Podcasts about maoli

Indie, Reggae, Folk, Punk, Jazz, Conscious Hip Hop, Throat-singing, Country and Rock from members of the Choctaw, Kānaka Maoli, Mi'kmaq, Métis, Northern Ute, Navajo, Atikamekw, Paiute, Ojibwe, Mexica, Inuit, Creek, Seminole and Navajo Nations. Brought to you by⁠⁠ Tunes From Turtle Island⁠⁠ and⁠⁠ Pantheon Podcasts⁠⁠. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: Samantha Crain - Gumshoe Irie Love - Oraganic Woman Drives The Common Man - Not Afraid To Die Tonight Street Pharmacy - The Internet elijah jsmal asani & Aaron White - one ear to the land ,,, the other to each whisper of a cloud Sakay Ottawa - Tante? Dead Pioneers & Petrol Girls - Love Language Napua Davoy - Intimacy Zone Celeigh Cardinal - Dont Waste Your Love On Me Jayli Wolf - Gold Silla - Kaukuarjuk Silla - The Great Angakkuq Keith Secola - Fry Bread Rant (Dark Winds Version) Jamie Coon - Guitars, Cadillacs Q052 - Space Invaders Xiuhtezcatl - Home Scarlet Night - Jack Of Hearts All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show ⁠⁠here

Today, January 17, 2025, is the 132nd anniversary of the illegal overthrow of the Hawaiian Kingdom. Each year, Ka Lāhui Hawaiʻi and the Queen's Court convene the ʻOnipaʻa Peace March and Rally to make sure the overthrow is never forgotten. In this podcast short, re-aired from an interview in 2022, Healani Sonoda-Pale shares about the history of the overthrow, its impact on Kānaka Maoli, and the importance of ʻOnipaʻa as an act of remembrance. To learn more about the 2025 ʻOnipaʻa Peace March, visit kalahuihawaii.net/onipaapeacemarch. To listen to the full interview with Healani from 2022, see episode 34 in our feed. Tag: Hawaiʻi, Hawai'i, Hawaii

Tiokasin Ghosthorse and guest Anne Keala Kelly discuss representation and take the new Disney film "Moana 2" as the jumping off point for their conversation. They talk about the film and what's wrong with it for multiple cultural, spiritual and political reasons, and the way Disney and Hollywood continue to exploit Indigenous peoples and their cultures and profit from it. Keala is a Kānaka Maoli award-winning documentary filmmaker, journalist, podcaster, writer and activist living on Hawai'i Island. Her works address the critical links between cultural, environmental and spiritual survival in the movement for Hawaiian self-determination, and Indigenous peoples' struggles for territorial and political autonomy. She is an outspoken advocate for Indigenous self-representation in mass media. Keala is the author of "Our Rights to Self-Determination: A Hawaiian Manifesto," which was published in 2022. For more information about Keala and her work, visit annekealakelly.com. For background: Keala published this 2016 column, "The Unflattering Cultural Poaching of 'Moana' is a Threat" about the first Moana film and everything she wrote back then still rings true today: https://bit.ly/402Mp0a Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Orlando DuPont, Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand)  2. Song Title: Speak to Me of Justice (2012) Artist: Legends & Lyrics Album: N/A Label: N/A  3. Song Title: Carnival (2005 remaster) Artist: Natalie Merchant Album: Retrospective: 1995-2005 (Greatest Hits album, 2005) Label: Elektra Records and Warner Strategic Marketing  4. Song: Shooting the Statues Artist: Amine Bouhafa Album: Timbuktu (Original Motion Picture Soundtrack, 2014) Label: EmArcy RecordsAKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

For this episode, we welcome back Kevin Sur (Kānaka Maoli) and Tory J (Quinault), hosts of KEXP's global Indigenous music show. They share the origins of their show name, Sounds of Survivance, and how the notion of survivance relates to the music they play and informs a way of being. They bring a mix of new releases from Indigenous artists pushing the boundaries of sound, from experimental electronic to soul to hardcore, then share a lesser known track from the 70s group that brought the hit “Come and Get Your Love.” Finally, Music Director Chris Sanley shares a propulsive piece of futurist folk celebrating Black and Indigenous solidarity. Songs featured: Ghostkeeper - “Storm Chaser” Ombiigizi  - “Connecting”   Liv Rion - In My Way Indian Giver - “Purity (feat. Wiidaaseh)”  Redbone - “Alcatraz” Jake Blount & Mali Obomsawin - "Live Humble”  Listen to the full songs on KEXP's "In Our Headphones 2024" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Listen to Sounds of Survivance with Tory J and Kevin Sur every Monday from 3-5am PT, or anytime on the 2-week archive, at KEXP.org or the KEXP App. Hosted and produced by: Janice Headley and Isabel KhaliliMixed by: Emily FoxMastered by: William MyersEditorial director: Larry Mizell Jr. Our theme music is “好吗 (Hao Ma)” by Chinese American Bear Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

**Chris Stewart's Soulful Etiquette Show Replay On traxfm.org. This Week Chris Featured Soul/Boogie/Reggae/Contemporary Soul From Gwen McRae, Premiere, Maoli, Eddie Lovette, Gussy (OG), The Marvelettes, Teddy Pendergrass, Victor Haynes, Nicci, Miracle Thomas, Black Girl Singer, Castella, Crown Heights Affair, Gregory Abbott & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #reggae Catch Chris Stewart's Soulful Etiquette Show Every Tuesday From 12:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

A conversation about organizing for a rehabilitative justice system with Kaleihau Kamauʻu and Ron Fujiyoshi from ʻOhana Hoʻopakele. ‘Ohana Ho'opakele was founded by kūpuna as an intervention to the disproportionate number of Kānaka Maoli in Hawai'i's prisons. The hui began this journey by opposing the building of new prisons on Hawai'i Island, and their research illuminated the goal of building pu'uhonua to provide healing for paʻahao (or people who are incarcerated) before they return back into society. ʻOhana Hoʻopakele rejects the punitive model of the current prison system, and they pursue multiple avenues to create change towards a rehabilitative system while building a strong base among pa'ahao, ex-pa'ahao, their families, and supporters. Tags: Hawaiʻi, Hawai'i, Hawaii

