Podcasts about rockefeller fellowship

In Becoming Colorado: The Centennial State in 100 Objects (UP of Colorado, 2021), historian William Wei paints a vivid portrait of Colorado history using 100 of the most compelling artifacts from Colorado's history. These objects reveal how Colorado has evolved over time, allowing readers to draw multiple connections among periods, places, and people. Collectively, the essays offer a treasure trove of historical insight and unforgettable detail. Beginning with Indigenous people and ending in the early years of the twenty-first century, Wei traces Colorado's story by taking a close look at unique artifacts that bring to life the cultures and experiences of its people. For each object, a short essay accompanies a full-color photograph. These accessible accounts tell the human stories behind the artifacts, illuminating each object's importance to the people who used it and its role in forming Colorado's culture. Together, they show how Colorado was shaped and how Coloradans became the people they are. Theirs is a story of survival, perseverance, enterprise, and luck. Providing a fresh lens through which to view Colorado's past, Becoming Colorado tells an inclusive story of the Indigenous and the immigrant, the famous and the unknown, the vocal and the voiceless—for they are all Coloradans. William Wei is professor of history at the University of Colorado Boulder. His major works include Counterrevolution in China: The Nationalists in Jiangxi during the Soviet Period, The Asian American Movement, and Asians in Colorado. Wei has held a Rockefeller Fellowship, Mellon Fellowship, and Fulbright-Hays Fellowship and was the 2019–2020 Colorado State Historian. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen Minute Film Fanatics, here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Becoming Colorado: The Centennial State in 100 Objects (UP of Colorado, 2021), historian William Wei paints a vivid portrait of Colorado history using 100 of the most compelling artifacts from Colorado's history. These objects reveal how Colorado has evolved over time, allowing readers to draw multiple connections among periods, places, and people. Collectively, the essays offer a treasure trove of historical insight and unforgettable detail. Beginning with Indigenous people and ending in the early years of the twenty-first century, Wei traces Colorado's story by taking a close look at unique artifacts that bring to life the cultures and experiences of its people. For each object, a short essay accompanies a full-color photograph. These accessible accounts tell the human stories behind the artifacts, illuminating each object's importance to the people who used it and its role in forming Colorado's culture. Together, they show how Colorado was shaped and how Coloradans became the people they are. Theirs is a story of survival, perseverance, enterprise, and luck. Providing a fresh lens through which to view Colorado's past, Becoming Colorado tells an inclusive story of the Indigenous and the immigrant, the famous and the unknown, the vocal and the voiceless—for they are all Coloradans. William Wei is professor of history at the University of Colorado Boulder. His major works include Counterrevolution in China: The Nationalists in Jiangxi during the Soviet Period, The Asian American Movement, and Asians in Colorado. Wei has held a Rockefeller Fellowship, Mellon Fellowship, and Fulbright-Hays Fellowship and was the 2019–2020 Colorado State Historian. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen Minute Film Fanatics, here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Becoming Colorado: The Centennial State in 100 Objects (UP of Colorado, 2021), historian William Wei paints a vivid portrait of Colorado history using 100 of the most compelling artifacts from Colorado's history. These objects reveal how Colorado has evolved over time, allowing readers to draw multiple connections among periods, places, and people. Collectively, the essays offer a treasure trove of historical insight and unforgettable detail. Beginning with Indigenous people and ending in the early years of the twenty-first century, Wei traces Colorado's story by taking a close look at unique artifacts that bring to life the cultures and experiences of its people. For each object, a short essay accompanies a full-color photograph. These accessible accounts tell the human stories behind the artifacts, illuminating each object's importance to the people who used it and its role in forming Colorado's culture. Together, they show how Colorado was