Podcasts about candomble

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The traditions of the Yoruba people in modern day Nigeria transformed into the religions of Voodoo, Candomble and Santería in Haiti, Brazil and Cuba respectively. Valter Kinbom is an initiated omo aña (Son of the Drum Spirit), a ceremonial drummer in Santería rituals.Together we explore the technology of rhythm and the archetypal energies of the Orishas. Constantly guided by Eleggua, the Orisha of the treshold, the trickster spirit of paradox, the liminal, of both both/and and either/or.VALTER KINBOM'S LINKS https://www.valterpercussion.com/homehttps://www.instagram.com/valterpercussion/https://www.youtube.com/@valteriano PODCAST LINKS https://www.intheborderlands.com/ https://www.patreon.com/IntheBorderlands https://www.facebook.com/intheborderlands https://www.instagram.com/intheborderlands_podcast/ EMAIL contact@intheborderlands.com TORGRIM'S LINKS https://www.brittle.one/ https://www.facebook.com/kloverknekten https://www.instagram.com/kloverknekten/ MIKAEL'S LINKS https://smarturl.it/inanna https://www.facebook.com/mikael.oberg.performance.storyteller https://www.instagram.com/mikaelobergstoryteller/ REFERENCESBatá drumhttps://en.wikipedia.org/wiki/Bat%C3%A1_drumYoruba peoplehttps://en.wikipedia.org/wiki/Yoruba_peopleOrishahttps://en.wikipedia.org/wiki/OrishaPolytheismhttps://en.wikipedia.org/wiki/PolytheismBabalawohttps://en.wikipedia.org/wiki/BabalawoEleguahttps://en.wikipedia.org/wiki/EleguaOgunhttps://en.wikipedia.org/wiki/OgunOshosihttps://en.wikipedia.org/wiki/OshosiOshunhttps://en.wikipedia.org/wiki/OshunOrunmilahttps://en.wikipedia.org/wiki/%E1%BB%8CrunmilaAsatruhttps://simple.wikipedia.org/wiki/AsatruYour Favorite Babalawo Youtube channelhttps://www.youtube.com/@favbabalawoHaitan Vodouhttps://en.wikipedia.org/wiki/Haitian_VodouLwahttps://en.wikipedia.org/wiki/LwaMonotheismhttps://en.wikipedia.org/wiki/MonotheismCandombléhttps://en.wikipedia.org/wiki/Candombl%C3%A9Yemojahttps://en.wikipedia.org/wiki/Yem%E1%BB%8DjaShangohttps://en.wikipedia.org/wiki/ShangoEshuhttps://en.wikipedia.org/wiki/EshuOlorun/Olodomarehttps://en.wikipedia.org/wiki/%E1%BB%8Cl%E1%BB%8DrunObatalahttps://en.wikipedia.org/wiki/%E1%BB%8CbatalaOlokunhttps://en.wikipedia.org/wiki/OlokunOyahttps://en.wikipedia.org/wiki/%E1%BB%8CyaHermit Songs by Samuel Barberhttps://en.wikipedia.org/wiki/Hermit_SongsSaint Brigidhttps://en.wikipedia.org/wiki/Brigid_of_KildareRabindranath Tagorehttps://en.wikipedia.org/wiki/Rabindranath_TagoreMatías De Stefanohttps://matiasdestefano.org/en/frontpage/Rumihttps://en.wikipedia.org/wiki/RumiAkashic recordshttps://en.wikipedia.org/wiki/Akashic_recordsOctahedronhttps://en.wikipedia.org/wiki/OctahedronOgbe Tuahttps://en.oshaeifa.com/odu-ifa/ogbe/ogbe-tua/Olofinhttps://en.oshaeifa.com/orisha/olodumare-olorun-olofin/

Hoodoo is a terribly syncretic religion, developed as a sibling to Voodoo (and there are other siblings in this family, too). Magickcrafts have been traded for as long as people have been trading spices and weapons, and Hoodoo Conjurers have collected a fantastic variety of tools from their neighbors. There's a lot to learn when you're genuinely interested in improving your craft.Herbalism, including mojo bags (fetishes) and other talismans, are important to this tradition, and practitioners are often called "root workers."Ancestor worship is a little more obvious in this tradition than in many others, but it's also terribly familiar to what you might already see in many forms of popular Christianity.We also look at similarities with Santeria and Candomblé. All this and more....  Support us on Patreon or you can get our merch at Spreadshop. Join the Community on Discord. Learn more great religion factoids on Facebook and Instagram. 

We're back and STILL BLACK! Happy Black History Month! It's another great day and another episode in our “Sex as Medicine” series! Titties, boobies, breasts… whatever you call ‘em, they can help you connect to the heart and heart medicine! And not just breast touch, but you can get the medicine through HUGS! SO… get your notebook ready, and take notes!   As always, we want to thank you for all of your support, in all the ways! we're trying to build up this patreon, so that we can sustainably fund the work we already do with the podcast. so if you're not yet a patreon, join today @ ⁠patreon.com/pettyherbalist⁠. Sources and what's In the episode: (podcast episode) Nourishing herbal infusions (book) Black Sun By Rebecca Roanhorse (plant) Cacao (Theobroma cacao)  (afro-Brazilian religion) Candomble (herb) Hawthorn (Crataegus) Herbalism of Spices Course at ⁠Be Nice Have Fun⁠ (article) Sex Saves Lives (article) Breast Massage (herb) Hypericum Perforatum infused oil Nervine - A nervine is a plant remedy that has a beneficial effect upon the nervous system in some way. (herb) Motherwort (Leonurus cardiaca)  (article) Hugs are good for your health (article) Four hugs a day NIH ________________________ Follow us on social: ⁠@pettyherbalist⁠ ⁠@bonesbugsandbotany⁠ Join the Patreon Community to fund this amazing POD: ⁠https://www.patreon.com/pettyherbalist⁠ Join the bonesbugsandbotany Patreon Community to fund support all of Asia's work: ⁠⁠⁠https://www.patreon.com/bonesbugsandbotany⁠⁠ Rate us to show your support! Thank You! #StayReady #BePetty ***if you read this far, send me a dm @pettyherbalist for a shoutout!*** --- Send in a voice message: https://podcasters.spotify.com/pod/show/pettyherbalist/message Support this podcast: https://podcasters.spotify.com/pod/show/pettyherbalist/support

