Podcasts about Wyndham Lewis

Founded in Chicago in 1914, the avant-garde journal the Little Review became a giant in the cause of modernism, publishing literature and art by luminaries such as T.S. Eliot, Djuna Barnes, William Butler Yeats, James Joyce, Ezra Pound, Pablo Picasso, Max Ernst, Gertrude Stein, Jean Toomer, William Carlos Williams, H.D., Amy Lowell, Marcel Duchamp, Joseph Stella, Hans Arp, Mina Loy, Emma Goldman, Wyndham Lewis, Hart Crane, Sherwood Anderson, and more. Perhaps most famously, the magazine published Joyce's Ulysses in serial form, causing a scandal and leading to a censorship trial that changed the course of literature. In this episode, Jacke talks to scholar Holly A. Baggett about her book Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review, which tells the story of the two Midwestern women behind the Little Review, who were themselves iconoclastic rebels, living openly as lesbians and advocating for causes like anarchy, feminism, free love, and of course, groundbreaking literature and art. PLUS Phil Jones (Reading Samuel Johnson: Reception and Representation, 1750-1970) stops by to discuss his choice for the last book he will ever read. Additional listening: 600 Doctor Johnson! (with Phil Jones) 564 H.D. (with Lara Vetter) 165 Ezra Pound The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's episode we take a look at the 1934 version of The Man Who Knew Too Much, the story so nice that Hitchcock made it twice. The 1956 version with Jimmy Stewart and Doris Day is now better known, but this was one of the key early hits that established Hitchcock's career. It's a kidnapping thriller about a British family who gets accidently mixed up in some international intrigue while on vacation in Switzerland. ***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes. Details: A Gaumont-British Picture released in England on December 9, 1934. Produced by Michael Balcon. Screenplay by Charles Bennett and D. B. Wyndham Lewis, based on a scenario by Edwin Greenwood and A. R. Rawlinson. Starring Peter Lorre, Leslie Banks, Edna Best, Nova Pilbeam and Frank Vosper. Cinematography by Curt Courant. Music by Arthur Benjamin. Ranking: 26 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Man Who Knew Too Much got 1,681 ranking points.

57 MinutesPG-13Taylor works for Antelope Hill Publishing, where one of his responsibilities is promoting new books they are publishing. Taylor joins Pete to talk about the themes in the newest book Antelope Hill is publishing entitled "Paleface: The Philosophy of the Melting Pot" by Wyndham Lewis.Taylor joins Pete to talk about the themes in the newest book Antelope Hill is publishing, entitled "Paleface: The Philosophy of the Melting Pot" by Wyndham Lewis.Antelope Hill - Promo code "peteq" for 5% offVIP Summit 3-Truth To Freedom - Autonomy w/ Richard GroveSupport Pete on His WebsitePete's PatreonPete's Substack Pete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

DH Lawrence described outcasts living by the Thames, Mina Loy made art from trash, calling her pieces “refusées", Wyndham Lewis moved from England to America in search of stability after burning many bridges in Britain. In this conversation about new research, Jade Munslow Ong discusses the way widening the canon of writers traditionally labelled as “modernist” might allow a greater understanding of attitudes towards homelessness and poverty in the early decades of the twentieth century. Dr Laura Ryan has a Postdoctoral Fellowship at the University of Galway where she is researching modernism and homelessness investigating the work of writers who were literally homeless, including D. H. Lawrence, Claude McKay, Jean Rhys and Tom Kromer, and also looking at depictions of homelessness in modernist texts by George Orwell, Mina Loy and Samuel Beckett. Dr Nathan Waddell is Associate Professor in Twentieth-Century Literature at the University of Birmingham. He is writing new books about Wyndham Lewis and about George Orwell. He has also edited collections of essays on Lewis, who featured in books already published by Nathan called Modernist Nowheres and Moonlighting. Nathan is also editing The Oxford Handbook of George Orwell. You can hear Nathan in a Free Thinking episode exploring futurism in a collection of discussions about modernism on the website of the Radio 3 Arts and Ideas programme Dr Jade Munslow Ong is a Reader in English Literature at the University of Salford where she is working on a project entitled South African Modernism 1880-2020. You can hear about some of the authors featured in her Essay for Radio 3 called The South African Bloomsberries. She is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio This podcast is made in partnership with the AHRC, part of UKRI. You can sign up for more episodes of the Arts and Ideas podcast wherever you find your podcasts or look at the collection of discussions focused on New Research available via the Free Thinking programme website.

