Podcast appearances and mentions of Holly Johnson

Send us a textNeville Keighley a.k.a. Belouis Some stops by the show, and we step back in time. We talk about touring with Frankie Goes To Hollywood and Queen. The spicy video for Imagination and more.*******Belouis Some (real name Neville Keighley), singer-songwriter from London, released his first album Some People in 1985 on Capitol EMI Records. After initial recording in London, the album was produced in New York by Steve Thompson and Michael Barbiero. Carlos Alomar arranged and played on the tracks and brought together a lineup that included Bernard Edwards and Tony Thompson (Chic), Carmine Rojas, Robin Clark, Chester Kamen, and Guy Fletcher (Dire Straits). The album contained the worldwide hit singles Imagination and Some People with the video for Imagination, directed by Storm Thorgerson, causing controversy as it contained full nudity.In 1985, Belouis Some was sponsored by Swatch in North America and opened for Frankie Goes To Hollywood on their US tour. The Some People video was also simultaneously running as a nationwide Swatch TV commercial. In 1986, Belouis Some headlined the “Swatch Live” show at the Beacon Theatre in New York.In 1986, Belouis Some supported Queen on their “Magic” stadium tour, including opening the famous Knebworth concert, one of the largest concerts ever held in the UK and Freddie Mercury's last ever live performance with Queen.The Belouis Some song Round Round, produced by Bernard Edwards, was included in the 1986 John Hughes movie Pretty In Pink, the platinum-selling soundtrack album is on Rolling Stone magazine's “25 Greatest Soundtracks of All Time”.He'll be performing on the “Lost 80s Live” tour of North America in the summer of 2025. Get your tickets and more info here: https://www.belouissome.com/*******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

This time we celebrate Sir David Attenborough and his new film Ocean. We hear from Holly Johnson of Frankie Goes to Hollywood fame; and we take a P.R guru's eye view visit to Trumpy Town. The show complete with music is available at mixcould.com/thisisndebz Also search for us on Apple & Spotify Podcasts Catch up with the latest via @ThisisNDebz on Instagram & X (Twitter). If you'd like to get in touch with the show you can email us via thisisNDebz@gmail.com.

This week on the Rockonteurs podcast we welcome Holly Johnson to the show. Holly has one of the most instantly recognisable voices of the 80s and he continues to record and tour. He'll be off around the UK later in May and June on the ‘Welcome to the Pleasuredome' tour before heading to Europe in October. Holly chats to Guy and Gary about his early influences growing up in Liverpool and the music scene of the local bars and clubs that inspired a generation. He talks about Frankie Goes To Hollywood and their decade defining songs of that era. Holly doesn't hold back in telling some incredible stories. Find out more about his upcoming UK and Europe tour here: https://hollyjohnson.com/Instagram @rockonteurs @mrhollyjohnson @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

PR consultant Karin Ridgers, founder of vegan PR agency Mad Promotions, and Holly Johnson, editor of Vegan Food and Living magazine, join our host, Rachel New, to discuss how to counter misinformation about veganism in the media.

Tim Matthews talks with Holly Johnson with Wright-Hennepin County FSA Office.

Holly @hollylynnj is 35 years young and has been living with trichotillomania since she was 16 but that isn't her only BFRB—she also lives with dermatillomania and has since puberty. Holly currently lives in Tampa, Florida with her boyfriend of almost 10 years, she's a cat mom to 2 fur babies, and is a goal oriented go getter who is ready to speak her truth about living with BFRBs.— This episode is brought to you by HabitAware. My Keen2 brings awareness to my trichotillomania by giving my wrist a gentle hug or vibration when I'm doing the scanning behavior. Bring awareness into your life by visiting barbaralally.com/habitaware and use code LALLYLOVE for 10% off sitewide! Did you know HabitAware also offers virtual peer coaching? This one-to-one peer-based program will coach you through shifting mindset, practicing healthy strategies and creating your personal roadmap to recovery. To work with me, Ellen or Aneela, head over to habitaware.com/coaching today.—Thank you so much for listening to this episode of Trich Talks.Begin your journey to self-acceptance with trichotillomania by enrolling in my course, Sharing Our Stories. Sharing Our Stories does a deep dive into your relationship with trichotillomania by using my guided journal, My Trichster Diaries, as our workbook. You can learn more at barbaralally.com

Comedian Mike Lukas co-hosted, check mike out at https://funnymuscle.com/https://funnymuscle.com/   Get his newest book  Spin Kick - The hiss of death and all his books   https://www.amazon.com/Finding-Your-Funny-Muscle-Create-ebook/dp/B0C4Q1T5VT/Super Bowl Sunday.  Entertainment from 2024. 1st federal drug law, Volleyball invented, Electiona of 1825, fastest yodeler with a cigerette in his mouth. Todays birthdays - William Henry Harrison, Carmin Miranda, Ernest Tubb, Bobby Lewis, Carol King, Joe Pesci, Judith Light, Holly Johnson, Travis Tritt, Michael B. Jordan. Bill Haley died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Are you ready for some football - Hank Williams jrLovin on me - Jack HarlowWorld on fire - Nate SmithBirthdays - In da club - 50 Cent     http://50cent.com/Chicka Chicka Boom - Carmin MirandaWalking the floor over you - Ernest TubbTossin & Turnin - Bobby LewisIt's too late - Carol KingWho's the boss TV themeRelax - Frankie goes to HollywoodHere's a quarter - Travis TrittRock around the clock - Bill Haley & the CometsExit - Its not love - Dokken

Follow Fr Alex on X @alexdjfrost order his book here https://www.waterstones.com/book/our-daily-bread/father-alex-frost/alastair-campbell/9780008556556 Follow Paul on X @MrPaulSimpson1 his website is here https://www.paul-simpson.co.uk/ order his book here https://www.amazon.co.uk/Revolutionary-Spirit-Post-Punk-Exorcism-Teardrop/dp/1911036831 Simpson's career begins alongside fellow Liverpool luminaries Ian McCulloch, Bill Drummond, Will Sergeant, Pete Wylie, Pete Burns, and Holly Johnson at the infamous Eric's club, where, in 1976, he finds himself at the birth of the city's second great musical explosion. He co-founds and christens the neo-psychedelic pop group The Teardrop Explodes with Julian Cope but walks out of the band just as they are about to break big and goes to work in a tearoom instead. He then forms The Wild Swans, the indie-band of choice for literary-minded teens in the early 1980s, and Care with Ian Broudie of The Lightning Seeds, sharing a flat with a seventeen-year-old Courtney Love along the way. Marriage, fatherhood, tropical illness, and divorce follow, interspersed with artistic collaborations with Bill Drummond and members of The Brian Jonestown Massacre, among others. Following an onstage reunion with Cope at the Royal Festival Hall, Simpson discovers that seven thousand miles away, in the Philippines, he is considered a musical god. Presidential suites, armed-guards, police escorts you couldn't make it up, and, incredibly, he does' t need to. Revolutionary Spirit is the story of a musician driven by an unerring belief that artistic integrity will bring its own rewards. It concludes with an exorcism of sorts as Simpson finally rids himself of the debilitating demon of psychological depression that has, from the age of nine, run like malware in the background of his life.

Netmiðilin Popdose.com lýsti stílin sum: 'Village People hittir Pink Floyd', meðani bólkalimirnir sjálvir søgdu 'Kiss hittir Donnu Summer'. Tað var sambært framleiðaranum, Trevor Horn, og hann skilti hvat teir hugsaðu um. Donna Summer var dansur og Kiss var uppá fleiri mátar eitt sindur ov nógv av tí góða. Serliga 'Relax' varð spælt nógv í Føroyum, tó næstu tvær a-síðurnar frá albuminum eisini vóru javnan at hoyra. Tónleikurin á Temaplátuni er pumpandi synthpoppur/-rokkur við fleiri synthezisarum sum grund, meðani vanligi ljóðførini eru har onkustaðni aftanfyri. Itunes hjá Apple kallar stílin 'Dance'(diskotek)', hvat hann eisini er, tó hetta sjálvandi ikki kann sigast um róligu løgini, harav 'The Power of Love' framvegis er ein væl dámdur 'sjelari'. Bólkalimirnir, Holly Johnson og Paul Rutherford, vóru millum teir fyrstu mannligu popptónleikararnar, sum ærligani og opið lótu okkum vita, at teir eru samkyndir. Tað var samstundis sum teir nýttu rættindastríðið fyri samkynd og tann sexualitetin sum evni í tónleikinum og framførslunum á palli. Og teir fóru langt, næstan alt var loyvt, ja, nógv vóru sokallaðu frávikini hjá Frankie Goes To Hollywood, men okkum dámdi tónleikin. Plátubarrin 18.1.25  

In this festive edition of Queer the Music Jake sits down with the iconic Holly Johnson, the front man of Frankie Goes To Hollywood, to discuss the 1984 UK number one single and enduring Christmas song, ‘The Power of Love'.   The Power of Love came out during a time of social and political turmoil in the UK. Between Thatcherism, the miner strike and an encroaching AIDS epidemic the world was becoming a scary place for the LGBTQ+ community. Despite this, gay bars, clubs and saunas were thriving in the UK and amongst it all Frankie Goes to Hollywood were skyrocketing to success with their debut album ‘Welcome to the Pleasuredome'.    Tune in to hear about how ‘The Power of Love' was written and how it unwittingly became synonymous with Christmas. Thank you for listening to this second series of Queer The Music, we'd love to hear from you - let us know which song you'd like us to feature - leave us a review or message us on Instagram @queerthemusicpodcast - see you for series 3 in 2025! You can watch all the past episodes here   Learn more about your ad choices. Visit megaphone.fm/adchoices

Pastor Brent Johnson continued with the series, Lesser-Known Women of the Bible with a focus on Elizabeth, mother of John the Baptist from Luke 1. Brent taught three points: 1. Aaron: Zachariah and Elizabeth were from the Levite clan. 2. Baron: Although righteous, Elizabeth was advanced in age, and felt shame and inadequacy in that culture. 3. Errand: Elizabeth served God by greeting Mary, acknowledging Mary's pregnancy, spoke of God‘s blessings and shared blessings for Mary. Take home: 1. Assembly required for the Christian 2. Be a blessing to others 3. God is at work 4. No excuses Listen to Brent teach about Elizabeth's difficult struggle with barrenness. Also listen to Holly Johnson speak about her personal experience with infertility and her faith journey. God sometimes works through impossible situations to accomplish His purposes.

