Podcast appearances and mentions of mark ernestus

Michael Zähl, former engineer and designer of the main custom made mixing console at the legendary Studio of Conny Plank and Mark Ernestus, long time producer known from projects like Basic Channel and Rhythm & Sound had a special encounter which led to the collaborative development of AM1 - the state-of-the-art pure analog mixing console. I speak to these two excellent individuals about how they came to meet and the 9 years journey to make a mixing desk the likes of which we've never seen before. _____ Kind sponsorship of this pod comes from a lesser known company called Ableton! Live 12.1 is out and it's a beauty of an update. I put autoshift through its paces in a mini nitty to kick off the show Check out live at https://www.ableton.com

Novedades: Smackos, Mamman Sani & Tropikal Camel, Future Ark, Sophie, DJ Plead & Rroxymore, Basile3, Abadir & Nahash, Axel Boman, Space Ghost, Tommiboy & DM Disco Band, Or:la, Kode9, Merca BaeDisco de la semana: PhotayMini-mix: Moritz Von Oswald & Mark Ernestus (1)La Perla: Maria Daniela Y Su Sonido LasserEscuchar audio

Fuinneamh's Lucas Ogma has shared the first two singles from his debut album ‘Native Wildflower' on our Soundcloud, along with an exclusive interview about the project. His debut album is a homage to the natural world and its inherent impact on music, focusing on deep, lush, and textured sounds throughout 14 tracks. Luke Reddy, also known as Lucas Ogma, is one of the most influential figures in the Irish dance music industry right now. The Fuinneamh founder has dedicated his life to creating safe and unique dance spaces, and his passion for authenticity and freedom of expression pervades all aspects of his work. Lucas' music, like his festivals and parties, exudes a profound sense of tranquillity. A sense of security and connection to both our forebears and the natural world. The Sligo-based artist's unique approach to music-making blurs the lines between traditional Irish percussive rhythms and those of the electronic continuum, resulting in a distinct Gaelic take on the quintessential techno sound. His latest musical undertaking is his most bold and honest yet. The 14-track album provides a glimpse inside the mind of one of Ireland's most adventurous creatives. Lucas delves further into the world of layered hypnotic techno, with each track exuding a genuine feeling of sorrow and romanticism. The project is categorised as techno. Pure techno. However, describing this as club music seems somewhat reductive. The album is slightly unconventional in terms of techno, with an acute sense of story-telling and cinematic bravado coursing through its epicentre. The relationship between the painter and the painting runs deep in this project. The prospect of releasing music that has been largely sequestered for so long seems heartbreaking. This is important to him. It's more than surface-level bangers; it's a record of life thus far. From the smoky basement growls of ‘Introspect' and ‘Surveillance' to the flickering beams of fantasy-style bliss on ‘Left Behind', the album shifts from light to dark in a delicately poignant manner, gently bringing listeners from Panorama to Berghain at the flick of a switch. Lucas' distinctive approach to the dub sound pays homage to pioneers Moritz Von Oswald and Mark Ernestus. Lucas takes a purist and organic approach to techno, drawing on a luxurious bed of pulsating atmospheres to lay the groundwork for fluttering delay swells on luscious chord stabs that echo through the soundscape like a gust of wind blowing through the towering oak trees on the Fuinneamh grounds. Despite the evident inspirations, there is a strong sense of solitude in this offering. Lucas was isolated in his home of Sligo while writing the album, shielded from the world of warehouses and murky dance floors. He curated a sound that mirrored his journey. This is the quintessential Fuinneamh sound: a groove that honours our roots and history Lucas ------------------------- SC: @lucasogma IG: www.instagram.com/lukereddy1/ FB: www.facebook.com/lucasogma Four Four Magazine 
---------------------------
 FB: www.facebook.com/FOURFOURDANCE/ 
IG: www.instagram.com/fourfourmagazine/
 Web: www.fourfourmag.com/

Fuinneamh's Lucas Ogma has shared the first two singles from his debut album ‘Native Wildflower' on our Soundcloud, along with an exclusive interview about the project. His debut album is a homage to the natural world and its inherent impact on music, focusing on deep, lush, and textured sounds throughout 14 tracks. Luke Reddy, also known as Lucas Ogma, is one of the most influential figures in the Irish dance music industry right now. The Fuinneamh founder has dedicated his life to creating safe and unique dance spaces, and his passion for authenticity and freedom of expression pervades all aspects of his work. Lucas' music, like his festivals and parties, exudes a profound sense of tranquillity. A sense of security and connection to both our forebears and the natural world. The Sligo-based artist's unique approach to music-making blurs the lines between traditional Irish percussive rhythms and those of the electronic continuum, resulting in a distinct Gaelic take on the quintessential techno sound. His latest musical undertaking is his most bold and honest yet. The 14-track album provides a glimpse inside the mind of one of Ireland's most adventurous creatives. Lucas delves further into the world of layered hypnotic techno, with each track exuding a genuine feeling of sorrow and romanticism. The project is categorised as techno. Pure techno. However, describing this as club music seems somewhat reductive. The album is slightly unconventional in terms of techno, with an acute sense of story-telling and cinematic bravado coursing through its epicentre. The relationship between the painter and the painting runs deep in this project. The prospect of releasing music that has been largely sequestered for so long seems heartbreaking. This is important to him. It's more than surface-level bangers; it's a record of life thus far. From the smoky basement growls of ‘Introspect' and ‘Surveillance' to the flickering beams of fantasy-style bliss on ‘Left Behind', the album shifts from light to dark in a delicately poignant manner, gently bringing listeners from Panorama to Berghain at the flick of a switch. Lucas' distinctive approach to the dub sound pays homage to pioneers Moritz Von Oswald and Mark Ernestus. Lucas takes a purist and organic approach to techno, drawing on a luxurious bed of pulsating atmospheres to lay the groundwork for fluttering delay swells on luscious chord stabs that echo through the soundscape like a gust of wind blowing through the towering oak trees on the Fuinneamh grounds. Despite the evident inspirations, there is a strong sense of solitude in this offering. Lucas was isolated in his home of Sligo while writing the album, shielded from the world of warehouses and murky dance floors. He curated a sound that mirrored his journey. This is the quintessential Fuinneamh sound: a groove that honours our roots and history Lucas ------------------------- SC: @lucasogma IG: www.instagram.com/lukereddy1/ FB: www.facebook.com/lucasogma Four Four Magazine 
---------------------------
 FB: www.facebook.com/FOURFOURDANCE/ 
IG: www.instagram.com/fourfourmagazine/
 Web: www.fourfourmag.com/

Solénoïde (01.01.2024) - Solénoïde vous invite cette semaine à plonger dans une région musicale à la croisée des traditions 'roots' et de la technologie, explorant un territoire longtemps perçu comme une enclave, mais devenu un pôle actif de l'underground musical français. Cette émission se consacre aux vibrations magnétiques du DUB, un phénomène qui, après des années d'anonymat, s'est répandu dans divers genres musicaux. Le dub, loin de ses racines jamaïcaines, sert de terrain propice aux expériences transverses, des remix indie-pop à la sauce space-dub aux avatars post-rock imprégnés de minimal dub. Le dub, vecteur de créativité sans frontières, est exploré dans cette 26ème Dub Translation, offrant 50 minutes d'audace avant-gardiste et de fantaisies dansantes. Embarquez dans cette aventure où le cœur de la bass-music bat au rythme du dub !