In this episode, Mestre Roxinho and I discuss his childhood in Bahia, playing soccer and living on the streets. We talk about the strong sense of cultural identity instilled in him by his mother—his first hero and the rock of the family—which helped him navigate the extreme racism in Brazil. Metalworking, not capoeira, was what he learned first from his capoeira mestre. We talk about how they met, and about Roxinho's connection with African spirituality, Candomble specifically. His Capoeira Angola lineage is distinct from the Mestre Pastinha lineage; we talk about how it serves as a social political movement, and how the art of it saved him and showed him a positive way to live his life. He shares about his time teaching in Australia, and where he'd like to see capoeira develop in the future. Recent transgressions of some prominent mestres come into conversation, as does trauma and the process of healing. Finally, we discuss his latest book—Ginga of Resilience. 

Em janeiro de 2023, o presidente Lula sancionou lei que define 21 de março como o Dia Nacional das Tradições das Raízes de Matrizes Africanas e Nações do Candomblé. Este também é o Dia Internacional de Luta pela Eliminação da Discriminação Racial, criado pelas Nações Unidas (ONU). A luta por reconhecimento e respeito é o que une os dois marcos. Para celebrar e propor reflexões, a Rádio UFRJ conversou com a mãe de santo Conceição d'Lissá, que fala sobre a história de resistência do Candomblé e suas diferentes nações.Reportagem: Luís Gustavo CarmoEdição: Thiago Kropf

Neste episódio, conversamos com Vitor Queiroz (mais informações em http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4479226A6), sobre o conceito de mito para Lévi Strauss e suas implicações práticas nas nossas concepções acerca do religioso e do sagrado. Para isso, Vitor aborda o candomblé seus mitos, ritos, práticas e cosmologia, utilizando, além de Lévi Strauss, conceitos de Mauro Almeida, por fim, mergulha nos mitos e cosmologia dos Huni Kuin e fala sobre o movimento dos artistas Huni Kuin, o MAHKU. Bibliografia indicada: Quando passar na encruzilhada - Vitor Queiroz (http://revistas.est.edu.br/index.php/Identidade/article/view/1195) Ouve, meu filho, o silêncio : a experiência racial de Dorival Caymmi e a epistemologia silenciosa dos candomblés - Vitor Queiroz (https://lume.ufrgs.br/handle/10183/247656) Ver a transformação, transformar-se para ver - Daniel Dinato Os caminhos do MAHKU (movimento dos artistas Huni Kuin) - Daniel Dinato (https://core.ac.uk/download/pdf/296898653.pdf) MAHKU - https://www.sp-arte.com/artistas/mahku-movimento-dos-artistas-huni-kuin/ Documentário sobre os Huni Kuin, feito pelos próprios Huni Kuin: Já me Transformei em Imagem (disponível em: https://www.youtube.com/watch?v=hwwiJwep3lw&ab_channel=FranciscoL) Vídeo Nas Aldeias: um projeto precursor na área de produção audiovisual indígena no Brasil. Pode ser acessado aqui: http://www.videonasaldeias.org.br/2009/index.php Outro episódio que Vitor já participou: Ep. 045: Exu, Antropologia e Mercados Públicos O “O Que é Tudo Isso?” agora é parte da Rede Colmeia Podcast's, mais informações em: https://colmeia.sul21.com.br/ Dúvidas críticas ou sugestões nos contate pelo oqueetudoisso@gmail.com, Você também pode nos seguir no Twitter (@OQTIPOD), instagram (oqtipod) e Facebook (o que é tudo isso podcast) Trilha: filmmusic.io "Great Times" de Sascha Ende (sascha-ende.de) CC BY 4.0 O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001.

O Cantor Gerônimo Santana conversa com Sergio Nunes no Bahiacast.Acompanhe nossos episódios ao vivo no Youtube:https://www.youtube.com/c/BahiaCastSe você curte nosso trabalho, e as pessoas que por aqui passam, considere Inscrever-se no canal e apoiar assim também a cena local.Nosso canal de cortes:https://www.youtube.com/channel/UCT96OP4_tqz8EC09giXXbkA/videosMídias sociais: @bahiacast @bahia.cast #bahiacastApoio e Patrocínio:SAMPAIO SABOREShttps://instagram.com/sampaiosabores?utm_medium=copy_link#bahiacast#podcast@bahiacast@bahia.cast

Os Ponto Riscado, Mandalas ou Ponto Cabalístico são muito usado em Religiões Afro-Brasileiras como o Candomble, Catimbó, Jurema, Umbandaime a Umbanda e a Quimbanda. E uma grafia sagrada que se refere à diagramas desenhados a mão como ângulos, retas, flechas, símbolos representativos, desenhos geométricos, pontos cardeais etc representando a assinatura do Guias. Os desenhos são geralmente feitos com um Giz especial chamado Pemba. --- Send in a voice message: https://anchor.fm/nelsondexango/message

No último episódio da primeira temporada de Afroturismo, o movimento um encontro de protagonistas do setor que falam da história, do hoje e sobre o que está por vir, o afrofuturismo, na área das viagens. Nosso host, Guilherme Soares Dias, o jornalista e fundador do Guia Negro conversa com o hoteleiro Hubber Clemente; com a viajante e fundadora da Bitonga Travel Rebecca Alethea; com a CEO da Brafrika Viagens e DNA, Bia Moremi, com a consultora de viagem e gerente comercial da BahiaTravel Operadora, Tania Neres; com a sócia-fundadora da Sou Mais Carioca;Afroturismo, O Movimento é um Original da Pod360Apresentador: Guilherme SoaresDireção Executiva: Marcos Chehab e Tiago BiancoDireção de Conteúdo: Felipe LobãoRoteiro: Guilherme Soares e Heitor SalatielProdução: Débora Wajnberg SardelliEdição e sound design: Junior Stupp

