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5 episodes with pury
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2 episodes with pury
2 episodes with pury
2 episodes with pury
2 episodes with pury
3 episodes with pury
2 episodes with pury
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Image: André Coelho, EFE RJ - Río de Janeiro/World Press Photo 2025 Mentioned in this episode: https://www.worldpressphoto.org/calendar/2025/london-uk https://www.rmg.co.uk/whats-on/astronomy-photographer-year/exhibition https://www.eadweardmuybridge.co.uk © Grant Scott 2025
Sandra de Pury and her brother David were awarded Vigneron of the Year by the Real Review and they also took out Top Red wine.The unassuming nature of Sandra is representative of the family winery in the Yarra Valley, Yeringberg is one of the iconic wineries in Australia.@thewineshowaustralia @yeringberg
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: The Power and the Glory https://www.newportstreetgallery.com/exhibition/current/ Gabriel Moses, Selah https://www.180studios.com/selah Photo London https://photolondon.org/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025
What IS courage? I’ve been getting increasingly curious... mainly because I talk about it a LOT. I talk about how, when I reflect on ‘young Tiff,’ she thought she was courageous for doing the things that scared other people (while artfully dodging the stuff that really scared her). Solid little facade, really. I talk about how the world seems to throw being fearless and being courageous into the same bucket, when really, they’re just second cousins who rarely show up at the same family function… because if you take fear out of the equation, courage kinda ceases to exist. I talk about all the things I reckon have to come into play to be courageous. And yet, I still wasn’t satisfied with my own understanding of it. So off I went on a bit of a quest… and found Professor Cynthia Pury to help encourage a deeper understanding #SeeWhatIDidThere. Cynthia’s a Professor of Psychology and a pioneer in the study of courage, with her work widely cited across personality and positive psych. Oh, and that thing I used to do? Turns out there’s a name for it. It’s called accolade courage, as opposed to process courage - which is actually doing the scary thing. So there you go. Enjoy! SPONSORED BY TESTART FAMILY LAWYERS Website: testartfamilylawyers.com.au TIFFANEE COOK Linktree: linktr.ee/rollwiththepunches/ Website: tiffcook.com LinkedIn: linkedin.com/in/tiffaneecook/ Facebook: facebook.com/rollwiththepunchespodcast/ Instagram: instagram.com/rollwiththepunches_podcast/ Instagram: instagram.com/tiffaneeandco See omnystudio.com/listener for privacy information.
After the fall of France in 1940, the clergy welcomed Marshal Pétain as a saviour. But when Jewish people started being rounded up in the summer of 1942, Protestant pastors and Catholic clerics spoke out against the deportations. Their words broke the silence of the institutions and encouraged the Resistance, while schools and convents opened their doors to Jewish refugees. In the spring of 1940, the French army was defeated by the Wehrmacht, and Marshal Pétain agreed to collaborate with the occupying forces. Among the measures taken by his Vichy-based government was the "status of Jews", on October 18. The law excluded Jews from public life and many foreign Jewish refugees were also rounded up in internment camps.As early as the summer of 1940, some French people were compelled to commit to a moral and spiritual Resistance.This was the case of Pastor Roland de Pury in Lyon, who declared from the pulpit on July 14: "France would be better off dead than to sell itself."His words echo the sentiments of Bruno de Solages, rector of the Institut Catholique in Toulouse, who took in refugees from all over Europe, issuing them with student cards to enable them to obtain false papers and go underground.Yet the real turning point came in the summer of 1942, when the large roundups began. Volunteers working in the internment camps near Toulouse alerted the archbishop to the mistreatment of the Jewish people, as they were directed on foot into cattle cars. Monseigneur Saliège wrote a letter, which he sent to be read aloud in every church in his diocese, denouncing the deportations and appealing to Christian morality.In Lyon, on the night of August 28-29, 1942, the Amitié Chrétienne association organised the largest rescue of Jewish children in France, thanks to the protection of Cardinal Gerlier, Archbishop of Lyon. Cardinal Gerlier, who had supported Marshal Pétain in 1940, refused to hand over the children to the Prefect of Lyon, who was directing the deportations. Spiritual power in defiance of the powers that be: the Lyon Resistance amplified this act, making it a pivotal event.Cardinals Saliège and Gerlier were not targeted by the authorities because of their age and rank in the Church, but many men and women of the cloth were arrested for their moral Resistance. Roland de Pury spent more than five months incarcerated at Fort Montluc in Lyon. Others, such as Solages and three priests from the Institut Catholique in Toulouse, were sent to camps in Germany. They wrote first-hand accounts of their deportation in a collective publication entitled "Pèlerins de bagne" or "Pilgrims of the penal colony". Many of their fellow prisoners never returned.
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://turnercontemporary.org/whats-on/resistance/ ]www.worldphoto.org/sony-world-photography-awards https://autograph.org.uk Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now. © Grant Scott 2025
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now.
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Mentioned in this episode: https://www.tate.org.uk/whats-on/tate-britain/the-80s-photographing-britain https://www.southbankcentre.co.uk/whats-on/linder-danger-came-smiling/ © Grant Scott 2025
Ésaü vendit son droit d'aînesse pour un plat de lentilles. Au-delà de ce qui deviendra une expression proverbiale que raconte ce texte ? Si le récit blâme Ésaü, est-ce le seul personnage à condamner ? En effet, ce texte, qui n'est pas aussi manichéen qu'on pourrait le croire, soulève bien d'autres questions. NOTES · La Judée au temps des Perses – D'autres voix pour la torah· Jean-Louis SKA, « Genèse 25,1-34 – Ouverture du cycle de Jacob », in Jean-Daniel Macchi et Thomas Römer, Jacib, commentaire à plusieurs voix de Gn 25-36, mélanges offert à Albert de Pury, Genève, Labor et Fides, coll. Monde la Bible 44, 2001, p.11-21.· BIBLIOGRAPHIE | CARTES & ILLUSTRATIONS· Plateformes d'écoute | Réseaux Sociaux | @Contact | Infolettre | RSS · Épisode enregistré en Vendée (85, France), 01/2025. Image de couverture : Ésaü et Jacob, Matthias STOM, v.1640 - source : Wikimédia Commons. Génériques : Erwan Marchand (D.R.). «Au Large Biblique» : podcast conçu et animé par François Bessonnet, bibliste. Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)Soutenez le podcast avec Tipeee ou Ko-fi CHAPITRES 00:00 Générique et présentation 01:45 (1) Le récit Gn 25,27-34 03:00 (2) Deux enfants distincts 06:30 (3) La préférence parentale 10:30 (4) Le repas 13:15 (5) Le droit d'aînesse16:20 (6) La vente ou l'appropriation *20:30 (7) Conclusion 23:31 Générique de fin
In this extended episode, editor, writer and curator of photography Bill Shapiro, art director, creative director and lecturer Fiona Hayes and UNP founder and curator Grant Scott look back on 2024 and forward to 2025 whilst reflecting on photo exhibitions, books, social media, publishing and the expectations of the Twenty First Century photographer. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. She currently divides her time between design consultancy for commercial clients, and lecturing. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography (Under-Graduate and Post-Graduate) at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2025
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. © Grant Scott 2024
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on now. Mentioned in ths episode: www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collection Elton John/David Furnish video discussion with their curator, Newell Harbin www.youtube.com/watch?v=Gl7gHOuOL44 Interview with Elton John www.10magazine.com.au/articles/ten-talks-to-sir-elton-john-david-furnish Billy Name/William John Kennedy exhibition: www.warholkennedyresidence.com/ https://serchiagallery.square.site © Grant Scott 2024
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Mentioned in this episode: www.iwm.org.uk/events/storyteller-photography-by-tim-hetherington www.horniman.ac.uk/event/adolescent-wonderland/ https://naomihobson.com.au https://courtauld.ac.uk/whats-on/exh-roger-mayne-youth/ © Grant Scott 2024