"Always notice whatever is happening in the background." The acclaimed producer and composer discusses the art of meaningful listening and his latest LP, Silencio. Moritz von Oswald's legacy as one of the trailblazers of contemporary techno precedes him. The artist's initial claim to fame was his involvement in the duo Basic Channel with Mark Ernestus, a project that formed the dub techno canon in the '90s and is still a primary reference point for many, if not most, modern producers. He was also at the helm of the famous cutting and pressing plant Dubplates and Mastering in Berlin, which has become a home for countless artists over the years. But on this occasion, Oswald sat down to discuss a more recent project: his LP Silencio on Tresor Records, which came out in November. He talked with RA's senior producer, Chloe Lula, about his lifelong love of jazz, tapestry, French film, Southern Italian opera and music from Central Asia. He also reflects on his production process—an endless exploration of drama and dynamics. Oswald is fascinated with reducing sound to its most basic elements and broadening the capacity of what the ear can perceive. Most importantly, he's a critical listener, and in the final moments of the episode, he imparts wisdom on how he's learned to keep a conscious ear open to the world around him. Check out the episode in full.

Lloyd ‘Bullwackie' Barnes and his legendary Wackie's institution has been at the heart of the dub and reggae scene since the 1970s. Starting out as a tailor to reggae's brightest stars, Bullwackie quickly started working as an engineer at Treasure Isle and Studio One studios in Kingston, Jamaica. On moving to New York with his family he became immersed in the burgeoning reggae and dub scene briefly running his own soundsystem. Bullwackie opened up the first reggae studio in New York, Wackie's House of Music. Since Wackie's was founded in 1976, Bullwackie has produced and released records with the likes of Sugar Minnott, Lee Scratch Perry, The Love Joys, Horace Andy, Max Romeo, Dennis Brown, and - as Zakia discovers - even impromptu sessions with the likes of Mohammed Ali. After enjoying a resurgence of interest in more recent times, following a reissue series via Mark Ernestus and Moritz von Oswald's Basic Channel dub techno label, Wackie's today enjoys multi-generational cult status.In this podcast Zakia and Bullwackie reflect on his life and career, and the exciting discovery of his stolen archive of unreleased Wackie's recordings that Lloyd has recently recovered, and is now in the process of mastering, in some cases nearly 50 years after they were first recorded. Check out the NTS Guide To Wackie'sPresenter - Zakia Sewell, Producer - Lizzy King, Sound Recording - Josh Farmer & Zara Wladawsky, Editing - Femi Oriogun-Williams, Mastering - Felix Stock, Composer - Jennifer Walton, Talent & Outreach - Samuel Strang. This is an NTS Podcast, discover more at www.nts.live. Hosted on Acast. See acast.com/privacy for more information.

Als Studio-Techniker hat Michael Zähl sein Handwerk im legendären Studio von Conny Plank gelernt. Mittlerweile arbeiten Musik-Größen wie Mark Ernestus und Nils Frahm mit Mischpulten von Michael. Ein Pult, das er für das Studio der Krautrock-Ikonen Can gebaut hat, steht sogar im rock'n'popmuseum Gronau. Mit seinem jüngsten Produkt, dem Kopfhörerverstärker HM1, können HeadFi-Audiophile nun den legendären Zähl-Sound auch zu Hause genießen. Bevor Michael und Olaf dazu kommen, sich über den HM1 zu unterhalten, tauchen sie jedoch erst einmal in Michaels bewegte Karriere und die faszinierende Studiotechnik an sich ein. Dabei wird vor allem deutlich, dass das Mischpult und der Mensch dahinter für Michael vor allem Teil des kreativen Prozesses sind. Wir wünschen euch viel Spaß beim Zuhören!Shownotes: kHz & Bitgeflüster Folge #26 Mehr zu Michael Zäh und seinen Produkten:https://zaehl.com/https://hm1.zaehl.com/de/ Im Podcast erwähnte Künstler:innen:Conny Plank:https://de.wikipedia.org/wiki/Conny_Plank Mark Ernestushttps://de.wikipedia.org/wiki/Mark_Ernestushttp://www.basicchannel.com/ Nils Frahm:https://de.wikipedia.org/wiki/Nils_Frahmhttps://www.nilsfrahm.com/https://www.erasedtapes.com/artist/nils-frahmMusiktipps:Nils Frahm – Tripping With Nils Frahm (2020)(Auch als Film auf Apple TV und Mubi)Kraftwerk – Autobahn (1974)Eurythmics – Revenge (1986)A Very Special Christmas – Various Artists (1987) Hosted on Acast. See acast.com/privacy for more information.

ADVENTURES ON THE WHEELS OF STEEL #16 w/ Joel J-Buck & Chris Gee Islandman - Drums of colca Siti Muharam - Alaminadura Kaleta & Zozo Afrobeat - Gete Bubaza - Countdown Dub Kokoroko - Something going on Nubla Garcia - La Cumbia Me Esta Llamando (Kaidi Tatham Remix) Mina - Citta Vuota Roy Ayers - Betcha Gonna Netenta - Chango Ta Veni Dj Shadow - Stem/long stem Halik - Darkest Light Campina Grande Azar Azar - Space Coconut Conspiracy (Esa Remix) One Way feat Al Hudson - Music Jazz Vandalls - Jelly Jam Islandman - Sattava Johnny Hammond - Can't We Smile? The Brothers Johnson - Strawberry Letter 23 City - Aus der Ferne (edit) Young Fathers - In My View Acid Circus - Locations MoodYMann - Meanwhile Back At Home The Other People Place - Sunrays Omar S - Start This Over Again (feat. Supercoolwicked) Sandy B & Lion's Drums - Student Night (Lion's Drums Edit) Bartholomew Kind - Sapien Beat Eros - "Eros 03": Track 4 General Ehi Duncan & The Africa Army Express - Africa (My No. 1) Mark Ernestus & Obadikah - April Champagne Bubble - Give You Love (Real Love) Nibyu - Once Is Enough Holloway - Walk into the Night ENNY & Jorja Smith - Peng Black Girls Remix