WHEN YOU ASK WHO'S THE HOTTEST ISLAND COUNTRY REGGAE BAND OUT RIGHT NOW. THERE'S ONLY ONE ANSWER. IT'S OUR BROTHERS FROM MAUI. MAOLI!!!!! TAKING OVER THE COUNTRY REGGAE SCENE & SELLING OUT SHOWS ACROSS THE WORLD. IT'S NO SECRET THAT THE HARD WORK PUT IN OVER THE YEARS ARE PAYING OFF. IF YOU ALSO KNOW MAOLI. THEN YOU WILL KNOW HOW RARE A PODCAST APPEARANCE IS. THANK GOD THESE ARE MY BROTHERS! CAUSE WE HAVE THE EXCLUSIVE SIT DOWN!! SEE WHAT IT TOOK AND TAKES TO CONTINUE ON THIS “JOURNEY” THAT HAS BROUGHT THEM FULL CIRCLE. “IT'S A GREAT DAY TO BE ALIVE” (ok I'll stop lol) & CHECK OUT THIS EXCLUSIVE PODCAST WITH MAOLI!!! COMMENT, SUBSCRIBE & SHARE!!!! MAOLI IG:  @Maoli 

Imua Garza is a Grammy award-nominated producer from the island of O'ahu. This husband and father of three is also a vocalist, musician, recording engineer and composer. His first official professional music release was around the age of 11. He then went on to record and perform with the ukulele group Opihi Pickers. In 2020 he was nominated for his first grammy award for a record titled “Hawaiian Lullaby” released by Haku Records. He has grown his skills in experiences to become an expert musical arranger and singer who has appeared on hundreds of songs and has worked with many musical artists including past podcast guests and grammy winner Kalani Pe'a, Jake Shimabukuro, Kimie, The Green, Maoli, Jack Johnson, Katchafire, and many others. This talented Braddah also created Zeo Music with his wife, a production company and record label based in Honolulu, HI. In this episode we talk about falling in love with music at an early age, the history of the Opihi Pickers, finding his faith and relationship with God, starting Zeo Music, and so much more. Enjoy! Find Imua here: https://www.instagram.com/imuagarza/ Buy our merch on: https://keepitaloha.com/ Support us on Patreon: https://www.patreon.com/kamakadias Watch on YouTube: https://www.youtube.com/@KeepitAlohaPod/ Follow us on Instagram: https://www.instagram.com/keepitalohapod/ Follow us on Facebook: https://www.facebook.com/keepitalohapod/ Follow us on TikTok: https://www.tiktok.com/@keepitalohapod

In this episode, Farina King and Eva Bighorse co-host a conversation with Derek Taira who is an associate professor of history and educational policy at the University of Hawaiʻi at Mānoa. He earned his Ph.D. in history and educational policy studies at the University of Wisconsin-Madison. Coming from a long line of public-school teachers, Derek teaches and writes about the histories and politics of education in Hawaiʻi and the U.S. as well as multicultural education. His first book is forthcoming (scheduled to be published by June 2024), which is titled “Forward without Fear: Native Hawaiians and American Education in Territorial Hawaiʻi, 1900-1941,” stemming from the Native Hawaiian phrase of "Imua, Me Ka Hopo Ole." We talk with Derek about the significance of his research, which traces the social and cultural experiences of Kānaka Maoli, or Native Hawaiians, in American schools during the first half of the twentieth century. Derek illuminates how historical awareness helps people to understand the complex ways schools have been both contested sites of conflict and spaces of opportunity for marginalized communities such as Kānaka Maoli. He also considers differences and similarities of diverse Indigenous educational experiences in U.S. schooling systems of settler colonialism.Some additional resources:Indigenous Education Speakers' Series: Derek Taira with the University of Wisconsin-Madison Department of Educational Policy Studies, "Littoral Hawai'i- Situating the American West in Oceania through Hawai'i's History of Education," YouTube video posted November 2, 2022.Derek Taira, "Colonizing the Mind: Hawaiian History, Americanization, and Manual Training in Hawaiʻi's Public Schools, 1913–1940," Teachers College Record 123, issue 8 (2021): 59-85. https://doi.org/10.1177/01614681211048625Derek Taira short biography and description of research in "2019 NAEd/Spencer Postdoctoral Fellows," National Academy of Education, https://naeducation.org/2019-naed-spencer-postdoctoral-fellows/."COE Faculty Member is Awarded $45K Grant by Spencer Foundation," April 13, 2018, https://coe.hawaii.edu/edef/news/coe-faculty-member-is-awarded-45k-grant-by-spencer-foundation/.Pre-order Derek Taira's book Forward without Fear: Native Hawaiians and American Education in Territorial Hawai'i, 1900-1941 from the Studies in Pacific Worlds Series of the University of Nebraska Press (June 2024).

Drew Martin - "Second Nature," from the 2023 album Where's Your Feet on Kritter Records Kānaka Maoli singer/songwriter Drew Martin recently returned to Seattle from Maui, releasing his latest LP Where's Your Feet?. As he writes on Instagram, "There's some joy on this record, there's some grit on this record, there's some chicken skin on this record." Drew utilizes a Hawaiian slack-key guitar in his folky blues-style songs, as you can hear on today's Song of the Day.  Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Michelle Sekine performs this debut short story collection by Native Hawaiian and Japanese American author Megan Kamalei Kakimoto. Host Jo Reed and AudioFile's Kendra Winchester discuss how the collection celebrates what it means to be Kānaka Maoli, in all of its complexities and contradictions. Each story examines the life of a different woman or girl as they try to make their way in the world. Sekine's narration skillfully anchors listeners in each story, and her performance gives listeners additional depth of emotional insight. Read the full review of the audiobook on AudioFile's website. Published by Bloomsbury Publishing. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from Dreamscape Publishing. Dreamscape is an award-winning independent publisher and multimedia studio that is committed to producing a diverse catalog of high-quality audiobooks. Learn more about your ad choices. Visit megaphone.fm/adchoices