Our guest in Episode 27 is the musician, artistic director and all-round Liverpool legend, Jayne Casey.  She formed the short-lived but influential 70's band Big In Japan which boasted Ian Brodie, Holly Johnson, Bill Drummond and Budgie in its ranks. Then she founded Pink Military and Pink Industry before finding herself at the epicentre of the dance music explosion of the 90's as part of the CREAM empire.  Her two-volume autobiography is out in 2025 and if it's anything like this episode of Misadventure in Music with Ian Prowse and Mick Ord it will be a real firecracker. Enjoy

Part 2 with keyboard magic-dust provider, ~Andy Richards with more hits, more number ones (including a potential 2 more to make the full 10).And so much brilliant 80s pop…5. GEORGE MICHAELAn opportune meeting, a Sunday afternoon session and more immortality as Andy works with George on the iconic Careless Whisper. A later session with David Cassidy (on yet another top 10 smash) allows him the opportunity to work with George again.6. PET SHOP BOYSA triple whammy of number one singles between July 87 - April 88 as Andy works on It's a Sin, Always on my Mind and Heart (which he also produces). Not forgetting more hits in Suburbia and Rent as well as working on the Actually album.Later he works on the Liza Minelli album, Results (produced by the Pets) ‘resulting' in another top 10 hit in Losing My Mind.Comparisons are made between working with Liza and Dusty Springfield (who he produced on her Reputation album).7. CHRIS DE BURGHFrom the great experience working on the sublime pop of the Pets to the more problematic cheesy monobrow of The De Burgh.Another massive number one single with The Lady In Red (with a little help from George Michael) but at some cost.Despite the experience (and like mothers forgetting the pain of childbirth) Andy returns and works on another top 3 hit in Missing You. Plus discussion at the end on where else George Michael appears in the ARoeuvre.8. PREFAB SPROUTAndy produces the wonderful “Hey Manhattan!” By The Sprouts from their From Langley Park To Memphis album.Discussion on Paddy's views of the track (and why he is wrong, bless the little genius).9. PRODUCINGAs well as being the keyboard maestro go-to guy, Andy also produced many artists in the 80s.Here we go through some of them, from less successful experiences (Berlin) to yet more chart success with Fuzzbox and Holly Johnson. 10. MISCELLANEOUS80s odd and sods including the start of his film/TV work and a chance to mop up any other  hits worked on, including a potential 10th number one (Foreigner's I Want To Know What Love Is being the potential 9th). THE 80SOGRAPHY QUICKFIRE ROUNDAnd why not.For more on Andy - andyrichards.comTo help fund the pod or say hi - 80sography@gmail (PayPal)Vaughn George. Neil Tennant vocal analysis “Heart”.https://www.youtube.com/watch?v=BtMjGpyzAIsSend us a text

Learn more about who God made you to be, and who God is calling you to become!This week we're kicking off a two-part series on the Enneagram, which is a personality typing system with roots growing back into antiquity. The two episodes are pieced together with clips from a 10-episode series we did in Fall 2022, with Enneagram experts who dove deep into each of the nine personality types found within the Enneagram. you'll get a brief history and introduction to the Enneagram and then we'll dive in with each of the experts to learn more about each personality type. In today's episode we'll explore types 1-4, and next week we'll dive into types 1-5.Today's experts include:Hazel Monae, who helps us explore Enneagram Ones. Hazel lives, works, and creates leadership development curriculum at the intersections of anti-racism/racial equity, ethical leadership, and theology. Listen to the full Enneagram One episode with Hazel here.Holly Johnson, who dives into Enneagram Twos. Holly is the pastor of Spirit Garage, a church in Minneapolis, MN. She's been a youth director, campus minister, and even an administrator. Listen to the full Enneagram Two episode with Holly here.Val Hystek, who helps us understand Enneagram Threes. Val is an author and a primary teacher at an inner-city school in Ontario, Canada, though she's currently taking a year off to write a book! Listen to the full Enneagram Three episode with Val here.Jody Thone, who helps us explore Enneagram Fours. Jody is a leadership development expert, coach, and reflective supervision practitioner who works at the intersection of spirituality, transformational growth, and creativity. Listen to the full Enneagram Four episode with Jody here.Learn MoreYou can read about the history of the Enneagram via the Enneagram Institute's website and explore in-depth descriptions of each of the nine Enneagram TypesFree Enneagram test (once you receive your results, you can pay to learn more, but we recommend taking a screenshot of your results and then going to the Enneagram Institute to learn more)Paid Enneagram test via the Enneagram InstituteConnect with us!Donate today and support our work!Sign up to receive a little Gospel in your inbox every Monday Morning with our weekly devotional.Join our FREE bookclubCheck out our website for various resources - including devotionals, journaling prompts, and even curriculumGet some Lady Preacher Podcast swag!Connect with us on Instagram and Facebook

A (relatively) in-depth analysis of the pop band Frankie Goes To Hollywood in just under thirty minutes.Goes to Hollywood signed to ZTT Records in 1983. Their debut album, Welcome to the Pleasuredome was released in 1984. Produced by Trevor Horn, it achieved advance sales of more than a million, and their first three singles, Relax, Two Tribes and The Power of Love, reached number one on the UK singles chart.Their second album, Liverpool was released in 1986. The album sold fewer copies, and they disbanded acrimoniously the following year. Holly Johnson successfully sued ZTT to leave his contract and began a solo career. He declined invitations to reunite and attempted to block the band from using the Frankie name. In 2004, the group reunited without Holly Johnson and Brian Nash to perform at a Prince's Trust charity concert, with Ryan Molloy on vocals, and underwent a subsequent tour in 2005. In 2011, ZTT reissued an expanded edition of Liverpool, plus The Art of the 12", a compilation of tracks from ZTT artists including Frankie Goes to Hollywood. Universal Music purchased ZTT in 2017. The group reunited with Johnson and Nash for the first time since 1987 to perform for the 2023 Eurovision Song Contest.Holly Johnson and Paul Rutherford were openly gay throughout the group's existence, making Frankie Goes to Hollywood the first openly gay major pop act, with gay rights and sexuality becoming a theme of their music and performances. The BBC famously banned them from broadcast, which only generated further publicity.It has been reported that a Frankie Goes to Hollywood biographical film is in development, based on Johnson's memoir. Bernard Rose, who was responsible for the Relax music video, is set to direct, with Callum Scott Howells as Johnson.In this episode I am in conversation with Dr. Andrew Webber.I hope you enjoy the podcast and do leave feedback if you like what you have heard.Mathew Woodall

We've hit our 150th episode and before we go on a little break, we're indulging Sarah and dedicating an episode to one of her favourite topics......Holly Johnson!SourcesHolly Johnson - Wikipedia Hosted on Acast. See acast.com/privacy for more information.

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Today's fantastic episode features the legendary artist, songwriter and performer Holly Johnson, most famous of course for the great Frankie Goes To Hollywood.As well as continuing to tour as a solo artist, Holly's latest work includes a huge new exhibition covering his entire career at the Museum of Liverpool, including many of his paintings.As a relatively shy and private person who rarely gives long-form interviews, I am especially pleased that Holly agreed to this lovely conversation.Ladies and gentlemen, welcome to the pleasuredrome - meet Holly Johnson...If you can, please support the Electronically Yours podcast via my Patron: patron.com/ellectronicallyours

Mit ihrem Debütalbum "Welcome To The Pleasuredome" knüpften Frankie Goes To Hollywood nahtlos an ihren Erfolg der vorherigen Singles "Relax" und "Two Tribes" an. Bereits vor dem Erscheinen des Albums am 29. Oktober 1984 soll es 1,5 Millionen Vorbestellungen im Vereinigten Königreich gegeben haben. Produktion von "Welcome To The Pleasuredome" Die Produktion zum Album hat von Juli 1983 bis 1984 in zwei unterschiedlichen Studios stattgefunden. In den Manor Studios im Norden von Oxford und in den Sam Studios im Londoner Stadtteil Notting Hill. "Relax" ist ein Jahr vor Albumveröffentlichung, im Oktober 1983, bereits als Single erschienen – und wurde direkt ein Riesenhit in Großbrittanien. Und auch mit den folgenden zwei Singles "Two Tribes" und "The Power Of Love" stürmten sie die Charts: Dreimal hintereinander Nummer 1 in UK, das hatten zuvor nur Gary and The Pacemakers im Jahr 1963 geschafft. Skandale als Marketingkonzept Interessant ist, dass diese Produktion einherging mit dem festen Plan Skandale auslösen zu wollen. Trevor Horn hat eng mit Musikjournalist Paul Morley zusammengearbeitet, der es verstand wie man ein Marketingkonzept für eine Band gestaltet, um möglichst viel Aufmerksamkeit zu erregen. Die Band sollte schnell Bekanntheit erlangen und dabei aus der Masse hervorstechen. __________ Über diese Songs vom Album "Welcome To The Pleasuredome" wird im Podcast gesprochen (13:48) – "The World Is My Oyster"(17:17) – "Welcome To The Pleasuredome"(29:28) – "Relax"(41:49) – "Two Tribes"(48:07) – "Tag"(49:15) – "Born To Run"(55:45) – "The Power Of Love"__________ Über diese Songs wird außerdem im Podcast gesprochen (02:38) – "Moonlight Shadow" von Maggie Reilly(04:30) – "Self Control" von Laura Branigan(21:04) – "Welcome To The Pleasuredome" von Holly Johnson (44:56) – "Russians" von Sting(45:11) – "Leningrad" von Billy Joel(59:59) – "The Power Of Love" von Jennifer Rush(01:00:20) – "The Power Of Love" von Huey Lewis And The News__________ Alle Shownotes und weiterführenden Links zur Folge "Reggatta De Blanc" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-frankie-goes-to-hollywood-welcome-to-the-pleasuredome-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

