Podcasts about Nikki Sudden

For the 33rd installment of the Fanzine Podcast, we welcome Chris Coleman, former editor of at least two important ‘zines from the 1980s post-punk UK Midlands: Stringent Measures and What A Nice Way To Turn Seventeen. The first of these zines straddled a vibrant local indie scene that included the likes of Eyeless In Gaza, In Embrace, Attrition, and the Glass Records label (about which Chris put together a special edition) along with Chris's evident excitement for early U2. What A Nice Way To Turn Seventeen, while maintaining the fanzine format, declared itself musically with a first issue featuring interviews with The Waterboys, The Alarm - and Johnny Thunders, to whom it later dedicated a special issue (as it did Marc Bolan). WANWTTS also put out physical vinyl – EP's and albums alike - that included the likes of The Jazz Butcher, Jasmine Minks, The Membranes, Mike Scott and Nikki Sudden, and which therefore continued to place the zine at the heart of the mid-80s indie music scene. To this day, Chris continues to release records of lost archived recordings on his Seventeen label.Chris spent a Friday night indoors chatting with podcast host Tony Fletcher about his fanzine experiences back in the day. Other fanzines mentioned in this episode include Bucketful Of Brains, Alternative Sounds and Adventures In Reality, and the conversation also diverges into the likes of R.E.M. and The Smiths. We get to hear how Chris's parents once collated and stapled and distributed zines for him while he was on holiday, and we find out which of the aforementioned musicians once commented to him, “You have great veins.” (Hint: it should be obvious.)Visit https://tonyfletcher.substack.com/p/what-a-nice-way-to-turn-seventeen for images of some vintage What A Nice Way To Turn Seventeen, to find similar posts and pages dedicated to earlier Fanzine Podcasts, and for Tony's twice-weekly writings.Thanks to Noel Fletcher for the theme music, and Greg Morton at Omnibus Press for the logo template.The Best of Jamming!: Selections and Stories from the Fanzine That Grew Up 1977-86 is available from here. Hosted on Acast. See acast.com/privacy for more information.

"Shane O'Mara Wore Mascara" Okay, so let's not be ridiculous--it's impossible to tell you a little bit about Lindy Morrison because there's so much to tell. But for the sake of time I'll condense what I can about this remarkable woman--just keep in mind this is a partial and very expurgated description of her accomplishments. My suggestion is that you read My Rock And Roll Friend, by Everything But the Girl's Tracey Thorn, who writes about her friendship with Morrison while offering a contextual explanation about why she's such an important musician, drummer and artist. The Sydney-born Morrison played in the all-female Aussie punk band Zero before joining the Go-Betweens in 1980. She was with the Go-Betweens until 1989, playing on such classic albums as Tallulah, Spring Hill Fair and 16 Lovers Lane. In addition to being a drummer, Morrison is an activist, a social worker and a humanitarian. She's worked on behalf of Aboriginal rights, women's rights and the rights of musicians with mild intellectual disabilities. Her extensive writing about gender issues in the music industry is peerless. She was awarded The Order of Australia Medal for services as a performer and advocate, and back in 2007 she was appointed as an Honorary Lifetime Member of the Music Council of Australia for her services assisting community music initiatives and guidance around performer's rights. She's a rockstar, yes, but she's also a rockstar as a person. Over the course of her career she's collaborated with everyone from Nikki Sudden to Nick Cave, and currently she's playing with Alex the Astronaut and the SnarskiCircusLindyBand with Rob Snarski of the Blackeyed Susans. Morrison is a subtle and smart drummer, whose sneaky percussive fills roll with rhythmic grace and steady muscle. And she's a blast to talk to--you're going to love her. www.robsnarski.bandcamp.com www.go-betweens.net www.bombshellradio.com www.alexgreenbooks.com www.stereoembersmagazine.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

This week on The Spindle, Marc Masters and John Howard drop the needle on Swell Maps, "Read About Seymour" b/w "Ripped and Torn" and "Black Velvet." Initially released on the band's own Rather Records and then reissued by the Rough Trade label in 1979, this single presents Nikki Sudden, Phones Sportsman, Epic Soundtracks, Jowe Head, along with D. Mint and Golden Cockrill, as young adolescents.  John and Marc both have personal ties to the Swell Maps crew, which they get into plus much more on this super-fun episode of the show. About The Spindle: The 7-inch record isn't just a format—it's an art form. On each episode of The Spindle podcast, music writer Marc Masters (Pitchfork, The Wire, Bandcamp) and music historian (and music maker) John Howard dive into a great 7-inch, dissecting its background, impact, and the reasons why it stands out as a small plastic piece of music history. What's your favorite 7″? Call us at 1-877-WASTOIDS and weigh in!