!  !  What's Past - Is Prologue  !  ! !  Callin' All The Boom Booms & The Zoom Zooms  ! ! ! Turn On - Choon In - ZigZag ! ! ! Hello World . . . GROOVIN' BLUE . . . Is On The Air ! * * * GROOVIN' BLUE 23 - 09 * * * Groovin' Blue is dedicated to Dr. Li Wenliang 1.  (4:24)  WAGRadio GB 23-09 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter 2.  (4:57)  "About The Paper" - JACK MATTER, CHRIS LAMBERT [Hot House] 3.  (  :45)  WAGRadio 18-01 Intro Segment 4.  (2:52)  "Mr. Police" - IDK [Warner] 5.  (  :33)  WAGRadio 18-01 Intro Segment Pt. 2 6.  (3:31)  "Malembe" - MAES. MAITRE GIMS [Universal] 7.  (  :05)  WAGRadio HoTown Id 8.  (4:07)  "Platform Sneakers (DJZigZag Chu E. Zoom EdiT)" - FUNKY FAMILIA [Fuzion Music]  *samples "Platform Sneakers" by Dirtbag Jules [Soundcloud Direct]  9.  (3:26)  "Rocks, Roots And Coffee (DJZigZag How Sui EdiT)" - SALIVA COMMANDOS [In : Command] 10.(3:14)  "Man's World" - COI LEROY, JAMES BROWN [Universal] 11.(4:52)  "Nothing To Lose" - WE ARE NEUROTIC [Lisztomania Records] 12.(  :12)  WAGRadio Ain't It Fonkee Id 13.(7:30)  "Atwer Abroba (Dazzle Drums Remix)" - DAZZLE DRUMS [Dazzle Drums] 14.(  :33)  WAGRadio Real Deep Id 15.(3:11)  "It Hurts So Good (Vinyl Lp Version)" - MILLIE JACKSON [Spring Lp No. SPR5706 "It Hurts So Good"] 1973 16.(5:57)  "The Job (DJZigZag EdiT)" - GIMAN, Chic - Ago [The Disco Express] 17.(  :20)  WAGRadio Beat Id 18.(2:32)  "Missing" - LI RYE [Atlantic] 19.(3:01)  "Bodyshaker (DJZigZag Bright Beach Salad EdiT)" - GLITTER DISCO [Embarcadero Records] 20.(  :19)  Bro' "Teddy Bear" Bishop Id 21.(4:46)  "Change Of Mind" - PER QX, KID MASSIVE [Walk Of Shame] * samples "Girl You Need A Change Of Mind" by Eddie Kendricks [Tamla 45rpm No. T54230F ] 1973 22.(  :09)  WAGRadio PeePoT Id 23.(6:33)  "Liki Tiki (DJZigZag Pretty Brown East EdiT)" - KES, MAOLI, J BOOG, J PERRY [Ineffable] 24.(4:24)  "Mulholland Drive (DJZigZag X10 Da Mix)" - OCTOBER LONDON, LaTOIYA WILLIAMS, SNOOP DOGG [Death Row] 25.(6:03)  "Freak With U (DJZigZag EdiT of The Luca Lozanos The Breakfast Guy Remix)" - MASARIMA [Clone Royal Oak] 26.(  :04)  WAGRadio Music segue 27.(2:00)  "Get Off The Wall (Quick Hit Mix)" - PHILLY GOATS [Stack Or Starve, LLC/Def Jam Recordings] 28.(  :07)  GB Nu End 79:37

Just a couple PLPs making lemernade out of lemons. Connectz and Correctz are heavy on Mormon Connectz and light on Correctz. We can't emphasize enough how little research we do. Hot Topz will have you listening intently as you wish upon a fluff. Turn this epersode up above your noise pollution to hear the birds and latest species discovered in the South Sea. It's C

Danny and Derek sit down with Noelani Ahia, a Kānaka Maoli community organizer in Maui, to discuss last week's devastating fire that destroyed much of the city of Lahaina. They discuss the present situation there, the role of the American government's resource and water management in exacerbating the conditions leading to the fires, the struggle of native Hawaiians, how climate change is affecting Hawaii, and more.Donate to the Maui Mutual Aid Fund now to help Lahaina and its people recover. Recorded Wednesday, August 16, 2023 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.americanprestigepod.com/subscribe

Just a couple platonic life partners throwing one stone at a time. The Connectz and Correctz segment is sponsored by

A partir de junho de 2023, o arco especial chamado “Orgulho é Poder” começa! Seis episódios extras serão publicados mensalmente para você! A proposta é dar espaço a criadores de conteúdo LGBTQIAPN+... E a cada episódio, um novo convidado falará sobre seu trabalho e participará de quadros especiais. Neste primeiro capítulo, representando o “recorte trans”, a criadora de conteúdo Maoli compartilha conosco um pouco de sua vida enquanto streamer e gamer em uma jornada repleta de chicotes, pokémons fofos e Rosas Sangrentas. Para além dos problemas que enfrentamos na sociedade, devemos conversar sobre os sonhos, desejos e alegrias da vida de cada um de nós. Venha conosco nesta viagem entre jogos, animes, novelas, quadrinhos e muito mais! Acesse no link a seguir o documento para o quadro Desafio dos Deuses: https://docs.google.com/document/d/1xdV48VeREGdFsea5ukT8XpFgEltkMKPo71SwqYqwGxM/edit?usp=sharing Convidada: @maoliplay, Twitter Apoie no OreloConheça a página do podcast no Instagram

