Podcasts about ahrc

*This is the Free Content version of my interview with Dr. Lars de Wildt. To access the entire episode, please consider becoming a Tier 1 'Gates of Argonath' member on Patreon, or you can purchase this episode for a one-time fee. My guest this month is Dr. Lars de Wildt. Lars is Assistant Professor in Media and Cultural Industries at the Centre for Media and Journalism Studies, at the University of Groningen, The Netherlands.Lars studies how media cultures and industries make contemporary worldviews. Examples are how media industries construct 'global' culture and how local audiences consume it; how Western game developers sold religion to secular audiences; how online platforms birth conspiracy theories; and how Western videogames adapt to Chinese players and policies.His first book,  The Pop Theology of Videogames: Producing and Playing with Religion was published Open Access with Amsterdam University Press. Lars was part of the AHRC-funded project "Everything Is Connected: Conspiracy Theories in the Age of the Internet," was previously a (visiting) researcher at the universities of Leuven, Heidelberg, Bremen, Tampere, Jyväskylä, Montréal, and Deakin, and is working on an NWO Veni project about how the hegemonic worldviews of Western videogames adapt to Chinese players and policies. He is also a Member of YARN (Young ARts Network), anEssay-editor of Tijdschrift Sociologie/ Sociology Magazine, a Fellow at the Centre for Religion, Conflict and Globalization, at the University of Groningen, the Netherlands, a Member of Faculty of the Consultative Body for Teaching Policy (FOO), and a Research Fellow at the Institute for Media Studies, at the Catholic University of Leuven in Belgium.In this interview, Lars discusses his book The Pop Theology of Videogames: Producing and Playing with Religion. In it, he is offered up the question by a game designer, “what does religion have to do with video games, anyway?” This question opens our discussion on the relationship between games and religion, the differences between developers and players approaches to gaming, how video games can affect players' worldviews, and how role-playing games can potentially contribute to a sense of personal identity. These are just a few of the points Lars covers in this interview. PROGRAM NOTESDr. Lars de Wildt - dr. L.A.W.J. (Lars) de Wildt | Waar vindt u ons | Rijksuniversiteit Groningen@larsdewildt | LinktreeThe Pop Theology of Videogames | Amsterdam University PressAll Music and Editing: Daniel P. SheaEnd Production: Stephanie Sheawww.patreon.com/RejectedReligionwww.rejectedreligion.com

حلقة خاصة مع السيد عماد حمد، المدير التنفيذي للمجلس الأميركي لحقوق الإنسان (AHRC) سلطت الضوء على الضغوط والممارسات التي يتعرض لها المواطنون الأميركيون – خاصة من أصول عربية – عند دخولهم إلى الولايات المتحدة عبر المطارات والمعابر الحدودية وشكاوى الاحتجاز والتفتيش المطوّل على الحدود، والتفتيش الإلكتروني ومصادرة الأجهزة الشخصية دون أمر قضائي، ومدى قانونية هذه الممارسات وحدود الأمن مقابل الحقوق، وكيف يمكن التصدي لهذه الانتهاكات، وماذا يقول الدستور الأميركي في هذا السياق بثت 1 مايو 2025 يمكنك الاستماع إلى راديو صوت العرب من أمريكا على wnzk 690 AM قوموا بزيارة : www.facebook.com/USArabRadio الموقع الإلكترونى : arabradio.us تويتر : twitter.com/USArabRadio انستجرام : www.instagram.com/usarabradio يوتيوب : US Arab Radio