In this episode of The Art Bystander, our host Roland-Philippe Kretzschmar meets with Simon de Pury.Simon de Pury @simondepury is a pivotal figure in the art world, celebrated as an auctioneer, art dealer, curator, photographer, and DJ. Known for his legendary auction performances, which have earned him the moniker ‘the Mick Jagger of auctions,' de Pury combines charisma with profound knowledge of the global art market. His role as an auctioneer and art advisor has positioned him as a leading figure internationally, celebrated for his dynamic presence and exceptional expertise.Throughout his illustrious career, de Pury has been instrumental in championing the careers of many contemporary artists, photographers, and designers. He curated the prestigious Thyssen-Bornemisza Collection, now housed in its own museum in Madrid, showcasing his keen eye for art curation. His influence extends to securing and auctioning some of the most legendary art collections, both at public auctions and through private treaty sales.De Pury's career includes significant tenures as Chairman Europe and Chief Auctioneer Worldwide at Sotheby's, and later as Owner, Chairman, and Chief Auctioneer Worldwide at Phillips de Pury & Company. In these roles, he elevated the profiles of these institutions and played a crucial role in shaping the modern art auction landscape. His auctioneering style, marked by energy and flair, has set him apart as a distinctive and influential figure in the industry.Beyond auctions, Simon de Pury is known for his contributions as a curator, where his exhibitions have brought contemporary art to new audiences. Additionally, his work as a photographer and DJ highlights his versatility and deep engagement with the arts in various forms. De Pury's influence on the art market and his dedication to fostering artistic talent have made him a pivotal figure in contemporary art.In 2020, Simon de Pury further expanded his impact on the art world by launching de PURY @depury , an innovative auction house and digital platform. #simondepury #depury Hosted on Acast. See acast.com/privacy for more information.
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden, GQ India, Myself Germany, and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2024
In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's new book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2024
GUEST WEBSITE: https://www.guillermolorca.com/en GUEST INSTAGRAM: https://www.instagram.com/guillermolorcagarcia/ GUILLERMO LORCA GARCÍA HUIDOBRO Santiago - Chile, 1984 Guillermo Lorca is a renowned contemporary painter. Despite his young age, he already possesses an amazing international career and a unique and distinct pictorial language. He has held important exhibitions, including The Asprey Exhibition in London and “Eternal Life” at the National Museum of Fine Arts in Chile. On these days, he's on collaborations with the famous actioner Simon de Pury, art galleries, and museums, most of which are concentrated in Europe. Currently exposing in the MOCO Museum in Barcelona, Spain. _________________________________________________________________________ THANKS TO OUR SPONSORS: ROSEMARY BRUSHES https://www.rosemaryandco.com HEIN ATELIER https://heinatelier.com/ ANTHONYS FINE ART AND ANTIQUES https://anthonysfineart.com _________________________________________________________________________ THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW. https://patron.podbean.com/theundrapedartist _________________________________________________________________________ FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE: https://www.instagram.com/THEUNDRAPEDARTIST/ https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/ https://www.youtube.com/@theundrapedartist __________________________________________________________________________ FOLLOW THE HOST, JEFF HEIN: Jeffhein.com https://www.facebook.com/jeffrey.hein.16/ https://www.instagram.com/jeff_hein_art/ https://www.instagram.com/jeff_hein_studio/
GUEST WEBSITE: https://www.guillermolorca.com/en GUEST INSTAGRAM: https://www.instagram.com/guillermolorcagarcia/ GUILLERMO LORCA GARCÍA HUIDOBRO Santiago - Chile, 1984 Guillermo Lorca is a renowned contemporary painter. Despite his young age, he already possesses an amazing international career and a unique and distinct pictorial language. He has held important exhibitions, including The Asprey Exhibition in London and “Eternal Life” at the National Museum of Fine Arts in Chile. On these days, he's on collaborations with the famous actioner Simon de Pury, art galleries, and museums, most of which are concentrated in Europe. Currently exposing in the MOCO Museum in Barcelona, Spain. _________________________________________________________________________ THANKS TO OUR SPONSORS: ROSEMARY BRUSHES https://www.rosemaryandco.com HEIN ATELIER https://heinatelier.com/ ANTHONYS FINE ART AND ANTIQUES https://anthonysfineart.com _________________________________________________________________________ THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW. https://patron.podbean.com/theundrapedartist _________________________________________________________________________ FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE: https://www.instagram.com/THEUNDRAPEDARTIST/ https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/ https://www.youtube.com/@theundrapedartist __________________________________________________________________________ FOLLOW THE HOST, JEFF HEIN: Jeffhein.com https://www.facebook.com/jeffrey.hein.16/ https://www.instagram.com/jeff_hein_art/ https://www.instagram.com/jeff_hein_studio/
In this episode, Kate de Pury speaks with Zahra Joya, the founder and editor-in-chief of Rukhshana Media, an independent Afghan news website that focuses on women and girls' rights in Afghanistan. Zahra tells her story and challenges of establishing an independent media outlet in the current context, the impact of the Taliban takeover, and how her team continues to report despite the restrictive regime. Zahra Joya is an Afghan journalist who left her country after receiving death threats for her work. She is now based in London, where she continues to advocate for press freedom and women's rights in her homeland. Zahra was named as one of Time's women of the year 2022 for her reporting on women's lives in Afghanistan through her news agency and received the 2022 Change maker Award from the Bill & Melinda Gates Foundation. She was recognized as one of the BBC 100 Women in December 202 and received the Courage in Journalism Award and the International Press Freedom Award for her excellent reporting. Here's what you'll hear in this episode: An introduction and welcome to Zahra Joya and a summary of her background as an Afghan journalist [0:02:00] Zahra Joya's stories from Afghanistan on the treatment of women and her efforts to report their stories [0:07:00] How Rukhshana Media, an independent media outlet, operates under the Taliban regime [0:11:00] A view of the risks and challenges faced by journalists in Afghanistan [0:16:45] The diverse stories and achievements of Afghan women [0:28:00] Zahra discusses the future – her hopes and vision for the next generation of women in Afghanistan [0:42:00] 7. Zahra's thanks and shared hopes for the future [0:46:30] Please subscribe, leave a review, and share this episode with your friends. And as always, thank you for listening to our podcast. Producer: Laurent Frat Music: Mickey Curling Sound: Martin Lonicer
For more than 30 years, the acclaimed British sculptor Conrad Shawcross has been preoccupied with the concept of time. Throughout a career defined by blurring the boundaries between art and science and devising ambitious constructs that ask audiences to contemplate the world around them, Shawcross has experimented with different perceptions of time, from its measure in relation to human lives and cosmic events to how it operates as a force of change. Shawcross's latest exploration on the subject began with an unlikely source: the luxury Scotch whisky maker Royal Salute. Drawing inspiration from the incredible expanse of time contained within an opulent 53-year-old Royal Salute whisky blend, Shawcross created a spectacular kinetic sculpture that merges a massive, sapphire blue glass disc with an oak spindle and oblong crystal decanter to represent how time functions on multiple levels. The new artwork, titled Royal Salute Time Chamber by Conrad Shawcross and the second collaboration in Royal Salute's Art of Wonder series, debuted at the 2023 edition of Frieze London last week with a discussion about the project between Shawcross and veteran auctioneer and Artnet News contributor Simon de Pury. On this episode of the Art Angle podcast, we present a special live recording of their fascinating conversation.
