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5 episodes with rydeen
2 episodes with rydeen
Tonight it’s time for weird hip-hop, dark d’n’b trance-pop, mutant dancehall, Indonesian experimental folk, experimental Yolŋu, experimental indie, post-classical pop, krautrock-pop, mashups, junglism of all sorts, minimal drum’n’bass, minimal dub, sound-art, sound-art, sound-art… You know… It’s Utility Fog.. LISTEN AGAIN, to the art of sound… Stream on demand from fbi.radio, podcast here. doseone & Height Keech – Wont Work [doseone Bandcamp] doseone & Height Keech – Twisted (Featuring Brian Ennals) [doseone Bandcamp] Following his brilliant album All Portrait, No Chorus with Steel Tipped Dove earlier in 2025, veteran alt.hip-hop mouth doseone swung right back into the swing of things with an EP produced entirely by Baltimore beatmaker Height Keech. Wood Teeth was laser-focused on the current moment, and its sequel (Wood Teeth II, natch) takes the same position – once more it’s about the descent of the USA into fascism, and it’s as “scathing” as the copy says. Dose is putting out some of the best work of his career, and the madcap sound of Height Keech certainly doesn’t hinder him. Marcus Whale – Dark Room [Blue Void/Bandcamp] Out now, the latest album from Eora/Sydney luminary Marcus Whale, who’s been a fixture on this show since his early experimental work as Scissor Lock, when he was a mere teenager, and throughout the brilliant releases of his duo Collarbones and trio Black Vanilla (among many others). Nether is, by my count, his 5th solo album, the first being his incredible statement of intent 10 years ago, Inland Sea, and it follows 2024’s club-fuelled blissout Ecstasy with the comedown, albeit no less energetic. There’s those traces of trance’s lysergic dancefloor tranceformation, pummeling kicks and (as heard here) jungle-like drum programming, ultra-processed breaks and percussion, and of course Marcus’s voice multi-tracked and harmonised. Beautiful. Facta – SLoPE VIP (ft Warrior Queen & Killa P) [Wisdom Teeth/Bandcamp] UK bass producer & one half of the Wisdom Teeth label, Facta, put out a slab of UK post-dubstep bass styles, from funky house to breakbeat techno, on last year’s GULP. Now he’s re-tooled the breakbeat track “SLoPE” with vocals from two UK dancehall/grime legends, Warrior Queen & Killa P. Wicked! Naga Kirana – Lumba2 [Glitterbeat/Bandcamp] Amsterdam collective Naga Kirana make a super-fun form of Indonesian electronic folk-pop, with gamelan percussion instruments, drum machines & synths, and the voice Inda Duran ensuring it’s catchy as heck. Looking forward to more from them! Waakya – Fire Song [Hospital Hill courtesy of The Wire] First recorded listen to the new cross-cultural collaboration Waakya comes in the latest edition of Wire Magazine’s Wire Tapper. The band centres around Yolŋu songman Daniel Wilfred & yidaki (didgeridoo) virtuoso David Wilfred, who you may know from Hand to Earth. They’re joined by sound wizard & guitarist Matthew McGuigan of label/production house Hospital Hill, modular synth virtuoso Ben Carey (also of Sumn Conduit) and legendary experimental turntablist (and acclaimed cardiologist!) Martin Ng. That’s a recipe for something extraordinary, as you’ll hear from these first sounds. The way the Wilfreds’ traditional music melds with experimental textures is always magical, here emerging from varispeed record crackle, guitar harmonics and other unidentified sounds. Expect more soon. Kee Avil – delay [NNA Tapes/Bandcamp] So Montréal experimental musician Kee Avil, with a couple of albums under her belt on Constellation, has this year teamed up with NNA Tapes to release a progressive album over the whole year, called Vapor. There’s one track going up per month, and the latest is the saturated quasi-80s electro-pop of “delay”. Each track so far is excellent and weird. Marie Delprat – Dust in my veins [-OUS/Bandcamp] Swiss label -OUS has been consistently hitting goals for some years now, with glitched electronics, post-classical fusion weirdness and various unconventional takes on song-based music. All those things converge on the first single from classically-trained Marie Delprat‘s EP What remains after desire, a quietly creepy piece of drone-pop. Marina Herlop – Jaque [Marina Herlop Bandcamp] Keeping with post-classical fusion weirdness, we join Catalan composer, pianist, singer & producer Marina Herlop for her third album Dja Dja, her first to be self-released (distributed by Barcelona label Lapsus & !K7, so the gorgeous-looking vinyl & CDs should be readily available). First single “Jaque” has everything Herlop is known for: classical-sounding piano, layered ecstatic folk vocals, syncopated rhythms. Keep an eye out for this one! Vanishing Twin – Bring Me The Axe [Fire/Bandcamp] Currently a trio, Vanishing Twin have made experimental pop music now for 11 years. Singer Cathy Lucas moved to rural France a year or two ago, so making music with ubiquitous drummer Valentina Magaletti and bassist Susumu Mukai aka Zongamin (who together are V/Z) became primarily an asynchronous affair of swapping files remotely. The title Archives is a reference to file-sharing and collaging from disparate sources, rather than describing an album of rarities or best of – it’s all new material. The band has always taken indie pop into realms of the experimental, with strong krautrock & dub vibes, but these new tracks are particularly adventurous, sounding precisely like three musicians in different locations coming together for a chimera of folk, electronic pop, dub, glitched trip-hop and radiophonic post-classical abstraction. I’m pumped to hear the rest of this album. Heyes – carlos serone – “folder for heyes (unfinished tape beats)” [Heyes’ Edits] [Ric/H Collective/Bandcamp] Heyes – Ang Watching ‘Pets on a Train’ on a Plane [Ric/H Collective/Bandcamp] Lochie – aka Heyes – is quite close to this show, and has filled in for me earlier this year as well as having broadcast on other stations. As an artist, his output is quite varied, but one strand of his art is the transformation of pre-existing music as well as field recording. Lochie has formed the Ric/H Collective with a group of like-minded musicians, writers & designers here in Eora, and first cab off the rank for the label arm is (here goes): rich; or, a mixtape of music about being “rich” and music not about being “rich”. The mixtape begins (and goes on) with a selection of Heyes Quickmixes of some familiar money-based pop songs, some mangled beyond recognition, some leaking their source material in odd ways, but slipped inside are some fellow travellers like carlos serone, whose lo-fi beats are edited by Heyes, and who also provided the liner notes. Intriguingly strange. Harrison Rae – Diss Track [Harrison Rae Bandcamp] From a notable Eora/Sydney gent now, Harrison Rae, who’s released electronic music as Beau Ambien and Henri O and is the convenor of Club Moss. His 2025 Mixtape is varied as a mixtape ought to be, from guitar tracks to murky electronics like “Diss Track”. Djrum – I Wander (IV) [Houndstooth/Bandcamp] Felix Manuel aka Djrum is one of the geniuses of the current age, adept at beats at any BPM, switching easily between techno, dubstep, jungle & beyond, but also inserting beautiful quasi-classical piano & cello passages, flutes with weird tunings, etc. Forthcoming EP I Wander is really one 15:44 track, but split into 6 parts reflecting its restless evolution throughout. I’m fortunate to have heard the whole thing already, and it’s as good as you’re expecting! Rydeen & SOVBLKPSSY – LESBIANISM [silkXS Bandcamp] Eora/Sydney duo Rydeen & SOVBLKPSSY follow up a 2-tracker from 2024 with their DONT TELL ANYONE EP, reflecting their influences across the bass & club spectrum, nodding at local sounds & history, thence building up from scratch a hardcore continuum of our own. In that vein, “LESBIANISM” is a Ry & Sov take on jungle, and a delight to hear. Plug – King Ring [De:tuned/Bandcamp] Once again Luke Vibert returns to his DAT archives to pull a full album’s worth of mid-’90s Plug material out for us to bathe in. When Vibert discovered jungle circa 1994, he was probably the one member of the IDM crew (Aphex Twin, µ-Ziq, Squarepusher et al) who really understood how it worked, as club music, in relation to hip-hop and ragga dancehall, and in terms of break juggling. I love those other guys, but Plug was the real shit. At the time, Vibert only released a series of EPs and the classic Drum’n’Bass for Papa album (you can find them all digitally at Bleep and elsewhere), apart from a smattering of compilation tracks. As well as wicked drum programming, they exhibited Vibert’s talent for perfectly-sourced samples and melodic basslines & lead parts, all of which counts just as much for his hip-hop productions and the acid the makes up most of his material lately. Part of this is his sense of humour, and the “Papa” of the album’s title is Vibert’s grandfather Frank Vibert, a keen amateur magician, and while the photos of Vibert in Orientalist magician getup seem to have dried up, the title Variety Magic keeps up the connection. It should be noted that the Plug style of jungle/drill’n’bass was specific to the technology Vibert was using at the time, and even the Amen Andrews stuff that came out in 2003 has a different feel because he wasn’t producing the tracks the same way. So both the 2012 album Back on Time (which does sport his granddad on the cover) and this new album are collections of tracks from the mid-to-late ’90s. It’s insane that an 11 track album of tunes this good was lurking on DATs somewhere for decades. Morwell – Trust (A.Fruit Remix) [Morwell Bandcamp] Max Morwell has for the last 7+ years been exploring the music of bass & breakbeats that soundtracked many a rave, and he recently worked on some 160bpm tracks – incidentally the fairly standard BPM for jungle before it got more frenetic and morphed into drum’n’bass (a huge simplification). I heard Morwell’s originals a little while back and they’re excellent, but each track has been paired with an equally inspiring remixer. DJ Earl brings the Chicago connection – jungle vs footwork is a long-mined but no less fertile vein – while jungle/bass/IDM is represented by two women at the top of the board right now: Catherine Backhouse aka Xylitol, whose interest in pre-separation Yugoslavian electronica intersected with Morwell’s own Croatian heritage, and the ever-brilliant Spain-based Ukrainian producer A.Fruit. That makes Trust an epic release, and you’d be crazy to let it slip by. rush2theUnknown – Palenque (return to paradise) [Awkwardly Social/Bandcamp] A couple of excellent releases in 2024 introduced the New Zealand/Japan duo rush2theUnknown to the world, drawing on their background in NZ’s drum’n’bass & jungle scene, melded with the ancient future of vaporwave (well, to my ears anyway). Ancient / Future finds the duo in familiar territory, and it’s a joy. Pugilist – Rune [Samurai Music/Bandcamp] Hearing Naarm-based jungle/d’n’b head Pugilist on Samurai Music (again!) is a slight surprise until you realise that he’s as comfortable making clattering jungle as laser-focused drum’n’bass, bone-shuddering dubstep or who knows what else. So it feels like on Triads he’s nailed the latter-day tribal/minimalist d’n’b sound of Samurai, while still keeping the beat-juggling joys there. Much though I enjoy me some stripped-down Samurai hypno-beats, Pugilist’s got the skillz and intent to take it to another level. Topdown Dialectic – False LP A – 14 [False Aralia Bandcamp] With a longstanding connection