Podcast appearances and mentions of Dick Smith

Experience the first true survival horror film!Sweet Home (Japanese: スウィートホーム, Hepburn: Suwīto Hōmu), also known as The Mamiya House, is a 1989 Japanese horror film directed by Kiyoshi Kurosawa and produced by Juzo Itami. It was released alongside a video game of the same title that inspired the Resident Evil game series released by Capcom. Special makeup effects in the film were done by Dick Smith.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.00:00 Intro 14:37 Mount Rush-Horror21:53 Horror News 38:00 What We've Been Watching53:07 Film Review1:48:57 Film Rating1:53:48 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Daniel - https://www.instagram.com/dan_drambles/https://terrorbytesdoc.com/https://www.youtube.com/DanDramblesAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

0:00:00 Introduction Richard Saunders 00:03:22 Randi Restored 45 years ago, James Randi flew to Australia at the invitation of Dick Smith. He came to test a score of water diviners in Australia's first major investigation of these claims. The resulting documentary, "James Randi in Australia" was shown on Australian TV and then lost forever. Luckily it was recorded onto video tape via a VCR at the time and this version has now been restored to its former glory. http://www.tinyurl.com/randiaustralia 0:23:32 Australian Skeptics Newsletter What skeptical news has caught the eye of Tim Mendham this week? Read by Adrienne Hill. http://www.skeptics.com.au 0:37:14 The TROVE Archives A wander through the decades of digitised Australian newspapers on a search for references to James Randi's Project Alpha. 1983.01.29 - The Victoria Advocate 1983.02.16 - Record-Journal, Meriden, Ct. Project Alpha - An Honest Liar https://youtu.be/Ewr3uqfHzMM&t=2720 http://www.trove.nla.gov.au

Today's guest is a trailblazer in the world of film and makeup artistry—John Caglione Jr. has been at the forefront of transforming the way we look at characters in film through makeup and prosthetics. His career spans decades, and his work has left an unforgettable mark on some of Hollywood's most iconic films.From behind the scenes of Saturday Night Live to winning an Oscar for the 1990 film “Dick Tracy”, John has created iconic looks on equally iconic characters. Other films John has worked on include Martin Scorcese's The Departed, American Gangster, Mona Lisa Smile and The Amazing Spider-Man 2. His most famous work is perhaps his make-up on Heath Ledger's psychopathic Joker in the Award-Winning Box Office smash “The Dark Knight” released in 2008. On today's episode, John will be discussing his early years working on a SNL as well as being under the mentorship of legendary make-up artist Dick Smith, working with once-in-a-generation talents like Al Pacino and of course Heath Ledger, as well as detailing behind the scenes tales surrounding his process as a make-up artist.John Caglione Jr. -⁠⁠ https://www.johncaglionejr.net/Daniel's Book "Breanne 1975" -⁠⁠ ⁠⁠⁠⁠⁠⁠https://www.amazon.co.uk/Breanne-1975-Daniel-Heaphy/dp/1804392030⁠⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on Instagram - ⁠⁠⁠https://www.instagram.com/d.heaphymedia/⁠⁠⁠⁠Connect with Daniel on Facebook -⁠⁠ ⁠⁠⁠⁠⁠https://m.facebook.com/100067449105174/⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on LinkedIn -⁠⁠ ⁠⁠⁠⁠⁠https://ie.linkedin.com/in/daniel-heaphy-4984381a3⁠⁠⁠⁠⁠⁠⁠Daniel on IMDB -⁠⁠ ⁠⁠⁠⁠⁠https://www.imdb.com/name/nm13256427/?ref_=nv_sr_srsg_0_tt_1_nm_7_q_DANIEL%2520HEAPHY⁠⁠⁠⁠⁠⁠⁠Email - creativelymepodcast@gmail.com“Creatively Me” Theme Music by Bukky -⁠⁠ ⁠⁠⁠⁠https://open.spotify.com/artist/1v7rqTLaVA3Ce6Q9R98dSq⁠⁠⁠⁠⁠⁠

In this episode, Matthew Orlic shares how he built Qure Skincare into a $50M+ brand in just three years. After losing $5M when Dick Smith collapsed overnight, Matthew had to reinvent himself, shifting from wholesale to digital marketing and mastering a multichannel e-commerce approach. He dives into how he applied four key leverage points—product, audience, margin, and operating costs—to scale sustainably without relying on Meta ads. This conversation is filled with invaluable insights for entrepreneurs on mindset, resilience, and building a profitable brand in today's competitive market. Click here to start your business for $1. You'll get all-access foundr+, where you'll find more in-depth, proven strategies from founders like our guest today and support and advice from our global community of 30,000 founders. If you loved this conversation and learned something new, rate and review this episode. Stay in touch with us, follow foundr on your favorite platform: Foundr.com Instagram YouTube Facebook X LinkedIn Magazine

It's the Off Air Podcast! We have a 'new' team member. Suspiciously she only comes to help us when we get food delivered. Join our Exclusive Facebook Group Listen Live on the Nova Player App Follow us on Instagram - TikTok - Facebook - SnapchatSee omnystudio.com/listener for privacy information.

