Podcasts about zildjian

Send me a text and please visit www.livefrommydrumroom.com My guest is my old friend, drummer, legend and titan of the Drum Industry, Rick Drumm. We talk about Rick's early years as a drummer, his time at Remo, Midco International, Vic Firth, D'Addario (the parent company of Evans and Promark) and Peak Growth Solutions which he founded in 2014, and much more. So come along for the ride and please subscribe! Look for Rick's book, "Lock In To Unlock Your Focus Power" available on Amazon and Kindle in May 2025. Live From My Drum Room Hoodies are now available!Made of a soft 52% cotton 48% polyester blend.Sizes: MD, LG & XL = $50 USD (including shipping) *Size 2XL = $55 USD (including shipping) *Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL = $25 (including shipping) * Venmo only. US Orders only. 100% of the proceeds from Live From My Drum Room merchandise goes toward a Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Very important! Email or Text: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt and or hoodie to help support this endeavor! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Send me a text and please visit www.livefrommydrumroom.com I recently had the pleasure of being a guest on my friend Malcolm Moore's excellent podcast, "Creativity Is The Cure." During the interview we covered many topics related to my life and creativity, including working in the Music Industry at Zildjian, Drum Workshop, Simmons Electronic Drums and EU Wurlitzer, friends such as Charlie Watts, Vic Firth and Steve Gadd, Mission From Gadd, my award-winning podcast, "Live From My Drum Room" and much more. I hope you enjoy it. Please subscribe!  *Special audio clip at the end of my band, Grand Theft Audio recorded live. Recorded April 2025 on the phone between Cohasset, MA and Palmdale, CA.Listen on Amazon Music, Apple Podcasts, Buzzsprout, iHeart Radio, Spotify and YouTube! And be sure to subscribe to Malcolm's podcast: https://podcasts.apple.com/us/podcast/creativity-is-the-cure/id1758452951https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

To enter this month's Sweetwater giveaway (set of Zildjian cymbals): https://sweetwater.sjv.io/9LJMa5 For more on Stanton: https://www.stantonmoore.com/ To support the show, check out Tim's educational resources here: https://bit.ly/3r3RBjh More ways to connect with Tim: https://linktr.ee/timbuell Podcast Rewind Playlist (on Spotify) to catch up on my favorite past episodes of the podcast: https://spoti.fi/3ExTvwv

Special guest host Donny joins Hanna, Andy, and Fish to talk about the long, turbulent history of the Avedis Zildjian Company, a 400-year-long tale of feuding family, attempted imperial assassination, and metallurgy. Intro music is from "Across the Line" by the Wellington Sea Shanty Society.

To enter this month's Sweetwater giveaway (set of Zildjian cymbals): https://sweetwater.sjv.io/9LJMa5 For more on Brian: https://www.bfmworld.com/ To support the show, check out Tim's educational resources here: https://bit.ly/3r3RBjh More ways to connect with Tim: https://linktr.ee/timbuell Podcast Rewind Playlist (on Spotify) to catch up on my favorite past episodes of the podcast: https://spoti.fi/3ExTvwv

He just wants to work on the drums all day To commemorate four centuries in business, the Zildjian cymbal company commissioned Aaron Latos to build 400 snare drums from the same alloy that goes into their rides, crashes and high hats - staple elements of a jazz or rock drum set. Recipients include Sheila E., drummer's drummer Steve Gadd (Paul Simon's "50 Ways to Leave Your Lover") and tatted celebrity Travis Barker of Blink 182 (who survived a plane crash and dated Kim Kardashian). The anniversary passed in 2023 and Latos, who moved last year to Beacon with his wife and two young children, is 10 units shy of fulfilling the order. In the meantime, he's trying to perfect the manufacturing process for his own line of snares, tom-toms and bass drums crafted from nickel silver, which he assembles nearly from scratch in his Newburgh shop. Only the washers and tension rods clamping down the hoops that tune and tighten the drumheads are machined off-premises. By year's end, he plans to move the lathes, drills and rollers to a space in Beacon double the size of his current spot. Latos, 36, hails from West Virginia and made a living drumming in recording sessions and touring with country singer Margo Price. He performs around town with the Stephen Clair Band and takes on select students and studio projects. Drummers are notoriously picky about their gear and setup. Drum and cymbal angles must hit every time. Some prefer wood over metal snares. Others argue over tuning techniques. Every cymbal sounds different and comes in myriad shapes and sizes. Latos is so detail-oriented that he patented a snare drum throw-off system, the mechanism that lifts and holds down the coiled snare wires that add snap to the two and four beat of nearly every pop and rock song. His patent for the butt plate, which anchors the snares, is pending. "I'd have more patents, but they're expensive," he says. As far as he knows, Latos is the first to make nickel steel drums. He digs the sound, but the manufacturing process is like wrestling an alligator and presents "the most annoying and frustrating fabrication characteristics" that are "difficult to cut and work." The raw material arrives in long, flat sheets, like the plies of wood used in most drums. Labor consists of rolling, shearing and brazing them together. His loud, hefty snare drums pay homage to models used by big band jazz drummers in the 1920s and '30s designed to cut through 17-piece outfits in the days before specialized microphones. Weighty shells for his floor and rack toms are capped by silvery stainless steel and solid brass copper-colored hoops. Bass drums come with brown wood hoops. The end results are so striking that each piece looks like a sculpture. A basic snare costs $2,000 and a full drum kit starts at $10,000. Customers range from doctors and lawyers to pros, including Bob Meyer, a jazz cat and early adopter, Jeremiah Green of Modest Mouse (who died in 2023) and Harvey Sorgen, who has played with Hot Tuna, Derek Trucks and Paul Simon. Latos' workshop is relatively tidy, although gold and silver shavings litter the floor, including the rug in the cozy corner with a couch, turntable and pile of vinyl records capped by Mel Torme, Chuck Mangione and Haitian group Bossa Combo discs. "Every 22 minutes or so, I come over and flip the record," he says. "It helps me focus on what I am doing and what I should be doing." Latos Drums is located at 11 Spring St. in Newburgh and at latosdrums.com.