24 Stunden Nerdtalk, Gossip, Education, Madness – direkt aus dem Pionierpalast in eure Radios. ## Wellmer Als Studiogast ist **Gösta Wellmer** von Elektron im Gespräch mit Niki Matita über die neue Syntakt-Maschine. ## Ammermann/Morgenstern/Patientenantenne Zu Beginn: **Tom Ammermann** (New Audio Technology) mit dem Versuch eines Marketing Workshops. Cile und Andrea sprechen mit der Künstlerin **Lisa Morgenstern** direkt vor ihrem Konzert. Anschließend meldet sich das erste Mal die Sendung Patientenantenne mit Stroko, Fanny, Joycie und Niko Dinte. Sie beschreiben ihre Eindrücke aus neutraler Sicht bei ihrem allerersten Besuch der Superbooth. Willi Klotzek startet seinen Aufnahmerundgang über das Gelände, während Jero die Wartezeiten mit Musik und Feldaufnahmen überbrückt. Zum Abschluß des Sendeblocks plaudert André Kaufmann mit Heinzel, dem FunkenLux über seine Mitarbeit bei der Messe, Lampenbau und womit er sich sonst so beschäftigt inkl. einer Kostprobe aus seinem musikalischem Arsenal. ## Casper/Tobias/Munnik/Ronny Den sechsten Sendeblock startet Gene Berlin im kurzen Gespräch mit **Casper** von SinuSoda aus Polen, über deren besonderen Ansatz der Gehäuseherstellung und wie man sich dieses als Anwender sogar selbst ausdrucken kann. Niki Matita empfängt **Tobias** von Teenage Engineering zum ausführlichen Gespräch (engl.). Er erzählt von den Neuigkeiten aus der schwedischen Kreativschmiede und hat ein musikalisches Beispiel im Speicher. Anschließend präsentiert Willi Klotzek erste Ergebnisse von seinem Rundgang: Er unterhält sich mit der Schichtleiterin am Toilettenwagen über ihre Eindrücke von vielen Messeteilnehmern und einer Teilnehmerin; er ist am Stand von Cosmotronic zugegen und trifft direkt auf Entwickler **Matthijs Munnik**, der ihm eine akustische Kostprobe seiner Module präsentiert; er plaudert mit einem besonders gesprächigen Mitarbeiter am Strandcafé und er besucht Arturia an ihrem etwas aus der Art geratenen Colani-Bus. Mitarbeiter **Ronny** erklärt ihm was von digitalen und analogen Kompositionswerkzeugen und dem Polybrute-Gewinnspiel. Zum Abschluß ein kurzes Gespräch auf dem Weg mit zwei Besucherinnen – kommentiert und fachlich ergänzt von Jero. ## Deimel/SchneiderTM/Maciá Die Patientenantenne (Stroko, Fanny, Joycie und Niko Dinte) präsentieren verschiedene Audiobeiträge die sie im Laufe des Tages eingesammelt und produziert haben. Als erstes hören begleiten wir die Crew beim Besuch des Modular Synthesizer Ensemble-Konzert im Auditorium. Im zweiten Beitrag sind sie zu Gast bei Sonocurrent und testen Module aus, anschließend gibt es noch kurze Soundimpressionen vom DinSync-Stand. Cile und Thomas empfangen **Frank Deimel** (Deimel Guitarworks) und **SchneiderTM** (Dirk Dresselhaus) am Radio-Trailer. Es geht um die Gitarre als »Interface« und als haptisches Objekt; um die SooperGrail und verschiedene Gitarrenkonzepte. Der Auftritt von SchneiderTM (der erstmalig auf einen neu entwickelten Gitarre von Frank Deimel spielt) wird angekündigt und aktuelle Musik von ihm gehört und kommende Veröffentlichungen (fAUST + Angelicus) besprochen. Das Moderatorenteam wechselt: Dan Abbott und Ziv Lode vom Pi Radio (Begilufin) übernehmen die Mikrofone – Ihre Gesprächspartnerin ist **Alexandra Maciá** (engl). Die spanische Künstlerin lebt (und arbeitet) in Berlin und hat für diese Ausgabe der SooperBooth eine interaktive analoge audiovisuelle Installation – Vortex Era – im Bungalowdorf kreiert. ## Fazit Mittlerweile ist es 22 Uhr – es ist offizieller Veranstaltungsschluß und das Festivalgeländer leert sich rasch. Thomas, Jero, Niki Matita, André Kaufmann und Christian Gierden (aka Karl Marx Stadt) versuchen sich an einem Fazit. Es geht hier u.a. um Bogdan Raczynski und sein neues Album. Christian verneigt sich noch einmal vor Manfred Fricke und erklärt anschließend was die Mixing Console (AM1) von Michael Zähl und Mark Ernestus so genial macht und was CV (Control Voltage) damit zu tun hat. ## SooperRadio 2022 LIVE von der Superbooth 2022 aus unserem mobilen Studio. Beiträge und Interviews mit Ausstellern und Künstlerinnen den ganze Radiotag im Zeichen der Supermesse. Es wird Mitschnitte der Konzerte u.a. von der Seebühne geben – wir wollen mit den Instrumentenbauern, Händlerinnen, Endverbrauchern, Veranstalterinnen, interessierten Laien und professionellen Musikerinnen ins Gespräch kommen. Wir schätzen den partizipativen Ansatz der Macherinnen und freuen uns auf das musikalisch reichhaltige Programm. Und immer dran denken: Alle zehn Minuten verliebt sich ein Mensch in Modulare Systeme (A. Schneider)…