Crackdown on Medicare needed, woman charged over alleged antisemitic video, concerns for social cohesion in Australia, Starmer pledges defence spending boost. Plus, Dick Smith joins the show to discuss nuclear challenge. See omnystudio.com/listener for privacy information.

Colin suggests we form a secret society to tell a Ghost Story (1981), an adaptation of Peter Straub's novel about a 50 year old secret that binds together a group of elderly men in a snowy small town in New England, played by some of Hollywood's legendary stars, including Fred Astaire and John Houseman. Listen as we pay tribute to makeup artist Dick Smith, talk about sexy ghosts, and tell each other ghost stories on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

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Welcome to an audio-led edition of Unmade in which we talk to the two key players behind Publicis Group's purchase of independent Media agency Atomic 212. If you've been thinking about upgrading to an Unmade membership, this is the perfect time. Your membership includes:* A complimentary ticket to all of Unmade's events, including Compass Auckland (February 18), HumAIn (May 6), REmade (September 23), Unlock (October), and the Compass Australia series (throughout November);* Member-only content and our paywalled archives; * Your own copy of Media Unmade.Capabilities and conflict: Why Publicis bought Atomic 212Last week's news that Australia's biggest media agency Atomic 212 had been sold was not a huge surprise. The agency had been rumoured to be considering offers for some time.What was a little more surprising though was the buyer. Despite rumours that consultancy Accenture was in the frame, holding company Publicis Group emerged as the winner.It ran counter to the trend of holdcos in retreat and consolidating their number of agency brands.In today's audio-led conversation, Atomic 212 chairman Barry O'Brien and Publicis Group's ANZ CEO Michael Rebelo discuss with Tim Burrowes the rationale for the deal.O'Brien acknowledges the ups and downs of the agency's journey, including when Atomic's client, retail chain Dick Smith went into administration, leaving its agency potentially owing media companies millions of dollars.“When we first kicked off, Dick Smith went belly up and left $400-odd million of debt right around Australia.“As a young agency, we were left with a considerable amount of that. That was a pretty dark time.”The agency also faced a reputation crisis when Mumbrella revealed that former boss Jason Dooris had been cheating in award entries. Dooris eventually left the business. O'Brien says, dryly, “It was not a highlight.”Meanwhile, Rebelo explains the rationale for the acquisition at a time when many groups are trimming their rosters. Capabilities and client conflict are two of the factors. When he built a three year plan for his group in 2023, “acquisition of a media agency like Atomic was literally one of our top strategic priorities,” reveals Rebelo.“What we were looking at with Atomic was how can we supercharge what we've already got? What we like to curate and cultivate in the group are specialized weapons in terms of the agencies in how they can help our clients solve their marketing problems. And Atomic represented an independent agency with really sophisticated capabilities.”Rebelo, insists that unlike previous acquisition Match, which is these days folded in to Spark Foundry, Atomic will remain as its own brand. “Conflict and managing conflict is still a big part of the market and the industry. So we are fortunate to have those independent brands that can manage different agencies across the verticals. Having another media brand to take on and help us manage that is certainly a benefit to this.”Time to leave you to your Monday. Today's podcast was edited by Abe's Audio.We'll be back with more soon.Toodlepip…Tim BurrowesPublisher - Unmadetim@unmade.media This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

What a wonderful day to talk about The Exorcist. This week Mike, Brian, and Stephen start our discussion on one of the foundational films in modern horror, 1973's The Exorcist. For the first half of our two parts on this title, your hosts share their initial reactions to this masterwork, as well as how our thoughts on the film have evolved as we've grown older. From there we take a deep dive into the history of the film, including a look at its architects, director William Friedken and writer William Peter Blatty. We explore the exorcism case that inspired Blatty to write his novel, and the challenges in adapting the film without “creating a commercial for the Catholic Church” in Friedken's view. We discuss the brilliant cast, Dick Smith's astonishing makeup and the standout locations. From there we talk about the “curse” of The Exorcist as well as the unconventional and unsafe methods Friedken often employed that put his performers in harm's way. Finally, we explore the cultural impact of The Exorcist on its release as well as its place in horror's pantheon more than fifty years later. It's one of our largest, most in-depth episodes to date, and its only the beginning.