Our first metal drummer! We go deep with Matt to discuss his home practice space, drum teaching and his new Double Bass Master Class (coming soon!), Nate and Reed bond with Matt about being homeschoolers and share stories about when they met him, Matt shares his childhood epiphany about playing drums, his method for removing mental blocks, writing drum parts and recording, he describes his signature Zildjian blast bell, playing double bass at church, growing up on a farm, and he shares his perspective in watching Nate impale his eye with a drumstick live.--Follow Matt: instagram.com/matthewgreiner-- Check out Matt's signature Zildjian FX Blast Bell: https://zildjian.com/products/fx-blast-bell?srsltid=AfmBOorsYZ4rbAXahTTmeX8RlQKaiLvreIx3ULLCGqL6X07CfPcYHOTN Leave Us A Voicemail: (470) 588-5940Follow: instagram.com/drumsquestionmark

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Ever wondered if you've been saying Tama, Paiste, or Sonor correctly? You're not alone! In this episode, Late Night with Seth Meyers producer and friend to all drummer's, Eric Leiderman joins the show to settle the debate on how to pronounce some of the most commonly mispronounced drum brands. We break down the correct pronunciations of brands like Ludwig, Zildjian, Meinl, Sabian, Canopus, Trixon, Gretsch, and more, with recordings from the companies themselves.! Whether you're a seasoned drummer or just starting out, this episode is a must-listen to make sure you're saying these legendary names the right way. Tune in and never mispronounce Paiste again! Follow Eric on social media at @erx11

Ever wondered if you've been saying Tama, Paiste, or Sonor correctly? You're not alone! In this episode, Late Night with Seth Meyers producer and friend to all drummer's, Eric Leiderman joins the show to settle the debate on how to pronounce some of the most commonly mispronounced drum brands. We break down the correct pronunciations of brands like Ludwig, Zildjian, Meinl, Sabian, Canopus, Trixon, Gretsch, and more, with recordings from the companies themselves.! Whether you're a seasoned drummer or just starting out, this episode is a must-listen to make sure you're saying these legendary names the right way. Tune in and never mispronounce Paiste again! Follow Eric on social media at @erx11

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This episode features my conversation with Andy Zildjian, who is the President  and CEO of Sabian Cymbals. Based out of Meductic, New Brunswick, the Sabian Cymbal company was established in 1981 by Andy's father, Robert Zildjian. The company is highly regarded for its artistry and dedication to craftsmanship, focusing on traditional manufacturing processes and continuing to innovate to meet the demand of their consumers. In our conversation, we talk about legacy and how family dynamics lead to the formation of the Sabian Cymbal company. We also discuss the manufacturing processes, how they adapt to create new product lines and why it's important to develop and promote education. Follow Sabian: https://sabian.com https://www.instagram.com/sabiancymbals/ https://www.facebook.com/SABIANCymbals Sabian Education Network

Drummers across the globe know the Zildjian name because it's emblazoned on every shiny cymbal they make. What's less known is that the family has been making their famous cymbals, with a secret process, for more than four centuries.

Subscribe to the Blog... RSS | Email Newsletter Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS Support Music Ed Tech Talk Become a Patron! Buy me a coffee Show Notes with Timestamps [00:00:00] New format - expect more Will [00:05:30] News [00:05:45] Widgetsmith update [00:08:00] Apple updates out [00:11:00] Stream deck profile for Logic - Notation Central [00:14:30] Affinity free for educators [00:17:00] Tonal Energy on Mac through iPhone [00:19:30] Zildjian headphones [00:22:00] New Apple products [00:27:00] Apple Intelligence Preview [00:35:00] What to do if you are a Finale user [00:50:00] Segments [00:50:30] Music of the week [00:54:00] App of the week [00:56:00] Media picks aka "something you like" Links to Resources Mentioned Widgetsmith for iOS Apple macOS Updates Stream Deck Profiles for Logic - Notation Central Affinity Apps for Educators Tonal Energy Tuner Zildjian Drummer Headphones Apple Vision Pro iOS 18 Features Dorico Conquering Finale by Jason Lafredo Scoring Notes - Finale's Finale Episode Evan Chapman - Reveries Zoom for Window Management The Bear - Hulu Dark Souls III Golf It! Please don't forget to rate the show and share it with others!

Rick and Ron host Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton to the podcast. Steve initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 2022 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

John R. Beck, Professor of Percussion at the University of North Carolina School of the Arts, also teaches at Wake Forest University. He is the principal percussionist of the Winston-Salem Symphony and is a member of the Greensboro Symphony, Brass Band of Battle Creek, and the Philidor Percussion Group. A former member of the United States Marine Band, for 10 years he performed regularly with the National and Baltimore Symphonies, Washington and Baltimore Operas, and the Theater Chamber Players of the Kennedy Center. Beck has toured the United States as a xylophone soloist with the Jack Daniel's Silver Cornet Band, Brass Band of Battle Creek, and the New Sousa Band. John is a Past President of the Percussive Arts Society and presents clinics endorsing Yamaha percussion instruments, Zildjian cymbals, Innovative mallets, and is a Remo Endorsed Drum Circle Facilitator in the Health and Wellness community. In this episode, John talks about: What it means to play credibly How his thoughts on versatility vs. specialization have evolved  Questioning the relevance of knowing how to read a big band chart How getting good at drumset gives percussionists a better sense of internal time The advantages and baggage that came with being John Beck's son Valuing sound over everything, regardless of instrument or genre His time as president of PAS and helping the organization become more inclusive and outward-looking

Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 202 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

