Podcasts about negritude

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokhaya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokhaya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal's literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l'aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don't try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover's Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y'a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo's own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo's film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism

Depois do primeiro episódio em que ouvimos falar sobre livros portugueses que contribuíram para o processo revolucionário do 25 de Abril, vamos agora focar a nossa atenção na literatura anticolonial, cujos contornos são mais internacionais, mas mais difíceis de definir. A lista de livros a discutir começa pelas obras do jornalista Basil Davidson da década de 1950, do antropólogo norte-americano Marvin Harris, Portugal's African "Wards" - A First-Hand Report on Labor and Education in Moçambique (1958) e de James Duffy, Portuguese Africa (1959). A esta configuração anglo-americana pertencem, igualmente: o livro do jornalista português António de Figueiredo, que terá sido ajudado, tanto por Harris como por Davidson, na publicação do seu livro intitulado Portugal and its Empire: the Truth (1961); bem como o de Perry Anderson, Portugal and the End of Ultra-Colonialism (1962). Do lado francês, a revista Présence Africaine acolheu nacionalistas angolanos nas suas lutas pela independência, como foi o caso de Mário Pinto de Andrade e do escritor Castro Soromenho. O Padre Robert Davezies, conhecido por ter denunciado as atrocidades da Guerra da Argélia, emprestou a sua voz à causa de Angola, num primeiro livro Les Angolais (1965), a que se seguiu La Guerre d'Angola (1968). São também lembrados os textos de dois combatentes pela libertação da Guiné e de Moçambique: é o caso de Amilcar Cabral, que escreveu a introdução à obra de Basil Davidson, The Liberation of Guiné: Aspects of an African Revolution (1969), bem como de Eduardo Mondlane, The Struggle for Mozambique (1969). Nesta sequência, é ainda considerada a intervenção do Padre Hastings na denúncia do massacre de Wiriamu, ocorrido em 1972. São ainda referidas obras mais dispersas e até de certa forma híbridas, como é o caso de ‘Negritude e humanismo’, um opúsculo publicado pela Casa dos Estudantes do Império em 1964, de Alfredo Margarido. O escritor e investigador construiu uma articulação rara entre produção literária e investigação histórica e antropológica. Esta última tinha, aliás, raízes na criatividade dos surrealistas, representados na passagem de Cruzeiro Seixas por Angola, iniciada na década de 1950. Paralelamente, a tradução portuguesa de Os condenados da terra de Frantz Fanon, com prefácio de Jean-Paul Sartre, aponta para um outro facto editorial conseguido na contra-corrente da censura, em meados da década de 1960. O debate é moderado por Isabel Castro Henriques e conta com a participação de Aurora Santos, Bernardo Cruz, José Augusto Pereira, Manuela Ribeiro Sanches, Nuno Domingos e Víctor Barros. See omnystudio.com/listener for privacy information.

Toussaint St. Negritude is a poet, teacher and musician who has chosen his own path and his own name. In this episode, Toussaint speaks about fierceness as a survival tool for Black queer men, like him, who were out and gay in the 1970s.Homegoings is a production of Vermont Public. Follow the show here.This episode was hosted and reported by Myra Flynn and edited by Aaron Edwards, with production support from Mike Dunn and James Stewart, our associate producer. Myra composed the theme music with other music by Toussaint St. Negritude and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode's Homegoings artist portrait.Thank you for listening. You can see a video version of this episode on our YouTube channel.To continue to be part of the Homegoings family: Subscribe to our YouTube channel Sign up for the Homegoings newsletter Write to us at: hey@homegoings.co Follow us on Instagram @wearehomegoings Make a gift to continue elevating BIPOC storytelling Tell your friends, your family or a stranger about the show! And of course, subscribe!

Nesse episódio do Lombada, reunimos o multiartista J. Cunha e o designer Rodrigo Rosm em uma conversa sobre design, ancestralidade e espiritualidade. Natural de Salvador, J.Cunha foi responsável pela criação da identidade visual do bloco Ilê Aiyê, considerado o primeiro bloco afro do país. O carioca Rodrigo Rosm é artista e editor, além de designer, e criou o curso livre chamado "Negritude no fio da História do Design". Lombada é uma produção original do Clube do Livro do Design. Esta temporada foi realizada com o apoio da KUYA - Centro de Design do Ceará, espaço que integra a Rede Pública de Equipamentos Culturais da Secretaria da Cultura do Ceará (Secult), gerido em parceria com o Instituto Mirante de Cultura e Arte. Ao longo dos quatro episódios dessa temporada, você vai acompanhar discussões que ampliam os temas abordados no Festival KUYA de Design Sul-Americano, realizado em setembro de 2024.  

A Unidos da Tijuca leva para o carnaval de 2025 o samba-enredo “Logun-Edé: Santo Menino que velho respeita”, referência a um Orixá com as cores e a alma da escola. Na terceira reportagem especial da série, a Rádio UFRJ conversou com o carnavalesco Edson Pereira sobre o que a agremiação prepara pra apresentar na Sapucaí.Entrevistadores: Maria Clara Anselmo e Pedro GadelhaRoteiro: Pedro Gadelha Locução: Pedro Gadelha e Julia Herrera Produção: Maria Clara Anselmo  

Começou o carnaval no Lado B! No primeiro bloco, recebemos os pesquisadores Sthefanye Paz e Felipe Tinoco para um papo sobre o enredo da Mangueira 2025“ À Flor da Terra – No Rio da Negritude entre Dores e Paixões”, que falará da herança dos povos bantus na cidade do Rio. No Caô da Semana, a contradição do discurso e da festa em perspectiva com o descaso e desrespeito à vida dos trabalhadores e trabalhadoras do Carnaval, com o incêndio na fábrica de fantasias em Ramos.