Aba Healing Academy learned.... For many New Orleans', school- aged children, there is an opportunity to bring in a system that focuses on sound character development, with cultural components that have often been overlooked or underrepresented in traditional education environments. We began planning for a school that would utilize African Traditional Religious concepts, syncretized to widely accepted, Christian beliefs. From our planning, the Aba Healing Academy chose to teach from a Candomble standard of spiritual practice. But why? The answer lies in a better understanding and framing of the question. Candomble focus of cause and effect, effective decision making, and goal orientation provides students and families with a framework for making any choice and decision that gives them both religious underpinning and a scientific approach to the logic there in. Aba Healing Academy is committed to this form of religious practice because we believe that it is THE MOST culturally appropriate form of religiosity. Learn more about Aba Healing Academy at: www.abahealing.org Learn more about Black Minds Matter and Black Owned Schools at: www.blackmindsmatter.net

Na sua juventude ele participou da Umbanda e do Candomblé. Após uma profunda experiência com Jesus decidiu entregar a sua vida como sacerdote. Um bate papo que promete muitas gargalhadas e um testemunho que vai estremecer o seu coração. O padre Douglas vem alcançando muitas vidas através da evangelização nas redes sociais e com seus preciosos cursos on-line.

Neste episódio, o jornalista Guilherme Soares Dias viaja pela história do Carnaval de São Paulo com Claudia Alexandre, que é jornalista, doutora em ciência da religião pela PUC de São Paulo e pesquisadora da tradição afro-brasileira. Venha descobrir tudo o que não se sabe sobre essa festa maravilhosa! Ouça!

Muita gente chama Salvador de Roma Negra por ser a matriz das religiões africanas. Por isso, a convidada da semana deveria estar à altura de uma cidade tão maravilhosa. Neste episódio, o jornalista Guilherme Soares Dias conversa com Nilzete dos Santos, fundadora da Afrotours, membro da Sociedade Protetora dos Desvalidos e ekedi na Casa Ilê Axé Oxumare . Além de falar sobre o afroturismo, Nilzete dá uma aula sobre as religiões de matriz africana. Vem ouvir!

A riveting conversation with Michael Therese McQueen of Sacred Eyes Tarot on his deeply personal relationships with the saints and how his spiritual journey unfolded, to include the Baptist faith, Catholicism, Candomble, Shinto and more. From this rich, multi-cultural background, Michael practices and teaches Catholic Conjure. Contact Michael Therese McQueen: Website: https://sacredeyestarot.weebly.com Instagram: https://instagram.com/sacredeyestarot Book a Tarot Reading: https://calendly.com/sacredeyestarot Christian Witches Resources: Website: https://www.christianwitches.com You can find the Christian Witches Club on Clubhouse: https://www.clubhouse.com/club/christian-witches Initiation in the Christian Witches Mystery School: https://www.christianwitches.com/initiation Christian Witches Ritual & Retreat on the Winter Solstice: https://www.christianwitches.com/events Christian Witches Starter Kit of Books: https://www.amazon.com/dp/B08RMPXV1R?binding=kindle_edition&ref=dbs_dp_rwt_sb_tukn You are loved! Blessed Be, Christian Witches --- Support this podcast: https://anchor.fm/christianwitches/support

Anyone can get blocked in writing. It can be agonizing over an opening and how much exposition to put in, plotting how to take over the world, or even just herding cats to give you time to write. Jeannie invited Madeleine Robins and Cliff Winnig back to talk about their individual blocks in an attempt to crowdsource ideas about building plot events as a demonstration of how you might be able to get past blocks of your own with friends. … Continue...Episode 114 – The Block Party

This week, we're talking about Candomble, an Afro-Brazilian religion. Disclaimer: Candomble is a CLOSED PRACTICE. I am not a practitioner of Candomble and am not claiming to be. This is just a general overview of the infomration. I hope you enjoy hearing about! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/magickandthemoon/support

L'Umbanda, c'est l'histoire du métissage. C'est l'histoire de l'acculturation d'êtres humains, de rites, de religions traditionnelles, qui se sont déracinées, puis se sont enracinées à nouveau. C'est un brassage culturel, c'est la religion du mélange et de la mixité par excellence.      L'Umbanda c'est ce qui ressort quand des êtres humains se retrouvent complétement déracinés, que des personnes d'horizons différents sont regroupées. Quel pont se construit pour arriver à créer quelque chose de nouveau quand il y a besoin de sens, de spiritualité pour être résilient, pour faire face à l'horreur qui a été vécue au Brésil dans ces années-là : la traite négrière.    L'umbanda est la religion du métissage pour excellence.   Je m'appelle Yalorisha Virginie. Yalorisha c'est mon titre au sein de cette religion. J'ai été initiée et suite à cela, j'ai obtenu le titre de « prêtresse » dans la tradition du Candomble initié dans l'Umbanda et ce depuis maintenant 2012.   Pour plus d'informations mon site : www.yalorisha.com 

What you are going to listen to part II of my conversation with Leopardo and the studies he's done about Capoeira and African Culture.: The religion of West Africa teaches you: – respect: to ancestors and our surroundings, – loving: people and our surroundings, and – care: for each other to prosper. The conexions of Capoeira and Candomble.We mentioned … Continue reading "96 Part II – Correlation of African Dances, and Religion with Capoeira. Ft. Leopardo."

https://www.elhoimleafar.com/https://www.amazon.com/Elhoim-Leafar/e/B0109TBD6Q?ref=sr_ntt_srch_lnk_1&qid=1625699734&sr=8-1