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 1 of Artery features Xasan Daahir Ismaaciil (Weedhsame) with Christina Woolner Xasan Daahir Ismaaciil (‘Weedhsame') is a Somali poet currently based in Hargeysa, Somaliland. Mentored by the beloved late poet Maxamed Xaashi Dhamac ‘Gaarriye', his work includes hundreds of poems and song lyrics on themes including politics, migration and love. He is widely considered one of the most influential poets of his generation. Trained as a mathematician, Weedhsame currently teaches Somali language and literature at the University of Hargeysa and works as a statistician for the Ministry of Education. Some of his work has been translated by the Poetry Translation Centre, and is available here: https://www.poetrytranslation.org/poets/xasan-daahir-weedhsame Christina Woolner is a Leverhulme Early Career Fellow in the Department of Social Anthropology at Cambridge. Her research broadly explores how forms of popular art and practices of “voicing” are entangled in processes of sociopolitical change, especially in the wake of violence. For the last decade she has been studying the political and affective dynamics of love songs and political poetry in Hargeysa, Somaliland. Her first book, Love Songs in Motion: Voicing Intimacy in Somaliland recently came out with the University of Chicago Press. Information about the book, alongside supplemental audio-visual material, is available on the book's companion website: www.lovesongs.christinawoolner.com. Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 2 of Artery features Elzė Sigutė Mikalonytė with Edoardo Chidichimo Elzė Sigutė Mikalonytė is a Research Associate at the Department of Psychology and a Junior Research Fellow at Wolfson College, University of Cambridge. Her research interests are in aesthetics, metaphysics, experimental philosophy, and philosophy of cognitive science. She currently works on the project “Higher Values: Aesthetic Experiences, Transcendence, and Prosociality” with Prof. Simone Schnall and Dr Ryan Doran. Her doctoral work focused on the philosophy of music and the ontology of musical works. As part of her doctoral research, Elzė conducted experimental philosophy studies in musical ontology. She has also investigated other topics in experimental philosophy of aesthetics, such as the folk concept of art, judgments of the identity of artworks, and intuitions on AI-created art. https://mikalonyte.com/ https://twitter.com/ElzeSigute Edoardo Chidichimo is a social anthropologist and computational neuroscientist who is interested in all things social. Combining anthropology, AI, mathematics, and philosophy, Edoardo seeks to address sociality in the broadest way, confronting disciplinary niches and pushing toward an integrated study of interpersonal human behaviour and cognition. LinkedIn: https://www.linkedin.com/in/ec750 Profile: https://www.neuroscience.cam.ac.uk/member/ec750 Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 3 of Artery features Eliana Otta Vildoso and Nuno Cassola Marques with Frederick Schmidt and Sera Park. Eliana Otta Vildoso (Lima, 1981) holds a degree in art, an MA in Cultural Studies from the Universidad Católica del Perú, and a PhD in Practice from the Academy of Fine Arts, Vienna. She co-founded the artist collective Bisagra in Lima and the ecofeminist collective Mouries in Athens. She coordinated the curatorial team for the permanent exhibition at Lugar de la Memoria, la Tolerancia y la Inclusión Social. She has taught at the Art Faculty of PUCP, Corriente Alterna and Escuela Nacional de Bellas Artes. She lives and works between Vienna and Athens. Website: eliana-otta.com https://drivingthehuman.com/prototype/virtual-sanctuary-for-fertilizing-mourning/ Instagram: eliana.otta Nuno Cassola Marques (Aveiro, 1984) holds a degree in Fine Arts and an MA in Contemporary Art Practice from the University of Porto, Portugal. He co-founded and co-curated the first edition of the Wadi Rum film festival, and co-founded the community kitchen Khora in Athens, which continues to serve 1200 meals a day to people in need. In addition to his activism, he works as a cinematographer and filmmaker. He lives and works in Athens. Website: www.nunocassola.com Interviewers: Frederick Schmidt is currently completing his PhD in Social Anthropology at Cambridge with the title “Un-Contemporary Arts: Norms and Forms in a Greek Art School”. Based on two years of ethnographic fieldwork in Athens (2020-2022), his PhD concerns the imbrication of private and public educational institutes in the landscape of artistic education in Athens, and makes the case for a reappraisal of formalist methodologies in visual anthropological research. Sera Park is Associate Lecturer in Social Anthropology at the University of St Andrews. Her PhD (University of Cambridge, 2022) examined the collective mourning and activism that emerged in the aftermath of the Sewol Ferry Disaster in South Korea. Her research interests include social movements and activism, the affective and moral dimensions of social life, and death, mourning, and memorialization. Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 4 of Artery features Ayala Gazit with Rotem Steinbock Ayala Gazit is a visual artist who specializes in photography and installation. Born in Israel, she is currently living and working in Berlin. Prior to moving to Berlin she lived in New York city, where she completed, with honors, a BFA in Photography in The School of Visual Arts. Ayala has presented works in art venues around the globe, including in Germany, USA, Australia, New Zealand, and Israel. She is the recipient of numerous awards such as The Tierney Fellowship and The Photography NOW Award at Woodstock, amongst others. Her works cover a wide range of themes, including history, memory, loss, family, and creation, all explored through a special focus on the question of how can the photographic image capture the things that are no longer there. https://www.ayalagazit.com/ Rotem Steinbock is a PhD candidate in the Department of Social Anthropology at the University of Cambridge, working on the intersection between art, immigration, and identity. Her PhD research follows Jewish Israeli visual artists who immigrated to Berlin, focusing on the ways they negotiate, reflect upon, and visually represent their dynamic senses of alterity and belonging. Before coming to Cambridge Rotem completed a B.A. in psychology and sociology and anthropology and an M.A. in anthropology at the Hebrew University of Jerusalem, and a B.F.A. at the Department of Fine Arts at the Bezalel Academy of Arts and Design in Jerusalem. https://www.socanth.cam.ac.uk/staff/rotem-steinbock-2019 Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 5 of Artery features Aline Motta with Alex Ungprateeb Flynn Alex Ungprateeb Flynn is Assistant Professor and Graduate Vice Chair at the Department of World Arts and Cultures/Dance, University of California, Los Angeles. Working with activists, curators, and artists in Brasil, Alex investigates the prefigurative potential of art in community contexts to theorize the production of knowledge, notions of utopia, and social and aesthetic dimensions of form. Framed by a collaborative methodological approach, Alex fundamentally inquires how human beings express themselves artistically, and in doing so, seek to transform the world. X/ Insta: alexungprateebf With her artistic practice, Aline Motta (b. 1974, Niterói, Brazil) seeks to point out and fill in the gaps in her own family history as a result of colonial erasure. Her videos, photographs, installations, and performances are based on speculative studies that mix archival research, field trips, and oral history reports that she uses to access, nourish, and reveal parts of the past that were previously thought to be lost. In 2023, she exhibited in the Sharjah Biennial 15 (UAE), at MoMA Museum of Modern Art and the 35th São Paulo Biennial. Insta: 1alinemotta (Instagram) The link to article featuring the full interview: https://terremoto.mx/en/online/escribiendo-historias-manifestando-futuros/ Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Series 3, Episode 6 of Artery features Adèle Commins and Daithí Kearney with Kayla Rush Musicologist Dr Adèle Commins is Head of Department of Creative Arts, Media and Music at Dundalk Institute of Technology. Her PhD from Maynooth University focused on the music of Irish-born composer Sir Charles Villiers Stanford. Her recordings include contributions to an album of Irish piano accordion music released by Comhaltas in 2014 and vocal soloist on an album by Irish composer Sr Marie Dunne in 2015. She also contributes music in two local churches. Her recent research includes critically documenting the music of Co. Louth céilí bands from the mid-twentieth century. Her compositions featured in the seminal publications Tunes from the Women (2023) and some have been recorded by Cork-based Ceolta Sí (2020). Ethnomusicologist and geographer Dr Daithí Kearney is co-director of the Creative Arts Research Centre at Dundalk Institute of Technology, where he lectures in music, theatre and tourism. His PhD from University College Cork examined the geographies of Irish traditional music. An All-Ireland champion musician, he has toured and recorded as a musician, singer and dancer with a number of groups including Siamsa Tíre, The National Folk Theatre of Ireland, and performed for President Obama in The White House. He recorded the critically acclaimed album Midleton Rare with accordion player John Cronin in 2012 and continues to tour regularly. He wrote and produced the musical To Stay or Leave (2005, 2015) and his compositions have been recorded by groups including Nuada (2004) and Ceolta Sí (2020). As a composer, he has received commissions funded by the Department of Culture, Heritage and the Gaeltachts and Cork County Council. Both Commins and Kearney have published extensively on music including contributions to the Companion to Irish Traditional Music and the Encyclopaedia of Music in Ireland . In 2017 they released an album A Louth Lilt, featuring their own compositions, and produced the documentary The Road to Speyfest in 2016. International tours including North and South America, France, Scotland, Norway and England. They have composed and arranged a number of pieces for the Oriel Traditional Orchestra, of which they are musical directors. In 2024, they were commissioned by Louth County Council to compose the score for a music theatre production Brigid, Lady of Light for the 1500 celebrations of St Brigid in Co. Louth. Dr Kayla Rush is an assistant lecturer in music at Dundalk Institute of Technology. An anthropologist of art, music, and performance, her current research examines private, fee-paying rock music schools in global perspective. She previously held a Marie Sklodowska-Curie Individual Fellowship, supporting ethnographic research with Rock Jam, a private music education organisation in Ireland. Her work has appeared in Borderlands, Liminalities, Feminist Anthropology, Journal of Popular Music Education, and IASPM Journal, among others. She is the author of The Cracked Art World: Conflict, Austerity, and Community Arts in Northern Ireland (Berghahn, 2022). She is also a recognized teacher and practitioner of creative ethnography, with a particular interest in ethnographic science fiction. Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 7 of Artery features Florentina Manuel Martínez with Michele A. Feder-Nadoff and Claudia Rocha Valverde Florentina Manuel Martínez is a textile artist originally from the state of Veracruz, in the municipality of Chicontepec, in the community of Ateno. She is a Náhuatl language speaker. Currently she is living in Tamaletom (the municipality of Tancanhuitz, in the state of San Luis Potosí, México). Florentina is married to a Tének flyer man of Tamaletom. (Tének is an Indigenous group of Mexico and flying refers to the traditional ritual dance of prehispanic origins.) Florentina has lived in Tamaleton for 18 years and has learned much about the Tének culture. Michele A. Feder-Nadoff is an artist and anthropologist whose practice and research is concerned with the meaning of making [https://mfedernadoff.academia.edu]. Her longterm ethnography in Santa Clara del Cobre, Michoacán, México began in 1997 initiated by her apprenticeship with a master coppersmith, Maestro Jesús Pérez Ornelas. This led to her founding the non-profit Cuentos Foundation, becoming a Fulbright Scholar and cultural anthropologist, PhD, El Colegio de Michoacán. Her critical aesthetics integrates onto-epistemology, performance, and phenomenology with multimodal and collaborative methods designed to decolonize education, art and anthropology. Her artwork is included in private and public collections worldwide. Recent publications include her edited volume, Performing Craft in Mexico: Artisans, Aesthetics and the Power of Translation, 2022, Lexington (Bloomsbury Press), her monograph An Anthropology of Making in Santa Clara del Cobre: Presence of Absence, 2024, Palgrave, and numerous book chapters and articles. She is the assistant editor of the Journal of Embodied Research and an independent scholar, translator, curator, video-producer, lecturer and a multimodal workshop facilitator. Claudia Rocha Valverde, PhD in Art History is a professor and investigator at El Colegio de San Luis (COLSAN) in the Social Sciences and Humanities Research Center in Mexico. [https://scholar.google.es/citations?user=aZ-M7XMAAAAJ&hl=es] Currently, Claudia is the academic liaison of the CASA COLSAN Xilitla Project. Her fieldwork is in the region of Huasteca in the state of San Luis Potosi, where she has carried out research on contemporary traditions of pre-Hispanic origins. In particular, she has specialized in how the knowledge of Indigenous Nahua and Tének women is manifested in the history and symbolism of their clothing, which they wear today in ceremonial contexts related to the concept of Madre Tierra, Mother Earth, which reflects the natural environment in which they live. For more (and the Spanish version) click here Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

Non-Profit 4-26-25 P7 Stanford Perry - AHRC of Nassau County by JVC Broadcasting

This podcast is the first in a series of episode on Civilian Harm in Conflict - hosted by Mae Thompson, advocacy officer at Ceasefire. The podcast is an output of the AHRC funded 'Reparations during Armed Conflict' project with Queen's University Belfast, University College London and Ceasefire, led by Professor Luke Moffett.Mark Lattimer, Executive Director of Ceasefire joins the podcast. Ceasefire have written a number of reports on civilian harm, in particular on the case for the UK to adopt a reparation scheme for overseas military operations and more recently on arbitrary detention in Ukraine.  Professor Fionnuala ní Aólain has written extensively on the issue of counter-terrorism and in one of her final reports as UN Special Rapporteur highlighted the impact of new technologies on civilians.Professor Luke Moffett has called for a harm based approach to reparations in the midst of ongoing hostilities, such as in Ukraine.Our colleagues on the CIVCOM project have written this