For more than 30 years, the acclaimed British sculptor Conrad Shawcross has been preoccupied with the concept of time. Throughout a career defined by blurring the boundaries between art and science and devising ambitious constructs that ask audiences to contemplate the world around them, Shawcross has experimented with different perceptions of time, from its measure in relation to human lives and cosmic events to how it operates as a force of change. Shawcross's latest exploration on the subject began with an unlikely source: the luxury Scotch whisky maker Royal Salute. Drawing inspiration from the incredible expanse of time contained within an opulent 53-year-old Royal Salute whisky blend, Shawcross created a spectacular kinetic sculpture that merges a massive, sapphire blue glass disc with an oak spindle and oblong crystal decanter to represent how time functions on multiple levels. The new artwork, titled Royal Salute Time Chamber by Conrad Shawcross and the second collaboration in Royal Salute's Art of Wonder series, debuted at the 2023 edition of Frieze London last week with a discussion about the project between Shawcross and veteran auctioneer and Artnet News contributor Simon de Pury. On this episode of the Art Angle podcast, we present a special live recording of their fascinating conversation.
Russia has a history of extraordinary secrecy over its wartime losses. When it invaded Ukraine, senior correspondent Olga Ivshina of the BBC, with the help of partners and volunteers, began meticulously verifying and counting Russian losses. Olga and her team's work has so far identified more than 25,000 named individuals – setting a bare minimum of Russian casualties. Their work provides hard evidence of the war's impact on Russian forces and has brought answers to many grieving families. Olga's reporting sheds light on the changing face of the Russian army and the human cost of this conflict. In this episode, Head of EBU Moscow Kate de Pury speaks with BBC Senior Correspondent Olga Ivshina about her remarkable investigation.
Simon de Pury is an art auctioneer, dealer, and five other art things and a DJ. We chat about shabu shabu, are we going to kiss, matcha = paella, baby shopping, in an ever-changing world, it's nice to have things that never change, Simon tells the story of the one time in his life that he wore a t-shirt, how he became a DJ in his sixties, why he loves long flights, could Simon sell a ketchup popsicle to a woman in white gloves? He's a world-class vibe-reader, his superstitious nature and love of numerology, passion, + emotion = a dope ass art collector, why removing pieces from your collection is more important than adding to, how to build a collection as a broke boy, sure, Pierce Brosnan is an artist too, some of his favorite NFTs through the years, and how his seconds-short appearance on Emily in Paris (s01) made more of an impact than anything else in his decades-long career. instagram.com/simondepury twitter.com/donetodeath twitter.com/themjeans Learn more about your ad choices. Visit megaphone.fm/adchoices
The New York Times declared Andrew Levitas “has the Midas touch” when describing his continued work across multiple creative platforms. A mainstay on the New York and European art scene for over two decades, Levitasʼ Metalwork Installations® are widely regarded as a breakthrough in connecting photography, sculpture, and contemporary art. Levitasʼ “Organic Abstractions” (paintings built from homemade pigments and organic materials ‒ in some cases entire trees) have also received critical acclaim. Levitas is one of only a handful of American artists ever accepted to show with the prestigious Société Nationale des Beaux-Arts held at the Louvre. Select exhibitions include: Metalwork Photography®: A Survey which was the first ever single artist exhibition at Phillipʼs Berkeley Square in London, Levitas: An Early Retrospective at New York University, and Metalwork Photography®: Sculptures at Phillips de Pury & Co. in Manhattan. Recent acquisitions include The National Museum Wales as well as 10 Downing Street. Levitasʼ award-winning fine art engages with the same themes that are seen in his films. Minamata, Levitasʼ latest directing project which he also wrote, stars Johnny Depp. The film follows photojournalist W. Eugene Smith (Depp) who travels to the Japanese coastal town of Minamata to expose corporate negligence and government cover-ups by documenting one of the worldʼs greatest environmental disasters. David Friend of Vanity Fair detailed the film as “A deadly health crisis. Venal leaders profiting as the public suffers. An intrepid journalist trying to expose the cover-up. Andrew Levitasʼs powerful, impassioned Minamata is the movie for this moment.” Minamata had its gala premiere at Berlinale 2020. Levitas will exhibit a series of Metalwork installations based on the film in tandem with the filmʼs release in leading cities around the world in 2021. Prior to Minamata, Levitasʼ wrote and directed Lullaby which stars Amy Adams, Richard Jenkins, Terrence Howard, Jennifer Hudson, and Garrett Hedlund. The film, an exploration of patientsʼ rights, was described by Pete Hammond (Deadline) as a “strong human drama” with “Jenkins a true actorʼs actor, delivering a very Oscar-worthy supporting turn.” The premiere was held at the Museum of Modern Art in New York. A professor at New York University, Levitas maintains studios in New York and London. He is a Global Patron of The Wilderness Foundation and an Ambassador of Tusk Trust. https://andrewlevitas.com/ https://metalworkpictures.com/ The Artist's Mind: Filmmaking and the Creative Process Course Application Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices
A look back at the conversations from 2022, featuring excerpts of conversations with Jerry Saltz, Sarah Morris, Simon de Pury, Matthew Collings and Shepard Fairey.
Interview de Balthasar de Pury, expert en Haute Horlogerie et actuellement chez Piaget en tant que High Jewellery & Exceptional creations.