“This Earth is an island, just like we inhabit Hawai'i as an island. Island mentality [is] that you live in this place that's confined in geography and limited in resources. Because of that, you depend on the community that you live with to take care of each other and to steward those resources in a meaningful way.” Justyn Ah Chong (Kānaka Maoli) is a climate storyteller who guides creative projects in support of Indigenous land sovereignty in Hawai'i. In this episode, Justyn shares the magic of circumnavigating the globe guided only by the wind and stars, on the Polynesian voyaging canoe Hōkūleʻa that inspired a cultural renaissance. We also hear excepts from Justyn's Emmy-award winning film Pili Ka Moʻo, which shares the fight of the Fukumitsu ʻOhana (family) of Hakipuʻu trying to protect their ancestors' remains from a big corporate ranch.  Pili Ka Moʻo is part of the first season of our sibling initiative, Reciprocity Project. Watch the entire film here. Learn more about the Polynesian Voyaging Society at www.hokulea.com  The song “Island Views” was provided by Rexie. Hear more of her music here. Host: Jessica Ramirez. Producer: Stina Hamlin. Story Editor: Jenny Asarnow Find us at https://www.instagram.com/niatero_seedcast/ Seedcast is a production of Nia Tero, a global nonprofit which supports Indigenous land guardianship around the world through policy, partnership, and storytelling initiatives.Enjoy the Seedcast podcast on Apple Podcasts, Spotify, and your other favorite podcast platforms. Keep up with Seedcast on Instagram and use the hashtag #Seedcast.

Description:  Demiliza Sagaral Saramosing is an educator, scholar, and teaching artist of Bisayan descent with genealogies rooted in the seas shared between the Visayas and Mindanao. She is the descendant of Sakada great grandparents and of immigrant Bisayan parents. Demiliza's poetry, scholarship, and activism draws from her experiences being born and raised in occupied Hawai'i and growing up in working-class Kalihi. She waded through the stresses of poverty, policing, and assimilation in Kalihi alongside other racialized, diasporic, local, and Kānaka Maoli peers. For Demiliza, she believes that she and her peers collectively challenged their colonial realities through the building of new, fun, and pleasurable cultural identities grounded in Kalihi and other forms of youth subcultures. This Kalihi youth culture and consciousness has led Demiliza to identify and align herself with social justice movements that heal our relationships to land, waters, and to one another in her adulthood. Demiliza's hybrid cultural youth experiences led her to align with and build transoceanic relationships in queer, feminist, Black, Brown, and Indigenous communities and scholarly spaces in Hawai'i, Oregon, California, Minnesota and globally. These experiences and relationships inform her commitments for decolonial and abolitionist justice in her scholarship and activism. ____________________________________________________________________  C O N N E C T with our guest here: @bisayanremix; @mykalihi  S U P P O R T us on: Venmo: @kasamahanco F O L L O W us on: tiktok, instagram and youtube: @kasamahanco --- Send in a voice message: https://podcasters.spotify.com/pod/show/kasamahancollective/message Support this podcast: https://podcasters.spotify.com/pod/show/kasamahancollective/support

UN Global Goal of Right to Land in Hawai'i. The host for this show is Joshua Cooper. The guests are Kainoa Pestana, Kalikolehua Storer, Lei Ishikawa and Nameaaea Keahi. The UN Sustainable Development Goals (SDGs) provide 17 Global Goals to accomplish and actualize the 2030 Agenda around the world. UN SDG 15 ensures protection, restoration and promotion of sustainable practices for our island ecosystems. UN SDG 15 calls on humanity to sustainably manage our forests as well as halt and reverse land degradation while promoting biodiversity. Global Goal 15 centers around the belief that a flourishing life on land is the foundation for our life on this planet. Kānaka Maoli cosmology and cultural worldview comprehends and respects relationships in harmony with nature.The ThinkTech YouTube Playlist for this show is https://www.youtube.com/playlist?list=PLQpkwcNJny6kFu0eR_uK3COlirPc5NMRhPlease visit our ThinkTech website at https://thinktechhawaii.com and see our Think Tech Advisories at https://thinktechadvisories.blogspot.com.

Note: This is a preview of a bonus episode released last month. Subscribe to Red Media on Patreon to listen to the entire episode which runs over two hours long!   Today is another important date in the history of Kānaka Maoli resistance: the day they iced colonizer Captain James Cook. Join comrades Jennifer, Kyon, Kiley, Nicole, and Justine for part two of The Red Nation's debrief from Hawai'i. In this episode, they talk through a timeline of their time on the island of O'ahu. Watch the video edition on The Red Nation Podcast YouTube channel