Originally from upstate New York, Seth began playing drums at the age of three. By age nine, he was sitting in with local bands and even backing up his elementary school choir. He's been in the Nashville music scene for 20+ years and is currently the touring drummer for Carrie Underwood. When Seth isn't on the road, he is in the studio recording and collaborating with some of Nashville's top writers, musicians, and producers. Seth has been in the Nashville music scene for years and has played/recorded with the likes of rockers Quinn Loggins, Joey DeGraw and Sodium. On the rock country and country scene he has performed/recorded with Ruby Lovette (Curb), Anna Wilson (Curb), Amy Dalley (Curb), The Wilkinsons (RCA), The Marie Sisters (Universal/Republic), Wade Hayes (Columbia), Jeff Carson (Curb), Brian McComas (Lyric Street), SheDaisy (Lyric Street), Katrina Elam (Universal South), Gary Allan (MCA), The Wreckers (Maverick), Sarah Johns(RCA), Joe Nichols(Universal South), Julianne Hough(Curb), Phil Vassar, Chris Young, Rodney Adkins(Curb), The Band Perry, Sheryl Crow and Little Big Town(UMG), Keith Urban. TV appearances include, the CBS Early Morning Show, ABC's the View, The Grand Ole Opry Live, CMT's MWL, The CMA Music Festival on ABC, a live concert special with Gary Allan on both MTV and CMT, Good Morning America, Good Afternoon America, Jimmy Kimmel, Jay Leno, Conan O'Brien, Dancing with the Stars, Craig Ferguson, The Talk, Jimmy Fallon, Ellen Degeneres, Fox and Friends, Live with Kelly and Michael, Canada a.m., CMT Awards, The ACA Awards, David Letterman, X-Factor and American Idol.   Gear: Innovative Percussion, Gretsch, Zildjian, Remo, Gibraltar Some Things That Came Up:   -3:00 Big musical family. Moving to Nashville at 18 years old.  -4:40 Playing int he school band  -5:30 Teacher George Lawrence! Passed on The Wilkinsons gig to Seth.  -9:30 Seth's admiration of Carlos Vega. -16:00 Chris Cornell, Rob Lowe -19:00 Tuning hacks.  -20:30 Game changer advice from Chris McHugh…(drum roll)… Puresound “Orchestral” snare wires on all drums. Since 2013 -23:00 Recording with Little Big Town with Jay Joyce producing.  -24:40 “Practice! Practice! Get a good gig and make a lotta cash!” -27:00 Starstruck? No! Playing with Fogerty was pretty surreal. -29:30 There's No Business Like Show Business!!! Everything about it is appealllingggg! -31:30 The perks of the Vegas residency. Play Wednesday, Friday, Saturday.  -33:20 Seth does body weight circuits. -34:00 Seth's home studio and maintaining an 8 acre property. -35:15 Rausch is German!  -37:00 Keith Urban's band would watch Little Big Town open for them every night. Amazing, natural advertising for Seth. Led to the call for Keith Urban.  -38:50 Seth met Cindy Blackman in Vegas -39:40 Advise for up and coming drummers.”Try Not to be an asshole”. “Lots of FAITH! Worrying doesn't do anyone any good. Take it day by day.  -41:20 Seth is a model represented by The Block Agency! -42:00 Harry McCarthy as Seth's drum tech with Keith Urban. Drum Paradise Christmas party?  -44:30 Studio and Touring balance -47:00 We hope Jim's Mom isn't listening! -49:00 “The Fave 5”…Seth's brick pizza oven.  -51:00 Ultimate Tribute Band choice is Led Zeppelin -54:00 Take every gig and don't quit!     Follow:  www.sethrausch.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Florida native McCoy Gibbs made the move to Nashville, Tennessee at the age of 18 to pursue a Music Business degree at Belmont University.  He not only earned that degree, but also made lifelong connections and friendships while falling in love with the city, energy, and opportunity that is Nashville.  The crazy part is that Gibbs didn't really learn to play drums until his college years.  For this natural musician, drums and rhythm came naturally and he found his groove, literally. After college, Gibbs emerged as a drummer while playing with pop/rock band Hot Celle Rae.  He then went on to become an independent drummer to soak in all the music he could.  During this time he met tons of musicians, bands and artists, cut his teeth on the grind of Broadway bars and “honky tonks,” and jumped in a van for a random show in Montana.  He loved every minute of it. In 2013, his hard work paid off when Gibbs successfully auditioned for CMA-nominated Duo of the Year, Love and Theft, and hit the road for the busiest year of his life thus far.  It hasn't slowed down for him since.  From touring, live TV performances, music videos and award shows, Gibbs has kept himself quite busy. Gibbs is currently playing with 2017 CMA New Artist of the Year nominee Lauren Alaina, and continues to find other ways to fill in the occasional off day with sessions, shows, and housework.  If there is an example of hard work, passion, and preparation paying off, McCoy Gibbs is that example.   Some Things That Came Up:  -2:45 Tall drummers  -4:15 Playing the Opry -5:00 Imposter Syndrome?  -5:20 Musical family. Played Sax, Sing, Guitar -8:20 An elder Millennial  -10:90 The beauty of the Dave Matthews band and Carter -12:00 No formal lessons. NOT passing the torch yet!  -14:00 Guitar! Singing AT you!  -16:30 The birth of Grunge and Dave Grohl -21:00 Music Business Major at Belmont University  -26:50 Meeting Ed Toth. Into Tonic, Vertical Horizon, etc.  -28:00 The Singing Drummer (“The 5th Limb”). Don Henley, Deen Castronovo, Phil Collins.  -33:00 Continuing to play Lower Broadway  -36:30 John Hamlin and Hot Chelle Rae  -38:30 Early Hot Chelle Rae demos  -50:00 Playing with Lauren Alaina  -52:20 Aaron Sterling on some of the records -52:50 Joey Moi as producer now  -54:00 The glory of private jets -56:00 Jim Riley and Zoro always got the photos! -1:00:00 Gretsch, Remo, Zildjian, Vic Firth…getting endorsements -1:09:00 Pass -1:11:00 House Band at The CMT Awards since 2014 -1:14:50 McCoy's charts -1:15:30 Subbing for Cole Swindell's tour last minute -1:25:00 “The Fave 5”    Follow:  https://www.mccoygibbs.com/ FB: Robert McCoy Gibbs IG: @McCoy.Gibbs  X: McCoy Gibbs    The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Check out Rich's books on Amazon!    Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

My guest today is Armen Zildjian, VP of Sales at Clockwork, which is a financial planning and analysis platform for growing businesses and their advisors. Armen has over 20  years of international software sales and sales leadership experience, and has helped take multiple scale multiple tech companies, including Drift, which achieved $1B valuation in 2021, LogMeIn (IPO), GrabCad (acquired by Stratasys), and Dyn (acquired by Oracle). He knows what it takes in the beginning, managing early-stage sales teams with little structure and process, all the way through international expansion with millions in revenue and a global sales team.  In this episode he talks about his process for how he makes it all happen.  Here are several key takeaways from the interview: Empowering Small Businesses: How Clockwork helps small businesses succeed by providing accurate and timely financial data through financial advisors. Understanding Customer Value: The significance of truly understanding the customer's problem and the value Clockwork can offer. Iterative Sales Processes: The need for constant adaptation in sales processes, with feedback loops and certification programs ensuring success. Hiring and Curiosity: Why hiring experienced salespeople and fostering natural curiosity are crucial for sales success. Motivation and the 'Why': The importance of having a clear goal and understanding the motivation behind actions in sales. Empathy in Management: Armen's management style focuses on empathy, understanding the whole person, and unlocking their potential. This episode is packed with actionable advice for sales leaders looking to scale their teams and empower small businesses! Tune in and let us know your key takeaway. Armens Linkedin Profile Timestamps 00:00 Introduction and Background. 02:20 Clockwork's Vision and Value Proposition. 08:49 Growth and Scale: IPO or Acquisition? 14:30 Building and Fine-Tuning the Sales Process. 19:27 Handling Challenges in a Fast-Growing Startup. 23:42 Staying Focused and Disciplined in Decision-Making. 28:13 The Role of Sales Reps and A/B Testing. 32:10 Core Principles and Skills for Sales Success. 34:07 Understanding the 'Why' Behind Your Actions. 37:10 The Impact of Developing Others. 40:31 The Drive to Win: Having a Chip on the Shoulder. 51:01 Finding Fulfillment in Hobbies and Interests.