Nasser provides commentary on Australian politics, including the clash between Liberal Senator Michaelia Cash and Foreign Minister Penny Wong regarding Israeli Prime Minister Benjamin Netanyahu, and discusses issues of anti-Palestinian racism and discrimination, as well as the Australian Human Rights Commission's (AHRC) definition of anti-Palestinian racism.Nasser gives updates and commentary on the attacks in North Gaza, commentary on the International Court of Justice's (ICJ) ruling on the unlawful occupation of Palestinian lands and Australia's complicity in coal exports totalling an estimated AUD $1.534 million. He also highlights controversies surrounding Disney's latest film Snow White, which stars Zionist actor Gal Gadot, and the cesssation of funding for Queensland Music Awards by Brisbane City Council following pianist Kellee Green being awarded the Jazz Award for her song River To Sea. For info on AHRC, visit humanrights.gov.au.For info on upcoming events and actions, follow APAN and Free Palestine Melbourne.Catch daily broadcast updates via Let's Talk Palestine. River to Sea performed by Kellee Green. Listen to the entire album. Image: @freepalestinemelb 

What if the deepest truth of reality lies not in substances or isolated things, but in the pure relationality that connects everything? John Vervaeke is joined by renowned scholar Douglas Hedley to explore James Filler's groundbreaking work "Heidegger, Neoplatonism, and the History of Being." John and Douglas examine the profound implications of viewing ultimate reality as fundamentally relational rather than substantial, uncovering significant convergences between Heidegger's later thought and the ancient Neoplatonic tradition. The dialogue goes into how Neoplatonic metaphysics offers potent solutions to the philosophical dilemmas posed by modernity and postmodernity, and why the notion of strong transcendence is essential yet challenging in contemporary thought. Douglas enriches the discourse with reflections on imagination, symbolism, and theological significance within the Neoplatonic heritage. Douglas Hedley is Professor of the Philosophy of Religion at Cambridge University. He was educated at Keble College, Oxford and at the University of Munich, and has previously taught at Nottingham University. He is the Director of the Cambridge Centre for the Study of Platonism and co-chair of the Platonism and Neoplatonism section of the American Academy of Religion. Dr Hedley's work centers on concepts of imagination, violence, and the sublime, and he has published widely, from early modern philosophy—particularly the Cambridge Platonists—to Coleridge. He is the Principal Investigator for the AHRC grant on The Cambridge Platonists at the Origins of Enlightenment: Texts, Debates, and Reception (1650-1730), and is co-editor of the Series Studies in Philosophical Theology. Connect with a community dedicated to self-discovery and purpose, and gain deeper insights by joining our Patreon.   Notes:  (0:00) Introduction to the Lectern (01:30) Douglas Headley's Background and Interests (03:30) Overview of James Filler's Argument (05:30) Critique of Substance Ontology (9:00) Neoplatonism and the Trinity (9:30) Lectern Dialogues: Philosophical Connections: Relational Ontology and the Modern Crisis (10:30) Heidegger's Misreading of Plato (16:30) Heidegger's Theological Influences (26:00) Modernity, Postmodernity, and Transcendence (34:30) Eastern Orthodox Christianity and Neoplatonism (36:15) Pushback on the Trinity Concept (40:00) Greek and Russian Orthodox Traditions (43:00) Western Theology and Neoplatonism (49:30) Dialogical Model of the Self (55:00) Christian Neoplatonism and Love (59:30) Embodiment and Transcendence (01:04:30) Final Thoughts and Parting Words   ---  Connect with a community dedicated to self-discovery and purpose, and gain deeper insights by joining our Patreon. The Vervaeke Foundation is committed to advancing the scientific pursuit of wisdom and creating a significant impact on the world. Become a part of our mission.   Join Awaken to Meaning to explore practices that enhance your virtues and foster deeper connections with reality and relationships.   John Vervaeke: Website | Twitter | YouTube | Patreon     Ideas, People, and Works Mentioned in this Episode Substance Ontology vs. Relational Ontology Heidegger's Relationship to Neoplatonism James Filler's Philosophical Contribution The Trinity as Relational Symbolism Mysticism and Theology Embodiment and the Contemporary Crisis of Meaning James Filler Plotinus Iamblichus St. Augustine Marius Victorinus Jonathan Pageau "The Iconic Imagination" by Douglas Hedley "Participation in the Divine" "Process and Reality" by Alfred North Whitehead "Symposium" by Plato

In this roundtable episode, hosted by Victoria Barlow, Nicole Maceira Cumming and Charlie Spragg discuss their research and the upcoming 'Understanding James VI&I 400 Years On' conference. We delve into the importance of how this shrewd monarch presented himself and his royal dominion not only as king of Scotland, but later of England as well. Having co-organised a conference taking place in July to commemorate the 400th anniversary of his death in 1625, our two guests also touch upon what goes into planning such an event.@KingJamesConf on XGuest Bios:Nicole Maceira Cumming is currently a Teaching Fellow in early modern history at the University of Edinburgh and an RA on the A Very Quiet Street project (University of Glasgow/Woodlands Community Development Trust). She recently completed her AHRC-funded PhD thesis, which examined the role of hunting in the Scottish court of James VI, c.1579-1603. Her previous roles have included a 2022 research placement with the National Trust and University of Oxford, exploring the history of ‘Horse Power' within National Trust properties. She has forthcoming publications on ‘Animals, dominion and the natural order in Post-Reformation Scotland' (Scottish Church History, 2023 prize winner) and ‘Reconstructing the menagerie of James VI, c.1579-1603' (Scottish Archives), and is co-organising the ‘Understanding James VI&I 400 Years On' conference which will take place in July 2025 to mark the quatercentenary of his death.@nicolemaceira.bsky.socialCharlie Spragg is a third-year doctoral student in History of Art at the University of Edinburgh, holding a full scholarship from the Edinburgh College of Art. Charlie's principal research interest is the self-fashioning of King James [VI & I of Scotland and England], particularly through visual and material display. She has been working independently as a historical researcher, most recently for Historic Environment Scotland on the new guidebook for Stirling Castle. Charlie will be a contributor in the forthcoming British Art Studies journal special issue, ‘Reframing King James VI and I'. Charlie is also co-organising the 'Understanding James VI&I 400 Years On' conference. @cvspragg on X@cvspragg.bsky.social