In this episode, we speak with Kate de Pury, EBU Moscow's Bureau chief to get a sense of how she and her team have had to navigate the current challenges of reporting from Russia. Kate joined the EBU as its Moscow Bureau chief in 2021. Kate de Pury, is a journalist and news editor with decades of international experience. De Pury's broadcast news career has been dominated by roles at Associated Press (AP) and Reuters in Russia. She has also worked as a journalist in Chechnya, Ukraine, Georgia and the Commonwealth of Independent States (CIS) since the end of the Soviet Union. As Moscow bureau chief for AP from 2015-19 she oversaw a multimedia team and liaised regularly with local and foreign news organizations in Russia and the wider region. De Pury is a member of the Rory Peck Trust advisory committee which supports freelance journalists worldwide and has designed and launched a new online MA in Digital Journalism at Falmouth University in the UK. A dedicated ‘Russianist', she speaks fluent Russian, as well as English and French, and has thorough knowledge of the region and its history. https://www.linkedin.com/in/katedepury
In S2 | E3 of The Art Career Podcast, Emily McElwreath interviews Simon de Pury. Together they explore passion, curiosity and gratitude, ultimately discovering why it is that Simon truly is one of the leading figures in the art world. The Art Career Podcast is available on Apple, Spotify, and Google. Link in bio. "My real engine and true motivation is my curiosity" -Simon de Pury Auctioneer, art dealer, curator, photographer and dj, Simon de Pury is one of the leading figures in the art world. Renowned for his legendary performance on the auction podium, which have earned him the moniker “the Mick Jagger of auctions”, de Pury has auctioned and secured some of the most legendary art collections. Moreover, as an active charity auctioneer, it is estimated that de Pury has raised several billion dollars for a number of charities and cultural institutions over the course of his career. As a mentor and curator, de Pury has been instrumental in championing the careers of many contemporary artists, photographers and designers, and has been the subject of and featured in several documentaries and films, including BBC documentary ‘The Man with the Golden Gavel.' @theartcareer @simondepury @emilymcelwreath_art @lizzie.gill.art Image Courtesy of the Artist #TAC #TACpodcast #theartcareer #artpodcasts #simondepury
In this follow-up to the July 7 podcast, we discuss auction houses, dealers, artists and artists' estates. We also flag the forthcoming de Pury auction WOMEN - Art In Times of Chaos as an exciting new auction model where emerging artists and their galleries receive 100% of the hammer price. Useful links: http://www.thehenrylydiatepartnership.com/ henry@thehenrylydiatepartnership.com https://www.de-pury.com/ music ‘Baby, I Miss The Internet' (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020) PRS/MCPS/PPL
A conversation with art world icon Simon de Pury. Simon is an art dealer, curator, artist, photographer and even a DJ, but he is most notably an auctioneer. After rising to the top of the Sotheby's organization, he left to strike out on his own. That led to an eventual merger of his auction house with Phillips to form Phillips de Pury. These days, Simon runs the eponymous de PURY organization which provides access to artists and their work through conventional sales, auctions and charity events. I speak with Simon about how the auction world has evolved, the market dynamics for middle-market galleries and his upcoming launch of an auction model for primary market sales.
About Philip Colbert Graduating with an MA in Philosophy from St. Andrews University, Colbert's work has received international acclaim in museums and galleries worldwide for his energetic new approach to painting and pop theory. Following on from early Pop painters such as Richard Hamilton, Roy Lichtenstein and James Rosenquist. Colbert's paintings cross high art themes from old master paintings and contemporary art theory with everyday symbols of mass contemporary culture, all narrated through the eyes of Colbert's cartoon Lobster alter ego. He has been championed as a contemporary Pop master by art world figures such as Charles Saatchi & Simon de Pury. --- Support this podcast: https://anchor.fm/crypto-hipster-podcast/support
In this week's edition of the ArtTactic Podcast we speak with Simon de Pury, founder of de PURY, about their new series of curated auctions in which artists receive the proceeds from the auction. First, Simon shares the concept behind this new auction series and how it came about. Then, he speculates why we are at a point now where artists are more inclined to embrace auctions after it being such a taboo arena for them for so many years. Also, Simon reflects on how long he has been contemplating artists' exclusion from the auction process and how they can be more involved. After, he reveals what conversations were like with artists who wanted to participate and why some chose not to do so.
Sita Potacheruva s'est entretenue avec Pier Paolo Corciulo pour découvrir "Le cri des mouettes" aux éditions PLF, 2022. Quand le travail de mémoire se lie avec une quête identitaire et littéraire... Pier Paolo Corciulo fera partie d'une visite guidée littéraire à Neuchâtel le samedi 9 avril 2022 à 14H, départ à la place de Pury aux côtés de textes de Dürrenmatt, d'Alice de Chambrier et d'auteurs de la revue L'Epitre et en partenariat avec PLF éditions et Payot Neuchâtel. Informations et inscriptions sur : http://www.baladesavelo.ch
About Philip Colbert Graduating with an MA in Philosophy from St. Andrews University, Colbert's work has received international acclaim in museums and galleries worldwide for his energetic new approach to painting and pop theory. Following on from early Pop painters such as Richard Hamilton, Roy Lichtenstein and James Rosenquist. Colbert's paintings cross high art themes from old master paintings and contemporary art theory with everyday symbols of mass contemporary culture, all narrated through the eyes of Colbert's cartoon Lobster alter ego. He has been championed as a contemporary Pop master by art world figures such as Charles Saatchi & Simon de Pury. Jamil Hasan is a crypto and blockchain focused podcast host at the Irish Tech News and spearheads our weekend content “The Crypto Corner” where he interviews founders, entrepreneurs and global thought leaders. Prior to his endeavors into the crypto-verse in July 2017, Jamil built an impressive career as a data, operations, financial, technology and business analyst and manager in Corporate America, including twelve years at American International Group and its related companies. Since entering the crypto universe, Jamil has been an advisor, entrepreneur, investor and author. His books “Blockchain Ethics: A Bridge to Abundance” (2018) and “Re-Generation X” (2020) not only discuss the benefits of blockchain technology, but also capture Jamil's experience on how he has transitioned from being a loyal yet downsized former corporate employee to a self sovereign individual. With over one hundred podcasts under his belt since he joined our team in February 2021, and with four years of experience both managing his own crypto portfolio and providing crypto guidance and counsel to select clients, Jamil continues to seek opportunities to help others navigate this still nascent industry. Jamil's primary focus outside of podcast hosting is helping former corporate employees gain the necessary skills and vision to build their own crypto portfolios and create wealth for the long-term.
Entrepreneur/European (Swiss)/Connoisseur/New Yorker Albon de Pury and Al talk about AL'S, a non-alcoholic beer for everyone. Also the regular drinking and recovery lifestyle stuff. drinkals.com instagram.cin/drink_als
Führer, Susannewww.deutschlandfunkkultur.de, Im GesprächDirekter Link zur Audiodatei
Like all good discoveries, I found Al's NA Beer on Instagram. The logo, the white can, it all beckoned to be drank in a dive bar. Learning more about the founder Alban, a European who worked in music and nightlife I discovered our passion for the dive bar and the feeling of finding quiet and resolve in yourself. Alban's alcohol-free lifestyle began similarly to mine, it was a pause met with an inventory of the self and how living life without it would ultimately be better in every way except for maybe going to bed earlier. I was happy to learn that Alban is also a runner, and I look forward to the day that we can run in Central Park, and crack an Al's after. Alban spent almost 20 years working in the Arts & Music industries in London and New York. It included a stint as Art Ambassador for Absolut Vodka, one of the world's largest spirit companies. A few years ago, he decided to see what life could be without drinking and he hasn't looked back. This led him to launch AL's; a classic American non-alcoholic craft beer to enjoy all of life's social and celebratory moments without alcohol. Founded in 2016, the mission of Ben's Friends is to offer hope, fellowship, and a path forward to anyone who struggles with substance abuse or addiction. By coming together, starting a dialogue, and acknowledging that substance abuse cannot be overcome by isolation and willpower alone, Ben's Friends hopes to write a new chapter in the lives of food and beverage professionals across the country. To order my n/a enamel pin from Mover & Shaker, head to tinyurl.com/4fm6r9v6
¡Saludos, gente! *HEAVY SPOILER ALERT* En el episodio más reciente de nuestro podcast, nos acompañan por primera vez Angel y Pury, de 69Encuadres. Nos sentamos a tener un single movie session sobre Malena, una producción Italiana y también hablamos sobre el build-up antes de ir a ver Zack: Enfrentamiento Mortal en corillo. No olviden seguirnos/subscribirse en su plataforma preferida, para recibir notificaciones de episodios nuevos. También pueden dejarnos reviews, feedback y sus propias recomendaciones, al igual que seguirnos a través de nuestras redes sociales. contiene "heavy spoilers" •FB: facebook.com/cinemablob •Insta: instagram.com/cinemablob •Email: cinemablob@gmail.com
A Hermance, jusqu'au 6 novembre, vous pouvez découvrir une trentaine de sculptures monumentales en plein air. Vous retrouverez des œuvres de : Jean-Marc AGUILAR, Lukas BERCHTOLD, Olivier ESTOPPEY, Jacques KAUFMANN, Etienne KRAHENBUHL, Carmen PERRIN, Jean-Louis PERROT, Laurent de PURY, Isabelle de la TOUCHE et Andrea WOLFENSBERGER. Une invitation de la Galerie Turetsky où Rosa Turetsky, galeriste, nous présente le projet et cette magnifique exposition.