Na folia de 2025, a Estação Primeira de Mangueira conta a contribuição desses povos africanos para a formação da identidade carioca. O enredo “À Flor da Terra: No Rio da Negritude entre Dores e Paixões” irá contar como seus saberes resistiram e moldaram muito do que conhecemos da cultura do Rio de Janeiro. Ouvimos a enredista da Mangueira, Sthefanye Paz, que explicou conceitos como o de "ciclo bakongo" e expressões como "zungus".É o primeiro episódio da série Desvendando Enredos, que vai contar as histórias por trás dos desfiles das 12 escolas de samba do Grupo Especial do Rio neste carnaval.Entrevistadores: Maria Clara Anselmo, Ana Beatriz Macedo e Caio MauésRoteiro: Ana Beatriz MacedoLocução: Ana Beatriz Macedo e Julia HerreiraProdução: Maria Clara Anselmo Edição: Thiago Kropf

O intelectual brasileiro é descrito em pesquisa realizada no Instituto de Estudos Brasileiros (IEB) da USP como um grande ator da representatividade negra na universidade.

O intelectual brasileiro é descrito em pesquisa realizada no Instituto de Estudos Brasileiros (IEB) da USP como um grande ator da representatividade negra na universidade.

O Centro Cultural Banco do Brasil do Rio de Janeiro recebe, a partir de 3 de fevereiro, o “Projeto Memória Lélia Gonzalez: Caminhos e Reflexões Antirracistas e Antissexistas”. A iniciativa é financiada pela Fundação Banco do Brasil e produzida pela Associação Amigos do Cinema e da Cultura. Também fazem parte da programação uma série de debates sobre o pensamento decolonial e a influência na luta contra o racismo e o sexismo desta intelectual negra, que estaria completando 90 anos, além da exibição de um videodocumentário sobre a vida da ativista. Entre as palestrantes confirmadas, estão nomes como a escritora Conceição Evaristo e a filósofa Sueli Carneiro. Na reportagem, ouvimos Cléo Assis, produtor executivo do projeto. Saiba mais acessando a página: https://projetoleliagonzalez.com.br/site/Reportagem: Isabela LimaEdição: Gabriel Góes

O que a precarização do trabalho doméstico e o consumo de alimentos ultraprocessados têm em comum? Na Festa Literária das Periferias (Flup) 2024, um debate intitulado “Comer é um Ato Político: Alimentando a Revolução” reuniu três mulheres para responder à questão: a martinicana e vice-prefeita de Paris, Audrey Pulvar, a chefe de cozinha Bela Gil e a ativista na causa das trabalhadoras domésticas, Creuza Maria Oliveira. A conversa tratou da dificuldade que, especialmente, mulheres negras e trabalhadoras enfrentam para ter uma alimentação de qualidade, sobretudo, quando lidam com dupla ou tripla jornada. A mediação foi da jornalista francesa Rokhaya Diallo.A Flup 2024 foi realizada no Circo Voador, na Lapa, entre os dias 11 e 17 de novembro, e teve a UFRJ como parceira. Nossa equipe de reportagem esteve no evento e acompanhou os bastidores.Reportagem: Letícia AcuyEdição: Vinícius Piedade

“Deus também precisa ser descolonizado”. Como esta afirmação nos ajuda a pensar sobre racismo e etnocentrismo? O tema foi discutido na Festa Literária das Periferias (Flup) 2024. A escritora e professora ganense Abena Busia, ex-embaixadora de Gana no Brasil, a filósofa francesa Nadia Yala Kisukidi e a professora francesa nascida em Camarões, Olivette Otele, falaram sobre a perseguição contra acadêmicas periféricas e progressistas. Na plateia, a tocantinense Ana Cleia Kika relatou a experiência de acompanhar a conversa.Reportagem: Letícia AcuyEdição: Gabriel Góes

Registrar as próprias vivências e promover reflexões coletivas sobre elas é uma das lutas de artistas e intelectuais que participaram, em 2024, da Festa Literária das Periferias (Flup). A reportagem ouviu Ana Flávia Magalhães Pinto, diretora geral do Arquivo Nacional, Catia Antonia da Silva, professora da Universidade do Estado do Rio de Janeiro (UERJ), e Néa Leal, professora da Rede Municipal.Reportagem: Félix FonsecaEdição: Vinicius Piedade

A proteção à infância foi um dos temas abordados na Festa Literária das Periferias de 2024. A conversa teve a presença da professora Vanda Machado, da coordenadora da rede de mulheres indígenas do estado do Amazonas, Socorro Baniwa, e da escritora Dandara Suburbana. O nome da mesa “É preciso uma aldeia inteira para educar uma criança” se inspirou em um ditado africano para pensar a dinâmica de povos racializados de cuidado com os mais novos. A mediação foi da jornalista Maria Eduarda Nascimento.Reportagem: Letícia AcuyEdição: Vinícius Piedade

Em 2024, nossa reportagem acompanhou a Festa Literária das Periferias (Flup), que prestou homenagem à historiadora e escritora sergipana, destacando a importância da mulher negra para a formação e para a cultura do país. Na reportagem, ouvimos as poetisas Anajara e Jocélia Fonseca.Reportagem: Maria Fernanda Imbelloni e Mariana AssisEdição: Vinicius Piedade