24 Stunden Nerdtalk, Gossip, Education, Madness – direkt aus dem Pionierpalast in eure Radios. ## Wellmer Als Studiogast ist **Gösta Wellmer** von Elektron im Gespräch mit Niki Matita über die neue Syntakt-Maschine. ## Ammermann/Morgenstern/Patientenantenne Zu Beginn: **Tom Ammermann** (New Audio Technology) mit dem Versuch eines Marketing Workshops. Cile und Andrea sprechen mit der Künstlerin **Lisa Morgenstern** direkt vor ihrem Konzert. Anschließend meldet sich das erste Mal die Sendung Patientenantenne mit Stroko, Fanny, Joycie und Niko Dinte. Sie beschreiben ihre Eindrücke aus neutraler Sicht bei ihrem allerersten Besuch der Superbooth. Willi Klotzek startet seinen Aufnahmerundgang über das Gelände, während Jero die Wartezeiten mit Musik und Feldaufnahmen überbrückt. Zum Abschluß des Sendeblocks plaudert André Kaufmann mit Heinzel, dem FunkenLux über seine Mitarbeit bei der Messe, Lampenbau und womit er sich sonst so beschäftigt inkl. einer Kostprobe aus seinem musikalischem Arsenal. ## Casper/Tobias/Munnik/Ronny Den sechsten Sendeblock startet Gene Berlin im kurzen Gespräch mit **Casper** von SinuSoda aus Polen, über deren besonderen Ansatz der Gehäuseherstellung und wie man sich dieses als Anwender sogar selbst ausdrucken kann. Niki Matita empfängt **Tobias** von Teenage Engineering zum ausführlichen Gespräch (engl.). Er erzählt von den Neuigkeiten aus der schwedischen Kreativschmiede und hat ein musikalisches Beispiel im Speicher. Anschließend präsentiert Willi Klotzek erste Ergebnisse von seinem Rundgang: Er unterhält sich mit der Schichtleiterin am Toilettenwagen über ihre Eindrücke von vielen Messeteilnehmern und einer Teilnehmerin; er ist am Stand von Cosmotronic zugegen und trifft direkt auf Entwickler **Matthijs Munnik**, der ihm eine akustische Kostprobe seiner Module präsentiert; er plaudert mit einem besonders gesprächigen Mitarbeiter am Strandcafé und er besucht Arturia an ihrem etwas aus der Art geratenen Colani-Bus. Mitarbeiter **Ronny** erklärt ihm was von digitalen und analogen Kompositionswerkzeugen und dem Polybrute-Gewinnspiel. Zum Abschluß ein kurzes Gespräch auf dem Weg mit zwei Besucherinnen – kommentiert und fachlich ergänzt von Jero. ## Deimel/SchneiderTM/Maciá Die Patientenantenne (Stroko, Fanny, Joycie und Niko Dinte) präsentieren verschiedene Audiobeiträge die sie im Laufe des Tages eingesammelt und produziert haben. Als erstes hören begleiten wir die Crew beim Besuch des Modular Synthesizer Ensemble-Konzert im Auditorium. Im zweiten Beitrag sind sie zu Gast bei Sonocurrent und testen Module aus, anschließend gibt es noch kurze Soundimpressionen vom DinSync-Stand. Cile und Thomas empfangen **Frank Deimel** (Deimel Guitarworks) und **SchneiderTM** (Dirk Dresselhaus) am Radio-Trailer. Es geht um die Gitarre als »Interface« und als haptisches Objekt; um die SooperGrail und verschiedene Gitarrenkonzepte. Der Auftritt von SchneiderTM (der erstmalig auf einen neu entwickelten Gitarre von Frank Deimel spielt) wird angekündigt und aktuelle Musik von ihm gehört und kommende Veröffentlichungen (fAUST + Angelicus) besprochen. Das Moderatorenteam wechselt: Dan Abbott und Ziv Lode vom Pi Radio (Begilufin) übernehmen die Mikrofone – Ihre Gesprächspartnerin ist **Alexandra Maciá** (engl). Die spanische Künstlerin lebt (und arbeitet) in Berlin und hat für diese Ausgabe der SooperBooth eine interaktive analoge audiovisuelle Installation – Vortex Era – im Bungalowdorf kreiert. ## Fazit Mittlerweile ist es 22 Uhr – es ist offizieller Veranstaltungsschluß und das Festivalgeländer leert sich rasch. Thomas, Jero, Niki Matita, André Kaufmann und Christian Gierden (aka Karl Marx Stadt) versuchen sich an einem Fazit. Es geht hier u.a. um Bogdan Raczynski und sein neues Album. Christian verneigt sich noch einmal vor Manfred Fricke und erklärt anschließend was die Mixing Console (AM1) von Michael Zähl und Mark Ernestus so genial macht und was CV (Control Voltage) damit zu tun hat. ## SooperRadio 2022 LIVE von der Superbooth 2022 aus unserem mobilen Studio. Beiträge und Interviews mit Ausstellern und Künstlerinnen den ganze Radiotag im Zeichen der Supermesse. Es wird Mitschnitte der Konzerte u.a. von der Seebühne geben – wir wollen mit den Instrumentenbauern, Händlerinnen, Endverbrauchern, Veranstalterinnen, interessierten Laien und professionellen Musikerinnen ins Gespräch kommen. Wir schätzen den partizipativen Ansatz der Macherinnen und freuen uns auf das musikalisch reichhaltige Programm. Und immer dran denken: Alle zehn Minuten verliebt sich ein Mensch in Modulare Systeme (A. Schneider)…

24 Stunden Nerdtalk, Gossip, Education, Madness – direkt aus dem Pionierpalast in eure Radios. ## Wellmer Als Studiogast ist **Gösta Wellmer** von Elektron im Gespräch mit Niki Matita über die neue Syntakt-Maschine. ## Ammermann/Morgenstern/Patientenantenne Zu Beginn: **Tom Ammermann** (New Audio Technology) mit dem Versuch eines Marketing Workshops. Cile und Andrea sprechen mit der Künstlerin **Lisa Morgenstern** direkt vor ihrem Konzert. Anschließend meldet sich das erste Mal die Sendung Patientenantenne mit Stroko, Fanny, Joycie und Niko Dinte. Sie beschreiben ihre Eindrücke aus neutraler Sicht bei ihrem allerersten Besuch der Superbooth. Willi Klotzek startet seinen Aufnahmerundgang über das Gelände, während Jero die Wartezeiten mit Musik und Feldaufnahmen überbrückt. Zum Abschluß des Sendeblocks plaudert André Kaufmann mit Heinzel, dem FunkenLux über seine Mitarbeit bei der Messe, Lampenbau und womit er sich sonst so beschäftigt inkl. einer Kostprobe aus seinem musikalischem Arsenal. ## Casper/Tobias/Munnik/Ronny Den sechsten Sendeblock startet Gene Berlin im kurzen Gespräch mit **Casper** von SinuSoda aus Polen, über deren besonderen Ansatz der Gehäuseherstellung und wie man sich dieses als Anwender sogar selbst ausdrucken kann. Niki Matita empfängt **Tobias** von Teenage Engineering zum ausführlichen Gespräch (engl.). Er erzählt von den Neuigkeiten aus der schwedischen Kreativschmiede und hat ein musikalisches Beispiel im Speicher. Anschließend präsentiert Willi Klotzek erste Ergebnisse von seinem Rundgang: Er unterhält sich mit der Schichtleiterin am Toilettenwagen über ihre Eindrücke von vielen Messeteilnehmern und einer Teilnehmerin; er ist am Stand von Cosmotronic zugegen und trifft direkt auf Entwickler **Matthijs Munnik**, der ihm eine akustische Kostprobe seiner Module präsentiert; er plaudert mit einem besonders gesprächigen Mitarbeiter am Strandcafé und er besucht Arturia an ihrem etwas aus der Art geratenen Colani-Bus. Mitarbeiter **Ronny** erklärt ihm was von digitalen und analogen Kompositionswerkzeugen und dem Polybrute-Gewinnspiel. Zum Abschluß ein kurzes Gespräch auf dem Weg mit zwei Besucherinnen – kommentiert und fachlich ergänzt von Jero. ## Deimel/SchneiderTM/Maciá Die Patientenantenne (Stroko, Fanny, Joycie und Niko Dinte) präsentieren verschiedene Audiobeiträge die sie im Laufe des Tages eingesammelt und produziert haben. Als erstes hören begleiten wir die Crew beim Besuch des Modular Synthesizer Ensemble-Konzert im Auditorium. Im zweiten Beitrag sind sie zu Gast bei Sonocurrent und testen Module aus, anschließend gibt es noch kurze Soundimpressionen vom DinSync-Stand. Cile und Thomas empfangen **Frank Deimel** (Deimel Guitarworks) und **SchneiderTM** (Dirk Dresselhaus) am Radio-Trailer. Es geht um die Gitarre als »Interface« und als haptisches Objekt; um die SooperGrail und verschiedene Gitarrenkonzepte. Der Auftritt von SchneiderTM (der erstmalig auf einen neu entwickelten Gitarre von Frank Deimel spielt) wird angekündigt und aktuelle Musik von ihm gehört und kommende Veröffentlichungen (fAUST + Angelicus) besprochen. Das Moderatorenteam wechselt: Dan Abbott und Ziv Lode vom Pi Radio (Begilufin) übernehmen die Mikrofone – Ihre Gesprächspartnerin ist **Alexandra Maciá** (engl). Die spanische Künstlerin lebt (und arbeitet) in Berlin und hat für diese Ausgabe der SooperBooth eine interaktive analoge audiovisuelle Installation – Vortex Era – im Bungalowdorf kreiert. ## Fazit Mittlerweile ist es 22 Uhr – es ist offizieller Veranstaltungsschluß und das Festivalgeländer leert sich rasch. Thomas, Jero, Niki Matita, André Kaufmann und Christian Gierden (aka Karl Marx Stadt) versuchen sich an einem Fazit. Es geht hier u.a. um Bogdan Raczynski und sein neues Album. Christian verneigt sich noch einmal vor Manfred Fricke und erklärt anschließend was die Mixing Console (AM1) von Michael Zähl und Mark Ernestus so genial macht und was CV (Control Voltage) damit zu tun hat. ## SooperRadio 2022 LIVE von der Superbooth 2022 aus unserem mobilen Studio. Beiträge und Interviews mit Ausstellern und Künstlerinnen den ganze Radiotag im Zeichen der Supermesse. Es wird Mitschnitte der Konzerte u.a. von der Seebühne geben – wir wollen mit den Instrumentenbauern, Händlerinnen, Endverbrauchern, Veranstalterinnen, interessierten Laien und professionellen Musikerinnen ins Gespräch kommen. Wir schätzen den partizipativen Ansatz der Macherinnen und freuen uns auf das musikalisch reichhaltige Programm. Und immer dran denken: Alle zehn Minuten verliebt sich ein Mensch in Modulare Systeme (A. Schneider)…