with Brian Foote & Brion Brionson’s Peak Oil, the now slightly-less-mysterious US producer Topdown Dialectic returns after a 5 year gap with an album on False Aralia (also shepherded by Brian Foote), confirming it for those who didn’t know as the work of Izaak Schlossman, each of whose False Aralia releases blurred the definitions of artist vs album title vs… project? But it’s all of a piece with Topdown Dialect – that is, exploring various intersections of dub & bass with ambient, minimalism, glitch… the beats nod at micro-house, dub techno, but also percolated r’n’b. Where K Wata & others have recently found tracings of jungle in dub techno’s glitched edges, Schlossman’s works have lived in those liminal spaces, rummaging the low-tide wracks of the Basic Channel. The 16 tracks on the False LP, each cut to precisely 5 minutes, refuse to settle into any specific vein, moving from barely-there ambient dub to deeply rhythmic dub-funk that’s somehow entirely free of beats, desaturated exotica and deconstructed soul. It’s the washed-out future glimpsed behind the pulsating light of a near-death experience. The Bug & Dis Fig – Vanishing (Numbness Dub) [Pressure] Kevin Martin’s main project, The Bug, is back with a new singles series called Ladybug, in which one track is reworked in various ways – dubs, remixes, dubs of remixes etc. For “Vanishing”, Martin invites back his previous collaborator Dis Fig aka Felicia Chen, who has a new album of her own coming soon on Thrill Jockey which will knock the pants of you. This is a great, ethereal track, with a chugging bass and sparse rock beat under Chen’s trip-hoppy vocal. The original of the track is then treated to a “Vanished Dub”, with fragments of the vocal echoing through reverbed white noise, and then follows a “Numb Mix”, which is incredibly washed out, with the beat pared down to a kick and a wisp of a hi-hat – but the vocal remains intact. That version then gets a “Numb Dub”, which is beautifully dubbed out, like dub techno with a stomping martial kick. But the final “Numbness Dub” is the most tricked out with its dub delays – reminiscent of Martin’s minimalist trip-hoppy work with King Midas Sound crossed with the industrial dub of his Machines collection. Klara Lewis – Ta Min Hand [Editions Mego/Bandcamp] 5 years after the premature death of founder Peter Rehberg, the great Editions Mego label continues on, and Klara Lewis – who began her career with Mego in 2014 with the brilliant Ett, is releasing her next album Opening on the label in September. Lewis’s music can be an abstracted take on dance music forms, or abstracted mangling of acoustic sources, or rich, glitchy drone works. The first track, and first single, from Opening takes what sounds like loungey jazz and destroys it, pushing it into stuttered, clipped distortion, reversing it and so on. This is emblematic of Lewis’s approach to sound, somehow strongly emotive despite the abstraction. Violeta García & Hora Lunga – la ola or i miss u [-OUS/Bandcamp] The first album from the duo of Argentinian cellist Violeta García & Swiss musician Hora Lunga, I’ll wait for you in the car park, was a highlight of 2025. Due in September, its sequel 4ever is a continuation of the debut’s approach, in which the cello may sometimes take the foreground with melodic gestures or mini-orchestrations, but it can also be one distorted sound-source alongside heavy subs transplanted from the club, glitched samples, half-heard voices. On this first single, García’s cello plays a familiar heartstring-pulling role, but the track is slowly overtaken with distortion in a way not dissimilar to Klara Lewis’s techniques. Absolutely a highly anticipated album. Brady Cohan – Convincing [Brady Cohan Bandcamp] LA composer & guitarist Brady Cohan‘s music is mostly heard on TV & in film, but Everything That Matters is music from the heart, arising from the revelation that the things that really mattered were there with him & his family. Still, this music is cinematic in scope, taking his guitar through spectral drones and surging bass, and back home again. Marla Hlady & Christof Migone – It Takes Two [Crónica/Bandcamp] On And On And Off is the second collaboration between Canadian sound-artists Marla Hlady & Christof Migone released on the great Portuguese label Crónica. These two both combine the fine arts, conceptual arts, with sound-art: their previous duo album Swan Song takes its name from the swan necks of decommissioned beer stills, which formed part of a kinetic sculpture and also generated many of the sounds in their work. Along with the swan necks were the voices of the brewery staff, amplified through the sculpture. On And On And Off also collaborates with a choir of sorts – 12 people who were given 12 prompts, which asked them to record parts of their daily commute, and also describe them in particular ways (see the list of prompts here). Once again these recordings formed the starting matter for the album’s works. Listening to the murky sounds of “It Takes Two”, timestretched loops move in & out of phase, unidentifiable but suggestive of motion. There are short noise pieces, cut-up vocal syllables and an almost shoegazey rumbling ambient piece to finish. NEA Ensemble – CAMEDRIO [NEA Editions] Inside a farmhouse in the Murgia Materana national park, 5 hours’ drive south-east of Rome, a group of experimental musicians have formed the NEA Cultural Association, a collective aimed at promoting the creation of multidisciplinary cultural works in the intersection of electro-acoustic, experimental music, visual arts and popular traditions – outside of the urban centres they’re usually found in. You can read their manifesto here. ORIZZONTALE is the first release from their NEA Editions label, documenting an improvised performance from 12 musicians & artists, combining acoustic & electric instruments, live synths and electronics. Among the members is Andrea Taeggi, whose solo work I’ve featured under his own name and earlier as Gondwana on the great Opal Tapes, who also released his amazing duo Lumisokea. Unsurprisingly the music here leans more on live expression than intricate post-production, but the restraint of the musicians and the live processing make these pieces quite striking. Borguefül – La jeune fille bleue [Carton Records/Pagans/Bandcamp] French double bassist Mélanie Loisel released her debut album as Borguefül, Horst, in 2022 on Carton Records. Her follow-up, Vêtue, is again based around her double bass, enhanced with physical preparations, looping and processing, and forming a percussive base for her vocals. The first single begins with bowed notes and harmonics accompanying Loisel’s voice, but by 2 minutes in you notice a low rumbling, a bass drone with digital detritus, which takes over and then stays under the short, otherwise a capella vocal phrases. It’s beautifully unexpected. Listen again — ~218MB
If the Showa era in Japan continues, its duration would have exceeded 100 years. Let's look back on that era while enjoying nostalgic songs from the 1960s to the 1990s. 'Showa 100' is broadcast on the first Thursday of every month. - 昭和の時代が続いていれば、時代の長さは100年を超えました。1960年代～1990年代の懐かしい曲を楽しみながら、昭和の日本を振り返ってみましょう。Listen to SBS Japanese Audio on Tue, Thu and Fri from 1pm on SBS 3. Replays from 10pm on Tue, Thu and Sat on SBS1. Listen to past stories from our podcast. Download the free SBS Audio App and don't forget to visit SBS Japanese Facebook and Instagram page! - SBSの日本語放送は火木金の午後１時からSBS3で生放送！火木土の夜10時からはおやすみ前にSBS1で再放送が聞けます。SBS日本語放送ポッドキャストから過去のストーリーを聞くこともできます。無料でダウンロードできるSBS Audio Appもどうぞ。SBS 日本語放送のFacebookとInstagramもお忘れなく。
Der Japaner Ryuichi Sakamoto war ein erfolgreicher Musiker und Komponist von Filmmusik. Seine Band Yellow Magic Orchestra gilt als Wegweiser der elektronischen Musik. Nun ist Sakamoto im Alter von 71 Jahren gestorben. Wir schauen auf sein vielseitiges Leben zurück. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/yellow-magic-orchestra-rydeen
Der Japaner Ryuichi Sakamoto war ein erfolgreicher Musiker und Komponist von Filmmusik. Seine Band Yellow Magic Orchestra gilt als Wegweiser der elektronischen Musik. Nun ist Sakamoto im Alter von 71 Jahren gestorben. Wir schauen auf sein vielseitiges Leben zurück. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/yellow-magic-orchestra-rydeen
Der Japaner Ryuichi Sakamoto war ein erfolgreicher Musiker und Komponist von Filmmusik. Seine Band Yellow Magic Orchestra gilt als Wegweiser der elektronischen Musik. Nun ist Sakamoto im Alter von 71 Jahren gestorben. Wir schauen auf sein vielseitiges Leben zurück. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/yellow-magic-orchestra-rydeen
Der Japaner Ryuichi Sakamoto war ein erfolgreicher Musiker und Komponist von Filmmusik. Seine Band Yellow Magic Orchestra gilt als Wegweiser der elektronischen Musik. Nun ist Sakamoto im Alter von 71 Jahren gestorben. Wir schauen auf sein vielseitiges Leben zurück. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/yellow-magic-orchestra-rydeen
Der Japaner Ryuichi Sakamoto war ein erfolgreicher Musiker und Komponist von Filmmusik. Seine Band Yellow Magic Orchestra gilt als Wegweiser der elektronischen Musik. Nun ist Sakamoto im Alter von 71 Jahren gestorben. Wir schauen auf sein vielseitiges Leben zurück. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter >> Artikel zum Nachlesen: https://detektor.fm/musik/yellow-magic-orchestra-rydeen
Access this entire 83 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/119-ymo-part-1-77692321 Isobel from the Brooklyn-based electronic group pet wife returns to the show for the first of a two-part series on the pioneering Japanese electronic music supergroup Yellow Magic Orchestra: keyboardist Ryuichi Sakamoto, bassist Haruomi Hosono and the drummer, Yukihiro Takahashi. Part one of the series is about how YMO changed the world, with a discussion of highlights from their span of albums as a band from 1978 to 1993, music that provided the blueprints for many genres of modern music including hip hop, electronica, house, techno and video game soundtracks. We talk about the parallels between YMO and the Four Lads from Liverpool, their style, wit and technical innovations, and we mourn the stunning recent passing of Yukihiro Takahashi, a hero of ours. A second episode, on the solo careers of those Naughty Boys, is coming soon! Follow pet wife on Twitter, Spotify and Bandcamp YMO's appearance on Soul Train, performing “Tighten Up” and “Firecracker” for a mystified Don Cornelius, 1980 YMO back together performing "Rydeen", 2007 Music video for “Ongaku”, 1983
Join Viper as he kicks off the Mega Drive Mini Marathon 2 weekend by reminiscing about SEGA's previous Mini consoles and the memories that they produced, while looking forward and discussing the many things to be excited about when SEGA's newest pintsize console is in our hands.