shaped and how Coloradans became the people they are. Theirs is a story of survival, perseverance, enterprise, and luck. Providing a fresh lens through which to view Colorado's past, Becoming Colorado tells an inclusive story of the Indigenous and the immigrant, the famous and the unknown, the vocal and the voiceless—for they are all Coloradans. William Wei is professor of history at the University of Colorado Boulder. His major works include Counterrevolution in China: The Nationalists in Jiangxi during the Soviet Period, The Asian American Movement, and Asians in Colorado. Wei has held a Rockefeller Fellowship, Mellon Fellowship, and Fulbright-Hays Fellowship and was the 2019–2020 Colorado State Historian. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen Minute Film Fanatics, here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Becoming Colorado: The Centennial State in 100 Objects (UP of Colorado, 2021), historian William Wei paints a vivid portrait of Colorado history using 100 of the most compelling artifacts from Colorado's history. These objects reveal how Colorado has evolved over time, allowing readers to draw multiple connections among periods, places, and people. Collectively, the essays offer a treasure trove of historical insight and unforgettable detail. Beginning with Indigenous people and ending in the early years of the twenty-first century, Wei traces Colorado's story by taking a close look at unique artifacts that bring to life the cultures and experiences of its people. For each object, a short essay accompanies a full-color photograph. These accessible accounts tell the human stories behind the artifacts, illuminating each object's importance to the people who used it and its role in forming Colorado's culture. Together, they show how Colorado was shaped and how Coloradans became the people they are. Theirs is a story of survival, perseverance, enterprise, and luck. Providing a fresh lens through which to view Colorado's past, Becoming Colorado tells an inclusive story of the Indigenous and the immigrant, the famous and the unknown, the vocal and the voiceless—for they are all Coloradans. William Wei is professor of history at the University of Colorado Boulder. His major works include Counterrevolution in China: The Nationalists in Jiangxi during the Soviet Period, The Asian American Movement, and Asians in Colorado. Wei has held a Rockefeller Fellowship, Mellon Fellowship, and Fulbright-Hays Fellowship and was the 2019–2020 Colorado State Historian. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen Minute Film Fanatics, here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In this episode, Adam and Budi discuss their fourth choice for The Theatre of Others Book Club, A Director Prepares by Anne Bogart.Anne Bogart was the Co-Artistic Director for 30 years of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of four Honorary Doctorates from The Royal Central School of Speech and Drama, Skidmore College, Bard College, and Cornish College. She was a recipient of a Doris Duke Performing Artist Award, the Richard B. Fisher Award, a USA Fellowship, a Rockefeller Fellowship, a Guggenheim Fellowship, and received the 2016 Alfred Drake Award from Brooklyn College. Recent works with SITI include Radio Christmas Carol, Falling & Loving, The Bacchae, Chess Match, The Theater is a Blank Page, Steel Hammer, Persians, A Rite, Café Variations, Trojan Women, American Document, Antigone, Freshwater, Under Construction, Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia; Death and the Ploughman, La Dispute, Score, bobrauschenbergamerica, Room, War of the Worlds, Cabin Pressure, The Radio Play, Alice's Adventures, Culture of Desire, Bob, Going, Going, Gone, Small Lives/Big Dreams, The Medium, Hay Fever, Private Lives, Miss Julie, and Orestes. Operas include Tristan and Isolde, The Handmaid's Tale, Alcina, Macbeth, Norma, Carmen, I Capuleti e iMontecchi, Nicholas and Alexandra, Marina: A Captive Spirit, Lilith, and Seven Deadly Sins. Bogart is the author of six books: A Director Prepares, The Viewpoints Book, And Then, You Act, Conversations with Anne, What's the Story, and most recently, The Art of Resonance.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Bianca Tarozzi"Devozioni domestiche"Destini sospesi tra fiaba e romanzoMolesini Editore Veneziahttps://molesinieditore.itNota soprattutto per la sorprendente capacità di comporre poemetti narrativi, novelle in versi, le sue poesie sono inconfondibili per la loro felicità.