Eshu, the trickster orisha (Yoruba gods) of the Yoruba people of Western Africa, is the mischievous divinity well-known in Yoruba mythology as to be the messenger of the gods, and a mediator between opposites. The orisha also goes by the names Eleggua, Elegua, Exu in the Candomble in Brazil

VOCÊ SABE O QUE É ANCESTRALIDADE? ENTÃO VENHA ENTENDER COM YEMOJAZZ, MULHER PRETA, POETA, CANDOMBLECISTA, COMPOSITORA E ATIVISTA ANTIRRACISTA. COM CANTIGAS E SAUDAÇÕES DA MÃE MENINAZINHA D´OXUM, DO CD “ILÊ OMOLU OXUM”. COLABORAÇÃO: FABIANA CECY -  NÚCLEO DE INOVAÇÃO E CYBERCULTURA - NIC  E BRUNA CAMARGOS -  NÚCLEO DE INOVAÇÃO E CYBERCULTURA - NIC   ENTREVISTADOS:   YEMỌJAZZ - SACERDOTISA, PEDAGOGA E POETA PRODUÇÃO: JERSON PITA COORDENAÇÃO DE JORNALISMO: CRISTIANO RECKZIEGELTRILHA SONORA E PÓS PRODUÇÃO: TÍMPANO, PRODUÇÃO E ÁUDIO DESIGN

Le Candomblé est aujourd'hui une partie intégrante de la culture brésilienne, vous ne pouvez pas marcher dans un quartier sans qu'il y ait un « Terreiro », une église du Candomblé, une voir deux même dans le même quartier, dans la même rue car les racines du Candomblé sont implantées et font partie du patrimoine du Brésil. La Nature est centrale dans la Candomblé car chaque divinité sera l'expression, la vibration d'un élément de la Nature.   Pour retrouver plus d'informations sur mon site : www.yalorisha.com 

Contrariando a máxima de que religião não se discute e inspirados por Ronaldinho Gaúcho mandando um hang loose pra Deus, Eliabe Santana, Leandro Oliveira, Róger Ochôa, Luh e a convidada Janaína alcançam o nirvana e conversam sobre suas experiências relacionadas à espiritualidade e religião.Agora, quem gosta muito do nosso trampo vai poder contribuir mensalmente com a gente nos seguintes planos: - Ajuda, Luciano - Valor: R$ 1,00 por mêsAí sim! Sua contribuição nos ajuda a manter o Miopia sempre na ativa. Nossos mais sinceros agradecimentos! - Míope de Carteirinha - Valor: R$ 5,00 por mêsAlém de ajudar o Miopia a pagar os boletos de hospedagem do podcast, você ganha acesso a um grupo com os integrantes e outros ouvintes pra conversar, sugerir pautas e, quem sabe, participar de gravações. Para contribuir é fácil, basta baixar o PicPay no seu celular, seja ele Android ou IOS, criar seu perfil, cadastrar seu cartão de crédito, procurar por Miopia e escolher qual plano cabe no seu bolso.Baixe o Picpay: https://picpay.com/site/downloadPelo Padrim é só pesquisar Miopia no site padrim.com.br e procurar o plano que mais se encaixa no seu bolso :wink:Twitter: @PodcastMiopiaFacebookwww.facebook.com/podcastmiopiae-mail: podcastmiopia@gmail.comSite miopiapodcast.com 

The Brazilian author Machado de Assis, tells us the story of a group of men that after finding a new doctrine, set out to test it and discover the efficacy it has over the population. In the comments we will explore some of Brazil’s afro-religions, from Afro-Catholicism to Candomble. Visit https://www.trescuentos.com/post/35-afrodescendant-s-literature

Growing up in Silicon Valley, my religious background has often been juxtaposed with my increasingly secular surrounding environment. As I have become more familiar with the practice of Catholicism in various nations, I have noticed that one's culture has a significant impact on a community's celebration of their Catholic faith. In this episode, I discuss the unique qualities of "Hispanic" Catholicism and how it has played an important role in my life.

Alexandre Garnizé GoSamba.net sells Brazilian Percussion instruments! Shop Now Bio:Garnize' was born in Camaragibe, a metropolitan region of Recife Pernambuco, but he now lives in Rio de Janeiro. Versatility, talent and attitude are the trademarks of this multifaceted percussionist who has traveled the world to represent his community and Afro-Brazilian and Northeastern culture. Garnize's passion for music started in the terreiros of Candomble when he was a young boy. He is an ethnomusicologist, scholar of Africa-based rhythms, composer/arranger, and author of film soundtracks. He was the drummer for the rap group Faces Do Suburbio, with whom he was nominated for a Latin Grammy award in 2001. He was also part of FURTO, Frente Urbana de Trabalhos Organizados), a project also conceived by musician Marcelo Yuka. He has played and recorded with great names of national and international music, in Brazil and abroad.Always a political activist, he was a national youth counselor, conducted interviews and gave lectures in several countries in Europe, America, Asia, Africa, as well as Brazil in projects such as Afro Reggae cultural group. Even today, he plays on international stages with the African Wysa Bakongo and teaches percussion workshops at Maracatu Brasil school, in Rio de Janeiro. With his percussion and voice, he is a member and composer of the Abayomy Afrobeat Orchestra, an afrobeat band in Brazil, and he is the founder and director of Tambores de Olokun maracatu group in Rio. At the moment, he is preparing a recording project for his first solo album, inspired by Afro-religious songs.Links:Abayomy Afrobeat Orquestra on YouTubehttps://youtu.be/-Lqfvvajng8https://youtu.be/rLOjviqw93khttps://youtu.be/OOGlBpBi-cgSocial Media:https://www.instagram.com/garni71/ https://www.facebook.com/garnize https://www.instagram.com/tamboresdeolokun/ https://www.facebook.com/TamboresDeOlokun/ https://www.instagram.com/abayomy_orquestra/Media:https://www.youtube.com/watch?v=RUco5kdM7Wk- O rap do principe pequeno...https://vimeo.com/87184929 Mago Bo, No Balanço da Canoahttps://vimeo.com/236298481 Tambores de Olokunhttps://www.youtube.com/watch?v=_7o8yTRuuvg Garni, Petit and Pitoco w/Mar Aberto in Torontohttps://www.youtube.com/watch?v=SOz74vaQ5kchttps://www.youtube.com/watch?v=ppJiRrOoT0wSossego's parade, Tambores de Olokun: https://www.youtube.com/watch?v=iQTxtNLTFJ8&t=2019s

