Podcasts about distinctively

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Spencer Murphy — Assistant Professor in Media and Communications at Coventry University, specialist in film theory and cross-cultural cinema, and founder of the Coventry East Asian Film Society — for a wide-ranging, enthusiastic, and genuinely entertaining conversation about British film. What is a British film, exactly? Is it about the money, the cast, the crew, the story, or the setting? How does class permeate almost every British film ever made, from Ealing comedies to Harry Potter? Why does the British landscape function as a character in its own right? And why do Americans connect so deeply with British cinema when its sensibility — restrained, ironic, self-deprecating — is so different from Hollywood's? Jonathan and Spencer also trade their top five British films each, debate the new Wuthering Heights adaptation (neither of them liked it), and discuss why British cinema's literary inheritance is both its greatest strength and, sometimes, its creative limitation. Links Spencer Murphy at Coventry University BFI Top 100 British Films Dead Man's Shoes (2004, Shane Meadows) The Full Monty (1997) The Remains of the Day (1993) Rebecca (1940, dir. Alfred Hitchcock) Tamara Drewe (2010, dir. Stephen Frears) Friends of Anglotopia Takeaways Defining what constitutes a British film is genuinely one of the hardest questions in film studies — it can't be reduced to funding source, shooting location, cast, or director alone. Both Jonathan and Spencer agree the most satisfying answer involves who is behind the artistic vision, but even that gets complicated fast. The "Mary Poppins test" is Spencer's shorthand for films that feel very British on the surface but aren't authentically so — the tourist's vision of Britain, the chocolate-box version that meets an expectation rather than reflecting a reality. British film has a deep and complicated two-way relationship with how Britain represents itself to tourists — Hollywood's vision of Britain shapes what visitors expect, and British places have increasingly adapted to meet those expectations, from Harry Potter shops in York's Shambles to the way villages brand themselves around filming locations. Class is the single most persistent thread running through British cinema across every decade and genre — from Ealing comedies to Downton Abbey to Trainspotting — and Spencer argues it's almost impossible to think of a major British film that isn't, consciously or not, about the class system. British cinema's literary inheritance — the endless cycle of Jane Austen, Brontë, and Robin Hood adaptations — is both a commercial lifeline and a creative constraint. Spencer sees it as potentially reducing the space for new voices and contemporary stories, though he acknowledges the money it generates can fund smaller, more singular films. The British landscape is not just a setting in British cinema — it functions as a character, carrying regional pride and identity in a way that Hollywood rarely matches. Spencer notes that British location managers and production designers feel a deep obligation to get place right in a way their American counterparts don't always have. Spencer's explanation for why Americans love British film comes down to one word: self-deprecation. British culture — and British cinema — is not afraid to ridicule itself, to see its own shortcomings, and to raise them with others in a way that doesn't quite offend. He sees this as the quality Hollywood fundamentally cannot replicate. The new Wuthering Heights adaptation was a near-universal disappointment for both Jonathan and Spencer — not for lack of visual quality, but for failing the fundamental question every film must answer: who is this for? Spencer's most unexpected recommendation is Dead Man's Shoes (2004) by Shane Meadows — a harrowing, masterful, deeply regional Midlands film that he shows students as one of the most authentic and powerful representations of working-class Britain ever put on screen. The incoming Harry Potter TV series — set explicitly in the 1990s with a period-appropriate visual aesthetic — is likely to have a bigger impact on British tourism than anything since the original films, and will once again reshape what visitors expect Britain to look and feel like when they arrive. Soundbites "When I grew up, I really loved Hong Kong movies — Bruce Lee. The thing that fascinated me was you had streets with Chinese signs, but then Royal Albert Street, buses that looked like London buses. I remember my dad saying, 'Oh, it's part of Britain.' And I was like, what? That can't be so." — Spencer on the connection between British colonialism and his career in film. "It's almost like a snake eating its tail. Britain adapts to meet the expectation that its own exported films have created. You go to the Shambles in York and every other shop sells Harry Potter things and tea — because that's what people want to see." — Spencer on cinema's two-way influence on British culture and tourism. "Class in the UK is not purely related to finance. You can be a very, very wealthy working class person. You could be a millionaire and you'll always be working class. That idea of class being embedded generationally — going back hundreds and hundreds of years — movies articulate that struggle." — Spencer on why class is the defining thread of British cinema. "I'm from the Black Country — a heavily industrial area. I moved into what people would call a very middle class job as a lecturer at university. But my accent, the way I speak, where I'm from — it's working class and it will never leave me." — Spencer on living the class story British cinema tells. "You could argue British cinema is trying, in the 1940s post-war period, to lay out the parameters of class once more — because the great leveller of class was the Second World War, when it really didn't matter who your parents were. People were dying at every rank." — Spencer on class and British cinema's post-war identity crisis. "I always think of it as the King Charles test. He gave that speech in Congress — understated, but deeply critical, undercutting the president in a way where nobody could quite call him out for it. That is quintessentially British. And I think British film does that too." — Spencer on why Americans love British cinema's self-deprecating wit. "You're never going to see a British version of Top Gun. It's just never going to happen. Hollywood can be very congratulatory. British cinema is not afraid to ridicule what it is to be British — and I think that appeals to American audiences enormously." — Spencer on the fundamental difference between British and American cinema. "Wuthering Heights — I watched it and I thought, I don't even know what it felt like, but it didn't feel British to me. I wasn't sure who it was made for. Is this made for 19 year olds? Because I don't get it." — Spencer on the Emerald Fennell adaptation. "Dead Man's Shoes is harrowing and awful, but it had a massive impact on me. It touches on class, on the 1980s, on the downtrodden. It's a film I've seen about three times. I show it to students because it's just masterful." — Spencer on his most unexpected British film recommendation. "When they replayed the Royal Wedding coverage in the pub, you know what came on after it on BBC One? Wallace and Gromit. The perfect chaser of all that Britishness." — Jonathan on the most quintessentially British television scheduling decision ever made. ⠀ Chapters 00:00 Introduction — Jonathan sets up the episode and introduces Spencer Murphy 01:50 Spencer's Journey into Film — VHS tapes, corner video stores, Hong Kong martial arts films, and an accidental PhD 04:36 Jonathan Meets His Wife at Film School — A brief Anglotopia origin story 05:13 Southeast Asian Cinema and the British Colonial Lens — How post-1997 Hong Kong shaped Spencer's thinking about national cinema 08:52 What Is a British Film? — The question neither host can fully answer, and why that's the right response 12:36 Jonathan's Working Definition — Setting, cast, and the authenticity test 13:37 The Merchant Ivory Problem — When a British story isn't quite a British film 14:32 The Mary Poppins Test — How to spot a tourist's version of Britain on screen 16:17 Harry Potter, Bond & Lawrence of Arabia — Are America's favourite "British" films actually British? 18:46 Cinema's Two-Way Effect on Britain — How films shape the places they portray 20:53 Harry Potter as Britain's Biggest Cultural Export — And the new TV series that will change tourism again 22:29 The Visual Identity of the Harry Potter TV Show — Why setting it in the 1990s is a smart move 24:28 British Film Genres — Social realism, heritage drama, comedy, Hammer Horror, and what each adds to the British identity 26:50 Class as British Cinema's Defining Thread — Why it runs through every genre from Ealing to Peaky Blinders 31:33 The Full Monty, Billy Elliot & Richard Curtis — Class in 1990s British film 33:36 Accents, Class & the Transatlantic Voice — From clipped 1930s RP to Trainspotting's Scots 38:45 British Cinema & Literary Adaptation — Strength or creative constraint? 42:49 The New Wuthering Heights — Two film lovers find they agree it didn't work, and debate why 47:36 Landscape as Character — How place functions in British cinema differently from Hollywood 52:08 Why Americans Love British Film — Self-deprecation, irony, and the King Charles Congressional speech 55:23 The Battle of Britain vs Top Gun — How British and American cinema represent heroism differently 55:50 Spencer's Top Five British Films — Rebecca, Dr. No, The Devil Rides Out, The Full Monty, Dead Man's Shoes 59:14 Jonathan's Top Five British Films — The Remains of the Day, Master and Commander, About Time, Tamara Drewe, That Hamilton Woman, Hot Fuzz, On Chesil Beach, and Wallace & Gromit 1:03:06 Wallace & Gromit After the Royal Wedding — The perfect end to any discussion of British culture 1:04:08 Wrap-Up — Spencer must dash, a second episode is promised, and a call to share your own favorite British films Video Version