Around 1989, what were the promises of techno and its fictions? How are they significant today? And to whom? Episode 2 focuses on past, present and future of the Detroit-Berlin axis. By means of an interview collage, writer and Make Techno Black Again activist DeForrest Brown, Jr., Lerato Khathi aka Lakuti (founder of Uzuri Recordings and the Bring Down the Walls initiative), Boris Dolinski (resident DJ at Berghain) and Mark Ernestus (musician and founder of the Hard Wax record store) explore how the rapid growth of club culture in Germany after 1989 relates to techno's origins in the Black neighbourhoods of Detroit. Narration by Christine Kakaire, directed and produced by Julia Vorkefeld, script and concept by Arno Raffeiner Image: © Abu Qadim Haqq (Detail) Music credits: Techno is a Liberation Technology by DeForrest Brown Jr/Speaker Music ft. AceMo, Katak by Kode9, The Truth is Elsewhere by Nkisi, Victim by Kode9, Rhythmatic Music For Speakers (Mk.II) by DeForrest Brown Jr/Speaker Music & Rona City Blues by Kode9.

Episode 2 focuses on past, present and future of the Detroit-Berlin axis. By means of an interview collage, writer and Make Techno Black Again activist DeForrest Brown, Jr., Lerato Khathi aka Lakuti (founder of Uzuri Recordings and the Bring Down the Walls initiative), Boris Dolinski (resident DJ at Berghain) and Mark Ernestus (musician and founder of the Hard Wax record store) explore how the rapid growth of techno and club culture in Germany after 1989 relates to the music's origins in the Black neighbourhoods of the post-industrialised city of Detroit.

1. TAPAN feat. Decha - Twenty (beatless version) 2. Tomislav Simovic - Welcome To The Plan (Credit 00 Remix) 3. 33.10.3402 - iz usta 4. Pye Corner Audio - One Time Pad 5. Ariel Kalma - Chase Me Now 6. Niagara - Ida 7. Happy Meals - May You Be The Mother - May You Be The Sun 8. Harmonious Thelonious - Tom Tom 9. Don't DJ - Pornoire 10. Mark Ernestus vs Konono N°1 - Masikulu 11. Sault - The Beginning & The End 12. Salute - JTS 13. Fridge - Kinoshita 14. Skee Mask - Rdvnedub 15. Burial - South London Boroughs 16. STP - The Fall (Panamax Refix) 17. Feloneezy - 4200 18. DJ Elmoe - Whea Yo Ghost At, Whea Yo Dead Man 19. Jako Maron - Mégaloya 20. Gantz - Sharkeyes (feat. Rider Shafique) 21. FaltyDL - Brazil (Brickwall Brigade remix) 22. D-Operation Drop - Body Rock 23. The Maghreban - Rocky & Bullwinkle 24. Savant - Using Words 25. Beat Pharmacy - Amble Dub 26. ElGato – Zone

When Moritz von Oswald and Mark Ernestus pioneered Dub Techno in the early '90s, a genre with origins in Detroit, Germany, and Caribbeans, the majority thought that is just a moment and that it will be short-lived. Thirty years after and the genre still keeps 'reinventing' itself with countless releases by several generations of producers who keep pushing the boundaries and keep exploring the genre's depths. In theory, Dub Techno has a simple formula - rhythm and texture. With technology nowadays, producers can dig deeper and further develop these two ingredients and make something unique. The Vilnius-based record label, Greyscale is known for its Dub Techno aesthetics and it's been around for almost a decade. Their latest release, 'Dancing Street/Skyscraper Street', welcomes Martin Schulte, a talented producer hailing from Russia, to their impressive catalog. This double-single release is accompanied by brilliant remixes from Greyscale founder grad_u and Giegling and Delsin affiliate Vril. Vril's remix of 'Skyscraper Street' brings the pure essence of Dub Techno, a genre that broke new ground in terms of electronic music that one might listen to away from the dance floor. The track is a slow-burner with lots of details that flicker and create a cosmic atmosphere that can do wonders on your home set up as well as the part of a warm-up set during the Techno marathon in a dark club. 'Dancing Street/Skyscraper Street' is coming out on June 16th via Greyscale. Vril on SoundCloud: https://soundcloud.com/vril_01 Vril on Instagram: https://www.instagram.com/vril_01/ Martin Schulte on SoundCloud: https://soundcloud.com/martinschulte www.itsdelayed.com www.instagram.com/_itsdelayed_ www.facebook.com/itsdelayed

Redrop is a DJ dedicated to minimalism, dub, and ambient. Furthermore, he is the founder of the Lessenorgdotnet project. He is influenced by artists such as Studio 1, Vadim Svoboda, Losoul, Vladislav Delay, Atom TM, Thomas Melchior, Nik Bärtsch, Mark Ernestus to name a few. 
 His first vinyl release is going to be released very soon and has received nice words from Black Round Twelve, Cinthie, Raresh. 
 Hit play and enjoy the journey! 
 Keep an eye on Redrop https://www.instagram.com/r3drop/ https://lessenorg.net/redrop 
 Pre-order his Redrop's vinyl https://www.deejay.de/Redrop_Rdrp01_RDRP01_Vinyl__962381 
 Listen to more electronic music on Intaresu https://intaresu.com