Dans cet épisode, je discute avec Saran Koly, journaliste engagée, spécialiste en communication, rédactrice en chef de Fields Mag et Perform, fondatrice de Subtile-Media, une entreprise média qui célèbre les énergies interculturelles au sein des communautés. Elle partagera avec nous un bout de son parcours personnel, académique, professionnel mais aussi ses réflexions, ses leçons tirées du journalisme et la communication à l’entrepreneuriat. On s’intéresse aux principaux défis que nous pouvons rencontrer dans nos vies professionnelles, nos projets entrepreneuriales, nos aventures créatives ainsi qu’aux ressources à explorer pour continuer d’avancer, de prospérer, de faire mûrir ces projets. Tout au long de notre conversation, on discute bien sûr nous de bien-être et d’acceptation au sein de ces différentes sphères de nos vies. + sur Saran Son site internet : https://www.sarankoly.com/ Le site de son entreprise media, Subtile Media: https://subtile.co/ Ses réseaux sociaux : https://www.facebook.com/subtilemedia/ https://www.instagram.com/subtile_media/ Portrait mentionnant son travail : https://www.youtube.com/watch?v=FLMePADDmBA Liens vers les sites et média sociaux de femmes que Saran connait ou avec lesquelles elle a fait des sessions : * Silfath Sophia Pinto. Elle est originaire d’Afrique de l’Ouest et vit entre le Moyen-Orient et l’Asie. Elle est bilingue anglais-français. https://instagram.com/silfath.sophia?igshid=wn051dxjt5k7 * Juliana Luna. Elle a développé une méthode the Aluna Method qui s’inspire de la lune et de la spiritualité Yoruba ( Ifã et Candomble au Brésil) Luna est brésilienne actuellement basée à New-York. Elle est bilingue anglais-portugais. https://instagram.com/julianaluna?igshid=h20as6ydr5yo– https://instagram.com/thealunamethod?igshid=opwibw87dqr6 https://www.alunamethod.com/ * La plateforme Tounché https://instagram.com/tounche_summit?igshid=vs9i85gzx851 qui existe grâce à Swaady Martin : https://instagram.com/swaady_martin?igshid=ma3ri7kri1b8

Brazilian instruments and gear at GoSamba.net Shop GarnizeBio:Garnize' was born in Camaragibe, a metropolitan region of Recife Pernambuco, but he now lives in Rio de Janeiro. Versatility, talent and attitude are the trademarks of this multifaceted percussionist who has traveled the world to represent his community and Afro-Brazilian and Northeastern culture. Garnize's passion for music started in the terreiros of Candomble when he was a young boy. He is an ethnomusicologist, scholar of Africa-based rhythms, composer/arranger, and author of film soundtracks. He was the drummer for the rap group Faces Do Suburbio, with whom he was nominated for a Latin Grammy award in 2001. He was also part of FURTO, Frente Urbana de Trabalhos Organizados), a project also conceived by musician Marcelo Yuka. He has played and recorded with great names of national and international music, in Brazil and abroad.Always a political activist, he was a national youth counselor, conducted interviews and gave lectures in several countries in Europe, America, Asia, Africa, as well as Brazil in projects such as Afro Reggae cultural group. Even today, he plays on international stages with the African Wysa Bakongo and teaches percussion workshops at Maracatu Brasil school, in Rio de Janeiro. With his percussion and voice, he is a member and composer of the Abayomy Afrobeat Orchestra, an afrobeat band in Brazil, and he is the founder and director of Tambores de Olokun maracatu group in Rio. At the moment, he is preparing a recording project for his first solo album, inspired by Afro-religious songs.Links:Abaylomy Afrobeat Orquestra on YouTubehttps://youtu.be/-Lqfvvajng8https://youtu.be/rLOjviqw93khttps://youtu.be/OOGlBpBi-cgSocial Media:https://www.instagram.com/garni71/ https://www.facebook.com/garnize https://www.instagram.com/tamboresdeolokun/ https://www.facebook.com/TamboresDeOlokun/ https://www.instagram.com/abayomy_orquestra/Media:https://www.youtube.com/watch?v=RUco5kdM7Wk- O rap do principe pequeno...https://vimeo.com/87184929 Mago Bo, No Balanço da Canoahttps://vimeo.com/236298481 Tambores de Olokunhttps://www.youtube.com/watch?v=_7o8yTRuuvg Garni, Petit and Pitoco w/Mar Aberto in Torontohttps://www.youtube.com/watch?v=SOz74vaQ5kchttps://www.youtube.com/watch?v=ppJiRrOoT0wSossego's parade, Tambores de Olokun: https://www.youtube.com/watch?v=iexZz-xvloo Garnize

Afro-Brazilian inspired jazz is at the heart of the latest album from Alistair Kerr‘s Panorama Brasil project. The album has been inspired by the music and iconography of the Afro-Brazilian religion Candomble, with ten of […] http://media.rawvoice.com/joy_bentnotes/p/joy.org.au/bentnotes/wp-content/uploads/sites/107/2020/07/Alastair-Kerr-20200705-1.mp3 Podcast: Play in new window | Download (Duration: 20:57 — 48.0MB) | Embed Subscribe or Follow Us: Apple Podcasts | Android | Email | Google Podcasts | Spotify | RSS The post Panorama Brasil Beautifies the Chants and Calls appeared first on Bent Notes.

