Podcasts about Shalini

If you've ever trained hard, eaten clean, and still felt bloated, tight, or disconnected from your own body, this episode is for you. CEO Amanda Tress sits down with Dr. Shalini Bhat, chiropractor, gut health expert, and founder of The Movement Boutique in Ontario, Canada, to unpack the surprising connection between your fascia, your gut, and why your glutes might be completely offline — no matter how many squats you do. Dr. Shalini shares how she grew up surrounded by whole-food, root-cause wellness — from her father's organic farm in India to her grandmother's herbal remedies — and how that foundation shaped her signature approach: healing guts and toning butts. You'll learn what fascia actually is, why a tight hip flexor could be the real reason your lower back aches and your glutes won't fire, and how something as simple as the way you breathe is either flattening or bloating your stomach. You'll learn: What fascia really is and why it's now recognized as an organ Why your glutes go "offline" and how to bring them back The S breath technique for deep core engagement and a flatter stomach Why snacking and eating too fast are quietly wrecking your gut health How the bottom of your foot connects to your hamstrings and what to do about it Whether you're a FASTer Way client chasing body composition results or a coach helping women heal from the inside out, this episode is a masterclass in how the body actually works — all connected, all fascial, all fixable. Ready to heal the gut and tone the butt? Tune in now. Join FASTer Way https://www.fasterwayt.com Don't forget to check out our merch, supplements and other great deals: Subscribe: youtube.com/FASTerWaytoFatLoss   Follow us on Instagram: https://www.instagram.comfasterwaytofatloss Amanda Tress: @amandatress Dr. Shalini Bhat & The Movement Boutique: @themovementboutique FASTer Way to Fat Loss: @fasterwaytofatloss

Can you spend a morning, an afternoon or even a day without your mobile device… our latest guests force you to. Shalini Choudhary & Mara Kesnere join Dylan on this weeks episode. Shalini and Mara are both from different backgrounds and countries. But both moved to Portugal where they met each other, became friends and opened up ‘Absent' an offline third space and café in Lisbon, created in response to a world that is becoming increasingly digital and disconnected. They chat to Dylan about, amongst other things, how & why they both chose Portugal, the story of ‘Absent', how it's inspired in some parts by Portugal and how Portugal gives them rest and balanceFOLLOW OUR GUESTShalini on LinkedinMara on LinkedinAbsent websiteHow to find AbsentAbsent on InstagramABOUT PORTUGAL THE SIMPLE LIFE PODCAST:   "Portugal - The simple life”, an insider's perspective to Portugal.  We already know about Portugal's fantastic weather, food and people. In this podcast, we go deeper to meet the people who make this country so wonderful.Dylan, who has made his life in Portugal, shares an insider's perspective on what makes Portugal the unique, beautiful and fantastic country it is. Join him and his guests weekly as they shed light on the incredible people, culture, history and lifestyle that make Portugal so appealing. A country where everyone feels like they belong.    Don't forget to subscribe to our Podcast to receive more stories about living and moving to Portugal!   SPONSOR:Portugal Realty, a Leisure Launch group company, sponsors this episode. 

In this episode of Best in Fest, host Leslie LaPage sits down with Shalini Dutta, an accomplished actress with over three decades of experience across Bollywood, theater, television, and independent film to discuss her journey, career reinvention, and the evolving landscape for women and South Asian talent in the global film industry.From her early start in Indian cinema to stepping away for family life and returning years later to pursue meaningful storytelling, Shalini shares what it really takes to sustain a creative career across different life stages.

You can find the extended 20-minute version of this meditation here.  Want to explore how micro-practices can help shift your patterns in your real everyday life when you're off the meditation mat? Check out Shalini's article, How Micro-Practices Can Be the Bridge Between Your Meditation and Your Choices. 

We often think of mindfulness and meditation as sustained states—when in reality, it's just a collection of micro-moments of stopping, breathing, really noticing our own bodies and our own lives, getting distracted, and then coming back again. Over and over.   As this week's teacher Shalini Bahl puts it, today's guided practice is about the art of stopping: letting go of our regular habits of the mind—the pushing, pulling, running in circles— and instead just being for a moment. This is an extended practice, but as a bonus, we're also sharing a micro-practice version of The Art of Stopping that you can take into busy days. And don't miss Shalini's new article on Mindful.org that's all about the power of micro-practices to affect our daily choices.  Shalini Bahl, PhD, is the award-winning author of Return to Mindfulness and founder of Sama Life, where she offers daily live micro-practices for real-world engagement. Through her teaching, writing, and TEDx talks, she focuses on building practical mindfulness skills that disrupt default patterns and restore clarity, integrity, and care.   The transcription of this guided meditation will be online and in our app at Mindful.org next week.  Stay curious, stay inspired. Sign up for our free newsletter mindful.org/signup or download the app for free at mindful.org/app.  Show Notes Find more from Shalini Bahl here. Go Deeper For more resources on the power of the pause, check out these resources on Mindful.org:  How Micro-Practices Can Be the Bridge Between Your Meditation and Your Choices W.A.I.T. a Minute: A Practice to Pause Before You Post on Social Media  How to Get Good Pause  Waking Up to Your World: Using the Pause Practice to Break Habitual Patterns  For more practice pausing before making choices by compassionately interrupting patterns, try:  A 12-Minute Meditation to Get Curious About Your Cravings   And more from Mindful here: More episodes of 12 Minute Meditation Let us know what you thought of this episode of 12 Minute Meditation by leaving a review or by emailing yourwords@mindful.org.

In episode 253 of America Adapts, host Doug Parsons speaks with Dr. Shalini Vajjhala , Executive Director of The Pre-Collective, about why climate adaptation still struggles to scale and whether the real challenge is less about engineering and more about coordination, trust, and financing. Drawing from two recent essays, Shalini discusses her argument that the U.S. is experiencing a "civic disaster," where weakened institutions and declining public trust are undermining our ability to respond to growing climate risks. Doug and Shalini explore why adaptation projects often remain stuck in pilot mode, the role of "predevelopment" in resilience finance, why avoided losses are so difficult to fund, and what separates communities that actually build projects from those trapped in endless planning cycles. They also examine the growing political dimensions of adaptation, the role of philanthropy and public institutions, why adaptation still lacks broader "FOMO," and how communication failures may be slowing progress across the field.  Check out the America Adapts "Starter Page" to help you dig into the archive! Links in this episode:  "Resilience Finance Still Isn't Scaling—Is Predevelopment the Missing Piece or Just Another Layer?"  https://cafwd.org/news/why-resilience-finance-starts-with-predevelopment/ The US is in the midst of a civic disaster. We have to invest in collective action for our recovery starting now. https://www.linkedin.com/pulse/us-midst-civic-disaster-we-have-invest-collective-action-vajjhala-mon5c/   Key Themes Covered in This EpisodeWhy climate adaptation still isn't scaling The idea of a growing "civic disaster" in the U.S. Trust, governance, and institutional breakdown Why resilience finance begins with "predevelopment" Why many adaptation plans never reach implementation The "FOMO problem" in climate adaptation For Educators & Students This episode is especially useful for students and educators exploring climate adaptation, resilience finance, public policy, urban planning, infrastructure, environmental governance, and climate communication. Doug and Shalini unpack complex adaptation concepts in a highly accessible way while also challenging listeners to think critically about implementation, trust, and institutional capacity. The conversation also provides a valuable look into how adaptation professionals are increasingly thinking across disciplines—including finance, politics, communications, and systems thinking. Who Should Listen to This Episode Adaptation and resilience professionals Urban planners and infrastructure leaders Insurance and finance professionals Government officials and policymakers Climate communication specialists Researchers, educators, and students Anyone interested in the future of climate adaptation Support for America Adapts helps make episodes like this possible, including more international conversations on how adaptation is unfolding globally. All donations are now tax deductible! Check out the America Adapts Media Kit here! Subscribe to the America Adapts newsletter here. Listen to America Adapts on your favorite app here!   Facebook, Linkedin and Bluesky: https://www.facebook.com/americaadapts/ https://bsky.app/profile/americaadapts.bsky.social https://www.linkedin.com/in/doug-parsons-america-adapts/ Doug Parsons and Speaking Opportunities: If you are interested in having Doug speak at corporate and conference events, sharing his unique, expert perspective on adaptation in an entertaining and informative way, Now on Spotify! List of Previous Guests on America Adapts Follow/listen to podcast on Apple Podcasts. The 10 Best Sustainability Podcasts for Environmental Business Leadershttps://us.anteagroup.com/news-events/blog/10-best-sustainability-podcasts-environmental-business-leaders For more information on this podcast, visit the website at http://www.americaadapts.org and don't forget to subscribe to this podcast on Apple Podcasts.   Podcast Music produce by Richard Haitz Productions Write a review on Apple Podcasts ! America Adapts on Facebook!   Join the America Adapts Facebook Community Group. Check us out, we're also on YouTube! Subscribe to America Adapts on Apple Podcasts Doug can be contacted at americaadapts @ g mail . com

Shalini “Shal” Krishnan was diagnosed at age 31 with Stage II breast cancer. She works as a project manager in the international sports sector and currently lives in Lausanne, Switzerland with her partner. In this episode, Shalini reads her essay, “Swimming, and Changing Direction,” from the 2024 Body issue of Wildfire Journal. The piece transports us to a memory of being caught in the waves at a beach in Brazil, tossed, breathless, and disoriented. A moment of fear that lodged in her body and paralleled the experience of cancer.April and Shalini discuss using metaphor to make sense of illness and how April's Sparks writing workshop helped Shalini shape and write this story. They explore fear, how Shalini once took her body for granted, and what it has meant to rebuild her relationship with it as an athlete after cancer.They also talk about Shalini's experience of attending 10 weddings across 7 countries while undergoing treatment.More about episode sponsor Young Survival Coalition: https://youngsurvival.org/Learn more about Shalini: https://www.instagram.com/shal_k/https://shalsworld.com/Purchase the Body issue of Wildfire Journal: https://www.wildfirecommunity.org/shop/p/digital-body24Buy the Wildfire book Igniting the Fire Within: Stories of Healing, Hope & Humor, Inside Today's Young Breast Cancer Community: https://www.amazon.com/dp/B0BJVJ629F?ref_=pe_3052080_397514860Get the free Wildfire “Hot Flashes” email newsletter: https://www.wildfirecommunity.org/newsletter?rq=newsletterLearn about Wildfire writing workshops: https://www.wildfirecommunity.org/workshopsShop Wildfire merch & more: https://www.wildfirecommunity.org/shop*Free* Get Wildfire and The Burn freebies here: https://www.wildfirecommunity.org/freeMore about Wildfire Journal: https://www.wildfirecommunity.orghttps://www.instagram.com/wildfire_bc_magazine/https://www.facebook.com/wildfirecommunityInformation on submitting your story for consideration to be published in Wildfire Journal: https://www.wildfirecommunity.org/submissions

In this episode of People Of Lisbon, we meet Shalini Choudhary and Māra Kesnere, the founders of one of the most unusual spaces in Lisbon, Portugal — a phone-free club where visitors lock their phones away at the door.In a world dominated by notifications, screens and constant digital stimulation, Shalini and Mara wanted to create something radically different: a space where people can disconnect from their phones and reconnect with themselves and with others.Inside their Lisbon club, there are no phones, no scrolling, and no pressure to be productive. Instead, guests read books, play board games, practise calligraphy, knit, talk, and rediscover the simple joy of being present.What started as an idea between two friends has become a fascinating experiment in mindfulness, creativity and community in Lisbon.  / absent_lisbon  Please support the partners who help make People Of Lisbon possible:United Medical Clinic LisbonFast and easy access to medical care for expats, tourists & localshttps://lisbon.umc.clinic/MoviinnMoving abroad made simplehttps://www.moviinn.comPractice PortugueseLearn Portuguese from Portugal — as it's spoken in Lisbon, Porto, Algarve and across the countryhttps://www.practiceportuguese.comJoin Club People Of LisbonBecome part of our community and support the project:https://www.peopleoflisbon.comVideo by Stephen O'Regan Photographer Rita Ansone

On MoneyFM 89.3’s Saturday Mornings Show host Glenn van Zutphen and co-host Neil Humphreys spotlight the women whose courage, leadership, and quiet persistence have shaped Singapore’s story. Joining us in the studio are Dr Shalini Arulanandam, one of this year’s inductees, and Koh Yan Ping, CEO of the Singapore Council of Women’s Organisations (SCWO). SCWO is honouring five remarkable women in its 2026 Singapore Women’s Hall of Fame:• Angelene Chan – Visionary architect reshaping Singapore’s skyline• Maud Ethel Perera (Posthumous) – Pioneer of public health nursing• Meira Chand – Acclaimed novelist and cultural voice• Pauline Tan – Trailblazer in nursing leadership• Dr Shalini Arulanandam – Leader in military and emergency medical response Yan Ping shares how this year’s Gala — Illuminate: Shine Together. Rise Together. celebrated achievement and the collective support systems that make progress possible. The event also marked 15 years of Maintenance Support Central, which helps women rebuild stability after separation and financial hardship. Dr Shalini reflects on her journey through military medicine, crisis leadership, and the mentors and teams who shaped her path. She speaks to the importance of representation, resilience, and ensuring that all women have the support to rise. A powerful conversation about recognition, community, and the collective effort behind women’s progress.See omnystudio.com/listener for privacy information.

Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time. The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.) In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. This seminal publication is for general audiences and specialists. Ganendra's unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally. Shalini Amerasinghe Ganendra's impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time. The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.) In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. This seminal publication is for general audiences and specialists. Ganendra's unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally. Shalini Amerasinghe Ganendra's impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time. The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.) In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. This seminal publication is for general audiences and specialists. Ganendra's unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally. Shalini Amerasinghe Ganendra's impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time. The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.) In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. This seminal publication is for general audiences and specialists. Ganendra's unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally. Shalini Amerasinghe Ganendra's impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

There was too much going on for any one aspect of this book to be particularly good. An interesting start with a novel setting led to shoved in tropes and a romance that felt flat and forced. This would've been better as a pure fantasy.https://www.goodreads.com/book/show/219268963-this-monster-of-mine?from_search=true&from_srp=true&qid=eUgEEnIeQ8&rank=1Similar BooksOne Dark Window by Rachel Gillighttps://www.goodreads.com/book/show/58340706-one-dark-window?from_search=true&from_srp=true&qid=tcW2yC2HbZ&rank=1The Songbird and The Heart of Stone by Carissa Broadbenthttps://www.goodreads.com/book/show/210134467-the-songbird-the-heart-of-stone?from_search=true&from_srp=true&qid=Dfrbj2pdVF&rank=1Poison Study by Marissa Snyderhttps://www.goodreads.com/book/show/60510.Poison_Study?from_search=true&from_srp=true&qid=09kDm3n6pN&rank=1

SummaryIn this episode of Soul Velocity, advocate Shalini Deepak Sharma shares her journey in law and advocacy, emphasizing the importance of justice, education, and leadership. She discusses the urgency of awareness in legal matters, the need for safe spaces, and the gaps in traditional education. Shalini highlights the significance of clarity and confidence in youth leadership, women's empowerment, and the role of educational institutions in fostering equality. The conversation culminates in a reflection on purposeful leadership and the essence of justice as an act of care.TakeawaysLaw chose me since childhood.The core value was to give back through knowledge.People come before law in advocacy.Awareness is crucial for enforcement.Education should not be a cost burden.Youth today seek practical learning.Clarity in goals is essential for success.Leadership is about empowering others.Morality is a non-negotiable value.Justice is about responsibility and dignity.Chapters00:00 Introduction to Voices of Change01:09 The Journey to Law and Advocacy04:43 Understanding Justice Beyond Procedures06:27 The Urgency of Awareness in Advocacy08:50 The Power of Awareness vs. Enforcement10:25 Navigating Sensitive Conversations12:30 Bridging Gaps in Traditional Education15:49 Clarity and Confidence in Youth Leadership18:39 Preparing Youth for the Present20:54 Women's Leadership and Empowerment24:14 The Role of Educational Institutions27:39 Empowering Youth with Legal Knowledge30:15 The Importance of Understanding Law32:00 Building Systems for the Future35:14 Purposeful Leadership Beyond Recognition37:39 The Value of Morality in Leadership38:16 Encouraging Support for Youth39:33 Justice as an Act of CarePrograms by Snehal - https://linktr.ee/snehalrsinghAll books by MSW - https://linktr.ee/mindspiritworksLinkedIn - https://www.linkedin.com/in/snehalrsingh/Instagram - https://www.instagram.com/snehalrsinghInstagram - https://www.instagram.com/mindspiritworksFacebook - https://www.facebook.com/mindspiritworksllcYouTube - https://www.youtube.com/@SnehalRSinghCompany site - https://www.mindspiritworks.com/

When you move from treatment rooms to team meetings, everything changes, including how you show up as a BCBA.In this episode, I talk with Shalini Solomon about her transition from clinic-based ABA to working as a school-based BCBA. If you've worked in both settings like I have, you know they are completely different worlds. In a clinic, you're often running sessions. In a school, you're collaborating, coaching, and translating ABA into language that makes sense to teachers and administrators.Shalini shares what helped her navigate that shift, from simplifying behavior intervention plans so they actually work in busy classrooms to minimizing jargon and building buy-in with staff. We also talk about why understanding IDEA, IEPs, FAPE, and district systems is critical if you're stepping into a school role, especially if you're one of the first BCBAs in your district.We also discuss her journey toward earning a doctorate in behavioral health and the importance of leadership, mentorship, and representation in our field. It's an honest, practical conversation for anyone considering or currently navigating a school-based BCBA role.#autism #speechtherapyWhat's Inside:Key differences between clinic-based and school-based BCBA rolesHow to create simple, usable behavior intervention plansWhy policy knowledge and role clarity matter in schoolsRepresentation and advocacy in the ABA fieldMentioned In This Episode:Elevate & Align BehaviorEarn CEUs with a community of peers. Join the ABA Speech ConnectionABA Speech: Home

What does it mean to truly disrupt an industry—and can one entrepreneur's vision connect beauty, empowerment, and even space exploration? In this episode of The Angel Next Door Podcast, host Marcia Dawood welcomes Shalini Vadhera, a pioneering founder who transformed her passion for global beauty into impact-driven brands and products that have made history by traveling to outer space.Shalini Vadhera shares her journey from a determined 19-year-old entrepreneur in India to celebrity makeup artist, bestselling author, and creator of Ready, Set, Jet—now certified for both human spaceflight and defense use. She's not only revolutionizing beauty through biotech and space-tested products, but also building communities where women can invest, lead, and thrive.The episode highlights Shalini's innovative approach to product development, her strategies for empowering women investors, and the game-changing events she's orchestrated to bring powerful women together. It's a must-listen conversation for anyone interested in entrepreneurship, innovation, and the real impact that comes from passing the baton to the next generation of changemakers. To get the latest from Shalini Vadhera, you can follow her below!https://www.linkedin.com/in/shalinivadhera/https://readysetjetofficial.com/https://a.co/d/0cDXtYvR - Passport to Beauty Sign up for Marcia's newsletter to receive tips and the latest on Angel Investing!Website: www.marciadawood.comDo Good While Doing WellLearn more about the documentary Show Her the Money: www.showherthemoneymovie.comAnd don't forget to follow us wherever you are!Apple Podcasts: https://pod.link/1586445642.appleSpotify: https://pod.link/1586445642.spotifyLinkedIn: https://www.linkedin.com/company/angel-next-door-podcast/Instagram: https://www.instagram.com/theangelnextdoorpodcast/Pinterest: https://www.pinterest.com/theangelnextdoorpodcast/TikTok: https://www.tiktok.com/@marciadawood

In this conversation, GWIC host Dr. Hemma R. Lomax and Shalini Rajoo explore the critical role of decision rubrics in governance, accountability, and trust, especially in the context of AI. Shalini shares her journey from law to compliance, emphasizing the importance of understanding systems and the impact of leadership on decision-making processes. They discuss how transparency and clarity in decision-making can build trust within organizations and the necessity of responsible AI governance. Practical tips for improving decision quality are also provided, highlighting the importance of self-awareness and critical thinking in leadership. Takeaways: The biggest risk in governance is unclear decisions. AI amplifies existing clarity or confusion in decision-making. Systems and rules reflect the identities of their architects. Everyone has an impact on those around them every day. Leadership is about improving the people around you. It's not just about rules; it's about how people behave. Decision rubrics provide consistency and predictability in outcomes. Transparency in decision-making processes builds trust. Slowing down to ask questions can lead to better decision-making. Writing down the reasons for decisions brings clarity and accountability. Sound bites: "Systems and rules are not inherently neutral." "Transparency in decision making builds trust." "Slow is smooth, and smooth is fast." Chapters: 00:00 Introduction to Decision Rubrics and Governance 02:55 Shalini's Journey: From Law to Governance 06:09 The Impact of Systems on Leadership and Accountability 09:09 Transitioning to Compliance and Ethics 11:49 Understanding Decision Rubrics in Compliance 15:06 The Role of Leadership in Decision Making 18:03 Designing Conditions for Effective Decision Making 20:47 The Importance of Transparency in Decision Processes 24:09 Decision Rubrics: Building Trust in Organizations 26:49 AI and Governance: Leadership Infrastructure Failures 29:47 Responsible AI: The Role of Ethics and Compliance 32:55 Practical Tips for Improving Decision Quality 36:00 Conclusion: The Future of Decision Making in AI Guest Biography: Shalini Rajoo is the Founder and Principal Consultant of Shalini Rajoo Advisory, LLC, where she partners with organizations to design governance, compliance, and decision-making systems that are resilient, trustworthy, and aligned to real operational pressures. Across more than two decades in law, compliance, HR, and organizational leadership, Shalini has helped companies and leaders move beyond check-the-box frameworks to build structures that embed accountability, clarity, and performance into everyday decisions. She began her career in South Africa, first as a public prosecutor and then leading regulatory work with the Department of Trade and Industry, collaborating with legislative and executive stakeholders on corporate, competition, and consumer law. After relocating to the U.S., Shalini practiced commercial litigation. She later served as Director of Global Business Conduct for a Fortune 500 company, where she redesigned ethics and compliance systems, led global risk assessments, and championed psychological safety and integrity-based practices. Today, Shalini's work centers on helping leaders clarify decision rights, governance architectures, and accountability pathways — especially as organizations adopt AI and automation. She recently spoke at the Opal Group's Corporate Governance & Ethics in the Age of AI conference, where she reframed AI governance as a leadership-infrastructure challenge rather than a purely technical or compliance one.

What is the deadliest item in London’s Vagina Museum? Why are drug addiction rates in Australia spiking by over 30% post-pandemic? And if you’ve already had two surgeries for inherited bunions, is “third time’s a charm" actually possible? What makes a substance addictive, and why is it so hard to just "quit"? In this episode, Claire Murphy and Dr. Mariam dive into the complexities of drug addiction in Australia, from the alarming rise of vaping among teens, to the shifting chemistry of the brain. We are joined by Dr. Shalini Arunogiri, an addiction psychiatrist, Associate Professor at Monash University and Clinical Director at Turning Point. She breaks down the "reward" chemicals like dopamine and serotonin that hook us, the reality of relapse, and why alcohol remains the most harmful drug from a population health perspective. Dr. Shalini also addresses the cannabis debate - exploring the link between high-potency use and psychosis - and why the term "addict" is being replaced by more empathetic, health-centered language. But first, we take a field trip to London’s Vagina Museum to look at its deadliest item…We discuss the history of Toxic Shock Syndrome (TSS), the biology of the vaginal wall and why "retained tampon smell" is a more common clinic visit than you’d think. And, in our Quick Consult, Dr. Mariam helps listener Simone navigate the tricky world of "inherited bunions". EPISODE RESOURCES: If this episode has raised concerns for you, or if you are considering your own substance use, the following resources are available for confidential support: Counselling Online: The recommended first port of call for those questioning their drug use or looking for help. It features a Self-Assessment Quiz, a national directory and 24/7 access to online chat or telephone-based support. National Alcohol and Other Drug (AOD) Hotline: For free and confidential advice, call 1800 250 015. SMART Recovery Australia: A network of evidence-based support meetings for people seeking recovery. And if this episode triggered anything for you and you need someone to talk to, please call Lifeline on 13 11 14. GET IN TOUCH Sign up to the Well Newsletter to receive your weekly dose of trusted health expertise without the medical jargon. Ask a question of our experts or share your story, feedback, or dilemma - you can send it anonymously here, email here or leave us a voice note here. Ask The Doc: Ask us a question in The Waiting Room. Follow us on Instagram and Tiktok. Support independent women’s media by becoming a Mamamia subscriber CREDITS Hosts: Claire Murphy and Dr Mariam Guest: Senior Producers: Claire Murphy and Sally Best Audio Producer: Scott Stronach Video Producer: Julian Rosario Social Producer: Elly Moore Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Information discussed in Well. is for education purposes only and is not intended to provide professional medical advice. Listeners should seek their own medical advice, specific to their circumstances, from their treating doctor or health care professional. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++Support the show: https://www.mamamia.com.au/mplus/See omnystudio.com/listener for privacy information.