Ana Walshe Disappeared in the beginning of the year, and the last person to see her, a husband with a questionable past .... There are a lot of sources I used for this case on my website but I have to shout out Boston Magazine this article by WYNDHAM LEWIS was so well done https://www.bostonmagazine.com/news/2023/04/20/brian-walshe-boston-friends/ check out ivanaestelle.com and follow me on @ivanaestelletruecrime Thank you all for joining me this week.

We dissect the complex life of Ezra Pound, one of the most interesting and controversial poetic geniuses of the 20th century. You'll gain insight into: Why Pound was so influential, his extraordinary talent-spotting skills, and his knack for turning vibrant social scenes into artistic movements. However, be prepared for a rollercoaster ride, as we also delve into the darker sides of Pound's life, including his descent into Fascism and anti-semitism. I believe the story is a cautionary tale about resentment, the modern passion par excellence, and a dangerous trap for people who rebel against institutions.This podcast will help you understand Pound's poetic and cultural innovations, including Imagism and Vorticism, and how his strong opinions and unique perspective propelled him, despite his controversial and often off-putting personality. We'll recount his turbulent career during WWI and WWII, his friendship with W.B. Yeats, the launch of Blast Magazine, and much more.This podcast is based on a close reading of Ezra Pound: The Solitary Volcano (1987) by John Tytell.Chapters(0:00:00) - Intro(0:04:04) - Summary of Lessons From Ezra Pound's Life(0:17:22) - Dense Networks and Creative Success(0:26:26) - Imagism and Vorticism(0:37:05) - Wyndham Lewis and Blast Magazine(0:42:41) - A Restless and Controversial Personality(0:53:07) - Taste, Talent-Spotting, and Pound's Extreme Generosity(1:04:52) - Downward Spiral(1:18:29) - Ezra Pound's Reflections Late in Life(1:22:07) - Final LessonsOther Life✦ Subscribe to the coolest newsletter in the world. https://otherlife.co✦ Join the community and get the bi-annual print edition by becoming a member. https://otherlife.co/upgradeIndieThinkers.org✦ If you're working on independent intellectual work, join the next cohort of https://IndieThinkers.org

Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

John Yoo is away traveling this weekend, so the 3WHH reverts to its old form, with Lucretia pummeling Steve like a chiropractor working on a stiff neck for his conventional thinking about the debt ceiling deal. But otherwise we're in a jolly mood this week, as we see signs that a "Revolt of the Normies"—that is sensible middle class Americans—against gender wokery is finally underway. Just ask the sales manager for Bud Light, or shareholders of Target. (We could have alternately called this episode "Pride Month Goeth Before the Fall.")Then, in response to some listener requests, we begin a preliminary excursion into a "Best Books" list, though we want to await John's return for an orderly treatment of this question. For this episode Steve and Lucretia talk about political novels, and why some are enduring, like Orwell's 1984 or Koestler's Darkness at Noon, and why others have been forgotten, like Andre Malraux's Man's Fate, or Wyndham Lewis's Revenge for Love (which Steve is reading right now). As usual Steve and Lucretia come at this subject from different directions, and finally settle together on . . . Shakespeare.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5816484/advertisement

This week, Gilly is with honey sommelier and bee champion, Sarah Wyndham Lewis. Her book, The Wild Bee Handbook is a fascinating insight into the world of the 'other' bees, the ones that don't make honey but go almost completely unnoticed. Their role in the protection of the planet is mighty, and as the unsung guardians of biodiversity, we all need to know much more about them and what we can do to protect them against the risk of extinction. Click here for Sarah's bee friendly recipes on Gilly's Substack Hosted on Acast. See acast.com/privacy for more information.

Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun   1.      Castilla – Azorín 2.      La mujer de la limpieza – James Stephens 3.      La muerte en Venecia – Thomas Mann 4.      Hijos y amantes – D.H. Lawrence 5.      Memorias de un hombre de acción – Pío Baroja 6.      Platero y yo – Juan Ramón Jiménez 7.      Niebla – Miguel de Unamuno 8.      Kokoro – Natsume Soseki 9.      Los treinta y nueve escalones – John Buchan 10.  El arco iris – H.D. Lawrence 11.  Servidumbre humana – William Somerset Maugham 12.  El buen soldado – Ford Madox Ford 13.  Rashomon y otros cuentos – Akutagawa Ryunosuke 14.  El fuego – Henri Barbusse 15.  Retrato del artista adolescente – James Joyce 16.  Los de abajo – Mariano Azuela 17.  Pallieter – Felix Timmermans 18.  Cuentos – Horacio Quiroga 19.  Bendición de la tierra – Knut Hamsun 20.  El retorno del soldado – Rebeca West 21.  Tarr – Wyndham Lewis --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

I'm thrilled to have sat down with mega dealer and collector Ivor Braka.Having studied at Oxford then at Sotheby's, at aged 24 , Ivor got his first taste of the art world when he worked for Andras Kalman at Crane Kalman gallery in Knightsbridge.With funding from his father and installed in a flat in Pont St, he then plunged into Wyndham Lewis drawings, Rossetti, JW Waterhouse, Mondrian and Ben Nicholson.Having got into Lucian Freud, Francis Bacon and Frank Auerbach way before others did, it was in 1989 when he was introduced to a Swedish collector Bo Alveryd that Ivor's big break came. A Francis Bacon self portrait he had bought for $2m was subsequently sold for $4.2m. Ivor was set.Dealing also in Paula Rego, Pablo Picasso, and Tracey Emin, by 2001, when Francis Bacon prices began their mountainous climb, from $5 million to $86 million, Ivor had been in the Bacon market for decades. Often called a visionary, Ivor attributes some of his success to going against convention and not necessarily following the market, discovering great pictures and subsequently achieving multiple record prices along the way.Splitting his time between London and Norfolk, Ivor operates independently, without an army of directors, assistants and white walls, offering a highly-private dealership serving the world's biggest collectors.Recorded from Ivor's home in Chelsea, my name is Nolan Browne, I'm an art advisor with a podcast this is A Life Curated Hosted on Acast. See acast.com/privacy for more information.

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem.

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

JJ Ruiz is an Austin-based musician who has played with several punk and hardcore bands since the 2000s. With one of those bands, Naw Dude, he opened for Anal Cunt. In this episode, he relays his stories about AC's late iconic frontman and one of the greatest American performance artists of the last two decades Seth Putnam. This episode is all about Seth, an artist as important to us as Vito Acconci or Wyndham Lewis, for real. FULL EPISODE SOUNDTRACK: Anal Cunt "Grateful Dead" Shit Scum "Brady Bunch Massacre" Full Blown A.I.D.S. "It's all Fake" Anal Cunt "Art Fag (Live)" Executioner "War Machine" Anal Cunt "Fuck Yeah" LINKS: Seth Putnam interview 'Slave to the Grind' documentary Anal Cunt live in 2007 Seth interviewed by Hellbound Seth interviewed by Chronicles of Chaos

In his lifetime, the Romantic poet and engraver William Blake (1757-1827) was barely known and frequently misunderstood. Today, his genius is widely celebrated and his poems are some of the most famous in the English language - and yet we still struggle to comprehend his unique way of seeing the world. In this episode, Blakean biographer John Higgs, author of the new book William Blake vs. the World, joins Jacke to discuss Blake's life, art, and visions. Additional listening suggestions: William Blake 306 John Keats's Great Odes (with Anahid Nersessian) 58 Wyndham Lewis and the Vorticists (with Professor Paul Peppis) Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