Class: The Afrocentric Paradigm Written by: Rev. Renaldo McKenzie, PhD Student Professor: Dr. Ama Mazama Date: October 31, 2024 Topic: Presentation on Afrocentrism and Afrocentricity: How does Sara Balakrishnan Approach Afrocentrism and Afrocentricity? How does she differentiate between the two? Recently, there was a discussion in one of the classes at Temple University in the Africology and African American Studies Department about who is “Afrocentric” or not, based on various measures of what is employed by the student in his/her own understanding of the texts concerning the foundations of knowledge and the corruption of cultures which persist. In fact, what seemed to have been unclear among the students was whether there was any difference between “Afrocentrism” and “Afrocentric.” Yet, no one mentioned “Afrocentrism”. Instead, the students, in my estimation, spoke of “Afrocentricity” as the highest political tradition of “Afrocentrism” or African liberation. Some students argued that Dubois was not “Afrocentric,” and Fanon was also because they were not centered on Africa and still relied on European traditions within their strategies. It was as if Dubois and Fanon were not significant because they were not “Afrocentric” enough. Regardless, what they were was part of a tradition we call “Afrocentrism”. Sarah Balakrishnan attempted to delineate between “Afrocentricity” and “Afrocentrism” in her article entitled, “Afrocentrism Revisited,” Africa in the Philosophy of Black Nationalism.” She does not make the mistake of downplaying the contributions of any to our history. However, it discusses the history and development of Africa and its struggle for liberation within the historical context. In a sense, Balakrishnan attempted to reconcile the divide between those who advocated for one kind of liberation and “Africanism” or “Africanity” for another and brought clarity to the debate by suggesting where and when “Africanism” and its rich tradition begins: transcending “Afrocentricity” to considering the rich historical and political traditions and contributions towards African liberation starting with the first evidence of African civilization. Balakrishnan's approach is macroscopic and broad or considers the general and the whole instead of looking at particulars or aspects of “African” reality to make the tradition and experience inclusive. Nevertheless, she makes a comparison between the whole/general that is “Afrocentrism” and the particular that is “Black Nationalism” and “Afrocentricity”. Balakrishnan splits “Afrocentrism” into political traditions or movements such as “Black Nationalism”/Garveyism and “Afrocentricity” or the “Afrocentric” movement, etc. In terms of describing “Afrocentrism” within the tradition or movement of “Black Nationalism”, Balakrishnan uses a Marxist notion of self to conceptualize how, through strategies or systematic means, Africans became dispossessed of self. So, the repossession of self through self-discovery and developing a consciousness of resilience defined the black nationalist movements of the 19th and early 20th century: Pan African Movement, Garveyism, Negritude, the Black Panther, and (Independent) Movements. According to Balakrishnan, In this sense, Afrocentrism belonged to a political tradition known as Black nationalism, having formed one of its earliest variations. Unlike in the European mold, the nation of Black nationalism did not emerge technocratically with the modern state. Rather, on the collective level, Black nationalism has concerned the African's dispossession of the self: an ontological alienation consequent of the continuous subordination of Black life to capital, whether through slavery, colonization, or apartheid. In the pursuit of self-repossession (self-sovereignty), Black nationalism seeks to infuse Blackness with meaning and personhood, with liberty and destiny. Renaldo discusses the full paper at https://anchor.fm/theneoliberal. Subscribe for free! --- Support this podcast: https://podcasters.spotify.com/pod/show/theneoliberal/support

Letramento racial e valorização da cultura e do povo negro são temas que permearam a Festa Literária das Periferias, realizada em novembro. Uma das mesas partiu do pensamento de Leda Maria Martins, ensaísta brasileira que traz a encruzilhada como metáfora para compreender a cultura afro-brasileira, considerando diferentes tradições, histórias e identidades que se cruzam. Ouvimos as participantes, a escritora mineira Cidinha da Silva, autora dos premiados “Um Exu em Nova York” e “O Mar de Manu”, a escritora cubana Teresa Cárdenas, reconhecida por sua literatura infantojuvenil que aborda temas como racismo, identidade e a herança africana, e a mediadora, Angélica Ferrarez, ativista acadêmica, feminista negra e professora.Reportagem: Maria Fernanda ImbelloniEdição: Vinícius Piedade

O fato de termos que, até hoje, reparar e debater sobre a raça do possível autor brasileiro mais conhecido do país diz o que sobre o racismo no Brasil? Entrevistados: Paulo Dutra Participação especial: Bel Santos Mayer e Estevão Ribeiro Quem faz o Quarta Capa: Apresentação, produção, roteiro e pré-edição: Tatiany Leite  Edição e tratamento do som: Maurício Caetano Apoio de produção: Amanda Azevedo Artes: Andressa Licka Shimizu, Mariana Neves, Tamires Mazzo

Do you need black skin to be Black? How might concepts such as white privilege be limiting our understanding of how racism works? In Episode 117 of Overthink, Ellie and David chat with philosopher Lewis Gordon about his book, Fear of Black Consciousness. They talk through the history of anti-Black racism, the existential concept of bad faith, why Rachel Dolezal might have Black consciousness, and Frantz Fanon's experience of being called a racial slur by a white child on a train. From the American Blues to the Caribbean movement of Negritude, this episode is full of insight into Black liberation and White centeredness. In the bonus, Ellie and David go into greater detail about how Black liberation is connected to love.Check out the episode's extended cut here!Works Discussed: Steve Bantu Biko, I Write What I LikeW.E.B. Du Bois, The Souls of Black FolkFrantz Fanon, Black Skin, White MasksEdouard Glissant, Introduction à une Poétique du DiversJane Anna Gordon, “Legitimacy from Modernity's Underside: Potentiated Double Consciousness”Lewis Gordon, Bad Faith and Antiblack racismLewis Gordon, Fear of Black ConsciousnessRebecca Tuvel, “In Defense of Transracialism”Modem FuturaModem Futura is your guide to the bold frontiers of tomorrow, where technology,...Listen on: Apple Podcasts SpotifySupport the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

St. Negritude discusses his first collection of poetry, "Mountain Spells."