Born and raised in Arkansas, Evan grew up playing drums at his dads church in Fort Smith. He was the kid that would sit behind the drummer during church and soak in every detail and nuance. Once church let out, he'd jump up on the kit and play, until the next church service started a few hours later. Evan got his first drum set at the age of 8 and began serenading his whole family and neighborhood with punk rock beats and the sounds of the radio. After touring the country with his band The Exception, Evan decided it was time to move to Nashville, TN and attend Middle Tennessee State under the direction of Lalo Davila and Tom Giampietro. It was in college where Evan honed his craft and wanted to become a studio musician. Years later and having played on multiple #1 songs on the radio, Evan is now an in demand studio drummer. You can hear his drumming with , Kenny Chesney, Reba McEntire, Luke Bryan, Jimmie Allen, Ronnie Dunn, Keith Urban, Steven Tyler, Toby Keith, Matt Stell, Maddie and Tae, Tim McGraw, Lauren Alaina, Erin McCarley, Rascal Flatts and many other artists.      Some Things That Came Up: -2:00 Started at 2 years old in church in Hot Springs,Arkansas  -3:45 first teacher was Sam Smith along with non stop playing and practicing  -5:00 school band and football. Football won  -6:30 Touring with Evan's  first band, The EXCEPTION  -7:15 Moved to to Nashville with the band in 2006 -10:15 The life changing teacher, Tom Giampietro. -11:00 Really worked on reading music. Lalo and Julie Davila at MTSU  -13:15 Touring with Griffin House and Katie Herzwig and started working in some studio environments  -13:50 Will Sales was a mentor and also Evans first master recording session that featured two drummers -18:45 “Dream Wild” movie  -22:30 Odd jobs and touring was a means to get in the studio long term  -24:30 Recording with Steven Tyler was a highlight so far  -27:30 Steven Tyler, Keith Urban and a track from the Barbie soundtrack all at Evan's house  -29:30 The legend of Jim Cooley  -30:15 Fast number charts! Coming from a musical family  -33:00 Gretsch, Zildjian, Evans  -38:00 The award for worst recorded snare drum sound goes to… -40:00 Nashville's THREE drum shops -45:15 The science behind LOOPS  -48:15 Efficiency and workflow  50:30 Writing  and producing  -54:30 Scheduling challenges -58:40 Changing heads once a month or so. Tana's  log locks  -1:00:00 www.musicbed.com -1:05:30 Garnering an emotional response with our instruments  -1:05:40 Samples and loop packages at www.evanhutchings.com -1:07:20Jeff Porcaro, Jim Keltner, Matt Chamberlain, Stanton Moore, Christian rock drummers, John Bonham, Dave Grohl  1:11:00 The soundtrack to “That Thing You Do” inspired Evans first kit  1:12:00 Roni Kaspi is great!  1:16:30 Grateful for parental support  1:17:30 Evan  parked cars and he doesn't  drive a stick!  -1:20:45 “The Fave 5”   Follow:  www.evanhutchings.com IG: @evanhutchings Also: FB, airgigs, soundbetter.com   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!     Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com www.itsyourshow.co  

In gratitude for his assistance, Lord and Lady Pelennor invite Falk to visit their estate. Is there no end to their generosity? Is there no escape? Is chili better than rashers for your supper? Listen to find out!Zildjian's Away to Shropshire, episode 108 of This Gun in My Hand, was lorded over by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. How do I resolve the endless yearning between two hearts and bring them together? With This Gun in My Hand!Show Notes:1. This episode is a spin-off from the fake commercial “Henley's Away to Shropshire” in episode 73, and partly inspired by season one of Sanditon.2. Another example of rich or middle class Brits taking strange children into their homes is Wuthering Heights. I'm aware of the fan theory that Heathcliff is an illegitimate son of Mr. Earnshaw, which explains why Earnshaw would favor the boy over his own children. But the cover story Earnshaw apparently expects everyone to believe is that he adopted a kid off the street at random. As Eighteenth Century Brits were wont to do, I guess?3. Lord Pelennor uses the word “arse,” so it's not cussing by American standards even though they pronounce it exactly the same way as that other word. Not going to mark this episode as having “explicit language.” Credits:The opening music was from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Song Title: The Fairy Queen, Z. 629Composed by Henry Purcell, 1692.Performed by Carl Pini, John Tunnell, Anthony Pini and Harold Lester.License: Public Domainhttps://musopen.org/music/11140-the-fairy-queen-z629/Song Title: Consolation, Songs Without Words, Op. 30, No. 3, Adagio non troppo (E major)Composed by Felix MendelssohnPerformed by AnonymousLicense: Public Domainhttps://musopen.org/music/348-songs-without-words-op-30/Sound Effect Title: Outdoor ambience near a forest with birdsong (Midlands, England)License: Public Domainhttps://freesound.org/s/727609/ Sound Effect Title: R22-05-Two Horses on Dirt Road.wavLicense: Public Domainhttps://freesound.org/people/craigsmith/sounds/479790/Sound Effect Title: G52-10-Horse and Buggy.wavLicense: Public Domainhttps://freesound.org/people/craigsmith/sounds/437081/Sound Effect Title: 20070918.galloping.horse.waveBy dobroide License: Creative Commons Attribution 4.0https://freesound.org/s/41180/Sound Effect Title: S01-01_Horse trots in on hard dirt; stops; trotting out.wavLicense: Public Domainhttps://freesound.org/people/craigsmith/sounds/675422/?Sound Effect Title: Horse-drawn carriage - Approach and stop.wavBy Sirderf License: Creative Commons Attribution 4.0https://freesound.org/s/333680/Sound Effect Title: stomp01.wav By JanKoehlLicense: Creative Commons Attribution 4.0https://freesound.org/s/85600/Sound Effect Title: G38-03-Horse Gallops Through Leaves.wav License: Public Domainhttps://freesound.org/s/437096/ Sound Effect Title: horse snort breathe eat recordingLicense: Public Domainhttps://freesound.org/s/531429/Sound Effect Title: Horse Whinny 1.wav By GoodListener License: Creative Commons Attribution 3.0https://freesound.org/s/322445/Sound Effect Title: Fist banging on wood surface.wavBy 221339License: Creative Commons Attribution 4.0https://freesound.org/s/655133/The image accompanying this episode is a modified detail of a panel from Stories by Famous Authors Illustrated #1, August 1950, in public domain, pencils and inks by Jim Lavery.