PRIMERA VISION PANORAMICA DE LAS DIFERENTES RELIGIONES DE ORIGEN AFRICANO Mundo Yoruba Latinoamericano Episodio No 19 Una Antología que registra conocimientos inéditos en artículos y estudios de académicos sobre lo maravilloso del lo Afrocubano, lo abakua, el Vodou y el Candomble. Vea una vision diferente de las creencias diaspóricas No dejen de acercarse a este mundo fascinante de la inpronta afrodescendiente.

we all have been touched by the presence of obeah in Caribbean history. join us in the likkle quarantine times while we work through obeah and other powers covering spiritual fidelity, law and all else under the mystical sun with Miami University PhD student, Jovanté Anderson. CW/TW: Mention of suicidality: 2:11:45-2:13:15 Citations: Children of the Spirits, in Queering Creole Spiritual Traditions; Zora Neale Hurston’s, Tell My Horse; Queering Black Atlantic Religions: Transcorporealiety in Candomble, Santeria, and Vodou; An (Un) Natural Mystic in the Air: Images of Obeah in Caribbean Song by Kenneth Bilby; Obeah & Other Powers; edited by Diana Paton & Maarit Forde; Ephesians 6:12; http://www.advocate.com/current-issue/2016/10/31/why-queer-haitians-are-turning-vodou

Na terceira etapa do nosso desafio, escolhemos dois livros que se passam no Rio antigo. Raphael Lima comenta A hipótese humana, de Alberto Mussa, e Gabriel Benamor fala sobre O crime no cais do Valongo, de Eliana Alves Cruz.

Como o candomblé vê a homossexualidade? Quandos as pessoas frequentam o candomblé, elas tendem a ser homossexuais? Por que o candomblé tem tantos Homossexuais? As pessoas do sexo masculino não podem incorporar em espíritos femininos e vice versa?

#69.  Varal does his best to convince the other three -- and the world -- that capoeira has been mis-marketed.  A few resources: Historical Danmye Current Danmye The Brazil Reader, ed. Levine and Crocitti Capoeira and Candomble, Conformity and Resistance In Brazil, by Floyd Merrell Inhuman Bondage, The Rise and Fall of Slavery in the New World

Aprenda o segredo para ler a Biblia.

Nagulha #3 no ar com o fino da afrobrasilidade! Temos Pai Edu, direto do Palácio de Iemanjá, uma raridade do selo Mocambo (Rozenblit) que recentemente foi remasterizada direto da fita original, as entidades baianas Luiz da Muriçoca e Camafeu de Oxóssi batendo forte no terreiro e as eternas musas Alcione e Leci Brandão, mostrando com quantas ripas se contrói um tambor. Salve todos os Orixás, Voduns e Inkices! Salve Xangô, rei e patrono da música e dos tambores! Kabiecile!’Acesse nossos perfis: @nagulha.labIlustra: Thiagothiko @thiagothikoSetlist:1BOA NOITEBAIANAS DE IPIOCA2OXALÁTRIO UNIDOS DO NORTE3MARINHEIRO SÓJOÃO SÓ4CANTARERÊLECI BRANDÃO5OLERÊ CAMARÁALCIONE6GUARDIÃO DOS CAMINHOSSETE REI DA LIRA7MORIÔCAMAFEU DE OXOSSI8LOGUM - ABAISSALUIZ DA MURIÇOCA9SEM EXU NÃO SE FAZ NADAPAI EDU10CAPOEIRA NA PITUBAORQUESTRA TABAJARA11ESTRELA MATUTINAJ. B. DE CARVALHO12COLUMBANDÊVANJA ORICO13TAIEIRASELY CAMARGO14DIA CHEIO DE OGUNEDY SOUZA E NANÁ VASCONCELOS

Michelle & Yuraimi travel to Salvador, Bahia in Brazil with a crew of NYC women #mademoiselles. They discover that stepping out of NYC can ignite new insights into love, appreciation, and ultimately re-awaken our most authentic selves.Special Guest Alert - the talented Kate Ellen Dean! #cameo by Ivana Forero, and Claudio #theman from Gamboa Beach in Morro de São Paulo! Join Yuraimi and Michelle as they host Women's Empowerment Circle, monthly @ The Healers Way, a holistic healing practice in Midtown Manhattan. RSVP Here.In NYC this Spring? Our next circle is April 12th RSVPWomen circles are an intimate gathering where women, and those who identify as female, learn new ways of speaking, listening, and relating to others. Wherever a woman is in her journey, the circle offers incredible support for what her soul is seeking right now and for the self-loving steps she is taking on her path._ _ _yyeerrrr connect with New Spiritual York on Instagram!New Spiritual York is a podcast about #selfcare in the Big Apple50% Namaste50% Fuck Outta HeaaYuraimi on Instagram, Michelle on Instagram. Executive Producers: Yuraimi Abreu & Michelle Cipollaro

Nesse episódio do Papo Lendário, Leonardo, Nilda Alcarinquë conversam com o convidado Lucas Ed, o Poderoso Porco, sobre o Candomblé. Conheça o Candomblé Ketu Veja as diferenças entre Candomblé e Umbanda Ouça sobre a pesquisa de doutorado do convidado Lucas LINKS Melhores do Mundo Algumas fontes usadas No youtube Diferença entre Umbanda e Candomble (vídeo 1, vídeo 2) Sobre o Candomblé Ketu Os Candomblés de São Paulo - Reginaldo Prandi Papo Lendário sobre Umbanda Papo Lendário sobre Vodou Haitiano --------------------------------------------------------------------------------------------------------------------------------------------------------------------------

Nesse episódio do Papo Lendário, Leonardo, Nilda Alcarinquë conversam com o convidado Lucas Ed, o Poderoso Porco, sobre o Candomblé. Conheça o Candomblé Ketu Veja as diferenças entre Candomblé e Umbanda Ouça sobre a pesquisa de doutorado do convidado Lucas LINKS Melhores do Mundo Algumas fontes usadas No youtube Diferença entre Umbanda e Candomble (vídeo 1, vídeo 2) Sobre o Candomblé Ketu Os Candomblés de São Paulo - Reginaldo Prandi Papo Lendário sobre Umbanda Papo Lendário sobre Vodou Haitiano --------------------------------------------------------------------------------------------------------------------------------------------------------------------------

