Podcasts about MGMT

(00:00-9:35) MGMT. Need a little joy before The Strode Program starts at 11. Cardinal playoff chances took a big dip after that sweep. Cardinal fan fiction about bring Miles Mikolas back. At least maybe JJ Wetherholt could still win the NL ROY. Did Iggy put a $100 bet on Sal Stewart for ROY.(9:43-21:09) People are wanting validation of Iggy's $100 ROY bet. We want our vig. Tommy Pham in a social media spat with the Reds Dane Myers. Don't call us blokes. Doug hasn't had the BBL surgery yet.(21:19-21:43) And the winner of the EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Cardinals are too painful so Doug wants to start with the golf. Don't worry about the dossier, it's just a road map. A+ grade for the BMW at Bellerive over the weekend. Best fans in golf. Rory blowing up on 17. Audio of Gary Woodland poking fun at his topped drive on 9. Hey, there's Jake Knapp in a golf cart. Audio of Frank talking with Jim Nantz about St. Louis's showing for the BMW. Marty Tesla over here messing with the lights. Doug and Iggy may scrap today on ATMA. A frog covered in scat.There's no place you'd rather be than Spirit Halloween or Swing Around Fun Town during the stretch run of a golf tournament. A debacle in Philadelphia. Gotta get O'Brien out of there. Audio of Marmol talking about the decision to leave Riley O'Brien in there in the 9th. Dobbins and Pallante going down. Doug vs. The Audience. We deserve the UFL and MLS. Home of the Chiefs. Freese, Adams, Eckstein, and Carpenter at the Bananas. Wyndham Clark's likability. Audio of Scottie Scheffler talking about dealing with hand, foot, and mouth. Ballwin Beer Bitch checking in with us. Cougar SZN at Bananas games. Doug almost lost a finger yesterday to a mole trap. It's throbbing.Joined by voice of the Blues, Chris Kerber. Some news over the weekend regarding NHL expanding into Texas. Houston or Austin? How would expansion affect the Blues? Market size playing into expansion plans. Hockey in the south.Dressing up like a gerbil. Are Tim & Doug both furries? Mr. Lix has called in for his 25 minute call. Holding the Kevin Chappell caller from last week accountable. Tired of thinking about Kevin Chappell. Are we not gonna talk about trenching? Holding the local newsmen accountable for glazing the course. Flash mobs on the tee box. Zendaya as James Bond? CYC moms. TALK SOCCER!! No one is safe today, especially local mothers. Tolls. Flag guy in the Supporter's Section. Uncle Butter's shuttle.Mesmerized by Shaboozey. College Football almost back. Somebody's already got all the bowl game matchups laid out so that's good. Audio of Eli Drinkwitz talking about Ahmad Hardy's status for the season opener. Drink wants two weeks of full practice out of Hardy. Yes, you can ride clydesdales.It's darkest before dawn. Audio of the Philadelphia call of Scwarber's game-winner. Friend of the program, Hunter Brody was fired up. Chasing that Baez 2+ HR game on Friday. Scotch with The Colonel. My office for the evening. Belly button ranch dippings. George Wendt. A delicious consolation prize.Homerun Pujols, World Series, baby. A text grab bag. Swinging on glitter balls. Kacey Musgraves. The ones who know know all too well. Today's a great day to log off for a little bit. Celebrate Doug's mangled finger. Martin's Austrian friend, Flo. The merch tent was sold out over the weekend. Someone is reporting.... Allegedly a woman ran across the 17th fairway and got herself carried out of Bellerive. Where was the sex swing?A guy climbed the fence in the big cat exhibit at the zoo. Monday Makeout theme. Design Aire Heating & Cooling EMOTD.Foster The People. What a bop. Tickling the ivory at Menard's.MGMT. Need a little joy before The Strode Program starts at 11. Cardinal playoff chances took a big dip after that sweep. Cardinal fan fiction about bring Miles Mikolas back. At least maybe JJ Wetherholt could still win the NL ROY. Did Iggy put a $100 bet on Sal Stewart for ROY.People are wanting validation of Iggy's $100 ROY bet. We want our vig. Tommy Pham in a social media spat with the Reds Dane Myers. Don't call us blokes. Doug hasn't had the BBL surgery yet.And the winner of the EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Anger MGMT. schickte Nik Petronijevic als Vertretung ins Interview. Mit Simeon Thompson sprach er über den Werdegang der Band (einmal mehr war das erste Konzert auf der Startrampe der MFW), kommende Plattentaufe für die bestehende Platte und über Männlichkeit.

