Podcasts about Duccio

Jesus' Command to Love: The Hardest and Holiest Calling Jesus gives us His commandment to “love one another,” . . . . . . emphasizing that true love, as exemplified by Jesus, is the most difficult yet most essential commandment. Rather than focusing on religious rituals like daily prayer or tithing, Jesus calls for radical, sacrificial love modeled after his own. The Homily underscores that love is only possible through the Holy Spirit and involves humility, equality, and self-giving. The Early Church It also recounts the early Church's struggle with integrating Gentile believers, particularly at the Council of Jerusalem, where leaders chose not to impose the full burden of Jewish law on Gentile converts . . . except out of love and respect for others' consciences. The Church's journey through subsequent theological disputes (e.g., Jesus' divinity and nature) illustrates that doctrinal clarity often takes centuries, but division still persists today between “conservatives” and “progressives.” The Homily calls for unity in the Church through love empowered by the Holy Spirit, rather than through labels or legalism Listen to this Meditation Media. Listen to: Jesus' Command to Love: The Hardest and Holiest Calling ----------------------------------------------------------------- Maestà : Italian Artist: Duccio: ( 1311) Jesus giving the Farewell Discourse to his eleven remaining disciples after the Last Supper, croed image from the Maestà by Duccio, c. 1311 ----------------------------------------------------------------- Gospel Reading: John 15: 12-17 First Reading: Acts 15: 22-31 ----------------------------------------------------------------- Quote From the Homily And yet love is possible only because of the spirit. He says to us, how do we love one another? Look at me the way I have loved you.

Sumérgete en el mundo espiritual y estético de Duccio di Buoninsegna, el maestro gótico que transformó la pintura italiana en los albores del Renacimiento. Desde los talleres de Siena hasta la majestuosa Maestà, este podcast explora la vida, el contexto y el legado de un artista que, con pinceladas doradas y rostros cargados de emoción, abrió el camino hacia una nueva sensibilidad visual. Descubre cómo Duccio unió lo divino con lo humano, lo bizantino con lo innovador, en una época marcada por la fe, la política y el despertar artístico de Europa.

Let’s continue examining the proto-renaissance altarpiece painting “The Maesta” by the Italian master, Duccio di Buoninsegna (1255-1318). THE MAESTA PANELS by Mark Vinet is available at https://amzn.to/3S8C4KD I feature Christianity’s most beautiful artworks on my social media accounts. Images for this episode are conveniently compiled for FREE at www.patreon.com/markvinet ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Duccio Caccioni"Non ci sono più le mele di una volta (per fortuna)"ColtivaTo Festival Internazionale dell'Agricolturawww.coltivato.comIl vecchio adagio ci suggerisce che i sapori di un tempo non esistono più e che le mele di una volta erano migliori e più saporite di quelle odierne. Con simpatia e sapienza agronomica, Duccio Caccioni prova a smontare questo preconcetto e ci racconta la storia del miglioramento genetico delle mele, illustrandoci come e perché abbiamo migliorato questo prodotto e cosa possiamo e dobbiamo ancora fare per rendere le mele (ma non solo) più gustose e più sostenibili.Duccio Caccioni, agronomo e fitopatologo, è direttore di Mercato del Centro AgroAlimentare di Bologna (CAAB Spa). È presidente della Commissione di Borsa per i Prodotti Ortofrutticoli Convenzionali e Biologici della Camera di Commercio di Bologna. È docente di marketing agroalimentare alla Bologna Business School (Università di BolognaMuseo della Frutta Francesco Garnier Valletti, TorinoInaugurato nel febbraio del 2007, il museo espone oltre mille modelli di «frutti artificiali plastici» realizzati da Francesco Garnier Valletti (1808-1889), geniale ed eccentrica figura di artigiano artista e scienziato, e il patrimonio storico e scientifico della Regia Stazione di Chimica Agraria costituita nel 1871 e divenuta nel 1967 Sezione operativa torinese dell'Istituto Sperimentale per la Nutrizione delle Piante (INPS) di Roma (ora C.R.A.- R.P.S. - Centro di Ricerca per lo Studio delle relazioni tra piante e suolo).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Let’s examine the proto-renaissance altarpiece painting “The Maesta” by the Italian master Duccio di Buoninsegna (1255-1318). THE MAESTA PANELS by Mark Vinet is available at https://amzn.to/3S8C4KD I feature Christianity’s most beautiful artworks on my social media accounts. Images for this episode are conveniently compiled for FREE at www.patreon.com/markvinet ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

A new exhibition at London's National Gallery hopes to shed light on artists in 14th Century Siena, who have often been overshadowed by their Tuscan neighbours in Florence. Samira is joined in the studio by one of the curators, Imogen Tedbury, and by Maya Corry, a Renaissance expert from Oxford Brookes University to discuss the astonishing colours and use of gold by artists like Duccio, the Lorenzetti brothers and Simone Martini. The death has been announced of Bill Dare, the creator of Radio 4's The Now Show and Dead Ringers. He nurtured new writers and performers including David Baddiel, Rob Newman, Hugh Dennis and Steve Punt, of The Mary Whitehouse Experience as well as the comedian Jon Holmes, who explains how they first met. Haitian filmmaker Raoul Peck, best-known for his Oscar and BAFTA nominated documentary about James Baldwin 'I Am Not Your Negro', discusses his latest film 'Ernest Cole: Lost and Found', about the brief life of a young South African photographer who had to flee his homeland in 1968 to publish his book of photos which exposed the horrors of apartheid to the world.The Booker and Oscar-nominated writer Colum McCann discusses his thrilling new novel Twist, a dive in to the dark depths of the modern human condition set on board a ship repairing the fragile cables which connect us on the ocean floor. Presenter: Samira Ahmed Producer: Claire Bartleet

“Revoir Cimabue” Aux origines de la peinture italienneau Louvre, Parisdu 26 janvier au 12 mai 2025Entretien avec Thomas Bohl, conservateur au département des Peintures – musée du Louvre, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 21 janvier 2025, durée 13'45,© FranceFineArt.https://francefineart.com/2025/01/25/3587_revoir-cimabue_louvre/Communiqué de presseCommissariat :Thomas Bohl, conservateur au département des Peintures, musée du LouvreLes années 1280-1290 furent le témoin d'un moment fondamental, révolutionnaire même, dans l'histoire de la peinture occidentale : pour la première fois, un peintre cherche à représenter dans ses oeuvres le monde, les objets et les corps qui l'entourent tels qu'ils existent. Cet artiste visionnaire, dont nous ne savons presque rien et dont seule une quinzaine d'oeuvres nous sont parvenues, c'est Cimabue (Florence, vers 1240 – Pise ?, 1301/ 1302).La première exposition à lui être consacrée est le fruit de deux actualités de grande importance pour le musée du Louvre : la restauration de la Maestà, souvent qualifiée « d'acte de naissance de la peinture occidentale » et l'acquisition en 2023 de La Dérision du Christ, un panneau inédit de Cimabue redécouvert en France chez des particuliers en 2019 et classé Trésor National.Ces deux tableaux, dont la restauration s'est achevée fin 2024, constituent le point de départ de cette exposition, qui, en réunissant une quarantaine d'oeuvres, ambitionne de mettre en lumière l'extraordinaire nouveauté de sa manière et l'incroyable invention par laquelle il renouvela la peinture. Elle écrit ainsi le récit passionnant d'un commencement.Cimabue a ouvert la voie du naturalisme dans la peinture occidentale. Avec lui, les conventions de représentation héritées de l'art oriental, en particulier des icônes byzantines, si prisées jusqu'alors, cèdent la place à une peinture inventive, cherchant à suggérer un espace tridimensionnel, des corps en volumes et modelés par de subtils dégradés, des membres articulés, des gestes naturels et des émotions humaines. Il développe également une verve narrative que l'on pensait jusqu'à présent initiée par ses flamboyants successeurs, Giotto et Duccio.Nos connaissances sur Cenni di Pepe, dit Cimabue, sont très minces, comme le rappelle le prologue de l'exposition : on ignore jusqu'à la signification de son surnom et seuls quelques documents d'archive permettent d'identifier l'artiste et de donner de rares repères dans son parcours. C'est Dante, dans un passage de La Divine Comédie, qui forge le mythe au début du XIVe siècle : en établissant son importance, il est à l'origine de la fascination que le nom de Cimabue exercera des Médicis jusqu'à aujourd'hui.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Auctioning the most expensive classic vehicles over the phone? As Director of Business Development, UK/EMEA at auction house RM Sotheby's, Duccio Lopresto gives us a personal insight into his exciting work. His career is no coincidence: even as a child, he regularly attended the Concorso d'Eleganza Villa d'Este and presented his father Corrado Lopresto's outstanding car collection. Find out all about this and his favourite cars in this episode. Duccio Lopresto on Instagram @duccio.lopresto BMW Group Classic on Instagram ⁠@bmwclassic⁠ JP Rathgen and Classic Driver on Instagram ⁠@jprathgen⁠ and ⁠@classicdriver Do you have an exciting story about classic BMW cars? We'd love to hear it! Send us an email to bmwgroup-classic@shot-one.de with a brief introduction and the remarkable experiences you've had with a classic BMW.