 CLIMATE ACTION RADIO SHOWProduced by Vivien LangfordFebruary 20th 2023PACIFIC  PEACE  TALKS  DUNEDIN  NZ "NO ONE IS FREE 'TIL EVERYONE IS FREE " Father Walter Lini- First PM VanuatuINTERVIEWS AND SPEECHES FROM THE NUCLEAR  CONNECTIONS CONFERENCE AT OTAGO UNIVERSITY IN AOTEAROA NZ Speaker bios - Nuclear Connections (mailchimpsites.com) As Cyclone Gabrielle fuelled by  a marine heatwave,  brings more floods and damage to Auckland NZ, we watch anxiously in February 2023In November 2022, I was invited to a conference by climate activists in Otepoti Dunedin.Nuclear Connections Across Oceania (November 2022) | Te Ao O Rongomaraeroa (otago.ac.nz)  I wanted to hear about climate action from Pacific people. There are three interviews and a speech but honestly most of the people found it hard to focus on  climate action with the immediate problem of Fukushima waste water about to be discharged into their part of the world The Pacific. They are worried too about the militarisation of the Pacific through RIMPAC military exercises every two years which have a climate impact also. Behind this is a colonial mentality which is prepared to discount their lives and culture. The islands, which were coaling stations for  steam ships are now essential fuel  depots for a massive amount of trade. Some are still occupied like W.Papua or tied to the colonial powers like Tahiti. Supporting their struggles is something we can do to liberate them for climate action.Pacific Islands Forum and Japan deliver differing statements on plans to dump nuclear wastewater in ocean - ABC Pacific Report from Nic Mc Lellan February 9th 2023We Bleed Black & Red - YOUNGSOLWARA PACIFICTake Action (ourislandsourhome.com.au) Petition“My new home was a dream come true – then climate disaster struck” – Virginia, activist taking on Shell at sea - Greenpeace Aotearoa- DonateIn reality the climate action most needed is from countries like Australia, which are still profiting from the export of climate changing coal, oil and gas.N.Z Writer and Environmental Lawyer Teall Crossen had the  humility to say " New Zealand is stealing from the people of the Pacific. We are stealing their land, their homes, their water and possibly we may recolonise their future".GUESTS:Hinamoeura Cross from TahitiHinamoeura CROSS is a Polynesian woman.  Between 1966 and 1996, there were 193 nuclear tests in so-called French Polynesia. She refers to them as bombs as "test" hides the real meaning of what was unleashed.Since 1980, her family has been affected by thyroid cancer, first her great gradmother, grandmother, and in 1990 her aunty and her Mom. In 2000 her Aunty got a breast cancer also. In 2013, it was her turn: leukemia. In 2019, she spoke in front of the United Nations 4th Committee to denounce the nuclear legacy on her people. She shares the story of her family as an example of what thousands of Polynesian families face as a result of nuclear weapons. In June 2022, she was one of the two Polynesian invited to participate to the first Meeting of the Treaty on the Prohibition of Nuclear Weapons in Vienna, Austria. In October 2022, she was in New York to to denounce France's nuclear legacy and its failure to address the disastrous health and environmental consequences. She realises that the nuclear fact in Polynesia is inseparable from colonial history. This is why she wishes to alert the international community to what is happening in her country. SHE SPOKE TO CLIMATE ACTION RADIO ABOUT THE DIFFICULTY OF DECOLONISING ONES MIND IN ORDER TO TAKE CLIAMET ACTION  Ronny Ato Buai Kareni from West PapuaRonny Kareni is a Canberra-based Free West Papua activist, musician, cultural diplomat and bilingual health educator. He graduated in diplomacy studies at the Australian National University, and a honorary fellow at the University of Wollongong West Papua Project. He is also the co-founder and collaborator of Rize of the Morning Star, a musical and cultural movement, and Pacific representative for the United Liberation Movement for West Papua (ULMWP).RONNY SPOKE TO THE CLIMATE ACTION SHOW ABOUT THE 3CR RADIO PROGRAMME "VOICES OF WEST PAPUA" ABOUT THE NEED FOR WEST PAPUA TO BE FREE SO THE CLIMATE ACTION AND ENVIRONMENTAL PROTECTION SO SORELY NEEDED BY ALL OF US CAN BE STARTED. HE QUOTED FATHER WALYER LINI FROM VANUATU" nO ONE IS FREE UNTIL ALL OF US ARE FREE" WHICH WAS ECHOED THROUGH THE CONFERENCE AT OTAGO UNIVERSITY IN DUNEDIN /OTEPOTI NZ  Joy Lehuanani Enomoto from Hawai'iJoy Lehuanani Enomoto is a mixed Kānaka Maoli scholar, community organizer and visual artist,. She currently lives in Honolulu, Oʻahu and is the executive director for Hawaiʻi Peace and Justice, which focuses on demilitarizing and de-occupying Hawaiʻi and the Pacific.WE HEAR PART OF HER SPEACH ABOUT RIMPAC MILITARY EXERCISES WHICH HUGELY IMPACT THE CLIMATE CRISIS AND DEVASTATE CORAL REEFS TURTLES AND OCEAN LIFE.Her scholarship has been featured in several publications including Contemporary Pacific: A Journal of Island Affairs, Detours: A Decolonial Guide to Hawaiʻi, Routledge Postcolonial Handbook & PostModern Culture Journal. Her artwork engages issues currently affecting the peoples of the Pacific and has been featured in the exhibitions “Inundation: Art & Climate Change in the Pacific”(2020) Mere Tuilau from FijiI am Mere Tuilau, an anti-nuclear advocate, human rights defender, facilitator and youth leader from Fiji.  I believe in the value of a people-centered approach to weave our struggles together on self-determination, socio-economic, climate change resistance and nuclear justice. In 2017, my role expanded to coordinating and strengthening the Youngsolwara Pacific movement — a regional movement made up of Pacific students, artists, poets, writers, academics and activists, who are passionate in safe-guarding our Oceans and self-determination.  In 2022, I initiated the forming of the Pacific Youth for TPNW and led the conversation on our collective implementation paper at the 1st Meeting of State Parties' in Vienna. I am also involved with Youth for TPNW and Reverse the Trend Pacific.As stewards of the vast Pacific Ocean, I believe that we are called to safeguard, guide and determine our destiny, as well as to navigate our narratives until we the people of Oceania are fully free.. Mere contributed to the  “Pacific voices” session and “Stopping the wastewater discharge at TEPCO's damaged Fukushima Daiichi nuclear power plant” panel. She spoke to CLIMATE ACTION RADIO about climate activism in the Pacific. Read her poem  here"The elephant in the room Diplomacy….Diplomacy? Swallowing my mixed em(Ocean),I stood up and saidExcuse me, I need some air.With thoughts rushing,Anger rizing,Feet rushing,Soul hurting,Face blushing,Heartbeat accelerating,I burst into tears on my way through the hallwaysand into the bathroom to hide myself…..in the name of “diplomacy” What is relationship without principles?Without it''s values?What is history without evidence ?What are humans without feelings ?What is hurt without its wound?What are lessons without learning?What are we, without each other? How can we  look at Britain, France and U.S in the eye and have historical amnesia?Or how can the devils empire look at us in the eye and say "For the Good of Mankind" ? Thoughts of my ancestors crying,Mother screaming in the delivery roomSisters dyingFathers blindBrothers displacedMy family in crisisMy emOcean drowning “Diplomacy” Not him, not her, not them, but us.US who carries the weight,the burden of proof,To prove the suffering,the biggest aggression of our lives. “Diplomacy”  Where our tears and sacrifices are being politicizedWhere Love is being testedWhere hearing is being testedWhere humanity is being tested “Diplomacy” Hear us in our rawest self.Hear us to hear our ancestors cry freelyHear us to let our generation live freelya future where we can dream freelyNa numa noqu Waitui. We look back to look forwardWe look back to pauseWe look back to set sailThe Ocean creates livesThe Ocean hubs livesAnd the Ocean is liveProtect our waitui.      

