Podcasts about Spiegeltent

The legendary British cabaret La Clique was formed 20 years ago by Australian David Bates. Growing up on a sheep farm playing the piano, David is now an Olivier Award-winner and tours his Spiegeltent of eclectic acts globally.

Kaz and Tubes are joined live in the studio by one of the incredible performers of LIMBO at the Hobart Spiegeltent, Maria Moncheva. Listen as Maria details the hard work that goes on behind the scenes, and what to expect from their high-energy show.See omnystudio.com/listener for privacy information.

This Thursday through Sunday, The Fisher Center at Bard presents “Masterclass,” an hour-long parody about playwriting, power, pomposity and people from Dublin-based theatre troupe Brokentalkers and feminist choreographer and performance artist Adrienne Truscott. Adrienne is one half of cabaret duo The Wau Wau Sisters who mix performance modes from circus to main-stage and with some regularity perform in the buff. She will serve as MC of the Spiegeltent at Bard this summer for the second consecutive season. Brokentalkers are an internationally renowned theatre company, based in Dublin, Ireland led by Co-Artistic Directors Feidlim Cannon and Gary Keegan with Creative Producer Rachel Bergin.

Ahead of The Spiegeltent’s return to Hobart, Kaz and Tubes catch up with one of the stars of the international circus spectacular, LIMBO, Hilton Denis.See omnystudio.com/listener for privacy information.

Blind Mango kicks off the show with a sensational version of a seasonal standard. Female singers & players feature highly this afternoon — with a stunning trio of pieces from Nina Simone, then the delightfulness of vocalist Annette Peacock, & then the keys of Joanne Brackeen. A Roy Ayers's deep-dig makes an appearance courtesy of Jubt, & a bunch of short-distance, track dedications (&  long distance shout-outs) are sent out to show listeners, & Jazz Show Fam overseas. Miss Dom pops in to host this week's Vinyl Guide, & for some extra B.V.s (lol).  The pair get excited ahead of visiting Navajo trumpeter Delbert Anderson — playing later that arvo in the Spiegeltent with his Quartet as part of the Auckland Arts Festival Indigenous Music Series. 

Teatro Zinzanni has played in a few different iterations in an ongoing production at the Cambria Hotel in its marvelously mirrored circus Spiegeltent, but the current show is new, fresh, invigorating and most of all, fun! The production is led by the fabulous vocalists Liv Warfield (a golden buzzer recipient on America's Got Talent this season) […]

Spooky Season is back. We have a week of brilliant audio drama coming your way. Today is The Revival by Corinne Sailsbury Voice Actors: Alex – Fergus John McCann Iona – Elaine Stirrat Corinne Sailsbury Corinne Salisbury is an Edinburgh-based playwright. She's had plays produced at the Traverse Theatre and the Scottish Storytelling Centre (both commissioned by Strange Town for their youth theatre groups); and digital commissions from Paines Plough and from the National Theatre of Scotland/BBC for the SCENES FOR SURVIVAL series. She's a past Playwrights Studio Scotland New Playwrights Award winner, and was longlisted for the Channel4 New Writers Scheme 2024 and nominated for the Adopt a Playwright Award 2024. She's had development processes supported by Playwrights' Studio Scotland, National Theatre of Scotland, Royal Conservatoire of Scotland, Creative Scotland and the Peggy Ramsay Foundation. Her work has been performed at venues including Hampstead Theatre, Theatre503, the Spiegeltent, Southwark Playhouse, Live Theatre Newcastle, Camden People's Theatre, the Yard Theatre, the Old Vic Theatre, New York's Public Theater, the Tron, the Traverse, the CCA, Leith Depot, the Village pub and the Hidden Door Festival. Her play GIRLBOSS is published in Routledge's anthology ‘Short Plays with Great Roles for Women' The Revival A ghost hunter and property developer meet in an abandoned theatre to communicate with the voices of the past. What could possibly go wrong. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

In the 1980s a young jazz pianist named David Bates ran away with a cabaret band to the other side of the world. A chance encounter with the now-iconic Spiegeltent gave him an idea — if he bought this unloved structure it had the potential to breathe new life into cabaret and variety acts for the 21st century. Bates is the creator of the legendary La Clique, which has been thrilling audiences worldwide for over 20 years. Also Harley Mann, founder of Na Djinang Circus, reveals the power of the circus to shape the way we see the world in In Place, and ABC reporter Emily Bissland swaps the newsroom for the stage — as a cast member in her town's production of Mary Poppins — to find out what makes community theatre so special.

See omnystudio.com/listener for privacy information.

Since graduating from WAAPA in 2006, Lucy Maunder has cemented her reputation as one of Australia's musical theatre leading ladies performing in a huge range of roles over the last 17 years.Most recently she appeared as Winifred Banks in the critically acclaimed Cameron Mackintosh/Michael Cassel Group/Disney revival of Mary Poppins. Prior to this Lucy starred in Victorian Opera's production of Kurt Weill's anti-capitalist musical Happy End as Lillian Holiday. The start of 2022 also saw her play the protagonist Alison Bechdel in the acclaimed MTC/STC Australian premiere production of Fun Home (Green Room and Sydney Theatre Award nominations for Best Performer in a Leading Role in a musical). In between seasons of Fun Home, Lucy reprised her role of Mrs Bucket in Charlie and the Chocolate Factory (Crossroads Live) for which she received a Helpmann Award nomination.Following the devastation of the Covid-19 pandemic to the Arts, Lucy was lucky enough to appear in the first main stage commercial musical to return after the shutdown of all theatre as Catherine in Pippin for Crossroads Live. Her other recent career highlights include Cynthia in Beautiful: The Carole King Musical (Michael Cassel Group, Green Room Award nomination), Miss Honey in Matilda: The Musical (Louise Withers/RSC, Helpmann Award nomination), The Spirit of Christmas (QPAC), There's Something About Music (The Little Red Company), Heather Chandler in Heathers (ShowWork Productions), Patty in Tim Finn's Ladies in Black (QTC/MTC), Rizzo in Grease (GFO, Helpmann and Sydney Theatre Award nominations), Cinderella in Into the Woods (Victorian Opera, Helpmann and Green Room Award nominations), Georgia Hendricks in Curtains (The Production Company), Gertrude Lawrence in Noël and Gertie (CDP Theatre Producers, Glug Award for Best Actress in a Musical), Polly Peachum in The Threepenny Opera (STC/Malthouse/Victorian Opera), Janet in The Rocky Horror Show (TML Enterprises), Emma in Jekyll & Hyde (TML Enterprises) and Anne in A Little Night Music (Opera Australia). Lucy also created the role of Lara in the world première of Doctor Zhivago opposite Anthony Warlow (GFO, Helpmann and Sydney Theatre Award nominations).Lucy's film credits include The Eternity Man (Channel 4 UK/ABC) and the lead role in the short film Identical, amongst other commercial and television appearances including the National Anthem at the State of Origin, The Lord Mayor's Christmas Carols (Channel 9) and appearances on The Morning Show (Channel 7) and Today Extra (Channel 9).Lucy's one-woman show Irving Berlin: Songs in the Key of Black toured Australia to rave reviews at venues such as the prestigious Spiegeltent, the Adelaide Cabaret Festival, His Majesty's Theatre Perth and La Salon at Claire's Kitchen. Her album featuring arrangements and musical direction by Daniel Edmonds is available across all streaming platforms.Lucy is over the moon to be starring as Roxie in Chicago, a true bucket list moment.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Melanie Hawkins, Dance Captain for The Spiegeltent Hobart's Blanc de Blanc Encore, shares how the show may make you blush. Morgan Evans, Australian country music singer and songwriter, shares his excitement to be in Tasmania ahead of his Life Upside Down Tour show at The Odeon tonight. The extraordinary Robyn Moore is featured in this week's Tassie Trailblazers: Inspirational Tasmanian Women segment. And, Kaz & Tubes hear from local athlete, Jackson Mellor, as he prepares to show off his discus, hammer throw, and shotput skills at the 2024 Australian Athletics Championships in Adelaide.See omnystudio.com/listener for privacy information.

A sneak peak into the world of Limbo - The Return at The Spiegeltent now in Civic Park, Newcastle. We're chatting with Clara Fable, Sxip Shirey and Scott Maidment ABOUT THE GOOD STUFF Join Bonnie for all The Good Stuff happening around Newcastle and the Hunter. Good people, awesome music and great events happening in Newcastle and the Hunter every weekday from 4 pm. The Good Stuff! https://newcastlelive.com.au/the-good-stuff/ ABOUT NEWCASTLE LIVE From what's on, to what matters. Newcastle Live is the Hunter's source of entertainment and lifestyle news and information. We're devoted to all the great things happening in the region. We'll keep you up to date with what's on in Newcastle, the Hunter and Lake Macquarie. https://newcastlelive.com.au/

We're bringing you a festive bonus episode with Savanna Jeffrey (Stratford East Panto / Get Up Stand Up) and Tara Boom (La Clique).Savanna Jeffrey is currently playing Winnie the Moo in Jack and the Beanstalk at Stratford East. Bith book and lyrics by Anna Jordan, Jack and the Beanstalk has music and lyrics by Stratford East pantomime veteran Robert Hyman and is directed by Denzel Westley-Sanderson. Savanna's theatre credits include the West End productions of The Book of Mormon (Prince of Wales Theatre) and Get Up Stand Up! The Bob Marley Musical (Lyric Theatre). Jack and the Beanstalk runs at Stratford East until 6th January 2024. Visit www.stratfordeast.com for info and tickets.Tara Boom is starring in La Clique at Christmas in Leicester Square. Born at the Edinburgh Festival in 2004 and subsequently travelling the world to international acclaim, La Clique is widely regarded as the original Spiegeltent cabaret show that created a genre of its own. Tara is a foot-juggling, hula hooping, clown-tastic circus and cabaret star from Australia.La Clique runs at Christmas in Leicester Square until 6th January 2024. Visit www.lacliquetheshow.com for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Only 18 B Corp breweries in America, Mango opens first store in Texas, Schumer seeks federal funding for semiconductors in New York, NatWest seeks permanent CEO successor, Bristol City Council grants new license to Spiegeltent, Bertelsmann Investments to invest $700 million in Chinese start-ups, Berkshire Hathaway reports highest-ever quarterly operating profit, Be Still Getaways turns property management side hustle into $3 million business, Harvard places greater emphasis on life experiences in admissions, Australia plans new laws to crack down on misconduct by tax advisers.