È possibile dire seriamente una cosa simile di un poeta contemporaneo? Forse è possibile ma è raro. Per più di un secolo la musa dominante in poesia è stata l'angoscia, non la felicità. I pochi poeti che hanno fatto eccezione sono stati quelli più narrativi e descrittivi, come Gozzano, Saba, Bertolucci, gli inventori di una micro-poetica del presente o del passato, gremita di scene, luoghi spariti, figure e storie di una volta, spazi definiti, oggetti desueti, nomi propri, favole di identità, con una nostalgia estatica di momenti edenici. E tutto questo in versi. Voglio dire in veri versi, versi regolari, riconoscibili, i più praticati e praticabili in lingua italiana, maneggevoli come semplici e irrinunciabili utensili domestici: in prevalenza endecasillabi, frequenti settenari, ogni tanto un quinario, a volte una rima. Bianca Tarozzi sembra abbia imparato dagli inglesi o dagli americani (che ha tradotto) ad accettare la felicità di comunicare in versi di «senso comune», non sublimi né sibillini. È questa felicità che afferra subito il lettore: la felicità di trasgredire a una norma o convenzione attuale (la poetica enigmistica in versi liberi) per ritrovarne una in disuso, come si trova un favoloso tesoro nascosto in soffitta: la lingua di un microcosmo familiare, infantile e remoto, sottratto alla tirannia del presente.Alfonso BerardinelliBianca Tarozzi (Bologna 1941) vive a Venezia e a Milano. Ha insegnato letteratura inglese e anglo-americana a Venezia, Milano e Verona; ha tradotto poesie di Elizabeth Bishop, Emily Dickinson, A.E. Housman e Robert Wilbur, oltre ai diari di Virginia Woolf.Ha scritto 10 raccolte di poesie, tra cui Nessuno vince il leone (1988), La buranella (1997), Il teatro vivente (2006, l'edizione americana The Living Theatre è del 2017) e il romanzo Una luce sottile (2015, Iacobelli Editore) in cui racconta la storia della propria famiglia dal 1922 al 1932.Vincitrice del prestigioso Lannan Foundation Award (2017), di una Rockefeller Fellowship e del premio letterario dell'Unione Lettori Italiani.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Celebrated Chicana poet Naomi Helena Quinoñez reads and discusses poems that thematize divine feminine power, women's spirituality, racial oppression, social justice, and more. Naomi Helena Quiñonez is a poet, educator and activist, and author of three collections of poetry, Exiled Moon, The Smoking Mirror, and Hummingbird Dream/Sueño de Colibri. Quiñonez edited several critical and literary publications including Invocation L.A: Urban Multicultural Poetry Anthology, which won the American Book Award, Decolonial Voices, and Caminos Magazine. She holds a Ph.D. in American History and contributes to the scholarship of Latino/as and women of color. Quiñonez has been featured throughout the country, including the Los Angeles Writers Festival, the Nuyrican Café, the De Young Museum, and the Miami Book Festival. She has shared the mic with Quincy Troupe, Octavia Butler, Luis Rodriguez, and Ana Castillo. Her work has appeared in the Colorado Review, Infinite Divisions, Voices of our Ancestors, and Maestrapeace. Recently Quiñonez received the Teyolia Community Award from the San Francisco International Flor Y Canto Festival. She's also an honoree of the San Francisco Yerba Buena Center for the Arts, a recipient of the Berkeley Lifetime Achievement Award in poetry, a Rockefeller Fellowship, the American Book Award, and a California Arts Grant. She is featured in Notable Hispanic Women and the Dictionary of Literary Biography. She currently lives in Oakland. For more information about the author's books or to purchase copies, contact Naomi Helena Quiñonez at naomiquinonez@yahoo.com

Our elders, especially those experiencing dementia and Alzheimer's are often isolated in nursing homes or segregated in elder-care settings, making the final years of life feel lonely and devoid of meaning. But what if we could radically change how we interact with our older loved ones?rnrnAnne Basting, artist and author of Creative Care: A Revolutionary Approach to Dementia and Elder Care, hopes to bring about that radical change. She developed an arts and creative approach that combines evidence-based therapies with methods from theater and improvisation, such as "Yes, and . . ." exercises. This approach fosters storytelling and active listening, allowing elders to freely share ideas and stories without worrying about getting the details "correct."rnrnFor over 20 years, Basting has researched ways to infuse arts and creativity into care settings. She is a MacArthur Fellow, received an Ashoka Fellowship, a Rockefeller Fellowship, and author of numerous articles and four books.