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Chaz is still buzzing about his first-ever Dave Matthews show, and shared his enthusiasm with Live Nation's Jimmy Koplik. Plus, the Tribe called in their concert questions and stories, from the Rush tour, to MGMT plans, and Frank Zappa. Photo credit: Jimmy Koplik at Summer Jam

Pet Shop Boys - Suburbia Mika - Love Today Taylor Swift - The Fate Of Ophelia Teddy Swims - Bad Dreams Ed Sheeran - Celestial The Cardigans - Lovefool M - Pop Muzik Queen - Another One Bites The Dust Benson Boone - Cry Scissor Sisters - I Don't Feel Like Dancing Lilly Wood And The Prick - Prayer In C MGMT - Kids Lady Gaga - The Dead Dance Madonna - Papa Don't Preach Orson - No Tomorrow Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We go into the "zero" issues of Mind MGMT, which are given negative numbers in the trade compilation. These amount to supplemental stories about the mind agent agency. We learn stories of a rival Russian agency, Maru's breakthrough that led to her first book and the birth of the agency itself. These side stories are, in a way, the main course of the Mind MGMT world! We also discuss at length Marvel Comics recent decision to move from NYC to the Los Angeles area.  In Loose Screws, Will discusses a talk he saw with comics legend Frank Miller. And Kevin discusses the video game trope of characters climbing a lot (Arkham City, Horizon Zero Dawn, Uncharted and the new James Bond game). ------- Sop-scribe to support the show and for bonus episodes at https://www.screwitpodcasts.com/ There's link to our free Discord there too! Email us at screwitcomics@gmail.com

Interview: July 5th, 2026 Episode Summary:In this episode, German Morales—talent agent, manager, producer, and founder of MGMT Artists—shares an inside look into the entertainment industry and what it truly takes to build a sustainable career as a performer. With over 20 years of experience, German walks through his unconventional journey from aspiring actor to becoming a leading talent representative, highlighting how his background in business and passion for entertainment ultimately shaped his career path.German breaks down the day-to-day role of an agent, from reviewing casting breakdowns and submitting talent to negotiating contracts and developing artists long-term. He emphasizes the importance of strong branding, professional materials—especially headshots and reels—and the value of persistence when seeking representation. A key takeaway from this episode is the power of being a multi-hyphenate performer. Dancers who can also act, sing, or model significantly increase their opportunities and marketability in today's industry.The conversation also explores the current audition landscape, where self-tapes dominate, along with practical advice on how to stand out, avoid common mistakes, and leverage tools like social media and AI. German also shares insights into iPOP, a global talent showcase that connects performers with industry professionals, and how opportunities like this can accelerate exposure and career growth. The episode concludes with a live Q&A, offering real-time guidance for dancers navigating representation, submissions, and long-term career strategy.Show Notes0:00 – Introduction to German Morales and career2:03 – From aspiring actor to talent agent6:08 – Inside an agent's daily responsibilities7:49 – Types of talent and notable clients11:31 – How to get signed by an agent13:33 – What iPOP is and how it works15:40 – Notable success stories from iPOP17:10 – How to apply and audition for iPOP20:06 – Importance of being a multi-hyphenate performer21:42 – How to become a talent agent28:00 – What makes a strong submission stand out33:24 – Why dancers should learn acting38:03 – When and how to submit to agencies50:07 – Self-tapes vs in-person auditions today53:00 – ClosingBiography:German E. Morales is a talent agent, manager, producer, and founder of MGMT Artists. With more than 20 years of experience in the entertainment industry, he has helped launch and develop the careers of actors, models, singers, and performers who have appeared in major television shows, films, national commercials, and even Academy Award-nominated productions.He is also a managing partner of iPOP!, one of the world's leading talent discovery events, connecting aspiring performers with top agents, managers, casting directors, and producers. A voting member of the Television Academy, German is passionate about helping the next generation of talent break into the entertainment industry and build lasting careers.Connect on Social Media:Instagram: https://www.instagram.com/german_mgmtartists_/Website: https://mgmtartists.com/

For this episode I invited Iwan Rahabok to talk us through the recent announcement of the 5th edition of the IT Ops Management Guidebook. As I mentioned during this episode, this isn't just a book, this is a Resource Kit!What changed? 1000+ pages, and 4 parts. Lots of additional content & corrections compared to the 4th edition 2 years ago.Deeper. More technical.Leveling up to support private cloud architect.A booklet written for higher up management chain.New troubleshooting flows. Done in DrawIO so you can tailor for your needsTwo brand new calculatorsVCF Ops vCommunity adapters. Built by OnurAn agentic AI webiste: https://isvara.io/ built by Samir. What does not change:Still free.Still editable. So you can customize to your own organisationDownload in the usual place: https://broadcom.ent.box.com/v/OpsYourWorld