45min random mix of Soul, Jazz, R&B, Reggae & Afrobeats. Artist include: Maze, Maoli, SunDub, Oche, Latasha Lee, Kalenbree, Danny Boy, October London, P-Rallel and The WRLDFMS Tony Williams.Become a premium member today to enjoy extra shows & bonus content at djbenniejames.supercast.comTips Welcome at: Cash App $djbenniejames or Venmo @dj-bennie-jamesLicensed by  ASCAP 400009874Special Thanks as always to:  Donna at Life Destiny SOULutions, The Gardner Family, The Brown Family, Omar Boyles Promotions and Brian MarshalSupport the showI.G: benniejames3Twitter: @benniejames123FB: bennie.james.10Website: djbeniejames.comStudio Line: 1-856 295-1753 - leave a voicemail messageLicensed by ASCAP 400009874

130 years ago today, the US Navy aided the overthrow of the sovereign and independent Hawaiian government. On January 17, 1893, the USS Boston landed in Hawai'i to support a white Euro-American oligarchic overthrow of Queen Liliʻuokalani. Kānaka Maoli and their anti-imperialist allies continue to mark that day and and the resistance to the ongoing occupation of Hawaiian Islands.  During the first week of August 2022, eight members of The Red Nation went on a delegation to the island of O'ahu to share, connect, and build with Kānaka Maoli, O'ahu Water Protectors and other organizers on the island. Join comrades Uahikea, Jen, Kiley, Dana, and Maira as they share their perspectives and insights on this delegation. Watch the video edition on The Red Nation Podcast YouTube channel  Support www.patreon.com/redmediapr     

Matt talks about popular reggae wedding songs to play on your wedding day. Important Links View the complete list of reggae wedding songs. See all Wedding Songs Podcast episodes Podcast Transcript Hello, today I am going to be talking about Raggae wedding songs. You know, most of us, when we think about Reggae music we think of Bob Marley, of course, being the legend of Reggae music. There is so much more that you can play than just Bob Marley. First and foremost, I just want to say that I am not a Reggae wedding music expert. I did rely on DJ Curtis from the tri-state area (New York, New Jersey, and Connecticut) and he offered me some tips on Reggae music to play. Now, I am not going to be covering all of the songs I mention on our website, I have a list of 100 songs on the site. I just want to give you an idea of what songs you can incorporate into your wedding day playlist. While you are on the website, make sure you sign up for our monthly newsletter of all the new wedding songs released in the previous month, plus what is trending. One good thing about our website is you can also listen to songs as well. As you know, I cannot play the music due to copyright laws (I don't want to get in trouble for that). Let's go ahead and get started with the first song I want to cover today. It is by a super-group called Stick Figure. For those of you who do know Reggae music, you know that Stick Figure should be on this list because they are a super-group in the genre. The first song was released in 2022 and is called “Way Of Life” was also with Slightly Stoopid. Lyrics include…I will carry you to the other side, To another place, to another life, I'll be there for you every day and night, Gonna bring you right back to the way of life. A pretty romantic song. So, another song that they released this year as well is called “Love Me Easy” with Stick Figure, ANORA, and Walshy Fire with the lyrics…You got the right kind of motion, I will give you devotion, Love me, love me, love me, easy. I think this is a great way to start this list of Reggae songs for your wedding. The next song on the list is Shenseea & Rvssian with “You're The One I Love”. Released in 2021, lyrics include…I'ma stay right by your side, Not a thing could change my mind, You are the one I love. The first song from 2020 is by Sean Paul. I do have a lot of Sean Paul songs on this list. This one is with Tove Lo and is called “Calling On Me” with the lyrics…Alright then, True love never fails, love never falls, Real love conquers all (Yeah). The second song, also from 2020, is “Smile” by WizKid feat. H.E.R. This really makes a great background song for cocktail hour or dinner. It just sets a love vibe with lyrics…I love your life, yeah, Love it when you smile, Say, I will do anything for my love, yeah yeah, I will do anything for my love. Next up is a cover of the Lee Brice song “Rumor” by Maoli with the lyrics…There's a rumor goin' 'round about me and you, Stirring up our little town, the last week or two, So tell me why you even tryna deny this feeling. One of my favorite groups in this genre is Michael Franti and Spearheads. This song features Cherine Tanya Anderson called “Say Hey I Love You”, released in 2018. Lyrics include…The more I see, the less I know, But I know one thing I love you (baby girl), I love you, I love you, I love you. Now, Rhianna is on a lot of Reggae song lists and the song I chose is “Pon De Replay”. This is a great dance tune and one that you should really incorporate into your party/dancing part of your wedding. This next song was actually recommended to me by a listener because he had it as his first dance song. The song is by Jah Cure and he did a cover of John Legend's song “All Of Me”. As you probably remember the lyrics include….You're my end and my beginning, Even when I lose, I'm winning, Cause I give you all of me, And you give me all of you. “Beautiful” by Seeed, released in 2014 with the lyrics…You saved my life...

In a surprise announcement made on the “Tamron Hall Show,” a Hawaii-based nonprofit program learned Monday that it won a prestigious national music award. The Lewis Prize for Music presented Hawaii's Mana Maoli with a $500,000 Accelerator Award. Founded in 1999, Mana Maoli is a collective of educators, artists, musicians and more who share a common goal of community empowerment. In 2013, the Mana Mele Project began. In this episode of Island Beat, Billy V sits down and talks to Pomaikai Keawe, a kumu with Mana Maoli, and Dalouge Smith, who's the CEO of the Lewis Prize for Music, about the program and award. See omnystudio.com/listener for privacy information.