Pernille Krog Mogensen er den yderst kompetente vært på programmet ‘Mango Drive', som sendes på Heartbeats Radio med fokus på den elektroniske musik.Du har næsten med garanti danset til en fest, hvor Pernille Krog Mogensen enten selv har spillet eller booket DJ'en. I næsten et årti var Pernille Krog Mogensen musikchef på den elektroniske musikfestival Strøm og senest har hun været med til at sammensætte musikprogrammet på SPOT Festival. Pernille Krog Mogensen er ekspert og ultra dedikeret til den elektroniske scene, men hun er også meget andet – og alt det skal vi snakke om og lytte til, når hun (og Mange Drive) den 10. august kommer på besøg i The Lakes åbne live-radio studie på Badesøen Festival. Der er forresten bonuspoint til dem, der allerede har set sammenhængen mellem Mango Drive og Mark Ernestus’ Ndagga Rhythm Force, som giver koncert på årets festival."Tekst taget fra Badesøen FestivalTracklist:Rhythm & Sound – Mango DriveVainqueur – Lyot (Maurizio remix)Basic Channel – Phylyps TrackMaurizio – M06ARhythm & Sound – Queen in my EmpireMark Ernestus & Obadikah – AprilVi vil gerne takke The Lake mange gange, for at give os mulighed for at dele denne liveudsendelse optaget på Badesøen Festival '19! ‘Mango Drive' vender stærkt tilbage med en ny sæson d. 4. oktober!

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee,30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music.From childhood to late in teenage years L.B. was playing the drums.Most time playing with one band consisting mainly of 2 sets of brothers.Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove.Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path.There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'.Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!!The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow.Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts.Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system.& that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties.The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties.Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeling in one of them, Apexeton. LB manufactured the 1st two LaRhon releases & there is where he met & befriended the owners, The Ropiak Brothers (City Limits), & the 2 coolest knowledgeable 'helping hand' guys, Silvio Tancredi (Northcott) & Frank Mendez (Nu Groove).Bad's 2nd batch of 12's came out thru the Apexton connections. Nu Groove & City Limits lead the path. With Apexton LB started his own distribution for some records pressed there. Around the same time 'Gotta Get Some Money' dropped on Nu Groove, it was the first glimpse into a record company as a family, & how it really operated.Touching both NY's film industry & banging music industry doors LB was laying foundations.With the heat & action turned up high, on to the 3rd batch of 12"s being released (the 2nd Nu Groove release 'True Story of House' & Lisa Angels 'Show Me' was buzzing in clubs in & around NY) an invite to finally perform in Europe came, yet he turned it down. Nu Groove techno artists were in & out of Europe, but the House music artists seemed to stay local. Berlin calling & BaD was not with it. 3 months and many many telephone calls later, Mark Ernestus finally convinced him to visit Berlin. 12 day trip never ended. The physical stay affair started with the mishap of a wrong return date announced (NY landing date was given/not the European flight take off, one day earlier).Mishap after mishap. Or so it seemed. Paths. Unseen paths layed down.synchronisation of life events become evident.With Mark E, (Hardwax) inside a reggae record store, ''with my back turned to the door, a voice calls out my 1st name & it's not Mark'' (the only person knowing it). Turn slow & almost into shock seeing a friend from high school. Dexter Porter, time to time singer in Platinum Enterprise, & personal friend of Chaka Khan. Together, years before, we've seen her perform & here he is, finding Lamont, in Berlin, in a reggae record store.He had another powerful & special woman eLBee had to meet. Odella Saille. She was the turning point to work in Europe. Offered a position in a new club as resident, & LB became assistant manager-booking agent-dj for the wonderous club called Exit. That gave him opportunity to stop trying to get home. Exit experience also gave way to building club sound systems, booking pop-ular artists (Sister Sledge/Gil Scott Heron/BG The Prince of Rap/Incognito) club management, rave operations, & months of (very little sleep) Friday to Monday basically non-stop. It also birthed the name change, as advised by an angel. Calls herself a witch, saying L.B. Bad (morphed from D.J. Bad) …''for numeric reasons should be more 'strong', than those 5 letters.'' rebirth- eLBee BaD On births, Exit was so big (holding 3000) a chosen few of us (working there) having offices upstairs, actually had artsy apartments (downstairs) in the club…It was in Exit, sunday to Monday morning Berlin hardcore Techno, where resident Dj Tanith dropped Smokebelch two weeks in a row as the last song. Life changer, seventeen 12's records, into the career & the 1st song to generate income, a lovely ambiental song named "New age Of Faith' (bonus track that Frank of Nu Groove did not want)…covered & reproduced by Andrew Weatherall (Sabres of Paradise).Building up a recording studio for the 3rd time, it took a while to truly find 'his groove'. The Berlin influence of hardcore Techno up'd his dj bpm's, yet never losing soul, the line of Tech House was crossed. Entering the 2nd record label family; DJ Hell put out a search party for 'Mr. BaD… International DJ Gigolo. Home of professionalism & true artist care! Never losing the Mad Drummer flavor & it shows up in complex rhythms again & again. *Gonna Be a Great Night (LaRhon). The time arrived when producers started asking eL to voice their recordings. Often taking the artist role instead of producer, more learning was in store, just by seeing how many other producers (from across the globe) create. Dole & Kom, Slam, Savas Pascalidis, Logo, Samuel Sessions, & Basic Channel (I slept With Her But Didn't sleep With Her). Music became more & more catorgorized & to help maintain production freedom, Mr. Bad started to add new characters to his own persona. eLBee BaD - the voice/the djThe Nervous DJ - hypnotic tracksThe Mad Drummer - rhythm tracks (only drums)The Voodoo Man - tribal tracksMad Man in the attic - samples & loopsDr. Spark - drum & bass/breakbeatThe Banging Man - TechnoLB GooD - will replace eLBee BaD (vocal retirement) Mr. GooD is the bad seed &The Prince of Dance Music is the brain & heart of it.—————————————————————-As the internet helped change how we listen to music, that new freedom allowed for wider music variation.Henceforth the return of Platinum Enterprise. Productions created today, with 'our band might sound like this' attitude. Giving room for more growth, the meeting of Randy Murray, former lead Trumpet player in Sun Ras Arkestra. Birth of the musical experience: 'Sun Ras Children' (Learned a lot of Jazz)