Send us Fan MailIn this series, which I'm calling the IB Course Description Project, we're building an audio catalog of International Baccalaureate Diploma Programme (DP) courses and Career-related Programme (CP) core experiences for students, parents, counselors, teachers, and colleges around the world.Each episode brings the syllabus to life by exploring the learning, teaching, and student experience behind every course. These conversations can support course registration, help colleges better understand IB courses, introduce new teachers and counselors to the curriculum, or simply provide a deeper understanding of what makes each course unique.Want to be part of the project? Use this form to enter your information or to nominate someone for the podcast.Contact me (Jon Peterson) at IBMatters@mnibschools.org Our teacher guide for Business Management is Brad Opfer - IBEN Certified trainerOur teacher guide for both History and Economics is James Jones - IBEN Certified trainerSubject brief links: DP Business Management SLDP Business Management HLDP History Guide (first exams 2028)DP Economics SLDP Economics HLEmail IB Matters: IBMatters@mnibschools.orgInstagram (IB_Matters)Twitter @MattersIBIB Matters websiteMN Association of IB World Schools (MNIB) websiteDonate to IB MattersPodcast: Education by Design with host Phil EvansIB Matters T-shirts (and other MNIB clothing) To appear on the podcast or if you would like to sponsor the podcast, please contact us at the email above.

Evan J. Mayer and co-host Scott Brown sit down with Tony Sirianni, CEO and Publisher of AdvisorHub, back by popular demand three years after his first FABA appearance. Tony breaks down the private equity gold rush reshaping wealth management, who's left to buy when valuations hit 20x, and how AI is changing what advisors are worth.

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This week's Mixtape Rewind takes us back to our second Spring Break Party Mix!  You'll hear us reference a survey of whose side was better, I'm pretty sure Sam won this won pretty easily at the time.  But if on a second listen, you want to chime in, get to us @SuperAwesomeMix on Instagram.  https://music.apple.com/us/playlist/spring-break-2023-mix/pl.u-9N9LXv3t1GR9BYe https://open.spotify.com/playlist/0993Vrm6DLhqWt6WrchlA3?si=50326c31b7d243b9 Fight For Your Right by Beastie BoysBattleflag by Lo Fidelity AllstarsAnd We Danced by The HootersDowntown by Macklemore & Ryan LewisFireball by PitbullI'm On A Boat by The Lonely Island, T-PainLet Go by RAC, Kele, MDNRLittle Things by Louis The Child, Quinn XCII, Chelsea CutlerTitanium by David Guetta, SiaGDFR by Flo Rida, Sage The Gemini, LookasSovereign Light Cafe (Afrojack Remix) by KeanePursuit of Happiness - Extended Steve Aoki Remix by Kid Cudi, MGMT, RatatatGo to My.SuperAwesomeMix.com and start using our new app on any device - mobile or laptop.  Copy and paste a link to your playlist then turn it into an old school mixtape in minutes!  Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

The Alan Cox Show

The Alan Cox ShowSee omnystudio.com/listener for privacy information.

This week, we dive into the Golden Age of Synthesizers, the period from the mid‑'70s to the mid‑'80s when synths became smaller, cheaper, and powerful enough to transform popular music forever. From early experimental machines that filled entire rooms, to the groundbreaking work of innovators like Bob Moog and Don Buchla, we trace how synthesizers moved from academic curiosity to pop‑culture force. Along the way, we hear key moments from artists who helped define the era: Wendy Carlos, Hot Butter, Kraftwerk, Depeche Mode, MGMT, and more. We explore how techno‑pop emerged alongside punk's DIY spirit. Our guides through this electronic frontier are Andy McCluskey and Paul Humphreys of Orchestral Manoeuvres in the Dark (OMD), who were right at the center of the movement. They share insights into the gear, the sounds, and the creative mindset that shaped a generation of music, and still echoes through today's electronic and alternative scenes. From Autobahn to Electricity, from Mellotrons to MIDI, this is the story of how machines rewired music, and how the studio itself became an instrument. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Avalanches comparten "Every Single Weekend" con Jamie XX, como invitado. Una canción refrescante y contagiosa cuyo germen encontramos en un interludio de "In Wawes", el disco que Jamie XX publicó en 2024 y que contiene "All Your Children" con la colaboración, precisamente, de The Avalanches. El resultado es un pelotazo muy veraniego que protagoniza este podcast junto a lo nuevo de Kelela, Kim Petras, Kneecap y los barceloneses, Demá.   KELELA - Point BlankZAHARA - MarimachoKIM PETRAS - DTLAMALA GESTIÓN - Hacemos lo que PodemosMGMT - KidsFONTAINES D.C. - Boys In The Better LandCARLANGAS - Si Lo Sé No VengoKNEECAP - Smugglers & Scholars (feat. Killer Mike)ECCA VANDAL - Bleed But Never DieFOO FIGHTES - Caught In The EchoDEMÀ- LlàstimaTHE AVALANCHES - Every Single Weekend (ft. Jamie XX)JAMIE XX - All Your Children (ft The Avalanches)TRUENO, MARÍA BECERRA - 90'BAD BUNNY - Café con RonEscuchar audio