Good morning Vital Church! ‘Nader season may be upon us, but nothing can blow us away like the love and grace of Jesus. Join with us as we continue to study the teachings of Matthew this morning.New to Vital Church? Connect with us here! https://myvital.church/new-here•Need Prayer? We would love to pray for you! https://myvital.church/prayer-request•Made a decision for Christ? https://myvital.church/made-a-decision•Looking to give? https://myvital.church/give 

In this episode of WSTR Galactic Public Access, Todd Hoffman and Heather Alred celebrate the 30th anniversary of Muppets Treasure Island. They explore the film's legacy, personal connections, and how it ranks among other Muppet movies. The conversation delves into Tim Curry's standout performance, the film's distinctively 90s vibes, and the impact of its musical numbers. They also discuss the emotional depth of the story, the effectiveness of the comedy, and why this film may not receive the same love as other Muppet classics. In this episode, Todd and Heather discuss the potential re-release of Muppet Treasure Island, reflecting on its aging and overall impact. They rate the film and transition into news, including Forbes' list of greatest innovators, featuring George Lucas. The conversation shifts to the excitement surrounding The Mandalorian's new trailer and Jon Favreau's insights on adapting Star Wars for the big screen. The episode concludes with personal updates and a light-hearted cantina chat. Chapters 00:00 Introduction to the Muppets Treasure Island 02:32 Exploring the Muppets Legacy 05:13 Personal Connections to the Film 07:32 Ranking the Muppet Movies 10:43 Distinctively 90s Vibes 12:18 Tim Curry's Performance 13:54 Quickfire Questions on the Film 19:51 Musical Numbers and Their Impact 26:41 Comedy and Fourth Wall Humor 29:33 Emotional Depth and Storytelling 33:12 Final Thoughts on Muppets Treasure Island 33:33 Muppet Movie Re-release Discussion 36:13 Aging of Muppet Treasure Island 37:17 Rating Muppet Treasure Island 39:34 Transition to News of the Week 40:24 Forbes' Greatest Innovators List 46:22 The Mandalorian Trailer Insights 50:54 Jon Favreau on Star Wars Adaptation 57:23 Cantina Chat and Personal Updates 01:09:17 NEWCHAPTER

“Marriage is a window, not a wall.” In this talk recorded at TGC25, Stephen Witmer explains how Ephesians 5 presents a joyful, liberating, and distinctively Christian approach to marriage. We see that God's instructions aren't arbitrary or sexist. We're freed to cherish marriage without totalizing it—neither holding it too loosely nor valuing it too highly. And we're given grounds for perseverance in marital challenges and hope in marital disappointments.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://www.youtube.com/watch?v=89gUQLWQGG0 Podcast audio: In this episode of the Ayn Rand Institute Podcast, Onkar Ghate and Elan Journo discuss the role of Trump in today's rise in political violence. Topics include: How Trump's campaign demonized fellow Americans Connection between tribalism and violence Trump's whitewashing of violence Trump's targeted political attacks Trump's comfort with political force and strongmen How “crisis narratives” legitimize the use of force This episode was recorded on February 13, 2026. Listen and subscribe wherever you get your podcasts. Watch archived podcasts here. Image credits: Zach D Roberts / NurPhoto via Getty Images; Brent Stirton / News / via Getty Images; Kevin Dietsch / Staff / via Getty Images

Today we are looking at what Jesus said about when He will return. CONNECT: https://www.visioneternity.org/ / vision-eternit. . SUPPORT: https://www.visioneternity.org/give

Transforming Perspectives | Are you aware of the biblical distinctions of Life? Its purposes today, life as a new creation by faith in Jesus Christ or life after death and the expectation or hope of life in heaven. Scriptures are specific whenever referring to Life, so that everyone will understand God's desires for creating mankind, and the heavens and the earth. In the beginning of life, man was given a charge, meaning a task to take care or obtain dominion over the things on earth. However, God's mercies intervening on man's behalf purposed to reconcile man back to his sovereign will. In doing, God decreed the Way for mankind to obtain a new life, as a new creation by faith in Jesus Christ.The new life is inclusive of the promise of salvation in Jesus Christ. Wherein, a believer enters eternal life, a destination, dwelling under the rule and order of eternal God, not confined to any chronological timing of beginnings or ending. Distinctively, Everlasting Life is a condition as believers being transformed as a new creation, having no ending.   Resurrection Life is a state of being whenever a believer has passes (dies) from this life yet remains or sleep until a designated time in the end with which a second death has no power.Pray, Read and Study : 2nd Corinthians Chapter 5; the Gospel According to John Chapter 5, and the Book of Revelation Chapter 20 verse 6.Thank you for subscribing and listening to our Podcast's Episodes! PODCAST WEBPAGE | - You, Life and God Podcast powered by Buzzsprout.com Episodes | Conversations of Transforming Perspectives pertaining to Biblical Truths are available also on Podcast, Music and Radio Platforms. YouTube | - You, Life and God Podcast Episode Previews You, Life and God Podcast MEDIA Announcements and Episode Previews. Live365 Radio | - You, Life and God Podcast Radio | Let's Have a Talk…, Poignant and Candid Talk, Inspirational Music, Family Prayers, Podcast Episode Replays. Available 24 hours everyday on Music and Radio Platforms. Listen In your Home, at the Office and in your the Car. Radio Live Talk | Let's Have a Talk.., Live, Saturday Mornings, 9amPST, Talk - Replays Airing Daily. RESOURCES | TheBible org., 2025 all rights reserved worldwide. Connect with us on FaceBook and LinkedIn _________________

Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Do you think it will work? I don't know, Conan, I don't know! Conan O'Brien?! Where did you find Conan O'Brien on such short notice? It was actually pretty easy. I don't think that's real thunder but i'm impressed with the teatrical… Is that not real lightning? It is, but. That's it. Conan, hold this. What. CONAN O'BRIEN is STRUCK by LIGHTENING. It's a-half-past eternity–where the fuck are you? The daunting this was, I hadn't any idea at all how much time had passed… Not really. I'm coming…i'm running late. Tell me about it? Under the circumstances, there really are no straightforward conversions of time between your world and mine–or, our worlds and yours. You mean. How much time you got? Forever. It would take forever and a day to show you even just the slightest of mine, and what I have to offer. But… But what… I should go… Well, go then. …but… The doors are open. This is heavy. The thing is, in navigating between this realm and that, many are lost–and also, many wonder as to what becomes of times past, and all in all, unnoticed, many things are not at all, or never were–or…never again. ANDRE 3000 I know it's coming… ANDRE 3000 slides smoothly, leaning back until the grand piano on his back stands on its own legs on the crystalline floor of the clouded paradox; a glistening void in the kingdom of the unknown, where much time is spend, in the journey of pondering. Now he is laying down on the piano and flat on his back, horizontal to the golden glow of the purplish horizon in this place, seeping into a quiet unknown, waiting– ANDRE 3000 …and here I will wait. Man, this show is so weird. I know, you would think i'm on drugs. I wish. WISH? Oh God, here comes this guy again. Whose this guy? I don't know! He grants my wishes! I'm a–fairy–I think. Right. Whatever. Ooh. Wait. Is this for me? I can't memorize all these things. Playing all these characters. That's – seriously? Seriously. Stop caving. I'm caving. You are–quite possibly the only anybody, who can play this part at all. “The Only Anybody” Nobody was someone indeed But still noone, nobody at all, in fact Until… You sold your soul to the devil! …so? *gasp* Hey. What gives. True–or False. Huh. That's funny. No one's ever asked me. How come? [beat] I'm assuming like, they wouldn't want the answer. (shrugs nonchalantly) Wow. That's… You're using my own time travel theory–against me! Technically it was proven through experimentation and is now– a law. FUCK. Uh. You're welcome! You're ruining my life! No, i'm fixing it. INCORRECT. You know i can barely breathe in here… And why is it that we would happen me to connected, commander?! Interlogues, and interlogues of space, my captain– I promorged bodies and bodies over your arrival, imdending my great death, For mere mortals to come! For sport? “For sport!” heaven's gates! You seem aroused… Ar least have mercy on these gracious keepsakes. I keep praying for these aches to pass and subside–days, weeks, months even I can barely open my eyes… This is no fortunate thought. I beg mercy. {ENTER THE MULTIVERSE} THE LIBRARY (working title) CAST: THE COMMISSIONER - Adam Sandler THE GENERAL- JIMMY KIMMEL THE CONSTABLE - KATT WILLIAMS THE ADMIRAL- JIMMY FALLON PEONY - CONAN O'BRIEN SUPPORTING {ENTER THE MULTIVERSE} INTERLUDES - WHOOPI GOLDBERG “Interludes and Expressions” Oh, so there are women? Eventually. But also– Not quite. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Do you think it will work? I don't know, Conan, I don't know! Conan O'Brien?! Where did you find Conan O'Brien on such short notice? It was actually pretty easy. I don't think that's real thunder but i'm impressed with the teatrical… Is that not real lightning? It is, but. That's it. Conan, hold this. What. CONAN O'BRIEN is STRUCK by LIGHTENING. It's a-half-past eternity–where the fuck are you? The daunting this was, I hadn't any idea at all how much time had passed… Not really. I'm coming…i'm running late. Tell me about it? Under the circumstances, there really are no straightforward conversions of time between your world and mine–or, our worlds and yours. You mean. How much time you got? Forever. It would take forever and a day to show you even just the slightest of mine, and what I have to offer. But… But what… I should go… Well, go then. …but… The doors are open. This is heavy. The thing is, in navigating between this realm and that, many are lost–and also, many wonder as to what becomes of times past, and all in all, unnoticed, many things are not at all, or never were–or…never again. ANDRE 3000 I know it's coming… ANDRE 3000 slides smoothly, leaning back until the grand piano on his back stands on its own legs on the crystalline floor of the clouded paradox; a glistening void in the kingdom of the unknown, where much time is spend, in the journey of pondering. Now he is laying down on the piano and flat on his back, horizontal to the golden glow of the purplish horizon in this place, seeping into a quiet unknown, waiting– ANDRE 3000 …and here I will wait. Man, this show is so weird. I know, you would think i'm on drugs. I wish. WISH? Oh God, here comes this guy again. Whose this guy? I don't know! He grants my wishes! I'm a–fairy–I think. Right. Whatever. Ooh. Wait. Is this for me? I can't memorize all these things. Playing all these characters. That's – seriously? Seriously. Stop caving. I'm caving. You are–quite possibly the only anybody, who can play this part at all. “The Only Anybody” Nobody was someone indeed But still noone, nobody at all, in fact Until… You sold your soul to the devil! …so? *gasp* Hey. What gives. True–or False. Huh. That's funny. No one's ever asked me. How come? [beat] I'm assuming like, they wouldn't want the answer. (shrugs nonchalantly) Wow. That's… You're using my own time travel theory–against me! Technically it was proven through experimentation and is now– a law. FUCK. Uh. You're welcome! You're ruining my life! No, i'm fixing it. INCORRECT. You know i can barely breathe in here… And why is it that we would happen me to connected, commander?! Interlogues, and interlogues of space, my captain– I promorged bodies and bodies over your arrival, imdending my great death, For mere mortals to come! For sport? “For sport!” heaven's gates! You seem aroused… Ar least have mercy on these gracious keepsakes. I keep praying for these aches to pass and subside–days, weeks, months even I can barely open my eyes… This is no fortunate thought. I beg mercy. {ENTER THE MULTIVERSE} THE LIBRARY (working title) CAST: THE COMMISSIONER - Adam Sandler THE GENERAL- JIMMY KIMMEL THE CONSTABLE - KATT WILLIAMS THE ADMIRAL- JIMMY FALLON PEONY - CONAN O'BRIEN SUPPORTING {ENTER THE MULTIVERSE} INTERLUDES - WHOOPI GOLDBERG “Interludes and Expressions” Oh, so there are women? Eventually. But also– Not quite. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Rob Lowe: True, or False? What's the question? You have access to a hidden realm and/or an open portal. And/ Or? True or False, Rob Lowe. And, or “or”? Distinctively either, actually. ___ Oh, fuck, oh fuck–fuck! You look lost. Look less lost. How am I supposed to know how I look? Look in a mirror. I was told not to do that. No, you should do that. But what if I backshift. You won't backshift, it's impossible. Oh, FUCK. FUCK. Dude, what happened! I backshifted! I told you! Who did you tell? That wasn't me. What! Where did you go? I don't know, I – look, Oh shit. that is so dangerous. Shut up. Other people are trying to get through this portal. That's fucked up. Total mistake. You should close it. NO can do. What. Listen, it's–disgusting, really, I should never admit this but– Don't tell me. You're right. I opened this portal under contractual obligation. You what. No. I know. Listen–I wish I hadn't, but– “but” It really did sweeten the deal. What deal. …”the” deal, alright. No, not alright, Rob Lowe. You listen to me! I'm listening. Barely, but– With whom exactly did you make this “contract” with, exactly? Oh, you know. No, I don't know, which is why I'ma asking. True or false? You get one. I told you, now that's done! You know the rules. No. Not true or false. No… Truth…or DARE. Are you kidding me? Does this seem like a joke, to you? A long running one, sort of! In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of. Listen to me. No, you listen to ME. Okay, I'm listening. Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be… A movie script! A movie?! What kind of movie?! Actually, it looks like… several… Several what? Several manuscripts, some sort of… Some sort of what? Oh my gosh…I…you know what? What? Let me see. I shouldn't be…I shouldn't be reading this. Why, what happened? No… Let me see. It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well… Blū, what are you doing? I don't know yet. Imminent collapse. Little by little, all of the things started adding up–but there still was no definitive answer. Not at all. True or False: Oh, boy, here we go. Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one. You know the rules. So this better be good. Oh trust me. It is. Why would I ever trust you? Trust me, then. Either of you?! Good point. What's the question? {Enter The Multiverse} OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call. GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone. GAYLE KING Hm. OPRAH WINFREY What's that? GAYLE KING Someone's calling. OPRAH WINFREY Who? (Ah-ha) GAYLE KING Unlisted. OPRAH and GAYLE look at one another suspiciously. OPRAH. The audacity. NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously. GAYLE KING Indeed. The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver. GAYLE KING (CONT'D) Answer it? OPRAH …might as well. GAYLE (biting into her dinner, but answering telepathically) Should be interesting… ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space. ok. OPRAH answers. HELLO? As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE. GAYLE See. {ENTER THE MULTIVERSE: L E G E N D S} THE ICONS: PART I Oh Jesus. Yeah, we're gonna need all the help we can get. BUTTERS (RYAN REYNOLDS) is not okay. OH JESUS. Lil bitz One day, after therapy, i'm goingto make the best girlfriend ever, You want to cheat? Cheat. Just dont hit me. You love drinking? Drink your face off. Just leave mine alone. Do whatever you want actually– excluding physical assault. I swear, i dont care! I wont argue. Just leave me my teeth Do you think it will work? I don't know, Conan, I don't know! Conan O'Brien?! Where did you find Conan O'Brien on such short notice? It was actually pretty easy. I don't think that's real thunder but i'm impressed with the teatrical… Is that not real lightning? It is, but. That's it. Conan, hold this. What. CONAN O'BRIEN is STRUCK by LIGHTENING. It's a-half-past eternity–where the fuck are you? The daunting this was, I hadn't any idea at all how much time had passed… Not really. I'm coming…i'm running late. Tell me about it? Under the circumstances, there really are no straightforward conversions of time between your world and mine–or, our worlds and yours. You mean. How much time you got? Forever. It would take forever and a day to show you even just the slightest of mine, and what I have to offer. But… But what… I should go… Well, go then. …but… The doors are open. This is heavy. The thing is, in navigating between this realm and that, many are lost–and also, many wonder as to what becomes of times past, and all in all, unnoticed, many things are not at all, or never were–or…never again. ANDRE 3000 I know it's coming… ANDRE 3000 slides smoothly, leaning back until the grand piano on his back stands on its own legs on the crystalline floor of the clouded paradox; a glistening void in the kingdom of the unknown, where much time is spend, in the journey of pondering. Now he is laying down on the piano and flat on his back, horizontal to the golden glow of the purplish horizon in this place, seeping into a quiet unknown, waiting– ANDRE 3000 …and here I will wait. Man, this show is so weird. I know, you would think i'm on drugs. I wish. WISH? Oh God, here comes this guy again. Whose this guy? I don't know! He grants my wishes! I'm a–fairy–I think. Right. Whatever. Ooh. Wait. Is this for me? I can't memorize all these things. Playing all these characters. That's – seriously? Seriously. Stop caving. I'm caving. You are–quite possibly the only anybody, who can play this part at all. “The Only Anybody” Nobody was someone indeed But still noone, nobody at all, in fact Until… You sold your soul to the devil! …so? *gasp* Hey. What gives. True–or False. Huh. That's funny. No one's ever asked me. How come? [beat] I'm assuming like, they wouldn't want the answer. (shrugs nonchalantly) Wow. That's… You're using my own time travel theory–against me! Technically it was proven through experimentation and is now– a law. FUCK. Uh. You're welcome! You're ruining my life! No, i'm fixing it. INCORRECT. You know i can barely breathe in here… And why is it that we would happen me to connected, commander?! Interlogues, and interlogues of space, my captain– I promorged bodies and bodies over your arrival, imdending my great death, For mere mortals to come! For sport? “For sport!” heaven's gates! You seem aroused… Ar least have mercy on these gracious keepsakes. I keep praying for these aches to pass and subside–days, weeks, months even I can barely open my eyes… This is no fortunate thought. I beg mercy. {ENTER THE MULTIVERSE} THE LIBRARY (working title) CAST: THE COMMISSIONER - Adam Sandler THE GENERAL- JIMMY KIMMEL THE CONSTABLE - KATT WILLIAMS THE ADMIRAL- JIMMY FALLON PEONY - CONAN O'BRIEN SUPPORTING {ENTER THE MULTIVERSE} INTERLUDES - WHOOPI GOLDBERG “Interludes and Expressions” Oh, so there are women? Eventually. But also– Not quite. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Corinne Brixton talks to Ros Clarke about her vocation to the distinctive diaconate.