The Fisher Center at Bard, currently celebrating its 20th Anniversary Season: Breaking Ground, will present its 16th year of Spiegeltent programming for Bard SummerScape 2023. The Spiegeltent, installed annually on the Bard grounds, serves as a platform for cutting-edge live music, performance, dancing, and more.Caleb Hammons is Fisher Center Director of Artistic Planning and Producing and he joins us with a Spiegeltent season preview.

Maho Magic Bar is an intimate, interactive, and mind blowing experience which is set up alongside The Spiegeltent until May 7. It is part show, part bar and all magic and features incredible magicians and performers from around the world. I'm joined by the incredible Sho and Shirayuri from Maho Magic Bar.

Spiegeltent Newcastle has thrown open the doors in Civic Park for their new show, The Party. And we're here to tell you, it's the wildest ride we've been on in a long time. From the opening (reverse) strip tease to the naughty shower scene and a sock act that would even make the Red Hot Chili Peppers blush, the creators of the show, Strut and Fret, have taken the risqué to new levels here. We're joined by director Scott Maidment and show-stopping aerialist & foot juggler Emma Philips from The Party.

Frank Ferrante and James Harkness of Cabaret ZaZou join the show with Pete and Andrea to discuss their residency being extended at the Cambria Hotel.  They are celebrating their 150th show, the show is in the round with a live band and different acts from all over the world in a venue that will make you feel like you've been transported to an old European theater.See omnystudio.com/listener for privacy information.

As part of the annual Norfolk and Norwich Festival we run a series of events called City of Literature. A central part of our programme is the Harriett Martineau Lecture which celebrates the legacy of a remarkable, world-changing woman by inviting globally-renowned radical speakers to respond to her life and work. In 2022, we were excited to welcome bestselling novelist, memoirist and literary activist Kit de Waal - presenting the lecture in the beautiful environs of the Spiegeltent. Kit gave a thought-provoking lecture covering a range of topics, including human rights, equality, hunger and, as she calls it, ‘compassion without judgement'. Kit is a fantastic writer and speaker, and, in the course of the lecture, talks about social mobility and what it really takes; how smartphones are essential for some of the most marginalised people in society; as well as quoting Terry Pratchett as she explains what keeps the poorest in our society poor. This episode is that lecture - recorded at the event back in May - more relevant now than ever with inflation rampant, the cost of living impacting everyone in society, and the energy crisis hitting those with the least worst of all.

People with blood disorders are at risk amid an ongoing blood shortage. And the Rochester Fringe Festival is taking a cue from Las Vegas casinos and high-end spas by adding a scent to its Spiegeltent.

Ed Kuepper & The Queensland Symphony Orchestra: Live at The Tivoli, Fortitude Valley, 5 November 2020 Ed Kuepper is a living legend of Brisbane music, known for his work in bands such as The Saints, Laughing Clowns and The Aints!, along with an enormously prolific body of solo work. In 2020 he teamed up with the Queensland Symphony Orchestra for a second time to put on a concert as part of Brisbane Festival. The conductor on the night was Peter Morris, with orchestrations by Rob Davidson. Part two of two. For part one, see https://soundcloud.com/livedelay/live-delay-ep-404-ed-kuepper-the-queensland-symphony-orchestra-part-1 Recorded by James Fearn-Wannan Mixed by James Fearn-Wannan Extra songs: Ed Kuepper - "La Di Doh" live at The Spiegeltent, 20 September 2015 Recorded by Branko Cosic Mixed by Branko Cosic Originally broadcast in Live Delay ep. 145 The Aints! - "Swing For The Crime", "Know Your Product", "Messin' With The Kid" and "(I'm) Stranded)" live at The Tivoli, 27 October 2018 Recorded by Reuben Aptroot & Kelly Schinkel Mixed by Branko Cosic Originally broadcast in Live Delay ep. 267 Show production, engineering and host: Scott Mercer Originally aired via Zed Digital, 7-8pm, Sunday 11 September, 2022

Whilst fast fashion is an easy and affordable choice for many, pre-loved clothing is enjoying a moment in the spotlight – ITV's reality show Love Island even had a second-hand fashion partnership this summer. So how else can we save on our wardrobes, whilst being environmentally-friendly? Kim and Eileen chat to last year's Great British Sewing Bee winner Serena Baker and Love Islander Jay Younger to discuss easy upcycling, the joys of charity shopping and how to avoid greenwashing when investing in clothes. They are joined by an audience in the Spiegeltent at the BBC's Festivals site in Edinburgh who share their favourite ways to save money on fashion. Kim and Eileen also meet Joyce Reid in Dundee at The Wardrobe – a charity shop with a difference, and Claire D'All and Luke Murphy discuss tips that could help shops become more accessible for disabled consumers.

Entertaining audiences for decades with his terrific one-man show about Groucho Marx, Frank Ferrante joins the conversation to talk about his return to Chicago in September for LUMINAIRE at Cabaret ZaZou in the shimmering Spiegeltent on the 14th floor of the Cambria Hotel and a tour stop for Groucho coming up in South Haven. One of our great improvisational actors, comedians and entertainers, Ferrante talks about developing characters, the new show in Chicago and the PBS special that has brought Groucho to a new generation of fans. "An Evening with Groucho" at the South Haven Theatre Series 7:30 pm August 20, 2022.

Fringe comedians Sara Barron and Sindhu Vee are in conversation with Nicola Meighan

Combo Chimbita and $1,000 Project Grants in Poughkeepsie This week in La Voz en Breve, journalist Mariel Fiori has a show on entertainment. She spoke with Carolina Oliveros and Niño Lento Es Fuego from the band Combo Chimbita that will perform tomorrow Friday at 7pm at the Spiegeltent at Bard College. Also, Isis Benitez and Gina McCann, deans of the new Awesome Poughkeepsie project, said that the application period for $1,000 a month in grants is open until August 15. To apply visit: awesomepoughkeepsie.org or email poughkeepsie@awesomefoundation.org. And the journalist Amy Goodman says that after the annulment of the ruling that guaranteed the right to abortion, an appalling state of injustice proliferates in the US. Instagram/Facebook: @lavozhudsonvalley Combo Chimbita y $1000 para proyectos en Poughkeepsie Esta semana en La Voz en breve, la periodista Mariel Fiori tiene un programa de entretenimiento. Conversó con Carolina Oliveros y Niño Lento Es Fuego de la banda Combo Chimbita que se presenta mañana viernes a las 7pm en la Spiegeltent de Bard College. Además, Isis Benitez y Gina McCann, decanas del del nuevo proyecto Awesome Poughkeepsie, contaron que el periodo de aplicación para obtener $1,000 mensuales en subvenciones está abierto hasta el 15 de agosto. Para aplicar visita: awesomepoughkeepsie.org o manda un correo a poughkeepsie@awesomefoundation.org. Y la periodista Amy Goodman dice que tras la anul

If These Walls Could Talk with Wendy Stuart & Tym MossHosts: WENDY STUART & TYM MOSSSpecial guest: JOEY ARIASWednesday, December 22nd2pm EST LIVE from PANGEA Restaurant, NYCWatch LIVE on YouTube at Wendy Stuart TVA fixture of New York City's vibrant downtown performance scene for 30-plus years, Joey Arias is a bona fide NYC icon. In 2012 he appeared in a headlining solo concert at Central Park SummerStage and played the Southbank Centre in London as part of the Antony Hagerty-curated Meltodwn Festival. Then in October Z Chromosome, a short film starring Arias and directed by Manfred (Thierry) Mugler opened the 18th Annual Festival Chéries-Chéris in Paris. Spring 2013 sees Joey Arias in Residence at Joe's Pub over 4 Sundays and on tour in the Western United States beginning with a Valentines Day concert at the world-famous Castro Theatre.Arias lived and worked with legendary musician Klaus Nomi until Nomi's death in 1983. However, he has long since stepped out of Nomi's shadow to gain fame in his own right as a performance artist, cabaret singer and drag artist. From outrageous performances at seminal New York nightclubs Jackie 60 and Squeezebox to the now-legendary nights at Bar d'O where he held court with Raven-O and Sherry Vine, Arias has distinguished himself with scandalous wit, sleek style and an extraordinary voice… evocative of Lady Day yet uniquely his own.It was no surprise when Arias was tapped by Cirque du Soleil to originate the role of the emcee in their Las Vegas spectacular Zumanity, for which he co-wrote 3 songs. After 6 years in that role, Arias returned to New York where he became star and co-creator of Arias With a Twist with master puppeteer Basil Twist. The show was a critical and commercial hit and extended repeatedly for a total of 8 months at HERE Arts Center. The show has been subsequently presented in Los Angeles, Washington DC and Paris and returned to New York for another critically acclaimed, encore 8-week run at Abrons Arts Center in Fall 2011. The “Arias With A Twist” docu-fantasy premiered at the Berlin Film Festival and had it's US premiere at the 2011 TriBeca Film Festival.In 2010 Arias returned to New York City with his first full-length concerts in over a decade. Joey Arias in Concert – featuring new jazz luminary Ben Allison and a band comprised of some of NYC's best musicians – played to sold-out houses for two weeks at Abrons Arts Center. A scaled down version of the show opened the Spiegeltent at Bard SummerScape in 2011.Arias has performed worldwide at venues including Carnegie Hall, The Freedom Theatre in London and on a transatlantic world tour into the cabaret clubs of Paris, Tokyo, Moscow, Germany, Finland, Estonia, Canada and England. On film, he has appeared in Mondo New York, Big Top Pee Wee, Elvira, Mistress of the Dark, Wigstock – The Movie, Flawless and To Wong Foo, Thanks for Everything! Julie Newmar. Television credits include the infamous Saturday Night Live episode with David Bowie and Klaus Nomi, Ann Magnuson's Vandemonium (Cinemax), Elvira's MTV Halloween Special, HBOs Dragtime, HBO's Real Sex and Gayer Than Gay on VH1, along with numerous appearances on a wide variety of talk shows and programs. Additionally, Arias has produced several of his own recordings including Arias on Holiday, Strange Fruit, Jazzo Lozo, God Shave the Queen and live recordings of StarLust in Berlin, Arias with a Twist and Bar D'o in New York.Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style, of honest, and emotional interviews, sharing the fascinating backstories of celebrities, entertainers, recording artists, writers and artists and bringing their audience along for a fantastic ride.Wendy Stuart is an author, celebrity interviewer, model, filmmaker and hosts “Pandemic Cooking With Wendy,” a popular Youtube comedic cooking show born in the era of Covid-19, and TriVersity Talk, a weekly web series with featured guests discussing their lives, activism and pressing issues in the LGBTQ Community.Tym Moss is a popular NYC singer, actor, and radio/tv host who recently starred in the hit indie film “JUNK” to critical acclaim.