  Gallon Drunk, The Flaming Stars & Nikki Sudden special with Max Décharné in conversation with David Eastaugh In his musical career, Décharné has released eleven albums and something in the region of twenty singles since 1989. He played drums with his friend Nikki Sudden before joining Gallon Drunk in 1991, with whom he toured the world. Since 1994, he has been the singer and principal songwriter with The Flaming Stars. In a long and varied career in the music business, he has also recorded nine John Peel Sessions and played shows all across the US, Canada, virtually every country in Europe and also in Japan. One of his songs made the 1995 John Peel Festive Fifty (Kiss Tomorrow Goodbye by The Flaming Stars), then two more of his songs were in the 1996 John Peel Festive Fifty (Ten Feet Tall and The Face On The Bar Room Floor, both by The Flaming Stars).

Mark Sheppard is a British-American actor and musician. Sheppard is known for playing the demon/King of Hell Crowley on Supernatural and for his recurring roles as lawyer Romo Lampkin on the Battlestar Galactica reboot, Interpol investigator James Sterling on Leverage, and small-time crime lord Badger on Joss Whedon's Firefly. He has appeared in many other tv shows like: The X-Files, Monk, The Practice, Jag, Medium, Burn Notice and many others.     *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen   The Rich Redmond Show is sponsored by: Big Dot Lighting - Commercial LED Lighting Specialists   -and-   Bruce Cline Home Loans & Mortgage Refinance | Movement Mortgage www.musiciansmortgage.com       While known primarily for his extensive acting career, Mark Sheppard started out as a drummer in the late seventies with a slew of European Indie bands including The Television Personalities, Nikki Sudden, Robyn Hitchcock, The Barracudas and the Irish group Light A Big Fire. Coming to the U.S. In the mid-eighties, he recorded with They Eat Their Own and was a founding member of School Of Fish.    Some Things That Came Up:    -Mark is a DW Drums Artist -Started out playing at 12 and started recording at 15 -Music and acting is the telling of stories -Proud to be American -Country music is always spoken to the simpler things 13:00 -How to feel about click tracks -Breaking K Zildjians -Kenny Chesney switching cymbals -Visiting the Zildjian factory -Musicians who play with soul and you can tell -Being sober since 25 -How he absorbs lines   IMDB: https://www.imdb.com/name/nm0791968/ Twitter: www.twitter.com/mark_sheppard Instagram: www.instagram.com/realmarksheppard    The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich’s exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com        

Stevie Wonder [00:28] "Master Blaster (Jammin')" Hotter than July Tamla T8-373M1 1980 My favorite song at the beginning of 7th grade. The Fresh & Onlys [05:36] "April Fools" House of Spirits Mexican Summer MEX162 2014 You couldn't fool your mother on the foolingest day of your life. Lee Hazlewood [09:07] "A Real Live Fool" Houston Harmony HS 11290 1965 I've tried to perform this song with some friends, but there's something about the cadence of the lyrics that trips me up when I'm playing guitar. Go figure. Unknown [11:36] "The Right Ball fo You" How to Bowl Like the Champions American Sight & Sound Corporation 1960 Oh how I miss bowling. Antoinette Vischer, Neely Bruce, David Tudor [15:28] "John Cage & Lejaren Hiller: HPSCHD" John Cage & Lejaren Hiller: HPSCHD/Ben Johnston: String Quartet No.2 Nonesuch H-71224 1971 In case you were wondering, Antoinette Vischer plays a Neupert Bach-model harpsichord, Neely Bruce plays a Hubbard double harpsichord with 17% Eltro time compression, and David Tudor plays a solid-body electronic harpsichord. HUGElarge [37:01] "New York" HUGElarge Hwy 61 Records HWY61-1001 2015 My favorite Sonoma County duo laying down a fine take on Nikki Sudden. Human Television [39:50] "Cars Are Weird" Human Television Gigantic Music GM120001 2004 Indie jangly goodness. Howard Jones [42:21] "New Song" Human's Lib Elektra 60346-1 1984 Yeah, that song (https://youtu.be/9fjg7N_mGaU). Duran Duran [46:36] "Hungry Like the Wolf" Hungry Like the Wolf Harvest SPRO-9786 1982 Hey, another single produced by Colin Thurston. Bowerbirds [51:07] "Olive Hearts" Hymns for a Dark Horse Dead Oceans DOC017 2007 Cheers! Tom Jones [56:37] "To Love Somebody" I (Who Have Nothing) Parrot XPAS 71039 1970 Yeah, Tom really works this one. Andy Summers and Robert Fripp [01:00:01] "Hardy Country" I Advanced Masked A&M Records SP-4913 1982 Two guitarists walk into a studio... Dean Martin [01:03:14] "I Can't Give You Anything but Love" I Can't Give You Anything but Love Pickwick/33 Records SPC-3089 1968 Dino's version originally appears on his 1957 Pretty Baby album. Music behind the DJ: "Tumbling Tumbleweeds" by Lawrence Welk