Nights resident socio-linguist Dr Julia de Bres looks at a new campaign to raise awareness of herpes.

Series: Hope and Holiness in a Hostile World Text: 1 Peter 3:8-22 Speaker: Bryce Hotchkiss, Lead Minister

1. Dive Deeper MENTALLY.2. Dive Deeper MORALLY.3. Dive Deeper SOCIALLY.

In the latest episode of "Make City, Make Spence," Sean, Garret, and Adam discuss Detroit City FC's recent performances and contemplate whether the team missed a crucial opportunity to earn points before facing two of the USL Championship's top teams. They also provide a preview of the upcoming matches and question whether Detroit City FC is making sufficient off-field efforts to distinguish themselves in a competitive Detroit sports market. Subscribe to “Words About Shapes” on Patreon! https://www.patreon.com/wordsaboutshapes

This week, we'll hear Dudley's Monthly Message, Distinctively Christian. He delves into 2nd Timothy 3, where Paul writes to Timothy during challenging times around 68 AD. Paul describes the Christian persecution of that day from both Jews and Romans, leading up to the destruction of Jerusalem in 70 AD. Amidst this turmoil, Paul instructs Timothy on living as a distinctive Christian, emphasizing the importance of scripture, the transformative power of encountering Jesus, and the importance of moving beyond knowing just the lesson to getting to know the teacher. Paul's message remains relevant today, urging believers to maintain their faith and identity in Christ despite societal pressures. Join us in this Bible study teaching as we explore Paul's timeless wisdom and its application in our lives.For more information and resources, visit https://kerygmaventures.com/podcast/ Follow and subscribe:Apple Podcasts: https://apple.co/41N9SAP Spotify: https://spoti.fi/3LEIxeo YouTube: https://www.youtube.com/@kerygmaventures Watch our "Conversations At The Ranch" series: https://bit.ly/conversations-at-the-ranch Watch our “Dudley's Monthly Message” series: https://bit.ly/dudleys-monthly-message 

In this episode, Heaven and Nyja discuss the power of manifestation. Distinctively using two key components - Faith and Works as no one can become successful without the use of both. Join the conversation as they share their personal life stories and experiences of failures and success. Failure is guaranteed if you don't try. But success is inevitable if you never give up. Let's discuss!Always remember in herself she is loved. Beautiful. StrongFollow us on all social media platforms and join the InHerCircle of Friends!

Alex Steinman is a seasoned professional in advertising and public relations, with a decade of experience in major agencies and as an independent senior communications strategist focusing on women business owners. Her career diversified following the birth of her first child in 2014, leading to the creation of Strong Like Mama, a blog dedicated to the experiences of working mothers. Steinman's expertise includes a wide range of skills such as leadership, crowdfunding, coaching, event coordinating, and project management, with a client list featuring White Wave Foods, Big Ten Network, TruTV, and others. Recognized for her inclusive work, she has been featured on Forbes' "Next 1000" and AMEX's "100 for 100" lists, and received the Mpls/St. Paul Business Journal's 40 Under 40 award and a 2019 Bush Fellowship. Passionate about storytelling and uplifting underestimated communities, Steinman's work is driven by her commitment to building equitable spaces and fostering diversity. The Coven is an innovative coworking community that champions the concept of belonging. With a network exceeding 1,000 members, collaborators, and partners, it brings together radical leaders from across the nation who are dedicated to making a positive impact in their communities. Distinctively, The Coven holds the title of being the world's first woman-owned coworking franchise, as recognized by industry experts. It offers a unique blend of essential leadership and insights focused on the future of work, emphasizing the creation of brave spaces that respect and celebrate diverse lived experiences. The Coven invites individuals to experience a sense of belonging by joining its vibrant community, either as a member, community owner, or collaborator, fostering an environment where everyone feels valued and empowered. Meet The Coven: https://www.thecoven.com/ Watch the Full Interview: https://youtu.be/oh5J8tZK0bk Unlock career success with "Riderflex Guide 2.0: Mastering Job Interviews." Over 30 years of recruitment expertise. Strategies for new graduates, seasoned professionals. Master virtual interviews,  and challenging questions. Get your copy today at: https://tinyurl.com/Mastering-Job-Interviews Listen to real stories from successful business leaders, CEOs, and entrepreneurs on the Riderflex podcast hosted by CEO Steve Urban. The Riderflex Podcast: https://www.youtube.com/channel/UC5NDLaxEqkMsnlYrc5ntAPw Trust Riderflex, a premier headhunter and employment agency based in Colorado, to recruit top talent for your team. Visit https://riderflex.com/ to learn more about our executive recruiting services. Podcast Sponsor: Kura Home Services, Air Duct Cleaning & Home Maintenance. For All your Home Maintenance needs!  https://www.kurahome.com/kura-home-services-colorado/ #AlexSteinman #TheCoven #EmpoweringCommunities #InclusiveLeadership #JoinUs #riderflexpodcast #careeradvice #Podcast #entrepreneur #ColoradoRecruitingFirm #recruiting #Colorado #National #Riderflex #TalentAcquisition #Employment #JobTips #ResumeTips --- Support this podcast: https://podcasters.spotify.com/pod/show/riderflex/support

Kay Miller is an expert on Uncopyable Sales. As the first woman ever hired for outside sales by Amerock, a division of Anchor Hocking, she built her formidable sales career by emphasizing long-term relationships over one-time deals. Kay was later hired by Walker Exhaust, a division of Tenneco and the largest automotive muffler manufacturer in the world. While there, she was named Walker's Salesperson of the Year, an accolade that earned her the nickname "Muffler Mama."Kay has been a top sales performer ever since and now speaks and consults to help others maximize their sales success using the Uncopyable Sales philosophy.SHOW SUMMARYIn this episode of Selling From The Heart, Larry Levine and Darrell Amy interview Kay Miller to discuss her book, "Uncopyable Sales Secrets," and how sales success comes from being good at selling yourself. She emphasizes the importance of building trust with customers and providing value. Kay shares her personal story of becoming "Muffler Mama" to stand out in the automotive industry. She encourages sales professionals to find their unique selling points and focus on their very best prospects. Kay also offers a free ebook with actionable sales steps.KEY TAKEAWAYSSales success comes from being good at selling yourself and building trust with customers.Find your unique selling points and focus on your very best prospects.Provide value and help customers improve their lives or businesses.Be willing to do things that no one else is doing to stand out in the market.QUOTES"Sales success is not the result of being good at selling a product or service, but from being good at selling yourself.""You are the secret sauce of what you sell because you really aren't selling a product or a service, you're selling an outcome and a transformation."Learn more about Kay Miller: LinkedIn: https://www.linkedin.com/in/millerkay/Learn more about Darrell and Larry: Darrell's LinkedIn: https://www.linkedin.com/in/darrellamy/Larry's LinkedIn: https://www.linkedin.com/in/larrylevine1992/Website: https://www.sellingfromtheheart.net/Got a video about how you sell from the heart? Share it by texting VIDEO to 21000.Please visit https://www.sellingfromtheheart.net/ book to pre order your copy of the rerelease of the Selling from the Heart book. SUBSCRIBE to our YOUTUBE CHANNEL! https://www.youtube.com/@UCi6OCvGpgQjg8YXg0Hst4NAPlease visit WHY INSTITUTE:https://whyinstitute.com/Please go to WORK BETTER NOW:https://www.workbetternow.com/Click for your Daily Dose of Inspiration:https://www.sellingfromtheheart.net/dailyCheck out the 2023 Authentic Selling Challenge:https://authenticsellingchallenge.com/Get your Insiders Group FREE PASS here:https://www.sellingfromtheheart.net/free-pass

Some think of Christianity as nothing more than moral guidelines to follow while others think the faith has little to do with such matters. The Bible has plenty to say about how Christians are supposed to live, but the distinctiveness of Christian living is regularly ignored or misunderstood. The Christian is called to learn Christ and, by doing so, Christian conduct begins to take a shape that cannot otherwise be explained.