PODCAST  Culture Is Contagious © 2021 ISBN 978-976-96689-9-7FOREWORDFrom the 1990s and into the 21st century, interest in social contagion grew rapidly, based in part on cross fertilisation with the then emerging field of network science, especially its applications to the internet.That said,it should be noted that throughout the 20th century, creatives across many movements, mediums, and styles began to explore the practice of collage art. The inventive and innovative approach to art attracted artists due to its one-of-a-kind aesthetic and unique, pieced-together process.William  Anderson  Gittens, Author, Cinematographer Dip.Com., Arts. B.A. Media Arts Specialists' License Cultural  Practitioner, Publisher,Podcaster, CEO Devgro Media Arts Services®2015,Editor in Chief of Devgro Media Arts Services Publishing®2015WORKS CITED  https://en.wikipedia.org/wiki/Social_contagion  David A. Levy , Paul R. Nail (1993). "Contagion: A Theoretical and Empirical Review and Reconceptualization". Genetic Social and General Psychology Monographs. 119: 233–84.Paul Marsden (1998). "Memetics and Social Contagion: Two Sides of the Same Coin?". Journal of Memetics. 2 (2): 171–185.Peta Michell (2012). "1, 3". Contagious Metaphor. Bloomsbury Academic. ISBN 978-1472521620.  mymodernmet.com/collage-art-collage/  www.anthropology4u.com/characteristics-of-culture/  open.lib.umn.edu/sociology/chapter/3-2-the-elements  www.answers.com/Q/What_are_the_12_aspects_of_culture  courses.lumenlearning.com/sociology/chapter/elements   open.lib.umn.edu/sociology/chapter/3-2-the-elements-…  https://www.wired.com/story/social-distancing-has-become-the-norm-what-have-we-learned/  http://marctothec.com/  https://www.wired.com/story/social-distancing-has-become-the-norm-what-have-we-learned/  collage (n.) form of abstract art in which photos, newspaper clippings, found objects, etc., are glued onto a surface, 1919 (Wyndham Lewis), from French collage "a pasting," from Old French coller "to glue," from Greek kolla "glue," a word of uncertain origin, perhaps Pre-Greek.  en.wikipedia.org/wiki/Collage  https://philosophy-question.com/library/lecture/read/267569-where-did-culture-originated#0  www.historynet.com/pop-culture-history-from-ancient-t…  en.wikipedia.org/wiki/Collage  https://en.wikipedia.org/wiki/Social_contagion#History  David A. Levy , Paul R. Nail (1993). "Contagion: A Theoretical and Empirical Review and Reconceptualization". Genetic Social and General Psychology Monographs. 119: 233–84.Paul Marsden (1998). "Memetics and Social Contagion: Two Sides of the Same Coin?". Journal of Memetics. 2 (2): 171–185. Peta Michell (2012). "1, 3". Contagious Metaphor. Bloomsbury Academic. ISBN 978-1472521620.  www.anthropology4u.com/characteristics-of-culture/  open.lib.umn.edu/sociology/chapter/3-2-the-elements  www.answers.com/Q/What_are_the_12_aspects_of_culture  courses.lumenlearning.com/sociology/chapter/elements   open.lib.umn.edu/sociology/chapter/3-2-the-elements-…  http://marctothec.com/  https://www.wired.com/story/social-distancing-has-become-the-norm-what-have-we-learned/  collage (n.) form of abstract art in which photos, newspaper clippings, found objects, etc., are glued onto a surface, 1919 (Wyndham Lewis), from French collage "a pasting," from Old French coller "to glue," from Greek kolla "glue," a word of uncertain origin, perhaps Pre-Greek.  en.wikipedia.org/wiki/Collage  https://philosophy-question.com/library/lecture/read/267569-where-did-culture-originated#0  www.historynet.com/pop-culture-historSupport the show (http://www.buzzsprout.com/429292)