Ein Gemälde für 100 Millionen Dollar: Höre ich Gebote? Oder eine persönliche Fitness-Session mit Sängerin Madonna für eine Million Euro: Wer bietet mehr? Zum ersten, zum zweiten… Das ist das Business von Simon de Pury, dem berühmtesten Auktionator der Welt. Bei ihm kommen die größten Vermögen und Kunstschätze im wahrsten Sinne des Wortes unter den Hammer. Die berühmtesten Familien, Adelshäuser, Superstars, Milliardäre oder Kunstliebhaber – wenn es darum geht, kostbare Erbstücke zu veräußern oder einzigartige Sammlungen zu vervollständigen – dann vertrauen sie alle auf Simon de Pury, langjähriger Chairman of Sotheby‘s Europe, weltweiter Chef-Auktionator des Hauses, Founder und Chairmann der Advisory Company Pury and Luxembourg Art. Mit dem 1796 in London gegründeten und damit ältesten Auktionshaus der Welt, Philips, gründete er Philips de Pury und und und. Er ist Kunsthändler, Sammler, Buchautor, Fotokünstler. Er spielt in Filmen und Dokumentationen mit. Eine herausragende Persönlichkeit. Legendär seine Auftritte bei den Charity-Events von Elton John, Leonardo DiCaprio oder Prinz Albert von Monaco. Für die hat er bereits über eine Milliarde Dollar eingesammelt. Simon führt wie ein Rockstar durch die teuersten Auktionen – daher sein Spitzname: Der Mick Jagger des Kunsthandels! Ich habe Simon de Pury jetzt auf Capri erreicht und mit ihm darüber gesprochen, wie sich das Auktions-Business ändert. Gerade durch die zunehmende Digitalisierung. Wie Bieter-Gefechte auf höchstem Niveau wirklich funktionieren? Wie hoch der Druck auch für ihn ist, den Höchstpreis zu erzielen? Die Strategie und Psychologie dabei. Was eine perfekte Auktion ausmacht. Was ihm die Käufer danach anvertrauen? Und warum Kunst – wie er sagt – einfach immer teuer sein muss? Das alles jetzt hier in TOMorrow. Zum ersten, zum zweiten – UND zum dritten: Hier ist er. Viel Spaß mit dem berühmtesten Auktionator der Welt, viel Spaß mit Simon de Pury.
This week, the subject of our show is less a story and more of a phenomenon, and his name is Simon de Pury. A legendary auctioneer who has actually been called the "Mick Jagger of auctions," de Pury has led a storied career in art. A baron by heredity who was born in the Swiss art capital of Basel, de Pury entered the art business with the help of the legendary dealer Ernst Beyeler and swiftly blazed a trail of glory. He rose through the ranks of Sotheby's to stage the first ever contemporary art auction in the Soviet Union in 1988, and ultimately became the house's Chief Worldwide Auctioneer before going on to forge the Phillips de Pury auction house—now known as Phillip's—inject the stale auction world with a new night club-esque vitality, and then move on to a string of illustrious businesses bearing the de Pury name. Along the way he has starred in Bravo's reality show, “Work of Art, The Next Great Artist”; was the subject of a four-part BBC documentary; wrote a juicy tell all memoir; and most recently made a memorable cameo in the Netflix series Emily in Paris. De Pury is also a columnist for Artnet News Pro, writing a monthly dispatch aptly called "The Hammer," that is full of invaluable perspective on how the art market really operates along with intimate play-by-plays from the ultimate art world insider. This week, the art world mainstay joins Andrew Goldstein to discuss his career past and present, why hip hop jewelry is an undervalued market, and what he's looking forward to on the horizon.
This week, the subject of our show is less a story and more of a phenomenon, and his name is Simon de Pury. A legendary auctioneer who has actually been called the "Mick Jagger of auctions," de Pury has led a storied career in art. A baron by heredity who was born in the Swiss art capital of Basel, de Pury entered the art business with the help of the legendary dealer Ernst Beyeler and swiftly blazed a trail of glory. He rose through the ranks of Sotheby's to stage the first ever contemporary art auction in the Soviet Union in 1988, and ultimately became the house's Chief Worldwide Auctioneer before going on to forge the Phillips de Pury auction house—now known as Phillip's—inject the stale auction world with a new night club-esque vitality, and then move on to a string of illustrious businesses bearing the de Pury name. Along the way he has starred in Bravo's reality show, “Work of Art, The Next Great Artist”; was the subject of a four-part BBC documentary; wrote a juicy tell all memoir; and most recently made a memorable cameo in the Netflix series Emily in Paris. De Pury is also a columnist for Artnet News Pro, writing a monthly dispatch aptly called "The Hammer," that is full of invaluable perspective on how the art market really operates along with intimate play-by-plays from the ultimate art world insider. This week, the art world mainstay joins Andrew Goldstein to discuss his career past and present, why hip hop jewelry is an undervalued market, and what he's looking forward to on the horizon.