Episode No. 678 features curator Stephan Wolohojian. Along with Laura Llewellyn, Caroline Campbell and Joanna Cannon, Wolohojian is the curator of "Siena: The Rise of Painting, 1300-1350" at the Metropolitan Museum of Art, New York. The exhibition examines the role of Sienese artists such as Duccio, Pietro and Ambrogio Lorenzetti, and Simone Martini in the dawn of the Italian Renaissance and before the onset of the plague in around 1350. While Florence is typically considered the most important city of the Italian Renaissance, "Siena" argues for a broadening of our understanding of the dawn of a new era. "Siena" is on view through January 26, 2025. The excellent exhibition catalogue was published by the National Gallery, London. Amazon and Bookshop offer it for about $45. Some of the works referenced on the program are most easily seen via websites that aggregate multiple paintings into single pages, including: Ambrogia Lorenzetti, The Allegory of Good and Bad Government, 1838-39, Palazzo Pubblico, Siena. Duccio, Maestà, 1311, Museo dell'Opera Metropolitana del Duomo, Siena. Ugolino di Nerio, Santa Croce altarpiece, 1325-28.

Read OnlineJesus said to his disciples: “Gird your loins and light your lamps and be like servants who await their master's return from a wedding, ready to open immediately when he comes and knocks.”  Luke 12:35–36What does it mean to “Gird your loins?” This phrase, which is not commonly used today, literally means “tighten your belt.” It traditionally refers to one who is wearing a long robe that makes it difficult to move quickly and easily. Thus, to gird your loins means that you tuck in the long robe and tighten your belt so that you are prepared for some physical activity. It was also commonly used to exhort those preparing for battle to get ready. Symbolically, then, this phrase simply means to be ready for something difficult or challenging. It means to be vigilant and prepared. Spiritually speaking, Jesus is telling His disciples to be ready for the spiritual battle that awaits them.Jesus then tells His disciples to light their lamps. That phrase could have a variety of meanings, such as “Do not remain in the darkness of sin or ignorance” or “Let the light of charity shine forth as you navigate through life” or “Allow the light of truth to shine within your mind.” Hence, by the light of faith, they are to be prepared and vigilant, ready to do all that the Lord sends them to do.Today's Gospel ends by Jesus saying that the disciples will be truly blessed if they remain vigilant even until the second or third watch of the night. Some Church Fathers see this as a reference to three periods in one's life: childhood being the first watch, middle age being the second, and old age being the third watch.With these meanings understood, one message we can take from this Gospel is that Jesus is calling us to be vigilant in our faith at every moment of our lives. For those who have lived many years, it may be useful to look back at how faithful you have been throughout every period of your life. God wants to use you in many ways during childhood, through your middle age, and even in old age. The journey of faith must never end. Instead, it must continually deepen as you age. But this will only be possible if you “gird your loins” and “light your lamps.” You must continually be vigilant, continually attentive to the light of faith, and continually be ready to act every time God inspires you to act.Reflect, today, upon the lifelong journey of faith and service of God to which you are called. Being a Christian is not simply something you are born into. If you were born into the faith, then ponder especially what you have done throughout your life to daily deepen and strengthen that faith. Ponder whether or not you have diligently responded to the countless inspirations of the Holy Spirit to spread the light of faith to others. If you have been truly faithful throughout your life, then give thanks to God and recommit yourself to this fidelity for the rest of your life. If you have lacked faith and vigilant attentiveness to the will of God, then place that in the hands of God's mercy and resolve from this day forward to do all you can to respond to the will of God the moment God calls. My most merciful Lord, I thank You for the countless ways throughout my life that You have spoken to me, calling me to fulfill my mission of faith and love in this world. I commit to You, this day, to always remain vigilant and attentive to You every time You call. Use me, dear Lord, so that I may bring the light of Your saving Gospel to a world in need. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Appearance on the Mountain in Galilee by Duccio di Buoninsegna, via Wikimedia Commons

Read OnlineWhen Jesus left, the scribes and Pharisees began to act with hostility toward him and to interrogate him about many things, for they were plotting to catch him at something he might say. Luke 11:53–54 Over the past few days, we have been reading Saint Luke's version of Jesus' “Woe to you” rebukes of the scribes, Pharisees and the scholars of the law. Today's Gospel concludes these rebukes of love by pointing out that these religious leaders did not convert. Instead, they began plotting against Jesus so as to “catch him at something he might say.” This is what happens when people use God's holy law as a weapon to attack.Normally, we take inspiration from the Holy Scriptures in a positive way, meaning, by reflecting upon Jesus' words and actions and applying them to our lives. However, we can also learn from the evil others commit and allow their actions to inspire us to avoid their sin. In today's Gospel, we are invited to ponder the obsessive plotting of these religious leaders so as to consider whether we also are guilty of their sin.First, note that at the conclusion of Jesus' rebukes, these religious leaders “began to act with hostility” toward Jesus. Normally, when we act with hostility toward another, it is done with the mindframe that we are right and they have done something wrong. We justify our hostility by pointing to their perceived sin. However, it must be understood that every act of hostility on our part is a clear indication that we have started down the road of sin and are not justified in our obsession.Notice also that these religious leaders exercised their hostility toward Jesus by interrogating Him. In other words, in their anger, they kept asking Him questions so as to find some fault with Him. They tried to trick Him and trap Him with their speech using God's very Law handed down through Moses and the prophets. But they manipulated that Law so as to justify their hostility and, out of pride, to falsely accuse Jesus.Think about any times in your life in which you found yourself somewhat obsessed with what you judged to be the sin of another. Hostility in this case can even be passive, meaning you may present a kind disposition on the surface, but interiorly you are obsessively thinking about how you can condemn the person. Often when this happens, we can feel justified in that we convince ourselves that justice must be done and that we are the dispensers of that justice. But if God is in control of our lives, He will not call us to obsessive plotting in regard to another. Instead, when we are following the will of God, we will sense Him inspiring us to act with immediacy, calm, joy, kindness, honesty, and freedom from all anger and obsession. Reflect, today, upon any way that you have seen this misguided tendency within your own life. If you can identify a time when you struggled with hostility toward another, look at the fruit it bore. Was God glorified through your actions? Did this leave you at peace or agitated? Were you fully objective in your thinking? Be honest with these questions and you will begin to discover the road to freedom from such obsessive thinking. God wants you to be at peace. If there is injustice, trust that our Lord will sort it out. You, for your part, must continually work to forgive, act with charity, and direct your attention to the will of God as it is gently presented to you.My patient and kind Lord, You were falsely accused and condemned by many of the religious leaders of Your time because You spoke the pure truth with love, clarity and boldness. When I act with hostility and anger toward another, help me to turn from these sins so that I will never condemn, never judge and never manipulate Your divine Law for my own purposes. Fill me with Your peace and charity alone, dear Lord. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Christ Accused by the Pharisees by Duccio di Buoninsegna, via Wikimedia Commons