Ein Freitagabend Ende Mai, 18 Uhr, glühende Hitze und dazu: Gitarre, Bass, Schlagzeug. Anger MGMT. waren auf unserem Balkon zu Gast für ihren ersten lokalen Auftritt, seit ihre geplante Plattentaufe kurzfristig ins Wasser gefallen ist. Es gibt ein paar Classics, das Hauptgewicht liegt aber auf dem kürzlich erschienenen "Anger is Eternal", das wir soeben als Album der Woche vorgestellt hatten. Stay tuned bis zum Schluss: Die Band hat im Interview einiges zu erzählen, nicht zuletzt über die Wunden, die sie sich neulich bei einem Videodreh zugezogen haben.

Host/Interviewee: ç, PhD Candidate, UT Health San Antonio Description: Shahad Abdulsahib discusses the GT-20 phase 1 clinical trial evaluating GNOS-PV01, a personalized multivalent neoantigen DNA vaccine administered following surgical resection and radiation in patients with MGMT unmethylated glioblastoma, with findings published in Nature Cancer on May 12th, 2026.

The bros are absolutely firing today! We dive into why sober Vegas might secretly be elite, tankless water heater propaganda and why John Wick is the perfect airplane movie. Chad talks about getting cooked online for his memorial day workout form and explains why China might actually be good for America because it keeps us locked in and studying. We also go deep on Alex Cooper and the daddy gang. JT explains the dangers of sloppilism and talks about why he cruises into the pod with his windows down jamming out to MGMT. We also take a call from Cadatonic from reddit about improv. The bros get super REAL about the direction of the pod. This is an all timer with just the bros jam packed with loads of stoke and love. CHECK OUT OUR NEW YOUTUBE SERIES: https://www.youtube.com/playlist?list=PLkxsXCzRgw0YnogF0Q-t8o0devtOBPQTZWe are live streaming a fully unedited version of the pod on Twitch, if you want to chat with us while we're recording, follow here: https://www.twitch.tv/chadandjtgodeepGrab some dank merch here:https://appreeshapparel.com/Come see us on Tour! Get your tix - https://www.chadandjt.comTEXT OR CALL the hotline with your issue or question: 323-418-2019(Start with where you're from and name for best possible advice)Check out the reddit for some dank convo: https://www.reddit.com/r/ChadGoesDeep/PRODUCTION & EDITS BY: Jake RohretSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailOur Patreon - https://www.patreon.com/HockeyCardsGongshowOn this episode of the Hockey Cards Gongshow podcast we start with Get To Know Your Hockey Hall of Famers, this time looking at the life, hockey career, and hobby market for hockey hall of famer, Gordie Drillon (11:36).  In the Weekly 7; we update the NHL playoffs including a number of young players making a name for themselves, the future of the hobby looks bright with the emergence of Macklin Celebrini and Matthew Schaefer, and the NHL coaching carousel heats up (23:08).  In hobby news, GameStop CEO Ryan Cohen goes on the offensive attacking eBay's management, and Beckett introduces a slab design overhaul (1:13:13). 2025-26 O-Pee-Chee Platinum Hockey releases this week and we preview the checklist and key card designs (1:22:48).  Then, we answer your hockey cards mailbag questions (1:37:10), before finishing the show by sharing our recent personal pickups (2:06:27)Partners & SponsorsThe Upper Deck Company - https://www.UpperDeck.comGongshow Breaks - https://wwwGongshowBreaks.comGongshow Reloaded - https://www.GongshowReloaded.comHockeyChecklists.com - https://www.hockeychecklists.comSlab Sharks Consignment - http://bit.ly/3GUvsxNSlab Sharks is now accepting U.S. submissions!GP Sports Cards - https://gpsportcards.com/Total Sports Cards - https://totalsportcards.comSign up for Card Ladder - https://app.cardladder.com/signup?via=HCGongshoFollow Hockey Cards Gongshow on social mediaInstagram - https://www.instagram.com/hockey_cards_gongshow/TikTok - https://www.tiktok.com/@hockey_cards_gongshowFacebook - https://www.facebook.com/HockeyCardsGongshowTwitter - https://twitter.com/HCGongshowThe Hockey Cards Gongshow podcast is a production of Dollar Box Ventures LLC