Are you there God? It's me…Why is God hidden? Why is God silent? And why does that matter in light of faith, hope, and love?In this episode, philosopher Deborah Casewell joins Evan Rosa for a discussion of divine hiddenness. Together, they reflect on:Simone Weil's distinction between abdication and abandonmentMartin Luther's theology of the crossThe differences between the epistemic, moral, and existential problems with the hiddenness of GodThe terror, horror, and fear that emerges from the human experience of divine hiddennessThe realities of seeing through a glass darkly and pursuing faith, hope, and loveAnd finally, what it means to live bravely in the tension or contracdition between the hiddenness of God and the faith in God's presence.About Deborah CasewellDeborah Casewell is Associate Professor in Philosophy at the University of Chester. She works in the areas of philosophy and culture, philosophy of religion, and theology & religion, in particular on existentialism and religion, questions of ethics and self-formation in relation to asceticism and the German cultural ideal of Bildung. She has given a number of public talks and published on these topics in a range of settings.Her first book. Eberhard Jüngel and Existence, Being Before the Cross, was published in 2021: it explores the theologian Eberhard Jüngel's philosophical inheritance and how his thought provides a useful paradigm for the relation between philosophy and theology. Her second book, Monotheism and Existentialism, was published in 2022 by Cambridge University Press as a Cambridge Element.She is Co-Director of the AHRC-funded Simone Weil Research Network UK, and previously held a Humboldt Research Fellowship at the University of Bonn. Prior to her appointment in Bonn, she was Lecturer in Philosophy at Liverpool Hope University and a Teaching Fellow at King's College, London. She received her PhD from the University of Edinburgh, my MSt from the University of Oxford, and spent time researching and studying at the University of Tübingen and the Institut Catholique de Paris.Show NotesMother Teresa on God's hiddennessMother Teresa: Come Be My Light, edited by the Rev. Brian KolodiejchukWhat does it mean for God to be hidden?Perceived absenceSimone Weil on God's abdication of the world for the sake of the worldThe presence of God. This should be understood in two ways. As Creator, God is present in everything which exists as soon as it exists. The presence for which God needs the co-operation of the creature is the presence of God, not as Creator but as Spirit. The first presence is the presence of creation. The second is the presence of decreation. (He who created us without our help will not save us without our consent. Saint Augustine.) God could create only by hiding himself. Otherwise there would be nothing but himself. — Simone Weil, in Gravity and Grace, “Decreation”Abdication vs. AbandonmentA longing for God, who is hidden, unknown, unperceived, and mysteriousMartin Luther's theology of the cross“Hidden in the suffering and ignominy of the cross.”“God is powerful but chooses not to be in relation to us.”Human experiences of divine hiddennessThree ways to talk about hiddenness of God epistemic hiddenness:  ”if we were to grasp God with our minds, then we'd be denying the power of God.”Making ourselves an idolThe Cloud of Unknowing and “apophatic” or “negative” theology (only saying what God is not) Moral hiddenness of God: “this is what people find very troubling. … a moral terror to it.” Existential hiddenness of God: “where the hiddenness of God makes you feel terrified”Revelation and the story of human encounter or engagement with God“Luther is the authority on the hiddenness of God in the existential and moral sense.”The power of God revealed in terror.“God never becomes comfortable or accommodated into our measure.””We never make God into an object of our reason and comfort.”Terror, horror, and fear: reverence of GodMarilyn McCord Adams, *Christ & Horrors—*meaning-destroying events“That which is hidden terrifies us.”Martin Luther: “God is terrifying, because God does save some of us, and God does damn some of us.”The “alien work of God”“Is Luther right in saying that God has to remain hidden, and the way in which God has to remain hidden  has to be terrifying? So there has to be this kind  of background of the terrifying God in all of our relations with the God of love that is the God of grace that, that saves us.”Preserving the mystery of GodWe're unable to commodify or trivialize God.Francis Schaeffer's He Is There and He Is Not Silent“Luther construes it as a good thing.”Suffering, anxiety, despair, meaninglessnessHumanity's encounter with nothingness—the void“Interest in the demonic, or terror, as a preliminary step into a  full religious or a proper religious experience of God.”Longing for God in the BibleNoah, Moses, David“The other side of divine hiddenness is human loneliness.”Loneliness and despair as “what your life is going to be like without God.” (Barton Newell)Tension in the experience of faith1 Corinthians 13:12:  ”Now we see through a glass darkly, but then face to face. Now I know in part, but then I shall know even as I also am known.”Faith, hope, and love abides in the face of epistemic, moral, and existential hiddenness of God.The meaning of struggling with the hiddenness of God for the human pursuit of faith, hope, and love“Let tensions be.””But you've always got to keep the reality of faith, hope, and love, keep hold of the fact that that is a reality, and that can and will be a reality. It's, it's, not to try and justify it, not to try and harmonize it, but just to hold it, I suppose. And hold it even in its contradiction.”Production NotesThis podcast featured Deborah CasewellEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Emily Brookfield, Alexa Rollow, & Zoë HalabanA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Recorded November 26, 2024. Trinity Long Room Hub Visiting Research Fellow Professor Anthony Caleshu (University of Plymouth) in conversation with Professor Philip Coleman (School of English, TCD). Bio I wrote my PhD at National University of Ireland, Galway (on the American poet, James Tate), and began working at University of Plymouth in 2003. I became Professor of Poetry and Creative Writing in 2012.  My chief interest is Contemporary Poetry. I've written 5 books of poetry and 3 books about poetry. I also write short fiction, and have recently completed a screenplay. Past writing publications include a novella as well.    Critical interests include Creative Health. My current work is around the benefit of Community Assets (Arts & Cultural organisations) and Social Prescription to support those with common mental health symptoms. I was PI for the AHRC-funded 'Poets Respond to Covid-19' project (2020-2021). Our published project findings about the benefit of poetry to health and well-being during the pandemic were covered by over 200 media outlets around the world.  All of my writing is research led and often stems from my wider interest in the creative arts and philosophy. My fifth and most recent book of poetry, Xenia etc. (Shearsman, 2023) aims to re-invigorate the ekphrastic tradition, spring-boarding from contemporary visual art into an exploration of the contemporary condition (exploring sexuality and gender in the paintings of Julie Curtiss, landscape and the environment in the work of Shara Hughes and Emma Webster, and race in the work of Henry Taylor).  Learn more at www.tcd.ie/trinitylongroomhub

Dr Jade McGlynn is a Russia specialist and experienced researcher. She is Senior Research Associate (Non-Resident) at the Centre for Strategic and International Studies. She is also a Research Fellow at the Department of War Studies at King's College London. Jade is a Polyglot political analyst with experience of living and working in several European countries. She has a PhD in Russian from the University of Oxford, with academic fellowships from Leverhulme, AHRC, Marie Curie, and Carnegie and has held positions in Russia, the UK, and US. She is the author of scholarly works as well as media articles and has a new book coming out in March 2023 – Russia's War and Memory Makers. ---------- LINKS: https://smalldeedsbigwar.substack.com/p/on-the-brink-of-historic-failure https://smalldeedsbigwar.substack.com/p/a-safe-haven-on-the-long-road-to https://jademcglynn.com/ https://twitter.com/DrJadeMcGlynn https://www.linkedin.com/in/dr-jade-mcglynn-341357209/ https://www.ucl.ac.uk/ceelbas/jade-mcglynn-oxford https://www.kcl.ac.uk/people/dr-jade-mcglynn https://www.csis.org/people/jade-mcglynn ---------- BOOKS: Memory Makers: The Politics of the Past in Putin's Russia (2023) Russia's War (2023) Rethinking Period Boundaries: New Approaches to Continuity and Discontinuity in Modern European History and Culture (2022) ---------- SUPPORT THE CHANNEL: https://www.buymeacoffee.com/siliconcurtain https://www.patreon.com/siliconcurtain ---------- TRUSTED CHARITIES ON THE GROUND: Save Ukraine https://www.saveukraineua.org/ Superhumans - Hospital for war traumas https://superhumans.com/en/ UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukraine https://unbroken.org.ua/ Come Back Alive https://savelife.in.ua/en/ Chefs For Ukraine - World Central Kitchen https://wck.org/relief/activation-chefs-for-ukraine UNITED24 - An initiative of President Zelenskyy https://u24.gov.ua/ Serhiy Prytula Charity Foundation https://prytulafoundation.org NGO “Herojam Slava” https://heroiamslava.org/ kharpp - Reconstruction project supporting communities in Kharkiv and Przemyśl https://kharpp.com/ NOR DOG Animal Rescue https://www.nor-dog.org/home/ ---------- PLATFORMS: Twitter: https://twitter.com/CurtainSilicon Instagram: https://www.instagram.com/siliconcurtain/ Podcast: https://open.spotify.com/show/4thRZj6NO7y93zG11JMtqm Linkedin: https://www.linkedin.com/in/finkjonathan/ Patreon: https://www.patreon.com/siliconcurtain ---------- Welcome to the Silicon Curtain podcast. Please like and subscribe if you like the content we produce. It will really help to increase the popularity of our content in YouTube's algorithm. Our material is now being made available on popular podcasting platforms as well, such as Spotify and Apple Podcasts.