What happens when your body says “enough”—and you choose to listen?In this powerful episode of Gums & Gossip, host Hope Loyd sits down with Shalini, a somatic psychotherapist, trauma therapist, and nervous system educator from West Yorkshire, UK. Shalini shares her deeply personal journey through a full nervous system breakdown, a diagnosis of Functional Neurological Disorder (FND), and how she healed by understanding the body's stress and trauma responses.Together, Hope and Shalini explore:How trauma and chronic stress live in the nervous systemWhy fear shows up in the body—especially in the jaw, breath, and dental chairSimple somatic tools to regulate anxiety and feel safe againHow nervous system rituals can support healing from chronic pain, illness, and long-term stressThe connection between emotional safety, oral health, and whole-body wellnessThis episode is especially powerful for anyone experiencing dental anxiety, chronic stress, trauma, jaw tension, teeth clenching, or feeling overwhelmed by their own body.If you've ever felt like your body was holding fear you couldn't explain—this conversation will meet you right where you are.

Toward Finer Fibers: Prediction Model for Mapping QTLs Associated with Fiber Quality in Upland Cotton

On the Shelf for January 2026 The Lesbian Historic Motif Podcast - Episode 332 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Summary of the Project in 2025 Recent and upcoming publications covered on the blog Xie, Wenjuan. 2015. (Trans)Culturally Transgendered: Reading Transgender Narratives in (Late) Imperial China. Dissertation. Sommer, Matthew H. “Was China Part of a Global Eighteenth-Century Homosexuality?” in Historical Reflections / Réflexions Historiques, vol. 33, no. 1, 2007, pp. 117–33. Carton, Adrian. 2006. “Desire and Same-Sex Intimacies in Asia” in Gay Life and Culture, A World History, ed. Robert Aldrich. Universe Publishing, New York. ISBN 978-0-7893-1511-3 Gowing, Laura. 2006. ”Lesbians and Their Like in Early Modern Europe, 1500-1800” in Gay Life and Culture: A World History ed. Robert Aldrich. London: Thames and Hudson. 125-43 Rupp, Leila J. 2001. “Toward a Global History of Same-Sex Sexuality” in Journal of the History of Sexuality, Vol. 10, No. 2: 287-302 Leupp, Gary P. 2007. “Capitalism and Homosexuality in Eighteenth-Century Japan.” in Historical Reflections / Réflexions Historiques, vol. 33, no. 1, pp. 135–52. Pflugfelder, Gregory M. 1992. “Strange Fates: Sex, Gender, and Sexuality in Torikaebaya Monogatari” in Monumenta Nipponica Vol. 47, No. 3 (Autumn, 1992), pp. 347-368. Shah, Shalini. 1991. “Women and Sexuality in the Mahabharata” in Proceedings of the Indian History Congress, Vol. 52: 138-144. Srivastava, Manjari & Manjari Shrivastava. 2007. “Lesbianism in Nineteenth Century Erotic Urdu Poetry “Rekhti”” in Proceedings of the Indian History Congress, Vol. 68, Part One: 965-988 Book Shopping The Mysterious Case of the Victorian Female Detective by Sara Lodge Recent Lesbian/Sapphic Historical Fiction Dreadful Sorry, Clemintine (Clementine #2) by Genta Sebastian Steel on Distance by N.J. Knox A Djinn and Tonic (The Magical Underground #2) by Nan Sampson Gold and Grace by Eline Evans Like in Love with You by Emma R. Alban The Debutante Dilemma by author The Case of the Murdered Muckraker (Harriot Morrow Investigates #2) by Rob Osler What I've been consuming The Case of the Missing Maid by Rob Osler Saint-Seducing Gold by Brittany N. William A Plague on Both Your Houses by Susanna Gregory Earl Crush by Alexandra Vasti Murder by Memory by Olivia Waite Emma: The Nature of a Lady by Kate Christie The Scandal at Pemberley by Mara Brooks The Shocking Experiments of Miss Mary Bennet by Melinda Taub The Lady's Wager by Olivia Hampton Call for submissions for the 2026 LHMP audio short story series. See here for details. This month we interview M.K. Hardy and talk about: Needfire by MK Hardy (US availability is limited) MK Hardy is a nom de plume for Morag Hannah and Erin Hardee Adapting the gothic template for sapphic stories Why Scotland is the perfect setting for gothics The benefits and complications of writing as a team Forthcoming: The Haunting of Avis Lovelock A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page) Links to MK Hardy Online Website: https://www.mkhardywrites.com/ Twitter: @mkhardywrites Instagram: @mkhardywrites Bluesky: @mkhardywrites.com

As part of a year-long investigation, WSJ's Shalini Ramachandran and Betsy McKay have been reporting on two of the most commonly prescribed psychiatric medications in America: benzodiazepines and antidepressants. These drugs weren't intended for long-term use, but some Americans end up on them for years. Betsy and Shalini spoke to many patients who experienced the downsides. So a basic question popped up: Is America overmedicated? Further Listening: - A Quick Fix for Hair Loss Is Making Some Men Sick - Uncontrolled Substances, Part 1: Subscribe and Prescribe Sign up for WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shalini is a Nutrition Coach who helps busy professionals maintain healthy eating habits without the overwhelm. Unlike cookie-cutter programs, she creates personalized meal planning systems that adapt to chaotic schedules, work travel, and real-life demands. Her approach focuses on reducing the mental load around food decisions while building consistency in progression toward health goals, not forcing life to be consistent. She believes that sustainable nutrition should work with your lifestyle, not against it. Connect with Shalini Website: www.repeat-wellness.com Instagram: www.instagram.com/shalini_nutrition Where to connect with Andrea Website: https://andreaclaassen.com/ Instagram: https://instagram.com/seasonalandrea Perimenopause Support Quiz: https://quiz.tryinteract.com/#/681d3069f79fde0015c88d8c 5 Day Stillness Challenge https://andreaclaassen.com/sacred-stillness-challenge Andrea Claassen Bio Andrea Claassen is an Ayurvedic Wellness Counselor, RYT 500 hour yoga teacher, and personal trainer who has been in the wellness space since 2007. She specializes in perimenopause. Her mission is to help women learn how to slow down, tune in and connect to their inner wisdom. The three pillars she focuses on are movement, mindfulness & mother nature through an Ayurvedic lens. You can hear more from Andrea on her Peaceful Power Podcast where she aims to deliver actionable takeaways for you to live a more holistic lifestyle. Connect with Andrea on her website at www.andreaclaassen.com