Luke spoke to Dick Smith who explained Peter Dutton’s nuclear policy and why he believes it’s the most viable way forward for Australia’s energy plan.See omnystudio.com/listener for privacy information.

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Dick Smith's nuclear splurge; Forrest submits $400m Carillon plan; Scentre Group seeks extension; Cook promises more houses.

Luke speaks with Dick Smith on the demand shortages of Australia and why nuclear is looking more lucrative for the country's future of power supply. See omnystudio.com/listener for privacy information.

James Willis is joined by Australian businessman Dick Smith to discuss the latest pitch for a high speed rail in Australia, as well as the oppositions pitch to introduce nuclear energy.See omnystudio.com/listener for privacy information.

James Willis is joined by Australian businessman Dick Smith to discuss the latest pitch for a high speed rail in Australia, as well as the oppositions pitch to introduce nuclear energy.See omnystudio.com/listener for privacy information.

The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike's mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history. This week's episode is brought to you by Sol Reader and ShipStation Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition. Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial. Learn more about your ad choices. Visit megaphone.fm/adchoices

When climate and energy policy is in the news, it's not always easy to decipher what's accurate and what's not. There can be straw man arguments, false equivalencies and misleading claims. An interview with Dick Smith broadcast around Australia on a long-running ABC radio program earlier this month caused environment and climate correspondent Graham Readfearn to raise an eyebrow. He examines the millionaire businessman's claims about renewable energy – and why his comments matter

Peter Montagna joined me to discuss the pronunciation of his last name; TV tubes; being a fan of monster movies; his goal of being a painter; graduating with a degree in nutrition; working at NYU; seeing SNL shoot a sketch near his job gives him the itch; reads Corsair's makeup book; quits his job; takes a class and then teaches with Burt Roth; corresponding with Dick Smith; not getting the ABC makeup apprenticeship; getting the NBC apprenticeship; working with Kevin Haney and being a floater from 1981 to 1984; being Makeup Department head from 1984 to 1989; turning Eddie Murphy white for the "White Like Me" sketch; turning Billy Crystal & Christopher Guest black for "Negro League Memories" sketch; turning Billy into Sammy Davis, Jr., and Yul Brynner's niece; the blooper with Billy's wig and Martin Short; a typical week; his Saturday 10:30 meeting with Department heads; working with Phil Hartman on Frankenstein; working with Billy Crystal on Princess Bride; working with Don Rickles; on Mr. Saturday Night; the work on Robot Repair causing Phil Hartman to give him a writing credit; working on Quick Change with Bill Murray; working on Cold Case; My Fellow Americans with Dan Aykroyd and James Garner; working with Robin Williams; retiring except to help out Billy Crystal.

Dick Smith has slammed Chris Bowen in an extraordinary interview with Ray Hadley over claims by Chris Bowen regarding the reliability of wind turbines.See omnystudio.com/listener for privacy information.

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In this spine-chilling episode of our Tales of Horror series, we dive into the eerie world of "House of Haunted Hill," the 1999 remake of the classic horror film, for its 25th anniversary. Directed by William Malone and featuring a star-studded cast including Geoffrey Rush, Famke Janssen, Taye Diggs, Ali Larter, Bridgette Wilson, and Peter Gallagher, this film is likely more fun than you remember. Join us as we explore the haunting storyline, the creative genius of special effects legends like Gregory Nicotero and Dick Smith, and the chilling atmosphere crafted by the behind-the-scenes team. We'll discuss the film's impact on the horror genre, its memorable scares, and the performances that brought the terror to life. Joining in on the discussion is the king of movie anniversaries and one of our most frequent guests, Mark J. Parker of the Release Date Rewind Podcast! Whether you're a longtime fan or new to the haunting tales of Hill House, this episode is sure to send shivers down your spine! Tune in for a thrilling discussion that will leave you questioning what lurks in the shadows. Links For Guests: Release Date Rewind Podcast Where To Watch House on Haunted Hill (1999)

GGACP celebrates October's National Book Month by revisiting this 2022 interview with award-winning journalist Mark Seal, author of the sensational book about the making of "The Godfather": “Leave the Gun, Take the Cannoli.” In this episode, Mark joins Gilbert and Frank to talk about the 50th anniversary of Francis Ford Coppola and Mario Puzo's 1972 mob masterpiece, “The Godfather.” Also in this episode: Burt Lancaster closes in, Vic Damone bows out, Marlon Brando pulls off a shocking transformation and the mafia takes offense at the word “mafia.” PLUS: The music of Nino Rota! The genius of Dick Smith! Gilbert roasts Abe Vigoda! Mark climbs into bed with Robert Evans! James Caan's performance is inspired by…Don Rickles!? And Richard Castellano ad-libs one of the great lines in movie history! Learn more about your ad choices. Visit megaphone.fm/adchoices