Duccio Cavalieri, Rino Rappuoli, Lisa Vozza"I microbi salveranno il mondo?"Proteggerli per sopravvivereEdizioni del Mulinowww.mulino.itPer riconciliarci con il mondo dei microrganismi. Un viaggio affascinante alla scoperta della «diversità invisibile», indispensabile alla nostra sopravvivenza.Un trilione di specie di microrganismi sostiene ogni forma di vita sulla Terra e rende abitabile il pianeta: senza microbi non avremmo pane, vino, birra, né potremmo liberarci dei rifiuti. Soprattutto non esisteremmo. Non solo l'intestino, ma anche il sistema immunitario richiede ad esempio continui contatti microbici per imparare a distinguere amici e nemici. Dove questo rapporto intimo si incrina, ci si ammala. Una minoranza, circa 1.400 specie, causa però infezioni e per eliminarle usiamo strumenti di distruzione di massa come antibiotici, disinfettanti, detergenti; ma così perdiamo microbi utili o innocui, mentre resistono i più pericolosi che sfuggono a ogni trattamento. Oggi occorrono soluzioni più ecologiche e mirate per preservare la diversità microbica globale. Ciò che chiamiamo antropocene deve trovare l'equilibrio giusto con il microbiocene, un'epoca iniziata quasi quattro miliardi di anni fa e che continuerà finché ci sarà vita sulla Terra.Duccio Cavalieri insegna Microbiologia all'Università di Firenze ed è esperto di tecniche di sequenziamento genomico. Rino Rappuoli, microbiologo, Medaglia d'oro al Merito della Sanità Pubblica nel 2005, è direttore scientifico del Biotecnopolo di Siena. Lisa Vozza è divulgatrice scientifica e Chief scientific officer presso la Fondazione AIRC per la Ricerca sul Cancro. Ha ricevuto il premio letterario Galileo 2010.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In this episode we speak with Duccio Locati about weaving in emotional and spiritual health to support your physical healing. Duccio is a certified PSYCH-K® Instructor and trained osteopath merging his passion for holistic health with his deep-rooted interest in spirituality, offering invaluable insights into the intricate connection between mind, body, and spirit. Duccio's expertise lies in understanding the profound impact of subconscious beliefs on our health and well-being. As an advocate of applied spirituality, he guides individuals to bridge the gap between spiritual wisdom and everyday life, fostering a harmonious alignment of mind, body, and spirit. Learning points: • What connects our emotions to changes in our physical health? • What is the role of spirituality in health? • What is the PSYCH-K® program and how can be integrated into our health protocols? Social Media: Linkedin: https://www.linkedin.com/in/duccio-locati-63633754/?originalSubdomain=it Instagram: https://www.instagram.com/duccio.locati/?hl=en YouTube: https://www.youtube.com/user/ducciolocati Website: https://www.ieyes.org/en/about-me/

Due fratellastri, molto diversi fra loro, si contendono il bottino in diamanti di una rapina e l'amore di una bellissima donna. Tradimenti, sparatorie e colpi di scena sono il biglietto da visita di questa pellicola che sembrava perduta e la Oblivion ha invece riportato in un'ottima edizione home video. Giuliano Gemma e Klaus Kinsky perfetti nei ruoli dei protagonisti, senza dimenticare un'anziana, ma ancora bravissima Rita Hayworth, nel ruolo di una madre sconfitta dall'alcol e dalla vita. Finale sorprendente e inatteso. Una chicca del cinema italiano pulp, diretta da un grande artigiano come Tessari.

"Jibba Jabba" is a captivating podcast that takes listeners on a deep dive into the stories of successful entrepreneurs and innovators. In this particular episode, the host, Sanj Saigal, sits down with Duccio Zambrini, the founder and owner of "London Connector." An organisation that specialises in networking and connecting professionals. Duccio's journey is nothing short of inspiring. Guest - Duccio Zambrini Host - Sanj Saigal Production - Jibba Jabba Website - www.networkingmagazine.co.uk Radio Link - https://bit.ly/3RI5NLH

 DownloadWelcome to LOTC episode 359!! This week we are back with Black Glove Mysteries and Mortis Vision. First up is Ian Irza and GregaMortis finishing their two part series of Director Duccio Tessari's films 1974 Puzzle and 1973 Big Guns. Are these films worth the watch? Do they stack up in the world of Giallo? Listen and see what Ian and Greg think. Lastly, GregaMortis and the Twisted Temptress finish their look into Stephen Kings Kingdom Hospital. You will want to listen to the end as Pearl and Greg are asking for your input and feedback for upcoming episodes. Please leave all your feedback here or email GregaMortis at gregamortis666@gmail.com. We want to thank each and every one of you for your continued love and support for LOTC. Be sure to get your favorite snacks and beverages ready and journey with us through Land Of The Creeps!!HELP KEEP HORROR ALIVE!!BLACK GLOVE MYSTERIESMOVIE REVIEWS1974 PUZZLEIAN : 8GREG : 81973 BIG GUNSIAN : 9GREG : 9.5LINKS FOR DOUBLE DOUBLEGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

 DownloadWelcome to LOTC episode 357 and this week is our Double Double episode where we begin with our Black Glove Mysteries segment. Ian Irza and GregaMorti.s are starting a 2 part series spotlighting Italian director Duccio Tessari. The movies covered is 1971 The Bloodstained Butterfly and 1965 The Return Of Ringo. We hope you enjoy the discussion for both these films. Lastly GregaMortis and the Twisted Temptress are looking at the Stephen King's Kingdom Hospital series during their Mortis Vision segment. This segment is spoiler heavy so you have been warned. Greg and Pearl are looking at the first 7 episodes of this 13 episode series. We hope you enjoy this one. We would love to hear your feedback on the show, be sure to email gregamortis666@gmail.com let us know your thoughts. Sit back with your favorite snacks and beverages, turn up the volume as you take a journey with us through the Land Of The Creeps!!HELP KEEP HORROR ALIVEBLACK GLOVE MYSTERIES MOVIE REVIEWS1971 THE BLOODSTAINED BUTTERFLYIAN : 9GREG : 8.51965 THE RETURN OF RINGOIAN : 9GREG : 8.5LINKS FOR DOUBLE DOUBLEGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdTwisted Temptress LinkLetterboxdIAN IRZA LINKSBLOG SITEFACEBOOKTWITTERINSTAGRAMLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

Out of Switzerland, Duccio Locati is the current Director of the PSYCH-K® Centre International. In the show we talk about this wonderful healing modality including the current dehumanization agenda, the importance and preciousness of spirit, 3D to 5D, the conscious/sub-conscience/superconscious, Bruce Lipton, and more.Duccio leads the Just Be Pratice with one simple question. Listen and find out what it is. Connect with Duccio Locati:PSYCH-K® Centre International: https://psych-k.comInstagram: duccio.locatiHis personal website: https://www.ieyes.orgNEW OFFERING... via ZOOM: Galactic Human Ascension Group Meditation / Sat, Jan 27, 2024 from 1-2:30pm ESTWith several meditations, each still moment will include the presence and divine work of ascended masters as well as galactic beings with the intention of enhancing vibration, energy and healing. Then, I will guide individuals where I am called or give attention to the group on how to deepen each meditation and beyond. Light language and toning may come into play. Price: $45 Registration: Email eden@edenjustbe.com to sign-up. **Host Eden Koz is a psychological empath (she feels, articulates and moves your pain/joy/blocks/etc), intuitive, medium, meditation master & dimensional as well as a galactic healer. She does remote & face-to-face sessions with individuals as well as groups.Contact info for Eden Koz / Just Be®, LLC:Insta, FB, LinkedIn, TruthSocial, (see the podcast also on) BitChute, Rumble, YouTube, Odysee, ...

Duccio Balestracci"Attraversando l'anno"Natura, stagioni, ritiIl Mulinowww.mulino.itUn viaggio nel tempo che si rinnova e si ripete e che costringe l'uomo a seguire la natura quasi fosse la sua ombra.La festa di San Michele, la notte di Ognissanti, ma anche la Candelora, i re e le regine dei boschi nelle feste di San Giovanni, i riti celtici per Imbolc e quelli sciamanici per l'arrivo della primavera. Dall'autunno all'estate i cicli della luce e del buio, della morte e della rigenerazione si susseguono e si trasformano, e con essi lo sforzo umano di arginare una natura generosa ma anche misteriosa, capricciosa e che cambia volto da una stagione all'altra. E così ricorrenze pagane e cristiane, ritualità e credenze si sedimentano, sovrappongono e contaminano. A nulla vale il tentativo di governarle e disciplinarle, messo in opera dalle istituzioni laiche ed ecclesiastiche. Duccio Balestracci ci accompagna alla scoperta del calendario del cielo e della terra e ci conduce al cuore del rapporto con una natura che si avvicina e si allontana, che fa tremare e amare.Duccio Balestracci ha insegnato Storia medievale nell'Università di Siena. Con il Mulino ha pubblicato «Medioevo e Risorgimento. L'invenzione dell'identità italiana nell'Ottocento» (2015) e «Stato d'assedio. Assedianti e assediati dal Medioevo all'età moderna» (2021). Tra i suoi libri recenti, con Laterza: «La battaglia di Montaperti» (2017), «Il Palio di Siena. Una festa italiana» (2019) e «Il Duca. Vita avventurosa e grandi imprese di Federico da Montefeltro» (2022).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/show/tracce-di-il-posto-delle-parole_1/support.Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Temos uma boa notícia: o Podcast Narrativa integra agora a rede de podcasts do jornal Público. Neste novo episódio ouves Inês Ventura, Mário Cruz e Rodrigo Vargas sobre Omnis, o primeiro projecto colectivo da Narrativa, que documenta a Jornada Mundial da Juventude, e cuja exposição pode ser visitada até 16 de Dezembro. Falamos sobre como este projecto foi pensado e construído segundo a visão dos autores e como a religião influi na vida de todos nós. Neste episódio mencionamos: - O trabalho Last Resort, do fotógrafo britânico Martin Parr. - A obra Maestá, de Duccio di Buoninsegna. -O livro American Prospects, de Joel Sternfeld, reeditado pela Steidl. -O livro The Killing Sink, de Matt Dune, editado pela Void. -O livro Lágrimas de Crocodilo – Fotografia e Crítica em Portugal 1980-2000, de vários autores, editado pela Pierrot Le Fou. Guião e moderação de Sebastião Almeida Edição de som de André Dias Nobre Jingle de António Quintino