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee, 30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music. From childhood to late in teenage years L.B. was playing the drums. Most time playing with one band consisting mainly of 2 sets of brothers. Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove. Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path. There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'. Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!! The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow. Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts. Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system. & that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties. The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties. Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeling in one of them, Apexeton. LB manufactured the 1st two LaRhon releases & there is where he met & befriended the owners, The Ropiak Brothers (City Limits), & the 2 coolest knowledgeable 'helping hand' guys, Silvio Tancredi (Northcott) & Frank Mendez (Nu Groove). Bad's 2nd batch of 12's came out thru the Apexton connections. Nu Groove & City Limits lead the path. With Apexton LB started his own distribution for some records pressed there. Around the same time 'Gotta Get Some Money' dropped on Nu Groove, it was the first glimpse into a record company as a family, & how it really operated. Touching both NY's film industry & banging music industry doors LB was laying foundations. With the heat & action turned up high, on to the 3rd batch of 12"s being released (the 2nd Nu Groove release 'True Story of House' & Lisa Angels 'Show Me' was buzzing in clubs in & around NY) an invite to finally perform in Europe came, yet he turned it down. Nu Groove techno artists were in & out of Europe, but the House music artists seemed to stay local. Berlin calling & BaD was not with it. 3 months and many many telephone calls later, Mark Ernestus finally convinced him to visit Berlin. 12 day trip never ended. The physical stay affair started with the mishap of a wrong return date announced (NY landing date was given/not the European flight take off, one day earlier). Mishap after mishap. Or so it seemed. Paths. Unseen paths layed down. synchronisation of life events become evident. With Mark E, (Hardwax) inside a reggae record store, ''with my back turned to the door, a voice calls out my 1st name & it's not Mark'' (the only person knowing it). Turn slow & almost into shock seeing a friend from high school. Dexter Porter, time to time singer in Platinum Enterprise, & personal friend of Chaka Khan. Together, years before, we've seen her perform & here he is, finding Lamont, in Berlin, in a reggae record store. He had another powerful & special woman eLBee had to meet. Odella Saille. She was the turning point to work in Europe. Offered a position in a new club as resident, & LB became assistant manager-booking agent-dj for the wonderous club called Exit. That gave him opportunity to stop trying to get home. Exit experience also gave way to building club sound systems, booking pop-ular artists (Sister Sledge/Gil Scott Heron/BG The Prince of Rap/Incognito) club management, rave operations, & months of (very little sleep) Friday to Monday basically non-stop. It also birthed the name change, as advised by an angel. Calls herself a witch, saying L.B. Bad (morphed from D.J. Bad) …''for numeric reasons should be more 'strong', than those 5 letters.'' rebirth- eLBee BaD On births, Exit was so big (holding 3000) a chosen few of us (working there) having offices upstairs, actually had artsy apartments (downstairs) in the club… It was in Exit, sunday to Monday morning Berlin hardcore Techno, where resident Dj Tanith dropped Smokebelch two weeks in a row as the last song. Life changer, seventeen 12's records, into the career & the 1st song to generate income, a lovely ambiental song named "New age Of Faith' (bonus track that Frank of Nu Groove did not want)…covered & reproduced by Andrew Weatherall (Sabres of Paradise). Building up a recording studio for the 3rd time, it took a while to truly find 'his groove'. The Berlin influence of hardcore Techno up'd his dj bpm's, yet never losing soul, the line of Tech House was crossed. Entering the 2nd record label family; DJ Hell put out a search party for 'Mr. BaD… International DJ Gigolo. Home of professionalism & true artist care! Never losing the Mad Drummer flavor & it shows up in complex rhythms again & again. *Gonna Be a Great Night (LaRhon). The time arrived when producers started asking eL to voice their recordings. Often taking the artist role instead of producer, more learning was in store, just by seeing how many other producers (from across the globe) create. Dole & Kom, Slam, Savas Pascalidis, Logo, Samuel Sessions, & Basic Channel (I slept With Her But Didn't sleep With Her). Music became more & more catorgorized & to help maintain production freedom, Mr. Bad started to add new characters to his own persona. eLBee BaD - the voice/the dj The Nervous DJ - hypnotic tracks The Mad Drummer - rhythm tracks (only drums) The Voodoo Man - tribal tracks Mad Man in the attic - samples & loops Dr. Spark - drum & bass/breakbeat The Banging Man - Techno LB GooD - will replace eLBee BaD (vocal retirement) Mr. GooD is the bad seed & The Prince of Dance Music is the brain & heart of it. —————————————————————- As the internet helped change how we listen to music, that new freedom allowed for wider music variation. Henceforth the return of Platinum Enterprise. Productions created today, with 'our band might sound like this' attitude. Giving room for more growth, the meeting of Randy Murray, former lead Trumpet player in Sun Ras Arkestra. Birth of the musical experience: 'Sun Ras Children' (Learned a lot of Jazz)