How has the classical music industry approached representation and how has the new music community forged new paths to embrace diverse musics? On tonight's episode of Obbligato on APEX Express, Isabel Li is joined by violinist Shalini Vijayan, who discusses her vibrant career and reflects upon the ways contemporary classical music can build community.  Violinist Shalini Vijayan, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times is an established performer and collaborator on both coasts. Always an advocate for modern music, Shalini was a founding member and Principal Second Violin of Kristjan Jarvi's Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. Shalini was also a founding member of the Lyris Quartet, one of Los Angeles' most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series, for Jacaranda Music and helped to found the Hear Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles.  Shalini performed for over a decade with Southwest Chamber Music and can be heard on their Grammy nominated Complete Chamber Works of Carlos Chávez, Vol. 3. She has been a featured soloist with the Los Angeles Master Chorale in Chinary Ung's Spiral XII and Tan Dun's Water Passion, including performances at the Ravinia Festival. As a chamber musician, Shalini has collaborated with such luminaries as Billy Childs, Chinary Ung, Gabriela Ortiz, and Wadada Leo Smith on whose Ten Freedom Summers she was a soloist. Shalini joined acclaimed LA ensemble, Brightwork New Music in 2019 and also serves as the curator for Brightwork's Tuesdays@Monkspace series, a home for contemporary music and performance in Los Angeles. As a teacher, she has been on the faculty of the Nirmita Composers Workshop in both Siem Reap and Bangkok and coaches composition students through the Impulse New Music Festival.  Shalini received her B.M. and M.M. degrees from Manhattan School of Music as a student of Lucie Robert and Ariana Bronne. As a member of the New World Symphony in Miami Beach, Florida, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. Shalini was a member of the Pacific Symphony Orchestra for ten seasons and also served as Principal Second Violin of Opera Pacific. She lives in Los Angeles with her son, husband and two dogs and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  Check out more of her work at:  https://brightworknewmusic.com/tuesdays-at-monk-space/  https://www.lyrisquartet.com/    Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express.    00:01:03 Isabel Li  You're listening to Obbligato, which is a segment about the Asian American Pacific Islander community, specifically in classical music.  00:01:11 Isabel Li  I'm your host, Isabel Li, and today joining me is Shalini Vijayan, who is a violinist, established performer, and always an advocate for modern music.  00:01:21 Isabel Li  Shalini is also a founding member of the Lyris Quartet, one of Los Angeles most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series for Jacaranda Music, and helped to found the Here and Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles. She joined acclaimed LA ensemble Brightwork New Music in 2019, and also serves as the curator for Brightwork's Tuesdays at Monk Space series. She currently lives in Los Angeles with her son, husband and two dogs, and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  00:02:04 Isabel Li  Well, Shalini, thank you so much for joining me in this conversation today.  00:02:09 Shalini Vijayan  I'm so happy to be with you.  00:02:11 Isabel Li  Awesome. I'd like to just get to know you and your story. How do you identify and what communities do you consider yourself a part of?  00:02:18 Shalini Vijayan  I use the pronouns she, her, and I. Um, I identify as South Asian. I grew up in an Indian family. My parents immigrated to the US in the sixties to teach at medical school. And I grew up with a great deal of Indian culture. And I've spent a lot of time going back and forth to India from the time that I was very young. You know, it's interesting because I feel like in LA, where I live and work specifically, there is so much overlap between all of our different musical communities. You know, I went to school in New York, and I feel like there I was much more, I'm very connected to the new music community in New York and felt really kind of entrenched in that at the time I was there. And after coming to LA, I realized that, um, there are a lot of musicians doing so many different things. That's one of the things I love about Los Angeles, actually. And, you know, I'm definitely very, very rooted in the new music community in LA. And that was where I made my first sort of connections when I first moved to Los Angeles. But I also, you know, worked in an orchestra when I first came to LA. I played in the Pacific Symphony for almost ten seasons, and so I became a part of that community as well. And you know, as the years went on, I also became much more involved in the studio music community of LA studio musicians playing on movie scores, playing on television shows, records, what have you, Awards shows, all sorts of things. And these are all very distinct communities in LA in music. But I see a ton of overlap between all of them. There are so many incredibly versatile musicians in Los Angeles that people are able to really very easily move from one of these groups to the other and, you know, with a great deal of success. And I feel like it gives us so much variety in our lives as musicians in LA, you don't feel like you're ever just in one lane. You can really occupy all these different kinds of spaces.  00:04:23 Isabel Li  Right, yeah. So you're classically trained, from what I know, and you describe yourself as an advocate for modern music. So why modern music?  00:04:33 Shalini Vijayan  That's a great question. I have have had to answer this question quite a bit over the years, especially to non-musicians. And it's always an interesting story for me. You know, as a violinist in particular, you know, we have such a storied history of repertoire and pedagogy, and there is such an incredible, um, library of music that we have access to from the very standard classical repertoire. And there is a great deal to be learned about the instrument and about music from playing all that repertoire. I think at some point when I was in high school, I started to become interested in more modern music. And actually I grew up in Davis in Northern California.   My parents both taught at the university there, at the medical school and in Sacramento. Nearby there was a festival of modern American music that I think still goes on to this day at Cal State University, Sacramento. And it was really a great festival. And at that time, you know, they would bring professional artists, they'd have composers, they'd have commissions, all sorts of things. But at the time that I was like in high school, they also had a junior division to the festival, and I was asked to play a couple pieces in the Festival of, um, Modern Works, and I can't remember at this time what the pieces were, but it left such a huge impression on me. And I think what I really took away from that experience as a kid is that in my studies as a violinist, I was always being asked to sort of live up to this history and this legacy of violin music and violin playing in Western classical music. And it's a very high bar. And it's, um, you know, of course, there's so much great stuff there. But there was something so freeing about playing this music that had either never been played or not been recorded. So there was nothing to reference in terms of listening to a recording, um, and listening to how you, you know, quote, should be playing it that it made me feel, uh, you know, all this, this freedom to really interpret the music, how I felt, rather than feeling like I had to live up to a standard that had been set for me, you know, decades or centuries before. And I think that really something really clicked for me with that, that I wanted to have that kind of freedom when I, when I was playing. And so from there on out, um, you know, when I went to college and I really sought out opportunities in new music as much as I could.  00:07:00 Isabel Li  So you were first exposed to new music when you were in high school. Did that influence your decision to become a musician at all? Or were you already set on becoming a musician and that was just part of what shaped your works over the years.  00:07:15 Shalini Vijayan  I think by that time, I had already decided that I wanted to be a musician. I mean, as you know, so many of us as musicians and I think particularly string players, we decide so young because we start our instruments at such a young age and we start studying so early. Um, that I think by that time I, I had decided I wanted to do music, but this sort of opened another door for me that made me realize that it wasn't just one path in music necessarily. I think it's very easy as a, as a kid and as a violinist to think you admire these great soloists that you see and, you know, people like Perlman and, you know, Isaac Stern, who were the stars of the time when I was growing up. But, you know, you get to be in high school and you realize that hasn't happened yet. It's probably not going to happen. And so, you know, what's then then what's your path forward? How do you find a life in music if you're not going to be one of these stars? And I think, you know, new music really opened up that opportunity for me. And yeah, made me look at things a little differently for sure.  00:08:18 Isabel Li  And currently you're in the contemporary classical music ensemble, Brightwork newmusic, and you curate the ensemble's concert series, Tuesdays @ Monk Space. So how do you go about curating concerts with music by contemporary or living composers? What do you look for?  00:08:33 Shalini Vijayan  Well, right now I'm really focused on trying to represent our new music community in LA at Monk Space, which is such, you know, we have such a diverse community of musicians, not just in the makeup of who the people are making the music or writing the music, but also in just the styles of music. And so I think I try to really represent a very diverse set of aesthetics in our season. Um, you know, everything from, you know, last season we had, uh, Niloufar Shiri, who is a traditional Persian kamancheh player, but she also she can play very in a very traditional way, but she also plays with a jazz pianist. And, you know, it does all this very improvisatory stuff. And, you know, then we would have other programs where everything is very much written out and very through, composed and you know, it's been a very wide variety. And, you know, when I try to build the season, I try to make sure that it's really balanced in terms of, you know, the different types of things you'll be hearing because not every audience member is going to want to engage with every type of music. Um, or, you know, if we if we really stuck to one style and it was just in that language for the whole season, then I feel like we would, you know, alienate potential audience members. But with this, I feel like if we can bring people in for one concert and they're really into it, then hopefully they'll come to something else that is new and different for them and be exposed to something that they may really get into after that. So yeah, I think diversity and variety is really where I try to start from.  00:10:09 Isabel Li  How does that engage the community? Have you observed audience reception to this type of new music when there are composers from all different types of backgrounds?  00:10:20 Shalini Vijayan  Yeah, definitely. I mean, I think that each composer and each artist brings their own community into the space, which and so that's another. I feel like another strong reason why I try to make things very different from concert to concert. And, you know, we have some younger players who come in and bring in, you know, everyone from college students to, you know, their friends and family. And then, you know, really established composers. Like this season we have Bill Roper, who is kind of a legend in the music community in LA. Mult instrumentalist and composer who has been around for decades. And, you know, I think people will come out just because they want to see him and he's such a draw. And, um, you know, I, I also would love to be able to incorporate more world music into the series. Like I said, we did do Niloufar concert, which I felt like I really hoped would like engage with the Persian community in LA as well. And a couple seasons ago we had Rajna Swaminathan, who is, I just think, an incredible artist. Um, she plays mridangam, which is a South Indian percussion instrument, but she also writes for Western instruments, uh, and herself. And we had her and a pianist and then Ganavya, who's a vocalist who's amazing. And, you know, Ganavya had her own following. So we had and Rajna has her own following. So we had a whole full audience that night of people who I had never seen in the space before. And that was for me. That's a success because we're bringing in new friends and new engagement. And, um, I was really excited about that. When I'm able to make those kinds of connections with new people, then that feels like a success to me.  00:12:05 Isabel Li  Certainly.  00:12:06 Isabel Li  Let's hear one of Shalini's performances. This is an excerpt from the 10th of William Kraft's “Encounters”, a duologue for violin and marimba, performed here by Shalini Vijayan with Southwest Chamber Music.  00:12:20 [MUSIC – Encounters X: Duologue for Violin & Marimba]  00:17:18 Isabel Li  An excerpt from William Kraft's Encounters, the 10th of which is called Duologue for Violin and Marimba, that was performed by Shalini Vijayan, the violinist, with Southwest Chamber Music.  00:17:31 Isabel Li  And Shalini is here with me in conversation today. We've been discussing contemporary music and her involvement in the new music scene, specifically in Los Angeles.  00:17:40 Isabel Li  Music is all about community, drawing people together. So going back to how you describe yourself as an advocate for modern music, what are other ways that you have advocated for modern music besides curating the concert series?  00:17:53 Shalini Vijayan  Well, over the years, um, you know, I feel like in all the ensembles I've been in, there's been a real focus on commissioning composers and on performing works that have not been, uh, either performed or recorded before. And I feel like the only way to really get the music out there is to, obviously, is to play it and hopefully to be able to record it. We've worked especially with the lyrics quartet. We've worked with so many young composers in LA either just strictly, you know, contemporary classical composers or even film composers who, um, have works that they'd like to have recorded. And, you know, it's been great to see a lot of those people go on to really amazing things and to be a part of their journey, uh, and to help support them. And, uh, the other thing that the quartet has been heavily involved in and now Bright Work Ensemble has been involved in as well, is the Here Now music festival, which has been going on in LA for well over a decade now. We were involved in the first, um, seasons of that festival. We've been one of the resident ensembles since the very beginning, and that festival is dedicated to the music of LA and Southern California composers. And, um, we have a call for scores every year that we, the four of us in the quartet, are part of the panel that reviews all the scores, along with a lot of our other colleagues, um, who are involved with the festival, and Hugh Levick, who is the artistic director of the festival and has we've worked side by side with him on this for a very long time. And that's also been a fantastic avenue for, um, meeting new composers, hearing new works, having them performed. And the thing I always say about that festival every time it comes around, usually in the spring we have at least three concerts. It's this incredible coming together of the new music community in Southern California, where all these great composers and all these amazing players come together and play these series of concerts, because there's such a vast number of pieces that end up getting programmed. They can't rely on just like one group or one or two groups to play them. So it really pulls in a lot of players from all over town. And I don't know, it always just feels like a really fun time, a fun weekend for all of us to see each other and connect. And, um, and again, just build our community to be even stronger.  00:20:20 Isabel Li  That's really cool. How do you ignite interest in new music? Because this is a genre that I think is slightly underrepresented or just underrepresented in general in both the classical music community and the music industry as a whole.  00:20:35 Shalini Vijayan  That's a great question, and I think it's a really important question for our whole industry and community. How do you engage people in new music and get them into a concert? Um, you know, I think one of the biggest hurdles for classical music in general, I will say, um, when I talk to people about why they don't want to come to a concert or why they don't want to, you know, let's say, go see the LA Phil or, you know, wherever, whatever city they're in, the major cultural music institution. I think there is a misconception generally that, oh, it's, you know, I have to be dressed a certain way or I it's going to be really stuffy. And, um, I, you know, I don't know what to wear or I don't know how I'm supposed to dress or how I'm supposed to act when I'm in the concert. Am I going to clap at the wrong time? You know, is it going to be really long? And, you know, and I and I get it, you know, I mean, I understand why that would be uncomfortable for a lot of people.   And it's not, um, it's something that necessarily everyone has grown up with or that it's been a part of their life. So I think it's really up to us, as you know, when we're on the side of programming concerts or putting together festivals or whatever, um, that we make things more accessible in terms of, um, concert length and interaction with audience. And, um, you know, I think it's I know I've been told so many times and I really think it's important that I think audiences love it when performers talk to them, when they talk about the music and, and set things up for a listener. I think that puts a kind of context on things that makes it so much easier for perhaps a new audience member, someone who's never come to a concert before to feel at ease and feel like, okay, I know what I'm getting into.   One of our, actually our former executive director at Brightwork, Sarah Wass, who was fantastic, and I was very happy to work with when I was just starting out programming, Monk Space had the idea of putting on the program the running time of the pieces, and I think even that is just something that, like, can prepare people for what they're getting into when they're about to listen to something new. And in terms of the music itself, I think that if someone, especially a younger person, doesn't feel like they have any connection to Beethoven or Brahms or Mozart, they might actually feel more connected to someone who is their age or a little older.   Someone who has had similar life experiences to them, or grown up in the same era as them, rather than someone who grew up, you know, in the seventeen hundreds. You know, there can be more of a real connection there, and that that person is writing this music and reflection of their life and their experiences. And, um, you know, again, I think that kind of context is important for a listener. And yeah. And then just lastly, I would say also, I feel like our space at Monk space is very inviting. It's very low key. It's, um, you know, it's casual, it's comfortable. Role. Um, we have, you know, snacks and a bar and, you know, everyone is very relaxed at intermission and has a good time. And I mean, for me, every time we host one of those concerts, I feel like I'm hosting a little party, you know? That's what it feels like for me. And that's what I want it to feel like for the audience as well.  00:23:52 Isabel Li  That brings up a really good point in that new music can make classical music or a new classical music, contemporary music, more accessible to different audiences. And certainly I've definitely heard the complaint from people over the years about classical music being a little too uptight. Would you say that these are two different genres?  00:24:11 Shalini Vijayan  I think that there is overlap, and I think, you know, for an ensemble like ours, like Brightwork, we have chosen to make our focus new music. So that's our thing. That's what we do. Um, and, uh, all of our concerts and our programming reflect that. Very rarely do we do anything that's not considered a contemporary piece. Um, but, you know, if you do look at some of our major institutions, like I think the LA Phil and I think the San Francisco Symphony, um, earlier, you know, like in the nineties under MTT, really started to pave the way for incorporating contemporary music into a standard classical format. And, you know, I think that's been very important. And I think it's really changed the way that orchestras have programmed across the country. And there has been such a nurturing of contemporary music in larger spaces. Now that I think that kind of overlap has started to happen much more frequently. I think that in more conservative settings, sometimes there's pushback against that. And even even, you know, in some of the places that I play, you know, sometimes with with the lyrics quartet, um, we are asked to just purely program standard classical repertoire, and we will occasionally throw in a little short piece, you know, just to try and put something in there, you know, something that's very accessible. Um, and, uh, you know that we know the audience will like so that we can help them, you know, kind of get over that fear of connecting to a newer piece. And I, I think in some ways, that's where the path forward lies, is that we have to integrate those things, you know, in order to keep kind of the old traditions of classical music alive. I think we have to keep the newer tradition alive as well, and find a way to put them in the same space.  00:26:00 Isabel Li  I certainly agree with that.  00:26:01 Isabel Li  Let's hear more of Shalini's work in new music. This is a performance of the first movement of Atlas Pumas by Gabriela Ortiz. Violinist Shalini Vijayan is joined by percussionist Lynn Vartan.  00:26:18 [MUSIC – Atlas Pumas, mvt 1 by Gabriela Ortiz]  00:29:21 Isabel Li  The first movement of Gabriela Ortiz's Atlas Pumas played here by violinist Shalini Vijian, and Lynn Vartan plays the marimba.  00:29:30 Isabel Li  And Shalini is actually joining us here for a conversation about new music, performances, identity, and representation.  00:29:38 Isabel Li  Many Asian American Pacific Islander artists in music have varying relationships between their art and their identity. I was wondering, to what extent do you feel that perhaps your South Asian identity intersects or influences the work that you do with music?  00:29:54 Shalini Vijayan  Growing up, um, you know, I grew up in a in a university town in Northern California and, you know, a lot of highly educated and, you know, kids of professors and, you know, but still not the most terribly diverse place. And then going into classical music. And this was, you know, in the early nineties when I went to college, um, it still was not a particularly it was very much not a diverse place at all. And, um, there certainly were a lot of Asian students at, um, Manhattan School of Music where I did my my studies.   But I would say it was a solid decade before I was ever in any sort of classical music situation where there was another South Asian musician. I very, very rarely met any South Asian musicians, and it wasn't until I went to the New World Symphony in the early late nineties, early two thousand, and I was a musician there. I was a fellow in that program there for three years that I walked into the first rehearsal, and there were three other South Asian, I think, of Indian descent musicians in the orchestra, and I was absolutely blown away because I literally had not, um, other than here and there at some festivals, I had not met any other South Asian classical musicians.   So it was really like that was the hallmark moment for me. It was a really big deal. And coming with my family, coming from India, you know, there is such a strong tradition of Indian classical music, of Carnatic music and Hindustani music. And, um, it's such a long, long tradition. And, you know, the people who have studied it and lived with it are, you know, they study it their whole lives to be proficient in it. And it's such an incredible, incredible art form and something that I admire so much. And I did as a kid. Take a few lessons here and there. I took some Carnatic singing lessons, um, and a little bit of tabla lessons when I was very young. Um, but I think somewhere in middle school or high school, I kind of realized that it was, for me at least, I wasn't, um, able to put enough time into both because both of them, you know, playing the violin in a Western classical style and then studying Indian classical music require a tremendous amount of effort and a tremendous amount of study. And I at that point chose to go with Western classical music, because that's what I'd been doing since I was five years old. But there has always kind of been this longing for me to be more connected to Indian classical music. Um, I'll go back again to Rajna. When I presented Rajna Swaminathan on Monk Space a couple of years ago, it was a really meaningful thing for me, because that's kind of what I'd always wanted to see was a joining together of that tradition, the Indian tradition with the Western tradition. And, um, I'm so happy that I'm starting to see that more and more with a lot of the artists that are coming up now. But at the time when I was young, it just it felt almost insurmountable that to to find a way to bring the two together. And, um, I remember very clearly as a kid listening to this, um, there was an album that Philip Glass did with Ravi Shankar, and I thought that was so cool at the time. And I used to listen to it over and over again because I just again, I was so amazed that these things could come together and in a, in a kind of successful way. Um, but yeah, there is, you know, there there's a part of me that would still love to go back and explore that more that, that side of it. Um, and but I will say also, I'm very happy now to see a lot more South Asian faces when I, you know, go to concerts on stage and in the audience. And, you know, a lot of composers that I've worked with now, um, of South Asian descent, it's been, you know, I've worked with Reena Esmail and Anuj Bhutani and Rajna and, um, there's so many more, and I'm so glad to see how they're all incorporating their connection to their culture to, to this, you know, Western kind of format of classical music. And they're all doing it in different ways. And it's it's really amazing.  00:34:22 Isabel Li  That's fantastic.  00:34:24 Isabel Li  I was wondering if you could maybe describe what this merging or combination of different styles entails. Do you think this makes it more accessible to audiences of two different cultures?  00:34:36 Shalini Vijayan  For me, one example, before I started running the series at Tuesdays at Monk Space, Aron Kallay, who is our Bright Work artistic director, had asked me to come and do a solo show on Monk Space, which I did in November of 2019.  00:34:52 Shalini Vijayan  And at the time, I wanted to commission a piece that did exactly that, that, that, um, involved some sort of Indian classical instrument or kind of the language of Indian classical music. And so I actually did reach out to Reena Esmail, and she wrote me a very cool piece called blaze that was for tabla and violin. Um, and I really had so much fun doing that. And Reena, Reena really has a very fluid way of writing for the violin, which she actually was a violinist, too. So she's she's really good at doing that. But being able to write for any melodic instrument or for the voice, which she does quite a bit as well, and incorporating sort of the tonality of Indian classical music, which obviously has its own scales and, um, has its own harmonic, harmonic world that is different from the Western world, um, but finds a way to translate that into the written note notation that we require as, uh, Western classical musicians. And, you know, I think that's the biggest gap to bridge, is that in Indian classical music, nothing is notated. Everything is handed down in an oral tradition, um, over the generations. And for us, everything is notated. And in Indian classical music, you know, there's much more improvisation. And now, of course, with modern classical music, there now is a lot more improvisation involved. But in our old standard tradition, obviously there isn't. And in the way that we're trained, mostly we're not trained to be improvisers. And um, so it's it was great. She has a great way of writing so that it kind of sounds like things are being tossed off and sounding sounds like they're being improvised, but they are actually fully notated, um, which I really appreciated.  00:36:50 Isabel Li  Yeah.  00:36:51 Isabel Li  So your career has spanned orchestras, recording ensembles, chamber music. Having had so much experience in these types of performance, what does representation in classical music mean to you?  00:37:04 Shalini Vijayan  Well, representation is is very important because we're talking about a tradition that was built on white men from centuries ago, European white men. And and it's again, it's an incredible tradition and there's so much great repertoire. But I'm going to circle back to what you were saying or what you asked me about connecting to audiences and, you know, connecting to audiences with new music. It's I think people like to see themselves reflected in the art that they choose. They choose to consume. And, you know, whether that's movies or television or music, I think that's how you connect with your audience is by being a bit of a mirror.  I think the only way that we can really continue to connect with a diverse audience is by having that type of diverse representation on our stages and on our recordings. And again, also not just the people, but the types of music, too. You know, musical tastes run wide, genres run wide as well. And it's I think It's good for all of us to be exposed to a lot of different kinds of music, to figure out what we connect with the most. And, um, yeah, the only way we can do that is by really, you know, opening our arms to a, a much wider variety of styles of music. And so I, you know, I mentioned improvisation, improvisation earlier. And I think that is something that's now starting to happen so much more in modern classical music. And, you know, I think there's something about the energy that a player has when they're improvising that is maybe not something that an audience member could quantify verbally, but there's a looseness and a freedom there that I think, you know, for a lot of audience members, they probably really can connect to. And, you know, that's a lot of why people go and listen to jazz is because there's so much freedom and there's so much improvisation.   I've been very lucky to be able to work with, um, Wadada Leo Smith, who's a trumpet player and composer. I've worked with him for probably almost ten years now. And um, through Wadada, actually, I have learned to become much more comfortable with improvising on stage and not within a jazz language of any kind or any kind of harmonic structure necessarily, but within the language of his music, which is very unique and very open and very free and, um, but also has a really strong core in its connection to history. And, um, you know, he's written a lot of amazing works about the civil rights movement and about a lot of, you know, important moments in history for our country. And, um, that's been a real learning experience for me to connect with him in that, in that way and learn from him and learn to be more comfortable with improvisation. Because I think growing up, improvisation for me always meant jazz, and that was not a language I was comfortable in. And um, or even, you know, jazz or rock music or folk music or whatever, you know, it was just not something that came naturally to me as a kid to, I mean, I listened to all of it. I listened to everything when I was a kid, but I never played in any of those styles. And I think the older you get, the scarier it gets to start branching out in those ways. But, um, I think, uh, that's been a an incredible, like, new branch of my life in the last decade has been working with Wadada.  [MUSIC – “Dred Scott, 1857,” from Ten Freedom Summers, by Wadada Leo Smith]  00:42:23 Isabel Li  An excerpt of Wadada Leo Smith's music to give you a sense of the jazz influences in these types of contemporary new music pieces that also touch on pieces of history. This was an excerpt from his album, Ten Freedom Summers, which also consists of compositions based on pieces of American history. For example, what we just heard was from a piece called Dred Scott, 1857.  00:42:49 Isabel Li  Now that I realize that we've been having a conversation about new music, I realize that, hmm, when does new music really start? So if you take a look at maybe music history, when does new music really become new music?  00:43:07 Shalini Vijayan  I guess it depends on who you ask, probably. Um, it's it's pretty recent. You know, it has to be really legitimately pretty new. And, um, again, you know, if you ask an audience member, um, and I think of some of my friends or family who are maybe who are not musicians who come to concerts, and I'm always so interested in talking to them and hearing their opinions about things. Um, you know, they will listen to Bartok and say, oh, that sounds like new music to me. But, you know, Bartok, Bartok passed away a long time ago, and it's, you know, and for me, that's more like canon now. You know, that's like now for me, part of the the standard repertoire. But there was a time when Bartok was new music. And I think for, you know, maybe the listeners who are more comfortable with the very diatonic, you know, world of Beethoven, Brahms, Mozart, then something like Bartok really does sound so modern for me. Boy, maybe around the time that minimalism started, you know, John Adams and Steve Reich, Terry Riley, Philip Glass, all of that for me feels like maybe that's the older like the The edge of new music now even though that was that would be the eighties, probably seventies 80s, you know, but that we're talking about like, you know, fifty years ago. So yeah, I mean, it's not that new, but those are all still living composers. So maybe, maybe that's part of what it is for me is that it's the composers of our era, the composers who are alive, who we can communicate with and ask questions of. And, um, you know, at the very least, if you can't talk to John Adams, you can talk to somebody who has worked directly with him and get their impressions of how something should be played, um, as opposed to composers who have been gone for hundreds of years. And you can't have that level of communication with them. I think that, for me is what new music, new music is about. It's about working with living composers and, um, having that type of interaction.  00:45:15 Isabel Li  Yeah. So would the word or the phrase contemporary classical music, be a little oxymoronic in a sense?  00:45:26 Shalini Vijayan  No, I don't think so. I think it's still part of the same tradition. Um, yeah. I really do think it is, because I think there is a lineage there. Um, for a lot of composers, not all of them, um, that I mean, I think particularly if you're writing for, let's say, an orchestra or a string quartet or sort of one of these very standard classical ensembles. Um, even if you're writing in a very new language and you're writing in a very different way, I think there is still a through line to the canon of classical music. I guess for me, new music and classical music are not mutually exclusive. I think they can be the same. So I don't I don't think they're totally different. I think that there is a lot of a lot of overlap.  00:46:16 Isabel Li  For sure, considering how new music fits into the classical music or the classical music industry as a whole. Have you noticed any sorts of shifts in the classical music industry in the past several decades in regards to diversity, equity, inclusion? And have you just noticed any changes?  00:46:35 Shalini Vijayan  I have noticed some changes. I mean, I think that most organizations in this country are making an effort to be more inclusive in their programming now. And, um, you know, another another South Asian composer who I just think is fantastic is Nina Shekhar. And, um, she has had pieces played by the New York Phil for the last couple seasons. I mean, you know, so on on major, major stages, I feel like now I'm seeing more representation and that is definitely Encouraging and, um, you know, uh, same for Anuj and Rajna and Reena. They've all, you know, had their works done by major ensembles. And, um, I think I think there is definitely movement in that direction, for sure. I think it could always be more.   I think also for women and women composers, women performers, I think that has also always been a struggle to find enough representation of women composers and you know, especially if like as I mentioned before, when you're in a situation where an organization asks you to program a concert, like, let's say, for our quartet and wants much more standard repertoire than it does limit you, you know, how because there isn't much from the older canon. You know, there is. You know, there's Fanny Mendelssohn and Clara Schumann and, um, you know, I think in the last five to ten years they've both been played a lot more, which is great. But, you know, I think, uh, there's so many amazing female composers right now that I think are starting to get much more recognition. And I think that just needs to be more, more and more, um, but, uh, you know, that is why, again, like on those programs, sometimes we try to just sneak one modern piece in because it's important for those voices to be heard as well. But yes, I do see some forward movement in that direction with, um, classical programming. And, you know, you just have to hope that the intent is always genuine in those situations. And I think, um, you know, I think that's the most important thing. And giving a platform to those voices is really important.  00:48:59 Isabel Li  How would you go about arts advocacy during this current time when, well, the arts are being defunded and devalued by our current administration and how everything is going on right now?  00:49:10 Shalini Vijayan  Yeah, it's really, really difficult right now. And, um, you know, I think a lot of arts organizations are losing a lot of government funding. Obviously, I know of a couple projects that lost their NEA funding because of DEI, and which is so disheartening. And, um, I think, you know, there's going to be a lot of leaning on private donors to try and, uh, make up that difference or, you know, private foundations to make up the difference in funding, hopefully. And, um, uh, you know, it's yeah, it's scary. It's  a scary time. And I think, you know, even for private funding and, um, private donors, it's, you know, everyone is feeling stressed and feeling concerned about our future right now, just as a country. and there's so much uncertainty. And, um, but I think people who really rely on the arts for all the things that it can provide, you know, an escape and pleasure and, you know, stimulation of a different kind. And especially in a time like this, when you want to be able to get away from maybe what's going on around you, you know, I'm hoping we can find a way to really come together and, um, kind of, you know, rally around each other and find a way to support each other. But, um, I think it is going to be hard for the next few years if we can't find ways to replace that funding that so many people have lost. And I certainly don't think that anyone wants to back away from the progress that's been made with inclusion and representation, you know, just to get funding. So I know we have to be very creative with our path ahead and find a way to, to keep doing what we're doing in this current environment.  00:51:07 Isabel Li  Yeah, on a brighter note, I read about your work with Lyris Quartet earlier this year when you presented a concert with Melodia Mariposa called Altadena Strong with the Lyris Quartet, raising funds for those who have been affected by the LA fires. Can you talk a bit about the power of music? And we're going to end on a stronger note here about the power of music in bringing communities together and accelerating community healing.  00:51:31 Shalini Vijayan  Well, I have to say that concert was really a special one for us. You know, um, so many musicians were affected by the fires in LA. And, you know, I, I've lived in LA for over twenty years now, almost twenty five years and, um, certainly seen my share of wildfires and disasters, but this one hit so much more close to home than any of the other ones have. And, you know, I know at least twenty five people who lost their homes in between the Palisades and Altadena and Altadena in particular.   When I moved to LA, it was a place where a lot of musicians were moving to because you could it was cheaper and you could get a lot of space, and it's beautiful. And, you know, they really built a beautiful community there among all the musicians out there. And it's just heartbreaking, um, to see how many of them have lost everything. And I have to say, Irina Voloshina, who is the woman who runs Melodia Mariposa, and just an amazing violinist and an amazing, wonderful, warm, generous person. You know, she started that series in her driveway during COVID as a way to just keep music going during the pandemic, and it really turned into something so great. And she's, you know, got a whole organization with her now and puts on multiple concerts a year. And when she asked us if we would play that concert for the community in Altadena is, you know, there's no question that we were going to do it. I mean, we absolutely jumped at the chance to support her and support the organization and that community. And people really came out for that concert and were so excited to be there and were so warm and, um, you know, and and she talked to the crowd and really connected with everybody on a very personal level, because she also lost her home in Altadena and, um, you know, it was it was a really meaningful show for all of us. And again, those are the moments where you realize that you can use this art to really connect with people that you may have never met before and show your your love for them, you know, through music, as corny as that may sound, but it's true.  00:53:54 Isabel Li  Yeah, definitely. Well, thank you so much, Shalini, for sharing your visions, your knowledge with new music and community building with us today. Thank you so much for being on Obbligato.  00:54:07 Shalini Vijayan  Thank you so much for having me, Isabel. It was really a pleasure.  00:54:10 Isabel Li  What a wonderful conversation that was with LA-based violinist Shalini Vijayan. If you go to kpfa.org, you can check out more of her work. I put the links to two of her ensembles, Brightwork New Music and Lyris Quartet up on kpfa.org. And thank you for listening to our conversation here on Obbligato on Apex Express.  00:54:32 Isabel Li  We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:54:42 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 11.13.25 – Obbligato with Violinist Shalini Vijayan appeared first on KPFA.