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When it comes to films that have left a lasting mark on the horror genre, few can rival the terrifying power of The Exorcist (1973). Directed by William Friedkin and adapted from William Peter Blatty's 1971 novel, The Exorcist shattered boundaries with its unflinching portrayal of demonic possession and the battle between good and evil. Released in December 1973, the film captivated audiences and sparked controversy for its graphic content and shocking themes. This review will explore why The Exorcist (1973) remains a pinnacle of horror cinema, from its groundbreaking storytelling to its cultural and cinematic significance.A Simple Story Elevated by Complex ThemesAt its core, The Exorcist (1973) tells a simple yet profoundly disturbing story. It revolves around the possession of a young girl, Regan MacNeil (played by Linda Blair), and the desperate efforts of her mother, Chris (Ellen Burstyn), to save her. The family's only hope rests with two priests, Father Karras (Jason Miller) and the seasoned exorcist, Father Merrin (Max von Sydow). While the premise seems straightforward—a child in peril, religious figures battling a supernatural force—the film digs deeper into themes of faith, guilt, and the fragility of human existence.One of the key elements that makes The Exorcist so unsettling is its exploration of faith, or rather, the loss of it. Father Karras is a man wracked by doubt. He's a priest who has lost his mother, a psychiatrist struggling to reconcile his beliefs with the suffering he sees in the world. His personal crisis mirrors the larger question the film asks: what do we do when confronted with something truly evil? This is the tension at the heart of The Exorcist, elevating the film from mere shock value to something far more existential and terrifying.Unforgettable PerformancesThe performances in The Exorcist (1973) are nothing short of iconic, particularly that of Linda Blair as the possessed Regan. Blair's transformation from a sweet, innocent child to a terrifying vessel for a demon is astonishing. It's a performance that pushes the limits of what was previously expected from child actors, and it's still regarded as one of the most chilling portrayals in horror history. Her physical and emotional range—enhanced by the groundbreaking makeup effects of Dick Smith—leaves a lasting impact. Every contorted expression every guttural sound that emerges from her during the possession sequences is haunting.Ellen Burstyn's portrayal of a desperate mother is equally powerful. Chris MacNeil's descent from a successful actress to a mother on the verge of breakdown is heart-wrenching. The film builds up her growing terror and helplessness as Regan worsens, creating a harrowing portrait of maternal despair.Jason Miller's conflicted Father Karras is a revelation. His nuanced performance of a man wrestling with his faith adds emotional depth to the film's supernatural elements. Meanwhile, Max von Sydow's Father Merrin is the stoic, wise counterpoint to Karras' inner turmoil. Although Merrin's character is more of a traditional hero, von Sydow brings gravitas and world-weariness to the role, making the final confrontation all the more gripping.Pushing the Boundaries of Special EffectsIn 1973, audiences had never seen anything quite like The Exorcist. The special effects, many of which were practical, broke new ground in horror filmmaking. From Regan's spider-walk down the stairs to the levitation scenes, the film's visual shocks have become legendary. The makeup that transforms Blair's face into something grotesque, the vomit spewing, the rotating head—these effects still hold up today and remain unsettling even in a world where digital effects dominate.But it's not just the visual effects that make The Exorcist so memorable. The sound design plays a crucial role in heightening the terror. The eerie soundscape, from the unnatural voices Regan speaks to, to the house's creaking, creates a sensory overload that gets under your skin. And who could forget Mike Oldfield's Tubular Bells? While not initially composed for the film, the track has become synonymous with The Exorcist, its hypnotic rhythm forever tied to the creeping sense of dread the movie invokes.Cultural Impact and ControversyThe release of The Exorcist (1973) sparked widespread debate and controversy. Audiences were reportedly fainting, vomiting, and fleeing theatres in panic due to the intensity of the film. In fact, the film was banned in several countries and faced resistance from religious groups who considered it blasphemous. The stark depiction of exorcism and the visceral horrors it presented hit a nerve with the public. It challenged not just what could be shown on screen but how far filmmakers could push the boundaries of audience tolerance.Despite—or perhaps because of—its controversy, The Exorcist was a massive commercial success. It became the first horror film nominated for Best Picture at the Academy Awards, ultimately taking home two Oscars for Best Adapted Screenplay and Best Sound. More importantly, it shifted the landscape of horror cinema. The film proved that horror could be more than just campy monster flicks or psychological thrillers; it could be raw, visceral, and deeply disturbing. It opened the door for a more sophisticated brand of horror, one that wasn't afraid to tackle profound themes alongside graphic imagery.Enduring LegacyWhat makes The Exorcist (1973) endure over fifty years later is not just its capacity to shock but its ability to ask timeless questions. The film doesn't merely present a battle between good and evil; it challenges viewers to confront their own beliefs about the nature of evil, faith, and redemption. This is why The Exorcist still resonates with audiences today—it forces us to consider the fragility of the human condition and the possibility that something incomprehensible, something truly terrifying, may lurk in the shadows.Moreover, The Exorcist set the bar for future horror films, influencing a generation of filmmakers. Its blend of psychological depth, religious horror, and disturbing imagery can be seen in countless horror classics that followed, from The Omen to Hereditary. The film also left its mark on pop culture, referencing Regan's possession and the infamous exorcism scenes becoming staples in parody, tribute, and analysis.Final ThoughtsThe Exorcist (1973) remains one of the most important and influential films in horror history. Its stellar performances, groundbreaking special effects, and thought-provoking themes make it more than just a scary movie—it's a cinematic experience that forces audiences to confront their deepest fears. Whether you've seen it once or a dozen times, The Exorcist never loses its power to horrify, disturb, and provoke. As a film that redefined the genre and pushed cinematic and cultural boundaries, it stands as a testament to what horror can achieve when it's done right.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/