In the latest episode of the PerformHappy Podcast, I had the pleasure of speaking with Holly Johnson, a dedicated sport mom, coach, and member of our PerformHappy community. Holly shares her powerful journey of navigating mental blocks with her daughter, a tumbler and dancer. As a former athlete herself, Holly has experienced the highs and lows that come with guiding a young athlete through the challenges of sports. Over the years, she's faced the frustration of mental blocks, made mistakes, and adjusted her approach, all while remaining a supportive coach and parent. Now, she's on the other side of that journey, with valuable insights to share.If your child is struggling with long-term mental blocks or if you're a parent navigating these challenges, this episode is for you. Holly's candid reflections offer practical advice on what your athlete really needs to achieve a breakthrough and how to adapt as confidence ebbs and flows throughout their career.I hope Holly's story inspires you as much as it did me. Enjoy the episode!In this episode, Coach Rebecca and Coach Holly Johnson talk about:Holly's Coaching Background and Family Dynamics.Navigating the Challenges of Being Both Coach and Parent.The Do's and Don'ts when Addressing Mental Blocks.Learning and Adapting the Perform Happy Method.Shifting Perspectives and Understanding the Bigger Picture in Gymnastics.Parenting Strategies for Building Confidence in All Sports.Must Hear Advice for Parents Facing Tough Times.“Honestly, my top advice is to avoid coaching your own child if possible. Your relationship with them is far more important, and it's not worth risking that for the sake of coaching." — Coach Holly JohnsonConfident Gymnast Camp AUG 3rd-4th 2024 BREAK THROUGH FEAR & MENTAL BLOCKS Expert mental coaches decode fears in real-timeParent Session reinforces roles & solutionsExpert gymnastics coaches customize drills & break down skillsMax 5:1 ratioRedwood Empire Gymnastics, Petaluma, CAwww.confidentgymnast.com Struggling with fears, mental blocks, or confidence? Click the link to get a FREE session with one of our experts to tackle your challenges together! completeperformance.as.me/consultLearn exactly what to say and do to guide your athlete through a mental block with my new book "Parenting Through Mental Blocks" Order your copy today: https://a.co/d/g990BurFollow me on Instagram: https://www.instagram.com/complete_performance/ Join my FaceBook page: https://www.facebook.com/completeperformancecoaching/ Check out my website: https://completeperformancecoaching.com/Write to me! Email: rebecca@completeperformancecoaching.comReady to help your athlete overcome fears and mental blocks while gaining unstoppable confidence? Discover the transformative power of PerformHappy now. If your athlete is struggling or feeling left behind, it's time for a change. Are you ready? For more info and to sign up: PerformHappy.com

This episode in the Future Space Economy series highlights breakthroughs from leading space system manufacturers in building autonomous robots that inspect, service, assemble, build, and refuel in orbit. The discussion digs into advances in additive manufacturing, shares lessons learned from major in-space demonstrations, and outlines demand for commercially built robotics. This episode's guests include: Al Tadros, CTO of Redwire; Holly Johnson, vice president of Robotics and Space Operations, MDA Space; Kevin Smith, chief engineer, Orbit Fab; Joe Anderson, vice president of Space Logistics, a Northrop Grumman company. 

In this episode of The UK Flooring Podcast, we are thrilled to welcome Holly Johnson, the Marketing Director at Amtico. Holly shares her journey in marketing, the evolution of Amtico over the past 60 years, and insights into the flooring industry. Tune in to discover how Amtico has maintained its position as a premium LVT manufacturer and what it takes to stay ahead in the competitive market.Key Discussion Points:Holly's Background:Marketing degree from Derby University.Career journey from Spear & Jackson Garden Tools to AGA Rangemaster, and now Amtico.Early work experiences, including working in her father's flower shop.Evolution of Marketing:The impact of digital transformation on marketing strategies.Importance of balancing digital and traditional marketing.Role of AI in marketing and customer service.About Amtico:Overview of Amtico as a premium LVT manufacturer based in the UK.Celebrating 60 years of manufacturing in Coventry.The significance of the company's people and their passion for creating quality flooring.Product Development and Trends:The extensive research and design process behind Amtico's collections.Current trends in flooring, such as the shift from greys to beiges.Introduction of sustainable products like Amtico Bio.Challenges and Opportunities:Addressing economic uncertainties and consumer confidence.The increasing demand for high levels of service as a brand differentiator.Customer Experience:The importance of factory tours and training for retailers.How Amtico's showrooms enhance the customer experience.The value of having knowledgeable staff and a comprehensive product display.Personal Insights:Holly's least favourite part of her role and her thoughts on AI in copywriting.Her daily routine and how she manages stress and productivity.Fun facts about her ideal dinner guests and favourite flooring choices for her home.Memorable Quotes:"It's not just about digital; it's about knowing your customer.""Earning your stripes means working hard and showing people what you can do."Guest Information:Holly JohnsonLinkedIn: Holly JohnsonCompany: AmticoAdditional Resources:Amtico Collections: Explore the range of products offered by Amtico, including the latest trends and sustainable options.Fit Box: Learn about the Fit Box device for underfloor heating with timber floors. Visit fitbox.co.uk for more information.Subscribe & Share:Don't forget to subscribe to The UK Flooring Podcast for more inspiring stories and expert advice from leaders in the flooring industry. Share this episode with your friends and colleagues to spread the knowledge! Hosted on Acast. See acast.com/privacy for more information.

Really, 007! chatted to the delightful actor and figure skater Lynn-Holly Johnson about her memorable role as Bibi Dahl.She shares stories from the set of For Your Eyes Only, including filming with John Glen, Roger Moore and Topol, as well as meeting Charles & Diana at the Royal Premiere... Thanks for listening - we think you'll love it too! Disclaimer: Really, 007! is an unofficial entity and is not affiliated with EON Productions, Metro-Goldwyn-Mayer Studios Inc. and Danjaq, LLC. Hosted on Acast. See acast.com/privacy for more information.

Vegan Food & Living's Holly Johnson and Debra Butler help you escape the doom and gloom by diving into the lighter side of vegan life. From the weird things people say to you when they discover you don't eat animals to the undesired effects of eating too many lentils and beyond, this is a safe space for like-minded souls.In today's episode:• How we stay in shape at 45 and 50• Why health is more than just physical• The shocking statistics linking animal products to cancer • Small ways to feel healthier and stronger• Find out more about vegan health by watching What The HealthMusic by Purple Planet Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Vegan Food & Living's Holly Johnson and Debra Butler help you escape the doom and gloom by diving into the lighter side of vegan life. From the weird things people say to you when they discover you don't eat animals to the undesired effects of eating too many lentils and beyond, this is a safe space for like-minded souls.In today's episode:• Debs shares her review of Indian restaurant Mowgli Street Food• Holly discusses the vegan options at Caribbean chain Turtle Bay• The surprising thing that has a huge impact on CO2 emissions• Easy ways to get organised and reduce your food waste• Are vegans friendlier as well as more compassionate? Music by Purple Planet Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this special interview, podcast host Holly Johnson is joined by the co-director of Cowspiracy, Seaspiracy, What The Health and new film – Christspiracy.Download now to learn about:The huge success of Cowspiracy and its effect on those who have watched it Kip's new film, Christspiracy, which challenges traditional religious narratives surrounding animal consumption and aims to provide a fresh perspective on Christianity's historical origins.The extensive research and interviews conducted for Christspiracy, which included speaking to religious scholars, theologians and historians.Challenges faced during the filming process, including surveillance and security concerns.Why Christspiracy won't be aired on Netflix.The significance of community support within the vegan movement and the power of collective action in promoting social change.… and much more! Head to christspiracy.com now to find out where you can watch the film. In UK cinemas 20th March 2024 and online at a date TBC. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On today's episode we have Holly Johnson and Shannon Wagar; co-owners of Fourth Wall College Consulting. Holly has 10 years of experience working in college admissions and Shannon has extensive experience working with high school students and their families as they navigate the college application process.On this episode we discuss:What to focus on from a college application process during each year of high schoolThe importance of interacting with a campusRecommendations on how to make your college essay stand outThe importance of keeping your academic momentum in your 12th grade yearRecommendations for supplemental financial aid sourcesUpdates to the FAFSA and how it's affecting this year's admissions processCommon mistakes students make in application processAnd much more!To get in touch with Holly and Shannon:Email:holly@fourthwall.ccshannon@fourthwall.ccWebsite:https://fourthwall.cc/Financial Aid Websites:Going MerryImagineUnigoFast WebBoldCheck out Hoops Through Life on: Hoops Through Life WebsiteInstagramFacebookIf you're feeling overwhelmed with the recruiting process sign up for a free 30-minute Strategy Session Today!If you have any questions for me or our future guests email el@hoopsthroughlife.com

National pizza day. Entertainment from 2012. 1st federal drug law, Volleyball invented, Electiona of 1825, fastest yodeler with a cigerette in his mouth. Todays birthdays - William Henry Harrison, Carmin Miranda, Ernest Tubb, Bobby Lewis, Carol King, Joe Pesci, Judith Light, Holly Johnson, Travis Tritt, Michael B. Jordan. Bill Haley died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Pizza party - The Royal HoundsSet fire to the rain - AdeleYou - Chris YoungBirthdays - In da club - 50 Cent http://50cent.com/Chicka Chicka Boom - Carmin MirandaWalking the floor over you - Ernest TubbTossin & Turnin - Bobby LewisIt's too late - Carol KingWho's the boss TV themeRelax - Frankie goes to HollywoodHere's a quarter - Travis TrittRock around the clock - Bill Haley & the CometsExit - Its not love - Dokken

This week's episode of “Food Talk with Dani Nierenberg” features conversations from a recent herbal education summit, hosted by Food Tank and Traditional Medicinals, which focused on herbal medicines in the food system. Speakers discussed the notion of “herbalism as activism,” the many benefits that plants offer to physical and mental wellbeing, and ways for eaters to incorporate more herbal medicines into their own lives. Speakers include Taryn Forrelli, chief science officer at Traditional Medicinals; Guido Masé, principle scientist and chief formulator at Traditional Medicinals; Deborah Vorhies, CEO of FairWild; Jocelyn Boreta, executive director of The Botanical Bus: Bilingual Mobile Herb Clinic; Dr. Nadja Cech, professor of chemistry at the University of North Carolina Greensboro; Dr. Holly Johnson, chief science officer at the American Herbal Products Association; Dr. Kevin Spelman, Founder of Health, Education & Research; and moderator Chloe Sorvino, food journalist at Forbes. While you're listening, subscribe, rate, and review the show; it would mean the world to us to have your feedback. You can listen to “Food Talk with Dani Nierenberg” wherever you consume your podcasts.