Produzentenwechel. David Young. Demo im White Wedding Studio, Berlin (Wedding). Plattenaufnahme im Sound-on-Sound-Studio, New York, die Hauptstadt der Welt. Hund und Katze: Eine total zerstrittene Band. Die Uptown Horns und Peter Scherer. Triangel-Spiel lernen im Musikgeschäft. Uneinigkeit in allem, Zufriedenheit mit nichts. Mix in Berlin. Choraufnahmen mit Max Gold, Nikki Sudden und Slatko Matic. Ein Cover, das nicht zur Musik passt. Eine Tournee als Rettung der Band. Die Playlist zum Podcast: https://umg.lnk.to/NarzissenUndKakteen_Playlist

Glass Records special with David Barker in conversation with David Eastaugh Glass was one of the key London-based indie labels of the 1980s. Early releases focused on artists from Northampton (Religious Overdose, Where's Lisse & The Jazz Butcher), and the Midlands (Bron Area & In Embrace). The label released several records by artists having later associations with other London-based indies: Creation Records (The Jazz Butcher and Nikki Sudden & the Jacobites) ; Fire Records (Spacemen 3 and The Perfect Disaster). Glass's mainstay acts were The Pastels, In Embrace and The Jazz Butcher. The label also issued material by Bauhaus member David J, and American punk band The Replacements, and the influential Liverpool Ur-grunge Walkingseeds. Founder David Barker went on to work for Fire Records, creating the Paperhouse label, taking the Walkingseeds with him, and releasing the first Teenage Fanclub album, then moving to Creation Records for 2 years.

ANTONY & THE JOHNSONS. THE LAKE – 4:45Live At St. Olave's Church, Durtro, 2003The Golden Apples Of The Sun, Bastet, 2004 SIX ORGANS OF ADMITTANCE. ROLL THE STONE – 2:25Empty The Sun, Drag City / A Barnacle Book, 2009 EPIC SOUNDTRACKS – I'LL SING A HYMN – 4:20Sleeping Star, Bar/None, 1994 NIKKI SUDDEN. LIQUORS, GUNS […] Cet article Errance #127 : De Antony & The Johnsons à New Order est apparu en premier sur Eldorado.

ANSIA TÉRMICA – Dave Kusworth: «¡Malditos Seáis, Cerdos!». Beibi se empecina en su inicua, malsana, ponzoñosa querencia hacia los bajos fondos, la depravación, las botellas vacías, los corazones rotos, la melancolía, las patológicas adicciones, las corbatas y los yonqis. Si hace dos semanas disparaba su primer cartucho con sus ojos de mirada sobre el carrerón de los jacobinos Jacobites, en el día de hoy, céntrase en la errabunda (dispense la gingeriana Ginger por el empleo de este vocablo para describir a otra persona humana), thermodinámica, pizpiretona carrerota del evil twin de Nikki Sudden en Jacobites. No sólo Ansia Térmica, sino, a buen seguro, Ruido de Huesos y SAN ONOFRE despotricarán contra el mundo, la vida, los humanos, la historia, la sociedad con el báculo de la infrahistorieta del sosias de Kif Richardz. Pero nuestro héroe, Dave Kusworth, es mucho más guapo, glamouroso, estiloso, depravado y haragán. ¡Dónde va a parar! ¡Hasta ahí podían llegar las bromas! Visto desde otro prisma: ¡valiente haragán, drogao, melenas y mamarracho el tal David éste! Bah. https://www.ivoox.com/podcast-ansia-termica_sq_f1157297_1.html Viernes 18 octubre 2019. 19:30 h Sábado 19. 2:30 y 9:30 h… 107.4 FM y http://www.radioarrebato.net