Lorraine Treadwell, Rick Boissonneau, and Schuarah Sykes are original east coast Dark Shadows fans who attended and participated in many Dark Shadows Festivals and Collins Association events. In the course of attending the Festivals, they became good friends and have remained so for over 30 years. They visit the podcast to share stories about adventures and encounters with the likes of Joan Bennett, Michael Stroka, Diana Millay, Jonathan Frid, Lara Parker, Abe Vigoda, Marie Wallace, Christopher Pennock, David Selby, Nancy Barrett, Kathryn Leigh Scott, Terry Crawford, Denise Nickerson, James Storm, John Karlen, Roger Davis, Conrad Bain, Sy Tomashoff, Edith Tilles, Dick Smith, Adrian Paul, and photographer Ben Martin. Other topics include: the continued appeal of DS, the differences between Star Trek conventions and Dark Shadowsconventions, Rick's Haunted Room at the Collins Association Halloween parties where the DS actors reprised their Dark Shadows roles as part of this unique DS-themed Haunt, the Witch's Dungeon classic movie museum, and the book, Dark Shadows: A View of Collinsport. Get Terror at Collinwood shirts at the PennyDreadfulXIII TeePublic Shop: https://www.teepublic.com/user/pennydreadfulxiii Help support the podcast by donating at Buy Me a Coffin… er Coffee: https://buymeacoffee.com/terroratcollinwood Kate Jackson appearing at Chiller Theatre Expo: http://www.chillertheatre.com/main.htm Get tickets for Jonathan Frid Centenary at Sleepy Hollow International Film Festival HERE: https://tickets.tarrytownmusichall.org/eventperformances.asp?evt=2922&fbclid=IwY2xjawE3Wx5leHRuA2FlbQIxMAABHak7PTMPrx3fEjaFtZYIvExRQ9W650l9O29eEOIZkoyT0gEU6x3-EfhSPg_aem_8xLrUrYzolEdWbfhbZ78gA Dark Shadows Event Diary book by Amanda Desiree pre-order here: https://www.amazon.com/Dark-Shadows-Event-Diary-Screenings/dp/B0DDWHY71H/ref=sr_1_1?crid=37AXTSARX6KYE&dib=eyJ2IjoiMSJ9.axowGA6gHW0p78Wyv3jTfq_kzaaWb3OaTb_4A3s7xQmSNuhy0yixzVED6wVMADFsK_c64jDSIFO8i6eE9udEAD5VIlc8uLyU_iZMLDgED8T9aTBhHwvfjPu-bPdAQmgdbxZrofaMtiiXGyTw01g2319yCE6IDvIXtAWi9o00hhn3XmIwQp43KNk7lK1okc7Bo2OzM9eVBRUpJIZ5Bj-LVr3HuvHPM4mM3UdjXxvhmHM.uWNeLpuPCnNTcg-2aTN7AnJnv3XGgur5tuU5vF_7dws&dib_tag=se&keywords=dark+shadows+event+diary&qid=1724546742&sprefix=%2Caps%2C289&sr=8-1 Watch Kathryn Leigh Scott's full interview with David Henesy here: https://www.facebook.com/1032245311/videos/1584258858792127/ Witch's Dungeon Classic Movie Museum website: https://preservehollywood.org/history Surfing the Shadows surf rock cover of Bob Cobert's Dark Shadows theme by Johnny D & The Moonlighters: https://music.apple.com/us/artist/johnny-d-the-moonlighters/1187748534 Many thanks to Katherine Gonzales for sending in the spooky promo! TaC Logos by Eric Marshall