Nick Hancock is joined by Sharon Canavar from Harrogate International Festivals to talk Brodsky Quartet and the big one… the return of Spiegeltent after four years! The most flamboyant event returns to Crescent Gardens with bohemian mirrored walls, wooden floors, stained glass, red velvet booths, and lamped lighting. This year's programme consists of some firm favourites along with some exciting new artists, with visitors set to enjoy Hacienda DJ Graeme Park and dance the night away with a Silent Disco. Plus keep an eye out for the return of the town's most loved night club…

In a live episode recorded at Brighton Spiegeltent, Rosie chats to comedians Zoe Lyons and Hal Cruttenden plus podcaster Bibi Lynch about separating during a pandemic, living in a friend's converted garage, buying a midlife crisis sports car, going to therapy, rediscovering your partner again, being single, repackaging yourself, gratitude at being wanted, idealistic fantasy relationships, early crushes and much more. Listen out for a real-time flirtation, relationship, marriage and divorce all happening in front of our eyes. Recorded at Brighton Spiegeltent as part of Brighton Fringe on 22 May 2022.    You can now follow The Breakup Monologues on Instagram @breakupmonologues and buy The Breakup Monologues book from all good bookshops: https://linktr.ee/breakupmonologues   This live episode received a five star review from Broadway Baby: https://broadwaybaby.com/shows/the-breakup-monologues/759541   The Breakup Monologues will also be recording live episodes at Essex Book Festival on 17 June and at Latitude Festival in July: https://essexbookfestival.org.uk/event/the-breakup-monologues-live-podcast-recording/ www.latitudefestival.com    For more about Zoe, see www.zoelyons.co.uk    For more about Hal, see www.halcruttenden.com    For more about Bibi, see www.bibilynch.com

Fans are expected to see Christine Anu in Wollongong on March 18 in one of her very first public performances post-pandemic.

Sunday 25 July 2021: Two sets of Melbourne artists tell Andrew about finding community and connection in music during lockdown

From humble beginnings in Yass, Neisha didn't expect to end up a circus entertainer traveling the world. She looks back on her childhood and the moments that indicated who she might become. Neisha Murphy is a vibrant variety entertainer and director who blends a mix of physical skill and characterisation with juggling, slack rope, hosting, comedy and a range of dare devil stunts. Neisha has worked for The South African State Theatre, Legs on the Wall, The Hoopla Festival, The Flying Kiwi Circus, Circus Aotearoa and the Kidsfest Festival in New Zealand, Circus Monoxide, Viva la gong festival, Arts Projects Australia in Adelaide, The West Australian Ballet, The Tasmanian Circus Festival, Free Associations production of The Nutcracker, The Circus Proms series with New Zealand's Christchurch Symphony Orchestra and performed in the famous Spiegeltent in Circus Monoxide's production of ‘Built'. Neisha is currently developing ‘NE - Non Essential' which is inspired by the current pandemic crisis and most recently has completed a development of her theatre circus show ‘ChaChi The Variety Superstar' with The Merrigong Theatre Company.Queerstories an award-winning LGBTQI+ storytelling project directed by Maeve Marsden, with regular events around Australia. For more information, visit www.queerstories.com.au and follow Queerstories on Facebook.The Queerstories book is published by Hachette Australia, and can be purchased from your favourite independent bookseller or on Booktopia.To support Queerstories, become a patron at www.patreon.com/ladysingsitbetterAnd for gay stuff and insomnia rants follow Maeve Marsden on Twitter and Instagram. See acast.com/privacy for privacy and opt-out information.

Port Douglas Carnivale returns bigger and better than ever in 2021! You can catch all the magic this weekend! Head to carnivale.com.au to check out the full program of events. See omnystudio.com/listener for privacy information.

Theatre First Episode 285Stream podcast episodes on demand from www.bitesz.com (mobile friendly).The Dumtectives in Cirque Noir – The Famous Spiegeltent at Arts Centre Melbourne, Australia From the internationally acclaimed Australian circus company - Dummies Corp, comes a new explosive, killer circus comedy for adults. Blast into an exciting world of murderous humour and mystery, mixed with a smooth blend of astonishing acrobatics, mouth-watering burlesque and the rib-tickling side-splitting slapstick this award-winning troupe is famous for. The thrilling style of cirque noir set in a by-gone era of cheap dames and dirty dicks will be the erotic experience you chumps don't want to miss! This brand-new slick and edgy spectacle is a refreshing slap in the face that will blow your gun barrel and leave you absolutely thunderstruck.For more information: https://www.comedyfestival.com.au/2021/shows/dumtectives Theatre First RSS feed: https://rss.acast.com/theatre-first  Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts, Spotify, Google Podcasts, Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc. If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you. #theatre #stage #reviews #melbourne #australia  See acast.com/privacy for privacy and opt-out information.

Since graduating from WAAPA in 2006, Lucy has cemented her reputation as one of Australia's musical theatre leading ladies. When the Covid-19 Pandemic hit, she was about to preview at Brisbane's Lyric Theatre QPAC in Charlie and the Chocolate Factory (GFO) as Charlie's mum Mrs Bucket, which had just finished two very successful seasons in Melbourne's Her Majesty's Theatre and Sydney's iconic Capitol Theatre. She was nominated for a 2019 Helpmann Award for Best Supporting Actress for her performance in the show. Lucy was also about to start rehearsals for MTC's Australian Premiere of the Tony Award winning Best Musical Fun Home in the role of Alison. Throughout 2018 Lucy starred in Beautiful: The Carole King Musical (Michael Cassel Group) as sassy Cynthia Weil on its critically acclaimed Australian tour earning a Green Room Nomination for Best Supporting Actress in a Musical. Prior to this, with her newborn baby in tow Lucy played Miss Honey in the Australian/New Zealand tour of Tim Minchin's Matilda: The Musical (Louise Withers and Associates, RSC), and was nominated for a 2017 Helpmann Award for Best Supporting Actress. Lucy originated the role of Heather Chandler in the smash Australian Première of Heathers: The Musical, she created the role of Patty in Tim Finn's new musical Ladies in Black (QTC, MTC) and starred in Grease as Rizzo (GFO) earning Helpmann, Glug and Sydney Theatre Award nominations for the show's Australian and Asian tour. Lucy also created the role of Lara in the world première of Doctor Zhivago: A New Musical (GFO) opposite Anthony Warlow earning Helpmann and Sydney Theatre Award nominations for Best Actress in a Musical. Other career highlights include Cinderella in Into the Woods (Victorian Opera, Helpmann and Green Room Nominations); Georgia Hendricks in Curtains (The Production Company); Gertrude Lawrence in Noël and Gertie (CDP Theatre Producers, Glug Award for Best Actress in a Musical); Polly in The Threepenny Opera (STC, Malthouse, Victorian Opera); Janet in The Rocky Horror Show (TML Enterprises); Emma in Jekyll & Hyde (TML Enterprises) and Anne in A Little Night Music (Opera Australia). Lucy's one-woman show Irving Berlin: Songs in the Key of Black toured Australia to rave reviews at venues such as the prestigious Spiegeltent, the Adelaide Cabaret Festival, The Noosa Longweekend Festival, His Majesty's Theatre, Perth and La Salon at Claire's Kitchen. Her album featuring arrangements and musical direction by Daniel Edmonds is available on iTunes, Spotify and Apple Music.

The Crystal Palace Spiegeltent is home to Glamour Days, and truly a crown jewel of the festival. Amber and Stephanie are joined by Tentmaster Peter Goossens, (president of West Coast Spiegeltents and Goose on The Loose Productions), to discuss events and tents.Visit westcoastspiegeltents.com to learn more about these amazing tents!

Families can set sail on urban seascapes, go to war with fiendish grannies, get their rock on, enjoy a circus spectacular at The Spiegeltent and even do a spot of... LEARN MORE The post Boats at the National Gallery of Victoria appeared first on Sunday Arts Magazine.

Who knows what evil lurks in the heart of Yorkshire? After this episode, Brennan, Paul, and their guest storyteller Kevin Eustace from "We Need to Talk About Ghosts" sure do, and it involves a lot of poltergeists. Also on this episode: the museum Monty Python would have built, that time Paul was guestlisted for a U2 show, and Brennan announces he's working on a new book about the paranormal Music on This Episode: Main Theme:     "Radio (Into the Darkness We Go)" by Podzontommusic Stories Theme:  "The Future Belongs to Them Now" by Hexxagram Bumpers:  "Spiegeltent" by Luella Gren Patron Theme: "8 Bit" by Josef Falkonskold "Radio" and "The Future Belongs to Them Now" are used with permission, all other music and sound FX are licensed via Epidemic Sound. Want more show? Come find us on Patreon!  We have tiers at the $1, $5, and $10 levels, with rewards like an Patreon-only Ghost Story Guys sticker, early access to episodes, exclusive bonus content, access to our monthly live show, and more!  Click on over to Patreon.com/GhostStoryGuys to check it out! Grab yourself some Ghost Story Guys merch at our Red Bubble and TeePublic stores! Comment? Suggestion? Story you want to tell? E-mail us at ghoststoryguys@gmail.com! The Ghost Story Guys are: Brennan Storr - Host, Writer, Producer Paul Bestall - Co-Host Luke Greensmith - Researcher Sarah Kent - Communications Anthony Germaine - Researcher Rachel GW - Facebook admin Pins and signed copies of the guy's books are available at Big Cartel or via e-mail.