Tanju Boerue hat eine Biografie, die weniger bescheidene Zeitgenossen schon lange literarisch ausgeschlachtet hätten, aktuell im Organisationsteam des Reeperbahn Festivals tätig, kennen ihn die meisten Hamburger wohl als Co-Betreiber des beliebten Kiezclubs "Hasenschaukel", den er zwölf Jahre lang zusammen mit Anja Büchel betrieb. Der Sänger und Multiinstrumentalist eröffentlicht mit "Funeral Parade Of Roses" zwar erst sein zweites Album unter eigenem Namen, hat aber seit den Siebzigern eine lange subkulturelle Odyssee vollzogen, die ihn vom Hamburger Osten über erste Punk-Fanzines in den Achtzigern nach London, New York und Los Angeles verschlug, er spielte Bass bei Nikki Sudden, war in den 90ern bei "Das Weeth Experience" und ferner als Manager und kreativer Begleiter von Ari Up (The Slits) tätig.

Nesta edição: The Fools, Nikki Sudden, Trashcan Sinatras, The Daintees, Diesel Park West, Win, Dolly Mixture, The Sandkings, Brilliant Corners, Floy Joy, The Sound, C-47 TracklistThe Fools - What I Tell Myself Nikki Sudden - Road of Broken Dreams Trashcan Sinatras - Obscurity Knocks The Daintees - Crocodile Cryer Diesel Park West - When the Hoodoo comes Win - Shampoo Tears Dolly Mixture - Miss Candy Twist The Sandkings - Rain Brilliant Corners - Why Do You Have To Go Out With Him Floy Joy - Weak In The Presence Of Beauty The Sound - Hot House C-47 - Vazio de amor Também disponível via iTunes e TuneIn RadioFeed RSS: clique aquiWebsite: 80 WATTSEmail: programa80watts@gmail.comMúsica de fundo:80"s Interlude, by Fanas Agradecimentos aos nossos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro José Paulo NetoApoie o 80 WATTS também via Patreon ou Apoia.se!    Muito obrigado aos nossos patrocinadores: Fabiano Martins Cordeiro e José Paulo Neto

TRACY BRYANT "A Crowded Room" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Velvet Kids" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Forever Certain" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 WATCH THE VIDEO: https://youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

One Thousand Violins: Please Don't Sandblast My House (Dreamworld 7”) Razorcuts: Mile High Towers ((The World Keeps Turning) (Creation LP) The Pale Saints: Language Of Flowers (The Comforts of Madness) (4AD LP) Where Gardens Fall: Postcard (Freak 12”) Nikki Sudden & The Jacobites: Jangle Town (Texas) (Creation LP) East Village: Circles (Heavenly 12 “) Slowdive Catch the Breeze(Just For a Day) (Creation LP) My Bloody Valentine: Nothing to Much The Lose (My Bloody Valentine) (Creation LP) Loop: Vapour (Guilded Eternity ) (Situation 2) The Pastels: Baby Honey (Suck On) (Creation LP) Tallulah Gosh: Don’t Go Away (Rock Legends Vol 69) (Constrictor LP) Strawberry Story: Gone Like Summer (Daisy Chain 7”) One Thousand Violins: I Think It’s Time I Broke Down (Dreamworld 7”) Yeah Yeah Noh: Super Imposed Man (Fun on the Lawn Lawn Lawn, Peel Session) (Vuggum LP) The Field Mice: Emma’s House (Sarah 7”) The Brilliant Corners: Teenage (McQueen 12") East Village: Here It Comes (Heavenly 12”) Weather Prophets: Naked as The Day You Were Born (Creation 7”) Brighter: Noah's Ark (Sarah 7") Go Kart Mozart: She Tore It Up And Walked Away (Instant Wigwam Igloo Mixture) (Midland Records LP)