In this episode, we speak with Andreas Fabricius, Co-CEO & CCO, Playable,  is a platform that powers over 650 global brands designed to build playable marketing activities that drive engagement with a brand's products and services We talk with Andreas about handling the ups and downs in a growth journey,  particularly how they handled a tough period for the business to eventually come out on top better and stronger! Topics that are being addressed in this episode are:   - How should you react to changes that have a significant impact on the business - What is the role of the leadership team during these times - How to balance trust and transparency with the team in an unknown environment - What are some of the learnings coming out of an exercise like this These are some of the many topics we address with Andreas. Tune in to learn from his experience about the rollercoaster of running a SaaS company, you'll recognize some of the ups and downs shared here.

Series: N/AService: Sun PMType: SermonSpeaker: Josh McKibben

In this episode of the Thoughtful Entrepreneur, your host Josh Elledge speaks to the CEO & Owner of Free Time Solutions, Barry Coziahr. Barry Coziahr, owner of Free Time Solutions, shared some insights into virtual assistant (VA) staffing. Free Time Solutions stands out due to its comprehensive VA services, linking clients with suitable VAs and providing robust HR support, monitoring, and coaching for both parties involved.Distinctively from other platforms, Free Time Solutions offers a personalized hiring process, managing all stages and enhancing the likelihood of a good match. They extend their role to become a part of the client's team, ensuring the correct execution of tasks and providing accountability.Barry also emphasized the importance of AI tools and training for VAs. Although AI brings efficiency, it should complement rather than replace human creativity and personal touch.He suggests focusing on high ROI activities, advocating for personalized social media outreach and creating engaging content rather than sales pitches. This approach encourages genuine connections and networking.About Barry Coziahr:Barry Coziahr is a well-regarded business consultant and trainer with a distinguished track record in small business growth. He has directly advised over 10,000 small business owners and delivered over 1,000 seminars nationwide. He focuses on actionable growth and marketing strategies substantiated by real-world examples and case studies. This approach has led to the successful expansion of numerous small businesses, authors, and nonprofits. Barry's unique skill lies in strategic advice and effective systems implementation. He assists companies in scaling up by establishing high-quality personnel structures and systems, ensuring the optimal utilization of resources. Barry Coziahr's contributions to the small business sector are considerable and instrumental in fostering growth and success. About Free Time Solutions:Free Time Solutions is a professional organization providing expert virtual assistants trained to handle various business tasks. Their staff operates remotely, helping businesses manage crucial operations that can be delegated effectively. The services offered are comprehensive, from lead generation and social media management to telemarketing, project management, and event scheduling.They also cover bookkeeping, web design, administrative work, and customer service tasks, providing businesses with a broad spectrum of support options. The virtual assistants at Teambuilders Agency are not only proficient in their respective fields but also dedicated to delivering top-notch service remotely. This combination allows businesses to delegate essential but non-core tasks effectively, freeing up their in-house team to focus on strategic operations. The convenience and efficiency provided by Free Time Solutions make it a practical solution for businesses seeking to optimize their operational workflow and overall productivity. Apply to be a Guest on The Thoughtful Entrepreneur: https://go.upmyinfluence.com/podcast-guestLinks Mentioned in this Episode:Want to learn more? Check out Free Time Solutions website at https://www.teambuilders.agency/ Check out Free Time Solutions on LinkedIn at

Christians are called to live distinctive lives marked by kindness, compassion and joy right in the middle of our culture. You won't want to miss today's episode as Pastor Mike dives deeper into the letter of Colossians and encourages listeners not to retreat or hide their faith. Who knows, your distinctive lifestyle could be the very thing that influences others towards Christ! For more information, visit lakepointe.church/dailydrive

Christians are called to live distinctive lives marked by kindness, compassion and joy right in the middle of our culture. You won't want to miss today's episode as Pastor Mike dives deeper into the letter of Colossians and encourages listeners not to retreat or hide their faith. Who knows, your distinctive lifestyle could be the very thing that influences others towards Christ!For more information, visit lakepointe.church/dailydrive

Christians are called to live distinctive lives marked by kindness, compassion and joy right in the middle of our culture. You won't want to miss today's episode as Pastor Mike dives deeper into the letter of Colossians and encourages listeners not to retreat or hide their faith. Who knows, your distinctive lifestyle could be the very thing that influences others towards Christ!For more information, visit lakepointe.church/dailydrive

Paul shares some practical tips for memorizing Scripture and the importance of meditating on the Word of God, letting it challenge and change us. Political scientist Daniel Bennett talks about the latest on the war of immigration in the United States, how we respond when AI starts responding like a human and the importance of processing deeper level thinking. Click here for today's show notes Faith Radio podcasts are made possible by your support. Give now: Click here