Anne Basting, Ph.D. is an artist, scholar, and educator committed to the power of the arts and culture to transform our lives as individuals and communities. She is Professor of English at the University of Wisconsin Milwaukee, and founder and President of the award-winning non-profit TimeSlips. Basting's innovative work as both a community-engaged artist and a scholar has been recognized by a MacArthur Fellowship, an Ashoka Fellowship, a Rockefeller Fellowship, and multiple major grants. She is author/editor of multiple books, including her latest, Creative Care (HarperOne); as well as The Penelope Project (U of Iowa), and Forget Memory (Johns Hopkins). TimeSlips fosters an alliance of artists and caregivers bringing meaning and joy to late life through creativity, and has over 900 certified facilitators in 48 states and 20 countries. Her latest book, The Creative Care Imagination Kit, is available for sale beginning June 8th and is a perfect resource for friends, family, and caregivers to make connections with and spark conversation and engagement among anyone living with physical, cognitive, or emotional challenges, including memory loss. Learn more at https://www.anne-basting.com/

Loretta Sarah Todd | BioLoretta Sarah Todd is a visionary leader in Indigenous media, considered a true artist with entrepreneurial energy and deep cultural knowledge. Her first dramatic feature, Monkey Beach, based on the iconic novel by Eden Robinson, recently launched to strong audience and critical response, screening at TIFF (Industry Selects), opening the Vancouver International Film Festival and sweeping the Drama awards at the American Indian and Red Nation Film Festivals in the USA, including Best Film and Best Director. With international awards adding up (Venice Film Awards, 7th Art International Film Festival), Monkey Beach was the #1 Canadian film for 4 weeks at Cineplex and Landmark Theatres. Ms. Todd has directed over 100 projects including award-winning documentaries (Forgotten Warriors, Remembering Chief Dan George, People Go On), digital media and games (My Cree App, Coyote Quest) animation (25 short animations) and TV. Ms. Todd created, produced, wrote and directed children's series (Tansi! Nehiyawetan 1-3, Coyote's Crazy Smart Science 1-3), sci-fi (Skye and Chang) and interactive media (Fierce Girls). She is in development with a new animated children's series called Nitanis & Skylar. Her media work encompasses contributions to the development of Indigenous media, providing opportunities for Indigenous cast, crew and creative, building new spaces for Indigenous production and expression and writing influential scholarly essays on issues of appropriation, representation and Indigenous futurism. Ms. Todd created the Aboriginal Media Lab with the Chief Dan George Centre and Simon Fraser University and was instrumental in the formation of the Aboriginal Arts Centre at the Banff Centre. Recently, she created the IM4 Media Lab, an Indigenous VR/AR/XR Lab, in collaboration with Emily Carr University of Art and Design, where she is the Creative Director. Trailblazing in the development of immersive technologies, Ms. Todd is currently a Fellow to the Inaugural Indigenous Delegation to the Co-Creation Lab at MIT, sponsored by the Indigenous Screen Office. And she is on the Advisory Board to the ONX Studio, a NYC based immersive technology art lab sponsored by the Onassis Foundation and the NEW MUSEUM, plus she was recently invited to be on the board of the Kalediascope Immersive Fund. A respected speaker, she's presented at VIFFImmersed, The Global AR/VR Summit, Kidscreen, Museum of Modern Art – as well the Aboriginal International Day of the World's Indigenous Peoples, at the United Nations – to name a few. Ms. Todd is an original. She ran away at 13, was homeless and became a teen mother – which changed her life. She went back to school and worked in bakeries, construction, restaurants – to stay off welfare and away from social workers who might take her daughter. Still she managed to become a writer, activist, entrepreneur and an award-winning filmmaker. She is a devotee of