Hey Wicked Hunters, Welcome to another episode of The ART of Photography Podcast with Stanley Ar. Today I want to introduce Johannes Reinhart who's a master in performance photography but also in finding unique perspectives in common places. He shared how to approach photography with an open mind to be able to capture one that is unique to you. For those of you who want to learn more about Johannes: www.johannes.com.au Instagram: https://www.instagram.com/johannesreinhart/ If you want to watch the video podcast, head to https://youtu.be/g4ttCEb7GLc  Other ways to listen and subscribe to the podcast: Spotify - http://bit.ly/twhspotify  Apple Podcast - https://bit.ly/Theartofphotography  Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr  Website: podcast.thewickedhunt.com   Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr  For those of you who want to see more of The Wicked Hunt Photography: Instagram: https://www.instagram.com/thewickedhunt/    Facebook: https://www.facebook.com/thewickedhunt/ Masterclass: https://www.TheWickedHuntPhotography.com    Photo print: https://www.TheWickedHunt.com/  Don't forget to let us know your favourite part of the Podcast on the comment below and subscribe ----------------------- Johannes Reinhart  0:00   It's really like keeping an open mind. Like, look around and keep an open mind and don't get stuck on. I want to take this particular photo Stanley Aryanto - The Wicked Hunt  0:18   here, we can do this Welcome back to The Art of Photography podcast where we share our passion as a photographer, and we share how photography has brought hope, purpose and even happiness to our life. So today we have someone very special from Perth. I met him back during one of the project is called the 730 project. We were we were doing that as fundraising. And he is definitely one of the top Perth event photographer and one of the most creative photographer out there. He definitely find beautiful things in the order in ordinary things. So I'm very excited to welcome Johan is, are you doing your hunters? Johannes Reinhart  1:09   Yeah, good. Thank you. Thanks for having me. Stanley Aryanto - The Wicked Hunt  1:12   Yeah, no, great. How's things back in Perth? Johannes Reinhart  1:15   Pretty good. We don't have much COVID restrictions or life goes mostly normal. Stanley Aryanto - The Wicked Hunt  1:21   And it's crazy. It's just amazing. Yeah, yeah, it's crazy. I mean, like, it's crazy how people can you know, all the everything's open to venues and stuff. Like there's practically banging? Well, I guess that's the one advantage of being the most isolated city in the world. A Johannes Reinhart  1:37   definitely. Yeah. Stanley Aryanto - The Wicked Hunt  1:40   All right. So like, thanks a lot for coming in. And yeah, we met on, you know, that is 730 project there. And I think that was the first time I met you, which was a little bit embarrassing, because you're very young. It looks like everyone knows you. And you got definitely one of the top photographers begging for them, especially to learn from. Give us a little bit just introduction about yourself, you know, where are you? Where are you coming from in what type of photography you do and how you kind of get there. Johannes Reinhart  2:15   Because I come from Germany, and it's where the accent is, I moved to Australia, I think I was 25. And I live here for 20 years already. And I started photography, probably around 25 years ago, like proper way, I bought my first SLR camera and then really gotten into it. And in the last summit in 2003, I started going out professionally as well maybe like, after 789 years, being really keen photographer. So I shot a wedding at you know, we went to a wedding and took some pictures. And that turned out better than the ones from the wedding photographer. And the same thing happened again that year for another wedding. And then I thought I'm becoming a wedding photographer. So I started Yes, I started off as a wedding photographer, you know, just like, Okay, I'm a wedding photographer now. And that's why they're and you know, and then learning and then all learning and then digital came around. And then everything had to be learned kind of new, you know, computers and colour management, all that. And then and then after a couple of years, I didn't really pick up my camera anymore. Because I was associated picking the camera up with Burke and and then through some coincidence, and there was this photographer, like PIP photographers and Kurth group on Flickr. And then people being like going out and meeting each other. And I always did photography in isolation, really. And so Oh, there's other people like me, isn't that amazing? And then I went out and to the mates and we shared the photos after on online I mean, it's all normal now but back then, it was like to start off the internet, so to speak. And then I've really reignited my passion for photography. And I also realised what I've lost with you know, not picking up the camera for myself anymore for my own book. Just for playing around and then yeah, and then I never stopped, you know, taking pictures for myself and my personal work is really important to me, like I mean I'm really busy doing professional work which I kind of shoot everything nowadays, but I concentrated events and especially performance and a bit of commercial and bit of everything and teaching obviously. So it's it's a nice variety nowadays, that I can Stanley Aryanto - The Wicked Hunt  4:37   set that up. So would you say that performance and art photography is your main passion? Is that why you kind of you know, sway into that categories or Johannes Reinhart  4:51   nothing? Well yes and no performance for that used to be a passionate because it was so you know a such a different world. Hold on I Love You know, having access and the camera is a bit like a passport as the saying goes. So you Yeah, I I, I had total passion for performance photography and now I'm doing it for maybe over 10 years and then so it's not in I really love it. But it's it's kinda it's not this strange, exotic real animals, everything kind of becomes quite normal, which is really interesting, isn't it? And it's definitely a passion but at the moment I'm, I'm, I'm more kind of interested in my personal work I'm more interested in like, which sometimes performance matches like themes like light and shadow and alienation and life and death and loneliness and and subcultures, which, which performance, obviously, part of. Stanley Aryanto - The Wicked Hunt  5:51   Yeah, that's, that's really cool. I think definitely one of the photo that really catch caught my eyes on that project was that, just that the way you play with the shadow, you know, playing that contrast, it was it was, I never actually do that, in previous to that it was, it was mostly about, you know, trying to get the even lighting, make sure that all the subject is lined up. And it was, it was definitely a big mind shift, when, when I first saw that I was like, wow, like, you know, like, you don't have to see the dark, like, you don't have to see what's under the shadow, it actually could create something, like, quite unique about it. So that was really cool to see. What, what inspires you to, you know, do to do that kind of photography in the first place? Is it just as a, like, accident that you kind of come across it? Or was there an inspiration somewhere along the line Johannes Reinhart  6:49   that already leads back to my childhood? Because I, I've been really drawn to, you know, days to be black and white photographs and magazines and papers. I don't know where I've seen them. But I've been really drawn to Yeah, with the stark contrast the images, which, which those sometimes used to do and then when I had a camera, I kind of tried to do that. And obviously it doesn't quite work like that. And then you come to Australia and the sun is so much harsher than in Europe, as you know. Yeah, it's crazy. Like in Germany, if I should, in the middle of the diet, it's like a kind of overcast ish, almost overcast dish down here, the lights really soft in comparison. And in Perth, we have this extraordinary hard light. So you can create you know, if you expose for the highlights and your shadows become really deep and dark and, and I really love that kind of effect. And I'm, I'm naturally drawn towards it that just sort of an extension of myself really? Stanley Aryanto - The Wicked Hunt  7:47   Well that's, that's really interesting, you know, like, because, you know, most photographers look for that soft light, right? Where we're taught, like, hey, you know, go in the morning, or go in the afternoon where the light is soft. But here you are, like just taking advantage of something totally different. Something that's just so harsh, and people would probably stay at home, I probably would be stay at home by that time. But you take that into advantage. That's really cool. Johannes Reinhart  8:14   So can I just say something for that? Yeah, for sure. So it also came through necessity because I'm a stay at home dad, and I look after my kids and when they were little. So now they're teenagers, but whenever little is like during the day was the only time I could go out and have my own life. So, so I was like, I felt like I'm the lunchtime photographer, you know, the middle of the day here, I'm out and then I just kind of had to do with what I got. And then that's another layer that kind of added on to that. Yeah, that's I think Stanley Aryanto - The Wicked Hunt  8:45   that's that's also an important factor. You know, a lot of a lot of photographers out there, especially the one that can just start it, see those explosive sunset or sunrise, you know, for landscape or, you know, a special lighting and we are so fixated with those lighting, that, you know, if we go to the location, and then we didn't get that light, we would just pack our gear and go home which, you know, you said it perfectly sometimes you just have to take advantage of were what was the condition that you have? So that's that's really amazing. Yeah, so what what was your what's your biggest inspiration if there is any, you know, what, what, how does this creativity mind works? Like, you know, what sparked this create DVD? I suppose. Johannes Reinhart  9:35   That's a really hard question for me. It's like, I just thought back and mind I mean, the Magnum photographers used to inspire me. And now because I do photography for a long time and like 20 years intensively really, or obsessively could say, so now at the moment my inspirations really kind of trying to go deeper in my own personal work and vision and whatever that means, I don't even know what that means but but that's the kind of place I want to go to. So I kind of work on projects, I just finished a book from a Japan holiday that I might free books out of it, one family, one, street photography, and one that's about to do with, you know, the temporary nests of everything in our whole life. And, and, and, and that's just me, you know, being in middle age and trying to get my head around, but I'm going to die 40 years, maybe sooner. And just kind of being more aware of my time is limited here. And, and it just comes out in the work I should naturally and then it's like sequencing and putting it together and finding the theme. And just how I photograph, usually it's very much based on serendipity, I kind of go through everything a little bit. I something pops up, and then I go Oh, that's interesting. And I take note and and then over time I work out what are the important themes in my work, or what are themes in my work that just naturally come up and trying to kind of dig in on that and move forward. And so it's all like it, it's, it's a little bit like just finding myself and photography helps me to kind of put a light to what's in my subconscious then I can learn our game that's going on, because the subconscious was like maybe a year ahead or half a year ahead of what you actually know what's going on. And, and then just trying to combine it with my photography and learn about myself and my feelings. And, and, and also have fun and just like we beat New Zealand in January, which was very, very good timing and very lucky. And I was so excited about you know, discovering all I mean, we go for those beautiful nature walks and seeing those amazing things and, and I'm there with my camera as I can capture it and I'm so excited. And I think photography with photography, the the whole worlds like a treasure box, really. And it's just like, going out and discovering what's around the corner here and what's there and, and that brings a lot of joy into for me and capturing that it's a lot more fun for me than just seeing it. So because then I guess I can go hey, look at this. Look, look what I've seen, you know, and I mean, when I go with my family, I go oh, look at this and amazing, they're lucky or whatever. And once I take a picture, sometimes they go oh, that's actually not bad. Yeah, that's, Stanley Aryanto - The Wicked Hunt  12:43   that's a it's really funny, isn't it? Like, and it's really cool as well, like, how so basically, you're saying, you know, use photography as a way to express yourself and, you know, express your kind of inner thought and where you can going or what's in your head? In terms of photograph? Yeah, so like that, I find that it's really definitely one of the reasons that a lot, a lot of us do photography as a creative outlet. So how does that you know, how do you look beyond the ordinary? You know, because I see a lot of your photos, you, you, you focus on things that people wouldn't focus on just the quirky things, the little small details. And that was the one thing that I really noticed, you know, when I was there next, you cannot watch your work. It was just like, wow, and it was just like, how did he think of this just like blow you out of your mind, because it's not something that people would normally think about. Johannes Reinhart  13:47   When it comes to I think there's two different layers of it. One is I'm not interested in just another pretty picture. So I'm, I you know, that's how you start off or that's how I started off, you know, trying to emulate the photographer scene and emulate, you know, the great photos or, you know, Christian Fletcher took this photo of something and you know, and Duncan and you have that in mind when you go to Ayers Rock and you're trying to take kinda that similar photo and then you're very proud when just looks kind of similar. And then and then the next step was like, more finding my own voice and because I mean me lighting is just a great thing to learn photography, but then it's really like it might have been when I went to photo for you, which might have been 2003 or four. There was photo for you and then I went there and I say in photography that kind of found confronting is like, what this is, like supposed to be good photography, you know, because it wasn't just pretty pictures and then and that kind of really opened up my my world and seeing this was photography and that is photography and then going okay, what is it that I do? And I guess then I took a little bit of is a free pass to explore, go a little more me personal. And for a number of years, I was really struggling with that, you know, like this is popular and you feel like you're supposed to do what's popular, right. But then it's also but I prefer those pictures, you know. And then eventually, I ended up winning prices winning documentary photographer of the year, at the IPP with my own picture with that, yeah, put my own pictures in, I actually won. And I was like, amazing. And then that really manifested in my, okay, I, I basically, I won those prices, because I did what I did my own thing anyway. And then it's after that, it became really easy to just follow my own thing. And nowadays, I just do my photography, the why, in my personal work, do my photography that the way I want to do it. And then and it's very easy just to and then the other part of that is I go out and I try, I basically go out with an open mind and just look around and see what I find. And just trust in my gut instinct and trust in serendipity and, and often start with light in our NSA some interesting light somewhere, and then I look closer, and then I find something and then if I react to it, and then I start to take pictures of it. And then I mean, obviously if I react to it, and there's there's something that interests me, and I just kind of follow that. So yeah, like a treasure hunt, like, like in New Zealand. Yeah, that's, that's come out the way I like it in a way, which does not there many pretty pictures. But I don't know, oh, they're a little more more clutter, they're not as clean, I think I could shoot a lot more cleaner. If I and I do that more in my commercial work, where things are more orderly and clean. And in my personal work, it's sometimes maybe a little messy, but there's still some structure to it. And I guess my brain is a bit messy. So it just comes out like that. Stanley Aryanto - The Wicked Hunt  17:03   So that's, that's really cool to hear. And, you know, it's, I think a lot, a lot of people out there might have that thinking of, or pressure I should say, or pressure of reproducing something that you know, is beautiful as what the status quo accepted. So that's great to hear that you say that because, you know, it was a testament to itself that you you were able to win an awards just by being original. So you know, what sort of advice would you say to people who kind of just started and struggled to find their voice or, you