Writing dynasties (part 2): Felix Francis, Andrew Child/Grant & Rajmohan Gandhi tell We'd Like A Word hosts Paul Waters & Stevyn Colgan about taking on a big book brand or carrying on a family writing tradition. It's different from continuation novels, they say, like when Anthony Horowitz took on Ian Fleming's James Bond character (see episode 4, series 1 of We'd Like A Word with Anthony Horowitz https://spotifyanchor-web.app.link/e/rtTQmLv7Ivb ). These are books, stories and characters with whom they have grown up. But do they try to be exactly like their predecessor or collaborator? Distinctively different? How open are they about it? Is it better to keep it a secret until you're sure that readers will like it? And what if the originator decides he maybe does not want to retire after all? How do they write? And what books are they writing next? Lots of interesting answers in this 4-part episode. Felix Francis is the son of Richard and Mary Francis, who together created the internationally bestselling Dick Francis thrillers, set in the world of horse racing. Felix began contributing to, then co-writing, then solely authoring the Dick Francis books long before his name was on the covers. He's written 16 of them now. Where does Dick end and Felix begin? Listen to find out. Andrew Grant - now also known as Andrew Child - is the younger brother of Lee Child (real name Jim Grant), the creator of the bestselling Jack Reacher series - which you may also know from the Tom Cruise movies or the Amazon series starring Alan Ritchson. When decided he had only 4 more books left in him, he asked his brother Andrew to collaborate with him with a view to ultimately taking over. (Though that particular plot thickens...) But Andrew was already a successful thriller author in his own right. And he has a personal past cloaked in mystery. Rajmohan Gandhi was a teenager when he was inspired to investigate how the world works and to write about it when his grandfather, the Mahatma, Mohandas Gandhi was assassinated in 1948. He spoke to We'd Like A Word at the Khushwant Singh Literary Festival in Kasauli in India. It's hard to think of a more famous forebear than Gandhi. So how does Rajmohan fit into the tradition? Lots of other authors, people & topics get discussed too - Tasha Alexander (the Lady Emily Ashton mysteries), Ben McIntyre, Desmond Bagley, Alistair Maclean, Alan Davies (Just Ignore Him), Arthur Ransome (Swallows and Amazons), Paul Gallico (The Snow Goose), Airey Neave and PD James. We'd Like A Word is a podcast & radio show from authors Paul Waters & Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction & non-fiction. We go out on various radio & podcast platforms. Our website is http://www.wedlikeaword.com for information on Paul & Steve & our guests. We're also on Twitter @wedlikeaword & Facebook @wedlikeaword & our email is wedlikeaword@gmail.com Yes, we are embarrassed by the missing apostrophes. We like to hear from you - questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word to chat, review or read out passages from books. And if you're still stuck for something to read, may we recommend Blackwatertown, the thriller by Paul Waters or Cockerings, the new comic classic by Stevyn Colgan.

Writing dynasties (part 3): Felix Francis, Andrew Child/Grant & Rajmohan Gandhi tell We'd Like A Word hosts Paul Waters & Stevyn Colgan about taking on a big book brand or carrying on a family writing tradition. It's different from continuation novels, they say, like when Anthony Horowitz took on Ian Fleming's James Bond character (see episode 4, series 1 of We'd Like A Word with Anthony Horowitz https://spotifyanchor-web.app.link/e/rtTQmLv7Ivb ). These are books, stories and characters with whom they have grown up. But do they try to be exactly like their predecessor or collaborator? Distinctively different? How open are they about it? Is it better to keep it a secret until you're sure that readers will like it? And what if the originator decides he maybe does not want to retire after all? How do they write? And what books are they writing next? Lots of interesting answers in this 4-part episode. Felix Francis is the son of Richard and Mary Francis, who together created the internationally bestselling Dick Francis thrillers, set in the world of horse racing. Felix began contributing to, then co-writing, then solely authoring the Dick Francis books long before his name was on the covers. He's written 16 of them now. Where does Dick end and Felix begin? Listen to find out. Andrew Grant - now also known as Andrew Child - is the younger brother of Lee Child (real name Jim Grant), the creator of the bestselling Jack Reacher series - which you may also know from the Tom Cruise movies or the Amazon series starring Alan Ritchson. When decided he had only 4 more books left in him, he asked his brother Andrew to collaborate with him with a view to ultimately taking over. (Though that particular plot thickens...) But Andrew was already a successful thriller author in his own right. And he has a personal past cloaked in mystery. Rajmohan Gandhi was a teenager when he was inspired to investigate how the world works and to write about it when his grandfather, the Mahatma, Mohandas Gandhi was assassinated in 1948. He spoke to We'd Like A Word at the Khushwant Singh Literary Festival in Kasauli in India. It's hard to think of a more famous forebear than Gandhi. So how does Rajmohan fit into the tradition? Lots of other authors, people & topics get discussed too - Tasha Alexander (the Lady Emily Ashton mysteries), Ben McIntyre, Desmond Bagley, Alistair Maclean, Alan Davies (Just Ignore Him), Arthur Ransome (Swallows and Amazons), Paul Gallico (The Snow Goose), Airey Neave and PD James. We'd Like A Word is a podcast & radio show from authors Paul Waters & Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction & non-fiction. We go out on various radio & podcast platforms. Our website is http://www.wedlikeaword.com for information on Paul & Steve & our guests. We're also on Twitter @wedlikeaword & Facebook @wedlikeaword & our email is wedlikeaword@gmail.com Yes, we are embarrassed by the missing apostrophes. We like to hear from you - questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word to chat, review or read out passages from books. And if you're still stuck for something to read, may we recommend Blackwatertown, the thriller by Paul Waters or Cockerings, the new comic classic by Stevyn Colgan.

Writing dynasties (part 4): Felix Francis, Andrew Child/Grant & Rajmohan Gandhi tell We'd Like A Word hosts Paul Waters & Stevyn Colgan about taking on a big book brand or carrying on a family writing tradition. It's different from continuation novels, they say, like when Anthony Horowitz took on Ian Fleming's James Bond character (see episode 4, series 1 of We'd Like A Word with Anthony Horowitz https://spotifyanchor-web.app.link/e/rtTQmLv7Ivb ). These are books, stories and characters with whom they have grown up. But do they try to be exactly like their predecessor or collaborator? Distinctively different? How open are they about it? Is it better to keep it a secret until you're sure that readers will like it? And what if the originator decides he maybe does not want to retire after all? How do they write? And what books are they writing next? Lots of interesting answers in this 4-part episode. Felix Francis is the son of Richard and Mary Francis, who together created the internationally bestselling Dick Francis thrillers, set in the world of horse racing. Felix began contributing to, then co-writing, then solely authoring the Dick Francis books long before his name was on the covers. He's written 16 of them now. Where does Dick end and Felix begin? Listen to find out. Andrew Grant - now also known as Andrew Child - is the younger brother of Lee Child (real name Jim Grant), the creator of the bestselling Jack Reacher series - which you may also know from the Tom Cruise movies or the Amazon series starring Alan Ritchson. When decided he had only 4 more books left in him, he asked his brother Andrew to collaborate with him with a view to ultimately taking over. (Though that particular plot thickens...) But Andrew was already a successful thriller author in his own right. And he has a personal past cloaked in mystery. Rajmohan Gandhi was a teenager when he was inspired to investigate how the world works and to write about it when his grandfather, the Mahatma, Mohandas Gandhi was assassinated in 1948. He spoke to We'd Like A Word at the Khushwant Singh Literary Festival in Kasauli in India. It's hard to think of a more famous forebear than Gandhi. So how does Rajmohan fit into the tradition? Lots of other authors, people & topics get discussed too - Tasha Alexander (the Lady Emily Ashton mysteries), Ben McIntyre, Desmond Bagley, Alistair Maclean, Alan Davies (Just Ignore Him), Arthur Ransome (Swallows and Amazons), Paul Gallico (The Snow Goose), Airey Neave and PD James. We'd Like A Word is a podcast & radio show from authors Paul Waters & Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction & non-fiction. We go out on various radio & podcast platforms. Our website is http://www.wedlikeaword.com for information on Paul & Steve & our guests. We're also on Twitter @wedlikeaword & Facebook @wedlikeaword & our email is wedlikeaword@gmail.com Yes, we are embarrassed by the missing apostrophes. We like to hear from you - questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word to chat, review or read out passages from books. And if you're still stuck for something to read, may we recommend Blackwatertown, the thriller by Paul Waters or Cockerings, the new comic classic by Stevyn Colgan.