The Simply Vegan Podcast is brought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson and NEW co-host Em-J for January 2024, join them every Thursday as they discuss the ups and downs of being vegan, the latest news and products and chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors.Going vegan can be a rollercoaster of joy, sadness, excitement, fear of change, a renewed love of cooking… but this is just the beginning of your journey! Join Holly and Em-J as they discuss what to consider next. Including:• Everyday items that use animal products• Vegan and cruelty-free cleaning products• Bedding and clothing• Should vegans wear leather?And in part 2, Holly chats to Veganuary 'graduate' Debra Butler, Vegan Food & Living's new art editor, as she navigates cheese, chocolate, vegan meats and cooking for a mixed household. Find out whether Debs will stay vegan and the storecupboard staples she recommends for other vegan newbies.Notes from today's show• Try a version of Holly's mushroom cassoulet at rebelrecipes.com• Try Em-J's recommended pasta at explorecuisine.com• Watch Slay on Waterbear to discover more about the fashion industry's use of animalsSupport your favourite vegan podcast – and help the movement grow!• Follow our new co-host Em-J Williams at @emjedit• Watch Debs' recipe reels at @thateagervegan• Follow Holly at @holly_anne_johnson• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson and NEW co-host Em-J for January 2024, join them every Thursday as they discuss the ups and downs of being vegan, the latest news and products and chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors.In today's episode, Holly and Em-J share their tips for new vegans along with some easy meal inspiration, before diving into the topic of who makes the best vegan cheese and chocolate. They also discuss the latest research on the UK's most vegan-friendly cities, before debating the terms vegan versus plant-based. Which do you prefer? In part 2 is our must-listen interview with best-selling author and renowned speaker on nutrition, Dr Michael Greger! Covering all aspects of longevity, Holly and Michael discuss the main drivers of ageing, whether creams and supplements actually work, which foods help prevent signs of wear and tear and what we can learn from Blue Zones around the world. Spoiler alert – a whole food, plant-based diet can help massively, but if you're already doing that, what does the latest science say about living well for longer? Notes from today's show• Read more about the new vegan mini eggs from Mummy Meegz at veganfoodandliving.com• Try Em-J's recommended Lindt Vegan Hazelnut chocolate at lindt.co.uk• Holly recommends the Co-op's GRO Gianduja Bar • How Not To Age by Dr Michael Greger is out nowSupport your favourite vegan podcast – and help the movement grow!• Follow our new co-host Em-J Williams at @emjedit• Follow Holly at @holly_anne_johnson• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson and NEW co-host Em-J for January 2024, join us every Thursday as we chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors.Holly and Em-J kick off this week's show by discussing some of the 2024 Veganuary launches, including Aldi's Plant Menu Smoked Salmon and Costa's collab with BOSH!, before looking at the latest study from The Vegan Society on the amount the NHS could save if we all went vegan. We also share our recent dinnertime wins and fails, before our debate of the week – should you keep non-vegan gifts?Holly also chats to Lisa Morris, who works for our sponsor company SUMA, about the unique way they work and some of the exciting new products currently hitting the shelves.And in part 2, don't miss our in-depth chat with the Deliciously Ella founder, Ella Mills! Ella shares her journey from chronic illness to the epitome of health via a whole food, plant-based diet and provides us with tips for eating well when life is busy or you just don't have the energy to cook. She also explains why she prefers to use the term plant-based over 'vegan' and why she started food blogging despite never being a real 'foodie'. Notes from today's show• Watch You Are What You Eat: A Twin Experiment on Netflix. • Buy the Juicy Marbles Ribs at juicymarbles.com.• Ella Mills' new book, Healthy Made Simple (£22) is out now, at Waterstones and all good bookshopsSupport your favourite vegan podcast – and help the movement grow!• Follow our new co-host Em-J Williams at @emjedit• Follow Holly at @holly_anne_johnson• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson (and NEW co-host Em-J for January 2024), join us every Thursday as we chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors.It's Veganuary – the perfect time to delve into the world of veganism! Whether you're completely new to the show or a long-time listener, we have a bumper episode for you that's packed with advice, debate and insights. Celebrity make-up artist and all-round vegan advocate Em-J Williams joins us as co-host and we delve into her world for a while, before discussing the crazy things people said to us over Christmas (yes, breast milk IS vegan!). And in part 2, Holly chats to activist, speaker and author Ed Winters, also known as Earthling Ed, about his new book, How To Argue With A Meat Eater (And Win Every Time). They look at the main arguments against veganism, how we can arm ourselves with information to have better debates and why 'winning' isn't necessarily what you might think.Notes from today's show• Em-J's favourite restaurants include What the Pitta and Omnom• Join the Non-Judgy Vegans Facebook group• Ed Winters' new book – How To Argue With A Meat Eater (And Win Every Time) is out now, at Waterstones and all good bookshopsSupport your favourite vegan podcast – and help the movement grow!• Follow our new co-host Em-J Williams at @emjedit• Follow Holly at @holly_anne_johnson• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living magazine for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

One of Erik's favorite guests is back!  Author, speaker, coach athlete and more Holly Johnson returns with a new message and a new book!If you're a chief executive officer (CEO) or business owner struggling to attract and keep the employees that matter, Holly understands your frustration. Prompted by three decades of her own experiences managing two public relations (PR) and marketing firms and working with businesses—from small hotels and restaurants to a large national health insurance company—Holly has personally witnessed how having a great team makes a great company. In Break Through Hiring and Retention Barriers, Holly shares the key strategies used by successful leaders to attract and keep the right employees. Learn how to effectively address these hiring and retention challenges and build your team, and your business, so that they want to work with your company—and stay. Learn more about Holly and her work HERE

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson (and NEW co-host Em-J from 4th January 2024), join us every Thursday as we chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors. Today Holly is joined by Hannah Montgomery from The Vegan Society to discuss the barriers that some men encounter when considering cutting down their meat intake or going vegan, following recent research by the charity. We cover the protein myth and the many plant-based protein sources available and discuss some of the top male vegan athletes and sportspersons who are thriving on a vegan diet. We also delve into the stereotype that men are less compassionate than women and look at how we can encourage the men in our lives to try veganism. Support your favourite vegan podcast – and help the vegan movement grow!• Follow our new co-host Em-J Williams at @emjedit• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living magazine for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

  https://www.paul-simpson.co.uk/the-wild-swans/ https://www.roughtrade.com/en-gb/product/paul-simpson/revolutionary-spirit-a-post-punk-exorcism-the-teardrop-explodes-care-the-wild-swans-and-beyond Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician's scenic route to fame and artistic validation, and marks the arrival of an original literary voice. If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake; a self-destructive genius so lost in mystical visions of a new arcadia that he couldn't meet the rent. Simpson's career begins alongside fellow Liverpool luminaries Ian McCulloch, Bill Drummond, Will Sergeant, Pete Wylie, Pete Burns, and Holly Johnson at the infamous Eric's club, where, in 1976, he finds himself at the birth of the city's second great musical explosion. He co-founds and christens the neo-psychedelic pop group The Teardrop Explodes with Julian Cope but walks out of the band just as they are about to break big and goes to work in a tearoom instead. He then forms The Wild Swans, the indie-band of choice for literary-minded teens in the early 1980s, and Care with Ian Broudie of The Lightning Seeds, sharing a flat with a seventeen-year-old Courtney Love along the way.

It's World Aids Day - may the Power of Poz be with you! We are so happy to have a very special guest joining us this week - the icon and musical legend that is Holly Johnson! He was performing at the National Concert Hall but Veda managed to sit down with his old friend to talk about Holly's experience of living with H.I.V. He shares what it was like in the 80s when friends were starting to get diagnosed, what it's like getting older with H.I.V and of course, the power of love! Robbie was away this week so big thanks to Adrian Duggan, former guest and member of the Poz Vibe Tribe, for joining Veda. Finally, if you're in Dublin City this evening, we're hosting a big World Aids Day celebration and you're all invited. Details are here. Love, Veda and Robbie. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poz Vibe Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Veda⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lady and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Robbie Lawlor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ production. Our continuity announcer is the one and only Anne Doyle. Thank you to our sponsors ⁠⁠Dublin Pride ⁠⁠who make this series possible. Episodes are produced by Veda and Robbie with production assistance and editing by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Esther O'Moore Donohoe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Artwork, social media assets and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ all created by the talented and dazzling⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lavender The Queen.⁠⁠ ⁠⁠

The community in St Stephen made a difference for a senior citizen who was sleeping in an alley after being renovicted. Local resident Holly Johnson spearheaded the movement to get him an apartment and she tells us how the events unfolded.

Steven Ramsay in Belnan, NS, was looking forward to catching up on his sleep over the weekend. But last night at 1:30am, a mouse rang his doorbell twice! It was caught on video. Holly Johnson in St Stephen, NB, tells us about a fundraising effort to house a senior citizen who was living in an alley. And on the phone-in: Dr. Vett Lloyd from Mount Allison University answers your questions about ticks.

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson, join us on the first Thursday of each month as we chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors.Today Holly is joined by sports presenter and ex-Lioness Karen Carney, who went vegan in 2018. Discover how injury led Karen to research anti-inflammatory eating, and the incredible impact going plant-based had on her recovery and performance.Karen shares her thoughts on the rise of women's football, the increase in vegan athletes and how the vegan movement has changed since 2018. She also chats to us about her work with vegan cheese brand Violife to encourage more footballers to try eating plant-based.Support your favourite vegan podcast – and help the vegan movement grow!• Leave us a review and share this episode with friends• Tag us in your social posts @simplyveganpodcast and @veganfoodandliving• Try an issue of Vegan Food and Living magazine for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Simply Vegan Podcast is bought to you by the UK's only vegan magazine, Vegan Food & Living. Hosted by magazine editor Holly Johnson, join us on the first Thursday of each month as we chat to some of the inspirational people helping to grow the vegan movement – from chefs and influencers to athletes and doctors. In today's feel-good episode, we're joined by the founder of VEGAN Happy, Lorri Delahunty. Lorri shares the lightbulb moment she went from meat lover to vegan within just a few hours, having watched videos by animal rights activists Gary Yourovsky and Joey Carbstrong.We discuss different forms of activism, and whether there's a polarisation in the movement between those who think activism can't change anything and those compelled to act. Lorri explains how she set up her clothing line to get people talking about veganism and the all-important issues with our food systems, animal welfare, the environment and our health and why she believes it's so important to be kind and support people rather than judge them.Lorri also chats about the recent Face of VEGAN Happy competition, judged by singer Heather Small, Viva!'s Juliet Gellatley and Vegan Food & Living's Holly Johnson and how it's created a community of like-minded people who want to see a kinder, more compassionate world.Notes from today's episode and ways to support us and the vegan movement• Watch Gary Yourovsky's speech on YouTube• Watch Joey Carbstrong's activism on YouTube• Check out the range of subtle vegan clothing at VEGAN Happy• Visit The Farm Animal Sanctuary • Leave us a review and share this episode with friends• Try an issue of Vegan Food and Living magazine for just 99p at veganfoodandliving.com/podcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Pourquoi son film « The wonderful story of Henry Sugar » est-il une belle approche de l'œuvre de l'écrivain britannique ? Quel nouveau projet musical propose Trevor Horn, le légendaire producteur des années 80 ? Quelle nouveauté propose un producteur de la nouvelle génération, Johnny Jewel, véritable touche-à-tout ? Comment Gael Garcia Bernal incarne-t-il un étonnant lutteur mexicain dans « Cassandro » ? Dans la nombreuse progéniture de Bob Marley, que chante son fils Stephen ? Quels sont les points forts du FIFF qui démarre à Namur ce vendredi ? Après une apparition remarquée à l'Eurovision, où pourra-t-on voir Holly Johnson sur scène ?