Show Notes:The global climate movement/industry is not very inclusive; amongst other things it struggles with gender gap. This is especially true in a country like India where the climate industry, particularly the clean energy sector, suffers from a significant gender gap, with women severely underrepresented in technical and leadership roles. While women disproportionately bear the burden of climate change impacts, social and systemic barriers limit their participation in the very sectors that could offer solutions and economic empowerment.Along with several government initiatives focused on women's participation, there are several grassroots and third sector initiatives that are working towards building skills and capacity. One such initiative is Nadhi-SheforClimate a women-led initiative building climate resilience through human capital development. Nadhi works at the intersection of gender equity and climate adaptation by enabling women to enter and thrive in green careers building long-term individual and community economic resilience.They also support micro-entrepreneurs in climate-aligned sectors such as sustainable agriculture, clean energy, circular economy, and low-carbon servicesand help create community-driven knowledge networks.Nadhi is the brain child of Shalini Bharat Shalini Bharat a banker turned climate entrepreneur and social leader. After a 17-year career in finance, including serving as the COO of Corporate Bank at Deutsche Bank India, Shalini founded the climate community platform with a vision to empower 100,000 women to become climate leaders by the year 2030.Head to the podcast to hear Shalini talks about the motivations that spurred her to create a platform dedicated to increasing female representation in climate leadership, citing the overwhelming lack of women in decision-making roles within this critical field. She speaks about initiatives to facilitate capacity building, fostering community, and provide career support for aspiring female climate leaders. Shalini also speaks about the importance of partnerships in advancing these objectives, highlighting how collaborations with various organizations can amplify the impact of their mission. She also reflects on how authenticity and purpose are critical to driving meaningful change within the climate space.Shalini is also the founder of the circular economy startup The Kind BusinessTo learn more, head to the podcast