know, try to find to be where you are right now. And they are still in the emulation sort of period. Yeah, Johannes Reinhart  17:51   I mean, just be yourself. Really, it's, it's sounds simple. And it is it is hard, because I mean, the old trying to fit in, like all of us, and I mean, the older you grow, maybe then you have a bit more luck with that, I just do my own thing, I think he probably really helps. It also really helps that I I had recognition with doing what I do. And then you know, it took like 10 years to get there. And I was sometimes really torn and not knowing what I'm supposed to do and, and but I learned by winning awards, I learned that you know, it doesn't really matter, like it's you just do your own thing and and if you get recognition, that's great. And if you don't get recognition at least you do work that's meaningful to you. And and that's I think that's a bigger price than winning awards. By ending up having photos they mean something to you and I got a couple of projects that that you know, they go a lot deeper and they're a lot more they're kind of important that in my life the kind of key the mark sort of key points and that came out in photography and I have a lot of pretty pictures that are really nice that you could hang up the wall but I don't really I don't have no deeper connection to them so they they're just kind of nice in our and maybe they get likes on Facebook or Instagram but they don't they don't do anything other than just being pretty to me and and I guess for your listeners if you if you just go out and you do you do what you connect with and you do things uy uy just means you like it like this and you're like high contrast or low contrast and it's just do that and and don't worry about you know the likes and what how it resonates with other people initially because if you just posted it just post you what you will really like to do over a period of time you will attract the people who connect to that kind of thing. And then you know in the long run you're gonna get your your recognition run by people liking what you do. And don't worry so much about the gatekeepers. You know, like we all we get recognition from our friends or friends, God is amazing. This is awesome, you know, but we want it from some strange, unknown people like an industry or somewhere that that we don't even know. But we want the recognition from them. And, and I mean, what does what's more important your friends are some random stranger really. So put emphasis on that to just play like, you know, move, move the blocks around a bit and give yourself the freedom to just go and explore. Stanley Aryanto - The Wicked Hunt  20:36   Yeah, that's that's a really good advice. I think that's, it's really powerful to say that, you know, do what, express yourself and do what do what's right for you and let those people that resonate with you follow you and not worry about those people who doesn't follow you, or doesn't resonate with you. So I think that's a really good advice. So, you know, you were sharing earlier about meeting up with this group of photographers and they were going out together and that kind of sparks back your your photography after kind of a wall, how important it is to have a community and you know, being able to be part of community in terms of progressing your photography, I guess not only just progressing your photography, but also enjoying photography. Johannes Reinhart  21:31   Yeah, I think it's like, for me, it's more enjoying photography and also enjoying connecting to people and, and sometimes I guess we feel, you know, like, I had this from a lot of photographers or artists, they feel a little isolated. I feel like I'm a bit weird. And then you go to a photographer's me, then you go, or I'm not the only weird one. There's, there's lots of us. That's, that's a really nice thing too. You know, I mean, I have friends of our family friends, we have friends who get my photography, and we have friends who just don't get you know that they like to pretty pictures and they go, Oh, that's great. But if I show them like my RT book, then I go it's all a bit strange and random. You know, not not everybody's gonna get it. And, and yeah, photography mates. It's nice to meet those people. And you can, I mean, human connection is like, many when you look at life, I think that's, that's the biggest thing, like your family and friends comes, I think when you all that comes before everything else it will crystallise for I think for most people. And photography is like a way to make friends and to meet people and be don't feel so lonely and isolated, I guess. Stanley Aryanto - The Wicked Hunt  22:46   Yeah, it's, it's actually really interesting that you say that, because sometimes photography, for me is a good thing. It's a thing to run away and actually be alone and isolated. And I think it's one of the reasons why I like to do Astro photography, because, you know, he was so serene, like, you know, being out there at night. And yet you you don't feel alone, because you know, you get to enjoy all the stars. And it just give me a perception that there's somebody out there. So yeah, it's really, it's really interesting to see that different perspective. And you know, how everyone have that different perspective. So what, sir, yeah, Johannes Reinhart  23:25   good. Yeah, but um, I totally get what you do. And I do that too. And, and I'm an introvert and I need time on on my own, but then it's, it's also really nice to be kind of connected to photographic community. Like, for me, it's a real benefit. To be, you know, to have that community. Yeah. And then, also going out alone. I mean, my best pictures I usually take when I'm on my own, because that's where you can really focus and connect with what you're photographing. Stanley Aryanto - The Wicked Hunt  23:57   Yeah, it's, yeah, it's, it's very interesting. I mean, like, one of the things that I like about hanging out with like, other photographers is just the inspiration and different perspective that I get learn from them. And, you know, like, for example, when I was meeting you or like, for example, now I'm part of the collective exhibitions, shorts, photo exhibition, and that was that there was a big sort of mind shift in my photography, because I saw some photography that I've never seen before. And I was like, wow, like, you know, possibilities, just analysts. So so that's really cool that you know, you kind of have that realisation and you know, follow that your own path. So how how do you translate a lot of this in terms of to your do your professional work you know, because then you how do you how do people can see is like, Okay, I'll hire Your Highness because he's really good. When a lot of your photo are more like, you know, really artsy and Really, I should say that a lot of people, like you say, hard to resonate with. Johannes Reinhart  25:06   I mean, the ones I've posted are mostly mostly like what I consider the cool photos. And then so that's in other performance ones, a lot of them apply to most of them. And some event photos sometimes I post but mostly it's like work I finished the job and I kind of move on to the next one. So it kind of works because I have enough people who know me and know my work and I've worked for them previously or that you hear recommendations are made my business kind of doesn't run online, it is just like word of mouth and, and I don't actually post that much. I started posting a little bit more with COVID since I lost all my work and then I thought oh, maybe I should post a bit of this what I can do kind of thing for you. Yeah, the business is it's a little bit different as an I photograph to you know, you need a product or you need a promo shot or you need a photo for specific purpose and trying to deliver on that purpose and provide value to you. And I've been very lucky because I shot weddings for almost 15 years. And then I realised I don't have the passion for it anymore. And I thought it's time to move on. And I was really worried that you know, I don't get enough business after because that's my bread and butter. And then I just realised very quickly that I said no to a lot of jobs when you know when when people ring as I can you do this next week, and often they go can you do this next week, and I always had to say no, because I've been booked out with weddings, and I didn't really realise that so so much. So that really helped and I started teaching and then over the over the years I've build up performance photography, especially at fringe and a little bit during the year to that kind of Yeah, just just just by doing it passion first for passion for a while and then you know works kind of crystallised out of that and then more work crystallised out of that. And nowadays, I don't shoot many shows for free anymore, so to speak, you know, the most of them are paid. And when I shoot free, I'm shooting very different. I'm picturing fairy, like I'm trying to get artistic photos, which are sometimes better, or I find them better, but they're really hard to photograph and you missed a lot of good shots, if you follow down at artistic rabbit hole, because then I go blurry, and I go, you know, all sorts of stuff. Because I'm really, in my personal work, I'm experimenting, like a lot, and I just, I just play around in a way. And through the applying, I'm learning and become a better photographer, which then feeds into my professional work that, you know, I have all those tricks up my sleeve that I could, you know, this scenario could do this, and that's an I could do that. And I you know, break it up here a little bit and they and and also realised over the years people book me for my artistry, not just for commercially pretty, like, you know, nice, nice images, they also want a little bit on maybe extra feeling or something. Stanley Aryanto - The Wicked Hunt  28:18   Yeah, that's, that's really cool. Because, you know, at the end of the day, it's it's come back to what you say about being yourself and then just let those people who can resonate, you know, come to you and not worry about those. So that that really, really good to see how that translate just not only in the personal side, but also to professional so so I want to talk more about your event photography side of things, you know, you take the amazing event photos, performances and stuff like that. Whereas a lot of this angle came from you know, like the the creativity and you know, playing around with the lights and so forth, the poses and so forth. Johannes Reinhart  29:02   Well, depending on where it is, it always often always starts with light, I look for good light. And as an event photographer, especially if performance photographer, you you are a little bit at the mercy of the lighting guy or the lighting, shot out show connections last week that had amazing lighting and now in it, it makes my job to create powerful images like much easier even though I was like a crazy man. But, but you know, like if they liked it well and they have to smoke for extra effect and all that that really adds or like in French, you know, the Spiegeltent shows so much better than some of the other venues where you just have one spotlight, and that's about it and then you a lot more limited in what you can do as a photographer. So light comes first and then the performance because I mostly should live performance. It's And it's really, by, by doing a lot of my doing a lot of photography does this kind of sixth sense to know when to press the button and things line up to you kind of now, I mean, you, you keep a light, you know, is obviously something I pay a lot of attention towards, and then the performance to and and, you know, you soom in and you zoom out and just trying to anticipate what's going to happen next, which then experience experience really helps, you know, like, you've seen a lot of shows and do certain things do you think art is probably going to something, something big is gonna happen? Maybe soon, that I better be ready to capture that, you know, over fire, you know, when I go fire, you know, and you have to then underexposed before it starts. So you're ready, and then and you hope you do, right. And because there's only one goes on often. And then you know, zoom out a bit, because often that that fire goes up. So it's just the experience and trial and error and, and everything I do you I kind of put in a memory bank, and I was like anything you've ser that works, I put in a memory bank. And I just kind of keep building on that. Yeah, that's cool. Stanley Aryanto - The Wicked Hunt  31:11   I do that as well, in terms of the memory bank, I think like, you know, you find a little quirky technique that comes up really nice, or that you really like you just like, oh, yeah, that's, that's a good technique, if it and then, you know, eventually, you have so many libraries you could play around with. But, um, and then, sorry, yeah, Johannes Reinhart  31:30   can I just add on to this. The other thing, the obvious thing that I haven't mentioned is, there's also the performance, I mean, they they bring their own artistry and creativity to this day, and their talent to the stage, and that, it kind of makes my job easy in a way, you know, because I don't have to make it all update, they create this world that I then really just kind of capture sometimes. And sometimes I'll fill in my own. Also with the Stanley Aryanto - The Wicked Hunt  31:58   with the live performances, you know, I see a lot of your work with the performance photography, it's, it's, it's usually on a dark condition, right, it's really dark, and then you got maybe a spotlight and hence what you say about how light is important. The ticker is true in terms of how do you go about and thinking about you know, because the most important things is in photography is light timing and placement, right, those three really dries the type of photo that you get. So how do you go about this thing? And how do you you know, how do you know when it's how do you decide I suppose not to know because you know, knowing can be from experience, but how do you decide when you want to go to this angle that angle or overexposed underexposed, and so forth. Johannes Reinhart  32:54   A lot of it is it's, it's a bit like being a documentary photographer, or wedding photographer, where you just you kind of photograph and you anticipate what's going to happen next and you think, is just going to be better from this side or that side. Or, or sometimes I like to move around. So it's not all just the same angles, there's not just you know, same angles as a TV camera will be which often is the best angle like the front and centre, you know, but you know, if you run around and you should from the sign up closer and shoot up and you just get more variety for for the client. And then you Yeah, it's really like trusting my gut instinct a lot. Or I'm going oh my god, this is gonna happen I'd better shoot off to the middle again, because then just needs to be photographed in the middle. So it's, it's I think previous visualisation plays a big role in that that you experience the performance especially where you can anticipate you kind of know a few things by seeing a lot of shows that this might go this way or that might go that way. And and then yeah, and then just paying attention to light and your camera settings and under exposes like I'm mostly exposed more to the right so I don't really try and blow on highlights but then sometimes I just go darker and then it's just I say something and I I react to it and I go I got to photograph it this way or that way and everything happens so fast that you really just kind of I don't know like it's like it's being driven Stanley Aryanto - The Wicked Hunt  34:30   cool. Yeah. Yeah. Cuz you go to this to this performance is the first time isn't it? It's not like you go there once and then you can watch Johannes Reinhart  34:40   a lot of Yeah, on most shows I should one time sometimes i I'm lucky. I should, you know, like, design people who put shows on and then some parts of that is similar as seen a couple of performers that I rephotographed and then sometimes so you design your shows or whatever, start off this I'm going to change it later slide. It gives me more sense of what might happen. But yeah, a lot of them is just reacting to because every time they put on a different show, it's usually it is a different show. And then you just kind of, but that also keeps it really fresh. I mean, if I photographed a snapshot twice, I could, I could improve some photos of that. Definitely. But then by photographing a show once it keeps it fresh, and it's better for the budget of the company twice. Stanley Aryanto - The Wicked Hunt  35:37   Yeah, like, that's, that's really cool advice. And it's, yeah, I find it great. I mean, I've never really done it myself. But just in my head thinking about, man, how do you know when you know things going to happen? And you know, when kind of placing yourself and especially when you saw it for the first time is, it's almost like you always have to be ready or something like that. A? Yeah. Johannes Reinhart  35:59   I take a lot of photos. Usually. It's not like film. Stanley Aryanto - The Wicked Hunt  36:06   It's that's the good thing about the digital camera. Right? Yeah. Cool. So now that's awesome. I love how how you share your perspective, or you hear that, you know, go with your gut. I think you said that a lot in this conversation, conversation is that go with your gut, and trust yourself and express yourself. I think those are the few things that are really