Frankie Goes to Hollywood singer and artist Holly Johnson talks about 40 years of 'Relax', pop controversy and his legendary musical career

Join us on a fascinating journey through time as we explore Bruce Miller's 44-year career in entertainment reporting, filled with on-set experiences from some of the most iconic TV shows and movies. This includes all of the various spinoffs of "Star Trek," the penultimate episode of "M*A*S*H" and beloved sitcoms such as "Cheers," "Frasier," "The Big Bang Theory" and "The Office." We also dive into the realm of TV set design, with stories from the sets of popular shows like "Grey's Anatomy," "The West Wing" and "Parks and Recreation." We also share a few stories about the 1982 film "Annie," which was shot on the campus of Monmouth University, which co-host Terry Lipshetz attended in the 1990s, and the 1978 film "Ice Castles," which included Bruce as one of the many extras. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, senior producer at Lee and your co-host of a program with Bruce Miller, who we've pulled out of a time capsule this week from reporting. He's been doing entertainment reporting forever with the Sioux City Journal. But he's been everywhere. And we wanted to do a special episode. We are coming up on 44 years, 44 years. Can you believe that? But you know what? I thought it would be fun to talk about something that people always ask me about, which is do you get to actually go to the sets of these things? Do you get to talk to the movie stars? Oh, you're just making all that up, aren't you? Now, after this many years, you can't make it up because it's just too difficult to think about. Wait a minute. Didn't I use that line before? I can't use that line again. You need to have that one on one contact. And that's the thing I think has been the biggest joy of covering entertainment, is actually getting to meet people that you maybe admired at some point or you like their work or you think that they're different than their public persona. So yeah, that's been a really cool thing. And early on in 1980 was the first trip I took to the West Coast for pilot season, whatever you might want to call the new shows. And one of the things that's very common is they'll take you to the sets of various shows so you get a chance to watch them film things. You get a chance to walk around the set and look at all of that kind of fun stuff. You get to interview the actors. It is a really kind of head turning situation the first time you do it. I have been on the set of every Star Trek series except the first one, and I have sat in every captain's chair, which is interesting because all aren't comfortable. I've gotten to see, you know, some big back in the day they were mini series. They weren't limited series, but I've been on the sets of those. I was on the set of The Thorn Birds, which was like a it looked like a working sheep ranch in Australia, but it was actually in California and we had dinner on the porch of the of De Gaeta, which was the name of the the ranch and with the stars. And one of the stars, Rachel Ward, was really upset because one of the producers said that she was in she was a nine in looks and at three and acting up and she got all upset and started walking away from the set of this. And all you could think about is they're not done filming this thing and she's bailing because she doesn't like what the producer said. And they immediately ran after her and tried to smooth over this problem. And it was all happening before our eyes. Well, we were there to have dinner and watch him. She or sheep. So interesting kind of factor there. We went to Charleston for the filming of North and South, if you remember, that was the miniseries. John Jakes had a series of books and it was about the Civil War times and Patrick Swayze was one of the stars. Kirstie Alley was another star, and that we were there for several days and they had dinner with them every night. And they were very, very fun because they would tell you things that you you know, you didn't really it never came out any other way. But they said they had given everybody on the on the miniseries a whole name. So they were different kinds of POWs in this show. Okay. So Patrick Swayze, he because he was a dancer, was called Ho Down, and they went through the whole cast and told us all their different names. And they didn't like Lesley-Ann down who was one of the stars of it. And I said, well, what's what's her whole name? And they said, You got to go over and ask her herself, and she'll tell you what her whole name is. So we went over to Lesley-Ann down and I said, Well, now they said, Everybody has a whole name. What's your whole name? And she says, I'm a whole show. That's a kind of that's a stuff you don't get when you're just normally doing an interview over Zoom, or if you're calling somebody on the phone. But it's very fun to be in that environment and you see them shooting scenes and they'll do it over and over and you think, Wow, they're not never going to finish this thing because it's it's taking so long. And I was fortunate that I was at the last day of MASH. MASH did a big movie for their final episode, but that was not the final episode they shot. They did the episode before that on on the 20th lot. And it was about buried in a time capsule. And they were there and they they did it once and they said, Yeah, we got to do it again. We got to do it again. And so they did it again and the the guy said after that, that was good. That's it. That's the end of MASH. Thank you. And the actors all kind of fell into each other's arms and were crying. And I mean, it was a real emotional moving time and they had huge media coverage. I remember standing near Maria Shriver, who was covering it for NBC, and they said to us, You can take anything you want from the set when you leave. And I happened to be standing in the in the shower. And so I have a bar of soap from MASH. That's my memento from that. But it was it's it's that was such a momentous kind of thing. And even now, when you see it in reruns, it's like, wow, I can't believe I was there when they ended MASH. I sent you a bit of a list of shows that I was kind of interested in, and MASH is on my list because for me as a child, it was one of the first big shows I remember watching now. It started when the show started. I wasn't even born yet, but as it progressed, a great but as it progressed, I grew up watching it either in real time, but also we would see the reruns. My parents would just have the show on. So I remember watching mostly the later episodes, but what a big deal it was on TV to watch that final episode, that movie episode. It was. It was huge. It's up until recently was one of the the most still one of the most watched all time shows ever. You know, often I'll just happen to mention that I was on the set of MASH and you can't believe how this smokes out. People who are just hardcore MASH viewers. Yeah, that show early on when they started putting out DVDs of full seasons of of TV shows, it's one of the first shows that I bought on DVD because it was Watch it all. Yeah, I've I've watched every episode of MASH. Yeah, I love that show. See And for me, it's it's very hard to go back and watch them again. I don't think I'd ever buy a box set. I have box sets, but I, I don't watch them. Yeah, but it's also a little different for you too, because you're watching so much. Well, you're always looking at the next thing you've got to see, just to see, you know, what's happening, what's new, what's next. But yeah, and there there are fun little things. I was on the set of Gray's Anatomy and they had a party there. And in the operating room, they had this body on, you know, on an operating table. And it looked bloody. But what it was, was it was salsa inside the stomach and you could use, you know, there were chips all around it. So that was how they were serving the chips. It's just goofy things like that that happened. If you remember, E.R., E.R. had it looked like a really bad hospital. It looked like the last place you'd want to go because it looked so kind of worn down and everything. And they actually had a an el station outside the thing where they would use it for exteriors. But it basically was George Clooney's basketball court. And you could see where they would play basketball out there when they weren't shooting or weren't doing anything. But inside the the actual operating slash exam room, slash whatever hospital, you could see really great equipment. And what happened was after the show became a success, a lot of these providers would just send them the equipment so that then it was accurate, but it was like state of the art stuff. So that I'm sure that if you went to your own local hospital, you say, Well, now don't you have the XR 732, which they used in E.R. and the Thecable? No, we can't afford that. That's like 5 hours. I think it would be one of those things where people would ask for it or whatever. But it had really great equipment in there. And they said everything was as accurate as they could possibly be. They had a lot of advisors who are medical people who would tell them exactly how to hold things, how to do certain procedures. So they got really pretty good at it. And a lot of times when you have people who are playing doctors on TV, they are expected. A lot of times if somebody collapses on an airplane or whatever, well, come on, you know what to do. And they said it's very intimidating because people expect you to be that doctor, but you're not. But they do. They do learn a few things that might be helpful if they ever need it. So, yeah. And hospital shows are really it's a they're cheap because you can put everybody in scrubs. Oh yeah. And you have a lot of rooms that can be remade to look like another room because aren't all patient rooms the same? They're also. Yeah. And so, but they did have hallways and stuff in terms of something that was real big, like that. West Wing really did have those hallways where they did the walk and talks and they had the Oval Office. The Oval Office was cool to see. There were a lot of fun things. And then if you look closely, one of the the coolest places that I had where we could check out things, Parks and Rec. And I did see a little Sebastian, by the way, I met little Sebastian, the the miniature donkey hockey so thrilled. It was like, you have to see it. There is no star bigger than this. And he was cute. And I somehow I got my picture taken with him, so I was cute. Cool. But if you go inside that city hall, they have pictures and the pictures of past like councilmen, whatever, are people from their staff. So it was fun working on a show. You can easily get a relative's picture on the wall. And theirs was also one of those kind of sets where you walk around it and you felt like you were actually in a building. That's crazy. It's interesting you mentioned with the West Wing because it is a show where there's I mean, it's a Aaron Sorkin, right? So it's a lot of conversation. It's a lot of dialog. So I could only imagine the set being huge for a sense of just you have to do one continuous shot, even if you're just like spiraling through hallways, back and forth and weaving. They make sure that the walls are removable. So if they have to have a camera come in, they can or they shoot them through things. I mean, it's it's very fascinating to watch those kind of shows being put together because it's a different procedure than maybe if you saw a three camera show where you're sitting in the audience, you're just watching things happen. If you watch a show long enough, especially a show that's been on for a very long time, you'll see changes to the set. And I'm not necessarily talking about, you know, they just updated here and there or swap furniture. But sometimes when a show starts working on a shoestring budget, they don't know if it's going to get picked up beyond the pilot. They don't know if it's going to get picked up after season one. And then all of a sudden it's around for eight years and they really start changing up the set. Have you ever gone back to a set that you hit maybe early on during a season one and then you go back a few years later and you're like, Whoa, what has happened here? This is totally different. Sometimes they will shoot on that on an existing set. There have been a lot of shows that because they weren't they didn't want to save money. They didn't want to, you know, so they'll full house. They believe they use that set for a number of different things. So there are ones that they will go back and then when they start their own run they may upgraded or change things. But there is this kind of fear that if you have success and then you change the look, you could be inviting, you know, disaster or Mary Tyler Moore had that because remember how she had that apartment that was supposedly, you know, this whatever, Minneapolis apartment. And then they decided to move her to another place downtown that looked a little more cosmopolitan and whatnot. And they were freaked that if they did move it from one place to another, the show would would suddenly lose its charm. So they made sure to make a big point of her taking her big AM from the old place and putting it in a place of honor, in the new place. But yeah, they don't want to toy with that. But if you do have success, they will upgrade. You know, a lot of times look closely at countertops and kitchens. Yep. Because it's a faux painting that they do that looks like granite. And in granite it's painting. But if they have success, they may get real granite the next time they come around. So if they upgrade this head so it has to be reinforced a little bit. Not too long ago before they ended, I was on the set of This is US, and they had that old house, you know, that the house that they used for the things when the characters were kids. Yeah. Oh my God. It was like walking back into my childhood because they had all of these things that I remembered, the TV sets that were old and yeah, even the kitchen counter where I think wasn't a crockpot that caused a problem and yep, yeah, it was all they had. No crockpot, no crockpot. We don't have that, that kind of, you know. And the Goldbergs, I was on the set of that and it's filled with toys and crap that are, are unique to that era that they do watch it because if you're there visiting they don't want you swiping something because you like a Rubik's cube that you happen to see on a TV show and they will have things marked off or taped off. So you can't walk there if you try or a guard will be standing there. The Big Bang Theory has a comic book, right? And that had real comic books that were expensive. And they did have you could not touch anything. And there you could have your picture taken in there, but you couldn't look at the comic books or, you know, touch any of the statues that they had and all the crap that was in their their apartment. That was real stuff. And but you could I did sit in Sheldon's seat, you know, don't sit in my seat. Oh, and it was cool. It was big. But to see that they had, you know, if you lifted the cushions up, I didn't do this so don't. But they, I think they used it. There was an episode where they actually did put stuff down below and so everything isn't as it seems. There are ways to kind of cheat it so that then if they need to do something like if somebody was to emerge from the bottom of the couch, they would have a hole built and they could pop up from that. So there are things like the Frazier, the the chair that the dad sat in was it looked horrible on TV and you thought, Oh, my God. And it wasn't it wasn't when you saw it in person, they just added duct tape to the outside of it. And the cushions were really comfortable. John Mahoney, who played the dad, said it was like he loved just sitting there because he didn't have to do anything in the chair. But then Frazier also had this artwork that was original. It was not a duplicate or a facsimile of anything. It was real art, and they did not bring it out until the night of shooting, so that when they had an audience there, somebody would hand carry that Kahului bowl or vase or whatever it might be and put it on the set. And then as soon as they were done shooting, they would remove it and put it somewhere else. But they did not leave them out there just in case, because how would you replace it? You couldn't. That's fascinating, because I've always watched, you know, like I watch Frazier and I watch Big Bang Theory in those types of shows I would watch is like, wow, these are really good sets, especially with Big Bang Theory, because they're geeks and they've got all the toys and the other comic book type things, and I don't collect comic books. I never really got into them. But I know what a comic book looks like in when they hold them up on the show. I'm thinking like, Wow, that's that's a really good reproduction, but it's not a real thing. It's there. And I'm sure a lot of the people who work on the show are hardcore geeks like that, and they figure when the show ends, somebody's going to have to get that. I don't know, you know, unless they're just on loan. But I don't think they would be. I think they actually go and buy those. Yeah, but yeah. And so you usually ask the people, now when the show ends, what are you going to take, What do you want? And it's not necessarily the stuff you think Kaley Cuoco from that show had. There was a picture that she said she always stared at and she wanted that because she remembers that's what she'd look at whenever she was sitting in a seat. She was talking to somebody. It was and it was a big nothing picture. It was not something. You go, Oh my God, it's Spider-Man 1952 now. It wasn't anything like that. So there are things that mean something to them but don't necessarily mean anything to the show. I know that there were things on Friends that, you know, were iconic and certain people did get those, but boy, they still talk about it. Now, you say yeah, that she that Jennifer she got that and I'm still mad about it and you know, do they even put it in their house somewhere? Probably not. Yeah. I think somebody took the door or from the set of Seinfeld because it was it was so iconic, you know, like, like Kramer flying through the door. And I don't know who it was. It might it maybe it was Jerry. But I thought one of the big actors walked away with that. Did you ever make it to the set of Everybody Loves Raymond? But any chance I did. I did. They did. But it was like a just a regular house. Did you get to at least sit on the the couch that was covered in or zip zipped up in plastic? Yeah, well, but, you know, I was on Roseanne's couch, too, in case. Oh, yeah, Yeah. Usually they'll let you sit there so that then you can feel like you were at the show or you were part of this show or whatever. And you meander around the sets and you look at things and you see things that you don't see when you're watching, you know, And there and I'm not naming names because but there are actors who don't memorize their lines. And so they'll stash them and they'll have things like there might be magazines on the table, and if you open up the magazine, you might find a script in there that's crazy. So they would you know, they would act like they