Insieme al cofondatore Duccio Travaglini, in questa puntata parliamo di Greencome. Presente su numerosi canali online, da LinkedIn a Tiktok passando ovviamente anche per Instagram, si occupa di fare divulgazione sui temi della sostenibilità e dell'innovazione attraverso video e non solo, di alta qualità per forma e contenuto.Esploriamo la nascita ed evoluzione di questo progetto, nato dalla voglia di mettersi in gioco e che ora conta migliaia di follower.▪️ Duccio Travaglinihttps://www.linkedin.com/in/ducciotravaglini/▪️ Greencomehttps://www.linkedin.com/company/greencome1/

Duccio Demetrio"Nel silenzio degli addii"Mimesis Edizioniwww.mimesisedizioni.itMimesis Festivalwww.mimesisfestival.itVenerdì 27 ottobre, ore 17:00 Udine, Casa Cavazzinicon Duccio Demetriopresentazione del libro "Nel silenzio degli addii"Alla luce di alcune suggestioni filosofiche di Emanuele Severino, il professor Demetrio affronta i temi del distacco e della crescita: cosa significa dire addio a una parte di noi stessi, o a un nostro caro? Quali porte apre un cambiamento così radicale? Nel suo nuovo libro, Duccio Demetrio esplora i temi del distacco, della perdita e dell'abbandono alla luce di alcune suggestioni filosofiche di Emanuele Severino. Attraverso una visione problematica degli addii, anche ineluttabili, il saggio analizza ed evoca come tali i momenti esistenziali che, se per un verso, non possono che rivelarsi esperienze infauste e talvolta traumatiche, per l'altro, irrompono nella nostra vita dando origine a cambiamenti, a svolte, a incontri e a rivelazioni interiori imprevedibili. Non prive di una loro bellezza e grandezza umana.​​​​​​​È in tali situazioni che il raccoglimento, la ricerca del silenzio, la scrittura autobiografica e poetica rendono più sopportabili il dolore e lo sconcerto per gli addii.Duccio Demetrio, professore di Filosofia dell'educazione di Teorie della narrazione alla università Bicocca di MIlano, ora dirige la Libera Università dell'Autobiografia di Anghiari e l'Accademia del silenzio, delle quali è anche cofondatore e direttore scientifico. è autore di oltre 50 titoli dedicati alla formazione e alla condizione adulta, alla filosofia del corso della vita, della scrittura e della narrazione. Tra le sue opere più note: Raccontarsi (1996); La vita schiva (2007); La scrittura clinica (2008); L'interiorità maschile (2010). Ha inoltre dedicato alla natura come esperienza interiore e autobiografica: Filosofia del camminare (2005); I sensi del silenzio (2012); La religiosità della terra (2013); Silenzio (2014); Green autobiography (2015).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

“Wrestling with oneself, with one's past, with one's relationships, with God … These stories push us to use disability to think about the human condition more broadly.”Longstanding narratives about disability shaped our emotional responses, our caregiving responses, and our social commentary, and our treatment of the disabled. But what if we saw disability as the site of divine revelation about God's kingdom and our place in it? As an expression of power and wisdom and agency, rather than a merely a source of suffering and lack and ignorance.Calli Micale (Palmer Theological Seminary) joins Evan Rosa to discuss how disability reframes our humanity in the Bible. They reflect on three passages: starting in the Old Testament—in Genesis 32—with the story of Jacob wrestling with the Angel, and walking away with much more than a limp and a new name. Continuing with the Gospel, John 9, the story of the Man Born Blind, famous for at least two reasons: the utter stupidity of the disciples to assume “Rabbi, who sinned that this man was born blind?” and the utter visceral of having Jesus make mud with his spit and rub it in the man's eyes. And finally The Gospel of Mark, chapter 5, the story of the bleeding woman—a story of reaching out in desperate faith, an act of incredible agency and audacity, to touch the edge of Jesus's garment and be healed.Whether its intellectual disability or physical disability, and regardless of how its acquired, disability plays a role in what we might call God's subversive kingdom. God's upside-down-ness (or, maybe we should say human upside-down-ness). The least of these in the eyes of human society are chosen by God to communicate the good news of shalom and justice and salvation—that even those who are already “whole” can be saved.This episode was made possible in part by the generous support of the Tyndale House Foundation. For more information, visit tyndale.foundation.Show NotesArtwork: “Untitled (The Bleeding Woman)”, Unknown, Fresco, 4th Century AD, Catacombs of Marcellinus and Peter, Rome, ItalyArtwork: “The Healing of the Man Born Blind”, Duccio, 1311, Tempera on wood, National Gallery, LondonArtwork: “Vision of the Sermon (Jacob Wrestling with the Angel)”, Paul Gauguin, 1888, Oil on canvas, Scottish National GalleryGenesis 32:22-32 (see below for full text)“Wrestling with oneself, with one's past, with one's relationships, with God”Disability as a plot device: exploitElaborate disguise of Jacob's impersonization of EsauEach of us wrestles with our identity“No one can see God and live”Jacob's limp: a narrative and metaphorical significanceIs disability a sign of or consequence of one's sinfulness?Is disability a divine punishment?Subverting our understanding of disability“Disability extends beyond Jacob's physical form and continues to influence the the community—how they relate with their tradition and their practices.”“The memory of the struggle with God and the intimate presence of God in the wrestling in the body, and then is preserved in memory of the body.”Is being struck on the hip socket a blessing to Jacob?The wounds of martyrs as battle woundsDisability becomes inextricable from histories of violenceIs it Jesus that strikes and maims Jacob's hip?John 9: The Man Blind from BirthJesus rejects the assumption that disability is a punishment for sin.“Dumb and blind”Disability as the site of divine revelationJesus spitting in the mud is kind of gross. It takes a lot of spit to make that much mud.Vulnerable and visceral moment of pasting dirty mudThe question of Jesus's sin (for breaking Sabbath law) is now in playAn extended metaphor about where knowledge and wisdom apply.Mark 5: The Hemorrhaging WomanAgency and PowerMutual caregiving within disabled communities“These stories push us to use disability to think about the human condition more broadly.”Genesis 32The same night he got up and took his two wives, his two maids, and his eleven children, and crossed the ford of the Jabbok. He took them and sent them across the stream, and likewise everything that he had. Jacob was left alone; and a man wrestled with him until daybreak. When the man saw that he did not prevail against Jacob, he struck him on the hip socket; and Jacob's hip was put out of joint as he wrestled with him. Then he said, ‘Let me go, for the day is breaking.' But Jacob said, ‘I will not let you go, unless you bless me.' So he said to him, ‘What is your name?' And he said, ‘Jacob.' Then the man said, ‘You shall no longer be called Jacob, but Israel, for you have striven with God and with humans, and have prevailed.' Then Jacob asked him, ‘Please tell me your name.' But he said, ‘Why is it that you ask my name?' And there he blessed him. So Jacob called the place Peniel, saying, ‘For I have seen God face to face, and yet my life is preserved.' The sun rose upon him as he passed Penuel, limping because of his hip. Therefore to this day the Israelites do not eat the thigh muscle that is on the hip socket, because he struck Jacob on the hip socket at the thigh muscle.John 9As he walked along, he saw a man blind from birth. His disciples asked him, ‘Rabbi, who sinned, this man or his parents, that he was born blind?' Jesus answered, ‘Neither this man nor his parents sinned; he was born blind so that God's works might be revealed in him. We must work the works of him who sent me while it is day; night is coming when no one can work. As long as I am in the world, I am the light of the world.'When he had said this, he spat on the ground and made mud with the saliva and spread the mud on the man's eyes, saying to him, ‘Go, wash in the pool of Siloam' (which means Sent). Then he went and washed and came back able to see. The neighbors and those who had seen him before as a beggar began to ask, ‘Is this not the man who used to sit and beg?' Some were saying, ‘It is he.' Others were saying, ‘No, but it is someone like him.' He kept saying, ‘I am the man.' But they kept asking him, ‘Then how were your eyes opened?' He answered, ‘The man called Jesus made mud, spread it on my eyes, and said to me, “Go to Siloam and wash.” Then I went and washed and received my sight.' They said to him, ‘Where is he?' He said, ‘I do not know.'They brought to the Pharisees the man who had formerly been blind. Now it was a sabbath day when Jesus made the mud and opened his eyes. Then the Pharisees also began to ask him how he had received his sight. He said to them, ‘He put mud on my eyes. Then I washed, and now I see.' Some of the Pharisees said, ‘This man is not from God, for he does not observe the sabbath.' But others said, ‘How can a man who is a sinner perform such signs?' And they were divided. So they said again to the blind man, ‘What do you say about him? It was your eyes he opened.' He said, ‘He is a prophet.'The Jews did not believe that he had been blind and had received his sight until they called the parents of the man who had received his sight and asked them, ‘Is this your son, who you say was born blind? How then does he now see?' His parents answered, ‘We know that this is our son, and that he was born blind; but we do not know how it is that now he sees, nor do we know who opened his eyes. Ask him; he is of age. He will speak for himself.' His parents said this because they were afraid of the Jews; for the Jews had already agreed that anyone who confessed Jesus to be the Messiah would be put out of the synagogue. Therefore his parents said, ‘He is of age; ask him.'So for the second time they called the man who had been blind, and they said to him, ‘Give glory to God! We know that this man is a sinner.' He answered, ‘I do not know whether he is a sinner. One thing I do know, that though I was blind, now I see.' They said to him, ‘What did he do to you? How did he open your eyes?' He answered them, ‘I have told you already, and you would not listen. Why do you want to hear it again? Do you also want to become his disciples?' Then they reviled him, saying, ‘You are his disciple, but we are disciples of Moses. We know that God has spoken to Moses, but as for this man, we do not know where he comes from.' The man answered, ‘Here is an astonishing thing! You do not know where he comes from, and yet he opened my eyes. We know that God does not listen to sinners, but he does listen to one who worships him and obeys his will. Never since the world began has it been heard that anyone opened the eyes of a person born blind. If this man were not from God, he could do nothing.' They answered him, ‘You were born entirely in sins, and are you trying to teach us?' And they drove him out.Jesus heard that they had driven him out, and when he found him, he said, ‘Do you believe in the Son of Man?' He answered, ‘And who is he, sir? Tell me, so that I may believe in him.' Jesus said to him, ‘You have seen him, and the one speaking with you is he.' He said, ‘Lord, I believe.' And he worshipped him. Jesus said, ‘I came into this world for judgement so that those who do not see may see, and those who do see may become blind.' Some of the Pharisees near him heard this and said to him, ‘Surely we are not blind, are we?' Jesus said to them, ‘If you were blind, you would not have sin. But now that you say, “We see”, your sin remains.Mark 5:25-34See also Luke 8:43-48 and Matthew 9:20-22Now there was a woman who had been suffering from haemorrhages for twelve years. She had endured much under many physicians, and had spent all that she had; and she was no better, but rather grew worse. She had heard about Jesus, and came up behind him in the crowd and touched his cloak,  for she said, ‘If I but touch his clothes, I will be made well.' Immediately her haemorrhage stopped; and she felt in her body that she was healed of her disease.  Immediately aware that power had gone forth from him, Jesus turned about in the crowd and said, ‘Who touched my clothes?' And his disciples said to him, ‘You see the crowd pressing in on you; how can you say, “Who touched me?”' He looked all round to see who had done it.  But the woman, knowing what had happened to her, came in fear and trembling, fell down before him, and told him the whole truth. He said to her, ‘Daughter, your faith has made you well; go in peace, and be healed of your disease.'About Calli MicaleCalli Micale is Assistant Professor of Theology and Ethics and Director of the MDiv Program at Palmer Theological Seminary. She is a theologian with a particular interest in the ethical implications of theological talk for the whole of human life. Her research brings together the history of Christian thought with sustained attention to rhetoric as it grounds perceptions of the body and health in Western societies. She joined the Palmer Theological Seminary faculty in 2023 after earning a PhD from Yale University.Writing and teaching correspond in Dr. Micale's work to form students as faith leaders oriented towards gender, disability, and racial justice. She has published articles with the Journal of Disability and Religion and the Disability Studies Quarterly (forthcoming). Micale is currently working on a book manuscript, tentatively titled Crip Conversion: Narratives of Disability and Grace. The book analyzes the stories theologians tell about intellectual disability and argues that deploying intellectual disability as narrative metaphor allows one to come at the Protestant tradition from a helpful vantage point—such that the significance of sensation for the reception of grace comes to the fore.As a candidate for ordination in the ELCA with 10+ years of preaching experience, Dr. Micale delights in the variety of ways her students take up theological resources for ministry and social justice action. In each course, she aims to take students beyond learning concepts by letting divergent beliefs shape and change their perspective on what really matters—their own intellectual and spiritual lives called to make a difference in the worldProduction NotesThis podcast featured Calli MicaleEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge and Kaylen YunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/giveThis episode was made possible in part by the generous support of the Tyndale House Foundation. For more information, visit tyndale.foundation.