In this episode, we're joined by Lorianne Carl, Senior Community Engagement Analyst and Volunteer Coordinator for the City of Rancho Cordova, and Matt Buland, Management Analyst. Together, they offer an inside look at the city's community-focused initiatives—from beautification projects and volunteer opportunities to micro-grants for residents and educational outreach in local schools. We also explore the important behind-the-scenes work they do to connect residents with city resources and programs that drive real impact. Be sure to mark your calendar for Rancho Cordova's Public Service Day on May 16—a great opportunity to get involved firsthand. Tune in for a practical, insightful conversation about the everyday efforts strengthening Rancho Cordova, one resident at a time.

Story of the Week (DR):Sneaker Company Allbirds Plans to Pivot to A.I. Yes, A.I. MMAfter selling its business for $39 million last month, the company said it planned to buy powerful computer chips and rebrand itself NewBird AI.Allbirds is ditching years of clean and green street credEach share of Class A common stock is entitled to one vote on each proposal and each share of Class B common stock is entitled to ten votes on each proposalClassified: one Class I director to hold office until the 2028 Annual MeetingAI/technology experience on board: ZEROVoting powerCofounder/former CEO/director Joseph Zwillinger (24%)VC dude: B.S. in Industrial Engineering and Operations Research; M.B.A. Wharton; director since 2015Cofounder/former CEO/director Timothy Brown (27%)Former soccer player: B.S. in Design; M.Sc. in International Management; director since 2015 Director Dan Levitan (33%)VC dude: B.A. in history from Duke University and an M.B.A. from Harvard; director since 2016Lead independent director and “effective chairperson” Dick Boyce (4%)VC dude; B.S.E from Princeton and M.B.A. from Stanford; director since 20162 whole womenAlsoSnap blames AI as it lays off 1,000 workersStarbucks launches beta app in ChatGPT to fuel new drink discoveryUS Army Builds First AI Chatbot for Troops, Trained on Live Conflict Data From Iran and Ukraine, Built on Reddit-Style ForumsMeta is making an AI Mark Zuckerberg to talk to employees, report says‘AI Is Our Friend,' Morgan Stanley CEO SaysTrump administration taps automakers to boost weapons production in WWII-style pushSenior U.S. defense officials have held talks about producing weapons and other military supplies with top executives ​of companies includingGeneral MotorsCEO/Chair Mary Barra has spent 2025 and 2026 "cozying up" to the administration. In recent shareholder letters, she has explicitly thanked Trump for his support of the industry and praised his tariff policy for "leveling the playing field."Director Wesley G. Bush: the former CEO of defense giant Northrop Grumman also sits on the board of GE Aerospace, acting as a major link to the administration's military expansion goals.Two weeks prior to his resignation as CEO, a scathing independent review outlined the 14-year delay, 19x budget overrun ($800M), and numerous human errors made by Northrop Grumman in the construction of the James Webb Space Telescope, which led to Wes testifying before congressGM donated $1 million to the 2025 inauguration and supplied the official presidential motorcade vehicles, continuing their long-standing traditionFord MotorCEO Jim Farley has been described as a frequent caller to President Trump. In January 2026, Trump was caught on a live mic during a Michigan factory tour claiming Farley calls him "all the time" to push for the repeal of environmental "garbage" (EPA regulations).Chair William Clay (Bill) Ford Jr.: has maintained what he calls a "great relationship" with President Trump since the 2024 election. In January 2026, he personally hosted Trump at the Ford Rouge Center in Dearborn, where they toured F-150 production lines.Ford Motor Company was one of the first major corporations to "line up" for the 2025 inauguration. The company donated $1 million to the Trump-Vance Inaugural Committee and provided a fleet of vehicles for the ceremony's transportation needsDirector Jon Huntsman Jr. served as Trump's Ambassador to Russia during his first term.GE AerospaceCEO/Chair Larry Culp has a very direct win-win relationship with the administration. In May 2025, Culp accompanied President Trump on a high-stakes trip to the Middle East.During that trip, Trump helped broker a $96 billion order from Qatar Airways for Boeing jets, which will be powered exclusively by GE engines.Culp was seen side-by-side with Trump in Doha celebrating the deal.Director Wesley G. Bush: the former CEO of defense giant Northrop Grumman also sits on the board of GM, acting as a major link to the administration's military expansion goals.OshkoshDirector David Perkins: a retired 4-star General and former commander of the U.S. Army Training and Doctrine Command (TRADOC)U.S. tech companies ramp up government lobbying amid Iran war uncertaintyNetflix Chair Reed Hastings to Leave Board in June The founder is stepping aside to focus on his philanthropic effortsSarandos or Peters or Hoag?Average Frequency 2004: approximately 5 to 6 discs per month per subscriberToday: Monthly Average: This adds up to about 31 to 32 hours per month.The "Browsing" Tax: Interestingly, data shows that the average user spends about 18 minutes per day just scrolling through the menu before actually hitting "play." If you include that, people are "using" the app for nearly 40 hours a monthPopulist math time: that's 6570 minutes=109.5 hours=4.6 daysAccording to the latest data from the U.S. Bureau of Labor Statistics (BLS) for March/April 2026, the average hourly wage in America is: $37.38 per hour=$4093.11Average US minimum wage is $11.60=$1270.20IBM folds to Trump anti-DEI push, admits no misconduct but pays $17M penalty3 (of 14) women with 11% total influence: no leadership positions21 execs/5 women: 3 are Assistant General Counsel, Chief Human Resources Officer, Chief Legal OfficerWhite House study says DEI policies cost US economy by promoting unqualified managersGoodliest of the Week (MM/DR):DR: Oil prices may be falling, but for the wrong reason: ‘Demand destruction' throttling global consumptionEuropean Airlines Face Fuel Shortages Within WeeksDR: Karen S. Carter Named Dow CEO; Number Of Black Women Running Fortune 500 Companies Now At 2MM: Big grid batteries are finally on a roll in New EnglandAssholiest of the Week (MM):There is one asshole of the week - protection from liability. Here are the incarnations.Security: We're in a new era of heightened CEO safety measures, security pros sayStarbucks Mandates CEO Private Jet Use After Security ReviewMeta spends more guarding Mark Zuckerberg than Apple, Nvidia, Microsoft, Amazon, and Alphabet do for their own CEOs—combinedFriday's attack on Sam Altman's house underscores a growing worry for some CEOs: safety at homeSnap paid $2.8 million for CEO and cofounder Evan Spiegel's personal securityAlphabet paid $8.3 million for CEO Sundar PichaiMusk = $2.4mHuang = $2.2mTech billionaires seem to be doom prepping. Should we all be worried?Reid Hoffman, the co-founder of LinkedIn, has talked about "apocalypse insurance".Security costs are directly correlated to how much we hate the CEOs - this is not a mistake, literally these people are the ones who take advantage of employees and customers, ruin the free world, destroy everything they touch and make billions doing itI never need to make an asshole list again - I just need to identify what company pays the most for security for their CEODamion's prediction of a corporate nation state is close - small armies, bubbles and islands, no accountability?Social Media: Meta vows appeal of 'landmark' social media verdicts, warns of free speech erosionSo now Meta is arguing that the teen in California was harmed by the content, which is protected by section 230, so Meta can't be liable. But the teen argued that the DESIGN of Meta social media was the problem, NOT the content, and that's how they wonMeta and Google lost because of content recommendations, not content - the recommendations are entirely in the control of Meta and GoogleMeta is effectively now arguing that algorithmic delivery is free speech - but they talk out of the other side of their mouths when coddling Trump and conservatives, because if algorithm is free speech here, it means content moderation IS ALSO FREE SPEECH since the algorithm IS MODERATIONIf Meta wins on appeal, it means that the social media companies can never be liable for anything - not the product design, not the content - it is the ultimate coup, there would be nothing you could possible sue them forNew study shows just how Facebook's algorithm shapes conservative and liberal bubblesLegislation: Bill Cunningham, Illinois State Rep DROpenAI Backing Law That Protects It When AI Causes Mass Deaths and Other MayhemAnthropic Opposes the Extreme AI Liability Bill That OpenAI BackedProvides that a developer of a frontier artificial intelligence model shall not be held liable for critical harms caused by the frontier model if the developer did not intentionally or recklessly cause the critical harms and the developer publishes a safety and security protocol and transparency report on its website. Provides that a developer shall be deemed to have complied with these requirements if the developer: (1) agrees to be bound by safety and security requirements adopted by the European Union; or (2) enters into an agreement with an agency of the federal government that satisfies specified requirements. Sets forth requirements for safety and security protocols and transparency reports. Provides that the Act shall no longer apply if the federal government enacts a law or adopts regulations that establish overlapping requirements for developers of frontier models."Critical harm" means the death or serious injury of 100 or more people or at least $1,000,000,000 of damages to rights in property caused or materially enabled by a frontier model, through either: (1) the creation or use of a chemical, biological, radiological, or nuclear weapon; or (2) engaging in conduct that: (A) acts with no meaningful human intervention; and (B) would, if committed by a human, constitute a criminal offense that requires intent, recklessness, or negligence, or the solicitation or aiding and abetting of such a crime.Headliniest of the WeekDR: Amazon Accused of Hiding Worker's Death for a Week, Making Employees Keep Working as Corpse Lay on FloorDR:374Water Reappoints Richard "Rick" Davis to the Company's Board of Directors AND CMC Announces Appointment of Michael 'Mike' Dumais to Board of Directors AND Regis Corporation Announces Appointment of William “Bill” Charters as Independent DirectorMM: ChatGPT's “Honest Reaction” to a “Song” Composed Entirely of Gas-Passing Noises Will Make You Question Whether It's Honestly Evaluating Your Other Brilliant IdeasWho Won the Week?DR: Wesley BushMM: Anyone who wants to cause “critical harm” to societyPredictionsDR: Wharton creates two new MBA courses inspired by Allbirds: MKTG 655: Consumer Gaslighting & The Algorithmic Pivot and MGMT 910: Advanced Failing UpwardsMM: In 2027, Reed Hastings will be elected as an independent director at Netflix