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee, 30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music. From childhood to late in teenage years L.B. was playing the drums. Most time playing with one band consisting mainly of 2 sets of brothers. Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove. Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path. There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'. Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!! The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow. Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts. Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system. & that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties. The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties. Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeling in one of them, Apexeton. LB manufactured the 1st two LaRhon releases & there is where he met & befriended the owners, The Ropiak Brothers (City Limits), & the 2 coolest knowledgeable 'helping hand' guys, Silvio Tancredi (Northcott) & Frank Mendez (Nu Groove). Bad's 2nd batch of 12's came out thru the Apexton connections. Nu Groove & City Limits lead the path. With Apexton LB started his own distribution for some records pressed there. Around the same time 'Gotta Get Some Money' dropped on Nu Groove, it was the first glimpse into a record company as a family, & how it really operated. Touching both NY's film industry & banging music industry doors LB was laying foundations. With the heat & action turned up high, on to the 3rd batch of 12"s being released (the 2nd Nu Groove release 'True Story of House' & Lisa Angels 'Show Me' was buzzing in clubs in & around NY) an invite to finally perform in Europe came, yet he turned it down. Nu Groove techno artists were in & out of Europe, but the House music artists seemed to stay local. Berlin calling & BaD was not with it. 3 months and many many telephone calls later, Mark Ernestus finally convinced him to visit Berlin. 12 day trip never ended. The physical stay affair started with the mishap of a wrong return date announced (NY landing date was given/not the European flight take off, one day earlier). Mishap after mishap. Or so it seemed. Paths. Unseen paths layed down. synchronisation of life events become evident. With Mark E, (Hardwax) inside a reggae record store, ''with my back turned to the door, a voice calls out my 1st name & it's not Mark'' (the only person knowing it). Turn slow & almost into shock seeing a friend from high school. Dexter Porter, time to time singer in Platinum Enterprise, & personal friend of Chaka Khan. Together, years before, we've seen her perform & here he is, finding Lamont, in Berlin, in a reggae record store. He had another powerful & special woman eLBee had to meet. Odella Saille. She was the turning point to work in Europe. Offered a position in a new club as resident, & LB became assistant manager-booking agent-dj for the wonderous club called Exit. That gave him opportunity to stop trying to get home. Exit experience also gave way to building club sound systems, booking pop-ular artists (Sister Sledge/Gil Scott Heron/BG The Prince of Rap/Incognito) club management, rave operations, & months of (very little sleep) Friday to Monday basically non-stop. It also birthed the name change, as advised by an angel. Calls herself a witch, saying L.B. Bad (morphed from D.J. Bad) …''for numeric reasons should be more 'strong', than those 5 letters.'' rebirth- eLBee BaD On births, Exit was so big (holding 3000) a chosen few of us (working there) having offices upstairs, actually had artsy apartments (downstairs) in the club… It was in Exit, sunday to Monday morning Berlin hardcore Techno, where resident Dj Tanith dropped Smokebelch two weeks in a row as the last song. Life changer, seventeen 12's records, into the career & the 1st song to generate income, a lovely ambiental song named "New age Of Faith' (bonus track that Frank of Nu Groove did not want)…covered & reproduced by Andrew Weatherall (Sabres of Paradise). Building up a recording studio for the 3rd time, it took a while to truly find 'his groove'. The Berlin influence of hardcore Techno up'd his dj bpm's, yet never losing soul, the line of Tech House was crossed. Entering the 2nd record label family; DJ Hell put out a search party for 'Mr. BaD… International DJ Gigolo. Home of professionalism & true artist care! Never losing the Mad Drummer flavor & it shows up in complex rhythms again & again. *Gonna Be a Great Night (LaRhon). The time arrived when producers started asking eL to voice their recordings. Often taking the artist role instead of producer, more learning was in store, just by seeing how many other producers (from across the globe) create. Dole & Kom, Slam, Savas Pascalidis, Logo, Samuel Sessions, & Basic Channel (I slept With Her But Didn't sleep With Her). Music became more & more catorgorized & to help maintain production freedom, Mr. Bad started to add new characters to his own persona. eLBee BaD - the voice/the dj The Nervous DJ - hypnotic tracks The Mad Drummer - rhythm tracks (only drums) The Voodoo Man - tribal tracks Mad Man in the attic - samples & loops Dr. Spark - drum & bass/breakbeat The Banging Man - Techno LB GooD - will replace eLBee BaD (vocal retirement) Mr. GooD is the bad seed & The Prince of Dance Music is the brain & heart of it. —————————————————————- As the internet helped change how we listen to music, that new freedom allowed for wider music variation. Henceforth the return of Platinum Enterprise. Productions created today, with 'our band might sound like this' attitude. Giving room for more growth, the meeting of Randy Murray, former lead Trumpet player in Sun Ras Arkestra. Birth of the musical experience: 'Sun Ras Children' (Learned a lot of Jazz)

With only two episodes left of the season, belly dancer, ballet dancer and DJ extraordinaire, Jennifer Loveless joins Tim and Samara to finally answer the question you've been listening all season to hear the answer to: 'How many ways are there to listen to Music?'. Featuring music from Mark Ernestus presents Jeri Jeri, DJ Assault, Recondite and many more!

Octavo Programa de la Tercera Temporada, emitido el Jueves 22 de Diciembre del 2016 por Radio Ser FM. En este capítulo sonaron: Lizzy Mercier Descloux, The Pastels, Tindersticks, Beach House, El Cómodo Silencio de los que Hablan Poco, Mark Ernestus presents Jeri Jeri, Grandmaster Flash, Dinovo y Aphex Twin.

Grounded Sound March 2013 – Full Tracklisting Subscribe & download for free on itunes. Link at the bottom of the page : http://groundedsound.podomatic.com/ Featured Album : Souleance – La Beat Tape (First Word Records) Link : https://soundcloud.com/souleance/la-beat-tape-snippet-february Snippet free download : http://www.xlr8r.com/mp3/2013/01/biscornu Bilal - Butterfly (feat. Robert Glasper) (BBE) (time- 00:0:34) Dobie - Somewhere Over There (Big Dada) (time – 00:06:47) Philip Owusu – Goodnight (Bandcamp self released) (time- 00:09:01) Souleance – Kipseli (Interlude) (First Word Records) (time- 00:14:00) Mark de Clive Lowe and the Rotterdam Jazz Orchestra – Heaven (Tru Thoughts) (time- 00:16:37) Jessie Boykins 3rd – Whispers from an Angel (First Word Records) (time- 00:22:22) Amp Live – The Rightous (Plug Research Music) Kaleidoscope Theory EP (time- 00:26:20) Souleance – Bar a Cougars (Interlude) (First Word Records) (time- 00:29:00) Peter King – Shango (Mr Bongo) (time- 00:29:48) Ebo Taylor & Uhuru-Yenzu – Love & Death (Mr. Bongo) (time- 00:34:00) The Souljazz Orchestra – Bibinay ( Strut) (time- 00:40:00) Mark Ernestus presents Jeri-Jeri – Sama Yaye (Ndagga) (time- 00:44:21) Lancelot Layne - Carnival Drum Sound (Soundway) (time- 00:48:36) Joey Bada$$ - Waves (Cinematic Music Group / Pro Era) (time- 00:52:05) Micall Parknsun - My Own Worst Enemy (YNR Productions) (time- 00:55:28) Oh No- Drifters (Kash Roc Entertainment) (time- 00:58:58) Souleance – Como Estan Bitches (First Word Records) (time- 01:01:05) Oh No - Punchdrunkpatterns (feat. Tristate & Midaz) (Kash Roc Entertainment) (time- 01:04:00) Letherrette - D & T (Dorian Concept Remix) (Ninja Tune) (time- 01:06:43) Atoms for Peace – Judge Jury & Executioner (XL Recordings) (time- 01:11:22) Falty DL – She Sleeps (Ninja Tune) (time- 01:15:00) KAYTRANADA - Hot Jazzybelle (HW &W Recordings) (time- 01:19:45) Souleance - Space Fever (First Word Records) (time- 01:23:03) Dobie – Snap, Crackle & Pop (Big Dada) (time- 01:25:03) DJ Rashad & DJ Manny – Drums Please (Rollin EP) (time- 01:27:10) Fourtet - For These Times (Non Plus Records) (time- 01:30:15) Marcos in Dub - Jazzgrade (Local Talk) (time- 01:35:30) Roots Manuva - Banana Skank (WAFA Remix) (Big Dada) (time- 01:40:25) Toto Chiavetta – Become One (Yoruba Records) (time- 01:43:55) Theo Parrish / Carl Craig – Falling Up (P&C Third Ear Recordings) (time- 01:52:20) Joy Orbison – Big Room Tech House DJ Tool Tip (Non Plus Records) (time- 01:58:30)

Signal Podcast 008 Part 1: Juice Tracklist: Raffertie “One Track Mind” Presk “Hesitate” Distal “Kurgan (ID Remix)” Subwave “Tonal” Four Tet “Sing (Extended Mix)” Photonz “Spectre” Slava “File” Photonz “Dokos” Scuba “Everywhere” Luomo “Spy (Penner+Muder Remix)” Addison Groove “Savage Henry” Mark Ernestus “Mark Ernestus Meets BBC” Redshape “On Da Floor” ASC & Sam KDC “Vapour Lock”