Providing freaky music since 1999. For those who wonder: What is The Brain? Listen this! 1. Gogoplex - Pour ou contre la violence - Youtube - 2017 2. The Brain - Générique - Unreleased - 2016 3. Antoine Souchav' - Harpsichord transcription of Rydeen from Yellow Magic Orchestra - Unreleased - 2018 4. Michel Polnareff - Dans la rue - RCA - 1985 5. Domotic - Investigation préliminaire - Gonzaï Records - 2017 6. Caroline Rose - Money - New West records - 2018 7. GAFF-E - I'M HERE RIGHT NOW - Bandcamp - 2017 8. Bachar Mar-Khalifé - Lemon - Infiné - 2016 9. Morricone - Le foto proibite di una signora per bene - Dragored - 1999 10. Cynthia - Aadja Mere Sawaria - Vintage Voudou - 2018 11. Kali Mutsa Imaabs - Inglis - Naafi - 2017 12. Tones on tail - Go! - Beggars banquet - 1984 13. THE LATINS - Habibi Twist - RCA VICTOR - 1962 14. Doktor Kosmos - Le Petit Communiste - North of south records - 1998 15. Total Control - One more night - Bandcamp - 2011 16. Jah Wobble - Invaders of the Heart Mix 1 - Lago records - 1983 17. Shawn Wasabi & YDG - Burnt Rice (Feat Yung Gemmy) - Self released - 2015 18. Satan's Pilgrims - In The Past - SP Records - 2009 19. Romanelli - Connecting Flight - 21 Records - 1982 20. Frederik Schikowski - Générique The Brain - The Brain Records - 2014 ## Über The Brain The Brain ist eine DJ-Show gemischt aus Electro Broadcasts, Dissonanz-Pop, Rock'n'Roll, epileptischen Gesängen und vorindustriellen Robotik, Raumfahrt-Pop, vorsintflutlichen Vintage-Raritäten in Form von kinematischen Mini-Dada. Jede Sendung bietet einen epischen, akustischen, frischen Sound mit dem kindliche Euphorie in vollem Umfang nachgekommen wird. Let's Spock! *
Episode 34 When Synth-Pop Ruled Britannia An exploration of synth-pop that was popular in the UK. Playlist Space, “Magic Fly” (1977 United Artists). French group led by Didier Marouani (aka Ecama) and Roland Romanelli. Flirted with electronic disco music. 4:18 Giorgio Moroder, “The Chase” (1978 Casablanca). Big synths programmed and played by Moroder. Produced in Germany. An extended play “Casablanca Disco Single.” 13:08 The Normal, “Warm Leatherette” (1978Mute). UK artist Daniel Miller. 3:21 Vice Versa, “New Girls Neutrons” (1979 Neutron Records). Electronic New Wave / Minimal Synth band from Sheffield, UK. Synthesizers, David Sydenham. 2:02 Gary Numan, “Metal” from The Pleasure Principle (1979 Beggar's Banquet). UK group. Gary Numan on keyboards, synthetic percussion. 3:28 Telex, “Moskow Diskow” from Looking For Saint Tropez (1979 Vogue). This Belgian synth group included Dan Lacksman, Marc Moulin, and Michel Moers. 4:12 Yellow Magic Orchestra, “Rydeen” from X∞Multiplies (1980 A&M Records). Japanese band featuring electronic keyboards, synthesis and processing, Ryuichi Sakamoto; Guitar, Kenji Omura; synthesis programming, Hideki Matsutake; vocals, Chris Mosdell. 4:25 Suicide, “Diamonds, Fur Coat, Champagne” from Suicide: Alan Vega · Martin Rev (1980 Antilles). UK group. Electronics, Martin Rev; vocals, Alan Vega. 3:18 Yello, “Bostich” from Bostich (1981 Stiff America). Swiss electronic band formed in 1979 in Zürich, Switzerland. Electronics, vocals, Boris Blank; lyrics, vocals, Dieter Meier; tape, Carlos Peron. 4:32 Jon Foxx, “Underpass” (1980 Metal Beat). UK artist. Electronics, John Foxx. 3:21 Visage, “Fade to Grey” (1980 Polydor). UK artist. Produced by Midge Ure (Ultravox). 3:50 The Human League, “Love Action (I Believe in Love)” (1981 A&M). Electronic band from Sheffield, England. Synthesis Philip Oakey. 3:49 Heaven 17, “Play to Win” (1981 Virgin). UK artist. Formed as a side project of the British Electric Foundation (B.E.F.), the production company formed by Ian Craig Marsh and Martyn Ware, after their departure from the The Human League in 1980. 7:26 Soft Cell, “Memorabilia” (1981 Some Bizarre). UK artist. Synthesizer, percussion, David Ball; vocals, percussion, Marc Almond. 4:48 Depeche Mode, “Just Can't Get Enough” from Speak & Spell (1981 Mute). UK group. English electronic music band formed March 1980 in Basildon, Essex. Lead vocals, Dave Gahan; keyboards, guitar, vocals, Martin Gore; keyboards, Andy Fletcher; keyboards, Vince Clarke. 3:39 Yazoo, “Don't Go” (1982 Mute). Yazoo was an English Synth-Pop duo from Basildon, Essex. Vocals, Alison Moyet; synthesizers, Vince Clarke. 4:58 Kajagoogoo, “Hang on Now” (1983 EMI). UK group.Lead vocals, Limahl; bass, Nick Beggs; E-bow and guitar, Steve Askew; synthesizers, Stuart Croxford Neale; drums and electronic programming, Jez Strode. 3:38 The Art of Noise, “Moments in Love” (1985 ZTT). UK group. Vocals, Camilla Pilkington; keyboards, Ann Dudley; engineering, Gary Langan; electronics, Fairlight CMI, J.J. Jeczalik; bass, producer, Trevor Horn. 4:32 Propaganda, “Dr. Mabuse” (1984 Island Records). German group.German group from Düsseldorf; formed in 1982 by former Die Krupps keyboarder Ralf Dörper and Andreas Thein. Produced by Trevor Horn. 4:46 Pet Shop Boys, “West End Girls” (1985 Parlophone). UK group. Lead vocals, keyboards, occasional guitar, Neil Tennant; keyboards, occasional vocals, Chris Lowe. 3:58 Bronski Beat, “Smalltown Boy” (1984 Forbidden Fruit). UK group. Keyboardists Steve Bronski, Larry Steinbachek; vocals Jimmy Somerville. 4:59 Frankie Goes to Hollywood, “Black Night White Light” from Welcome To The Pleasuredome (1984 ZTT). UK group. Lead vocals, Holly Johnson; backing vocals, Paul Rutherford; guitar, Brian Nash; bass, Mark O'Toole; drums Peter Gill; keyboards, programming, software, J. J. Jeczalik. 4:02 Prefab Sprout, “Appetite” (1985 Kitchenware Records). English pop band from Witton Gilbert, County Durham. This track produced by Thomas Dolby. 3:54 Ivan, “Fotonovela” (1984 CBS). Spanish singer, Juan Carlos Ramos Vaquero; produced by Pedro Vidal. 4:32 A-HA, “The Blue Sky” (1986 Warner Brothers). Norwegian band formed in Oslo in 1982. Lead vocals, Morten Harket; guitar, vocals, Paul Waaktaar-Savoy; keyboards, vocals, Magne Furuholmen. 3:15 Opening background music: David Bowie, “Subterraneans” from Low (1977 RCA Victor). Vocals, saxophones, guitar, ARP synthesizer, Chamberlin (tape horn and brass, synthetic strings, tape cellos), David Bowie; Minimoog, ARP, EMS Synthi AKS, piano, Chamberlin, other synthesizers, vocals, guitar treatments, synthetics, Brian Eno; rhythm guitar, Carlos Alomar; bass, George Murray; produced by David Bowie, Tony Visconti. 5:38 This list, not the recordings, originally appeared in the February 2018 edition of Classic Pop in an article by Paul Lester. Check it out! Opening and closing sequences voiced by Anne Benkovitz.