"Non so' cose che se risolvono con due schiaffoni. Io c'ho paura, Duccio!" - "Ci sono passato pure io, tutti a dirmi fatti vedere, parla con qualcuno. Ma io ho trovato un modo per difendermi." - "Cioè?" - "Semplice. Ho smesso di leggere, non leggo più niente, ma niente eh! Libri, giornali, riviste, un cartello pubblicitario. Non leggo una mazza e sto benissimo. Io non parlo proprio con nessuno e mi faccio i cazzi miei, dai retta a me: chiuditi a riccio, non leggere più niente e chiuditi a riccio". Più o meno è andata così dopo Roma Milan o almeno la buona volontà c'è stata. Ah, ricordati!Iscriviti a Lega Lavolpiana, il fantacalcio del podcast!Scarica l'app Kickest o vai su https://fantasy.kickest.itAccedi alla sezione "Fantasy"Crea la tua squadraUnisciti al campionatoCodice 13583-KVPGF .Supporta Salida Lavolpiana! .Naviga sicuro con ⁠⁠SurfShark VPN⁠⁠ e ⁠⁠SurfShark Antivirus⁠⁠.VPN: https://get.surfshark.net/SH13M.Antivirus: https://get.surfshark.net/SH13N.Compra su Amazon e sostienici: https://amzn.to/3GeToZA.INFO .E-mail: salidapod@magnesiapodcast.it.SOCIAL .Twitter: www.twitter.com/salida_pod.Instagram: www.instagram.com/salida_pod.Gruppo Telegram: https://t.me/salida_pod.Chat Telegram: https://t.me/salidachat.VUOI SOSTENERCI?.Patreon: www.patreon.com/salidapod/membership .CHI SIAMO .Sito: www.magnesiapodcast.it/salida-lavolpiana-2/Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/salida-lavolpiana--5909766/support.