Barry's guest on the show this week is Shalini Mikos, Chair of the Executive Leadership Team for the Walk To End Alzheimer's on 11/1 at the Museum of the Shenandoah Valley.  Shalini brings a message to caregivers that they are not alone, that help and resources are available.  For more information or to sign up for the walk, log on to www.act.alz.org/nsv 

In this episode of “The Valley Today,” host Janet Michael welcomed Emily Rankin, Development Manager for the National Capital Area chapter of the Alzheimer's Association, and dedicated volunteer Shalini Mikos to discuss the upcoming Walk to End Alzheimer's in Winchester. The conversation highlighted the power of community, the importance of support for caregivers, and the hope that drives ongoing research and advocacy. The Mission of the Alzheimer's Association Emily opened the discussion by outlining the Alzheimer's Association's mission: to support the millions living with Alzheimer's and dementia, as well as the caregivers and families who stand by them. The organization offers support groups, a 24-hour helpline staffed by medical professionals, and is the third-largest funder of Alzheimer's research worldwide. Emily emphasized that the Association's work extends beyond those diagnosed, reaching the 13 million caregivers who often shoulder their responsibilities in silence. Personal Stories: From Caregiver to Advocate Shalini shared her personal journey, recounting how she first encountered the Alzheimer's Association through her work in community outreach. What began as a professional obligation quickly became a personal passion after participating in her first walk. As a caregiver for both her father and mother-in-law, Shalini found solace and strength in the community the walk provided. She now serves as chair of the local executive leadership team, helping others find the support she once needed. The Walk Experience: More Than Just a Fundraiser The Walk to End Alzheimer's is more than a fundraising event—it's a day of connection, remembrance, and hope. Shalini described the event's signature flower garden ceremony, where participants select colored flowers representing their personal connection to the cause. The ceremony culminates in a powerful moment as attendees raise their flowers together, symbolizing unity and shared purpose. The walk itself is accessible to all, with activities for children, support for champions who have raised significant funds, and opportunities to connect with local organizations. Resources and Support: No One Walks Alone Throughout the conversation, Janet, Emily, and Shalini stressed the importance of reaching out for help. The Alzheimer's Association provides free registration for the walk, a robust network of support groups, and a 24/7 helpline (800-272-3900) for those seeking information or simply someone to talk to. They encouraged listeners to check in on caregivers in their lives and to use the resources available, reminding everyone that facing Alzheimer's is a journey best taken together. A Call to Action As the conversation concluded, the guests urged the community to participate in the Walk to End Alzheimer's, whether by walking, fundraising, or simply showing up to support others. The event stands as a testament to the strength found in unity and the hope that, one day, a cure will be within reach. For more information, listeners were directed to the Alzheimer's Association website: https://www.alz.org/ and encouraged to get involved in any way they can.

Shift AI is brought to you by Clause, a legal AI platform, and is syndicated by GeekWire.In this episode of the Shift AI Podcast, Shalini Agarwal, VP of Product at Salesforce overseeing Slack's AI and search capabilities, joins host Boaz Ashkenazy to explore how AI is transforming workplace collaboration from the inside out. With 17 years of experience at Google and now leading AI innovation at one of the world's most widely used workplace platforms, Shalini offers unique insights into how billions of weekly messages are being augmented with intelligent agents and contextual AI.From her journey as a seasoned product manager to spearheading Slack's evolution into an agentic work operating system, Shalini reveals how teams are already using AI search, channel experts, and multiplayer agents to unlock institutional knowledge and streamline productivity. The conversation dives into the future of human-agent collaboration, the importance of contextual AI that works in the flow of work, and how Slack is positioning itself as the perfect platform for the next generation of workplace intelligence. If you're curious about how AI agents will reshape team productivity and what the future holds for contextual, collaborative AI experiences, this episode provides invaluable insights from someone building the future of work today.Chapters:[02:00] Shalini's Background and Product Management Evolution[04:43] Slack's AI Vision and Work Operating System[09:17] Real-World AI Integration Examples at Slack[12:26] The Power of Contextual AI in Workflow[13:56] Customer Adaptation and AI Journey Patterns[16:02] Agents vs Assistants: Understanding the Difference[18:14] Surprising Customer Use Cases and Open Text Box Innovation[21:22] Multiplayer AI Experiences and Team Collaboration[25:20] Security, Privacy, and Enterprise Data Protection[25:49] Multiplayer Native Agents Preview[27:44] The Future of Work: Agentic and ContextualConnect with Shalini AgarwalLinkedIn: https://linkedin.com/in/shaliniprofile/ Connect with Boaz AshkenazyLinkedIn: https://linkedin.com/in/boazashkenazy Email: info@shiftai.fm Shift AI is brought to you by Clause, a legal AI platform, and is syndicated by GeekWire.

Could the circular economy be the answer to climate change? Monocle’s correspondent in New Delhi, Lyndee Prickitt, meets India’s foremost expert on the circular economy, Shalini Goyal Bhalla. She is the managing director of think-tank International Council for Circular Economy and has written books on the subject. She tells us about the opportunities that moving towards a circular model would provide for business and innovation, as well as the planet.See omnystudio.com/listener for privacy information.

Our special guest today is Certified Fitness Trainer and Nutrition Coach, Shalini Blubaugh.  Moved with honesty and the Holy Spirit, Shal comes on to share her story about coming to know the Lord and how her relationship with Him is the foundation of health. She reminds us to follow the peace and to focus less on what we are doing, and more on who we are becoming. You won't want to miss this one!Links:Pray. Train. Grow. WebsitePray. Train. Grow. Instagram

Afsar | Written and Narrated by Shalini S SharmaShalinee Srivastava Sharma is an experienced social worker with over 13 years of dedicated service to the Economically Weaker Section (EWS) in schools and hospitals. Appointed by the Department of Education, she currently works as a social worker in a government school in Delhi.Holding a Master's degree in Business Economics, Shalinee's professional journey includes roles with a chartered accountancy firm and Indiabulls before she transitioned to the social sector.Born in Raebareli, Uttar Pradesh, and raised in Bathinda and Nangal (Bhakra Nangal Dam), Punjab, she spent three years in Chandigarh for work before settling in Delhi, where she has lived for the past two decades. Known for her compassion, curiosity, and commitment to meaningful change, Shalinee continues to work towards creating a positive impact in the community.Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ramrotiaaloo@gmail.com or WhatsApp at +91 9818098790.Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Take inspiration from the sample recording by narrator Munish (attached).Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!Cover: IrfanWe respect creative ownership. If you believe this is your work or if appropriate credit hasn't been given, kindly get in touch at ramrotiaaloo@gmail.comBECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv@oksbiPayPal ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠paypal.me/farah121116⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RazorPay etc ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://irfaniyat.stck.me/⁠⁠⁠