David Amponsah is an assistant professor in the Religious Studies Department at the University of Missouri-Columbia with a PhD from Harvard University, a Masters from Harvard, a masters from Indiana University, and a Bachelors from the University of Ghana. He is a historian of religion who researches the intersection of religion and society in Africa, with special attention to colonialism, culture, and politics. His research is grounded in African social, cultural, political, and intellectual history, and is principally concerned with the modern period. His work has appeared in the Journal of Africana Religions, the Journal of Religion in Africa, African and Asian Studies, and more. He is currently working on a book tentatively titled “Unholy Interplay: Shrines, Priests, and British Rule in the Making of Colonial Ghana,1800–1966” in which he examine the connection between indigenous religion and colonialism.

Amy was honored to accept the musical directorship of Super Sonic Samba School in the winter of 2014 and is excited to share her knowledge of Brazilian drumming with the community. She began playing percussion at eight years old, and continued her education in percussion performance to achieve a BA from Humboldt State University under Dr. Eugene Novotney and a MA From The University of Akron, Ohio under Dr. Larry Snider. Although thoroughly rooted in Western music, Amy fell in love with the music of Brazil at age 18 and followed her passion to study the technique and rhythms of the baterias of Rio de Janeiro and Bahia, as well as the traditions of Maracatu, Pagode, Forro, and Candomble. Her teachers have included Mestres Ailton Nunes, Marcos Santos, Mark Lamson, Michael Spiro, Marivaldo of Ile Aiye, Guiereme Concalves, and Zorival of Olodum. Amy approaches the teaching of Brazilian music from a place of respect for the culture and the traditions behind the music. She uses Western methodology in the teaching of technique and rhythm as well as a traditional folkloric approach, making her classes an excellent learning place for beginning as well as experienced community members.Links:https://www.sambasd.org/https://www.facebook.com/supersonicsamba/Sponsored by GoSamba.net! Sponsored by GoSamba.net Your source of caixas, chocalhos, repiniques, surdos, straps, tamborims, tamborim sticks all imported from Brazil!

Christian people are constantly attacking people who do not believe in religion they like to say we are demons we are Satan and the list goes on tune in to hear who the real demons are.

Violence and salvation are the themes this week on Latin Pulse. The alarming rise in homicide rates in El Salvador catches our attention and the program discusses the causes and how the government is reacting to the rise in gang-related violence.  The reaction seems to be extrajudicial killings and the return of death squads.  The program also includes an analysis about the shift of religious beliefs in Latin America, including the rise of evangelicals and religious pluralism. The news segment of the program covers the latest votes related to the Trans-Pacific Partnership and special trade authority for President Barack Obama.The program includes in-depth interviews with:Hector Silva of the Center for Latin American & Latino Studies (CLALS) at American University; andAndrew Chesnut of Virginia Commonwealth University.Executive Producer: Rick Rockwell; Producer: Jim Singer; andProduction Assistant: Sierra Hancock.(To download or stream this podcast, click here.) (The program is 30 minutes in length and the file size is 42 MB.) podcastnewsLatin AmericatradepoliticsreligionhomicideviolencePuerto RicogangsMexicoUnited StatesEl SalvadorBarrio 18PeruChileMS-13Trans-Pacific PartnershipCatholicismCanadaTPPBarack ObamaJohn BoehnerU.S. Congressdeath squadsextrajudicial killingspolicemilitaryARENAMauricio FunespovertyeducationJohn KerrySalvador Sanchez CerenFMLNbusinessJuan Orlando HernandezAfro-Latin American issuesGuatemalaHondurasBrazilimpunitycoupevangelicalsagnosticsUruguayCubaatheistsSanteriaCandombleUmbandaNicaraguaParaguayjusticemediacrimeUnited NationsSanta Muertefolk saintsCentral America

From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions. In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after the rule of Getulio Vargas (1930-1945). Ickes describes how during the Vargas era, Afro-Brazilians who sought greater acceptance for their practices found an newly-receptive audience among the white Brazilian elite: progressive intellectuals and journalists who valued Afro-Brazilian culture as folklore; and politicians, both national and regional, who sought the support of the Afro-Brazilian working class. Through government initiatives and the media, these elites elevated certain Afro-Brazilian practices – the martial art Capoeira, Samba music, and Candomble-influenced festival celebrations – and in doing so provided a public cultural and political forum for Afro-Brazilians involved in those practices. But as Ickes notes in every case, the new elite acceptance of Afro-Brazilian culture was limited and conditional. Only those Afro-Brazilian traditions deemed acceptable by elite intellectuals became accepted, and Afro-Brazilian culture never attained the prestige of European cultural traditions in Brazil. Thus, while the acceptance of Afro-Brazilian culture during the Vargas era had real benefits to Afro-Brazilians, it still allowed for Afro-Brazilians to remain marginalized into the modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions. In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after the rule of Getulio Vargas (1930-1945). Ickes describes how during the Vargas era, Afro-Brazilians who sought greater acceptance for their practices found an newly-receptive audience among the white Brazilian elite: progressive intellectuals and journalists who valued Afro-Brazilian culture as folklore; and politicians, both national and regional, who sought the support of the Afro-Brazilian working class. Through government initiatives and the media, these elites elevated certain Afro-Brazilian practices – the martial art Capoeira, Samba music, and Candomble-influenced festival celebrations – and in doing so provided a public cultural and political forum for Afro-Brazilians involved in those practices. But as Ickes notes in every case, the new elite acceptance of Afro-Brazilian culture was limited and conditional. Only those Afro-Brazilian traditions deemed acceptable by elite intellectuals became accepted, and Afro-Brazilian culture never attained the prestige of European cultural traditions in Brazil. Thus, while the acceptance of Afro-Brazilian culture during the Vargas era had real benefits to Afro-Brazilians, it still allowed for Afro-Brazilians to remain marginalized into the modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tata Eoghan Ballard, PhD, joins host Candelo Kimbisa to share the history of the Quimbanda, Candomble, and Umbanda. Dr. Eoghan Ballard hails from Philadelphia, PA, made Tata in Quimbisa by Roque Zamora Cabrera in Parraga, La Habana, in the Casa [...]