Writing dynasties (part 1): Felix Francis, Andrew Child/Grant & Rajmohan Gandhi tell We'd Like A Word hosts Paul Waters & Stevyn Colgan about taking on a big book brand or carrying on a family writing tradition. It's different from continuation novels, they say, like when Anthony Horowitz took on Ian Fleming's James Bond character (see episode 4, series 1 of We'd Like A Word with Anthony Horowitz https://spotifyanchor-web.app.link/e/rtTQmLv7Ivb ). These are books, stories and characters with whom they have grown up. But do they try to be exactly like their predecessor or collaborator? Distinctively different? How open are they about it? Is it better to keep it a secret until you're sure that readers will like it? And what if the originator decides he maybe does not want to retire after all? How do they write? And what books are they writing next? Lots of interesting answers in this 4-part episode. Felix Francis is the son of Richard and Mary Francis, who together created the internationally bestselling Dick Francis thrillers, set in the world of horse racing. Felix began contributing to, then co-writing, then solely authoring the Dick Francis books long before his name was on the covers. He's written 16 of them now. Where does Dick end and Felix begin? Listen to find out. Andrew Grant - now also known as Andrew Child - is the younger brother of Lee Child (real name Jim Grant), the creator of the bestselling Jack Reacher series - which you may also know from the Tom Cruise movies or the Amazon series starring Alan Ritchson. When decided he had only 4 more books left in him, he asked his brother Andrew to collaborate with him with a view to ultimately taking over. (Though that particular plot thickens...) But Andrew was already a successful thriller author in his own right. And he has a personal past cloaked in mystery. Rajmohan Gandhi was a teenager when he was inspired to investigate how the world works and to write about it when his grandfather, the Mahatma, Mohandas Gandhi was assassinated in 1948. He spoke to We'd Like A Word at the Khushwant Singh Literary Festival in Kasauli in India. It's hard to think of a more famous forebear than Gandhi. So how does Rajmohan fit into the tradition? Lots of other authors, people & topics get discussed too - Tasha Alexander (the Lady Emily Ashton mysteries), Ben McIntyre, Desmond Bagley, Alistair Maclean, Alan Davies (Just Ignore Him), Arthur Ransome (Swallows and Amazons), Paul Gallico (The Snow Goose), Airey Neave and PD James. We'd Like A Word is a podcast & radio show from authors Paul Waters & Stevyn Colgan. We talk with writers, readers, editors, agents, celebrities, talkers, poets, publishers, booksellers, audiobook creators about books - fiction & non-fiction. We go out on various radio & podcast platforms. Our website is http://www.wedlikeaword.com for information on Paul & Steve & our guests. We're also on Twitter @wedlikeaword & Facebook @wedlikeaword & our email is wedlikeaword@gmail.com Yes, we are embarrassed by the missing apostrophes. We like to hear from you - questions, thoughts, ideas, guest or book suggestions. Perhaps you'd like to come on We'd Like A Word to chat, review or read out passages from books. And if you're still stuck for something to read, may we recommend Blackwatertown, the thriller by Paul Waters or Cockerings, the new comic classic by Stevyn Colgan.

Police are trying to identify a couple seen near Bexley park around the time a man walking his dog was stabbed multiple times. The man's family found him conscious but critically wounded at the Christchurch Park yesterday morning after the dog returned to the house without him, prompting them to go searching. He had set off with the dog at around 4:45am for their walk. Yesterday police asked anyone with CCTV or dashcam from the area, from 4am onwards, to check their footage. Detective Inspector Nicola Reeves told Checkpoint a couple were walking near the entrance to the park, they heard raised voices, looked over and saw a man attacking another man.  Reeves said they saw the man get into a small white car, which left on Pages Rd.  The man was wearing hi-vis clothing.  "Obviously, the time of the morning it is a little bit dark but there is lighting around the entrance to the reserve... It looks to them like a bit of a fight. They can't see a weapon." Reeves said the woman who was seen accompanying the attacker is described as a "possibly Māori or Pasifika descent, solid build, around 176cm... with long dark hair."  Distinctively, Reeves said, the woman is wearing long white clothing - maybe a dress.  She said the witnesses did not realise the seriousness of what they saw. They called police early on, but not immediately, Reeves said. 

October 16, 2022

VettaFi's Roxanna Islam looks under the hood of electric vehicle ETFs and offers perspective on thematic ETFs overall.  Innovator ETFs' John Southard explains Defined Outcome ETFs, which are experiencing a meaningful uptick in investor interest.  Touchstone Investments’ Rich Koerner discusses the firm's recent ETF entrance and “distinctively active” approach.

Ken kicks us off with a Travel Advisory on his journey to Poland's Pyrkon, with ancillary adventures in Poznan. Then the Gaming Hut subtly ratchets up the tension as we ask how long a horror scenario can go without anything overtly terrifying or supernatural happening. But a worse fright awaits in The Business of Gaming, […]

Sermon Outline: I. We Should Be Distinctively Different in How We Mourn. II. We Should Be Distinctively Different in How We Eat. III. We Should Be Distinctively Different in How We Worship. Sermon Discussion Questions: 1. Are Christians today any less the sons of God than the people of Israel were in the Old Testament? (Consider 1 Peter 2:1-12 and Galatians 1:1-7 for starters.) Why is it so important to see the imperatives of the Bible in light of the indicative statements about our identity? 2. Is holiness any less important in the life of a Christian today than the people of God in the Old Testament? (Consider 1 Peter 1:13-21 in your answer and any other passages you choose.) How conscious are you of the pursuit of holiness in your own life? 3. How should the mourning of Christians differ from those who are not God's people? 4. Why do Christians not keep the dietary laws laid down in Deuteronomy 14? How did the end of the dietary laws correspond to the breaking down of the wall of division between Jewish and Gentile believers? (Consider Acts 10-11 in your answer.) 5. What are some particular ways Christians are called to be in the world while remaining distinctively different from the world?

In this episode Lane fills the divide of being different in a world that looks the same. "Come out from among them and be ye separate sayeth the LORD of host." Enjoy this podcast and let it propel you to your next level.

Daniel Takes a Stand for God | Daring to be Different Part 1 | Daniel 1:1-21

Watch Bishop T.D. Jakes from The Potters Touch To support this ministry financially, visit: https://www.lightsource.com/donate/973/29