Nel video, Emiliano Bassi ci porta dietro le quinte del tour con Ermal Meta, condividendo le sue ultime novità professionali, come il nuovo disco di Cara e la sua etichetta per giovani talenti.Vedrai un tour dettagliato del suo incredibile drum kit, inclusa la batteria Tama Superstar in edizione limitata e i piatti Zildjian.Emiliano svela anche i segreti del suo setup live, spiegando come gestisce gli in-ear monitor e le sequenze per offrire performance impeccabili. Non perderti i suoi trucchi di accordatura e i consigli da vero professionista della batteria.► Tutto su di me: https://linktr.ee/suonarelabatteria

Send us a Text Message.My guest is legendary Prog drummer Gavin Harrison! In this episode Gavin talks about recent tours with King Crimson, Porcupine Tree and The Pineapple Thief, his home studio, a rundown of his microphones and gear, his performance at Zildjian's 400th Anniversary Concert in London and more! I was honored to have the EXCLUSIVE WORLD PREMIER of “Dark Wind” from Gavin's latest project with Antoine Fafard "Perpetual Mutations" (available July 26th), with a breakdown of his isolated drum track, as well as The Pineapple Thief track, “Every Trace of Us” and much more! So come along for the ride! Gavin performing "Pick Up The Pieces" at Zildjian's 400th! https://youtu.be/HHoHT3UEJyE?si=gxCvCRVUHsOQLWOM Live From My Drum Room T-shirts are available! Made of soft 60%cotton/40% polyester. Available in sizes XS-2XL. $25 including shipping in the contiguous US! Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email for more info: livefrommydrumroom@gmail.com. Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Danny Seraphine is the Rock and Roll Hall of Fame inducted, world-famous original drummer of Chicago. Tate Berkey has been researching Danny's gear for the last year and has compiled an exhaustive look at all things Danny Seraphine. We cover his earliest drum kits, his time with Slingerland drums, his Zildjian endorsements, and then his switch to Yamaha and DW. Danny is a consummate gearhead and loved to experiment with different sizes, configurations, especially the use of concert toms. We cover Danny Seraphine's entire career in this episode, and Tate doesn't leave any stone unturned! Enjoy a few playlists that Tate made to hear Danny's playing. Spotify Playlist: https://open.spotify.com/playlist/2ZV8AhRHfv8rsYzKCeQmtb?si=bf9893672de14d8f YouTube Playlist: https://www.youtube.com/playlist?list=PLxBHN1SJB2Ic3Lf1yhUoZHDslXgEnY7Jf and here is Tate's YouTube channel, please subscribe and support him! https://www.youtube.com/@tate_berkey Thanks and enjoy the episode! **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee

Danny Seraphine is the Rock and Roll Hall of Fame inducted, world-famous original drummer of Chicago. Tate Berkey has been researching Danny's gear for the last year and has compiled an exhaustive look at all things Danny Seraphine. We cover his earliest drum kits, his time with Slingerland drums, his Zildjian endorsements, and then his switch to Yamaha and DW. Danny is a consummate gearhead and loved to experiment with different sizes, configurations, especially the use of concert toms. We cover Danny Seraphine's entire career in this episode, and Tate doesn't leave any stone unturned! Enjoy a few playlists that Tate made to hear Danny's playing. Spotify Playlist: https://open.spotify.com/playlist/2ZV8AhRHfv8rsYzKCeQmtb?si=bf9893672de14d8f YouTube Playlist: https://www.youtube.com/playlist?list=PLxBHN1SJB2Ic3Lf1yhUoZHDslXgEnY7Jf and here is Tate's YouTube channel, please subscribe and support him! https://www.youtube.com/@tate_berkey Thanks and enjoy the episode! **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **I record interviews with Riverside.FM - I highly recommend it. use code DRUM to save 15%*** https://riverside.fm/?via=bart-vanderzee

EP110 of the #ATIpodcast w/  @barrettlewisii1955  and Ridge Jackson of #WAXINGONWITHRANDJ they welcomes AIDAN NEUNER, Drummer of Death-Doom band #CIVEROUS of  @20buckspinlabel  . In this episode of the ATI podcast, Barrett and Ridge welcome Aidan from CIVEROUS to discuss their new album, Mayze Envy, and the rise of underground bands in the metal scene. They talk about the collaborative process of creating the album and the intentional arrangement of the tracks to tell a story. They also touch on the band's influences, the energy of their live performances, and the challenges of being on the road. Aiden shares his personal journey as a drummer and his love for the death doom genre. Aidan Neuner started playing drums at a young age and took lessons from various teachers. He emphasizes the importance of discipline and technique in his drumming education. He discusses his experience recording drums for #MAZEENVY and the decision to record without a click track. Aidan shares his love for Gretsch and Ludwig drum sets and his preference for Zildjian cymbals. He also mentions some of his favorite bass players he's played with, movies and directors. In this final part of the conversation, the discussion shifts to movies and favorite films. The episode finishes with CIVEROUS "Labyrinth Charm" feat. Derek Rydquist (#THEFACELESS). Where to find CIVEROUS: IG: https://www.instagram.com/civerous_disease/ Bandcamp: https://civerous.bandcamp.com/merch Spotify: https://open.spotify.com/artist/02OUZObgphMvZtxecx8bYk?si=vaF6Q5X5T9CCJhs7CLcC5w LINKTR: https://linktr.ee/civerous Like, Listen, Enjoy, Subscribe to the ATI Podcast collective anywhere you get your podcast audio. ⁠https://flow.page/atipod⁠ #ATIpodcast #,CIVEROUS #underground #metal #collaborativeart #drummer #deathdoom, #drums, lessons, #technique, #recording, #Gretsch, #Ludwig, #Zildjian, #bassplayers #bass #directors #movies, #favoritefilms, #GoodTime, #UncutGems, #Dune, #Hannibal, #horror, #animation, #films, #WAXINGON --- Send in a voice message: https://podcasters.spotify.com/pod/show/ati-podcast/message Support this podcast: https://podcasters.spotify.com/pod/show/ati-podcast/support

My wife gave birth to a healthy baby boy last week, so enjoy this classic episode from 2020 while I get caught up on next weeks episode! Andy Zildjian is the president of Sabian Cymbals and takes us on a very fun journey through the history of the company that dates back to its founding in 1981 by his father, Robert Zildjian. This episode features tons of great information about his famous family in general and we discuss the factors that caused the split in the family and become the iconic Sabian cymbals that we know today. We learn all about how Robert Zildjian founded the company and how much of a visionary he was as a business man and used his international smarts to help Sabian come out of the gate as a major player in the cymbal company in the early 80's. Andy is continuing his fathers legacy by innovating and keeping the company on the cutting edge of cymbal technology. Enjoy this episode!

My wife gave birth to a healthy baby boy last week, so enjoy this classic episode from 2020 while I get caught up on next weeks episode! Andy Zildjian is the president of Sabian Cymbals and takes us on a very fun journey through the history of the company that dates back to its founding in 1981 by his father, Robert Zildjian. This episode features tons of great information about his famous family in general and we discuss the factors that caused the split in the family and become the iconic Sabian cymbals that we know today. We learn all about how Robert Zildjian founded the company and how much of a visionary he was as a business man and used his international smarts to help Sabian come out of the gate as a major player in the cymbal company in the early 80's. Andy is continuing his fathers legacy by innovating and keeping the company on the cutting edge of cymbal technology. Enjoy this episode!