作为一个在世界上享有盛誉的日本人，「坂本龙一」身上有着众多属于他的标签（音乐家/艺术家/环保主义者/反核主义者等等）。但是相对于「坂本龙一」个人身上的标签，我们更感兴趣的是他当时所处的时代，身边的那些伙伴，以及那些背后的趣闻。 随意这期电波特别节目我们就来一次漫谈，聊聊是谁创造了「坂本龙一」。 注：本期特别节目是木木美术馆《坂本龙一：观音，听时》展览特别节目，请留意节目开头门票抽奖信息。 展览信息： 《坂本龙一：观音，听时》展览 木木美术馆（钱粮胡同馆） 2021年3月15日开幕 本期时间轴： 05:49 对于「坂本龙一」个人，我们更感兴趣的是他所处的时代，身边的朋友，以及是什么创造了坂本龙一？ 08:49 上世纪六十年代风起云涌的全球Z翼化浪潮，深深的影响了高中时期的坂本龙一 17:39 不同的文化背景在坂本龙一、细野晴臣、高桥幸宏三个人身上产生碰撞，从而诞生了享誉世界的Y.M.O.（Yellow Magic Orchestra ）。 26:50 由高桥幸宏主导视觉的Y.M.O.绝不仅仅是一个音乐团体。 30:00 80年代Y.M.O.现场真正不可忽视的一个人——声音工程师松武秀树 。因为他和Y.M.O.的现场，使得日产合成器打入欧美市场。 37:00 任何一个音乐团体的声音、现场、视觉，都应该有一个逻辑自洽的审美体系 44:00 坂本龙一的“反Y.M.O.”专辑，以及细野晴臣&高桥幸宏的反击。 52:14 坂本龙一的演技，北野武的噩梦。 60:00 《王立宇宙军》《天外魔境》「Dreamcast」开机音乐都是出自教授之手，为ACG领域做配乐，是日本音乐家独有的文化特基因。 64:00 YMO三人组的分分合合，通过「sketch show」、「HUMAN AUDIO SPONGE」「HAS(YMO）」这些音乐组合 进入「后YMO时代」 66:54 视觉艺术家横尾忠泽曾经差一点加入Y.M.O.成为幻之第四人。 76:22 战后70年代日本经济起飞的时间点和YMO本身的辉煌成为一种某种契合 84:08 本期话题衍生作品推荐：漫画《GE命情迷》川口开治 song list CUE - イエロー・マジック・オーケストラ イエロー・マジック(东风) - イエロー・マジック・オーケストラ RYDEEN - イエロー・マジック・オーケストラ 君に、胸キュン。-浮気なヴァカンス- イエロー・マジック・オーケストラ Sayonara - 坂本龍一
作为一个在世界上享有盛誉的日本人，「坂本龙一」身上有着众多属于他的标签（音乐家/艺术家/环保主义者/Fan核主义者等等）。但是相对于「坂本龙一」身上的个人标签，我们更感兴趣的是他当时所处的时代，身边的那些伙伴，以及那些背后的趣闻。所以这期电波特别节目我们就来一次漫谈，聊聊是谁创造了「坂本龙一」。注：本期是《坂本龙一：观音，听时》展览特别节目，请留意节目开头门票抽奖信息。展览信息：《坂本龙一：观音，听时》展览 ｜木木美术馆（钱粮胡同馆）｜2021年3月15日开幕本期时间轴：05:49 对于「坂本龙一」个人，我们更感兴趣的是他所处的时代，身边的朋友，以及是什么创造了坂本龙一？08:49 上世纪六十年代风起云涌的左翼全球化浪潮，深深的影响了高中时期的坂本龙一17:39 不同的文化背景在坂本龙一、细野晴臣、高桥幸宏三个人身上产生碰撞，从而诞生了享誉世界的YMO（Yellow Magic Orchestra ）。26:50 由高桥幸宏主导视觉的YMO绝不仅仅是一个音乐团体。30:00 80年代YMO现场真正不可忽视的一个人——声音工程师松武秀树 。因为他与YMO合作的现场演出，使得日产合成器打入欧美市场。37:00 任何一个音乐团体的声音、现场、视觉，都应该有一个逻辑自洽的审美体系52:14 坂本龙一的演技，北野武的噩梦。60:00 《王立宇宙军》《天外魔境》「Dreamcast」开机音乐都是出自教授之手，为ACG领域做配乐，是日本音乐家独有的文化特基因。64:00 YMO三人组的分分合合，通过「sketch show」、「HUMAN AUDIO SPONGE」「HAS(YMO）」这些音乐组合 进入「后YMO时代」66:54 视觉艺术家横尾忠泽曾经差一点加入YMO成为幻之第四人。76:22 70年代日本经济起飞的时间点和YMO本身的辉煌形成某种契合84:08 本期话题衍生作品推荐：漫画《GM情迷》川口开治 song list：CUE - イエロー・マジック・オーケストライエロー・マジック(东风) - イエロー・マジック・オーケストラRYDEEN - イエロー・マジック・オーケストラ君に、胸キュン。-浮気なヴァカンス- イエロー・マジック・オーケストラSayonara - 坂本龍一
岡部啓一 - Song of the Ancients 福居一大 - Rydeen
Featuring a love letter to music from Sydney-based Rydeen. Ryley hosts Fear Of Music on Blitz.fm, as well as producing and DJing around the city. For the first hour, Rydeen meshes music from different worlds into a wonderful whole. Harmony plays some extravagant sounds to finish things off. *Intro* Garland - Sum.V [Lullabies For Insomniacs] *Rydeen* John Coltrane - Welcome [Impulse!] Greg Fox - Earth Centre Possesing [Rvng Intl] Four Tet - 0181 [Text] Rydeen - Besa [Unreleased] Asphixiation - Aural Risk [Innocent] Kazumi Watanabe - Tsuru-Kame Hinatango [DOMO] Rydeen - P2P [Unreleased] Eno + Byrne - The Jezebel Spirit [Sire] Four Tet - PD 124 (PP Drums) [Sendspace Bundle] Wiley - Eskimo (Interlude) [XL] Daphni - Vikram [Jiaolong] Dass - Ritual Objects [Untzz] HED Ardennes - Devender [Body Promise] Antwood - Overlay Network [Planet Mu] Hiroyuki Namba - Who Done It (Part 2) [Air Records] Nico Niquo - Rendered [Orange Milk] *Harmony* Koji Kondo - Dire, Dire Docks [Nintendo] Calendar Crowd - Perfect Hideaway (Dub) [Dark Entries] CS + Kreme - Whip [Total Stasis] Indirect - Rise [Muscut] Myele Manzanza - 7 Bar Thing (live) [First Word] Repetentes 2008 - Matando Aula Jogando Jogos [Future Times] Ramm - Spark the Universe (Chuggy’s Discomix) [Emotional Rescue] Om ‘Alec’ Khaoli - Crosslines [Awesome Tapes From Africa] Speed Boat - A Barking Tool [Nail Shop] Rhythm Based Lovers - Frequency Illusion [Future Times] Nigara - Cheetah [Principe] @rydeenn Pic: Supplied.