This episode features two Grim Reaper themed short stories. The first, The Violin, written and narrated by Jon C. Cook of the Fadó Podcast. The second called The Death of The Ankou was written by Wyndham Lewis and narrated by Abby Brenker.Consider donating to Asian Americans Advancing Justice: Atlanta.---Check out Abby's book Horror Stories. Available in eBook and paperback.Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.lunaticsproject.comGet the Spring issue of Lunatics Magazine on Etsy. Or become a Patron to get one automatically. Support the show (https://www.patreon.com/filmsaboutlunatics)

Come with me as we peek under the surface of the business of honey with an insight into the beekeeping journey and working life of Sarah Wyndham Lewis who you may know as The Honey Sommelier.  Sarah was introduced to the bee world by her husband Dale Gibson and together they created the London based sustainable beekeeping practice Bermondsey Street Bees (Insta @Bstreetbees).Sarah is a professional Honey Sommelier, working with chefs, bartenders and honey producers around the world. A regular contributor to TV, radio and print media, her book  ‘Planting for Honeybees' is published in five languages.  Not only does she know her honey (and is now a Great Taste judge!), she's a fantastically entertaining public speaker and her knowledge and passion for quality food and it's production, is transparent in everything she does.  Follow her on Instagram @honeysommelierlondon or find out more at   www.bermondseystreetbees.co.uk

To get us out of the depressing discourse loop of contemporary politics, we brought on the Scottish writer, academic, and editor of the exciting experimental lit publisher Hyperidean Press, Udith Dematagoda. We discuss Udith's recent novel, 'Horizontal Rain,' literary nihilism, and the rich history of reactionary ideology throughout early modernism: Céline, Wyndham Lewis, Pierre Drieu la Rochelle, Mishima, and more. There is also some discussions on painting, surrealism, failure, and pessimism. Udith has just published an excellent piece on Adam's Safety Propaganda project, which is linked below. Udith is currently finishing a book on the confluence of technology, fascism and masculinity.   Links: Udith Dematagoda: https://udithdematagoda.com/about-2/ Udith Dematagoda 'Horizontal Rain': https://hyperideanpress.com/books Udith Dematagoda 'On Infantilism': https://safetypropaganda.substack.com/p/on-infantilism-by-udith-dematagoda Wyndham Lewis 'Tarr': http://www.gutenberg.org/files/58340/58340-h/58340-h.htm

Som poet kom han tidigt i kontakt med litterär modernism och fanns i utkanten av rörelser som Ezra Pounds imagism och Wyndham Lewis vorticism. Så småningom blev hans ideal mer traditionalistiska och klassicistiska. År 1948 tilldelades han Nobelpriset i litteratur. För en bred publik har han blivit känd inte minst för de kattdikter som används i musikalen ”Cats”. Carl Rudbeck, doktor i litteraturvetenskap och kulturjournalist, samtalar med Peter Luthersson.

Der Brite Wyndham Lewis war Maler, Schriftsteller, Herausgeber, Kunstkritiker. Er legte sich gern mit seinen Zeitgenossen an, etwa mit Virginia Woolf oder James Joyce. Diesem Muster der Streitlust folgt auch sein 1930 erschienener Roman "Die Affen Gottes" - eine Art Abrechnung mit der damaligen Londoner Künstlerszene. Von Christoph Haacker www.deutschlandfunk.de, Büchermarkt Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Der junge Ire Dan Boleyn zieht 1926 durch die Salons von London und führt Buch über „die Affen Gottes“, die er dabei trifft. Lewis‘ Opus ist ein bedeutendes Stück Archäologie der literarischen Moderne, hochgelobt von Nobelpreisträger T.S. Eliot. Von Ingo Arend www.deutschlandfunkkultur.de, Lesart Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Der junge Ire Dan Boleyn zieht 1926 durch die Salons von London und führt Buch über „die Affen Gottes“, die er dabei trifft. Lewis‘ Opus ist ein bedeutendes Stück Archäologie der literarischen Moderne, hochgelobt von Nobelpreisträger T.S. Eliot. Von Ingo Arend www.deutschlandfunkkultur.de, Lesart Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