Billy Freeman has been the touring drummer with country recording artist Dustin Lynch for over a decade. Billy also records, writes sand produces from his home base of Nashville, Tn.    Things That Came Up:  -2:45 Growing up in Garland, Tx.  -3:00 The Big G Jamboree -4:00 Starting taking drum lessons at 4 years old -6:30 Eric Clapton and Gloria Estefan inspiration -7:30 Little Feat's “Waiting For Columbus”  -9:00 Dan Wjociechowski and Mike McMiname -10:40 Jeff Henan, VHS Tapes and Transcriptions -12:44 Guitar Center Drum Off in 2011 -13:25 Mayfly Attack! -15:50 “Red Alert”  -18:15 Home Studio Evolution into the Apollo gear. -19:30 Golf on the road  -21:00 Singing jingles for toy companies -22:00 Love and Marriage -24:00 The Dallas Cowboys  -25:40 Playing in Corporate Band, Freelancing  -27:50 Guitar Center Pro's Greg Glaser  -29:00 Cowboy's Red River in Arlington, Tx.  -29:50 Watching Wojociechowski's LeAnn Rimes audition  -32:00 Meeting Dustin Lynch at Cowboy's  -33:00 Touring with Neal McCoy for one year  -24:30 Setting an infectious positive tone for the room  -35:00 CRASH success philosophy personification  -35:40 “Keep your head down and do good work” -37:00 Loud Jamz and Nashville Drummer Jamz  -38:00 Vinnie Paul  -40:00 Ludwig, Remo, Zildjian.  -42:00 “Phat” vs. “Crack” on a snare drum -44:00 The Remo Crown tattoo  -48:00 Organic Relationships  -53:00 “Unconscious Cues”, failure and constant scanning  -59:30 Anticipate and solving problems  -1:40 Singing the Chorus to get the best tempo  -1:01:40 The Steely Dan and Huey Lewis Tribute bands!  -1:04:00 The FAST 5 Questions!    Follow: IG: @nillyjoefreeman  FB: billyjoefreeman   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available on Amazon.com   Rich's NEW Book is called “Making It In Country Music: An Insider's Look At The Industry” is also available on amazon.com.    Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com   Thinking of starting a podcast? www.itsyourshow.co

Kintsugi is a centuries-old practice that involves beautifying cracks in broken objects to show their history. The philosophy behind kintsugi is that broken objects are not worthless and their brokenness can be seen as a part of their history and beauty.In Hawaiian culture, mana is a sacred term that refers to spiritual energy and strength. It can be present in both people and objects. Hawaiians believe that mana can be gained or lost through actions. They also believe that mana is both internal and external.

Spoke with drummer Sheel Davé about getting major label interest in High School with Irepress, Being dorm mates at Northeastern, Forming Eclectic Collective and Bad Rabbits, The Karma Loop and basement shows era, Making an unreleased album with Teddy Riley, Being endorsed by Zildjian and Pearl, and Getting back to the basics.

Fred Armisen celebrates 400 years of Zildjian cymbals and discusses his experience on Saturday Night Live, Portlandia and Documentary Now! Fereydun Robert Armisen is an American comedian and actor. With his comedy partner Carrie Brownstein, Armisen was the co-creator and co-star of the IFC sketch comedy series Portlandia. He also co-created and stars in the mockumentary IFC series Documentary Now! Howie Mandel Does Stuff Available on YouTube at https://youtu.be/xqymMk_YeoE Visit http://www.fredarmisen.com/ for more! Visit https://www.howiemandel.com/ for more! Get your official STUFF Merchandise here! https://store.roosterteeth.com/collections/howie-mandel Thanks to our sponsors Go to http://harrys.com/HOWIE to get a $13 Starter Set for just $3. Go to http://liquidiv.com and use code HOWIE to get 20% off. Fred Armisen Exposes Jaw Dropping SNL Secrets | Howie Mandel Does Stuff #143 https://youtu.be/xqymMk_YeoE

The guys take on something new when a listener letter points them not to a song or a band - but to the rumor and innuendo surrounding a BRAND. Hear the tale of an ancient accident and the family who turned it into a centuries-lasting business endeavor that would help define jazz and lead to rock n roll. SHOW NOTES: https://mcaulaydrums.com/CYMBALS/item4498.html https://thedrumninja.com/where-are-buddy-richs-drum-sets/#:~:text=Buddy%20Rich%20was%20a%20Zildjian,popularity%20even%20more%20amongst%20drummers. https://reverb.com/news/crash-clash-the-shared-history-of-zidjian-and-sabian https://www.familybusinessmagazine.com/clashing-cymbals-are-music-their-ears https://en.wikipedia.org/wiki/Alchemy https://en.wikipedia.org/wiki/Avedis_Zildjian_Company Modern Drummer, 1983 article: https://www.soft.com.sg/forum/showthread.php?21422-Zildjian-Sabian-history https://en.wikipedia.org/wiki/Revenue_Act_of_1940 UPI Archives, April of 1981: https://www.upi.com/Archives/1981/04/15/Cymbal-making-family-clashes-in-court/5192356158800/ https://www.nytimes.com/2002/12/31/arts/armand-zildjian-81-head-of-family-of-cymbal-makers.html https://en.wikipedia.org/wiki/Sabian_Cymbals

Troy started playing drums at 10 years old and was influenced by Mitch Mitchell of the Jimi Hendrix Experience. He has a wide variety of musical tastes and loves Creedence Clearwater Revival, Neil Diamond, Led Zeppelin, and Latin style percussion. His other drumming influences include John Bonham, Ian Paice, Jeff Porcaro, David Garibaldi, and Steve Gadd. Troy grew up in the east San Francisco bay area playing in bands such as Whisper, Benny and the Jets, 415, and the Eric Martin Band before joining Tesla in 1985.In 2010, Troy participated in a tribute album titled Mister Bolin's Late Night Revival, a compilation of 17 previously unreleased tracks written by guitar legend Tommy Bolin prior to his death in 1976. The CD includes other artists such as HiFi Superstar, Doogie White, Eric Martin, Jeff Pilson, Randy Jackson, Rachel Barton, Rex Carroll, Derek St. Holmes, Kimberley Dahme, and The 77's. A percentage of the proceeds from this project will benefit the Jackson Recovery Centers.[2]Troy also produces other artists and has played drums on recording sessions in the studio with artists like Ronnie Montrose, Marc Bonilla, Eric Westphal, and others. He operated a recording studio, TML Productions, in Hayward, California.[3]Troy is endorsed by Tama Drums, Zildjian cymbals, and Promark drumsticks.