In this episode Gary Mansfield speaks to Philip Colbert (@philipcolbert) Philip Colbert is a contemporary British artist based in London. Colbert works across the mediums of painting, sculpture, clothing, furniture and design. Colbert was described by Andre Leon Talley as "The godson of Andy Warhol" On 30 June, Colbert will unveil LOBSTEROPOLIS CITY, his first fully digital exhibition, opening within the ‘metaverse' of Decentraland – seeing the artist's lobster universe evolve into its latest iteration. Curated by globally renowned art auctioneer and dealer Simon de Pury at the Lobster Land Museum, the exhibition includes a series of NFT works available exclusively with NFT platform Super Rare. These include Colbert's iconic past works Cryptofixtion and Lobster Fountain, alongside new unseen NFT works. This marks the most ambitious and largest-scale single artist venture to be seen in Decentraland to date. To visit LOBSTEROPOLIS CITY, head here and create your avatar: https://play.decentraland.org/?position=-103%2C147 For more information on the work of Philip Colbert go to https://www.philipcolbert.com/ To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.org Email: ministryofartsorg@gmail.com Social Media: @ministryofartsorg
On 30 June, Philip Colbert will unveil LOBSTEROPOLIS CITY, his first fully digital exhibition, opening within the ‘metaverse' of Decentraland – seeing the artist's lobster universe evolve into its latest iteration. Curated by globally renowned art auctioneer and dealer Simon de Pury at the Lobster Land Museum, the exhibition includes a series of NFT works available exclusively with NFT platform Super Rare. These include Colbert's iconic past works Cryptofixtion and Lobster Fountain, alongside new unseen NFT works. This marks the most ambitious and largest-scale single artist venture to be seen in Decentraland to date. To visit LOBSTEROPOLIS CITY, head here and create your avatar: https://play.decentraland.org/?position=-103%2C147 Tune to to hear all about Philip's obsession with lobsters - "I became an artist when I became a lobster." Your host is Jillian Godsil, award winning journalist, broadcaster and author. Her latest book is available at https://persons-of-interest.io/
Swiss auctioneer, art dealer, curator, and collector Simon de Pury talks with us about how the pandemic shifted the art market toward increased inclusivity and equality, the NFT phenomenon, and why technology such as blockchain and digital renderings can benefit physical artworks and the institutions that house them.
Juliet Stevenson on her film on Stevie Smith and the Ledbury Poetry Festival, Camilla King on the Cheltenham Music Festival and digital artist Philip Colbert on launching Lobsteropolis in Decentraland with Simon de Pury auctioning his NFT work with DEVO Subscribe to our Newsletters Follow Country & Town House on Twitter Follow Country & Town House on Instagram We're going to: The Ledbury Poetry Festival 2nd to 11th July https://www.poetry-festival.co.uk We're buying tickets to: Watch Juliet Stevenson present Dead Poets Live's film on Stevie Smith 7 pm on Sunday 11th July https://www.poetry-festival.co.uk/events/juliet-stevenson-presents-stevie-smith/ We're going to hear: Dog Poems! With Matt Black 11 am to 12 noon, Sunday 11th July Cheltenham Music Festival We're going to: Cheltenham Music Festival 2nd to 11th July https://www.cheltenhamfestivals.com/music/ We're logging into: Decentraland to see Simon de Pury auction the NFT art work by DEVO and Philip Colbert at the Lobster Land Museum to celebrate the opening of Lobsteropolis https://decentraland.org Edited and Produced by Alex Graham
Un teatro con más de 25 años de historia Ayer estuvimos en la I edición de FELINA, el Festival de Literatura de Navalcarnero organizado por la Asociación de Escritores de la localidad. Se celebró en un rincón emblemático de la cultura y la educación madrileñas, el Teatro Tyl Tyl, un rincón con más de 25 años de historia. Tuvimos la suerte de hacer unas entrevistas desde allí y una de las más geniales fue con Pury Estalayo, una de las creadoras de este centro dramático infantil y juvenil de la Comunidad de Madrid.
Hoy se pasa por el Hotel a tomar una copa Íñigo Navarro, de la galería Leandro Navarro. Hablamos con Íñigo sobre arte, cuadros, estudios de artistas, ARCO, ferias, recuerdos, viajes, galerías y mucho más. Y también de la importancia de seguir poniéndonos frente a un cuadro, en directo, buscando emociones y belleza. Como siempre, donde siempre: en el Hotel Jorge JuanNotas del Podcast: - Galería Leandro Navarro - Giorgio Morandi - Kurt Schwitters - César Galicia - Carmen Laffon - Solana - Frick Gallery - Manuel Padorno - Buscadores de belleza - María Dolores Jimenez Blanco - Memorias de un vendedor de cuadros - Ambroise Vollard - El subastador - Simon de Pury
Cindy Pury has been a professor at Clemson University and found her way into Alchemy Comedy by way of our regionally famous Alrinthea Carter. Listen in as Cindy talks with Andrew about where she grew up, her love of cats, and how her use of improv has helped her career as a psychology professor.
A convite do Instituto Moreira Salles (IMS), a diretora Tila Chitunda, que mora há quase quatro anos na Suíça, produziu um curta-metragem que reflete sobre seu lugar no mundo diante da pandemia. Tila é brasileira, filha de refugiados angolanos e casada com um suíço, com quem tem dois filhos. Valéria Maniero, correspondente da RFI na Suíça A convite do Instituto Moreira Salles (IMS), a diretora Tila Chitunda, que mora há quase quatro anos na Suíça, produziu um curta-metragem que reflete sobre seu lugar no mundo diante desta pandemia. Tila é brasileira, filha de refugiados angolanos e casada com um suíço, com quem tem dois filhos. O curta “Deslocamentos, paraíso e caos” trata do racismo e faz pensar. Foi produzido em português, mas já está com tradução para o francês e pode ser visto clicando aqui. Em uma série de documentários feitos nos últimos anos, a diretora investiga a memória e a relação entre as identidades dos povos brasileiro e angolano. Seus filmes já ganharam prêmios em festivais de cinema na Itália e no Brasil. Entrevistada pela RFI, Tila contou que o convite para fazer o curta-metragem foi feito por Kléber Mendonça Filho, diretor do filme “Bacurau” e coordenador de cinema do IMS. “Quando a pandemia começou, no primeiro semestre deste ano, o IMS decidiu convidar artistas de diversas linguagens, como cinema, fotografia, música, para que eles pudessem produzir algo inspirado nesse momento. Eu fiquei super feliz com o convite, tanto pela oportunidade de produzir mais um curta quanto pelo fato de poder estar num espaço que já estava sendo ocupado por cineastas que eu tanto admiro, como Yasmin Thayná, Gabriel Martins, Joel Zito Araújo, Grace Passô, Jorge Furtado, Cristina Amaral, Karim Aïnouz”, conta ela. A diretora também falou sobre o processo de produção e sobre como foi abordar o racismo, tema que, como ela mesma diz no curta, “todo mundo sabe que existe, mas ninguém quer se assumir”. “Nos meus filmes, eu sempre gosto de partir de experiências pessoais para falar sobre histórias universais. E embora o racismo sempre tenha acompanhado a minha existência, durante a pandemia, essas violências tomaram proporções terríveis, como no caso do George Floyd, nos Estados Unidos; do João Pedro, no Rio; e do menino Miguel, lá em Recife. Então, tudo isso me fez refletir sobre a minha própria história de deslocamento e diáspora. Minha história de mulher negra, filha de africanos, que nasceu no Brasil, e que agora está na Suíça. Esse momento me fez refletir sobre minhas conexões com esses três continentes que, de certa forma, me habitam. E também sobre a minha condição de