Secret of Mana, Kingdom Come: Deliverance, Crossing Souls, Metal Gear Survive, EA Sports UFC 3, Dynasty Warriors 9, We Were Here Too, Shadow of the Colossus, Dandara, Planetoid Pioneers, Laser League, Rise of Industry, Moss, Pop-Up Pilgrim, Apex Construct, Fe, Radiant Historia: Perfect Chronology, Age of Empires: Definitive Edition, The Station, Past Cure Gli spunti del mese:Brutal DoomRicordando "Shadow of The Colossus"Trailer che non spiegano nienteMetal Gear Survive, è realtà... Bonus:Un codice steam (Xilofono!) La sigla finale è "Rydeen" tratta dal disco Solid State Survivor della Yellow Magic Orchestra
In this episode, Mike and Mike pay tribute to the great R&B/pop drummer John Blackwell Jr. The post Episode 119: John Blackwell Tribute, Fill Displacements, Yamaha Rydeen Drumset, and More appeared first on Modern Drummer Magazine.
Mix four tablespoons of Bill with three tablespoons of Noah, sprinkle a little borax on them and you get slime. It’s the hottest sensation amongst teen girls, and they try to figure out what the hell the appeal is. @noahandbillshow -- @williamscurry -- @noahtarnow 00:00 -- Introduction, and What is a Slime? 9:57 -- Why is Slime so popular? 16:54 -- Would you have liked Slime if you were a kid? 21:49 -- Is Slime a sign of the apocalypse? 24:39 -- Is your irrational hatred of Slime based on jealousy, and conclusion This week's theme: "Rydeen” by Yellow Magic Orchestra. New episodes every Monday morning on Soundcloud, iTunes, Stitcher, and GooglePlay!
'For the record, here's what happened to the Rydeen...' This episode features the voice talents of Elizabeth Clutterbuck, Rowan Birkett and Roger Best. The opening sequence features a sample from The Hitchhiker's Guide to the Galaxy radio series.
Der sechste Podcast unseres Formats Echt Jetzt! ist da und feiert gleichzeitig eine kleine Premiere! Denn zum ersten Mal stellen wir euch einen Manga von. Dieser erste Manga, den wir euch vorstellen dürfen, heißt: "Rising x Rydeen", und wird vom Panini Verlag vertrieben. Wie schon im ersten Podcast angekündigt, wollten wir mit dem Format eine Dinge ausprobieren, weswegen sich dieser Podcast ein wenig von seinen Vorgängern unterscheidet. Natürlich hoffen wir, dass es euch aber ebenso viel Spaß wie sonst macht.
Hello everyone! Welcome to a very special, first-ever AWARDS episode for the summer 2015 season. Following is a list of all the awards given, in the order they were discussed in the episode: Best first episode Best opening theme Best last episode Best ending theme Best music (OST) Best new character Best writing Best art direction Best character design Best voice acting Best direction Best 3DCGI Best animation Best in show Our opening theme is Rydeen by Yellow Magic Orchestra, our ending theme (and our new opening theme for Fall 2015) is 60 Oku no Tsubasa by Angry Frog Rebirth. Please don't hesitate to contact us at any of the following outlets if you have questions/comments/concerns! ohnoanime@gmail.com twitter.com/ohnoanime facebook.com/ohnoanime
It's that time of year again, it's time for a new SEASON PREVIEW! This time we run down all the anime that are premiering and continuing in the Fall season of 2015, starting in October. Please refer to Patrick's Google Doc for more comprehensive notes on everything we discuss. Fall 2015 Anime Previews Main Discussion: Brave Beats Comet Lucifer Concrete Revolutio Dance with Devils Gakusen Toshi Asterisk Heavy Object Mobile Suit Gundam: Iron Blooded Orphans One Punch Man Sakurako-San Subete ga F ni Naru Utawarerumono: Itsuwari no Kamen Valkyrie Drive: Mermaid Young Black Jack Hacka Doll Other light novel adaptations: Lances N'Masques Shomin Sample Rakudai Kishi ni Eiyuutan Taimadou Gakuen 35 Shiken Shoutai Sequels/Continuations: Diabolik Lovers Garo Haikyuu Kindaichi Returns Noragami Owari no Seraph Yuru Yuri San Hai Owarimonogatari Our opening song is Rydeen by Yellow Magic Orchestra, cover by Kitauji High School Band (Sound! Euphonium) and our ending song this week is Try Unite! by Rasmus Faber and Megumi Nakajima. Please contact us at any of the following social media outlets if you'd like to comment, criticize or suggest: ohnoanime@gmail.com @ohnoanime on twitter facebook.com/ohnoanime
Welcome to episode 10 of "Oh no Anime! The Podcast". Short on run time but not short on opinions, this time we share our love of Kojima's mania in MGSV (not 5!), Isao Takahata's "Only Yesterday", Love Liver haters, and more! For a full list of topics with timestamps please check here: http://pastebin.com/BBSYSb24 News Isao Takahata's film Only Yesterday is getting a US theatrical release in celebration of 25 years of existence Half of the Boom Boom Satellite's duo is having to take a break due to a recurring brain tumor Under the Dog has finally appeared from under its rock! It should have stayed in there Fun new manga about female alcoholics in the work place, Nomi Joshi, has begun serialization Mandarake opens a new warehouse An ornery young man hits the Internet to threaten Love Livers with a kitchen knife The Love Liver girls themselves celebrate 5 years Anime (Skip to 24:20 for discussion of this season's anime) Overlord Prisma Ilya Classroom Crisis GATE Charlotte Gakkou Gurashi Gatchaman Crowds Insight Please refer to http://pastebin.com/BBSYSb24 for a complete list of our topics with timestamps. Oh no, Anime! can be found on twitter @ohnoanime, on Facebook at facebook.com/ohnoanime, or you can email us at ohnoanime@gmail.com. Patrick can be reached through twitter @patrick130m and Marc can be reached on twitter @vermillionair3. The opening song is Rydeen by YMO, the break song is Love Shy (Park Golf remix) by PARK GOLF, the ending song is Swanky Street by the Pillows.