Episode 2 Live From My Drum Room, which aired "live" on Facebook on April 29, 2020. This is an edited version of the full version on YouTube. An episode devoted to endorsements in the drum industry and dispelling some of the myths. Viewers posted questions and comments and I've kept some of them to give context to the commentary. However, a lot of the questions and comments were edited to keep this succinct and on topic. Disclaimer: I based my commentary and opinions on my own personal experience working in Artist Relations for almost 30 years. However, the business has changed dramatically since I left the drum industry in 2013, so some of this may no longer apply. If nothing else, it's a peek into how endorsements worked in the drum industry during the golden era of the music business. You can watch the entire episode on YouTube and please subscribe!  https://youtu.be/S22tczW4sAQ?si=4-GNRTUMKAcdGDTzhttps://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

On this episode of Flow Over Fear, Adam shares valuable lessons learned from 100 years in business. His company, Hill Brothers Chemical Company, just celebrated its 100th anniversary. For more than 4 generations, they have been building a legacy of care and compassion in the chemical industry. With this celebration, they join companies such as Nintendo and Zildjian, which have been around for more than a century.  We learn about the lessons these legacy companies can teach us regarding the importance of meaning beyond self-interest, balance, adapting and aligning our actions with purpose, and creating value that transcends the profit motive. We discuss why relationships and community are crucial for building a legacy, drawing insights from Adam's experience as the CEO of this legacy company, Hill Brothers. We delve into the topic of fear, discussing how mastering balance and adaptation can help us overcome it both internally (individually) and externally (as a business). Ultimately, we learn how companies exceeding the 100-year mark have lasting power and how their legacy transcends self-interest. Time stamps: [00:00:56] Adam discusses challenges of running a fourth generation business and shares three lessons learned at a centennial party. [00:04:47] Learning to build a healthy relationship with fear can result in sustainability and a fulfilling life, both personally and within organizations. Core values, discipline, and alignment with purpose are key. Lessons from 100-year-old businesses can be applied to building a better relationship with fear. Hill Brothers legacy is just the beginning, with a sense of pride and joy in achieving success. [00:08:04] Legacy businesses sustain through creating value beyond profit and mastering the balance of focus and adaptation, exemplified by Nintendo and Zildjian. [00:12:59] The meaning behind a company transcends its legacy and self-interest, as exemplified by companies with a hundred year legacy. This concept is significant as a company stays longer in business. For Hill Brothers, their power is not in chemicals or profit but in their existence and purpose. PlayStation lacks this characteristic. [00:15:40] Legacy companies have lasting power and built identity, while newer companies are still trying to shape theirs. Relationships are crucial. [00:20:17] Adaptability, core values, patience, and relationships are the keys to sustainability and fulfillment.

John's guest is Cady Zildjian. Cady is the Vice Chair Board of Directors for the Zildjian Company. She is the eldest of the 15th generation of the Zildjian Family and the daughter of Debbie Zildjian, granddaughter of Armand Zildjian and great granddaughter of Avedis Zildjian, who founded Zildjian's US operation in 1929. Zildjian celebrates their 400th Anniversary this year and Cady talks about the exciting events the company has already held this year, as well as the upcoming 400th event in Boston on September 20th, R&D and new product innovations, and lots more! So come along for the ride - pun intended! Check out John's new podcast “TrackTalk” and subscribe! www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Vincent gives us a deep dive into the history of the American made Zildjian Cymbals from 1929 up through the 1990s. We talk about all the various stamps through he generations that can be used to identify vintage A. Zildjian cymbals, along with notes on the hammering, lathing, and bell size that can help you determine collectibility and value of a vintage Zildjian cymbal. Vincent shares his 9 step process of determining if a cymbal is a good purchase which includes everything from the shape of the cymbal to the source you purchase it from, and everything in between. We touch a little bit on the Turkish made K. Zildjians, but more info will come on that down the road! Here is a link to the full Zildjian history episode with Paul Francis: https://youtu.be/i0l-Vw6W1UY Here are some helpful guides to date your cymbals: https://black.net.nz/avedis/avedis-by-years.html https://robscott.net/cymbals/a-zildjian/ https://www.hidehitters.com/cymbals/Zildjianstamps/timeline.html **DRUM HISTORY MERCH** https://www.teepublic.com/stores/drum-history-podcast?ref_id=26024 ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast

A special episode of Live From My Drum Room remembering Music Industry icon and Artist Relations pioneer, Lennie DiMuzio! Lennie is best known for his 40+ years working at Zildjian, most notably in Artist Relations, as well as other key roles, and John is joined by Lennie's daughter, Therese DiMuzio, and old friends and Zildjian alumni Colin Schofield, Jerry Donegan, Paul Francis, John Sorenson and Bill Morgan, along with Rob Wallis of Hudson Music, DCI Video and Drummers Collective. The group shared stories about Lennie during their time working at Zildjian, many involving Lennie's storied friendship with the legendary Armand Zildjian. The recurring theme throughout the episode is how much Lennie loved working in the Drum Industry and with drummers, and how much he was loved by everyone who ever met him. They also talk about Lennie's hilarious memoir, “Tales From The Cymbal Bag” which is still available through Amazon.com. Lennie passed away in March 2015. He would have celebrated his 90th Birthday on May 4th. Watch for a future episode with legendary drummers remembering Lennie DiMuzio!  Check out John's new show, “TrackTalk" on YouTube @livefrommydrumroom and all Podcast platforms! https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

John's guest is drummer/multi-instrumentalist, pianist, keyboard player, composer and producer, Gary Husband. John and Gary go back to Gary's early years studying classical piano and his transition to drums. Becoming a professional musician at age 13, which led to an incredible career, recording and performing with Allan Holdsworth, Jack Bruce, Jeff Beck, Billy Cobham, Level 42 to name a few. Gary reflected on his long history with legendary guitarist Allan Holdsworth and how that led to his current project, “The Trackers." Gary and John recalled Zildjian's Tribute to Ginger Baker in 2008 where played keyboards in the house band, along with Simon Phillips, Tony Levin and Keith Carlock. Stories about Elvin Jones, Tony Williams and much more. They also played two tracks from "The Trackers: Vaudeville 8:45.” Check out Gary's website: https://www.garyhusband.com/ Instagram: @garyhusband1      YouTube: https://www.youtube.com/GaryHusbandKeyboardsandDrumsSubscribe to Live From My Drum Room! Introducing “TrackTalk” a brand new series exclusively on Live From My Drum Room With John DeChristopher! “TrackTalk" features iconic tracks, with iconic drum parts, and the drummers who played them! TrackTalk is an insiders' view on your favorite songs, by the drummers who helped create them! @livefrommydrumroom ​https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

In this week's episode, we conclude our analysis of "Obsidian," track 3 on Night Demon's new Outsider album.  The guys take you into the studio to provide a full rundown of the recording process, the gear used, and so on.  Dusty talks drums and explains why "Obsidian" has been described in at least one review as "a real drummer's track."  Armand walks you through his guitar parts, with all the why's and wherefores laid bare.  And Jarvis goes into great detail about the lyrics, explaining how they fit into the Outsider story line.  You'll also learn about Armand's role in crafting the vocal harmonies on this song and throughout the album.Brave Words review - https://bravewords.com/reviews/night-demon-outsider"Obsidian" track - https://www.youtube.com/watch?v=qcrx6EAebjIOutsider ordering info - https://nightdemon.bandcamp.com/Iron Maiden "The Alchemist" - https://www.youtube.com/watch?v=aU2ILtGFLC0 Listen at nightdemon.net/podcast or anywhere you listen to podcasts! Follow us on Instagram Like us on Facebook

Welcome back, Gig Gab listeners! In this week's episode, your two favorite weekend warriors, Dave Hamilton and Paul Kent, dive into a musical journey that spans centuries and explores the exciting innovations shaping the future of the music industry. Happy 400th Birthday, Zildjian! We kick off the episode by celebrating […] The post The Sound of Progress – Gig Gab 379 appeared first on Gig Gab.