Antonia Gaeta, nascida em Lanciano, Itália, é Licenciada em Conservação dos Bens Culturais pela Universidade de Bolonha, veio para Portugal em 2003 onde completou o Mestrado em Estudos Curatoriais na Universidade de Belas-Artes de Lisboa, mais tarde doutorou-se em Arte Contemporânea no Colégio das Artes da Universidade de Coimbra. Desde 2005, trabalha como curadora independente, sendo que do seu percurso mais recente se destacam as seguintes exposições: Cangiante com obras da Colecção Caixa Geral de Depósitos, Andrómeda de Luciana Fina, Sereno Variável da Colecção Treger Saint Silvestre, no Centro de Arte Oliva, Hot Stuff com trabalhos de Adelhyd van Bender na Galeria Delmes & Zander e, ainda, Ex-Votos para o Século XXI de Miguel Carneiro no VERÃO, espaço cuja programação é da sua responsabilidade e que data de Outubro 2019 até ao presente. “Dizem que os italianos estão imunes à síndrome de Stendhal porque acostumados desde tenra idade a estar rodeados pela beleza. Quando era “minúscula”, o meu sonho era trabalhar numa bomba de gasolina. Aos 4 anos queria ter uma loja de ferragens. Aos 5, num périplo com os meus pais e irmãos pela Umbria e Toscana, estava aberta para novas aventuras. Em Orvieto, visitamos o Pozzo di San Patrizio. Tirei uma fotografia do lugar, com uma maquina Agfamatic 2008 pocket que a minha mãe me tinha dado de presente nos meus anos. Esta foto esteve no meu quarto, em cima da secretária, durante a escola primária, o ciclo e o liceu. Logo a seguir passamos por Siena onde vi pela primeira vez a Maestá (Madonna in Trono) de Duccio di Buoninsegna. Comecei a chorar sem aparente explicação. Um ou dois anos mais tarde, numa viagem com a escola em Roma, visitei o Ara Pacis. Tive que me encostar na velha estrutura de alumínio dourado que protegia o monumento para não cair ao chão. Em 1989, a minha mãe nos levou a conhecer Paris. Eu sonhava com ver a Mona Lisa, a Gioconda, mas lembro muito bem de ter ficado decepcionada com a escala, pois imaginava algo majestosamente grande e imponente. No final da tarde deste mesmo dia, fomos arrastados para o Pompidou. A exposição apresentada no museu era Les Magiciens de la Terre. Não fazia a mais mínima ideia do que estava a ver mas alguma coisa tinha mudado. No avião comuniquei à minha mãe que não iria ser artista mas que, ainda não sabendo bem como, iria trabalhar com arte. O meu avô entretanto tinha perdido a vista e decidido que, entre todos os netos, eu seria a indicada para ser os olhos dele. Para o ajudar com as palavras cruzadas, para ler os livros quando não os conseguia encontrar em áudio cassete, para descrever as obras dos museus, partes de filmes, mas sobretudo para ir à rua e relatar os ambientes, eu passei a ser os olhos dele. Esta prática desenvolvida em tão tenra idade criou um habito que ainda hoje mantenho: olhar para depois narrar, ouvir para poder reproduzir, absorver para conseguir reformular. Após ter terminado a Licenciatura em Conservazione dei Beni Culturali na Universidade de Bologna, em 2003 mudei-me para Lisboa e desde 2005 desenvolvo projectos de investigação, edição e curadoria com instituições artísticas em Portugal e no estrangeiro e tenho textos publicados em catálogos e revistas especializadas. Com o Mestrado em Curadoria terminado (FBAUL), em 2008 comecei a trabalhar pela Direcção Geral das Artes/MC enquanto coordenadora executiva das Bienais de Arte de Veneza e São Paulo. Em 2011 inscrevi-me no Doutoramento em Arte Contemporânea (UC) que entretanto concluí e em 2015 iniciei uma colaboração regular com a Colecção Treger Saint Silvestre. Em 2019 abri em Lisboa o VERÃO, um espaço de experimentação no âmbito das artes visuais e aproveitei o desacelerar causado pela pandemia para realizar o curso profissional de Marceneira-Embutidora/Entalhadora (FRESS) para começar também a pensar com as mãos.”Links: https://contemporanea.pt/edicoes/07-08-09-2021/entrevista-antonia-gaeta https://www.facebook.com/people/VER%C3%83O/100071194254555/ https://centrodearteoliva.pt/exposicao/ninguem-so-eu/ https://www.youtube.com/watch?v=YXzWuoBZLUY Episódio gravado a 07.06.2023 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa

My last podcast was a 'solo' effort which I talked about my findings after listening to a Bruce Lipton lecture. Did you know we operate 95% of our day in the subconscious mind which is just mainly habits that we picked up from birth to age seven. The other 5% of our day is operating in the conscious mind, where we solve problems and can be more intentional with each moment. I don't know about you but I wan't to increase that 5%!This week's podcast was talking with the Director of Psych-K Centre International, Duccio Locati, about his healing journey and practice and how he knew becoming a psych-k facilitator was his life's calling. Psych-k is a modality that helps a person re-write some of their limiting subconscious stories and make better ones. Some main topics I cover:-What is psych-k and how can it help people?-How the founder of psych-k Rob Williams brought this healing about.-Breaking down the parts of psych-k in workshops.-Understanding the conscious, subconscious, and super-conscious brain.-What the term 'whole brain state' means and how we install this new conscious belief.How to find Duccio:You can find Duccio at  psych-k.com You can also follow me on Instagram  @wellness_mattersblog .To listen to more Wellness Matters episodes go to   Spotify  and   Apple podcast If you missed the last episode (Take Control Of Your Health With The Power Of Your Mind) click either of the following links to listen:   Spotify , or  Apple podcast .

Episode 369 debuts on March 29, at 8:00 PM Eastern. Rebroadcasts will take place according to the Crusade Channel programming schedule (note: all times listed are Central time). The topic is Types and Shadows of Our Lord's Resurrection. Saint Martin of Tours (397) here is a list of saints who raised people from the dead — at catholicism.org Saint Beuno (630) — at catholicism.org Saint Maternus (First Century) tradition has it that he is the son of the widow of Naim — at catholicism.org Lazarus, Come Forth! — An Easter Meditation — by Brother André Marie, M.I.C.M., at catholicism.org Gospel According to St Mark, Chapter 5 (which relates the raising of the daughter of Jairus to life) — at drbo.org Propers of the Mass for the Thursday of the Fourth Week of Lent (Epistle and Gospel used in program) — at maternalheart.org Propers of the Mass for the Friday of the Fourth Week of Lent (Epistle and Gospel used in program) — at ususantiquior.wordpress.com The Raising of Lazarus, painting by Duccio di Buoninsegna, public domain via Wikimedia Commons “Reconquest” is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center. Each weekly, one-hour episode of Reconquest will debut RIGHT HERE on Wednesday night at 8:00 PM Eastern (7:00 PM Central). It will then be rebroadcast according to the Crusade Channel programming schedule (note: all times listed are Central time).

In this episode of Metropolitan Masterpieces by Accessible Art History: The Podcast, I'm discussing Duccio's magnificent Madonna and Child! For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-82-metropolitan-masterpieces-duccio-s-madonna-and-child Accessible Art History: The Podcast is a proud member of Past and Present Media! __________________________________________________________________________________________________________________________ Welcome to Accessible Art History! Here, we provide a space for art lovers, students, and anyone who is curious to explore all periods of art history and human creation. Website: www.accessiblearthistory.com YouTube channel: https://www.youtube.com/accessiblearthistory If you would like to support me on Patreon: https://www.patreon.com/accessiblearthistory?fan_landing=true Sponsor an episode: https://www.buymeacoffee.com/accessarthist Follow on Instagram: @accessible.art.history My favorite art history books: https://bookshop.org/shop/accessiblearthistory Sign up for the monthly newsletter: https://forms.gle/Dwe3mob2D43r8Hu2A All images courtesy of Public Domain and/or Creative Commons for educational purposes Music courtesy of Epidemic Sound (referral link below) https://www.epidemicsound.com/referral/kvtik0 #arthistory #art #history --- Support this podcast: https://anchor.fm/accessiblearthistory/support

(NOTAS COMPLETAS Y ENLACES DEL CAPÍTULO AQUÍ: https://www.jaimerodriguezdesantiago.com/kaizen/140-creatividad-iv-rituales-y-adn-creativo/)Cuenta la leyenda que Miguel Ángel encontró un día un bloque de mármol de Carrara de cinco metros de altura. Aquel pedazo  de piedra llevaba años acumulando maleza y suciedad en el patio de obras de la catedral de Florencia. Nadie quería usarlo porque tenía fama de maldito. El escultor Agostino di Duccio había intentado tallarlo, haciéndole un agujero enorme y dejándolo casi inutilizable. Sin embargo, por entonces Miguel Ángel tenía veintiséis años, y con la inconsciencia de la juventud, asumió el reto.Se pasó meses observándolo, paseando a su alrededor, sentándose encima e incluso apoyando su oreja en su costado, como si tratara de encontrarle el pulso. Quienes pasaban por su lado empezaban a tomarlo por loco. Hasta que un día, Miguel Ángel cogió el cincel y empezó a trabajar. Lo hizo sin molde de yeso ni bocetos. Sólo se limitó a dar un golpe tras otro, sin más referencia que lo que tuviera en su cabeza. Pasadas unas pocas semanas, el escultor pidió que levantaran cuatro muros alrededor del bloque para protegerlo de los curiosos. Lo que no hizo sino aumentar la expectación. Pasaron cuatro años, durante los que lo único que se sabía de aquella piedra eran los golpes que retumbaban más allá de esas paredes. Un día Miguel Ángel anunció que en unas horas dejaría caer los muros. La noticia corrió por Florencia y aquel patio se llenó rápidamente de curiosos, la mayor parte seguros de que el artista habría fracasado en su enfrentamiento con aquel enorme bloque de piedra maldita. Cuando los obreros empujaron los ladrillos y los muros se vinieron abajo apareció ante sus atónitos ojos un David de cinco metros, una de las obras más importantes de toda la historia de la humanidad. Cuando el obispo de Florencia se acercó a Miguel Ángel y le preguntó cómo había logrado hacer algo tan perfecto, el escultor se encogió de hombros y respondió: «Vi un ángel en el mármol y tallé hasta liberarlo»Según el poeta libanés Yibrán Jalil: «La creatividad pasa a través de ti, pero no proviene de ti, y aunque está contigo, no te pertenece» No es que yo sea experto en poetas libaneses, de hecho creo que no había oído su nombre en mi vida hasta que me lo descubrió Jason Silva, un tipo peculiar, que hace muchas cosas, y entre ellas presenta un programa de National Geographic llamado Brain Games. Dice el propio Silva que la creatividad es una forma de locura controlada. Es dominar las capacidades fantasmagóricas, maniáticas, las asociaciones libres que nuestra mente puede hacer cuando la sacamos y libramos de los condicionantes de sus parámetros habituales de pensamiento. Dice que es sumergirse en la zona liminal, en lo que separa los sueños de la realidad. Ya te he dicho que era un tipo peculiar. La historia de Miguel Ángel y las palabras de Jalil y de Silva tienen una cosa en común: hablan en el fondo de eso tan escurridizo que es la inspiración. Para muchos es algo que sucede, son esas musas que nos vienen a visitar y con las que, por lo que sea, algunas personas conectan con más facilidad que otras. Para otros la inspiración es parte de un proceso, es más bien el resultado de la tenacidad. Y a ella, a la inspiración, y a cómo trabajarla, vamos a dedicar el capítulo de hoy… y alguno que otro más en el futuro.