Tiokasin's guest for the full hour is Anne Keala Kelly. Keala is a Kānaka Maoli filmmaker, journalist and activist living on Hawai‘i Island. Her works address the critical links between cultural, environmental and spiritual survival in the movement for Hawaiian self-determination, and Indigenous peoples' struggles for territorial and political autonomy. She is an outspoken advocate for Indigenous self-representation in mass media, a Ted Scripps Environmental Journalism fellow, and has an MFA from UCLA's School of Theater, Film and Television. Keala's reporting and commentary have appeared in many publications, including Indian Country Today, The Nation, the Honolulu Civil Beat and the Honolulu Weekly. Keala is the author of “Our Rights to Self-Determination: A Hawaiian Manifesto,” which was just published. For more information about Keala and her work, visit www.annekealakelly.com and www.nohohewa.com. Buy her book at www.kuleanaworks.com. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Tiokasin Ghosthorse, Audio Editor  Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22)  2. Song Title: Rainmaker Artist: Jason Lee Wilson Album: Tennessee (2020) Label: Dragging Canoe Music (00:27:10)  3. Song: 1492 Artist: Earth Surface People CD: 500 Years (2021) Label: Underwater Panther Coalition (00:54:30)  AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse. 

On the third instalment in our Summer '22 series: weaponized words. The first of two shows sounding off on speech, we've stitched together a variety of verbiage, from all about threats to speech in part two to all about threats via speech here in part one. Featured voices this podcast include (in order of appearance): Ken Williams, Assistant Professor with the University of Alberta's Department of Drama Brock Pitawanakwat, Associate Professor of Indigenous Studies at York University Kim TallBear, Professor in the Faculty of Native Studies at the University of Alberta and Canada Research Chair in Indigenous Peoples, Technoscience & Environment Tristan Ahtone, Editor at Large with Grist.org Leilani Rania Ganser, Chamoru and Kānaka Maoli writer, storyteller, and organizer // CREDITS: Creative Commons music this episode includes “Purpur” by Misha Dioxin, “Billy Gomberg remix” by Billy Gomberg, “If You're Ther” by Nicola Ratti, “Snowfall” by Steinbruchel, “She Walked in and Changed Nothing” by smallertide, and “Inescapable” by Soft and Furious. Our opening theme is “Bad Nostalgia (Instrumental)” by Anthem of Rain; our closing theme is “Garden Tiger” by Pictures of the Floating World. This episode was hosted/produced/edited by Rick Harp; production assistance by Courteney Morin.

In this episode, we're chopping it up with the inspiring Josh Uluilakeba, AKA the Maoli Chef. Josh is a plant-based chef and entrepreneur, who's on a mission to bring more plant-based cuisine to Fiji! Like many other Pacific Islands, Fiji has undergone economic and nutrition changes that have contributed to a dramatic rise in non-communicable diseases over the last few decades. In fact, over the last 30 years, the prevalence of these health conditions has risen faster in the Pacific region compared to the rest of the world.And this is where Josh comes in! Raised in a plant-based family and having successfully overcome a chronic health issue of his own, Josh now keeps incredibly busy educating his fellow Fijians about plant-based cooking via his social media platforms and supplying vegan products locally. Josh's goal is to inspire fellow Islanders to embrace healthy, plant-based lifestyles, one meatless dish at a time. And with his infectious positivity and zest, it's a goal we're pretty sure he'll be ticking off his checklist in no time.In this episode we discuss:• Josh's background, being raised in a plant-based family• Dietary ‘rebellion' during his teen years and consequent health problems• Josh's family pioneering the plant-based movement in Suva, opening one of the first vegan cafes• Fiji's Covid lockdown and the impact on local food supply• The inspiration behind Maoli chef and Josh's typical workday in ‘the lab'• The move away from traditional dietary patterns and coinciding sharp rise in non-communicable diseases in Fiji• Josh's advocacy of healthy plant-based cuisine in Fiji• Josh's tips for making his tofu taste good! (Maoli Chef tofu is now stocked at Kundan Singh Supermarket for anyone who is local!)• Plans for the futureTo view all the links to the websites and documents, visit the show notes on our website. Don't forget to subscribe to this podcast, leave us a review and share this episode with your friends and family.Please support our work and enable us to deliver more content by buying us a coffee.

Fala do projeto que ajuda pessoas durante o tratamento contra o câncer.

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranformation will enable them to survive what capital cannot.”Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Candace Fujikane is an author and professor of English at the University of Hawaiʻi at Manoa, teaching aloha ʻāina and the protection of Hawaiʻi. Having grown up on the slopes of Maui's Haleakalā, Candace has stood for the lands, waters, and political sovereignty of Hawaiʻi for over 20 years. Her newest book, Mapping Abundance for a Planetary Future, contends that “Indigenous ancestral knowledge provides a foundation for movements against climate change, one based on Indigenous economies of abundance as opposed to capitalist economies of scarcity.”“The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.”· english.hawaii.edu/faculty/candace-fujikane/· www.dukeupress.edu/mapping-abundance-for-a-planetary-future · www.oneplanetpodcast.org· www.creativeprocess.info