“All of this together shaped how I began to think about mind, not as something to be mastered, but as a landscape of the unspoken whether it was ghosts or griefs or desires that were hard to relinquish. I saw that the ghost was not always an ‘other'. It was often intimate, tied to lost ones, sometimes to unmet desires, to unbearable longings, but in some ways possession was an attempt to keep close what was slipping away. The ghost doesn't just haunt, it feels as if it wants something, and we just have to learn to develop ears to listen to what it wants.”  Episode Description: We acknowledge Loewald's concept of 'ghosts becoming ancestors' and consider the similarities and differences with those who hold 'ghosts' to be literal. Shalini shares with us her journey to open herself to the uncertainty and ambiguity of these externalized entities while appreciating both their cultural and intrapsychic sources. We learn of her family's involvement with exorcisms, especially her grandmother's "fearless warmth" and "empathy that saw beyond the terror of the ghosts." She considers the many facets of mind that are represented by 'ghosts' and the essential value of approaching them as guides to the "landscape of the unspoken." Shalini describes a long term engagement that she had with an individual who "taught me to receive the inchoate and horrific...to contain the brokenness and not interpret it away.. and to appreciate the glimpses of beauty in the most grotesque parts of self."   Our Guest: Shalini Masih, a psychoanalytic psychotherapist and writer, grew up in India amidst priests and healers, witnessing spirit possession and exorcism. Now based in Worcestershire, UK, she holds a Master's degree in Psychoanalytic Studies from Tavistock & Portman, London, and a PhD from the University of Delhi. Mentored by psychoanalysts Michael Eigen and Sudhir Kakar, she's an award-winning scholar of the American Psychological Association. She has taught and supervised psychoanalytic psychotherapists in Ambedkar University, Delhi and in Birkbeck, University of London. Her acclaimed paper, 'Devil! Sing me the Blues', was nominated for Gradiva Awards in 2020. Her debut book is Psychoanalytic Conversations with States of Spirit Possession: Beauty in Brokenness.  Recommended Readings: Kakar, Sudhir. Shamans, mystics, and doctors: A psychological inquiry into India and its healing traditions. Chicago, IL: University of Chicago Press, 1991.   Kakar, Sudhir. Mad and Divine. India: Penguin Books India, 2008.   Eigen, Michael. “On Demonized Aspects of the Self” In The Electrified Tightrope. Routledge. 2018.   Kumar, Mansi, Dhar Anup & Mishra, Anurag. Psychoanalysis from the Indian Terroir: Emerging Themes in Culture, Family, and Childhood. New York:Lexington Books, 2018.   Meltzer, Donald, and Williams, Meg H. The apprehension of beauty: The role of aesthetic conflict in development, art and violence. Karnac, London: The Harris Meltzer Trust, 2008.   Obeyesekere, Gananath. Medusa's Hair: An Essay on Personal Symbols and Religious Experience. Chicago, IL: University of Chicago Press, 1981.   Ogden, Thomas. This Art of Psychoanalysis—Dreaming Undreamt Dreams and Interrupted Cries. East Sussex: Routledge, 2005   Botella, Cesar, and Botella, Sara. The Work of Psychic Figurability: Mental States without Representation. Brunner-Routledge. Taylor and Francis Group: Hove and New York. 2005.   Winnicott. Donald W. “Transitional objects and transitional phenomena.”  International Journal of Psycho-Analysis, 34, (1953): 89–97

Send us a textLiz and Ashley are locked and loaded and ready to talk about everything This Monster of Mine by Shalini Abeysekara. Today's episode is the spoiler-y follow up to our spoiler FREE author interview that dropped last month for Shalini's big romantasy debut! Watch our Author Interview with Shalini Abeysekara here | https://youtu.be/dMoOSLW1vTE?si=5iTgTD7AOw5robs5We discuss the reasons this book is so unique, and unlike any other romantasy we've read… because it's a full-blown murder mystery with an Ancient Rome inspired setting! We also give you a mini summary of the book, our official star and spice ratings, drop some favorite quotes, and discuss our favorite and least favorite plot points and characters. And, don't worry! We've got a Disney / classic children's movie fave and fail and a smash or pass ranking of Prince Charmings and other more furry creatures.Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Check out This Monster of Mine, available now on Kindle and Amazon! | https://amzn.to/4jHpNZYWant MORE author interviews? ⬇️We interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Author Interview with Lindsay Straube of Split or Swallow! Now a Barnes & Noble & Amazon best seller titled: Kiss of the Basilisk!  https://youtu.be/fknhocSNIKMWatch our Author Interview with Indie Dark Romance Author Ember Nicole here | https://youtu.be/tHV9rXSTBpY?si=OwxdMVfPmtFkcYu6____YouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllixShop bookish apparel worn in this episode!Ashley is Wearing: A Hoodie From @TheLastBookstoreLiz is wearing: Fourth Wing “Conscription Day” sweatshirt from @thebeanworkshop | Use code: BOOKBESTIES10 to save!  | * https://thebeanworkshop.store/products/to-the-stars-who-listen-and-the-dreams-are-answered-tee-shirt?_pos=9&_sid=823f6afe6&_ss=rAny link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!YouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

If you've faced challenging or polarizing conversations lately, you likely know how difficult it can be to connect and cooperate with the person on the other side of that interaction.  In today's guided practice, Dr. Shalini Bahl invites us to explore our innate interconnectedness by recognizing our needs and those of others, so that we can be empowered to work together in new and creative ways that benefit all involved.  This meditation is part of our Powerful Women of the Mindfulness Movement series, where we're sharing guided practices from the women featured in our 2025 special edition of Mindful magazine.   If you'd like the transcription of this guided meditation, it will be online on Mindful.org next week.  Curious about the many benefits of being a member? Learn about our  subscription tiers and join Mindful here. Stay curious, stay inspired. Join our community by signing up for our free newsletter, where we share compelling insights and actionable ideas to enrich your everyday life. Connect with us at mindful.org/signup. Show Notes Find more from Dr. Bahl here. You can learn more about Shalini's story and how she leads through bringing mindfulness to organizations, marketing, and business on Mindful.org, where we interviewed her for our 2025 Powerful Women of the Mindfulness Movement feature. And more from Mindful here: More episodes of 12 Minute Meditation Let us know what you thought of this episode of 12 Minute Meditation by leaving a review or by emailing yourwords@mindful.org.

If you've faced challenging or polarizing conversations lately, you likely know how difficult it can be to connect and cooperate with the person on the other side of that interaction.  In today's guided practice, Dr. Shalini Bahl invites us to explore our innate interconnectedness by recognizing our needs and those of others, so that we can be empowered to work together in new and creative ways that benefit all involved.  This meditation is part of our Powerful Women of the Mindfulness Movement series, where we're sharing guided practices from the women featured in our 2025 special edition of Mindful magazine.   If you'd like the transcription of this guided meditation, it will be online on Mindful.org next week.  Curious about the many benefits of being a member? Learn about our  subscription tiers and join Mindful here. Stay curious, stay inspired. Join our community by signing up for our free newsletter, where we share compelling insights and actionable ideas to enrich your everyday life. Connect with us at mindful.org/signup. Show Notes Find more from Dr. Bahl here. You can learn more about Shalini's story and how she leads through bringing mindfulness to organizations, marketing, and business on Mindful.org, where we interviewed her for our 2025 Powerful Women of the Mindfulness Movement feature. And more from Mindful here: More episodes of 12 Minute Meditation Let us know what you thought of this episode of 12 Minute Meditation by leaving a review or by emailing yourwords@mindful.org.

In this special live episode recorded live from the AI Show at ASU+GSV, Dustin sits down with Dr. Shalini Gopalkrishnan—AI strategist at San Francisco Bay University—for a thought-provoking and practical look at how AI is reshaping the university experience. From tutoring and enrollment to mental health support and empathy-driven VR, Shalini shares how she's embedding AI into every corner of the campus ecosystem.This conversation covers both the bold possibilities and the essential guardrails needed as higher ed steps into a rapidly evolving AI landscape. It's a call to reimagine—not just digitize—the future of college.Guest Name: Dr. Shalini Gopalkrishnan, AI Strategist, San Francisco Bay UniversityGuest Social: LinkedInGuest Bio: Dr. Shalini Gopalkrishnan is an AI Strategist at San Francisco Bay University. She has been a serial entrepreneur , researcher, international speaker and author. Her research interests include Technology and analytics to build and accelerate social enterprises, public policy in entrepreneurship, women leadership and impact investing. - - - -Connect With Our Host:Dustin Ramsdellhttps://www.linkedin.com/in/dustinramsdell/About The Enrollify Podcast Network:The Higher Ed Geek is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too!Enrollify is made possible by Element451 — the next-generation AI student engagement platform helping institutions create meaningful and personalized interactions with students. Learn more at element451.com.Attend the 2025 Engage Summit! The Engage Summit is the premier conference for forward-thinking leaders and practitioners dedicated to exploring the transformative power of AI in education. Explore the strategies and tools to step into the next generation of student engagement, supercharged by AI. You'll leave ready to deliver the most personalized digital engagement experience every step of the way.Register now to secure your spot in Charlotte, NC, on June 24-25, 2025! Early bird registration ends February 1st -- https://engage.element451.com/register

Send us a textToday we have a very special spoiler free* interview with romantasy writer and Library Journal's science fiction / fantasy debut author of the month for February, Shalini Abeysekara! We chat all things This Monster of Mine to celebrate the release of her very first published book!(*Author interviews will always be spoiler free so everyone can enjoy them and determine whether or not to add these books to our never-ending TBR. So, proceed with absolutely NO caution!*)Pick up your paperback copy or kindle download of This Monster of Mine now @ Amazon! | * https://amzn.to/3EboNhLFollow Shalini on Instagram  ⁨@shalini.writes⁩ | https://www.instagram.com/shalini.writes?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==We discuss everything from what inspired Shalini to write a completely unique romantasy story inspired by Ancient Rome, how her background as a corporate lawyer informed her themes about justice and violence, which characters she most and least identifies with, and what it's like to write a murder mystery in a fantasy world. What are the themes and major takeaways of the book? Is there a sequel in the works? And what part did The Darkling (yes, that Darkling) play in all of this? And don't worry, Shalini spills all the behind the scenes intel on her faves and fails, This Monster of Mine edition, and participates in an on-the-spot smash or pass! Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)____Other Authors & Books Mentioned:Save the Cat by @JessicaBrodySeven Faceless Saints by @Mk_LobbThis Vicious Grace by Emily Thiede @ektwrites——YouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllixShop bookish apparel worn in this episode!Ashley is Wearing: A “The Right Way Isn't The Only Way” Fourth Wing Sweater from @TheBeanWorkshop (use our affiliate code “BOOKBESTIES10”)  | * https://www.thebeanworkshop.store/BOOKBESTIES1Liz is wearing: An Exclusive Besties and the Books Beanie (coming soon!) And a “Light it Up!” Crescent City Tee from @TheBeanWorkshop (use our affiliate code “BOOKBESTIES10”)  | * https://www.thebeanworkshop.store/BOOKBESTIES1Any link with an * is an affiliate link through the service Magic Links and is eligible for a commission to us with no extra cost to you. Thank you for helping support our podcast!YouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

In this episode of Own It, we sit down with San Francisco real estate powerhouse Shalini Sadda to uncover how she made the leap from biomedical engineering to luxury real estate—and built a business that's now scaling toward $100M in sales volume.Whether you're a new agent or seasoned pro, Shalini's journey is packed with honest insights about mindset, systems, and consistency. She breaks down how she overcame imposter syndrome, learned the power of time-blocking, and why joining the right team could be the smartest move for any agent ready to grow.

Breaking Barriers: Shalini Singh on Thriving in a Male-Dominated IndustryShalini Singh, Chief of Corporate Communications & Sustainability at Tata Power, is a force of impact and innovation. From leading award-winning initiatives like Club Enerji and Greenolution to earning a board seat at just 40, she has paved the way for change.In this conversation, she shares her journey of working in a male-dominated industry, the doubts she faced, and how listening became her biggest strength. A TEDx speaker and passionate sustainability advocate, she continues to drive real change—one initiative at a time.