In This Episode The Book Evangelists discuss A Moveable Feast by Ernest Hemingway. Morning Chatter • How can Marian invent a way to keep her new planner cover closed? • Should everyone buy a comfy gaming chair for their office? • What is hate reading and were we successful at it with this book? The description of A Moveable Feast by Ernest Hemingway from goodreads.com: Hemingway's memories of his life as an unknown writer living in Paris in the twenties are deeply personal, warmly affectionate, and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city. Discussion Hemingway accidentally forgot to include that he was living in Paris because of Hadley's inheritance money. “He liked the works of his friends, which is beautiful as loyalty but can be disastrous as judgement” Hemingway, writing about Ezra Pound “Forgive you for what? Always talk about it or about anything. Don't you know all writers ever talk about is their troubles?” Hemingway, describing encouragement from Sylvia Beach It paints a really good picture of what it is like to be someone who is struggling to find their own voice and grow in their craft. “I wrote it and left it out.” - the end of his first marriage is not part of this book. “...my new theory that you could omit anything if you knew that you omitted it and the omitted part would strengthen the story and make people feel something more than they understood.” Hemingway on leaving out a man's death from the end of a story Hemingway and Fitzgerald - WOW, so much gossip in this book! We share our best theories on the scene between Hemingway and Fitzgerald comparing personal body parts and studying the statues at the Louvre. Does Hemingway find Fitzgerald attractive? Is Hemingway mentoring Fitzgerald? Why did Hemingway hate Zelda so much? NaNoWriMo 2020 As we move through #nanoprep season, we start thinking about our potential November projects. We are both posting on Instagram as part of #instawrimo. Lissa recently filled out several of the plot outline worksheets from NaNo Prep101 while her kid set timers and made her finish each one in 10 minutes. Highly recommended technique for exploring your ideas, quickly! Marian was considering writing literary fiction based on A Moveable Feast but tabled that story because it isn't the book she wants to write right now. Marian is preparing to write historical fantasy. She is preparing by creating a notebook of interesting ephemera and inspiration. Lissa is preparing to write something like "librarian-ish on a spaceship-ish on a journey-ish" and is now pondering writing the story in the episodic memoir style of A Moveable Feast, just like Hemingway (only nothing like Hemingway.) "Okay, but now I just thought of a new idea for my novel." Lissa How do you get your main character's voice in your head? How do you get to know that person? What will our stories become? Will we write the stories we are planning? Will we write 50,000 words in 30 days? Did we mention? You should write a novel this November: https://nanowrimo.org/ Coming Up Next episode: Marian and Lissa reveal the amazing and interesting stories behind the stories of how their writing projects and experiences with NaNoWriMo 2020 progressed toward victory! Maybe. Probably. We hope. Music Credit: The music used during transitions in our podcast is adapted from: Jazzy Sax, Guitar, and Organ at the club by Admiral Bob (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/admiralbob77/58382 Ft: geoffpeters

In this show we speak to Sarah Wyndham Lewis, honey sommelier and co-owner of Bermondsey Street Bees who produce incredible London honey. We talk about the best honey to be buying, the crucial role bees play, urban beekeeping, the honey process, and her role as a honey sommelier.    Vibrant rhubarb is in season so I give you my recipe for Rhubarb and Custard Brûlées and forager Imogen speaks about wild flowers and yarrow.    https://www.doorstepkitchen.com/recipes/rhubarb https://www.bermondseystreetbees.co.uk/ https://www.bbka.org.uk/ https://www.nativerestaurant.co.uk/

Listen to the song. When what used to excite you does not. TODAY! Wyndham Lewis (Tate). Wyndham Lewis's Blast Manifesto (Pdf). There's probably a curse word. Contact: pgtfsg@gmail.com. The Annotated Fall lies here: http://annotatedfall.doomby.com/

Join me in the heart of London's South Bank - Bermondsey.  I'll be meeting two people with a passion for sustainability, the ethics of food and above all a passion for honey bees.  Meet Sarah and Dale of Bermondsey Street Bees.