important. So if you were to go back, let's say, you know, let's say you wake up tomorrow, and you lost all your skills, and you have to start all over again. How would you do? Like, you know, for those of you for those of the listeners who kind of just get started and want to get to it, you know, how would you do it? What are the steps that you would take? Johannes Reinhart  36:55   So what I, what I really, if I lose everything, I kind of want to lose it in a way that I also don't remember that I had the skill before. So I can just be fresh. And the beauty is like, the beauty is, when you don't do photography for very long, that you have this kind of inner sense, and everything is new and exciting and fresh. And I don't have that anymore, because I've been doing it so long. And yes, I can get probably a really good quality consistently. But the images that excite me, for me, it's much harder to get those images, because you just don't find them very often. And when you when you're just starting out, you know, like an image that maybe five years from that time you took it you think, Oh, this is amazing. And three years ago, oh, actually, it wasn't. But at the time was amazing, and a lot more things are amazing. And that, that that is really so beautiful. And I think it needs to be enjoyed. And rather than trying to be somewhere at the top, whatever the top might be, because, um, you know, that all those things are kind of, I feel like they're a little bit concepts, you know, I mean, I don't see myself at the top, I just do my photography. And, and it's, it's really great that I'm very lucky that I have a lot of people connect to my work. I made people who told me that they really love my photography, and I really valued it and, and appreciate it. At the same time, I just kind of do it for myself, it's kind of a little bit selfish, you know, exploring my little rabbit hole of photography, so to speak. And, and, yeah, and, and each stage you are on, like whether you're just starting out, or whether you're doing this for 10 or 20 years, it's, it's, there's a benefit to it, and you but you can't have everything and so just enjoy the state you in and not worry so much about, I guess external validation, that's, I think, a really big tip and just kind of do your own thing and, and ply and feel free and try not to force things too much. You know, I see a lot of people that kind of create it to the block, you know, because they kind of want to do something, but then in any event, I do that myself and you know, like a year and a half ago, I was like I wanted to do some great project, you know, I'm thinking about the outcome. Instead of thinking about the actual project and doing the project kind of freely, you know, I'm thinking about the outcome and because I want the outcome to be great. I put pressure on myself to even you know, even get started and can be blocked to even start which is kind of really the opposite of when you start out and pick up a camera and everything is just kind of playful and nice. And so I guess we all try to keep more of that so and I would really enjoy like you know, just starting out and and not knowing what I was good at and just you know, kind of just playing around. Stanley Aryanto - The Wicked Hunt  39:59   That's that's cool. I think that's really cool. You know, the fact that you see just focused on on having fun and enjoying it, that's, that's really amazing. We just have that conversation right there. You say something about, you know, just just gonna go your own way, enjoy it have that first perspective and have enjoy that first back first perspective. And as you kind of get get along, the more you do it that that excitement can go away. So, for yourself, um, you know, how do you keep the excitement going like do not burn now in photography, and to keep enjoying photography. Johannes Reinhart  40:41   I mean, I burn out once or twice a year, usually, usually when I work too much, and it's kind of I've gotten, I'll just say, I'm alright with that. I know, I need to back off, like, I just can't work all the time. But then, and then there's also lose my mojo at least once a year, if not three times a year, when I lose my mojo that I don't want to, I don't feel like picking up the camera. And I usually force myself to pick up the camera and just go, you know, I feel like, everything's a bit jaded and bit boring or whatever. And, and I'm not really in the mood to force myself to go out and take pictures, you know. And by going out, I find, you know, once I find something that I just really cool, then that gives me the first spark and then that leads to Oh, that's really cool, too. And then, you know, I got three of really cool things. And then then I'm back in, you know, enjoying photography and, and doing it. So for me, it really works to push myself and force myself not to not to force myself to pick up the camera and, and that will I learn from that, that, hey, I really love this. Because by doing it, I realised how much I actually love just capturing moments and, and looking at things. Because it's also reminds me of when I've been out on a photo walk, you know, and I'm thinking, you know, like, oh, isn't that nice? Here? Yes, I don't have to perfect clouds for this perfect landscape shot that you probably hoping for, you know, but I still find things here and there. And isn't it just nice just to be out in that beautiful environment and soak up the atmosphere even though it's not perfect for photography. And then I thought, you know, that was poor landscape photographer who make a living, they go out and I think ash clouds are wrong. And it's, it's, it's the same sunset at the beach. But it's two different approaches, right? One is like, I'm so happy I can be here and enjoy it. And the others, like our shirt is not working. Because I want perfection. And Perfection doesn't happen every day. And I'm trying to be more than that, that first one, we're just trying to enjoy my environment. Even if I don't get the perfect pictures, and I'm quite famous. So Stanley Aryanto - The Wicked Hunt  43:02   it's interesting that you say like, because I think I'm not well, maybe I'll just speaking for myself, but I feel like a lot of photographers out there are really perfectionist about their art, like, you know, they, they really want to make sure that everything's right that you know that the noise is really low. Well, most of the most of the time, like the viewer actually just enjoy it the way it is. So what have you, you know, what advice or what have you got to say to the listeners out there who really basically stopped progressing further or stopped taking more photo because they're looking for that perfect one photo. Johannes Reinhart  43:42   Yes. Like, open your eyes. And, and I guess, you know, you go down to the beach, just use the beach as an example you go down and, and you want to take this amazing picture of like a shovel of rock, you know, like, iconic web location. And then the clouds is you know, there, you take a really great photo there when the clouds landscape is as always to do the clouds have to be in the right spot. So it frames it just the right way, right. And you want to match them with sunset time. If those two things don't match up, you know, you can go there like 200 times a year and maybe five or six times a year you get something that's close to perfect. And maybe once a year or once every two years from that spot that you think is the best spot to photograph you might only get that once and then but the thing is like when the clouds are a little off you can move left or right to Frank a subject you know so you don't get it from the perfect spot but just by moving around a lot. You can you know work compositionally and then when you open your eyes you can find a lot of other things you know there's this decide Robin Sugarloaf that looks a little bit like a hawk, you know that. You can just take a photo of that and last time I was there after sunset, I was like seagulls landing on and Flying offence I took kind of, you know, sumed in the big lens and, and took photos of that in blurry birds and, and it's really like keeping an open mind, you know, like, look around and keep an open mind and don't get stuck on, I want to take this particular photo and but it's more like reacting to what's around you and making making the most of it working with what you got in and then looking around you know and keep keep looking to see what you find. Stanley Aryanto - The Wicked Hunt  45:28   Yeah, that's, that's awesome that is really awesome. Like to get those kinds of photos I would imagine because, you know, those, those story that you just told me there, I was just thinking that requires a lot of observation and actually, you know, looking into the different thing and looking actually quite deep into the scene, right? How how long you usually spend in a spot do until you can, you know, come up or notice those quirky things that most people don't notice it. Johannes Reinhart  46:01   Yeah, no, I totally, I don't have much patience. I really thought about taking up painting and it's like, when I see them, I spent like three hours on a painting and it's on quarter finished or something it's like bigger than not for me. Stanley Aryanto - The Wicked Hunt  46:22   Yeah, I as Johannes Reinhart  46:23   long as if I don't find anything interesting, then I just usually keep walking, you know, walking around, and then and if I find something interesting, then I stay and linger on and then it depends on because, you know, often the lights good when Mendes happens and then so either now I got a couple hours I go out, you know, I'll go photographing for an hour or two. And then then I need to go home. Because it's like, it's time. So I just want the round. Really just, you know, I go to an area where I think there could be something. And then sometimes the light works, and sometimes the light doesn't work. So it's really like sometimes you got you got it, there's nothing here, you know, and then you just keep walking and, you know, it's always good to be out. That's what I tell myself anyway. And but you have to be out there because it's like hunting and then sometimes in Alabama think oh, there's nothing here then I see this tree and I'm really drawn towards this tree, you know, like, because the branches kind of reach up. And obviously, that's something I really connect with reaching up to the sky at the moment sort of thing and, and then you know, and then I photograph final group composition for that branch. And that, you know, that I find so so amazing at that time. And then the next thing is a bird lands on it. And then I you know, there's just a little extra something and then wait for the bird to be in the right spot. And then And that's like me like spending eight minutes just photographing just this tray with a bird and then I think is time to move on. You know, like the bird hasn't been that the perfect spot, but it's good enough. And I'm kind of I don't feel like engaged anymore. So I move on. I guess that's when I moved home and I don't feel engaged. Wow, Stanley Aryanto - The Wicked Hunt  48:04   that's really interesting to hear that you are now patient guy because, you know, I saw a lot of that formula requires a lot of patience and you know, observation and actually watching you know, for a while until you kind of see those things. Johannes Reinhart  48:19   Yeah, usually, yeah, like, contract to cut every so I don't, I don't usually wait more than five minutes when I see like an error. I think I'd be a really cool picture and waiting for someone to come through it. And yeah, five minutes is I find it very hard to stand on a street corner without feeling like I'm going to be being up to something better so but by moving around, I mean that's that's a downside to that because I sometimes don't have this, you know, the perfect composition for people just walking through but then I'm not interesting, just pictures of people walking, for example. So when I walk straight and I might see a character that I'm gonna think oh, you know, that looked really interesting and I now over there does this doorway and so I kind of shoot off and trying to get him at that that doorway or, or just kind of react to the scene much more and I think the good side of that is that the photos are kind of more fresh than not as stage so to speak. And and by I think that really worked in the long run for me because sometimes you're lucky and you see something that's, that's out of the ordinary and obviously and then trying to capture it and and also try to capture it well and not just you know, just pointing the camera I'm thinking about okay, where are they going? What see I love it. What can I work with here? You know, sci fi at the beach, and that's this rainbow you know, and obviously none of the normal thing is to photograph the rainbow but then the next step is to step back and go. What else is around kits that can sell something I can use with the rainbow you know, some static element or is there Hey, that's a couple Hey, Guys, do you mind if I take a picture of you in rainbow? And it just kind of work with what you got? Or there's a dog and you chase the dog in front of that in the rainbow maybe or something? I don't know, especially when he left legs up. That'd be a picture anyway. Sorry. Yes, I react to and, and trying to make things work for what I got a lot. Stanley Aryanto - The Wicked Hunt  50:23   Awesome. So it's more like so literally where you say that you just basically capture a moment when it's there like you don't wait for it to happen. You don't stage us. You say it happens, then you capture it free? Yeah. Wow. That's amazing. Well, thanks a lot, Johan, is, you know, it's been a interesting conversation there. And there's a lot of things to do learn from that just both be so philosophically as well as technically in photography. So that's great. Like, thanks a lot for sharing that. So share with us what what kind of because you say you're like working in project, you have a project that you're working on at the moment? Johannes Reinhart  51:08   Yeah, I have one project I worked on for a week last year. It's called What's it called silently falling apart, and then I'm totally blocked to kind of restart it again. So that's going to be an exhibition in the long run, maybe, maybe in 22. Maybe even later, because it's it's a project that I'm trying to go deeper with this one, and I'm trying to really kind of shoot it till I feel like I got nothing left to give in this project not not to finish prematurely. Yeah, so that might be a while. And I guess the resistance is big for this project. So I'm kind of have to work with my own fears of overcoming and try not to put pressure on myself. And I, you know, there's a couple of blocks I've shifted in my head. So I give myself an opening to tell myself just be playful, just just basically see what happens, you know, don't don't make this bigger thing where you don't want to go into just kind of be playful and see what happens. That's, that's where I'm going. But lately, I've been really busy with work again, and then. And then it keeps going to school holidays and an astringent. And this after finishing this kind of an exhibition. And in digital next year, we plan for the book project and, and things just keep moving. Yeah. Awesome. I'll get there. Stanley Aryanto - The Wicked Hunt  52:33   I'm glad to hear I'm looking forward to that. But for the listener who's wanting to hear more about you and wanting to learn more about you where what is the best place for them to find you. Johannes Reinhart  52:46   So the best place is my website that's at www.yohannes.com.au. So Johan is J out h a double n Es. And there's a signup form to my newsletter, I started a newsletter a couple of months ago, that's kind of inspirational newsletter that I show a bit of what I do and then and it's really meant to kind of be more inspirational and not like, you know, like, yeah, it's got my voice a little bit and I think it's, it's quite nice. And then there's photo Mate, I'm going to do a bimonthly photo mate if you're from Perth. So that's where you're going to find out about that. And the productivity tips like yeah, better, like five different little things. And, and that keeps me on my toes and on top of everything else. And then Facebook and Instagram Yanis. Reinhard, yeah, Stanley Aryanto - The Wicked Hunt  53:40   awesome. Awesome. Yeah, no, no worries, I will make sure that I have all that in in the description. So if you didn't get that, don't worry, it's all gonna be in description. But look, thanks a lot. You're honest, for being with us. And yeah, that was a great conversation there. And we can do so thank you very much for tuning in. And like I say, if you want to learn more about your harness, you can look it up in the description below. You can check out some of his art photos as well as his performance photo. I just love his performance photo. It's it's so it's so unique as well, this is just out there. And don't forget to subscribe below and follow. Let me know in the comment below. What do you think of this conversation? Let me know if you try some of them. You know, Hannah's tips there about coming up with something really different and something that really interesting that helps you to express yourself instead of just you know, taking photo that is the most popular one out there. But thanks a lot for tuning in. We get hunters and I will see you again next week. Until next time, Johannes Reinhart  54:58   thanks so much for having me. Awesome thank you bye  