O LibriCast é o Podcast da Biblioteca Central da Unifor com temas variados e convidados com muito conhecimento no tema proposto.  Neste episódio vamos falar sobre o Racismo Estrutural e suas manifestações cotidianas no ambiente acadêmico e profissional.  Dia 20 de novembro é o  Dia Nacional da Consciência Negra, instituído pela Lei nº 12.519, de 10 de novembro de 2011. A data é uma homenagem à luta, resistência e contribuição dos afrodescendentes na formação do Brasil, além de ser dedicada à memória de Zumbi dos Palmares, uma figura emblemática na resistência negra contra a escravidão. Para falar sobre o tema, convidamos o psicólogo clínico Fernando Pinto - CRP11/11607, integrante do grupo “Negritude e Antirracismo” do Laboratório de Estudos sobre Processos de Exclusão Social (LEPES) e do Coletivo Negrada, da Unifor. Com sua experiência em pesquisa e atuação prática, Fernando nos traz uma visão detalhada sobre as micro agressões, os desafios enfrentados pela população negra e as estratégias que podem transformar esses espaços em locais mais inclusivos.Para conhecer um pouco mais do seu trabalho acesse o instagram: @negrada.educa @fernandopnt @coloquio_antirracista e @pormaissimplesquesejaApresentação: Valeska Sousa e Katiuscia DiasConvidado: Fernando Pinto - Psicólogo 

Tiganá Santana é poeta, pesquisador, cantor, curador, compositor, multiartista e professor de artes nas universidades da Bahia e de São Paulo. Tiganá foi o primeiro compositor a apresentar um disco com canções em línguas africanas no Brasil. Baiano, intelectual e repleto de referências, o artista está no Vozes da Vez para falar sobre seu 7º disco, “Caçada Noturna”. Mas a conversa rendeu e ele falou também sobre ancestralidade, processos criativos, linguagens, colonialidade e concessões. No mês de Zumbi, nada melhor do que ouvir um de seus descendentes.

Former poet laureate of Belfast, Maine, Afrofuturist poet and bass clarinetist Toussaint St. Negritude. He dazzles with his debut collection, Mountain Spells an ensemble of cosmic tones featuring poems the late Pulitzer Prize-winning poet Gwendolyn Brooks once called "full of sweet sounds and surprises." This is his poem,  "For All The World To See." enjoy.

Trançar os cabelos é uma tecnologia ancestral. Feita por e para pessoas negras, é resistência, meio de vida, convite à autoaceitação e à intimidade. Na reportagem, Luiza Pontes e Gabriela Souza, trancistas profissionais, contam suas histórias.Reportagem: Nayara OliveiraEdição: Vinicius Piedade

A historiadora e antropóloga Lilia Moritz Schwarcz, uma das mais importantes estudiosas da questão racial no Brasil, acaba de lançar “Imagens da Branquitude – A Presença da Ausência”. Ela procede a uma leitura de representações visuais, que vão da pintura à publicidade, e mostra que, à diferença da negritude — um movimento de autoafirmação —, a branquitude é uma espécie de “autonegação”: opera a invisibilidade porque, afinal, é um lugar de poder. Deixa, no entanto, estampada a cultura da discriminação naquilo que produz. Acompanhe a conversa fascinante sobre seu mais recente livro, sobre sua vasta obra e sobre a formação do Brasil, com suas misérias e maravilhas.

The black dome of the Secession attracted everyone's attention in June 2024. The work, entitled Statement, was a highly visible symbol of the dignity of black women. It was part of the exhibition Achievement by Cuban artist Susana Pilar Delahante Matienzo, whose work articulates feminist, anti-racist and anti-colonial counter-visions, highlighting the achievements of black women and advocating a form of healing. In this conversation with Bettina Spoerr, recorded on 21 June 2024, the artist talks about how she fell in love with the golden dome of the Secession and was inspired to activate the architecture.   Susana Pilar Delahante Matienzo Achievement 21.6. – 8.9.2024   The reinvention of memory and the critical engagement with archives are central to Delahante Matienzo's research and a strategy that lets her recover the identities and legacies of people who were denied the right to record their own histories. As a Cuban-born artist with African and Chinese roots, she knows from her own family's experience that, for the longest time, oral traditions were the only available sources on which to draw for one's lineage and heritage. In Achievement, she presents a fictional and speculative archive that features Black women as prominent, affluent, and esteemed members of society and as hardworking and self-determined businesswomen. In so doing, she not only undertakes a critique of history, she also takes a vital step toward a more nuanced consideration—ultimately, a reprogramming—of beliefs that have seemed impossible to dislodge. Defying the colonial gaze, the artist charts assertive alternative representations. More   Susana Pilar Delahante Matienzo, born 1984 in Havana, Cuba, has lived and worked in the Netherlands since 2021. She describes her work across photography, video, and performance as a preoccupation with creating “symbolic solutions and personal responses” to the history of violence against women. She sees her body as an archive of the forced displacement of people from Africa and Asia to Cuba. Her critical works take a personal perspective as a starting point. Resistance, struggle, family archive, mothers, Black women, Negritude - these are the themes along which the artist's profound work unfolds.   Collaborating in close dialogue with artists to conceive and realise exhibitions together, and reflecting on the impact contemporary art can have on our society are key to Bettina Spörr's practice as a curator and writer. Recent collaborations include Susana Pilar Delahante Matienzo and her spectacular intervention on the Secession's golden dome (2024), or the Secession exhibition of Delaine Le Bas (2023) for which the artist has been nominated for the 2024 Turner Prize.   Secession Podcast: Artists features artists exhibiting at the Secession. Programmed by the board of the Secession The Dorotheum is the exclusive sponsor of the Secession Podcast.   Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editor: Paul Macheck Production: Bettina Spörr