John's guest is Paul Sexton, author of the Charlie Watts biography, “Charlie's Good Tonight.” Paul discusses his history with Charlie and The Rolling Stones, going back to 1991, how the book came together, including the approval and endorsement from Charlie's family and the participation of all the members of The Rolling Stones. The book is full of interviews and anecdotes from Charlie's family and close friends and offers an insiders view of Charlie's love for his family, his keen sense of humor, generosity and humility. John and Paul also share some of their personal memories of Charlie. "Charlie's Good Tonight" is published by HarperCollins and available everywhere.Subscribe to Live From My Drum Room! Introducing John's latest podcast, “TrackTalk” a brand new series exclusively on Live From My Drum Room With John DeChristopher! “TrackTalk" features iconic tracks, with iconic drum parts, and the drummers who played them! TrackTalk gives you insiders' view on your favorite songs, by the drummers who helped create them. Check out TrackTalk With Stan Lynch: “Stop Dragging' My Heart Around” and TrackTalk With Steve Gadd: “Aja” Dissected! Subscribe to Live From My Drum Room! www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoomhttps://linktr.ee/live_from_my_drum_roomhttps://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

John's guest is Abe Cunningham of the Deftones. In this episode, Abe and John chat about a variety of subjects, including Abe's drumming influences, forming the Deftones and building their huge following through hard work, touring, the band's songwriting and recording process, e-drums and hybrid drumming, and much more! Throughout it all, there's no mistaking that Abe loves playing drums and is one of the coolest and most down to earth guys you'll ever meet. Check out this episode! Subscribe to Live From My Drum Room! www.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoomhttps://linktr.ee/live_from_my_drum_roomhttps://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

You may know our next guest from his online educational videos and plethora of drum transcriptions that have taken the industry by storm. We were thrilled to sit down with Nashville-based drummer, Tim Buell, in this jam-packed, nearly 2-hour long conversation spanning a wide range of informative and valuable topics. We discuss the parallels between high-performing athletes and preparing for the gig, what AI means for creatives, how to be present, and ways to optimize your workflows for optimal efficiency. We hope you enjoy!This episode is sponsored by Music Lab Nashvillehttps://nashville.musiclab.coConnect with Tim:Website: https://www.timbuellmusic.comInstagram: https://www.instagram.com/timbuellTikTok: https://www.tiktok.com/@timbuellYouTube: https://www.youtube.com/timplaysdrums Podcast: https://www.youregoodgetbetterpod.com Music Featured in this Episode:Remedy Drive - 'The Sides of the Northhttps://www.instagram.com/remedydrive/'Born Wild'About Tim:Tim is a Nashville-based drummer who has toured with several artists (Cody Fry, Gloriana, Jana Kramer, Jerrod Niemann, Remedy Drive) and records drums for clients all over the world from his home studio and other Nashville-based studios. In 2022, Tim received his first Latin Grammy nomination for his work on the album Alfa Y Omega by Athenas.In addition to touring and recording, Tim is passionate about creating educational resources through courses and eBooks (available at his website) and maintains a roster of private students virtually through Zoom and in-person at his studio in Nashville.Tim has also spent many years transcribing drum parts from iconic songs and drum solos and his transcriptions have been featured by Zildjian, Vic Firth, Drummerworld, and the Percussive Arts Society. He has created educational resources with Benny Greb, Ash Soan, Aaron Sterling, Aaron Spears, and many others. ------Interview by: Dan Ainspan, Nathan SletnerRecorded December 2022 in Nashville, TNConnect with us:WebsiteInstagramTikTokFacebookRecorded at Diamond Sound Studios, Nashville, TNProduced by Jonas Litton, Wise CompanyPodcast Artwork: GENUINE CREATIVE ART ⓒ 2022 Nashville Drummers Podcast, LLC

John's guest is independent, master cymbal maker, Paul Francis. John and Paul discuss their long history and share stories of their time working together at Zildjian, including remembering their friend and mentor, the great Armand Zildjian. Paul talks about his early years of developing cymbal ideas with legendary drummers like Elvin Jones, Tony Williams, Jeff Hamilton and Adam Nussbaum, and honing his skills into becoming a highly respected, master cymbal maker and head of Research & Design at Zildjian where he worked for 32 years. Paul has since launched his own boutique cymbal company, “Cymbal Craftsman” hand crafted cymbals, available at independent US drum shops such as Steve Maxwell's in Chicago, Drum Center of Portsmouth, Memphis Drum, Columbus Pro Percussion, Good Hands in NYC and Round Sound in Oakland. He offers a variety of services, from custom/hand made cymbals, to modifying and reworking existing cymbals. He will be exhibiting at the upcoming Chicago Drum Show May 20 & 21, 2023 and other drum shows this year. Paul can be reached at: paul@cymbalcraftsman.com and follow him on Instagram: @cymbalcraftsman.https://linktr.ee/live_from_my_drum_room

John Geiger began his love for music and drumming at an early age and spent his early band years playing 80's rock on the Sunset Strip and later moved on to country and classic rock. John pursued his music passion by creating a multi-decade career in the music product industry. John has spend over 30 years working in this industry with iconic brands such as Yamaha, D'Addario, KORG USA and Zildjian. John currently plays in the Scotty Mac Band who's regional success led to opening slots for national touring acts like Brett Young, Tyler Farr, Phil Vassar, Lee Brice and Chase Rice. The band performs at festivals around the country including Night in the Country, Country Fan Fest, Oregon Jamboree, Country Thunder, Coastal Country Jam among others. In 2016 McLaughlin released his first EP Messin' Around which was followed in 2018 with a sophomore album Starts With A Girl, both recorded in Nashville. The band won California Country Association's Entertainer of the Year in 2017. Today, fans can see the band playing in Nashville at bars such as Tin Roof, Winners and Ole' Red. In this episode, John talks about:    Major changes in the retail industry over the last 40 years    His job title and responsibilities at Zildjian / Vic Firth    John's history in the music product industry     The communal nature of drummers    The business of endorsements    News about supply chain issues

John DeChristopher has had a fun and informative discussion with his old friend Russ Miller. They talked about how Russ got his start in Miami, how they met in 1990, and his move to Los Angeles, where after paying his dues, he established himself as a top session musician. They also talked about his company Gruv-X, his product designs for Mapex Drums and Zildjian, and his latest project, HITKOR.