Taco Bell is opening it's first branch in Edinburgh next year. Arlene isn't a fan of Mexican food after she had a bad experience eating a burrito... Let's just say the Spiegeltent tent hasn't been back since.

Multi-award winning author, poet, playwright and librettist Michael Morpurgo, and British actress, author and campaigner Virginia McKenna, talk to Kate Mosse and share extracts from one of Michael’s favourite books, The Butterfly Lion. Recorded in The Spiegeltent, Tuesday 15 October 2019

Marleah and James recap the Alison Wonderland (with Nina Las Vegas and Hiawatha) “Wonderland Warehouse Project” show that they saw at Avant Gardner on 12-7-19. After deep diving into a theory as to whether Killing by The Rapture is in fact a dance punk dis track by Luke Jenner, Marleah gets into the ins-and-outs of EDM/pop crossover. James loves Baby Yoda (who doesn’t) and gives a nice overview of Triple J’s Like a Version. The two also finally clacked fans together, and got to check out Avant Gardner’s The Lost Circus (Belgian, not German, whoops) Spiegeltent post-show! We offer the shot for you to executive produce an episode, where we cover any show you want in the NYC area (and even have you guest on the show if you’d like)! Email us at highdecibelspodcast@gmail.com or DM us on social media @highdecibelspod. On our Twitter and IG @highdecibelspod: What was Alex saying about Sia mid-set? It sounded like it might be…beef? Anyone know?? Avant Gardner:  https://www.avant-gardner.com/ Hiyawatha info: https://instagram.com/hiyawatha_?igshid=19b3hrexat2ua Hiyawatha music: N/A Nina Las Vegas info: http://ninalasvegas.com/ Nina Las Vegas music: https://open.spotify.com/artist/3L2tOP2vRYfjXVW4W1tKEJ?si=AnGfoyq1Tw2U3QaH6oCmWQ Alison Wonderland info: https://alisonwonderland.com/ Alison Wonderland music: https://open.spotify.com/artist/11gWrKZMBsGQWmobv3oNfW?si=84WTM1OXRxOXMkvfP7vIig Triple J Like a Version: https://www.youtube.com/playlist?list=PLCC51BF0C94BE62E8 Intro music: Evan Rhind, IG @xrhindcorex