Dave talks about a TikTok that talks about how to get a position in management with your company using the old Office Space scene. 

Prospect Capital Mgmt LP v. Stratera Holdings LL C

In this episode, Jeffrey discusses doing Change Management better.Email Jeffrey with any questions or feedback (jtefertiller@servicemanagement.us)Each week, Jeffrey will be sharing his knowledge on Service Delivery (Mondays) and Service Management (Thursdays). Jeffrey is the founder of Service Management Leadership, an IT consulting firm specializing in Service Management, Asset Management, CIO Advisory, and Business Continuity services.  The firm's website is www.servicemanagement.us.  Jeffrey has been in the industry for 30 years and brings a practical perspective to the discussions. He is an accomplished author with seven acclaimed books in the subject area and a popular YouTube channel with approximately 1,600 videos on various topics.  Also, please follow the Service Management Leadership LinkedIn page.

How was your Sweet 16 weekend? We talk about UConn's wild finish against Duke, plus the great runs by Arizona, Michigan, and Illinois. Aztecs and Utah State dealing with transfer portal. NBA considers new draft rules to prevent tanking. Padres pitching and hitting issues. Dodgers, Angels ownership and GMs speak out. What do you think of the RoboUmp? Reds-Red Sox game had wild results. NFL news updates from Steelers, Raiders, Rams. Ducks, Maple Leafs and Golden Knights in NHL bloodbath. Plus, Tiger Woods, Team USA coach Mauricio Pochettino, F1 Max Verstappen. Got a question or comment for Hacksaw? Drop your take in the live chat on YouTube, Facebook, or X. Here's what Lee Hamilton thinks on Monday, March 30, 2026.   1)...MARCH MADNESS...SOME SWEET 16 WEEKENDS "BLOWOUTS AND UPSETS'   ARIZONA ILLINOIS MICHIGAN DUKE-UCONN   2)...COLLEGE NOTBEOOK…AZTECS/UTAH STATE "TRANSFER PORTAL"   3)...NBA READY TO BATTLE ANTI-TANKING IDEAS "VOTE ON DRAFT LOTTERY"   18 TEAM PROPOSAL 22 TEAMS DOUBLE LOTTERY =================== 4)...PADRES OPEN SEASON...UP AND DOWN "PITCHING-HITTING ISSUES"   5)...DODGERS-ANGELS NOTES "OWNERSHIP-GM SPEAK OUT"   6)...BASEBALL DEBUTS ABS..UMPIRES NOT HAPPY…REDS-RED SOX "CB BUCKNOR-UNDER REVIEW" ============== (HALFTIME...DIXIELINE LUMBER) =============== 6)...NFL NOTEBOOK…NFL/RAIDERS/STEELERS/RAMS "OFF THE FIELD NEWS"   7)...NHL NOTEBOOK…DUCKS-MAPLE LEAFS-GOLDEN KNIGHTS "MONDAY BLOODBATH"   8)...HOT HEADLINES "OFF SPORTSWIRE"   TIGER WOODS MAURICCIO POCHETTINO MAX VERSTAPPEN ================   #MLB #redsox #reds #PADRES #RANDYVASQUEZ #RamónLaureano #nickpivetta #walkerbuehler #DODGERS #shoheiohtani #HYESEOUNGKIM #ANGELS #JOSESORIANO #alekmanoah #ABS #ROBOUMP #nfl #STEELERS #RAIDERS #RAMS #ROONEYRULE #NBA #NBADRAFT #ucla #arizona #duke #MARCHMADNESS #sandiegostate #aztecs #briandutcher #milesbyrd #uconn #DANHURLEY #ducks #nhl #MAPLELEAFS #goldenknights #f1 #maxverstappen #teamusa #MauricioPochettino #tigerwoods #UTAHSTATE   Be sure to share this episode with a friend! ☆☆ STAY CONNECTED ☆☆ For more of Hacksaw's Headlines, The Best 15 Minutes, One Man's Opinion, and Hacksaw's Pro Football Notebook: http://www.leehacksawhamilton.com/ SUBSCRIBE on YouTube for more reactions, upcoming shows and more! ► https://www.youtube.com/c/leehacksawhamiltonsports FACEBOOK ➡ https://www.facebook.com/leehacksaw.hamilton.9 TWITTER ➡ https://twitter.com/hacksaw1090 TIKTOK ➡ https://www.tiktok.com/@leehacksawhamilton INSTAGRAM ➡ https://www.instagram.com/leehacksawhamiltonsports/ To get the latest news and information about sports, join Hacksaw's Insider's Group. It's free! https://www.leehacksawhamilton.com/team/ Thank you to our sponsors: Dixieline Lumber and Home Centers https://www.dixieline.com/  