Send us a text In this episode of Light Up Your Worth, host Debbie welcomes Shalini, a seasoned technology professional with 20 years of leadership experience who has transitioned into holistic wellness. Shalini shares her remarkable story of coming to the United States as a young immigrant, her journey in the male-dominated tech industry, and her passion for empowering girls to pursue STEM fields. She discusses her path to becoming a certified yoga and meditation instructor, as well as her pursuit of health coach and Reiki certifications. Through this inspiring conversation, Shalini emphasizes the importance of internal growth, the power of choice, and the significance of self-care and community support.  00:00 Introduction to Shalini's Journey02:04 Shalini's Early Life and Immigration Story05:32 Navigating Career and Cultural Expectations07:36 Challenges and Triumphs in the Tech Industry14:34 Empowering the Next Generation21:30 Discovering Holistic Wellness24:09 Discovering the Power of Breath Work25:28 The Journey to Certification26:19 From Student to Teacher27:18 The Impact of COVID-1930:42 The Importance of Small, Sustainable Habits32:35 Embracing Imperfections and Self-Worth34:37 The Role of Community and Relationships39:06 Holistic Wellness and Integrative Nutrition42:07 Final Thoughts and Contact InformationAbout Shalini:Shalini Thyagaraja, a seasoned technology professional with 20 years of leadership experience, is passionate about teaching in the community as a certified trauma informed yoga and meditation instructor, currently pursuing her health coach and Reiki energy healing certifications. She has coached over 100 individuals in yoga, pranayama, career development and holistic wellness while fundraising $1000+ for local nonprofits. She is also a panelist speaker in title one public schools through a n Thank you for tuning into another illuminating episode of Light Up Your Worth. Your presence here is a testament to your commitment to healing, personal growth, and self discovery. As we conclude, remember, your worth is innate, your light is powerful beyond words, and your potential is limitless.Remember, when you own your worth, your light shines with abundance. Until next time, let your inner light shine. Sending sunshine.Support the showI'd be honored to walk beside you in this intimate space through my monthly Light Up Your Worth Society soul circle. Come home to yourself and join our heart-centered community. Instagram: https://www.instagram.com/lightupyourworth YouTube: https://www.youtube.com/channel/Lightupyourworthpodcast Facebook Business Page: https://www.facebook.com/LightUpYourWorthwithDebbieMcAllister From my heart to yours, I'd love to invite you to support our podcast journey! If you've found value in our conversations and would like to share some love, you can treat me to a virtual coffee for just $5. It's a beautiful way to contribute whenever you feel called - no pressure, no commitments, just pure appreciation flowing both ways. https://www.buymeacoffee.com/lightupyrworth Spread your light with our soul family across 35 countries and beyond!

In this episode of 5 Minutes of Peace, we welcome Shalini, a multi-talented wellness practitioner and advocate for holistic healing. Shalini is a technology professional, a certified trauma-informed yoga and meditation instructor, an IIN health coach, and a Reiki-certified energy healer.Today, Shalini shares a heartfelt reading from the book Soul to Soul, compiled and edited by John Mundahl. The poem invites us to reconnect with our playful, authentic selves—the part of us that often gets buried beneath the weight of expectations and societal pressures. Through its powerful lines, the poem encourages listeners to choose a brighter, self-directed future and to find meaning and humanity even within structured systems.Shalini also reflects on the importance of honoring your individuality and embracing moments of quiet introspection to guide your path.To connect with Shalini, follow her on Instagram at @ShaliniThyagaraja or visit her website, www.mindspacejourney.org, where you can explore her wellness podcasts and discover resources for self-care and holistic healing.Learn more about The Peace Room Boise and its mission to foster growth and healing at www.ThePeaceRoom.love.#5MinutesOfPeace #HolisticHealing #WellnessJourney #KarunaReiki #ReconnectWithYourself

In today's interconnected yet paradoxically divided world, the path to understanding each other requires more than just good intentions. To truly connect and heal, we need something more: the cultivation of a deeper understanding. The path forward isn't about eliminating differences—it's about building bridges of understanding across them. In this gentle yet powerful meditation with Shalini Bahl, we experience how we are all shaped by our experiences, fears, and hopes. Deep understanding is like diving below the illuminated surface to deeper waters.  By understanding both what floats on the surface and what lies in the depths, we can begin to shift our habitual patterns and make choices that arise from genuine wisdom rather than reactive impulses. We're also celebrating the revival of Mindful Magazine with a special giveaway for our podcast listeners. Mindful Premium gives you a full year of access to the print magazine, plus our complete digital library of articles, meditations, courses, and more. Want a chance to WIN a free year of Mindful Premium? Simply visit: https://signups.mindful.org/win-premium/ and enter your email today. This giveaway is our way of saying thank you for being part of our amazing community. We can't wait for you to explore everything Mindful Premium has to offer! Stay curious, stay inspired. Join our community by signing up for our free newsletter, where we share compelling insights and actionable ideas to enrich your everyday life. Connect with us at mindful.org/signup.   Show Notes Find more from Shalini Bahl here: Shalini Bahl on Mindful.org Know Your Mind The Book: Return to Mindfulness   And more from Mindful here: More episodes of 12 Minute Meditation   Let us know what you thought of this episode of 12 Minute Meditation by leaving a review or by emailing yourwords@mindful.org.

Do you know why creativity is a key asset to founding a start-up? Discover the fascinating origins of the word for “start-up” in Chinese with ShaoLan and today's special guest, advisor to the Mayor of London Shalini Khemka. ✨ BIG NEWS ✨ Our brand new Talk Chineasy App, is now live on the App Store! Free to download and perfect for building your speaking confidence from Day 1. portaly.cc/chineasy Visit our website for more info about the app.

Advisor to the Mayor of London, Shalini Khemka is today's special guest. ShaoLan shares with her the way to say “judge” in Chinese and the different uses of the word when compared with the literal translation in English. ✨ BIG NEWS ✨ Our brand new Talk Chineasy App, is now live on the App Store! Free to download and perfect for building your speaking confidence from Day 1. portaly.cc/chineasy Visit our website for more info about the app.

Find out the word for “member” in Chinese with Shalini Khemka. She is a member of some amazing groups, including the Mayor of London's advisory board, the National UK Business Awards and the Great British Entrepreneurship Awards. ✨ BIG NEWS ✨ Our brand new Talk Chineasy App, is now live on the App Store! Free to download and perfect for building your speaking confidence from Day 1. portaly.cc/chineasy Visit our website for more info about the app.

What do you do when your company is faced with a terrible and publicly visible circumstance? Whether it is intentional or unintentional. How do you respond to such an situation?Our guests today is Dr. Shailandra and Dr. Shalini Jain, who share the lessons learned and their 8 principles from their book Managing Brand Transgressions. TODAYS WIN-WIN: Transgressions happen to brands of all shapes and sizes, knowingly, and unknowingly. The 8 principles in their book provide best practices for action when a transgression inevitably happens.   LINKS FROM THE EPISODE:You can visit our guest's website at: https://brandtransgressions.com/Get a copy of our guests' book here: CLICK HERE.Attend our Franchise Sales Training Workshop:  https://bigskyfranchiseteam.com/franchisesalestraining/If you are ready to franchise your business or take it to the next level: CLICK HERE.Connect with our guest on social:https://www.linkedin.com/in/shalini-s-jain-18867b9/ABOUT OUR GUESTS:Dr. Shalini Sarin Jain is an Associate Professor of Management at the Milgard School of Business, University of Washington, Tacoma. She has published articles in leading management journals. She has extensive industry, government, and non-profit experience leading and providing consulting services to state, county, and city governments.Dr. Shailendra Jain is a Bret Wheat Endowed Professor of Marketing and International Business at the Foster School of Business, University of Washington, Seattle. He has extensive publishing and editorial experience in top marketing journals and has won many executive and graduate (MBA) teaching awards. Prior to his academic career, he worked in sales, brand management, advertising, and general management, and is associated with several noted marketing campaigns.ABOUT BIG SKY FRANCHISE TEAM:This episode is powered by Big Sky Franchise Team. If you are ready to talk about franchising your business you can schedule your free, no-obligation, franchise consultation online at: https://bigskyfranchiseteam.com/.

Welcome to The Profit Talk! In this show, we're going to help you explore strategies to help you maximize profits in your business while scaling and creating the lifestyle that you want as an entrepreneur. I am your host, Susanne Mariga! I'm a CPA, a Fractional CFO, and a Certified Profit First Professional Mastery Level providing tax strategies to 7 and 8-figure entrepreneurs. Let's dive into strategies to maximize profits in your business!  In this episode, we explore the intersection of consumer psychology, brand management, and Diversity, Equity, and Inclusion with Dr. Shailendra Pratap Jain and Dr. Shalini Sarin Jain. Shailendra, an award-winning professor at the Foster School of Business, shares insights from his groundbreaking work in marketing and brand transformation. Shalini, a leader in DEI and a management professor at the Milgard School of Business, discusses her impactful research on gender representation, corporate ethics, and social responsibility. Together, they reveal principles for navigating brand crises and creating socially responsible strategies that drive impact and innovation. Key Topics Covered: Shailendra and Shalini's co-authored book, Managing Brand Transgressions: 8 Principles to Transform Your Brand. Real-world examples of rebuilding trust in brands after crises. The evolving landscape of Diversity, Equity, and Inclusion in business. How ethical leadership influences corporate strategy and culture. This conversation is a must-listen for business leaders, marketers, and anyone passionate about meaningful change in the business world. Connect with them at https://brandtransgressions.com/   Visit my FREE Facebook Group, The Profit First Masterclass, where I'll be sharing additional exclusive trainings to members of the community.   If you're excited about what's next for your business and upcoming episodes, please head to our itunes page and give us a review! Your support will help me to bring in other amazing expert interviews to share their best tips on how to powerfully grow in your business!  DISCLAIMER: The information contained within these videos is provided for informational purposes only and does not constitute, an accountant-client relationship. While we use reasonable efforts to furnish accurate and up-to-date information, we assume no liability or responsibility for any errors, omissions, or regulatory updates in the content of this video. Any U.S. federal tax advice contained within is not intended to be used for the purpose of avoiding penalties under U.S. federal tax law. 

**5 MINUTES OF PEACE** | **Reading by Shalini** | Created by The Peace Room, BoiseIn this peaceful episode, Shalini, a technology professional and holistic wellness coach, reads *Your Journey Inward* by Swami Rama, from the book *Soul to Soul*, compiled by John Mundell. This insightful poem reminds us that true self-discovery happens through meditation—a journey beyond thoughts and emotions, where we cast aside labels and opinions imposed by others. Meditation, Swami Rama explains, allows us to transcend the world of thought, behavior, and emotion, leading to a transformation within ourselves. The journey to truth, as the poem beautifully puts it, is "from the alone to the alone." This inward journey doesn't change the universe—it changes you.Shalini shares her vision of empowering individuals through holistic wellness, weaving together global wisdom on meditation, self-care, and healing. You can connect with her on Instagram (@ShaliniThyagaraja) or visit her website at www.mindspacejourney.org.5 MINUTES OF PEACE is created by **The Peace Room Boise**—a space dedicated to enhancing inner peace through immersive healing experiences. For more, visit www.thepeaceroom.love.#Meditation #HolisticWellness #SelfCare #PeaceRoomBoise #5MinutesOfPeace

In this thought-provoking episode of Partnering Leadership, Mahan Tavakoli speaks with Shailendra Pratap Jain and Shalini Sarin Jain, co-authors of the book Managing Brand Transgressions: 8 Principles to Transform Your Brand. With decades of research and leadership experience, the Jains share compelling insights into how organizations can navigate brand crises with integrity and build resilience for the long term.The conversation dives deep into the principles that distinguish brands like Tylenol, Patagonia, and Ben & Jerry's as models of authenticity and trust. Shailendra and Shalini reveal why managing brand transgressions goes beyond crisis management—it's about embedding empathy, accountability, and transparency into the very fabric of leadership and culture. Drawing on examples from global brands, they dissect what happens when organizations prioritize profits over principles and offer actionable strategies to strike the right balance.As CEOs and senior executives face an age of hyper-connected digital transparency, this episode offers practical lessons on how to build trust and recover from missteps while strengthening your organization's brand identity. Whether you're leading a small team or steering a multinational corporation, Shailendra and Shalini's insights will inspire you to rethink your approach to brand management in today's complex landscape.Actionable Takeaways:Discover why addressing the pain of victims is the most critical first step in brand crisis management—and how few companies actually get it right.  Learn the "gold standard" principles from Tylenol's crisis response that can guide your organization in times of uncertainty.  Hear how Patagonia and Ben & Jerry's have successfully aligned their brand values with their business strategies, creating deep loyalty and lasting impact.  Uncover the risks of avoiding transparency in today's digital age and why attempting to conceal mistakes often results in far greater consequences.  Explore how leadership tone at the top shapes middle management and employee responses during crises, for better or worse.  Find out how empowering employees with transparency and autonomy can turn them into frontline advocates for your brand, even during challenging times.  Understand why balancing principles and profits is not just a moral dilemma but a strategic necessity in building sustainable brands.  Learn how companies like Apple have turned public backlash into a moment to reinforce their brand authenticity and regain trust.  Gain insights into the leadership actions that can prevent your organization from becoming a cautionary tale, even before a crisis hits.  Connect with Shailendra Pratap Jain and Shalini Sarin JainBrand Transgressions Website Shailendra Pratap Jain LinkedIn Shalini Sarin Jain LinkedIn  Connect with Mahan Tavakoli: Mahan Tavakoli Website Mahan Tavakoli on LinkedIn Partnering Leadership Website