world cinema, sci-fi, obscure music, elegant fashion, forests, gardens and Paris – and is an instigator of fusion Indigenous cultural expression. She is also knowledgeable about her culture – creating and producing an award-winning children's series that teaches kids to speak Cree, her father's first language, as well as creating the first Cree language app.Her films have screened at the Sundance Festival, Toronto International Film Festival (TIFF), American Indian Film Festival (San Francisco), Yamagata Film Festival, ImagineNative, and the Museum of Modern Art, to name just a few. She has received many prestigious honours and awards, including a Rockefeller Fellowship to New York University, attendance to the Sundance Scriptwriter's Lab, Special Jury Citation (TIFF), Mayor's Award for Media Arts (City of Vancouver) and the recent Women of Excellence Award, from the United Nation's WEF Women's Economic Forum. Ms. Todd is Cree/Metis, from St. Paul des Metis, White Fish Lake First Nation and Turtle Mountain Chippewa in North Dakota. MONKEY BEACH TAGLINE: Based on the novel by Eden RobinsonSYNOPSIS: Waking up in her East Van apartment, Lisa (Grace Dove) is served notice by her cousin's ghost (Sera-Lys McArthur), "Your family needs you." Reunited with her Haisla kin in Kitimaat Village, she realizes that she's meant to save her brother, Jimmy, (Joel Oulette) from a tragic fate she's foreseen since childhood. Of course, there's also the matter of contending with the mystical creatures lurking in the nearby woods. And so begins a captivating allegory about learning to coexist with both the ghosts that haunt us and spirits who might enlighten us.In bringing Eden Robinson's beloved novel to the screen, Loretta S. Todd offers us a modern epic underpinned by themes that have long defined heroic journeys. Todd's first feature narrative unfolds through a thrilling array of temporal shifts and stylistic flourishes. A film about reconnection with the land, its denizens and the secrets it holds, Monkey Beach is also a testament to Indigenous women's ability to not just endure trials but emerge from them empowered.Like to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby

Guest host Naomi Shihab Nye is joined by poet Harryette Mullen on episode 142 of The Quarantine Tapes. Harryette reflects on her habit of walking in Los Angeles and how that has served her well during the isolation of quarantine. She talks about her poetry practice and how walking and the city have inspired her work.Naomi and Harryette dig into the challenges and complications of teaching during this time. Harryette talks about teaching Ntozake Shange and offers up advice for pushing yourself to experiment with writing and art. In this reflective, heartfelt conversation, Naomi celebrates Harryette’s work, lifting up her use of language and inviting Harryette to read from her poems. Harryette Mullen was born in Florence, Alabama, and raised in Fort Worth, Texas. She has earned a B.A. in English from the University of Texas at Austin and a Ph.D. from the University of California, Santa Cruz. Early in her career as a poet, she worked in the Artists in Schools program sponsored by the Texas Commission on the Arts, and for six years she taught literature at Cornell University in Ithaca, New York.Mullen's work is driven by wordplay and allusion, centered in a larger tradition of African American writing and representations of black women. The 2009 recipient of the Academy of American Poets Fellowship, Mullen is also the recipient of grants from the Foundation for Contemporary Arts, the Helene Wurlitzer Foundation of New Mexico, and the Texas Institute of Letters. Mullen's other honors include a Gertrude Stein Award in Innovative American Poetry and the Jackson Poetry Prize, as well as a John Simon Guggenheim Memorial Foundation Fellowship; a Rockefeller Fellowship from the Susan B. Anthony Institute for Women's Studies at the University of Rochester; and a United States Artist Fellowship. She teaches African American literature and creative writing in the English Department at the University of California, Los Angeles.