At present, the National Children's Commissioner says, Australia is failing to ensure that the safety and wellbeing of children is a priority. In this episode of The Lawyers Weekly Show, host Jerome Doraisamy is joined by  National Children's Commissioner Anne Hollonds, from the Australian Human Rights Commission (AHRC), to discuss the recently released report – ‘Help way earlier!': How Australia can transform child justice to improve safety and wellbeing – and what it says about the urgent need to better ensure justice outcomes for Australian youth. Hollonds delves into her role and why it is needed, the key findings and takeaways from the AHRC report, the flow-on consequences of such poor safety and justice frameworks, what the report says about who Australia is as a nation, the need for a National Children's Act, and how lawyers can better improve safety and wellbeing outcomes for children across the country moving forward. If you like this episode, show your support by  rating us or leaving a review on Apple Podcasts (The Lawyers Weekly Show) and by following Lawyers Weekly on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend your voice to the show, email editor@lawyersweekly.com.au for more insights!

In this episode, host Ellie Woodacre interviews Charlotte Boland, the curator of the Six Lives exhibition currently running at the National Portrait Gallery, London. In this interview we discuss the inspiration behind the exhibition, new approaches to the history of the Six Lives and the unusual and diverse selection of visual and material culture in the exhibition.The exhibition is running until 8 September 2024--click here for more information or to book tickets.If you are not in the UK or are listening to this episode after the exhibition has finished you can purchase the exhibition catalogue, which includes all of the material exhibited and features a range of articles from academics in the field on the Six Lives.Guest Bio: Dr Charlotte Bolland is a Senior Curator at the National Portrait Gallery—she joined in 2011 as Project Curator for the Making Art in Tudor Britain project. Her role combines responsibility for the acquisition, research and interpretation of portraits dating from the sixteenth century, with co-ordination of research activity within the curatorial department. She has co-curated a number of exhibitions at the NPG, including The Real Tudors: Kings and Queens Rediscovered (2014) and The Encounter: Drawings from Leonardo to Rembrandt (2017). Charlotte studied for her PhD at Queen Mary, University of London, in collaboration with The Royal Collection as part of an AHRC funded CDA—her doctoral thesis was entitled Italian Material Culture at the Tudor Court. It explored the many items that were owned by the Tudor monarchs that had been brought to England by Italian individuals, either through trade or as gifts. Selected Publications:C. Bolland and T. Cooper, The Encounter: Drawings from Leonardo to Rembrandt (National Portrait Gallery, 2017) C. Bolland and T. Cooper, The Real Tudors: Kings and Queens Rediscovered (National Portrait Gallery, 2014)

   His Week That Was – Kevin Healy Court decision in Philippines for those charged with assisting Lumad children blockaded by the government in Mindanao – human rights activist Peter Murphy Retired South Australian QC Paul Heywood-Smith analyzing the ICJ advisory opinion regarding the unlawful presence of Israel in the Palestinian occupied territories. Retired US Colonel, now anti war activist Ann Wright speaking about demonstrations in Washington and elsewhere in the US about genocide and the Impact of the RIMPAC war games in Hawaii. Professor Emeritus Stuart Rees and the impact of the Zionist Federation of Australia taking freelance journalist Mary Kostakidis to the Australian Human Rights Commission. Director of the GeneEthics Network Bob Phelps on the dismissal of the class action of 800 non Hodgkin lymphoma patients on round up use. Head to www.3cr.org.au/hometime-tuesday for full access to links and previous podcasts

Lindsay Anne Murry is a long-time employee of AHRC NYC, with 19 years of experience in the organization. Lindsay has held various positions within AHRC NYC, including assistant manager, human rights committee coordinator, staff trainer, executive assistant, and program manager for special initiatives. Monique Robinson has been with AHCR NYC for a little over a year. She started as a direct support professional, then was promoted to employment community support coordinator. Shortly after Monique was promoted to community support supervisor. Dayvina Robinson heard about AHRC NYC through a friend. She started her career at AHRC right before the pandemic. Dayvina is passionate about learning and applying her love for psychology when working with the people she supports as a community support professional. Scott Diaz started as an intern at AHRC NYC. Advocacy work runs in his family, so he gravitated towards work that supported others. He started his career at AHRC in 2017 working in a day habilitation setting, but during the pandemic transitioned to residential. Since participating in the NADSP E-Badge Academy, he's had the opportunity to network, build relationships with peers, and grow in his profession.Episode Summary:In this episode of DSP Talk, host Gina Scarpa interviews four employees, Lindsay, Monique, Scott, and Dayvina, from AHRC NYC, who have taken advantage of the career pathway opportunities offered by the organization. Lindsay provides an overview of AHRC NYC and the services it provides for individuals and families with intellectual and developmental disabilities. She also discusses the various career development opportunities available to the direct support workforce, including trainings, certifications, and leadership programs. Monique, Scott, and Dayvina share their personal experiences and the impact these opportunities have had on their careers. They discuss the challenges they have faced, such as managing time and implementing new practices, as well as the rewards of supporting the people receiving services and making a positive impact in their lives.Key Takeaways:AHRC NYC offers a wide range of career development opportunities for the direct support workforce, including trainings, certifications, and leadership programs.The NADSP E-Badge Academy is highly recommended for DSPs as it provides valuable knowledge and skills for supporting individuals with disabilities.Time management can be a challenge for DSPs, but the benefits of career development and networking outweigh the difficulties.The most rewarding part of the job is the opportunity to support and make a difference in the lives of the people receiving services. Notable Quotes:"The most rewarding part of it is really the people that I support. They are just some of the most genuine people I've ever met in my life." – Dayvina Robinson“I was always asking for other ways to learn and develop my career and network. So, I was super proactive in trying to find these opportunities.” – Lindsay Anne Murry“You're gonna have to want to do this, you're going to want to be someone that is an ally…the passion shines.” – Scott Diaz“It [NADSP E-Badge Academy] teaches you so much. A lot of stuff that you thought, you know, and you really don't know.” – Monique RobinsonResources:AHRC NYC website: hrcnyc.orgNADSP E-Badge Academy: https://ebadge.nadsp.org/Listen to the full episode of DSP Talk to learn more about AHRC NYC's career pathway opportunities and the experiences of staff members in the Direct Support Profession. Hosted on Acast. See acast.com/privacy for more information.

Women made up 10-15% of the workforce in the early days of the post office. Looking at a series of different records from the 17th century onwards, Sarah Ward Clavier has discovered stories about spying, how pubs, the links between pubs and post offices.Research suggests that communities with a local newspaper are more likely to vote in local elections. Rachel Matthews, who worked as a journalist in local news before turning to academia, explores the relationship between newspapers, readers, and advertisers across time and asks how the role of the local press is changing in the digital age.Anna Muggeridge has been looking into the hidden history of women politicians in local politics, in the first half of the twentieth century. This was an age when many important decisions on education and welfare were made at a local level – and where the story of women in local politics became intertwined with arguments around female suffrage.Producer in Cardiff: Fay LomasPresenter Dr Joan Passey teaches English at Bristol University and is a New Generation Thinker working with the BBC and the Arts and Humanities Research Council to share research on radio. Dr Sarah Ward Clavier, from the University of the West of England, researches the expansion and travails of the early Post Office, early modern news and communications, and Wales in the seventeenth century. Her most recent book is Royalism, Religion and Revolution: Wales, 1640-1688. Dr Rachel Matthews, from Coventry University, researches the impact of local journalism on the people and places to which it relates, both across history and in a contemporary context. She is the author of The History of the Provincial Press in England. Dr Anna Muggeridge is Lecturer in History at the University of Worcester and is currently researching a history of women in local government in interwar England and Wales. She also researches women's political activism in the 20th century. This New Thinking episode of the Arts and Ideas podcast was made in partnership with the AHRC, part of UKRI. You can find more conversations about new research available on the website of Radio 4's Free Thinking programme and on BBC Sounds

It's often impossible to find direct accounts of poor people in the historical record, especially the further back you look. But an extraordinary collection containing thousands of letters written by people in poverty between 1834 and 1900 provides an insight into their lives.     In this episode, Chloe Lee speaks to specialist Paul Carter about letters held by The National Archives which were addressed to the Poor Law Board, the British central poor law authority. Together they use these accounts to glimpse into the factories, the workhouses and slums in which so many vulnerable people lived out their lives.   For a transcript and information about the documents used in this episode visit our show notes: https://bit.ly/PVoices   This podcast is based on the research In Their Own Write, a major AHRC-funded project, running from 2018 to 2021, which uses letters from paupers and other poor people, and associated manuscript material such as petitions, sworn statements and advocate letters (those written on behalf of paupers) to investigate the lives of the poor between 1834 and 1900. The Project was led by Professor Steve King (Nottingham Trent University) and Dr Paul Carter, (The National Archives).