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In the 13th century, the world held its breath as it waited for a new kind of art to be born. Then came Cimabue—or was it Duccio? In this episode of Young Heretics, Spencer Klavan walks through the fascinating and complicated history of early Florentine Renaissance art, asking along the way what it might mean for us to seek rebirth out of a dark age. -- Truebill is the new app that helps you identify and stop paying for subscriptions you don't need, want, or simply forgot about. Save thousands of dollars a year: https://truebill.com/heretics. -- Public Goods is the one stop shop for sustainable, high quality everyday essentials made from clean ingredients. Receive $15 off your first Public Goods order at https://publicgoods.com/HERETICS. -- Stop throwing your tea into the harbor, and start celebrating America's tea heritage with Gold River Trading Co.'s specialty blends. Get 10% off your order with promo code HERETICS: https://goldriverco.com. -- Don't let the stress of daily life weigh on your body. Make it through the day tension-free with Theragun. Try it for 30 days starting at $199: https://therabody.com/heretics. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever visited a museum and found the narrations in the self-guided-tour headsets a bit tedious? Slightly too clinical, perhaps? And have you ever noticed that God is rarely mentioned in art museums these days, unless in a cold, archaeological, “scientific” way? All of that is about to change. In Pilgrimage to the Museum, author-curator Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of profound Christian faith — appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. In this beautifully illustrated voyage, drawn largely from works on display at New York's popular Metropolitan Museum of Art, you will experience the ups and downs of humanity's determined quest. Leaving all the art-history jargon at the front door, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will encounter the profound truths that lead many to God and cause many others to wonder. You will discover how various themes and motifs of man's struggle to find God occur, morph, fade, and then reoccur centuries later. As you laugh, cry, and pray your way through this illuminating voyage, you will emerge refreshed and renewed in your own journey to God— and you will never look at a work of art the same way again. Source: SOPHIA INSTITUTE PRESS Website: www.sophiainstitute.com/products/item/pilgrimage-to-the-museum --- Support this podcast: https://anchor.fm/john-aidan-byrne0/support

Born in Siena, Italy, a small medieval city in the heart of Tuscany, Marco Caratelli paints traditional Sienese art reprographics, replicating the work of the Sienese painters of the Middle Ages and the Renaissance. Every piece Marco creates is different, special and unique.Marco specializes in the egg-yolk tempera technique, as described in the famous manual on painting by Cennino Cennini (14th century). He reproduces the world-renowned "Biccherne" panels which were painted, wooden covers placed over the accounting ledgers of the City of Siena from the 13th to 16th centuries. The panels were painted by such famous masters of the Renaissance as Duccio di Boninsegna, the Lorenzettis, Simone Martini and Sano di Pietro. As with the originals, Marco's recreations are painted on aged, quality wood and covered in pure gold leaf.  Following in the extraordinary tradition of famous classic painters, Marco shares his inspiration and passion for antique techniquesAlso on Speaking Of Travel, Clark Lovelace, of the Brevard/Transylvania Chamber of Commerce & Tourism Development Authority in Western North Carolina, provides an update about his county's efforts to become more eco-friendly and educated as more destinations focus on natural resource preservation and the environmental impact of tourism.  

Today, in the office of readings from Holy Saturday, there is an ancient text from the early Church. All about Christ's descent to the dead, to free Adam and Eve and the just. He extended his hand to them, and to us now. Reach out to him in prayer. The Resurrection is represented in different ways, from traditions stemming from Western traditions, like Piero della Francesca from the 1460s. Here Christ is conquering over the external world. https://en.wikipedia.org/wiki/The_Resurrection_(Piero_della_Francesca) Eastern icons show him descending to the dead, freeing those in Sheol, like Duccio's version inspired by Eastern icons. Both are an invitation to learn the art of prayer in the silence of Holy Saturday. Preached by Fr. Eric Nicolai, at Cedarcrest Conference centre in Belfountain, Ontario. https://www.cedarcrestcc.ca Music: Adoramus Te, Christe was composed by Théodore Dubois (1837-1924). Thumbnail: Duccio di Buoninsegna - Descent to Hell 1309 (Siena Museum)

With a background in osteopathic medicine, Dr. Duccio Locati has an in-depth understanding of the biological causes behind diseases and other health conditions. However, after realizing that standard treatments were not as effective with patients whose conditions were tied to underlying emotional issues, Dr. Locati shifted his focus to exploring the mind-body-spirit connection. In Episode 84 of The MINDSet Game® podcast, Dr. Locati shares how his personal and professional journey led him to PSYCH-K®, a simple yet powerful process designed to change self-limiting subconscious beliefs. Today, Dr. Locati is a Director of the PSYCH-K Centre International, Certified PSYCH-K Instructor, and Director of PSYCH-K's Health and Well-Being Program. In this episode, he discusses: How your subconscious beliefs, perceptions, and reactions to life events can impact your physical health – and why changing perceptions of stressful or traumatic events at the subconscious level is essential for healing Why PSYCH-K is such an effective tool for transforming limiting beliefs, thereby empowering people to heal themselves  The importance of adopting a curious mindset and questioning your beliefs and perceptions To learn more about PSYCH-K and to find an instructor or workshop, visit https://psych-k.com. To subscribe to The MINDset Game® podcast, visit www.TheMINDsetGame.com. 

Lecture by Dr.Bill Cook for the Garaventa Center

01. John Roberts - Lights Out (Felix Da Housecat & Dave The Hustler Extended Remix) 02. MAGOU - Morricone 03. Jayda G - All I Need 04. Elkka - Burnt Orange 05. Raz & Alfa - No Touch 06. Icarus feat. Jamie N Commons - Moment In Time (Original Mix) 07. The Robinson - Burnout (Ron Trent Remix) 08. TSHA feat. Trio Da Kali - Demba (Demi Riquísimo Remix) 09. Duccio feat. Emily Litta - What If (Original Mix)  10. Tilman - Relax Yourself 11. Kush Jones - Earth Note 12. Youandewan - Cola Beach 13. Ell Murphy & DJ Crisps - Arms Around 14. Etch - Untitled Hardcore 1

01. Duccio feat. Emily Litta - What If (Original Mix) 02. LP Giobbi - Take My Hand (Original Mix) 03. Alex Preston - You Do It Right (Extended Mix) 04. Big & Serious feat. Mierous Hennesy - Orbit 05. Ferreck Dawn & GUZ & L.I.T - Caught In The Rain (Extended Mix) 06. Mason - Further Ado (Extended Mix) 07. Kevin McKay & Phebe Edwards - Ain't Nothin' Going On But The Rent (Extended Mix) 08. Kormak Feat. Jinadu - Look To Me (Extended Mix) 09. Bob Moses - The Blame (Lastlings Extended Remix) 10. Jack Swoon - Somebody (Original Mix) 11. Temple - Take Me Down (Yousef Rework) 12. Purple Disco Machine feat. Mind Enterprises - Exotica (Extended Mix) 13. Loods - Riviera (Extended Mix) 14. TCTS, Boston Bun & Andrea Martin - Without You (Extended Mix)

The Apex interviews passionate car enthusiast, Concours judge, market specialist and music producer Duccio Lopresto about his life in cars and his family's famous Lopresto Collection.