mãe de duas crianças negras”, diz. “Denunciar o racismo era mais do que urgente” Foi assim que ela começou a pensar “nas várias violências que sofreu” e decidiu denunciar aquela que a acompanha durante toda a vida. “Desde criança, na escola, eu já sofria bullying por conta do meu cabelo, da minha cor de pele; nas lojas, várias vezes, eu fui seguida por seguranças que pensavam que eu estava ali para roubar. Mais tarde, quando eu tive o segundo filho - um pouco mais claro do que eu -, as pessoas me perguntavam, quando eu morava lá, se eu era babá dele. Enfim, diante de tudo isso e do que a gente estava vivenciando durante a primeira onda, eu percebi que denunciar o racismo era mais do que urgente, principalmente agora que eu sou mãe de duas crianças negras e que me questiono sobre como eu posso educar meus filhos para que eles sobrevivam ao racismo que matou George Floyd, o menino Miguel e que a cada 23 minutos mata uma pessoa negra no Brasil”. Para Tila, não é fácil dizer “qual é o lugar dela no mundo diante dessa pandemia”, mas diz ter sorte de saber quem são seus pais, avós e bisavós. De conhecer a própria origem. “Eu sei quem eles eram e de onde eles vieram. Essa não é a realidade da maioria das pessoas pretas que nasceram no Brasil. Eu faço essa contextualização pelo seguinte: para mim, conhecer nossas origens nos ajuda a encontrar nosso lugar no mundo, a encontrar referências que nos impulsionam a ter coragem de ocupar espaços que, historicamente, foram negados para os povos pretos”. Segundo a brasileira, o racismo estrutural que a gente enfrenta hoje é herança do sistema colonial e escravocrata. “É esse racismo estrutural que me fez, por várias vezes lá no Brasil, ter que dizer que eu não era babá do meu filho nem empregada doméstica na minha própria casa, isso quando alguém tocava a campainha. Era uma situação que acontecia. Só pelo fato de eu ser negra. Eu acredito que o meu papel, como realizadora audiovisual, é mudar esses imaginários, é apresentar outras narrativas, protagonizadas por pessoas pretas, diferentes daquelas das manchetes dos cadernos policiais”. No curta-metragem de Tila, a Suíça também está presente, sendo apresentada, de maneira irônica, como “o paraíso”. Ela explica como foi vivenciar a pandemia nesse país que está entre os mais desenvolvidos do mundo. “Aparentemente, a Suíça é um paraíso, se a gente comparar com alguns lugares do mundo, como o Brasil. Durante a pandemia, a curva de contaminação foi rapidamente controlada aqui na primeira onda. No geral, os sistemas de transporte, os espaços públicos, tudo funciona numa precisão extraterrestre. Por isso que eu costumo dizer que nem parece que é o mundo. Então, vivenciar a pandemia na Suíça, de fato, é um privilégio, mas por vezes, essa ordem, essa organização, isso tudo tão certinho, que parece que foi modificado no Photoshop, pode ser bem opressivo também e nada acolhedor”, afirma. Depois de um tempo morando no “paraíso”, ela começou a questionar também sobre a origem de tanta organização, perfeição e riqueza. “Para o filme, comecei a pesquisar um pouco as relações da Suíça com o colonialismo e tal. Acabei chegando no David de Pury, que tem uma estátua em Neuchâtel, onde ele deixou a sua riqueza. Na verdade, era um escravocrata suíço, mesmo que a Suíça não tenha tido colônias. E, ao mesmo tempo, você vai investigar a origem do sigilo bancário, dessa grana toda que tem aqui... Durante muito tempo, esse sigilo atraía dinheiro sujo, fruto de opressão, de corrupção, de guerras... O filme não é uma tese, mas um dispositivo para a gente refletir sobre todos esses deslocamentos e também por que o mundo chegou aonde está”. Apesar de estar num lugar seguro, Tila diz que continua vulnerável. “Porque enquanto existir racismo, machismo, intolerância e desigualdade social, onde quer que eu esteja, infelizmente, eu como mulher, como negra, continuarei vulnerável. Vulnerável às violências causadas pelo racismo, pelo machismo, pela intolerância, que estão espalhadas ao redor do mundo. É por isso que a gente precisa seguir lutando. Só assim vai poder mudar o rumo do mundo”, afirma.
Yeringberg's annual open weekend tasting in 2020 has been cancelled due to Covid but there is plenty to get excited about from the de Pury's famous winery. Sandra and Simon chat about the 6 new release wines and the new vineyard plantings of the old vine material where row orientation is being changed to account for changing climatic conditions. Check out the interview and sign up to the mailing list to get the inside word on future happenings at Yeringberg. @yeringberg @wineyarravalley
À Neuchâtel, le débat est vif autour de la statue de lʹhomme dʹaffaires David de Pury dont la fortune léguée à la cité sʹest construite en partie grâce à la traite négrière. La ville semble prendre au sérieux la pétition reçue cet été demandant de retirer la statue. À Saint-Gall l'historien Hans Fässler guide des écoliers sur les traces urbaines de lʹesclavagisme suisse pour questionner le destin de ces lieux de mémoire encombrants. Reportage: Jonas Pool Réalisation: Didier Rossat Production: Véronique Marti
Dans un contexte mondial de mobilisations antiracistes et du mouvement Black Lives Matter, les statues et monuments représentant des figures majeures du colonialisme et la traite dʹesclaves sont devenus la cible des manifestants. Aux Etats-Unis, en Grande Bretagne, en France, Italie ou Belgique, des monuments sont décapitées, vandalisés, voire carrément déboulonnés. En Suisse, une pétition a été lancée à Neuchâtel pour retirer la statue de David de Pury, considéré comme un esclavagiste. Pourquoi tant de haine face à des monuments qui ont aussi une forte valeur esthétique ? Avec Corinne Rondeau, maître de conférences à lʹUniversité de Nîmes et critique dʹart. Une chronique de Miruna Coca-Cozma.
Zurück auf Schnäppchenjagd in Deutschland, Nationalrat Mathias Reynard will in den Walliser Staatsrat, Debatte um die Statue von David de Pury, noch gibt es die Textilbranche im Tessin
Als Protest gegen Rassismus fordert eine Petition in Neuenburg nun die Entfernung der Statue von David de Pury, dem «Wohltäter» der Stadt. Dieser Neuenburger Kaufmann aus dem 18. Jahrhundert hat viel Geld in Neuenburg investiert. Das Geld aber stammt auch aus dem Sklavenhandel. Ausserdem: * Trotz Corona gegen Rassismus demonstrieren – In Genf gehen so viele Leute auf die Strasse, wie sonst nirgends in der Schweiz. * Neuer Corona-Herd: In einem Spital von Martigny sind fünf Plegepersonen positiv getestet worden und rund 60 in Quarantäne. * Entscheid gegen «prima i nostri»: Ärzte im Tessin müssen nun doch keine zweite Landessprache beherrschen. * TessinerInnen sind laut einer neuen Umfrage Schweizer Meister im Alkoholkonsum und überholen damit die WalliserInnen. Zu Gast sind Alain Arnaud von Radio RTS in Biel und Gerhard Lob, freier Journalist in Locarno.
Simon de Pury is one of those names synonymous with Art. Having reinvented the art of auctioneering with an energetic style all his own, Simon has a wealth of experience, including brokering private sales and working with institutions and organizations all over the world, as well as having a range of private pursuits like photography and DJing. Listen to him speak about his fascinating life in Art. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week on the podcast we ask how we maintain our emotional and mental health during the Covid-19 pandemic. We also process the events of the week just gone, there's top tips for staying healthy while working or studying at home, and we have a think about what universities and government should be doing to help. With John de Pury, Assistant Director of Policy at Universities UK and Fran Longstaff, Head of Psychology at Fika.