The next sequel we will be discussing is "Wes Craven's New Nightmare". For it, I chatted with SFX Make-Up Artist Bill Hunt. Bill talked about growing up outside of Nashville and how going to the movies like Jaws and King Kong at a young age with his parents, reading Fangoria Magazine at the newsstand, Howard Berger, Dick Smith's Advice, Jason Goes to Hell, New Zealand, and more. Tom Parsons was a local make-up artist in Nashville who helped out Bill at the age of 13 and was an important part of Bill's journey.  I loved Bill's journey and his passion for life. Listen/Watch at sequelsonly.com/billhunt or by searching "The Good, The Bad, and The Sequel" in your favorite podcast app.   Bill's Website https://www.billhuntstudio.com/ Bill's IMDb https://www.imdb.com/name/nm0402352/ Your homework is to watch "Wes Craven's New Nightmare" which is on AMC Plus. Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

Have you ever wondered what it takes to create lifelike characters that captivate audiences in theme parks and movies? Join us for an inspiring conversation with Lee Romaire, the mastermind behind Romaire Studios. Discover how Lee's childhood visits to Disneyland and his early taxidermy experiments in Louisiana ignited a lifelong passion for crafting realistic characters. Hear about his transformative move to Los Angeles to learn from the legendary makeup artist Dick Smith, and how he shifted his focus from the film industry to the more stable and creatively rewarding theme park sector. This episode is filled with fascinating stories of Lee's journey and the evolution of Romaire Studios from a humble garage operation to a distinguished enterprise.   Explore the inner workings of Romaire Studios with Lee as he shares insights into the technological advancements that have revolutionized character creation. Learn about the pivotal business decisions that ensured the company's growth, including the importance of delegation and choosing the right industry focus. This episode is a treasure trove of valuable lessons and inspirational tales from a true master of his craft. Don't miss out on this chance to gain a deeper understanding of the art and business of realistic character creation.   Timestamps 00:00:00 - Introduction and Welcome to Business Legacy Podcast 00:00:02 - Creating Realistic Characters for Entertainment 00:00:15 - Lee Romare's Early Inspirations and Childhood in Louisiana 00:01:45 - Influence of Disneyland Visits and Early Fascination with Realism 00:03:00 - Learning Taxidermy and Running a Small Business as a Child 00:04:20 - Studying Advertising in College and Rediscovering Creativity 00:05:30 - Moving to Los Angeles and Studying Under Makeup Artist Dick Smith 00:07:00 - Transition from Film Industry to Theme Parks 00:08:20 - Founding Romare Studios and Early Challenges 00:09:40 - Importance of Delegation and Growing the Business 00:11:00 - Technological Advancements and Their Impact on Character Creation 00:12:55 - Exploring Romare Studios With Lee 00:13:00 - Overview of Romare Studios' Projects and Collaborations 00:14:20 - Highlighting Key Projects and Notable Achievements 00:15:30 - Advice for Aspiring Character Creators and Art Students 00:17:00 - Lee Romare's Legacy and Final Reflections 00:18:55 - Closing Remarks and Where to Find More Information About Romare Studios Visit www.romairestudios.com to see a stunning collection of their work and follow Lee on Instagram for updates on his latest project.   Legacy Podcast: For more information about the Legacy Podcast and its co-hosts, visit businesslegacypodcast.com. For more information: Visit businesslegacypodcast.com to access the shownotes and additional resources on the episode.