Já encontraram pessoas dos EUA no twitter questionando a negritude de Rebeca, Ludimila e outros? Vamos discutir como os estadunidenses veem a identidade negra e as implicações desse viés nacionalista. Junte-se a nós para entender as complexidades dessa identidade afro-latina. Episódio sobre a construção da identidade Negra no Brasil Apoie o Podcast: Torne-se um apoiador ⁠⁠⁠⁠apoia.se/infiltradosnocast⁠⁠⁠⁠ Doe via PicPay ⁠⁠⁠⁠app.picpay.com/user/savagefiction⁠⁠⁠⁠ Chave Pix podcast@alesantos.me Contato: Envie suas perguntas e sugestões para: podcast@alesantos.meCanal do Telegram ⁠⁠⁠⁠t.me/infiltradosnocast⁠⁠⁠⁠ Siga o Apresentador: Instagram: ⁠⁠⁠⁠@Savagefiction⁠⁠

Send us a text message and tell us your thoughts.In this episode of Strictly Facts, we're joined by Dr. Sanyu Mulira, a recent NYU graduate with a passion for feminism and anti-colonial activism in the Francophone Black Atlantic. Together, we discuss the intricate history of the French Caribbean through the Negritude movement and its impact on global Black intellectualism, illuminating the legacies the pivotal roles played by territories like Guadeloupe and Martinique.We dissect the socio-economic landscape of the French Caribbean in the 20th century and explore the emergence of the Negritude movement. Special attention is given to influential figures such as Aimé Césaire and the Nardal sisters, whose contributions have left an indelible mark on global Black intellectualism. Through a fellow women's historian viewpoint, we also highlight lesser-known yet crucial contributors to the Negritude movement. We also shine a light on the grassroots activism led by communist women's groups in Guadeloupe and Martinique. These groups worked tirelessly to empower their communities by listening to what they needed. From the achievements of pioneering women like  Gerty Archimède to the ongoing efforts of contemporary activists, we underscore the importance of historical documentation in preserving these vital narratives. Tune in to appreciate the legacy of activists like Paulette Nardal and Gerty Archimède as we ensure their significant impact remains recognized and remembered.Sanyu Mulira is a graduate of the African Diaspora History doctoral program at New York University. Her work looks at histories of feminism and anti-colonial activism in the Francophone Black Atlantic. In the fall 2024 semester, Sanyu Mulira will be an Assistant Professor of African Diaspora History at the Georgia Institute of Technology in the department of History and Sociology. Caribbean Legal Solutions is the easiest way to find an attorney in the Caribbean. Contact them today at 1-877-418-2723 or via WhatsApp (718) 887-6141 or caribbeanlegalsolutions.com Disclaimer: This podcast ad contains general information about Caribbean Legal Solutions and is not intended as legal advice. Always consult with a qualified attorney for legal advice specific to your situation. Support the Show.Connect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate the Show Leave a review on your favorite podcast platform Share this episode with someone who loves Caribbean history and culture Send us a DM or voice note to have your thoughts featured on an upcoming episode Share the episode on social media and tag us Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

El armonicista suizo Grégoire Maret y el pianista francés Romain Collin firman 'Ennio', un disco homenaje al gran compositor italiano Ennio Morricone con grabaciones de 'Once upon a time in America', 'For a few dollars more', 'The good, the bad and the ugly', 'The Sicilian clan' o 'Cinema Paradiso'. La brasileña Cátia de França ha grabado 'No rastro de Catarina' ('Fénix', 'Negritude', 'Veias abertas', 'Indecisão') y la estadounidense Allegra Levy 'Out of the respect' ('Are you real?', 'How deep is the ocean', 'What a re you doing the rest of your life?'). Cierran Zé Ibarra, Dora Morelenbaum y Julia Mestre con 'Baile de máscaras'.  Escuchar audio

Debate da Super Manhã: Dados do Censo 2022 do Instituto Brasileiro de Geografia e Estatística (IBGE) mostra que, pela primeira vez na história da pesquisa, o número de pessoas que se declaram pardas (45,3%) superou o daquelas que se declaram brancas: 43,5%. Esse aumento ocorreu também entre aquelas que se declaram negras, com 10,2%. Isso acontece num momento em que o colorismo - termo que fala sobre as variações das tonalidades da pele negra, como se fosse uma classificação de lápis de cor em tons claros e escuros - tenta anular a etnia. No debate desta quarta-feira (10), a comunicadora Natalia Ribeiro conversa com os nossos convidados para discutir sobre o crescimento da população negra do Brasil e o preconceito com a cor da pele. Participam a diretora do Instituto Enegrecer e advocacia especializada em Compliance Antidiscriminatório e Litigância Estratégica, Manoela Alves, o advogado, doutor em Direito pela PUC-SP e CEO da Startup JusRacial, Hédio Silva Jr., e o coordenador executivo em Pernambuco da Coordenação Nacional de Articulação das Comunidades Negras Rurais Quilombolas (CONAQ), Mário dos Santos Campos Júnior.