Pour l'épisode #37 de Gône Digital, j'accueille non pas 1 mais 2 personnes ! Et pas n'importe qui puisqu'il s'agit d'Emmanuel Baratin & Marguerite de Pury, consultants chez Effektiv. Spécialisés dans le recrutement web & IT, ces deux larons sont les pros de l'emploi et... de la punchline ! Entre les "dev diva" et leur futur bouquin imaginaire, écoutez cet épisode complètement allumé
Hoy os traemos una pequeña cata del bonus que cada mes disfrutan nuestros oyentes VIPS, que se han suscrito a nuestro sistema de Patreon. En esta ocasión, un completo análisis de la obra El Subastador, de Simon de Pury. Aquí os dejamos los cinco últimos capítulos analizados por Juan A. Rodríguez y Marian Ceballos - Escalera. Si queréis escuchar el resto... Become a patron!: https://www.patreon.com/PlanetaArte - Web: https://www.theartmarket.es - Patreon: https://www.patreon.com/PlanetaArte - Twitter: https://twitter.com/artmarketagency?lang=es
Debi Wisch and Jennifer Blei Stockman, two of the three main producers of the documentary The Price of Everything, about art and money, talk about: The breakdown of the sales system in terms of democratization; auctioneer Simon de Pury’s line: “you should buy with your eyes, not your ears,” and ignore the background noise, as Debi puts it; buying trends among collectors, and the pros and cons of those purchases; the complications of gifting collections to museums; resources available to artists on the film’s website; the producers’ goals in terms of pulling back the curtain on the art world and getting people thinking and asking questions, and how one personal motivation was not being able to collect a lot of contemporary art they’d been interested in because it was too expensive; how artists (including Jeff Koons) don’t make any money from their work when it sells at auction; the draw of contemporary art around the world that’s been made apparent to the filmmakers through the many countries that have shown interest in the film; the possible reasons why a German refugee, just prior to the Holocaust, owns a Maurizio Cattelan sculpture of an adolescent-sized Adolph Hitler on his knees; and the challenges and thrills of navigating the learning curve of filmmaking over a seven-year span for this ambitious documentary.
Hoy os traemos una pequeña cata del bonus que cada mes disfrutan nuestros oyentes VIPS, que se han suscrito a nuestro sistema de Patreon. En esta ocasión, un completo análisis de la obra El Subastador, de Simon de Pury. Aquí os dejamos los dos primeros capítulos analizados por Juan A. Rodríguez y Marian Ceballos - Escalera. Si queréis escuchar el resto... Become a patron!: https://www.patreon.com/PlanetaArte ? Web: https://www.theartmarket.es ? Patreon: https://www.patreon.com/PlanetaArte ? Twitter: https://twitter.com/artmarketagency?lang=es
This episode offers an exploration of the science behind courage and overcoming fear, and focuses on how those findings might be used to live a more courageous life. The guest featured on this episode is Dr. Cindy Pury. Cindy sits on the faculty at Clemson University where she is a professor of psychology. Trained as both a clinical psychologist and a researcher, Cindy started out with an interest in studying cognition and fear, looking specifically at threat appraisals. In 2003 she shifted the focus of her work to better understand courage from an empirical standpoint. Cindy is now one of the world's leading thinkers on the science of courage.If you enjoyed this episode please follow the courageous life on soundcloud, or head to www.joshuasteinfeldt.com/podcast for show notes, resources, and more.Support the show (https://joshuasteinfeldt.com/donate/)
Monocle’s Robert Bound sits down with the world-renowned Swiss auctioneer and collector, Simon de Pury to discuss his journey into the epicentre of the art world, his love of contemporary art, the evolution of taste, the art of collecting and the performance of auctioneering.
In the latter half of the 19th Century, there were a number of very important arrivals into the Yarra Valley region, less than 100km east of Melbourne, who happened to be Swiss. These were important viticultural who made a name for Australian wine in Paris and London, winning hearts, palates and medals. One of these pioneering Swiss families was the de Purys, who established Yeringberg in the area now known as Coldstream. My guest on this episode is Guill de Pury, the third-generation owner responsible for reviving the wine growing on the property at the end of the 1960s. He shared the important history of the family, the region, the farm and his own journey of (re)discovery.
In this week’s episode of the ArtTactic Podcast, we speak with Simon de Pury, a London-based art dealer and adviser, author of the new book The Auctioneer: Adventures in the Art Trade and both the former Chairman of Sotheby’s Europe and the former owner and co-founder of Phillips de Pury. First, Simon tells us about his new book and what inspired him to write it at this time. Then, he reflects on the time just before he left Sotheby’s and what prompted him to leave to ultimately establish Phillips de Pury. Also, Simon reveals some of the advantages of Phillips de Pury being a smaller auction house in relation to Christie’s and Sotheby’s. Further, he gives his impressions on the development of the online art market and where he sees it heading in the future. Lastly, Simon identifies some exciting contemporary art scenes across the world, shares what he believes to be the mood of the contemporary art market at this moment and offers important advice to emerging art collectors.
Pury pregunta: Nunca había tenido una relación así de intima con nadie. Por motivos de trabajo debemos estar separados al menos 1 año más y sin posibilidad de vernos. Es posible que funcione una relación a distancia? Escucha la respuesta del terapeuta. Haz tu propia pregunta a traves de www.CurandoAmores.com ¡Deja de discutir con tu pareja! Descarga GRATIS el guía diseñado para reducir los conflictos matimoniales. Haz clic aqui ---> http://goo.gl/QfN90b
Esta semana nos escribieron los siguientes corazones rotos: Pury pregunta: Nunca había tenido una relación así de intima con nadie. Por motivos de trabajo debemos estar separados al menos 1 año más y sin posibilidad de vernos. Es posible que funcione una relación a distancia? Pregunta anónima: Dice que jamás me perdonara que lo haya abandonado. ¿Cómo le hago entender que no es mi culpa el haberme ido de su lado? Jessi pregunta: La infidelidad no lo deja tranquilo. El a veces me dice que se siente bien conmigo y a veces no. Raymundo pregunta: Yo me hice la vasectomía y mi esposa salió embarazada. ¿Qué hago? José pregunta: ¿Es factible volver a confiar en tu pareja cuando fue infiel sin una causa justificable aún después de 20 años de estar juntos?
In May 2011, Intelligence Squared Asia presented four leading voices in the arts to argue the motion "Art must be beautiful". Can aesthetic standards of the day dictate the long-term value of art? Who defines taste? Do parameters of institutional validation differ from collector ideals? Does concept in art triumph over creation? Is meaning in art an obligation or an afterthought? Arguing for the motion were artist and acclaimed photographer David LaChapelle and Co-founder of Phillips de Pury and Co Simon de Pury. Arguing against the motion were Award-winning Singaporean multimedia artist Ming Wong and best-selling author Stephen Bayley. The debate was chaired by Lars Nittve, Executive Director of M+ at the West Kowloon Cultural District. See acast.com/privacy for privacy and opt-out information.
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