were reading a magazine when they were actually reading the scripts. Now, in recent years, some of these shows were done not not any big show that you know, but some of these cable ish shows, if you will, they would shoot three episodes in a week. And it was impossible for for the actors to memorize those scripts. So they had huge, big screen TVs like like they were teleprompters that would be behind the characters so they could just read the lines off them. And that's fun to see because you go, Oh, I thought they had to memorize all this stuff. Maybe I could be an actor. I, you know, I would worry about that. But yeah, so it it varies from where you go on the Disney campus, if you will. A lot of those Disney Afternoon shows that you'd watch on the Disney Channel or wherever were nearby each other. And it all got to be real good friends with each other. You know, they all knew Miley Cyrus. They all knew the Jonas Brothers. They all and they hang out together. They were actually friends and did things together. And it's it's amazing to see now, you know, when some of them moved on to other roles and other things, how what part that played for some it was for worse and for some it was better. I was with the Zack and Cody kids, the Sprouse kids deal and I'm blanking, but they took me back to their their dressing room and they show me where they actually studied with a tutor. You know, they have to have so many hours a day with a tutor if you're using a kid and they can only work so many hours a day. Though one of the boys said, you know, truthfully were able to, I think as actors were about a four. We're not that good, but we're trying to make money to get our college people. And so, you know, we buy into this. We see what this is all about. We know and they are far more sophisticated than you think on these kids shows. These are not kids who are, you know, just throwing it out there and wanting to be stars. Some are. They're just because it's a job. Yeah, I the money and both the Sprouse boys did go to college. Now one ended up on Riverdale and they're both working in the business now but it was never the goal that that was that's kind of a byproduct that they still get to work. And I always remember Demi Lovato telling me about kids today. I said, you know what don't they realize about being a young actor on a TV show? And she said they think it's all about the purse. I said, What? And she said, They think that you can have a really expensive purse and they don't realize what you're giving up or what you have to do. And it's not all about the purse. And I thought, well, that that was a very kind of fascinating way to kind of size it all up, because I think fans look at these things and they think it's much more glamorous than it is. It's not sets. Are you doing these huge warehouses, kind of barn facilities where mice can easily be running around? There's not a hesitation there. There's a huge craft services table, but you don't know whose touch that food or where that food's been, you know? So, I mean, there are a lot of things that don't make it seem like, Oh my God, here comes Greta Garbo and Clark Gable walking down the street. Not at all like that. It really is a factory. Yeah, Factory of entertainment. Yeah. And a lot of those Disney ish Nickelodeon, Nick Junior kind of shows to that. Not I'm not saying that the sets don't look good, but you see a lot more artificial grass on the shows, which clearly isn't crass. The production value isn't necessarily is as high as you would expect either. And they would talk about how there's a Disney style at all. But you know, where they have to do kind of those broad gestures and everything. And some of the kids really thought that that was wrong, that they didn't want to do that. And you can see where now they've shifted with some of these shows that they aren't as kind of obvious. Maybe that's a term for, but they are a little more adult and they talk about themes that are more contemporary than they did back in the day. Any shows you've been on because you mentioned Star Trek, some of those shows, especially the SCI fi shows, where there might be a lot of green screens and and other things. Any any one in particular that we watch on TV that looks like, Wow, that is impressive. You know, there's the deck of the enterprise, but you're on the set and you're like, what is this? What is this? This is the most unimpressive thing I've ever seen. Oh, well, Star Trek, The Next Generation. I mean, they had like an area that was basically every planet they visited. So it had parks and things and they just redressed it and put up a different. Yeah. So that that was what you're talking about. The Orville. Do you ever remember the Orville was on Fox for a while? No, I don't. I think it's still going to be honest with me. It was Boeing, but I'm I'm not going to vouch for that. But they had an actual ship that you walked on. You walked through the whole hallways. It seemed like it was the real deal. And that's because Seth Macfarlane, who was producing it, was able to, you know, say, I want the real thing. Okay. And you saw the costumes that were just bizarre. I got to shoot the guns that they they had. And it was like you were actually if it was a an amusement park, that's what it would be like. It was cool. But first of all, a lot of those ones, boy, they cheat a lot of stuff. You know, Star Trek was a real key one. And if you looked at the Paramount that you would say, Well, I think I've seen this place before. What I watch sometimes you'll see buildings that they love to do schools, and it's just the outside of the of the paramount lot. Yeah. Executives place and you go well that's there's no school like that but they'll dress it up and make it seem like it is another one that was like shot at a place. Scrubs okay. Scrubs was in a used to be a hospital and they just took it over and, you know, and there was a bet that they had going on that if anybody would spend time in the in the morgue, they would pay them extra. If they would go do that. But because it had been a hospital, they constantly had people coming in and acting like, I need help, I'm bleeding, can you help me? And they'd have to turn them away and say, no, this is this is not a real hospital. It's a movie set of these. Yeah, yeah, yeah. One's like that. The office was shot in a warehouse kind of situation with offices. It was real offices. So when you see them all sitting around like that, that's how it was. And you could walk around all of their desks, look at everything, and they said that their computers did work and they would do like one did Christmas cards. Mm hmm. Well, they were because they had to be on the set. You couldn't leave. You had to be there. Well, other scenes were shot because you're Mr. Right. Right. You're an actor, but you are also background. So they would do stuff like that or they'd chat to each other on their their screens and act like they were working. Sir, there was the warehouse that was attached to it, and this was out in some industrial area, you know, outside of Los Angeles. It wasn't, you know, there was a fence up and all of that. But the the, the storage area or the loading dock was actually filled with paper. Wow. Yeah. Cool to see. Very cool. You know, And yes, I do have a name, plaque that says I'm assistant to the assistant regional manager or whatever. But yeah, very fun because that I think those kinds of shows make it feel like you actually are. There is a lot of the ones where you're sitting in seats and they will do that If you happen to go to California and you want to see a show shot, there will be tickets available to the public. Now, usually if you go to Universal Studios, they have a ticket box or a counter or whatever that they will let you know which ones are available. Things like game shows have a lot of availability, so you could probably go to prices, right, and sit in the audience. You won't necessarily get picked, but you could go watch something like that. A sitcom could be a little more difficult because they have different nights that they shoot and they will suck up X number of tickets just to hand out. Or if they're really bad, they will hire people to sit in the seats and laugh. Yeah, well, and they say that they used to have prisoners that would come and sit at the. Oh, jeez. 0i1 thing I did meet was paid laughs. Or did you know that they have people who are paid to laugh? Well, I knew there was laugh tracks, but I didn't know there was paid laughs. And these were some of those series that do not have an audience. But the kids need to know when to hold for a laugh. And we had like five or six people honest to God, this was the strangest thing I've ever seen sitting at a table, and they would get her. Her? Oh, well, oh, different kinds of laughs. And then the directors say, Okay, tone it down a little bit here. We don't need that much. And it would it would help the actors learn how to react to this crazy this thing. But yeah, and they would like read they be reading the newspaper. Well, they're laughing or knitting or doing something else. But it was a job and I had paid laughter. I want that. I want to be somebody who's paid to laugh. Can you get me the gig? I'm there with my luck, though I'd be on the the absolute least funny show you can think of. Like, okay, we need you to laugh right now. Oh, my God. And that's the way it is. Yeah. Yeah. It's interesting to see how success changes people, because the first year of friends, nobody knew who they were. And they were very they were more nervous than I was to interview them. And we had, they had given us mugs that said friends on it, you know, those big latte mugs or whatever. Right. Right. And they were so thrilled that the name of the show that they were on was on a mug that they started grabbing up as many as they could. So they at least had a set of them. So here you see these big stars who, you know, went on to make what, millions of dollars serve this series, swiping mugs that were supposed to be swag that was given away to the media. And then when they had the last episode of Friends, we went to this set and they would not let us get down on the set. Isn't that all? They don't have taken anything or didn't want us touching anything. We could not talk one on one with the actors and the boys. It wasn't like it was covered or anything. It was just that's how the world had changed. These were big stars that did not. Unless it was cleared, you were not able to talk to them. And. Yeah, sorry, I don't have time for Bruce Miller. No, I'm not doing some low class person like Iowa. I'm speaking as the one from Iowa. Yes, I believe we have somebody who's serving coffee over here who's from Iowa to talk to him now. One of those kind of. Yeah, but it's for me, it's a fascinating thing to look at the sets and just see stuff close up, how they dress that and how they add all those things has really changed. In the old days, it was very kind of minimal. You wouldn't see much on the counters and stuff and now, boy, they pack this and to make sure that it matches, you know, the others, they'll shoot pictures and everything and make sure that every box is where it needs. And I went to how I met your mother or father, Both mother and father, but father. And it was such a mess on that set. It was like last year, this last year. And I thought, how would you keep track of all that stuff? Because it's just it's like litter, basically. But they, you know, they keep an eye on it. I was on the set of How I Met Your Mother just before it ended, and we were in the bar and I'm not sure what the bar. Claire MacLaren's Yeah, what it is, okay. Gloria Bar set. And we were sitting at the table where the, the group usually sits and Neil Patrick Harris had carved his initials on the table and then he and it had plus D be his husband's name, David Burtka, and drew a heart around it. And I thought that was really cool and the picture of that. But, you know, a little a little thing that you probably didn't know when you were watching it on on TV. Yeah. Because you would never see that. No, it wouldn't show. What's interesting to me too, is because all these shows generally have like real life exterior shots. Right? And I remember taking a trip to Boston and taking a walk to the Bull and Finch Tavern, which is where they shot the exterior shots for Cheers. And the bar inside was kind of used loosely to inspire the look of the real bar. And I remember how cool it was like, Whoa, you know, here's the sign. And at this point, too, they had put up a sign that said Cheers, you know, downstairs because they wanted you to to recognize it. And and they had the seafood restaurant was there, too, that you can walk into. But I remember walking down the steps to cheers and then opening the door. And then how unimpressed I was, because this is just this tiny little, you know, like eight seater of a bar. It's not anything impressive at all. And the real thing was huge. Really huge. Yeah. And it did work. So if you were there visiting, they could make you a drink. Do you know, was there alcohol in them or was it. Well, if there were if they're shooting, you couldn't have alcohol. But when you're there there's out there with alcohol. And I remember sitting in one of the booths that were on the side with the actors, you know, it was funny about Cheers. They sure didn't have faith in that when it started. Right? They did room. They did a room interview where you'd go in the room with the actors and they had just had five actors in the room with one reporter. And you're thinking, well, normally you'd kind of wouldn't you try to maximize size your exposure? Right? And I think we're just trying to blow it off. And then we went to a party on the set of it and we got to sit on Norm's stool and, you know, walk around and look at everything. And it had changed. It had really changed. Once success hit again, you never know what's happened there, but Cheers is fun. But yeah, if you go to the bar, the Cheers bar in Boston, it's not the same. No, no, definitely not any. Any other stories? I have one to share. Once we're ready to wrap, let's come on out. All right. I'm just going on. You got to shut me up. Okay, So I was sort of on the set of the movie. Annie. Do you remember Annie from 1982? Annie. Annie. Dust until come now. Tomorrow. Were you one of the authors? I know. So I went to college at Monmouth University in West Long Branch, New Jersey, and in the University. It's on it's kind of in this old neighborhood in West Long Branch, in the centerpiece of the campus is, I believe now they call it Shadow Lawn Mansion. They used to call it Wilson Hall. They use the mansion as Daddy Warbucks mansion in the movie. So they shot almost the entire movie on location at my college. And I remember taking, you know, before I before I decided on where I was going to go. And you take those campus visits and they bring you on tours and the big selling point at Monmouth at the time and probably still is, was this is where we filmed Danny in the hall, which is Wilson Hall when I was there. It's where the president's office is. It's where the registrar is. There's some classrooms in there, too, is always very cool. You would get a class because they didn't have a ton of classrooms in that building because a lot of them it's a lot of very small rooms. But you would you would go in there and occasionally have a class and it was very cool to have a class there. They would have receptions for, you know, honors students there. I worked in my freshman year. I was tutoring foreign language students who were they were struggling in English and I was helping tutor them. And the tutoring center was in the basement of Wilson Hall. And you would walk on the floor and you could sense there was something hollow beneath it. And it was because the big pool, if you remember the scene, was the pool in Annie. That's where the pool, the pools in the basement of Wilson Hall. But they had covered it over and converted into two classroom space. So yeah, so it was, it was very, very neat. And there is a scene, I think it's early in the movie when they're first bringing Annie to the mansion and you see the car turn down into the gates. But it's one of those scenes where if you look very closely, you could see the dorms across the street, but you wouldn't know it If you're watching the movie. You just see some building in the background. But it's like, oh, there is. There's the dorms, which is crazy. They ask anything, Well, where did you start seeing Hard Knock Life at some point? I did not know, but I did watch. I did actually watch the movie after I went to school there because I it wasn't high on my list of movies to see as a as a child, it didn't quite appeal to me. But once I got there, I watched it. It was it was fun to watch and then see the different locations and think, Oh, LA, you know, I've been there. I had to I had to register for my sophomore year there and I had to go pay a late book fee or something there. And yeah, that was crazy. So that's where we kind of relate to these things, is that we can find the real place that was used and go, What was that for? I know. And if you ever go on the Universal Tour or the Warner Brothers tour, anything, recycle these things all the time. So I, you know, like you, when I was in college, I was in a movie. They needed extras and they said, if you come, you know, maybe you'll get on camera, maybe you won't. It was Ice Castles, Ice Castles with Lin, Holly Johnson and Robby Benson, and it was about a figure skater who lost her sight. And we were supposed to be in the audience watching her. When you realize, Oh my God, she's blind. She can't see where she's skating. And then. Right. And Robby Benson comes out to greet her and everything. Well, I happened to have a camera with me because it you know, if you're not with the camera, are you anybody you need a camera. All, all situations. And these were not cell phone days. This was back in the days of a camera. And so they were they were thrilled that I had my camera there. And if you watch for a millisecond, you will see that I am in the movie Ice Castles because I happen to have a camera and it's me holding my camera. It captured that moment when they discover that she's blind. Wow. Is that not real? But there's my movie. Yeah, well, I don't think we can top anything else now that we know. Now we've done it. It's done it. Okay, well, we're going to do another episode like this sometime because this is fun. I enjoy story time with Bruce. Well, if anybody has shows that they're interested in or want to know about, if they want to drop us a line, we'll be glad to put them on a list and then we'll talk about them. Because like I say, 47 years I've been just about everywhere that you could go unless there was some ban put on people. And no, you can't talk to those people. And maybe I'll tell you my Zendaya story some oh, I want to hear that one. So you can you can reach out those podcasts at least dot net. I check the email regularly and I will screen those emails and we will get back you and talk about it in a later episode. That sounds great. All right, everyone. Well, thanks again for listening to this episode of Streamed & Screened.See omnystudio.com/listener for privacy information.