Tata Eoghan Ballard, PhD, joins host Candelo Kimbisa to share the history of the Quimbanda, Candomble, and Umbanda. Dr. Eoghan Ballard hails from Philadelphia, PA, made Tata in Quimbisa by Roque Zamora Cabrera in Parraga, La Habana, in the Casa Templo de Siete Rayo Siete Estrellas Quimbisa SCBV, September 1995. He made Tata in Palo Haitiano 7 Tumba Francesa in December 1995 and later others, including Brama con Brama from Santiago de Cuba. He received his BA from Temple University, 1987. Dr. Ballard received his Masters in 1995 and his PhD in Folklore and Folklife, University of Pennsylvania 2005. Quimbisero and Serviteur Lwa. Candelo’s Corner on FB KDCL Media on FB

Tata Eoghan Ballard, PhD, joins host Candelo Kimbisa to share the history of the Quimbanda, Candomble, and Umbanda. Dr. Eoghan Ballard hails from Philadelphia, PA, made Tata in Quimbisa by Roque Zamora Cabrera in Parraga, La Habana, in the Casa [...]

Tata Eoghan Ballard, PhD, joins host Candelo Kimbisa to share the history of the Quimbanda, Candomble, and Umbanda. Dr. Eoghan Ballard hails from Philadelphia, PA, made Tata in Quimbisa by Roque Zamora Cabrera in Parraga, La Habana, in the Casa Templo de Siete Rayo Siete Estrellas Quimbisa SCBV, September 1995. He made Tata in Palo Haitiano 7 Tumba Francesa in December 1995 and later others, including Brama con Brama from Santiago de Cuba. He received his BA from Temple University, 1987. Dr. Ballard received his Masters in 1995 and his PhD in Folklore and Folklife, University of Pennsylvania 2005. Quimbisero and Serviteur Lwa. Candelo’s Corner on FB KDCL Media on FB

Music inspired by Orixas, Caboclos, Ayahuasca, Amor e Gratidão - A mix of traditional and non traditional rhythms TRACKLISTINGS Renata Rosa - Mãe Da Lua Mantric Mambo - Encontro Com A Jurema Maria Bethania - Canto de OxumIemanjá Rainha do Mar Grupo Ofá - Ojó Ibì Grupo Ofá – Oxum Rita Ribeiro - É D'Oxum Vinicius De Moraes - Canto De Oxum Tincoãs – Obaluaê Martinho da Vila - Festa De Caboclo ??? - Cabocla Jurema Ruy Maurity - Xango, o Vencedor José Briamonte - Meu Pai Oxala Os Tincoãs - Canto para Iemanjá Toquinho e Vinícius - Meu Pai Oxalá Renata Rosa - Beleza De Ouro Templo Mae D'Agua - Madrinha Nei Zigma - Lua De Maio FACEBOOK More info, music and links to documentaries here www.facebook.com/brazilianbeatzpodcast

pedro luís e a parede | eletrosamba | aniceto do império | dorina | erasmo carlos | chocalhos e badalos | ínsula | moisés santana | naná vasconcelos e itamar assumpção | cassiano | roberta sá | josildo sá e paulo moura | caximbinho e geraldo mouzinho | renato fechine | lupicínio rodrigues | glauco e o trem | pélico | lia de itamaracá | ska maria pastora | alabama 3 | ney matogrosso e plap | spok frevo orquestra | vítor pirralho e unidade | naurêa | juarez NO ROOM FOR BOREDOM An overview of the latest PLAP album Ponto Enredo, produced by Lenine and about to be released in Europe through French label Harmonia Mundi. The Caipirinha Appreciation Society crew are long-time fans of PLAP, whose ecclectic groovy mix blends in very nicely with our other prime picks of the week. Also featured in this show is the promised second part of our chat with PLAP and Monobloco founders Pedro Luís and Celso Alvim. À PROVA DE TÉDIO Convidamos vocês a escutar com a gente o último CD da PLAP, Ponto Enredo, prestes a ser lançado na Europa pelo selo francês Harmonia Mundi. Há tempos que a equipe do Caipirinha Appreciation Society é fã de carteirinha dos sons suingados e ecléticos da banda. Eles completam perfeitamente a seleção preparada para este programa. E como prometido, eis a segunda parte de nosso bate-papo com Pedro Luís e Celso Alvim, fundadores da PLAP e do Monobloco.

negroove | mestre ambrósio | totonho | rui maurity | rubi | ivo do pai maneco | jackson do pandeiro | nelson sargento | antônio carlos e jocafi | mayra andrade | toque de umbanda | edu lobo | leci brandão | magali | mestre marçal | clara nunes | wanderléia | bezerra da silva | zeca pagodinho | martinho da vila | baianinho | zezé mota e paulo moura | noriel vilela | umbandaime | luiz arruda paez ORISHA MUSIC Rare is the Brazilian artist who has never attended an afro-brazilian cult. This week's CAS focuses on the country's musical relationship with the Occult... As ususal, between one set of crossroads and the next, we deliver two hours of the best cliché-less Brazilian music you could ask your Orisha for. Excuse us! MÚSICA DOS ORIXÁS O CAS dessa semana trata do flerte da nossa música com o oculto... Como de costume, entre uma encruzilhada e outra, despachamos duas horas do melhor da música brasileira além dos clichês. Pedimos licença, que o Caipimacumba tá baixando na sua caixa de som!