You may be wondering just what on Earth does American Ninja Warrior have to do with disability and inclusion? Well, you came to the right podcast! Gabrielle Sedor, ANCOR COO & Foundation Director, sat down with Nick (aka Ninja Nick) from AHRC, plus Lee & Diane, to discuss 'American Ninja Warrior', direct support professionals, person-centered supports, and more! This podcast is produced by ANCOR, the leading voice in Washington, DC, for providers of services for people with disabilities. To learn more, visit ⁠ancor.org⁠. Episode transcript coming soon! ================= Intro and outro music provided by YouTube Audio Library Intro Music ⓒ V for Victory - Audionautix Outro Music ⓒ Dirt Rhodes - Kevin MacLeod

The impact of light bulbs on cities like New York and Paris at the turn of the twentieth century and the way modernist poets like Mina Loy and Lola Ridge depicted this, is at the heart of research being done by Dr Nicoletta Asciuto. For this New Thinking conversation hosted by Dr Sophie Coulombeau, she joins Dr Jaqueline Yallop, whose book Into the Dark looks at living in dark places and at experiences including "sundowning" - experienced by some people diagnosed with dementia, this is a change in behaviour that occurs in the evening, around dusk as darkness grows, causing agitation and anxiety. When Jacqueline Yallop's father was diagnosed with dementia, he began experiencing exactly that, which prompted Jacqueline's profound self-reflection on the world's relationship to the dark. Dr Jacqueline Yallop is an award-winning author of fiction and creative non-fiction, and her book Into the Dark explores darkness in science, literature, art, philosophy and history. She teaches creative writing at Aberystwyth University. Dr Nicoletta Asciuto is a Senior Lecturer in Modern Literature at the University of York. She is currently working on her first monograph, Brilliant Modernism: Cultures of Light and Modernist Poetry, 1909-1930 which discusses the impact of new lighting technologies on the birth of new avant-garde and modernist poetics. Dr Sophie Coulombeau is an author and academic based at the University of York, and was chosen as a 2014 New Generation Thinker on the scheme run by the BBC and AHRC to put research on the radio.This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more on BBC Sounds and in a collection on BBC Radio 3's Free Thinking programme website under the title New Research including conversations about music and disability, language learning, sign language, green thinking and neglected women artists.Producer in Salford: Lola Grieve

Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist.Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcastProducer: Ruth Watts

The A13 runs from the City of London past Tilbury Docks and the site of the Dagenham Ford factory to Benfleet and the Wat Tyler Country Park. As he travels along it, talking to residents about their ideas of community and change, New Generation Thinker Dan Taylor reflects on the history of the area and different versions of hopes for the future.Dr Dan Taylor lectures in social and political thought at the Open University and is a New Generation Thinker on the scheme run by the BBC and the AHRC to share insights from academic research on radio. You can hear him in Free Thinking discussions about Essex, and discussing medieval bestiaries in Beast and Animals. He is also the author of a book Island Story: Journeys Through Unfamiliar Britain.Producer: Torquil MacLeod

Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist. Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcast.Producer: Ruth Watts

Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai's Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio.Producer: Julian SiddleYou can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes

Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai's Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio.Producer: Julian SiddleYou can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes.

The A13 runs from the City of London past Tilbury Docks and the site of the Dagenham Ford factory to Benfleet and the Wat Tyler Country Park. As he travels along it, talking to residents about their ideas of community and change, New Generation Thinker Dan Taylor reflects on the history of the area and different versions of hopes for the future. Dr Dan Taylor lectures in social and political thought at the Open University and is a New Generation Thinker on the scheme run by the BBC and the AHRC to share insights from academic research on radio. You can hear him in Free Thinking discussions about Essex, and discussing medieval bestiaries in Beast and Animals. He is also the author of a book Island Story: Journeys Through Unfamiliar Britain and you can hear him in a Free Thinking episode discussing the county Essex. Producer: Torquil MacLeod

Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai's Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio. Producer: Julian Siddle You can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes

Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.  The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.  The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.  The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.  The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Ramona Dima's book Queer Culture in Romania, 1920–2018 (Palgrave MacMillan, 2023) is an in depth, extensive study of Romanian queer cultural products. It brings an essential contribution to the literature on Central and South Eastern European gender studies, post-communism studies, media, and cultural studies, as well as transnational queer studies. The book looks at Romanian queer culture ”from inside”, and from the acknowledgment that the research process is guided by the sensitivity of the approached topics, by the lack of archival footprints, and by a solid dose of media archaeology, especially when looking at the beginning of Romanian LGBT+ activism in the 90s.  The book starts from contemporary Romanian cultural products that are focusing on queer topics and/or produced by queer creators. It looks back at the memories of seminal queer and trans activists in extensive interviews conducted for this volume, and fragmented literary and media sources that cover the most part of the 20th century. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

When Hugh Jackman starred in the 2022 revival of ‘The Music Man', he was taking on a classic Broadway musical with a little known connection to disability. Professor Dominic Broomfield-McHugh at the University of Sheffield has been digging through the archives to uncover how early drafts of the show originally focused on the experience of a young wheelchair user – an idea which was then scrapped by writer Meredith Wilson due to commercial and social pressures. Megan Steinberg is the Lucy Hale Doctoral Composer in Association with Drake Music (a leading national organisation working in music, disability and technology) at the Royal Northern College of Music. Megan researches and creates art that explores adaptive music technologies and able-ist bias in AI. They talk to Louise Creechan about disability politics in music in an episode recorded for the International Day of Persons with Disabilities (3 December).Dr Louise Creechan is a Lecturer in Literary Medical Humanities and Research Assosicate at the University of Durham, as well as a New Generation Thinker on the scheme run by the BBC and the AHRC to put research on radioThis New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more on BBC Sounds and in a collection on BBC Radio 3's Free Thinking programme website under the title New Research including conversations about language learning, sign language, green thinking and neglected women artists.Producer: Lola Grieve

Over 200 women sculptors have been uncovered in the research of Sophie Johnson from Bristol University. She describes some of their creations and discusses the challenges of working with the incomplete personal archives of these artists – including Mrs Goldsmith, Patience Wright, and Catherine Andras, who created wax portrait miniatures and effigies, and Anne Seymour Damer, who carved in marble. Kathleen Collins died in her 40s and left un-filmed screenplays and unpublished stories which Alix Beeston from Cardiff University has been researching. Collins' finished film Losing Ground didn't get a theatrical release when it was made in 1982 but it was restored and reissued in 2015. Now her work is finding a new audience. But how should we approach her unfinished works? Joan Passey hosts the conversation. Producer in Cardiff: Fay Lomas Dr Joan Passey teaches English at Bristol University and is a New Generation Thinker working with the BBC and the Arts and Humanities Research Council to share research on radio. Sophie Johnson is a PhD candidate at the University of Bristol researching eighteenth century European women sculptors. Her research focuses on women wax modellers and their entrepreneurship. Links to her articles are available at https://research-information.bris.ac.uk/en/persons/sophie-johnson Dr Alix Beeston is a feminist writer and academic based at Cardiff University. Her most recent book is Incomplete: The Feminist Possibilities of the Unfinished Film. More details of her work are available at https://alixbeeston.com/ With special thanks to Michael Minard, who provided the song ‘It Might Be' – written by Minard and Kathleen Collins, performed by Jenny Burton, intended for use in an unfinished film project by Collins – which we hear in the podcast. This New Thinking episode of the Arts and Ideas podcast was made in partnership with the AHRC, part of UKRI. You can find more conversations about new research available on the website of Radio 3's Free Thinking programme and another collection exploring Women in the World all available as the Arts & Ideas podcast.