Links coming soon! Hello and welcome to our 8th "normal" (can we really call it that?) episode of "Oh no Anime! The Podcast"! On the bulletin board for today is Konami being comically terrible, so many magical girl announcements that Patrick can hardly contain himself (even if his voice doesn't change), and the biggest anime store in Los Angeles gets a surprise guest! I think there's anime too, or something. For a full list of topics with timestamps please check here: http://pastebin.com/UjFSgvtu News Lionsgate selects a director for their live action Naruto film Konami is literally the worst, like I can't even Prism Nana, Shaft's other magical girl thing isn't dead after all Red Ash, on the other hand... is alive on life support Little Witch Academia has two new manga series The Macross F staff create a new original anime Comet Lucifer Animator Expo is back on the scene with season 3 Anime streaming site Daisuki receives some hefty investments Anime Jungle LA gets a surprise visit from the One True God Anime Music release dates Anime (skip to 38:05 for discussion of this season's anime) Prison School Ranpo Kitan God Eater Overlord Classroom Crisis Red-haired Snow White Gatchaman Crowds INSIGHT GATE Ushio and Tora iDOLM@STER Cinderella Girls Seiyuu Life Gangsta Gakkou Gurashi Shokugeki no Soma Charlotte Dragonball Super and Resurrection F Funimation theatrical releases Arslan Senki Please refer to http://pastebin.com/UjFSgvtu for a complete list of our topics with timestamps. Oh no, Anime! can be found on twitter @ohnoanime, on Facebook at facebook.com/ohnoanime, or you can email us at ohnoanime@gmail.com. Patrick can be reached through twitter @patrick130m and Marc can be reached on twitter @vermillionair3. The opening song used is "Rydeen" by Yellow Magic Orchestra. The break song is "Papi Dance" from the second MonMusu character song cd. The ending is "Sore wa Akatsuki no you ni" by Kishida Kyoudan & The Akeboshi Rockets.
We're back to normal format today with our seventh episode of "Oh no Anime! The Podcast", it's been a while and we're happy to be back! Today we tackle a couple of manga to live action adaptations, awesome licenses new and old, and perform a live version of Guile's theme. Oh, I guess we talk about the stupid amount of good (and oh no!) anime this season as well. This is a lengthy episode with a lot of anime talk, please use http://pastebin.com/SehnYbk8 to skip ahead to the ones you're interested if you please. News Summer Wonder Festival 2015 begins this weekend! The Attack on Titan movie is missing... Levi?! ISIS-chan joins the fight against... ISIS Viewster plans to open a premium service and bi-monthly lootbox OMAKASE Stream anime through MyAnimeList! Deep-sea horror manga 6000 to get a Hollywood adaptation Sunrise confuses but excites with their choice of creative staff for the next installment of Gundam anime (trailer) Sentai picks up the classic 1978 Gatchaman film for US dub and release Brave Wave Productions to release the Street Fighter II soundtrack... on vinyl! Anime (skip to 29:00 for discussion of this season's anime) Chaos Dragon My Wife is the Student Council President Jitsu wa Watashi wa Joukamachi no Dandelion Aoharu x Machine Gun Gakkou Gurashi (School-Live) Ushio to Tora Gangsta. Prison School God Eater GATE Rampo Kitan: Game of Laplace Charlotte Rokka no Yuusha Lightning Round (Almost literally every other show airing, in just over 10 minutes) Please refer to http://pastebin.com/SehnYbk8 for a complete list of our topics with timestamps. Oh no, Anime! can be found on twitter @ohnoanime, on Facebook at facebook.com/ohnoanime, or you can email us at ohnoanime@gmail.com. Patrick can be reached through twitter @patrick130m and Marc can be reached on twitter @vermillionair3. The opening song use is "Rydeen" by Yellow Magic Orchestra. The break song (and insert song!) is "Guile's Theme" from Street Fighter II. The ending song is "Kimi ni Mune Kyun" by Yellow Magic Orchestra.
In This episode of Car Audio Q&A we will show you a new line fo backup camera mirrors from Rydeen. Rydeen also offers a rearview mirror with navigation built in. Our featured install comes from Jon Webb from Performance Audio in Las Vegas, Nevada. To have your questions answered on the show, post in out forums at SoundManCarAudio.com. We will also cover the following topics.Midrange woofers with good midbassJL Audio W3 or W0v3Free air subwoofersPorted box or bandpass boxGrounding your amplifier correctly
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