Uahikea Maile is a Kānaka Maoli scholar and activist from Maunawili, Oʻahu. He works as an Assistant Professor of Indigenous Politics in the Department of Political Science at the University of Toronto. Maile's research looks at the legal constraints and decolonial activism that marks the history of Hawaiian sovereignty. His upcoming book focuses on settler colonial capitalism and Indigenous sovereignty in Hawaiʻi, and investigates the formation of settler colonial capitalism alongside the gifts of sovereignty that seek to overturn that form of domination by assuming radical responsibility for balancing relationships with ‘āina, or the land that feeds. In our conversation he talks about the meanings of Mauna Kea, which is not only the tallest mountain in the world, but also, more importantly, a place of worship and deep relationality for Kānaka Maoli that has been under threat for generations as a result of numerous telescope projects and the pursuit of profit through tourism. The struggle for Mauna Kea is a focal point of this interview for a number of reasons. Maile says that the state has shown it privileges the veneration of astronomy over the legally protected sacredness of Indigenous Hawaiians' relationship to the place, and this is unequivocally because government funding, tourism and settler colonial capital determine what counts as valuable. Maile asks bluntly: why can't we accept that leveling peaks of mountains is inherently a violent act of “desecration”? This is difficult, when one aspect of the struggle is the fact that the pop cultural trope of Hawai'i as a popular refuge continues to draw people in, even during a pandemic. On this point, he describes how lockdown, for a brief moment, allowed Indigenous Hawai'ians to see what places like Honolulu Harbor, Waikiki and others would look like as they began to “heal” from the “degradation” caused by this influx of tourists. Another theme here is the idea that we should take pop cultural representations seriously, but perhaps not too seriously. We talk about South Park's reductive depiction of Indigeneity in Hawai'i and what it means to engage with the satirical representation of cultural appropriation itself. Maile insists that “Satire is not a metaphor” and “cannot be used metaphorically for decolonization.” Ultimately, the conversation zooms out to think through the ways that state governments look to bureaucratize control of the land to further occupy and control Indigenous sovereignty. In particular, the presence of the US military in Hawai'i is, for Maile, undoubtedly part of a broader process of territorial command by the settler colonial nation. He says that we need to start engaging with this in relation to the general need to slow down the pace of development in order to stave off climate change, and recognize the ways in which Kānaka Maoli and other Indigenous communities demonstrate an unwavering commitment to this reality. There are many moments, he says, where he's called upon to teach settlers, using his particular expertise, but he still doesn't believe that there is reciprocity in these relationships a lot of the time. While he trusts the intelligence of scientists, for example, he doesn't feel that trust returned. And when his hospitality is met with hostility, it is hard to avoid taking a position of refusal. Refusal is maybe the overarching concept in this conversation. “No,” he says, is frequently the means through which Indigenous peoples affirm a right to the land. He doesn't believe, for example, that existing in relation to the sacredness of the land, or “mastering what the sacred means” can or even should be taught in the university. He sees this when he's asked to speak on behalf of other Indigenous nations in Canada. Not only is this not an ethical practice, he points out that it ignores the extent to which Indigenous politics is particular, not abstract–a fact that remains woefully misunderstood within settler colonial culture.

As Director for the Sierra Club of Hawai'i Wayne Tanaka recently wrote in The Guardian, the US Navy's Red Hill Fuel Storage Facility is “a massive underground ‘farm' of 18 million-liter fuel tanks and pipes just 100 feet above metropolitan O'ahu. Its construction began before the Japanese attacked Pearl Harbor. Since then, it has leaked over 180,000 gallons of petroleum into the groundwater aquifer that provides drinking water for over 400,000 residents and visitors from Hālawa to Hawaiʻi Kai.”Regardless of the major threat the facility poses to the local water system and demands from Native Hawaiians and supporters to address the crisis and hold the US military accountable, it wasn't until hundreds of military families living near Pearl Harbor reported symptoms of petroleum poisoning that Red Hill's operations were paused in late November. But the root causes of the environmental and public health crisis remain untouched, and the fight to shut down Red Hill is still very much ongoing.In this segment of The Marc Steiner Show, Marc speaks about that fight with Mikey Inouye, an independent filmmaker born and raised in Hawai‘i, community organizer, and member of O‘ahu Water Protectors. The O‘ahu Water Protectors is an organization that formed out of a coalition of Kānaka Maoli organizers, Sierra Club members and supporters, Hawai‘i Peace and Justice, and other groups working toward sovereignty, decolonization, and demilitarization.Read the transcript of this interview: Tune in for new episodes of The Marc Steiner Show every Monday and Thursday on TRNN.Pre-Production/Studio: Dwayne GladdenPost Production: Stephen FrankHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-stGet The Marc Steiner Show updates: https://therealnews.com/up-pod-stLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

In this episode, Em talks with singer and musician Tiara Gomes. They get into how she started creating music, a virtual musical she's currently part of, making music during lockdown, winning a contest that kickstarted her fresh music career, her song with Maoli and how it came to be, and creating music virtually. They also talk about Tiaras recent feature in the "Holo Ka Wa'a" music video, and future plans for making music. Towards the end of the episode they get deep and break into stigmas and struggles surrounding acne, and building confidence. You'll get to listen to Tiara's single "Hurricane" featuring Maoli, as well as a sneak peak of an unreleased song titled "Spring Break." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/em-wilson/support

My favorite groups coming out of Maui. The group Maoli and The Breakthrough Album. Probably one of the best groups coming out of the islands that plays nice island style music, with a hint of country. Join me as I share my favorite songs in this album and stroll down memory lane with some of my favorite songs in the past by Maoli. “You can only get better every time you fail” Also please Follow me on Patreon and donate $1-$5 per month to help me out with my Daily Adventure. My Patreon's will get sneak peaks and behind the scene from all my vlogging locations. And at the end of every month If donate $5 or more I will send you a special gift. Thanks in advance! https://www.patreon.com/user?u=29742285 Twitter - @EricB1642 Instagram - @Eric1642 YouTube - The Daily Vlog On YouTube The Ordinary JoE's Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/eric-b43/message Support this podcast: https://anchor.fm/eric-b43/support

What does it look like when Indigenous Movements win? The second part of our discussion takes us to the islands of Hawai'i, where we learn about the Kānaka Maoli and their struggle to defend their sacred lands. We're honored to have Jordan Phoenix Kamuela Gestrich, our first ever guest, to give us a glimpse of the Mauna Kea movement. Join us as we talk about how movements are nurtured by solidarity and how aloha ʻāina, or love of the land, soars above all conflicts.

Today we go backstage with Maoli! Since forming in 2007, Maoli has taken the Hawaiian Music Charts by storm having released 6 albums with countless hits along the way such as "No One," "Blew It," "Rock Me Sober" and more! They recently dropped a new single, "Sunshine" available now on all outlets including Amazon and iTunes. On this this episode, we chat backstage before a sold out crowd at The Aging Room in Long Beach, Ca for a fun talk to learn more about their background, what inspires their music and what the future holds for their band! This episode is sponsored by Tanduay Rum, Tonga Hut, Tiki Bar T-Shirt Club, Steadfast Pomade and Tiki-Ti. Stop by their FB and IG pages and give them a like!