The first women's liberation conference in the UK, Miss World protests, the formation of the Brixton Black Women's Group and the politics of who cleans the house are all explored in a new exhibition at Tate Britain. Whilst activism and art linked to ecology by 50 women and gender non-conforming artists are on display at the Barbican Centre in London and eco-feminist Monica Sjöö (1938-2005) is celebrated in a show opening at Modern Art Oxford. Naomi Paxton is joined by the academics Sophie Oliver and Ana Baeza Ruiz, by Alona Pardo curator of the Re/Sisters exhibition at the Barbican, and by Marlene Smith, a member of the BLK art group in Britain, who has helped pull together the Tate show. Producer: Julian Siddle Women in Revolt: Art, Activism and the Women's movement in the UK 1970–1990 runs at Tate Britain until 7 April 2024 Monica Sjöö: The Great Cosmic Mother runs at Modern Art Oxford from 18 November to 25 February 2024 RE/SISTERS A Lens on Gender and Ecology runs at the Barbican Centre, London until Sun 14 Jan 2024 Ana Baeza Ruiz is at Loughborough University working as the Research Associate for the project Feminist Art Making Histories - an oral history of women's art. Sophie Oliver teaches literature at the University of Liverpool, specialising in modernist writing by women and in links between art and writing. Both are New Generation Thinkers on the scheme run by the BBC and the AHRC to put research on the radio.

Around 3 million Bengali Pakistanis now live in Pakistan it is estimated and a research project has been exploring their experiences, mixing oral testimony and art projects with analysis of recent history. Humera Iqbal explains their findings to presenter Sarah Jilani. And Ahmad Naji Bakhti discusses his novel about the dreams of a boy growing up in Lebanon and how writing it in exile in Wales has led him to reflect on the language and phrasing he uses and what audience he is addressing. Humera Iqbal is Associate Professor of Social and Cultural Psychology at University College London. Her project is called Partition of Identity https://poistudy.com/ and has led to a film called BHASHAILI (ADRIFT) (2023) directed and produced by: Jawad Sharif and produced by: Humera Iqbal, Syeda Kashmala, Anushay Malik based on their research work and that of Maria Rashid. It is being screened at Rich Mix as part of the Being Human Festival on November 16th https://richmix.org.uk/events/paper-boats-the-pakistani-bengali-story/ Ahmad Naji Bakhti is a lecturer in creative writing at Aberystwyth University and the author of a novel called Between Beirut and the Moon published by Influx Press. He is also working on a project with Syrian residents in Aberystwyth. Dr Sarah Jilani is a Lecturer in English at City, University of London, looking at post-colonial world literatures and film and is a New Generation Thinker on the scheme run by the BBC and Arts and Humanities Research Council to put research on the radio. This episode of the Arts and Ideas podcast was made in partnership with the AHRC, part of UKRI.

DH Lawrence described outcasts living by the Thames, Mina Loy made art from trash, calling her pieces “refusées", Wyndham Lewis moved from England to America in search of stability after burning many bridges in Britain. In this conversation about new research, Jade Munslow Ong discusses the way widening the canon of writers traditionally labelled as “modernist” might allow a greater understanding of attitudes towards homelessness and poverty in the early decades of the twentieth century. Dr Laura Ryan has a Postdoctoral Fellowship at the University of Galway where she is researching modernism and homelessness investigating the work of writers who were literally homeless, including D. H. Lawrence, Claude McKay, Jean Rhys and Tom Kromer, and also looking at depictions of homelessness in modernist texts by George Orwell, Mina Loy and Samuel Beckett. Dr Nathan Waddell is Associate Professor in Twentieth-Century Literature at the University of Birmingham. He is writing new books about Wyndham Lewis and about George Orwell. He has also edited collections of essays on Lewis, who featured in books already published by Nathan called Modernist Nowheres and Moonlighting. Nathan is also editing The Oxford Handbook of George Orwell. You can hear Nathan in a Free Thinking episode exploring futurism in a collection of discussions about modernism on the website of the Radio 3 Arts and Ideas programme Dr Jade Munslow Ong is a Reader in English Literature at the University of Salford where she is working on a project entitled South African Modernism 1880-2020. You can hear about some of the authors featured in her Essay for Radio 3 called The South African Bloomsberries. She is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio This podcast is made in partnership with the AHRC, part of UKRI. You can sign up for more episodes of the Arts and Ideas podcast wherever you find your podcasts or look at the collection of discussions focused on New Research available via the Free Thinking programme website.

GUEST: Dr Jade McGlynn - Russia specialist, researcher and author. ---------- SUPPORT THE CHANNEL: https://www.buymeacoffee.com/siliconcurtain https://www.patreon.com/siliconcurtain ---------- INTRO: In just a few years, Russia has moved from a narrative about ‘brotherly peoples', to genocidal rhetoric and actions in Ukraine. How was historical memory manipulated to make this happen? #jademcglynn #russiaswar #ukraine #ukrainewar #russia #zelensky #putin #propaganda #war #disinformation #hybridwarfare #foreignpolicy #communism #sovietunion #ussr ---------- SPEAKER: Dr Jade McGlynn is a Russia specialist and experienced researcher. She is Senior Research Associate (Non-Resident) at the Centre for Strategic and International Studies. She is also a Research Fellow at the Department of War Studies at King's College London. Jade is a Polyglot political analyst with experience of living and working in several European countries. She has a PhD in Russian from the University of Oxford, with academic fellowships from Leverhulme, AHRC, Marie Curie, and Carnegie and has held positions in Russia, the UK, and US. She is the author of scholarly works as well as media articles and has a new book coming out in March 2023 – Russia's War and Memory Makers. ---------- LINKS: https://jademcglynn.com/ https://twitter.com/DrJadeMcGlynn https://www.linkedin.com/in/dr-jade-mcglynn-341357209/ https://www.ucl.ac.uk/ceelbas/jade-mcglynn-oxford https://www.kcl.ac.uk/people/dr-jade-mcglynn https://www.csis.org/people/jade-mcglynn ---------- BOOKS: Memory Makers: The Politics of the Past in Putin's Russia (2023) Russia's War (2023) Rethinking Period Boundaries: New Approaches to Continuity and Discontinuity in Modern European History and Culture (2022)

The persistence of religion in modern Europe and the challenges of transitioning from a religious to a secular state has all too often been overlooked in the history of the Balkans. Indeed, the link between religion and nationalism in this region has long been considered natural, even historically inevitable. Religion and Politics in Interwar Yugoslavia: Serbian Nationalism and East Orthodox Christianity (Bloombury, 2023) challenges this assumption and shows that, in actuality, the region's political and spiritual identities clashed in a fashion that was just as important to the first South Slav state as the much vaunted 'national question' itself.  Focusing on the interwar era, Religion and Politics in Interwar Yugoslavia explores the role of the Serbian Orthodox Church in Yugoslavia. It examines the church's political vision and reveals how the Serbian Orthodox Church emerged both in reaction to and in interaction with the challenges posed by political modernity such as the establishment of the multinational Yugoslav state, the fear of secularization, and the rise of communism and fascism in Europe. Synthesizing analyses of ideologies and public discourses with stories of personal histories and individual agendas, Maria Falina's insightful study is therefore a significant contribution to the history of religion and nationalism in the Balkans. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The persistence of religion in modern Europe and the challenges of transitioning from a religious to a secular state has all too often been overlooked in the history of the Balkans. Indeed, the link between religion and nationalism in this region has long been considered natural, even historically inevitable. Religion and Politics in Interwar Yugoslavia: Serbian Nationalism and East Orthodox Christianity (Bloombury, 2023) challenges this assumption and shows that, in actuality, the region's political and spiritual identities clashed in a fashion that was just as important to the first South Slav state as the much vaunted 'national question' itself.  Focusing on the interwar era, Religion and Politics in Interwar Yugoslavia explores the role of the Serbian Orthodox Church in Yugoslavia. It examines the church's political vision and reveals how the Serbian Orthodox Church emerged both in reaction to and in interaction with the challenges posed by political modernity such as the establishment of the multinational Yugoslav state, the fear of secularization, and the rise of communism and fascism in Europe. Synthesizing analyses of ideologies and public discourses with stories of personal histories and individual agendas, Maria Falina's insightful study is therefore a significant contribution to the history of religion and nationalism in the Balkans. Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From exercise on prescription to museum visits and debt advice. Christienna Fryar hears about social prescribing projects which are trying to link up the arts with other services to improve people's health and tackle loneliness. These include wild swimming in the waterways of Nottinghamshire, the “Arts for the Blues” project based in the North west of England, a pilot programme in Scotland called “Art at the Start”, and a community hub at the Grange in Blackpool. Helen Chatterjee, Professor of Human and Ecological Health at UCL is heading a programme which brings together a range of national partners including NHS England's Personalised Care Group, the National Academy for Social Prescribing, and the National Centre for Creative Health. Myrtle Emmanuel, Senior Lecturer in Human Resource Management & Organisational Behaviour at the University of Greenwich is starting a project aiming to have an impact on mental health by using Caribbean folk traditions working with communities in Greenwich and Lewisham, which have the fastest growing Caribbean communities in London. Christienna Fryar is a historian of sport and the history of Britain and the Caribbean. She is a BBC/AHRC New Generation Thinker You can find more about the projects Helen is involved in https://culturehealthresearch.wordpress.com/health-disparities/ You can find out more about projects being funded by the AHRC including Myrtle's in this article https://www.ukri.org/news/ahrc-projects-kickstart-future-of-health-and-social-care-dialogue/ Producer: Jayne Egerton This New Thinking conversation is part of a series marking NHS75 made in partnership with the Arts and Humanities Research Council, part of UKRI. If you don't want to miss an episode sign up for the BBC Arts & Ideas podcast from BBC Sounds.