Neste episódio, recebemos o sociólogo Deivison Faustino. Ele está republicando, junto com o Walter Lippold,  a obra  “Colonialismo digital: por uma crítica hacker-fanoniana”, pela editora Boitempo (saiba mais: http://tinyurl.com/yfzhc4tz). Doutor em Sociologia e professor do Programa de Pós-Graduação em Serviço Social e Políticas Sociais da Universidade Federal de São Paulo, Deivison é integrante do Instituto Amma Psique e Negritude. Ele é autor de “Frantz Fanon: um revolucionário, particularmente negro”, - que foi tema do nosso episódio número 61, entre outras obras.  FICHA TÉCNICA O “Guilhotina” é o podcast do Le Monde Diplomatique Brasil, com apoio técnico da Rádio Tertúlia. Apresentação e produção: Bianca Pyl e Luís Brasilino. Captação, edição e sonorização: Beatriz Pasqualino. Arte: Helen Saori>>> Assine o Le Monde Diplomatique por R$ 12,90 ao mês: https://diplomatique.org.br/

É possível ter uma separação verdadeiramente amigável? Quando se tem filhos no meio de uma crise conjugal, há uma preocupação a mais, que é a do sofrimento das crianças e dos adolescentes. Como fazer com que eles sofram menos com o fim do casamento dos pais? Para a psicóloga e psicanalista Fê Lopes, não se deve “blindar” as crianças, mas considerar a sua importância e o seu bem-estar antes de agir. “É preciso evitar usar as crianças como moeda da disputa, da raiva, do ódio, ou vamos ter a criança em uma situação muito ruim. Uma briga atravessa e afeta diretamente a criança. De que jeito eu cuido para que essa briga dos adultos não use as crianças como munição ou escudo?”, afirma no Podcast da Semana. “Não dá pra blindar as crianças 100% de tudo. O que temos que assegurar é que as brigas, por exemplo, não têm a ver com elas.” Lopes, que é psicóloga clínica, psicanalista com formação em psicanálise da parentalidade e da perinatalidade pelo Instituto Gerar, e em psicologia e relações étnico-raciais no Instituto Amma Psique e Negritude, afirma que o diálogo é central para chegar à situação mais confortável para todos. Ela lembra que, muitas vezes, o divórcio vai apresentar um estreitamento de relação inédito entre criança e cuidador, nos casos de guarda e visitação compartilhada, especialmente no caso em que um dos dois cuidadores principais é mais presente que o outro. Isso, ela diz, nem sempre vai ser bom para a criança, que pode estar mais interessada em mudar o mínimo possível de sua vida e sua rotina. A psicóloga também lembra que um complicador da separação são as regras diferentes nas duas casas dos cuidadores, se um restringe telas e o outro libera completamente, por exemplo. A psicóloga comenta ainda os casos em que duas pessoas insistem em manter a relação, ainda que não exista mais vontade de continuar, para não "traumatizar" os filhos. "Manter uma relação por causa do seu filho é dar um peso nas costas da criança que não é dela. Ficar junto ou separado não é da responsabilidade da criança, mas da competência dos adultos", afirma na entrevista do podcast que está disponível em todas as plataformas de áudio. Roteiro e apresentação: Isabelle Moreira Lima

Recebemos o professor Érico Andrade para uma conversa sobre Negritude sem Identidade; pardos, identidade racial; psicanálise e muito mais. Leia mais → O post 193 – Negritude sem Identidade, com Érico Andrade apareceu primeiro em filosofia pop.

Toussaint St. Negritude joined host Tom Proctor on ‘Rocket Shop,' Big Heavy World's weekly local Vermont music radio hour on 105.9 FM The Radiator. Catch up with them at toussaintstnegritude.com

This is Lecture 5 of Caribbean Thought, a course at the Jamaica Theological Seminary Lectured by Rev. Renaldo C. McKenzie, Dated February 10, 2023. This is a continuation of week 4 and the Lecture series towards developing a Caribbean Thought Journal. The Lecture was quite powerful as usual. We continued from week 4, conceptualizing the course Caribbean Thought when we had asked, "what is Caribbean Thought, and who determines this?" This week we ask, why who determines this and why is it important for us to revisit the past. The lecture delved into this question by lifting up a current situation in the Caribbean - The Haitian Crisis - where The US and Canada is pressuring the Caribbean to intervene in Haiti on their behalf. We examine this issue in relation to the Caribbean socio-economic challenges which has defined present realities which imposes on cultural identity. We explored this within the context of our understanding of the Caribbean being part of the pan-African struggle for not just independence but economic prosperity that allows them to compete. When we go back in history, we explore situations where the Caribbean's inability to truly realize pan-African goals in light of strategy that continue to keep these peoples and countries down - Debt. We begin the class by revisiting the conclusion of the class: "...the Caribbean represents a people who have been disrupted, detached, displaced, hybridized and made into dependent capitalist states with some level of modernity to promote consumption within the neoliberal globalized world which is largely a consumer society." We then moved into Lecture 5 by exploring the course outline: Course Description: This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense.... The course surveys the history and philosophy of the Caribbean and the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism, Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty....Among the thinkers/works that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, V.S. Naipaul, W. Benjamin, M. Foucault, Franz Fanon, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhabha, Mike Davis, Nelson/Novella Keith, Stephanie Black and Jamaica KinCaid, Garnett Roper, Rex Nettleford and the Professor's Works. We then begin to explore Caribbean thinkers: Ramesh F. Ramsaran who wrote in the Preface of his book, "The Challenge of Structural Adjustment in the Commonwealth Caribbean," Yet we say: We celebrate #Haiti as the 1st former colonized black country to successfully lead a revolution beating Napoleon. But France turned around & charged them 24 billion to recognize their freedom which Haiti gullibly paid—that has held them down. We concluded with Edward Seaga PM of Jamaica in a 1983 Lecture: "I wish to talk to you about the strategy which I believe can best attain a quality of life for the peoples of Middle Level countries of the developing world," (Seaga, 1983, p. 23, in New Directions.) https://theneoliberal.com. --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