The Guilty Feminist Presented by Deborah Frances-White and Abigoliah Schamaun Episode 175: Lemonade with special guest Nell Gifford Recorded 10 August 2019 at The Spiegeltent on London’s South Bank. Released 11 November 2019. The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon. More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about Abigoliah Schamaun https://twitter.com/abigoliah http://abigoliah.com More about Nell Gifford https://twitter.com/giffordscircus https://www.giffordscircus.com For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Guilty Feminist jewellery is now available https://www.road-from-damascus.co.uk The Negotiations special episode of the podcast is now available to purchase. http://guiltyfeminist.com/product/include-yourself-podcast/ Come to a live recording! Tuesday 3 December, Secret Policeman’s Ball in Manchester. Tickets on sale now. Friday 6 December, An Evening with Deborah Frances-White, Waterstones in London. Tickets on sale now. Monday 9 December, Kings Place in London. Tickets on sale now. 2-22 January, America and Canada tour. Tickets on sale now. 7-22 February, Australia and New Zealand tour. Tickets on sale now. Leave us a review and rate us on Apple Podcasts!

Welcome to the Chichester Festival Theatre Podcast, hosted by George Bailey. In this episode we'll be discussing the Chichester Spiegeltent, a new venue for Chichester this autumn. So sit back, relax and enjoy what we've got in store for you.

The duo, who recently played Project in Waterford, have plenty of upcoming dates in the South East. They also did a fabulous rendition of their new single "Back to You," plus a George Ezra cover, when they were visiting WLR.

To celebrate the start of this year's Aberdeen Standard Investments Ladies Scottish Open we were live at the Fringe By the Sea, accompanied by some very special guests. Emma and Beth were on stage with LPGA stars Bronte Law, Caroline Masson, Angela Stanford and Tiffany Joh. The banter was free-flowing as they discussed everything from Links golf to solving slow play, while revealing some of their extra curricular activities too! On Twitter: www.twitter.com/OTDFGolfPodOn Instagram: www.instagram.com/onthedancefloorgolf

Public Art Field Guide 4.4: Spiegeltent by MPavilion

BEST BITS PODCAST: Nige's game for the week is the German Translation game where listeners will guess the German word to win double passes to the Spiegeltent. Have you ever had a dream about Nige?? It's after a caller on Friday said they dreamt of Nige giving away the clue to the No Repeat Workday It's been revealed Jacinda Adearn was a DJ in her former life. Reports ACT is set to get it's own coat of arms .

Tom has come in with a blue fingernail, and Warren finds out more about the Polished Man fundraiser he and Wayne are signed up for. They recap a night out... LEARN MORE The post Polished Man, The Spiegeltent, Lying Dogs & Best/Worst Actors-Turned-Singers appeared first on Tom and Warren.

Direct from the Spiegeltent at the Norfolk & Norwich Festival, this week on the podcast we join Sarah Perry, Fiona Sampson and Peggy Hughes to talk about Mary Shelley, Daphne du Maurier and Muriel Spark, chaired by Caroline O'Donoghue. Hosted by Simon Jones, writer and Digital Marketing Manager at the National Centre for Writing. Find out more about the National Centre for Writing: https://nationalcentreforwriting.org.uk/introducing-the-national-centre-for-writing/ Useful links: Norfolk & Norwich Festival: nnfestival.org.uk Music by Bennet Maples: http://sonicfruit.co.uk/

Mark's car hits fridge / Spiegeltent in Port Douglas

http://thesparkandtheart.com/145 – This week we talk with Improviser, Actress, Producer and professional breath recording artist Rebecca Northan. In today's chat Rebecca reflects on a yearbook quote and how it relates to her life now and the interesting work that actors do that you didn't even know were jobs. **- Links for this episode -**Rebecca Northan - http://www.spontaneoustheatre.ca/Rebecca Northan Twitter - https://twitter.com/RebeccaNorthanRebecca Northan IMDB - http://www.imdb.com/name/nm1720123/Mr. Magorium's Wonder Emporium - http://www.imdb.com/title/tt0457419/Kathleen Foreman - http://www.ucalgary.ca/news/utoday/september5-2013/drama-community-mourns-passing-of-respected-professorSpiegeltent - https://en.wikipedia.org/wiki/SpiegeltentBlind Date Play - http://www.spontaneoustheatre.ca/blind-date.htmlKevin McCollum - https://en.wikipedia.org/wiki/Kevin_McCollumHST (Harmonized Sales Tax) - https://en.wikipedia.org/wiki/Harmonized_sales_taxVertigo Theatre - http://www.vertigotheatre.com/ 

Hosts Beth and Talisse were joined in the studio with SCOTT HOLLINGSWORTH & JOSHUA FIELDING from Performance Management - In Cabaret. Scott shares how Performance Management - In Cabaret captures the truth that the everyday office is madder than the circus! Performance Management - In Cabaret is being performed at the Wonderland Spiegeltent, 101 Waterfront Way, Docklands, Melbourne for 1 NIGHT ONLY – 9th July, 8-9.30pm.See omnystudio.com/listener for privacy information.

Hosts Beth and Talisse were joined in the studio with SCOTT HOLLINGSWORTH & JOSHUA FIELDING from Performance Management - In Cabaret. Scott shares how Performance Management - In Cabaret captures the truth that the everyday office is madder than the circus!  Performance Management - In Cabaret is being performed at the Wonderland Spiegeltent, 101 Waterfront Way, Docklands, Melbourne for 1 NIGHT ONLY – 9th July, 8-9.30pm.

Screamfeeder: Episode 139 of Live Delay features legendary 90’s alternative rock group Screamfeeder. Beginning in Brisbane in 1990, Screamfeeder have become icons of the Australian alternative music scene, leading the way for independent Australian artists. In their expansive career they have released 6 albums, four EPs, toured extensively and supported bands like Sonic Youth, Pavement, and Rollins Band. Over the last few years the band have re-released vinyls of their classics, toured sporadically, and even taken time to establish themselves as respectable solo musicians. Recorded and Mixed by Branko Cosic. Recorded at The Spiegeltent at Brisbane Festival for 4ZZZ Flashback: 40 Years of Independent Radio Celebrations, 20th September 2015. Airing details: Originally via Zed Digital, 8-9pm, Friday 16th October 2015. Show production and engineering: Branko Cosic.

This week Ray spoke to Abi Collins aka Peggy Sued about her new show ‘Variety Pack, at the Spiegeltent in Canary Wharf. He was also joined by the wonderful Bobby Ball to about his new play ‘The Dressing Room’.

Summer is heating up, and we have a sizzling edition of Booktalk to go with the rising temperatures. First up, host Ryan Van Winkle sits down with Ruth Ozeki, whose novel, A Tale for the Time Being, has been longlisted for this year's Booker Prize. The book, about a diary written by a 16-year-old Japanese girl that washes up in British Columbia, inspires a spirited discussion of such wide-ranging subjects as reader-writer relationships, how major world events can impact on a work-in-progress (and how said work can provide a sort of therapy for the writer), and bullying in both children and adults. It's also inspired a soulful tune from Bath-based The Bookshop Band, a trio of literary songwriters who were commissioned by the owner of Mr B's Emporium of Reading Delights to liven up authors' readings with some original songs. Though nerve-wracking (they do have to perform the songs for the authors themselves, after all!) the Band has taken up the project and run with it magnificently. They now have nearly 100 tunes covering folktales, classics, bestsellers and even a dictionary! Have a listen to their song, The Paris Wife, and catch them in action at the Guardian Spiegeltent at the Edinburgh International Book Festival.If all that's a bit too tame for you, then brace yourself for the Literary Death Match, also coming soon to a Spiegeltent near you! Just what is the Literary Death Match, you ask? No, it does not involve any bloodletting, and no novels are harmed in the making. It's a fun evening that sees four writers perform their work for three judges (and the audience, of course), who provide hilarious commentary before picking two of the writers to move on to a a round of wacky hijinks, like pinning a moustache on Hemingway or chucking cupcakes at a poster of George Saunders, to ensure things don't get too serious or competitive. Learn more about the Death Match's past, present and exciting future from founder Todd Zuniga and find out where you can see one yourself!Are you ready? It's going to be a scorcher!

We've been at the Edinburgh International Book Festival this past week, and caught up with two very different poets who have been involved with the events strand the SPL has curated together with Don Paterson. The first is Lorraine Mariner, who we caught up with after her event in the Spiegeltent. The second is award winning poet Kathleen Jamie, who reads some of her remarkable new work. We also mark the passing of Scotland's Makar, Edwin Morgan, and his former editor at Carcanet, SPL director Robyn Marsack, shares a few words about Eddie. Edwin Morgan was the top trend on Twitter last Thursday - something we think he'd have been very chuffed by. Presented by Ryan Van Winkle. Produced by Colin Fraser. Music by Ewen Maclean. Twitter: @anonpoetry & @byleaveswelive. Email: splpodcast@gmail.com