How a new material helps stroke patients recover and how mapping where infections and contamination happen helps staff training. New Generation Thinker Elsa Richardson hears from two leading designers whose new research ideas have transformed the lives of stroke survivors and the elderly. Laura Salisbury is founder of the Wearable MedTech Lab at the Royal College of Art and CEO of KnitRegen and Professor Alastair Macdonald is Senior Researcher in the School of Design at The Glasgow School of Art. They discuss the importance of collaborative design and testing usability. Laura tells us about her PowerBead design – a garment embedded with beads that aid in the rehabilitation of stroke survivors. Alastair discusses his work with the ageing population and how an app to register not just food provided but what patients have eaten has helped improve malnutrition in hospitals. Dr Elsa Richardson is a Chancellor's Fellow at the University of Strathclyde in the Centre for the Social History of Health and Healthcare (CSHHH) and is a BBC/AHRC New Generation Thinker You can find out more about Laura's work here https://www.rca.ac.uk/research-innovation/research-degrees/research-students/laura-salisbury/ And Alastair's work here https://www.gsa.ac.uk/research/design-profiles/m/macdonald,-alastair/ The AHRC funds projects linking art and health https://www.ukri.org/councils/ahrc/ Producer: Belinda Naylor This New Thinking conversation is part of a mini-series of Arts and Ideas podcasts made to mark the anniversary of the NHS 75 years ago. It was produced in partnership with the Arts and Humanities Research Council, part of UKRI. You can find out more more in a collection called New Research on Radio 3's Free Thinking programme website or sign up for the Arts and Ideas podcast on BBC Sounds.

About my guest:* The Cultural Memory of Georgian Glasgow* Connect with Craig* Rate the showAbout my guest:Craig Lamont is a graduate of the Universities of Strathclyde and Glasgow, with a diverse background in Creative Writing, English Literature, and Scottish Literature. His AHRC-funded PhD, ‘Georgian Glasgow: the city remembered through literature, objects, and cultural memory theory' (2015), was an interdisciplinary body of work central to a collaboration between the University of Glasgow and Glasgow Life, involving the major exhibition How Glasgow Flourished: 1714-1837 at the Kelvingrove Art Gallery and Museum in 2014. It won the 2016 Ross Roy Medal for the best PhD relating to Scottish Literature. His debut monograph, The Cultural Memory of Georgian Glasgow, was published in 2021 by Edinburgh University Press. Besides writing short fiction, Craig has also been commissioned as a historian by the National Trust for Scotland and Barclays Bank.Craig's postdoctoral work ranges from web development to bibliography in the realms of Allan Ramsay, bawrdy chapbooks, and Robert Burns, beginning in 2014 with the ‘Bawdry & Scottish Chapbooks' project (PI: Dr. Pauline Mackay). The following year Craig joined Prof. Murray Pittock's team in the Royal Society of Edinburgh funded project ‘Allan Ramsay and Edinburgh in the First Age of Enlightenment.' In this project, Craig co-authored an interactive map, ‘Edinburgh's Enlightenment 1680-1750' with the PI. In 2015-16 Craig worked as a Research Assistant at the Centre for Robert Burns Studies, compiling a new bibliography of Robert Burns editions from 1786 to 1802. This is part of the AHRC-funded project Editing Robert Burns for the 21st Century (PI: Prof. Gerard Carruthers), on which Craig worked as a research associate from 2017. From January 2018-August 2022, Craig became the lead research associate in another AHRC-funded project, The Collected Works of Allan Ramsay (PI: Prof. Murray Pittock). From 2017-2022, Craig served as the Secretary of the Association for Scottish Literature.As of 5 September 2022, Craig is Lecturer in Scottish Studies, based in Scottish Literature but working more widely in the Centre for Scottish and Celtic Studies. Get full access to Dispatches from the War Room at dispatchesfromthewarroom.substack.com/subscribe

In our final episode in our queenship series, Dr. Johanna Strong is joined by Holly Marsden, Amy-Jane Humphries, and Dr Gabrielle Storey to talk about the Team Queens collective and global queenship. Holly is currently completing her PhD through the AHRC's Collaborative Doctoral Partnership scheme at the University of Winchester and Historic Royal Palaces, in collaboration with the National Portrait Gallery and Royal Museums Greenwich. Her thesis looks at Mary II in the context of queenship, culture, and politics in the seventeenth century. Amy is currently working on her PhD at the University of Liverpool, researching royal women of the early Georgian court in Britain. She is also the People Administrator for the Hampshire Cultural Trust. Last but not least we have Gabby, who is a Visiting Research Fellow at the University of Winchester. Her research focuses on twelfth- and thirteenth-century queenship, examining co-rulership, queenship, gender, sexuality, and perceptions of power. She is the founder of the Team Queens collective, of which Holly, Amy, and I were a part. -- Credits: Host: Dr Johanna Strong Guests: ⁠Holly Marsden, Amy Humphries, Dr Gabrielle Storey Editing: Rebecca Larson Episode Music: Tavern Loop One by Alexander Nakarada, Free download: ⁠https://filmmusic.io/song/6282-tavern-loop-one,⁠ License (CC BY 4.0): ⁠https://filmmusic.io/standard-license,⁠ Artist website: ⁠https://www.serpentsoundstudios.com/⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support

Is it ever okay to pass off someone else's work as your own? What if it's a computer programme faking it? And how are our perceptions of ownership and Identity influenced by the apparent power of digital technology? These are some of the big questions Chris Harding discusses with : Rebecca Kuang, author of a new novel, ‘Yellowface', which is largely a story about plagiarism and publishing, but also touches on identity, social media and use of digital technology in perpetuating misinformation. New Generation Thinker Kerry McInerny, who researches the impact of AI. Amongst other aspects she's looking at how it can get things wrong, and its misuse in racial profiling. https://www.gender.cam.ac.uk/technology-gender-and-intersectionality-research-project/kerry-mackereth And, MIT economist Daron Acemoglu, whose new book ‘Power and Progress' says advances in technology don't always equate with positive outcomes. He discusses the way AI algorithms have been used in social media to make money and spread hate, but also outlines how we can harness tech for good Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity written by Daron Acemoglu and Simon Johnson is out now Ghislaine Boddington is a curator and director, specialising in the future human, body responsive technologies and digital intimacy. She is a Reader in Digital Immersion at the University of Greenwich. https://ghislaineboddington.com/ You can find more from Kerry on the Arts and Ideas podcast as part of our strand New Thinking – made in partnership with the Arts and Humanities Research Council which focuses specifically on research being done in UK universities – And the AHRC is also behind a big project involving academics in Edinburgh and the Ada Lovelace Institute looking at AI ethics And if you want to hear about AI in music – composers Robert Laidlow and Emily Howard talked to Radio 3's Music Matters programme and you can find that on BBC Sounds https://www.bbc.co.uk/programmes/m001l4d8