This is Lecture 5 of Caribbean Thought, a course at the Jamaica Theological Seminary Lectured by Rev. Renaldo C. McKenzie, Dated February 10, 2023. This is a continuation of week 4 and the Lecture series towards developing a Caribbean Thought Journal. The Lecture was quite powerful as usual. We continued from week 4, conceptualizing the course Caribbean Thought when we had asked, "what is Caribbean Thought, and who determines this?" This week we ask, why who determines this and why is it important for us to revisit the past? The lecture delved into this question by lifting up a current situation in the Caribbean - The Haitian Crisis - where The US and Canada is pressuring the Caribbean to intervene in Haiti on their behalf (See the Podcast/Youtube video with Brian Concannon). We examine this issue in relation to the Caribbean socio-economic challenges which has defined present realities which imposes on cultural identity. We explored this within the context of our understanding of the Caribbean being part of the pan-African struggle for not just independence but economic prosperity that allows them to compete. When we go back in history, we explore situations where the Caribbean's inability to truly realize pan-African goals in light of strategy that continue to keep these peoples and countries down - Debt. We begin the class by revisiting the conclusion of the class: "...the Caribbean represents a people who have been disrupted, detached, displaced, hybridized and made into dependent capitalist states with some level of modernity to promote consumption within the neoliberal globalized world which is largely a consumer society." We then moved into Lecture 5 by exploring the course outline: Course Description: This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense.... The course surveys the history and philosophy of the Caribbean and the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism (See Groups'2 Paper on Pan-Africanism – we defined Pan-Africanism reading from their exceptional essay which delved into Pan Africanism), Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty....Among the thinkers/works that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, V.S. Naipaul, W. Benjamin, M. Foucault, Franz Fanon, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhabha, Mike Davis, Nelson/Novella Keith, Stephanie Black, Jamaica KinCaid, Garnett Roper, Rex Nettleford and the Professor's Works We then begin to explore Caribbean thinkers: Ramesh F. Ramsaran who wrote in the Preface of his book, "The structural adjustment issue is, not surprisingly, one surrounded by intense controversy and emotion. This is because it does not concern simply with economic policies or improving government performance but brings into question basic economic philosophy and ideology and may also involve the effective transfer of decision-making from local hands." The Caribbean must critically reflect on its position in relation to life...theneoliberal.com --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

This is the Bonus Video of Season 6, episode 3 available on Spotify and our YouTube channel. As stated in the primary episode in audio: this episode begins the Lecture Series at the Jamaica Theological Seminary on Caribbean Thought: Towards Developing a Caribbean Thought Academic Audio Journal. This is a video episode uploaded from the class Zoom Recording as I am teaching the course via an online face-to-face module while here in Philadelphia USA. This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense. It challenges the students to develop and express their own critical thinking as a Caribbean people within a unique way that helps to realize further the hope of a free independent Caribbean that is bursting with hope and opportunity. But the course understands that it requires that students begin to critique and explore their own thinking in deeply esoteric and critical way that deconstructs history and philosophy. At the end they will create their own Caribbean thought leading to a Caribbean Academic Journal of Young academics and future scholars. The Course will make you estranged from self, but it is geared towards getting you out of your bubble and to consider issues that will make you uncomfortable. The WES explored ways that we can prepare students for the global world. That means moving from the local and turning to the global as we are global citizens. The course surveys the history and philosophy of the Caribbean, the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism, Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty.  Among the thinkers that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, Franz Fanon, Homi Bhaba, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhaba, Mike Davis, Nelson and Novella Keith, Stephanie Black and Jamaica KinCaid, Garrnett Roper, Rex Nettleford etc. Themes will be drawn from a selection of contemporary newspaper columnists, talk‐show hosts and the ideas behind the major international agencies and institutions, which have shaped post-independence policies. The selection of thinkers and social movements to be examined will vary with each semester. This is Part 1. 1. Introductions 2. (32) Privilege, Power, Position and the Need for Critical Thinking | LinkedIn 3. Caribbean thought, Ideology and Philosophy (Foundations of Knowledge) The Phaedo, Plato & Socrates 4. Orientalism and Occidentalism The class did not complete Part 1 of the Lesson Plan and will therefore continue with Lesson on Part 2. Rev. Renaldo McKenzie is Creator/Host of The Neoliberal Round Podcast, Adjunct Professor at Jamaica Theological Seminary and President of The Neoliberal Corporation. He is also author of Neoliberalism, Globalization, Income Inequality, Poverty and Resistance and is working on a new book: Neoliberal Globalization Reconsidered. Renaldo is a doctoral candidate at Georgetown University and graduated from University of Pennsylvania.  www.anchor.fm/theneoliberal/www.theneoliberal.com --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