Italo-Byzantine art will be considered as background to the early or 'proto' Renaissance at a time when Italy was a focus of stylistic cross-currents from different parts of Europe. The heritage of Rome and the influence of earlier traditions on artists like Cimabue, Duccio, Simone Martini and Giotto will be examined in the context of the 'rebirth' of the arts in Renaissance Italy.A lecture by Valerie Shrimplin 16 FebruaryThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/giotto-renaissanceGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

This colorful panel painting depicts an episode early in Jesus's career–the moment he called Peter and his brother Andrew to join his ministry. It was part of an enormous altarpiece for the cathedral of Siena. We'll find out what prompted the cathedral powers to hire Duccio, Siena's top artist and how innovative he was in depicting stories of Mary and Jesus's lives. And we meet a few friendly fish! SHOW NOTES (TRANSCRIPT) “A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo Episode theme is “Canzona ‘La Foresta' (For 2 Trumpets and 2 Trombones – Rondeau)” composed by Giovanni Cavaccio. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/33104-canzona-la-foresta/ https://musopen.org/music/performer/michel-rondeau/ Artwork information Miklós Boskovits (1935–2011), “Duccio di Buoninsegna/The Calling of the Apostles Peter and Andrew/1308-1311,” Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Online Editions, https://purl.org/nga/collection/artobject/282 (accessed May 17, 2020). Maestà information https://smarthistory.org/duccio-maesta/ https://operaduomo.siena.it/en/sites/museum/ Duccio information https://www.britannica.com/biography/Duccio Slow Art Day http://www.slowartday.com The post The Calling of the Apostles Peter and Andrew by Duccio di Buoninsegna appeared first on A Long Look.

Ce soir, L'Esprit des Lettres se pare des couleurs de Noël en mettant en avant de beaux livres et leurs auteurs. Dans "L'Évangile en majesté. Jésus et Marie sous le regard de Duccio" (Mame), Michel Feuillet invite ses lecteurs à plonger dans le quattrocento siennois. Il y présente un cycle de tableaux du peintre Duccio qui célèbre avec talent les actions et les paroles de Jésus et fait vivre l'Evangile mais toujours dans le respect du mystère. Professeur émérite des universités et spécialiste d'iconographie chrétienne, Michel Feuillet offre ici une mine d'informations et un témoignage de foi. Le livre "Avec Goudji. Orfèvre du sacré" revient sur la vie de l'artiste présent sur le plateau et sur les différentes directions prises par son travail, des bijoux aux pièces de table, des réalisations architecturales aux objets liturgiques. Page après page, plats, vases, bestiaires allégoriques, anges ou croix christiques, crèches ou emblèmes des saints chantent la vie et multiplient les allégories. Un livre qui annonce une exposition à l'abbaye royale de Fontevraud jusqu'au 5 janvier 2020. Enfin, avec "Saint Dominique de l'ordre des frères prêcheurs" (Cerf), Nicole Bériou brosse un beau portrait du castillan Dominique Nuñez de Guzman. Une gageure car le religieux fut silencieux sur lui-même - il ne nous reste que trois de ses lettres. Heureusement, d'autres ont parlé de lui comme on peut le lire dans la centaine de témoignages - souvent inédits en français- présents dans ce livre. Une somme historique et spirituelle sans précédent qui s'inscrit dans la commémoration du 8ème centenaire de la naissance de l'ordre des frères Prêcheurs.

Ce soir, L'Esprit des Lettres se pare des couleurs de Noël en mettant en avant de beaux livres et leurs auteurs. Dans "L'Évangile en majesté. Jésus et Marie sous le regard de Duccio" (Mame), Michel Feuillet invite ses lecteurs à plonger dans le quattrocento siennois. Il y présente un cycle de tableaux du peintre Duccio qui célèbre avec talent les actions et les paroles de Jésus et fait vivre l'Evangile mais toujours dans le respect du mystère. Professeur émérite des universités et spécialiste d'iconographie chrétienne, Michel Feuillet offre ici une mine d'informations et un témoignage de foi. Le livre "Avec Goudji. Orfèvre du sacré" revient sur la vie de l'artiste présent sur le plateau et sur les différentes directions prises par son travail, des bijoux aux pièces de table, des réalisations architecturales aux objets liturgiques. Page après page, plats, vases, bestiaires allégoriques, anges ou croix christiques, crèches ou emblèmes des saints chantent la vie et multiplient les allégories. Un livre qui annonce une exposition à l'abbaye royale de Fontevraud jusqu'au 5 janvier 2020. Enfin, avec "Saint Dominique de l'ordre des frères prêcheurs" (Cerf), Nicole Bériou brosse un beau portrait du castillan Dominique Nuñez de Guzman. Une gageure car le religieux fut silencieux sur lui-même - il ne nous reste que trois de ses lettres. Heureusement, d'autres ont parlé de lui comme on peut le lire dans la centaine de témoignages - souvent inédits en français- présents dans ce livre. Une somme historique et spirituelle sans précédent qui s'inscrit dans la commémoration du 8ème centenaire de la naissance de l'ordre des frères Prêcheurs.

Today is a mini-podcast about the theological concept of "tongues of fire." We'll look at the image of tongues and how it relates to the pre-Vatican 2 baptismal liturgy and the apocryphal book of 1 Enoch. (http://taylormarshall.com/wp-content/uploads/2015/05/pentecost-tongues-of-fire-Duccio_di_Buoninsegna_018-e1432740121427.jpg) Click to Listen: #074: Tongues of Fire in Acts, 1 Enoch, and Pre-Vatican Liturgy   If the audio player does not show up in your email or browser, please click here to listen (http://media.blubrry.com/taylormarshall/content.blubrry.com/taylormarshall/TMShow_074_Tongues_of_Fire-5_26_15_11_34_AM.mp3).   Are you enjoying this podcast? Please share it on Facebook by clicking here (https://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Ftaylormarshall.com%2F2015%2F05%2F074-tongues-of-fire-in-acts-1-enoch-and-pre-vatican-liturgy-mini-podcast.html&ret=login). Please Share Your Feedback: POPULARITY: 439,261 downloads on iTunes as of today. SHOUT OUTS: A huge “shout out” to all 337 (!) of you who wrote amazing 5-star reviews at iTunes (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918). Please rate this podcast by clicking here (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918) and then click “View in iTunes.” From there you can leave a review. I appreciate you for this! Thank you! SUBSCRIBE TO MY WEEKLY PODCAST: Apple/Mac Users: Please subscribe via iTunes by clicking here. (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918?mt=2) and then clicking on "View in iTunes." Android Users: For listening to this podcast and others on Android devices (free), we recommend downloading Beyond Pod from the Google Play Store. (https://play.google.com/store/apps/details?id=mobi.beyondpod) SURVEY: Please view our Podcast Listener Poll by clicking here. (https://www.surveymonkey.com/s/8VBSP2W) If you like this podcast, please rate it over at iTunes. (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918) Podcast Archive # Title Released 073 Advice on Being a Man (http://taylormarshall.com/2015/05/073-advice-on-being-a-man-podcast.html) 05/22/2015 072 What was the Priestly Status of Mary? Was she a Levite? (http://taylormarshall.com/2015/05/what-was-the-priestly-status-of-mary.html) 05/16/2015 071 The Theology of Cooking Food (http://taylormarshall.com/2015/05/071-the-theology-of-cooking-food.html) 05/14/2015 070 3 Steps to Overcoming Anxiety and Stress (http://taylormarshall.com/2015/05/070-3-steps-to-overcoming-anxiety-and-stress.html) 05/06/2015 069 How to Read the Summa in One Year (http://taylormarshall.com/2015/04/069-how-to-read-the-summa-in-one-year.html) 04/22/2015 068 St Paul on Faith and Works Catholic vs Protestant Debate (http://taylormarshall.com/2015/03/068-st-paul-on-faith-and-works-catholic-vs-protestant-debate.html) 03/25/2015 067 How Your Fears Are Hurting You Spiritually? (http://taylormarshall.com/2015/03/067-how-your-fears-are-hurting-you-spiritually.html) 03/18/2015 066 What is 666 and the Mark of the Beast? (http://taylormarshall.com/2015/03/066-what-is-666-and-the-mark-of-the-beast.html) 03/04/2015 065 40 Days of Joy (http://taylormarshall.com/2015/02/065-40-days-of-joy.html) 02/26/2015 064 Why did God make you? Luke 19 Gives the Answer (http://taylormarshall.com/2015/02/064-why-did-god-make-you.html) 02/11/2015 063 Is Being A Christian Hard or Easy? (http://taylormarshall.com/2015/01/063-christian-hard-easy.html) 01/21/2015 062 Catholic View of the End Times and Tribulation (http://taylormarshall.com/2015/01/062-catholic-view-end-times-tribulatoin.html) 01/14/2015 061 When Other People Really Hurt You (http://taylormarshall.com/2015/01/061-people-really-hurt-podcast.html) 01/07/2015 060 Is Saint George Still a Saint?