(00:01) Golf Course Tee Time Tradition This chapter explores the importance of distance in golf, featuring insights from long drive champion Michael Michaelides. Michael shares his experience working at Bethpage, highlighting the unique tradition of golfers arriving the night before to secure tee times. He recounts the intimidating presence of his former boss, Dick Smith, and explains the logistics of securing a spot at Bethpage, from early morning shifts to the allocation of bakery tickets. The conversation emphasizes the enduring customs at Bethpage, including the requirement to walk the course and the limited availability of phone reservations. Michael's anecdotes offer a fascinating glimpse into the culture and history of one of golf's iconic locations. (13:46) Navigating the Challenging Golf Course This chapter explores the concept of truly enjoying a golf course and getting one's money's worth. We discuss how struggling through a tough course, losing numerous golf balls, and hacking out of rough areas may not equate to fun or value for some players. Instead, playing from the appropriate tees and focusing on personal achievements, like making pars or birdies, can offer a more rewarding experience. We also touch on the physical challenges of certain courses, specifically a tough 490-yard uphill hole known as "Cardiac Hill," and the importance of maintaining composure under such strenuous conditions. Lastly, we highlight the evolution of caddie programs at golf courses, enhancing the playing experience, and share personal preferences for carrying lighter bags to navigate difficult terrains. (23:11) Maximizing Golf Swing Power and Velocity This chapter addresses the complexities behind achieving optimal ball velocity in both baseball and golf. We explore the surprising phenomenon where attempting to throw or swing harder can actually reduce velocity. The conversation delves into the mechanics of using ground force effectively, the importance of attack angles, and the nuances of pressure shifts in the downswing. We compare the techniques of long drivers to regular golfers, highlighting how different body movements and equipment choices affect performance. Additionally, we discuss the physical demands and potential impacts on the body, offering insights into how long drivers manage to sustain their high-speed swings without incurring significant injuries. (32:06) Impact Bag Training for Golfers This chapter focuses on an impactful training drill shared by Sean "The Beast" Fister, a three-time world champion. We explore the mechanics and potential risks of the drill, which involves using a heavy aluminum bat and a heavy bag to ensure proper impact alignments and force transfer. Despite the intensity and risk of injury, the drill is highly effective for stress relief and skill enhancement. Jeff Smith then discusses an innovative adaptation to make the drill safer: using an inflatable ball inside an impact bag shell, allowing golfers to practice with reduced risk while still improving their impact force and alignment. This adaptation highlights a safer yet effective way to enhance golfing techniques without causing injury. (36:38) Impact Bag and Sponge Training This chapter explores the innovative techniques and adjustments I made to improve the application of force in golf swings. We discuss how I experimented with different materials like a deflated volleyball and car wash sponges to create a lightweight, yet effective, impact training tool. By tweaking the weight and positioning of these sponges, I found a way to help golfers feel the right amount of resistance at the moment of impact, enhancing their ball speed and overall performance. Additionally, I share insights from a memorable interaction with Sean, highlighting the importance of finding the right training aids to achieve the desired results in golf. (40:22) The Evolution of Golf Teaching This chapter focuses on the journey of an experienced teacher who transitioned from traditional methods of golf instruction to more dynamic, purpose-based drills. He recounts a meeting with an influential figure who provided guidance and support, emphasizing the value of mentorship. The discussion touches on the contrast between the rigid, line-drawing approach he initially encountered and his own athletic background, which informed his preference for a more fluid and dynamic style of coaching. He reflects on the evolution of golf instruction and coaching, highlighting how modern techniques now recognize golfers as athletes, utilizing drills that are more in tune with natural body movements and timing. This approach, he argues, is more effective and resonates better with students, contributing to their continuous improvement. (43:27) Long Drive Techniques and Tips This chapter explores the importance of safety in training techniques, emphasizing the use of sponges to prevent injuries. We discuss how certain methods, like using an aluminum bat on a heavy bag, may not be suitable for everyone and should be approached with caution. Additionally, we touch on the relationship between skills in long drive competitions and overall golf proficiency, highlighting how a background in golf can enhance performance in long drive events. Lastly, we encourage listeners to learn from experienced professionals to improve their own golf game.

The next sequel we will be discussing is "Evil Dead 2". For it, I chatted with SFX Legend and Oscar Winner Howard Berger. Howard talked about growing up in LA, using the Yellow Pages to contact his heroes, High School Drama, Dick Smith, puppeteering Chucky, KNB FX, Tarantino, Rick Baker, and more. Watch the unedited video interview at sequelsonly.com/HowardBerger Howard's Website https://www.knbefx.com/ Howard's IMDb https://www.imdb.com/name/nm0074205/ Your homework is to watch "Evil Dead 2" which is free on Plex. Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

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*Dick Smith nuclear campaign. *Sydney University stabbing. PM vs TV host.See omnystudio.com/listener for privacy information.

*Dick Smith nuclear campaign. *Sydney University stabbing. PM vs TV host.See omnystudio.com/listener for privacy information.

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Join me as I discuss with Pete King and Dick Smith, from Oxford England, why and how they power meters in rowing. We discuss the brand they use. How they use the data to determine seating in the coxless four. How they use the data to understand strengths and areas for improvement. Pete and Dick are two members of the Wallingford coxed four that won the masters title at the Head of The Charles regatta in 2017 and set a new course record in 2018. They are part of the highly successful Wallingford crew that have won multiple National and International masters rowing titles. For more information and to subscribe to my newsletter, go to ⁠⁠www.whchambers.com⁠⁠ and subscribe.