This episode begins the Lecture Series at the Jamaica Theological Seminary on Caribbean Thought: Towards Developing a Caribbean Thought Academic Audio Journal. This is a video episode uploaded from the class Zoom Recording as I am teaching the course via an online face-to-face module while here in Philadelphia USA. This course focuses on and explores the diverse currents of Caribbean Thought, which have influenced the development of Caribbean societies from colonialism to independence and beyond. It traces the history of resistance and examines the quest for equality and the challenge of defining Caribbean identity within this post-colonial and neoliberal Globalized world not just within the geographic sense but also in terms of a diasporic sense. It challenges the students to develop and express their own critical thinking as a Caribbean people within a unique way that helps to realize further the hope of a free independent Caribbean that is bursting with hope and opportunity. But the course understands that it requires that students begin to critique and explore their own thinking in deeply esoteric and critical way that deconstructs history and philosophy. At the end they will create their own Caribbean thought leading to a Caribbean Academic Journal of Young academics and future scholars. The Course will make you estranged from self, but it is geared towards getting you out of your bubble and to consider issues that will make you uncomfortable. The WES explored ways that we can prepare students for the global world. That means moving from the local and turning to the global as we are global citizens. The course surveys the history and philosophy of the Caribbean, the ways in which the Caribbean has emerged as a society in the shadow of colonialism and emergence of neoliberal Globalization. It examines the central ideological currents of twentieth century political thought in the region and covers broad topics such as Colonialism, Nationalism, Pan-Africanism, Socialism, Marxism, Feminism, Democratic Socialism and Neo-Conservatism, Neoliberalism, Globalization and Deconstructivism, Critical Race Theory, Strategy and the Foundations of Knowledge and the Hegemony of Faith, Economic Inequality and Poverty. Among the thinkers that will be considered throughout the course are Marcus Garvey, George Padmore, C.L.R. James, Franz Fanon, Homi Bhaba, Walter Rodney, Fidel Castro, Michael Manley, Edward Seaga, Bob Marley Kamau Brathwaite, Edouard Glissant and the Negritude movement generally, Homi Bhaba, Mike Davis, Nelson and Novella Keith, Stephanie Black and Jamaica KinCaid, Garrnett Roper, Rex Nettleford etc. Themes will be drawn from a selection of contemporary newspaper columnists, talk‐show hosts and the ideas behind the major international agencies and institutions, which have shaped post-independence policies. The selection of thinkers and social movements to be examined will vary with each semester. This is Part 1. 1. Introductions 2. (32) Privilege, Power, Position and the Need for Critical Thinking | LinkedIn 3. Caribbean thought, Ideology and Philosophy (Foundations of Knowledge) The Phaedo, Plato & Socrates 4. Orientalism and Occidentalism The class did not complete Part 1 of the Lesson Plan and will therefore continue with Lesson on Part 2. Rev. Renaldo McKenzie is Creator/Host of The Neoliberal Round Podcast, Adjunct Professor at Jamaica Theological Seminary and President of The Neoliberal Corporation. He is also author of Neoliberalism, Globalization, Income Inequality, Poverty and Resistance and is working on a new book: Neoliberal Globalization Reconsidered. Renaldo is a doctoral candidate at Georgetown University and graduated from University of Pennsylvania. www.anchor.fm/theneoliberal/www.theneoliberal.com --- Send in a voice message: https://anchor.fm/theneoliberal/message Support this podcast: https://anchor.fm/theneoliberal/support

For this conversation we welcome Winston James to the podcast. Winston James is the author of A Fierce Hatred of Injustice: Claude McKay's Jamaica and His Poetry of Rebellion, The Struggles of John Brown Russwurm: The Life and Writings of a Pan-Africanist Pioneer 1799-1851, and Holding Aloft the Banner of Ethiopia: Caribbean Radicalism in Early Twenty Century America. James has held a number of teaching positions, most recently as a professor of history at UC Irvine. James joins us to talk about his latest work, Claude McKay: The Making of a Black Bolshevik. The book examines McKay's life from his early years in Jamaica to his years at Tuskegee and Kansas State University and his time in Harlem, to his life in London. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. The work also locates McKay's closest interlocutors, and those he debated with, as well as McKay's experiences as a worker and within communist and anarcho-syndicalist organizations like the Worker's Socialist Federation and the IWW.  In part 1 of the conversation, we focus on McKay's early years in Jamaica up through the Red Summer of 1919. James begins with a discussion of McKay's family, his life in Jamaica, his brief stint as a constable in Kingston, his early poetry and his influence on the Negritude movement. James also discusses the appeal of the Russian Revolution and of the Third International to Black people in this era, and contextualizes the terror of white vigilante violence in the post war period in the US and how Black people fought back against it. As a content notice some of this discussion is a brief but explicit examination of the abhorrent character of anti-black violence of the period. We close part 1 of the conversation with a discussion of McKay's “If We Must Die,” the context of armed self-defense, the context of fighting back, from which it emerged and its global resonance with the emerging Black radicalism of the period and with radical movements decades after its release. In part two - which will come out in the next couple of days - we will focus on McKay's debates, positions, and activism within the spaces of revolutionary Black Nationalism and the Communist left of the period. We will include a link to the book in the show notes. We both highly recommend it. If you would like to purchase Claude McKay: The Making of a Black Bolshevik by Winston James consider picking it up from the good folks at Massive Bookshop. As for our current campaign, we have 8 days left this month and we are working towards our goal of adding 50 patrons this month in recognition of 5 years of doing Millennials Are Killing Capitalism. So far this month we have added 34 patrons so if we can add 2 or more patrons daily for the rest of the month we'll hit that goal. You can join up all the wonderful people who make this show possible by contributing as little as $1 per month or $10.80 per year at patreon.com/millennialsarekillingcapitalism

We're joined by a leading Fanon expert to talk about a range of themes in his work: Negritude, psychiatry, and violence.