Con la música de Ainara LeGardon en la sintonía empieza este nuevo programa de ERA Magazine, con una persona a la que conocí tras el cierre de la revista en papel en 2004 en una reunión de trabajo que nada tenía que ver con la música. Semanas después, me encontré a ese ejecutivo en un concierto de música indie. Y, claro, ¿qué pasa cuando dos apasionados de la música se juntan? Que la conversación no tiene fin. Su nombre, Óscar Llano; su álter ego musical, Cerdito, que viene a presentarnos su último disco titulado Arganzuela (Autoeditado / Delia Records, 2017). Éstas son las preguntas que nos ha respondido en la entrevista. # Buenos días, Óscar, que alegría poder hacerte esta entrevista después de tanto tiempo. # Cuenta a la audiencia de este podcast, quién es Cerdito y qué tipo de música hace. # Preséntanos la primera canción que nos traes (“Palomitas”). # No es que con tu edad no puedas hacer música, ni mucho menos, pero lo que siempre me ha llamado la atención es que más allá de los 40, sigues disfrutando de esta pasión como si tuvieras 20. Parece que la edad hace abandonar a muchos músicos, pero éste no es tu caso. # Pasamos al segundo tema (“Puño de seda”). # El circuito madrileño de sala te lo conoces a la perfección. ¿Soléis tocar más allá de la capital? Cuéntame cómo es vuestro directo, para todos aquellos, entre los que me incluyo, que no lo hemos visto. # Leo en tu página de Facebook que reconoces referencias muy clásicas, Neil Young, Bob Dylan, Nikki Sudden, Brian Eno… Y del siglo XXI, ¿alguna referencia que mencionar, algo que te parezca más que interesante? # Vamos a por la tercera canción (“Oh! Betty”). # Para finalizar, háblanos de algún plan futuro que tengas con Cerdito. # Muchas gracias Óscar por acercarte hasta este podcast de ERA Magazine y nos vamos a despedir con una última canción (“Urbe”). Con esta canción de Cerdito nos despedimos por hoy, pero mañana recordad que tenemos otro invitado relacionado con la música indie en nuestro país. Y si nos escuchas a través de iTunes o iVoox, no olvides dejarnos una reseña de 5 estrellas que ayudará a ERA Magazine a posicionarse mejor. Una última cosa, puedes contactar con nosotros a través de la web, eramagazine.fm/contacto. Muchas gracias y adiós.

Hoy le dedicamos el programa a los trovadores modernos, ya sea Ian Hunter y su enésima demostración de clase, o Nikki Sudden, protagonista de uno de los libros rockeros del año El Blues de la Revolución Francesa, escrito por Eloy Pérez y publicado por 66rpm. O nuestro invitado estrella, Iñigo Coppel , que nos presenta en directo su último disco, Los Nobles Salvajes, en la primera parte de una entrevista incompleta. Oh sí, habrá segunda parte, pronto además.

Karl O'Connor had to ring up before coming on The Quietus Hour to check that it was OK to wear shorts on the hottest September day for decades. We said that was fine, as Luke Turner was in his best EBM cut-offs and DM boots look to go with Regis' musical choices: nine incredibly formative tracks from his teenage years in the West Midlands during the early 80s. To a soundtrack of Nitzer Ebb, Foetus, Cabaret Voltaire, Matt Johnson, DAF, Dave Ball with Genesis P*Orridge, Nikki Sudden, Einsturzende Neubauten and the wonderful Fad Gadget they indulge in passable chat about how techno never made sense until Karl heard Jeff Mills, doing things your own way, Thee Temple Of Psychick Youth, and listening to German records with spanking grot mags in a tiny bedroom lit by nicked traffic lights.

PUNKCAST#94007 UK singer/songwriter Nikki Sudden performing an acoustic version of the song 'Death Is Hanging Over Me' at NYC's Cake Shop on Mar 24 2006, just 40 hours or so before his own death. More info: http://punkcast.com/940