Classic Flow on Instagram @classicflow_yoga 

Until a few years ago, professional violin player, former presenter of the Classic Breakfast program on ABC Classic FM and music teacher Eddie Ayres had presented to the world as female. You might remember his name being Emma back then. But while on a solo bike ride of Pakistan in 2013, Eddie watched the Oscar Winning film Boys Don’t Cry - and it was here that he realised he was not a self described ‘butch lesbian’ but transgender. What happened next was quite literally life changing. Show Notes Your host is Mia Freedman. With thanks to special guest Eddie Ayres Buy Eddie's book by going to apple.co/mamamia This podcast was produced by Elissa Ratliff    CONTACT US Suggest a guest via: podcast@mamamia.com.au tweet us @mamamiapodcasts or join the conversation on facebook This show is part of the Mamamia Women’s Network See omnystudio.com/listener for privacy information.

Until a few years ago, professional violin player, former presenter of the Classic Breakfast program on ABC Classic FM and music teacher Eddie Ayres had presented to the world as female. You might remember his name being Emma back then. But while on a solo bike ride of Pakistan in 2013, Eddie watched the Oscar Winning film Boys Don’t Cry - and it was here that he realised he was not a self described ‘butch lesbian’ but transgender. What happened next was quite literally life changing. Show Notes Your host is Mia Freedman. With thanks to special guest Eddie Ayres Buy Eddie's book by going to apple.co/mamamia This podcast was produced by Elissa Ratliff    CONTACT US Suggest a guest via: podcast@mamamia.com.au tweet us @mamamiapodcasts or join the conversation on facebook This show is part of the Mamamia Women’s Network See omnystudio.com/listener for privacy information.

Until a few years ago, professional violin player, former presenter of the Classic Breakfast program on ABC Classic FM and music teacher Eddie Ayres had presented to the world as female. You might remember his name being Emma back then. But while on a solo bike ride of Pakistan in 2013, Eddie watched the Oscar Winning film Boys Don’t Cry - and it was here that he realised he was not a self described ‘butch lesbian’ but transgender. What happened next was quite literally life changing. Show Notes Your host is Mia Freedman. With thanks to special guest Eddie Ayres Buy Eddie's book by going to apple.co/mamamia This podcast was produced by Elissa Ratliff    CONTACT US Suggest a guest via: podcast@mamamia.com.au tweet us @mamamiapodcasts or join the conversation on facebook This show is part of the Mamamia Women’s Network See omnystudio.com/listener for privacy information.

The story of a musical building, and the architect, composer, and collaborating musicians who brought it to life. A feature program first broadcast on ABC Classic FM's Music Makers program.

Sam, Bianca & Tara introduce the world to classical music, host a German exchange student, and chat to Brisbane indie-rock outfit Sunhaus

What use is an F-call? An experience on a local mailing list this week made me consciously consider for the first time that I am a member of a community in Amateur Radio. Now this might sound completely obvious to you, but consider this, Amateur Radio as we know it today has been around for over 100 years. I've just downloaded the first Annual Official Wireless Blue Book, updated to May of 1909. It's a call book. You'd recognise it instantly. In it's 19 pages it lists call-signs, locations and transmission power, even allocated wavelengths in the United States and Canada. It also contains a hand-written list of updates and annotations as well as sponsorship announcements for Modern Electrics and the Electro Importing Company with a list of Wireless goods that will "make you sit up and take notice." I've been playing and working with computers for several decades. My first computer was a Commodore VIC 20, in 1982 I was the first person in my class to own their own computer. That's nearly three decades ago and that's only a third of the way towards this call-book. Why am I making such a big deal about how long Amateur Radio has been around? There is one simple reason, it still exists. It hasn't imploded, it hasn't faded, innovation is still being made, development is ongoing and people are still joining today. The Amateur Community is one that appears to foster innovation and change, even though some might think of this as a stodgy boar, the truth is nothing like it. When you buy a different car, all of a sudden there are more cars like yours on the road, everywhere you turn, there's another one just like yours. For me, Amateur Radio is just like that, everywhere I turn, there is Amateur Radio. Last week on The Morning Interview with Margaret Throsby on ABC Classic FM, there was an interview with Dick Smith who was describing flying a helicopter solo around the world and finding a refuelling ship in the middle of the Pacific Ocean, before GPS navigation, using an Amateur Radio Beacon that he and his Ham radio mate built from parts from Dick's shop. A community exists because of its participants. That is, the people in the community engage with each other to pursue their community. While there is merit in sitting behind your radio listening to conversations that are being held around you, there is much to be gained from pushing on the talk button too. Last week I met an Amateur on air in Parabadoo, his voice was being overwhelmed by what I suspect were Gallah's. Without Amateur Radio and me keying the mike, I would never have made contact with him and some of his friends. For me it recalled an earlier time when I spent several years travelling around Australia. When I get on the road again, I will never feel that I'm without the community that has existed for many years without me and no-doubt will continue long after I'm no longer here. While I cannot make you talk on air, and there is no reason that you must, I would like to encourage you to try. It's all part of our community. I'm Onno, vk6flab