There is a big difference between NASA's current Artemis program and its Apollo program of five decades ago. This time, there is a long-term plan for humans on the moon. “We don't want to just touch it and come back and say we're done. We want to go there and stay there,” says NASA astronaut Raja Chari. He adds, “To do that, we need to go where there's resources.” In the latest episode of Next Giant Leap, a podcast produced in partnership between GZERO and Canadian space company MDA, Raja Chari tells host Kevin Fong that the most valuable known resource on the moon is water ice, which could be used to sustain life in lunar bases. Water ice is most abundant in craters around the moon's south pole. NASA is enlisting commercial companies such as SpaceX, Astrobotic Technology, and MDA to help get its astronauts to the polar region and in a position to ‘live off the land' there. One of MDA's chief contributions to the Artemis program will be the robotic arm on a space station called the Gateway, which will orbit around the moon. The Gateway will be a transfer point for crew and cargo traveling to and from the lunar surface. MDA's Holly Johnson is confident that the commercial space sector will be an essential enabler of the vision of a sustained human presence on the moon. For a deeper dive into the private space industry's part in the return to the moon, Kevin talks to Chad Anderson of venture capital firm SpaceCapital. Anderson explains why people are now talking about the rise of a ‘lunar economy'. He says, “Who controls the early infrastructure is set to control things and make a lot of money.”

There is a big difference between NASA's current Artemis program and its Apollo program of five decades ago. This time, there is a long-term plan for humans on the moon. “We don't want to just touch it and come back and say we're done. We want to go there and stay there,” says NASA astronaut Raja Chari. He adds, “To do that, we need to go where there's resources.” In the latest episode of Next Giant Leap, a podcast produced in partnership between GZERO and Canadian space company MDA, Raja Chari tells host Kevin Fong that the most valuable known resource on the moon is water ice, which could be used to sustain life in lunar bases. Water ice is most abundant in craters around the moon's south pole. NASA is enlisting commercial companies such as SpaceX, Astrobotic Technology, and MDA to help get its astronauts to the polar region and in a position to ‘live off the land' there. One of MDA's chief contributions to the Artemis program will be the robotic arm on a space station called the Gateway, which will orbit around the moon. The Gateway will be a transfer point for crew and cargo traveling to and from the lunar surface. MDA's Holly Johnson is confident that the commercial space sector will be an essential enabler of the vision of a sustained human presence on the moon. For a deeper dive into the private space industry's part in the return to the moon, Kevin talks to Chad Anderson of venture capital firm SpaceCapital. Anderson explains why people are now talking about the rise of a ‘lunar economy'. He says, “Who controls the early infrastructure is set to control things and make a lot of money.” Subscribe to the GZERO World with Ian Bremmer Podcast on Apple Podcasts, Spotify, or your preferred podcast platform, to receive new episodes as soon as they're published.