Logo Daedalus is a writer, best known on Twitter (@Logo_Daedalus). He has a new book out, called Selfie, Suicide: or Cairey Turnbull's Blue Skiddoo. We talk about Logo's politics, his experience self-publishing his book, Wyndham Lewis, and the rise of Andrew Yang among the so-called Alt-Right, among other things. If you'd like to discuss this podcast with me and others, suggest future guests, or read/watch/listen to more content on these themes request an invitation here. This conversation was first recorded as a livestream on Youtube. Subscribe to my channel with one click, then click the bell to receive notifications when future livestreams begin. Big thanks to all the patrons who help keep the lights on.

Catch up on this talk by Dr Nathan Waddell as he reveals the story of the controversial artist, writer and critic Wyndham Lewis, his relationship to T. S. Eliot and why his 1938 portrait of the littérateur was rejected by the Summer Exhibition.

Garry Kasparov talks to Philip Dodd about being defeated by a supercomputer in the chess match he played in 1997 and how this affected his view of AI. 100 years ago, Wyndham Lewis was first commissioned as a war artist; Richard Slocombe, curator of a new exhibition and art historian Anna Grueztner Robins discuss his art with John Keane who was a war artist in the Gulf War. 2017 New Generation Thinker Simon Beard outlines his research into overpopulation and our attitude towards death. Garry Kasparov's book is called Deep Thinking: Where Artificial Intelligence Ends and Human Creativity Begins.Wyndham Lewis: Life, Art, War is a display of 160 artworks, books, journals and pamphlets which runs at the Imperial War Museum North in Salford from 23 June 2017 – 1 January 2018Simon Beard is based at the Centre for Research in the Arts, Social Sciences and Humanities at the University of Cambridge researching existential risk. New Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to find academics who can turn their research into radio and television. You can find more on the Free Thinking website.

Joseph Fiennes joins Kirsty to discuss his role of the Commander in the sinister television adaptation the Handmaid's Tale currently on Channel 4.Daljit Nagra, Radio 4's poet in residence, reads a new poem commissioned for the summer solstice. Plus he discusses British Museum, his third volume of poetry which marks a significant departure of style. One hundred years since Wyndham Lewis was first commissioned as an official war artist in 1917, a major retrospective at Imperial War Museum North tells the story of the controversial and radical British artist. The exhibition's curator Richard Slocombe joins Kirsty to discuss. Scottish mezzo-soprano Catriona Morison has been awarded the 2017 BBC Cardiff Singer of the World title. Already a surprise finalist, she was the judges' choice as their wildcard entrant to compete in the final, she is also the first British winner of BBC Cardiff Singer of the World. She speaks to Kirsty from Germany where she is currently based as an ensemble member of Wuppertal Opera.

T. S. Eliot (1888-1965) föddes i USA och växte upp i en miljö präglad av den unitariska kyrka som förnekar treenighetsläran och Jesus gudomlighet, men han blev den mest brittiske av britter och en synnerligen aktiv medlem av anglikanska kyrkan. Som poet kom han tidigt i kontakt med litterär modernism och fanns i utkanten av rörelser som Ezra Pounds imagism och Wyndham Lewis vorticism. Så småningom blev hans ideal mer traditionalistiska och klassicistiska. År 1948 tilldelades han Nobelpriset i litteratur. För en bred publik har han blivit känd inte minst för de kattdikter som används i musikalen ”Cats”. Carl Rudbeck, doktor i litteraturvetenskap och kulturjournalist, samtalar med Peter Luthersson. Intervju från 2017.