This conversation with Anne Basting covers her ground-breaking approach to engaging with patients in the midst of dementia and cognitive decline - a new, generative, and playful way of imagining elder care. Basting's work has challenged conventional wisdom and resulted in extraordinary changes for patients and caregivers alike. We discuss storytelling and our human need for narrative, relationships and the value of living in the present moment, and what is driving Anne's personal sense urgency at this moment. She opens up about her own mom’s experience with dementia, shares stories of infusing creativity and joy into care-giving, and explains what she calls “beautiful questions.”Anne Basting is Professor of Theatre at the Peck School of the Arts at the University of Wisconsin Milwaukee, and founder and President of TimeSlips. Her innovative work as an artist and scholar has been recognized by a MacArthur "Genius" Fellowship, an Ashoka Fellowship, a Rockefeller Fellowship, and several major grants. She is author/editor of multiple books, including the Penelope Project (U of Iowa), Forget Memory (Johns Hopkins), and the new Creative Care (Harper One). TimeSlips fosters an alliance of artists and caregivers bringing meaning and joy to late life through creativity, and has certified facilitators in 47 states and 18 countries. Creative Care (released May 19, 2020): https://www.amazon.com/Creative-Care-Revolutionary-Approach-Dementia/dp/0062906178TimeSlips: https://www.timeslips.org/Anne’s 2014 Ted Talk: https://www.youtube.com/watch?v=cPA6lklMQxMMore about Anne: https://www.anne-basting.com/about

Revelations: A Staged Reading Celebrating Appalachian Resiliency in GLBTQ People, was performed for its 17th time in Shepherdstown, West Virginia April 12, 2019 as part of the SpeakStory Series and is presented as part of our Talking Across the Lines podcast. We are available to produce it in your community with a volunteer cast over a fire day residency. Revelations is a theatrical presentation on Appalachian resiliency in lesbian, gay, bisexual and transgendered people written and produced by folklorist Carrie Nobel Kline, Spring 2001 Rockefeller Fellowship recipient and Scholar-in-Residence at the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University in Huntington, West Virginia. In Revelations, Carrie interweaves excerpts from oral testimonials she recorded with lesbian, gay, bisexual and transgendered West Virginians. Carrie explains, “This 13-person reader’s theatre production illuminates these West Virginians’ determination to express themselves in a way that is worthy of respect and admiration. Revealing their paths toward self-acceptance, audience members will glean a fresh perspective on concepts of gender from people who have broadened their own views through complex intellectual and spiritual journeys.” In the course of her Rockefeller Fellowship, Carrie Nobel Kline conducted a dozen interviews with lesbian, gay, bisexual and transgendered people. One interviewee is from outside the Appalachian region, and the rest are from West Virginia. The focus of Kline’s research is on resiliency, especially Appalachian resiliency. Because of the confidentiality of the field research, she chose to employ actors to read the words of those interviewed. Revelations focuses on people’s paths to hard won self-acceptance and their journeys toward a fuller sense of humanity. https://www.folktalk.org/spoken-histories/glbt-stories/

Cherríe Moraga is a Chicana writer, feminist activist, poet, essayist, playwright-director and educator. She has received an NEA Fellowship for Playwriting, Two Fund for New American Plays Awards, a Rockefeller Fellowship in Literature among many other honors. Cherrie is currently Artist in Residence in the Department of Drama at Stanford University and also shares a joint appointment with Comparative Studies in Race & Ethnicity. Cherrie is a legend, has seen it all, and she is still keeping it real as a G - evidenced by her willingness to stop by the Desmadre garage and shoot the breeze with Jesus. Join us in this conversation about her life growing up in LA and how she came to be an activist artist during the feminist movement.