The role of the physical therapist in addiction recovery is multifaceted and it encompasses various aspects of the evaluation, the treatment of and support in recovery and addiction. At first glance, it may not seem that physical therapy fits within the addiction realm, but in fact, physical therapy and physical therapy in mental health and addiction is a perfect fit. This is a new topic for most people in our space, so we're bringing someone who can spearhead this conversation. Holly Johnson, PT, DPT, is a specialist in the intersection between physical therapy, chronic musculoskeletal pain and addiction and mental health. In this conversation, she highlights the need for PTs to educate and train themselves on psychologically informed care so they can make a difference in the lives of people who are recovering from addiction. Tune in and get to know the nuances of care along the intersection of seemingly disparate fields of practice.

Lactation typically is either a home visit where the IBCLC comes to the client, or an office visit where the client comes to the IBCLC.  Holly Johnson saw a problem in her area where too many families lived rurally and choosing one location for an office wouldn't serve each community.  So Holly came up with a unique idea of creating a mobile lactation clinic, meaning that Holly comes part of the way, and clients come part of the way.  Listen to hear more about how a mobile clinic works for this military wife IBCLC and the communities she serves.Podcast Guest: Holly Johnson is an International Board Certified Lactation Consultant (IBCLC) with a Bachelor of Science in Maternal Child Health and Human Lactation. Holly is currently working on her MPH at the University of Nebraska Medical Center. Holly provides care remotely and with in her mobile lactation clinics to military families and communities in Southern Colorado. She has completed additional education in TOTs and oral habilitation. Holly Johnson and her mobile clinic, Lady Leche, will be relocating to Missouri summer 2023. Holly is married to Heath Johnson, who has been in the Army since 2008. They have 3 daughters together, Amelia, Eleanora, and Fiona. Holly has breastfed all her children until they self-wean. She experienced many breastfeeding-related problems throughout her journey, which led her to pursue a career in lactation. Podcast host: Katie Oshita, RN, BSN, IBCLC has over 22 years of experience working in Maternal-Infant Medicine.  Katie is a telehealth lactation consultant believing that clients anywhere in the world deserve the best care possible for their needs.  Being an expert on TOTs, Katie helps families everywhere navigate breastfeeding struggles, especially when related to tongue tie or low supply.  Katie is also passionate about finding the root cause of symptoms, using Functional Medicine practices to help client not just survive, but truly thrive. Email katie@cuddlesandmilk.com or www.cuddlesandmilk.com

Episode 170 Notes and Links to Richard T. Rodriguez's Work       On Episode 170 of The Chills at Will Podcast, Pete welcomes  Richard T. Rodriguez, and the two discuss, among other things, Richard's childhood full of voracious reading and master wordsmiths in his family, books and media and music that spoke to him and speaks to him, evolving ideas of Chicanismo, masters of Chicanx literature and music and cultural studies, and the seven songs/chapters that constitute his stellar book and build upon ideas of “touch” and a “kiss across the ocean.”      Richard T. Rodríguez is Professor of Media and Cultural Studies and English at the University of California, Riverside. He specializes in Latina/o/x literary and cultural studies, film and visual culture, and gender and sexuality studies, and holds additional interests in transnational cultural studies, popular music studies, and comparative ethnic studies. The author of Next of Kin: The Family in Chicano/a Cultural Politics (Duke University Press, 2009), which won the 2011 National Association for Chicana and Chicano Studies Book Award, and A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and U.S. Latinidad (Duke University Press, 2022), he is currently completing Undocumented Desires: Fantasies of Latino Male Sexuality. The 2019 recipient of the Richard A. Yarborough Mentoring Award, granted by the Minority Scholars' Committee of the American Studies Association, he is the co-principal investigator on a University of California MRPI grant titled "The Global Latinidades Project: Globalizing Latinx Studies for the Next Millennium." His show, "Dr. Ricky on the Radio," can be heard weekly on KUCR.  Buy A Kiss Across the Ocean:  Transatlantic Intimacies of British Post-Punk and U.S. Latinidad   Richard T. Rodriguez's University of California at Riverside Page   Razorcake Review and Summary of A Kiss Across the Ocean     At about 8:00, Richard talks about growing up and his relationship with language and the written word, including the impacts from his parents, who were “wordsmiths” and bilingual    At about 9:45, Richard shouts out Phuc Tran's Sigh, Gone in describing his own reading and childhood experiences   At about 10:45, Richard discusses his college years at Cal Berkeley, and the huge impact June Jordan and Yusef  Komunyaaka had on him   At about 13:00, Richard responds to Pete's question about ideas of representation in what Richard read growing up-he points out Victor Villaseñor and Alfred Arteaga, among others   At about 14:40, Pete and Richard discuss the power of Villarreal's Pocho   At about 16:20, Pete asks Richard about evolving ideas/definitions for “Chicano”   At about 18:35, Richard responds to Pete asking about any “ ‘Eureka' moments” and how James Clifford in grad school helped him with a “reassessment of language”   At about 20:25, Richard talks about who and what he's teaching as a college professor, including work by Alex Espinoza, Phuc Tran, and James Spooner    At about 24:05, Pete lays out some of the power of the beginning of the book and asks Richard about how he “saw the world anew” through Boy George and other musicians; he mentions how the music informed his reading and art intake   At about 27:10, Richard describes what spoke to him about Johnny Rotten's quote about hanging out with Chicanos in SoCal   At about 28:30, Francesca Royster and Carl Stanley and others are referenced as Richard describes what was going on in the world and in his life as impetus for writing the book   At about 30:45, the two discuss teenage years and why they are such “prime” years for music celebration and exploration    At about 33:20, Melissa Mora Hidalgo, with Mozlandia, and Gustavo Arellano are shouted out as models for Richard's work   At about 35:50, Richard explains “post-punk” and “new-wave” and how he wanted to “reclaim ‘post-punk' ”   At about 38:15, Pete lays out the structure of the book, compliments its melding of academic and poetic writing, and asks about “goth”-its definition(s) and connections to the focus of Chapter One-Siouxsie and the Banshees   At about 41:40, Richard comments on Kid Congo Powers and his important connections to SoCal Chicano culture and to the Cramps/Siouxsie   At about 43:00, Pete asks Richard to explain his specific use of “touch” in the book   At about 45:20, Richard describes how Latinx writers have been touched by Siouxsie and the Banshees, often referencing the band in their work   At about 46:20, Richard describes his meeting with/touch by Siouxsie   At about 46:45, Richard describes Adam Ant and his connection to Chapter Two's “Prince Charming,” with both being “two-sided”   At about 49:40, Chapter Three, Bauhaus, and ideas and possibilities of “goth” as racially diverse; the two discuss Myriam Gurba's work on the general topic and Love and Rockets as a mutual   At about 54:15, Chapter Four is discussed with “Latina queer sensibilities” as a main focus and Marc Almond's connections to John Rechy's work   At about 59:10, The two talk about “othering” and exoticization that comes from    At about 1:01:00, Ideas of “secondhand” and history and zoot suits and masculinity are discussed, topics from the book's Chapter Five   At about 1:04:45, Richard examines conversations around cultural appropriation and Chris Sullivan's work with the zoot suit and “Latin” music   At about 1:07:05, The two talk about Chapter Six and Pete compliments Richard's melding of personal and cultural; the chapter deals with “Mexican Americanos” and Frankie Goes to Hollywood, in addition to lead singer Holly Johnson's solo work   At about 1:12:30, Richard gives background on The Pet Shop Boys and their work with hip hop and freestyle music and the connections between freestyle music and Latinx artists   At about 1:15:50, Pete uses an example of “authenticity” that Richard analyzes so skillfully as an example of ignorance   At about 1:16:50, Richard speaks to the book's conclusion and the greatness possible through tribute bands in “translating” and “regenerating” music   At about 1:20:10, Richard calls attention to Orange County's Ghost Town   At about 1:21:45, Richard talks about future projects   At about 1:22:50, Tainted Love shoutout!   At about 1:23:45, Richard recommends LibroMobile, City Lights Bookstore, and other places to buy his book and gives his social media info      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 171 with Danielle Prescod. Danielle is an author, content creator, and journalist. Danielle Prescod is a fifteen-year veteran of the beauty and fashion industry and a graduate of NYU's Gallatin School of Individualized Study. A lifelong fashion obsessive, she was most recently the style director of BET.com. Her book, Token Black Girl, is part memoir, part narrative nonfiction and an exploration of the ways that modern media can influence one's self-esteem.    The episode will air on March 21.

After blitzing the Australian and UK charts with her debut album, it was time for Kylie Minogue to move onto her follow-up, Enjoy Yourself, and thanks to the chart-topping success of its lead single, "Hand On Your Heart", there would be nothing difficult about this second album. Mike Stock returns to the podcast to discuss the inspiration and enthusiasm he had for working with Kylie at this point, and we also hear from Matt Aitken and backing singer Miriam Stockley on that topic. We take an in-depth look at the music video for "Hand On Your Heart" and director Chris Langman joins us to explain the lack of enthusiasm about it. Meanwhile, future production duo Julian Gingell and Barry Stone (aka Jewels & Stone, The Alias), who began working as assistant engineers at PWL around this time, share their Kylie memories. Another UK number 1 came from charity record "Ferry 'Cross The Mersey", which was released in the wake of the Hillsborough football disaster, with Liverpudlian acts Gerry Marsden, Paul McCartney, The Christians and Holly Johnson performing on the single. Mike talks about the process of putting that together. And we wrap up the episode with the second single from Donna Summer's Another Place And Time. Did Donna dislike the song? Which version is better: single or album? We speak to Mike, Phil Harding, Pete Hammond and Mae McKenna to address those questions and more.Subscribe for bonus material at chartbeats.com.au/sawTwitter: @ChartBeatsAU, @MrMattDenbyInstagram: @chartbeatsauFacebook: Chart Beats: A Journey Through PopEmail: chartbeats.au@gmail.com