Panel: Ted Howell, Rachel Murray, Peter Adkins Ted is a PhD candidate in English Literature at Temple University completing a dissertation on modernist fiction, early ecology, and the Anthropocene. His work brings literary history into interdisciplinary conversations about the Anthropocene, and through studies of works by E.M. Forster, James Joyce, Virginia Woolf, and H.G. Wells, illustrates how consistently modernist fiction leverages environmental ideologies and how widely literature shapes cultural and scientific attitudes towards nature Peter is a CHASE PhD candidate at the University of Kent, where he is writing a thesis that re-examines modernist prose aesthetics in relation to questions of the Anthropocene and the nonhuman. The three key figures in his study are James Joyce, Djuna Barnes and Virginia Woolf. He is also a member of the Kent Animal Humanities Network Rachel is a third year AHRC funded PhD candidate at the Universities of Bristol and Exeter. Her thesis examines the relationship between modernist aesthetics, insects, and the figure of the exoskeleton, with a particular focus on Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett

Embattled and arrogant, the novelist and painter Wyndham Lewis (1882-1957) was deeply immersed in Modernism even as he sought to blast it apart. He was the type of person who would rather hate a club than join it – and while his taste for the attack led to his marginalization, his undeniable genius made him impossible to ignore. Eventually, his misanthropic views led him down some dark paths, as the freedom and energy of the early twentieth century gave way to totalitarian regimes and the horrors of modern war. Professor Paul Peppis, an expert in the politics, art, and literature of the Modernist era, joins Jacke for a discussion of Wyndham Lewis and his leadership of the thrilling, doomed artistic revolution known as Vorticism.  Show Notes:  Brand new! Check out our Facebook page at facebook.com/historyofliterature. You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com. Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766). Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Modern Piano Epsilon – The Small” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0   Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: "Christianity and Antisemitism" as part of the Yale Initiative for the Interdisciplinary Study of Antisemitism (YIISA) / International Association for the Study of Antisemitism (IASA) "Global Antisemitism: A Crisis of Modernity" Conference Date: August 23, 2010 Speakers, Affiliations, and Titles: Speaker: Dr. Hilda Nissimi Affiliation: Bar-Ilan University Title: "Religion, Liberalism, and Empire in Britain: Antisemitism as Lynchpin" Speaker: Dr. Lara Trubowitz Affiliation: University of Iowa Title: "Wyndham Lewis, Christian Theology and the Artfulness of Antisemitism, or Redefining Tolerance in an Era of Refugees" Speaker: Mark Weitzman Affiliation: Simon Wiesenthal Center Title: "The Actor, the Bishop and the Future of Jewish-Catholic Relations" Location: Yale University, New Haven, CT

In this episode, Kristianne and Greg try to make sense of a convoluted artistic manifesto.

With John Wilson. Romanian soprano Angela Gheorghiu is one of opera's best-known performers, appearing in the world's most prestigious opera houses and concert halls. She reflects on her controversial reputation and the breakdown of her marriage to tenor Roberto Alagna. The Reluctant Fundamentalist is the film adaptation of Mohsin Hamid's novel. Directed by Mira Nair and starring Riz Ahmed and Kate Hudson, it's the story of Changez, a young Pakistani man who finds success working in Wall Street. When the 9/11 attacks happen he begins to notice a change in how his adopted society responds to him. Writer and critic Shahidha Bari reviews the film. In the latest episode of Cultural Exchange, in which creative minds select a favourite art-work, Peter Bazalgette, chairman of Arts Council England, nominates a portrait of Edith Sitwell by the writer and painter Wyndham Lewis. Producer Jerome Weatherald.

The TV producer and chair of the Arts Council England talks to John Wilson about Wyndham Lewis's portrait of Edith Sitwell. Includes selected BBC archive: AS Byatt on the difficulty of painting hands; Edith Sitwell on writing poetry; Edith Sitwell profiled on Woman's Hour and Dylan Thomas reading an extract from An Old Woman by Edith Sitwell. Full Archive details at: http://www.bbc.co.uk/programmes/p016p5mb/profiles/peter-bazalgette

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Michael Nath, Lecturer in the Department of English, University of Westminster, examines the contribution of Wyndham Lewis and the Vorticist movement to the formation of avant-garde artistic practice and metropolitan culture in early twentieth-century Bri