Hey, gang! What do you know, it's a new episode of The Dark Parade! This time, we are kicking off the rust with the help of the amazing Cort Psyops to unearth a J-horror gem called Sweet Home. Why this one? Well, it's directed by Kiyoshi Kurosawa of Pulse and Cure fame, and it has been called the inspiration for Resident Evil. If that's not enough, the goopy effects work is done by The Exorcist‘s Dick Smith! What are you waiting for? Let's get to some jawing about an underseen horror curiosity. You can subscribe to the podcast on iTunes here, Spotify, Amazon Music and Audible, iHeartRadio, Podchaser, PocketCasts, and anywhere fine podcasts are found! You can find all the episodes right here and say hello on Facebook or Twitter or Discord! ★ Support this podcast on Patreon ★

Hey, gang! What do you know, it's a new episode of The Dark Parade! This time, we are kicking off the rust with the help of the amazing Cort Psyops to unearth a J-horror gem called Sweet Home. Why this one? Well, it's directed by Kiyoshi Kurosawa of Pulse and Cure fame, and it has been called the inspiration for Resident Evil. If that's not enough, the goopy effects work is done by The Exorcist‘s Dick Smith! What are you waiting for? Let's get to some jawing about an underseen horror curiosity. You can subscribe to the podcast on iTunes here, Spotify, Amazon Music and Audible, iHeartRadio, Podchaser, PocketCasts, and anywhere fine podcasts are found! You can find all the episodes right here and say hello on Facebook or Twitter or Discord! ★ Support this podcast on Patreon ★

Become an Official Member of the Dark Art Society! https://www.patreon.com/DarkArtSociety This week my good friend and amazing artist Ryan K. Peterson discuss the history of makeup effects! Special thanks goes out to @scumchoir for the suggestion. We chat about how we became interested in makeup effects as kids and then discuss our nerdy knowledge of makeup effects starting from the early days of horror film makeup of Lon Chaney in the 1920's, Jack Pierce (and others) in the 1930's, the advent of foam latex appliances, and the many innovations of the godfather of modern makeup effects, Dick Smith up through the 1970's and more. This is part 1 of two episodes on the history of makeup effects! Part 2 will be next week! Also, a quick life update. Ryan's links: www.youtube.com/channel/UCdF03lVHfkXM4WMTmHNR-zw www.instagram.com/ryankennethpeterson/ www.facebook.com/ryan.k.peterson.7 Our sponsors: The Skull Shoppe: https://www.SkullShoppe.com Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2024

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0:00:00 Introduction Richard Saunders 0:04:00 Skeptical Highlights of Dick Smith As we send our birthday wishes to Dick Smith, who just turned 80 years old, we look back at his influence on the skeptical movement in Australia. We also cover his great friendship and productive cooperation with James Randi. James Randi in Australia - With Dick Smith https://youtu.be/gN-0FEqAkQM This Is Your Life - Dick Smith 1997 https://youtu.be/FEXr2Wh4fPQ 0:17:32 The Skeptic Magazine, From Australian Skeptics - March 2024 A look through some of the features and stories of the current issue of this long-running magazine, including a closer look at a report by Richard Saunders into the so-called "power bands" of the last 15 years. http://www.skeptics.com.au 0:26:04 The Book of Tim. With Tim Mendham It's Behind You! By Adam van Langenberg Do you ever get that feeling that you're being stared at? Then, when you turn around, you notice somebody looking right at you? Sometimes with a knife? Adam does, and he suspects that most other people do as well. There are lots of reasons why this could happen. It could be a case of confirmation bias. A reading from The Skeptic, Vol. 32 No. 3 http://www.skeptics.com.au 0:34:28 A Dive into a Trove A wander through the decades of digitised Australian newspapers on a search for references to UFOs. 1991.09.07 - The Sydney Morning Herald 1972.07.02 - The Sydney Morning Herald 1986.09.14 - The Sydney Morning Herald http://www.trove.nla.gov.au Also https://www.alantacolley.com/upcoming-gigs https://wecanreason.com

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We once again enter the world of survival horror... for the first time! The foreboding Mamiya Mansion has been closed for over 30 years after a horrible tragedy. Deadly supernatural occurrences have kept intruders and thrill seekers away, until a crew of documentary filmmakers embark to tell the real story of the mansion's tormented owner, and famous painter, Ichirō Mamiya. The crew quickly gets more than they bargained for after disturbing the ghost of Lady Mamiya, who is about to unleash the fury of a thousand angry mothers–She wants her baby back (ribs)! Debuting in 1989, Sweet Home marked the first time a video game and movie were made simultaneously to compliment each other as one entire story experience. With one of Japan's greatest horror directors, Kiyoshi Kurosawa, and the talents of legendary FX maestro, Dick Smith, this oft forgotten J-horror haunted house flick is a truly terrifying experience just in time for Trick or Trash. Grab your vacuum and stay in the light because we're blowing the coffin lid off SWEET HOME with special guest Kieeeern!