THOMAS ALLEN HARRIS joins me to talk about the National Broadcast of his work: THROUGH A LENS DARKLY: Black Photographers and the Emergence of a People. The Producer, Director Writer was raised in the Bronx and Dar-Es-Salaam, Tanzania. He is the founder and President Chimpanzee Productions, a company dedicated to producing unique audio-visual experiences that illuminate the Human Condition and the search for identity, family, and spirituality. Chimpanzee's innovative and award-winning performance-based documentary films - VINTAGE – Families of Value, E Minha Cara/That's My Face, and Twelve Disciples of Nelson Mandela - have received critical acclaim at International film festivals such as Sundance, Berlin, Toronto, FESPACO, Outfest, Flaherty and Cape Town and have been broadcast on PBS, the Sundance Channel, ARTE, as well as CBC, Swedish broadcasting Network and New Zealand Television. Mr. Harris' video and installations – including Splash, Black Body, AFRO (is just a Hairstyle) Notes on a Journey Through The African Diaspora and ALCHEMY - have been featured at the Museum of Modern Art, the Whitney Museum of American Art Biennial, the Corcoran Gallery, Reina Sophia, London Institute of the Arts, Gwangju Biennale, and the Long Beach Museum of Art. Harris has received numerous awards and fellowships including a United States Artist Fellowship, Guggenheim Fellowship, Rockefeller Fellowship, two Emmy nominations as well as Sundance Film Institute Directors Fellowships and a Tribeca Film Institute Nelson Mandela Award. A graduate of Harvard College and the Whitney Independent Study Program, Harris has taught at a variety of institutions including University of California San Diego where he received tenure as an Associate Professor of Media Arts. A published photographer, curator, and write, Mr. Harris lectures widely on the use of media as a tool for social change.

Thomas Allen Harris, an award-winning Director, is the President of Chimpanzee Productions, a company dedicated to producing unique audio-visual experiences including feature length films, performances and multimedia productions. Chimpanzee’s innovative and acclaimed films - Through A Lens Darkly: Black Photographers and the Emergence of a People (2014), Twelve Disciples of Nelson Mandela (2005), E Minha Cara/That’s My Face (2001), VINTAGE – Families of Value (1995), - have received critical acclaim at international film festivals including Sundance, Berlin, Toronto, Frameline, FESPACO, Outfest, and Sithengi/Cape Town and have been broadcast on PBS, the Sundance Channel, ARTE, as well as CBC, Swedish broadcasting Network and New Zealand Television. Reviews of Harris’ work have appeared in The New York Times, Time Magazine, Jay Z’s Life and Times, Variety The Advocate, among others.  Harris' performance-based videos have been featured at prestigious museums including: the MoMA, Whitney Museum of American Art’s Biennial, Corcoran Gallery, Reina Sophia, the Long Beach Museum of Art and London Institute of the Arts. A graduate of Harvard College, Harris began his career producing for public television, where he was nominated for two Emmy Awards.  Since then, he has received numerous awards including an Africa Movie Academy Award, Fund for Santa Barbara Social Justice Award, Tribeca All Access Nelson Mandela Award, United States Artist Award, Guggenheim Fellowship, Rockefeller Fellowship, as well as CPB/PBS and Sundance Directors Fellowships.  Harris has taught and lectured widely on film and multimedia and has served on a number of juries, including: Tribeca Film Festival, Independent Spirit Awards, POV American Documentary, and Full Frame.  In 2009 Harris launched Digital Diaspora Family Reunion, an innovative transmedia project that combines film, photography, social media and oral histories in a live touring event. Digital Diaspora has held 18 Roadshows in 9-cities, with over 800 participants, 3,000 live audience participants and received over 40,000 “Likes” and in excess of 10 million media impressions.   Resources:   https://www.youtube.com/watch?v=odgHrU1T9a8   http://ibarionex.net/thecandidframe   info@thecandidframe.com

Ira Sachs was born in Memphis, TN and moved to New York after graduating from Yale University with a BA in Literature and Film Theory. Ira was a recipient of a Rockefeller Fellowship in 1999, Sachs has been an Adjunct Professor in the MFA Program at the Columbia University School of Film, a creative advisor at the Sundance Director’s Lab, and a fellow at both the MacDowell Colony and Yaddo.  His films include the features Married Life, Forty Shades of Blue which won a Sundance Grand Jury Prize, and The Delta. They have been screened at the Berlin, Toronto, New York, Rotterdam, and London Film Festivals. Ira is presently working on a new feature, The Goodbye People, co-written with Oren Moverman, and adapted from the fiction of screenwriter and novelist Gavin Lambert.