Hoy recordamos una quincena de álbumes que cumplen 18 años en este 2026. Celebran la mayoría de edad, como 180 grados, que nació ese mismo año: 2008. BON IVER - Skinny Love (For Emma, Forever Ago)CALEXICO – Víctor Jara's Hands (Carried To Dust)THE LAST SHADOW PUPPETS - My Mistake Were Made For You (The Age Of The Understatement)MY MORNING JACKET – Highly Suspicious (Evil Urges)COLDPLAY - Violet Hill (Viva La Vida)OASIS - The Shock Of the lightning (Dig Out Your Soul)KINGS OF LEON- Sex On fire (Only By The Night)MGMT – Kids y Time to Pretend (OracuLar Spectacular)THE KILLERS - Spaceman (Day & Age)RAZORLIGHT - Tabloid Love (Slipway Fires)DUFFY - Mercy (rockferry)VETUSTA MORLA – Copenhague (Un Día En El Mundo)GLASVEGAS - Geraldine (Glasvegas)DEATH CAB FOR CUTIE – No Sunlight (Narrow Stairs)VAMPIRE WEEKEND - A Punk (Vampire Weekend)Escuchar audio

Hocus Focus Mix met Daft Punk, Naughty Boy, Sam Smith, Afrojack, Aloe Blacc, Martin Garrix, Bonn, MGMT & Dua Lipa

Lundi, Pop-Rock Station explore l'actualité indie rock, pop et metal, sans oublier les classiques. À l'affiche : Dire Straits, Idles, Triggerfinger ou les Black Keys. Parmi les nouveautés, Anna Calvi dévoile "God's Lonely Man" entourée de Matt Berninger, Perfume Genius et Iggy Pop. Le 23 février 2026 marque aussi les 86 ans de "This Land Is Your Land" de Woody Guthrie, proposé dans sa version originale. L'album de la semaine est "No Lube So Rude" de Peaches, figure électroclash toujours provocatrice, illustré par le titre éponyme. Ghinzu présente "Out Of Control" avant la sortie de "W.O.W.A." La cover du soir revisite "Walk On By", un standard signé Burt Bacharach et Hal David pour Dionne Warwick, transformé en 1978 par The Stranglers. La séquence Fresh Fresh Fresh met en avant Penny Arcade et "Rear View Mirror", extrait de "Double Exposure". La fin d'émission convoque Puscifer, Primal Scream, Interpol, Hole, MGMT et Archive. Anna Calvi - God's Lonely Man (Feat. Iggy Pop) The Black Keys - Gold On The Ceiling Woody Guthrie - This Is Your Land Extreme - More Than Words Dire Straits - Romeo And Juliet Starr Edwin - War Idles - Gift Horse Peaches - No Lube So Rude Mano Negra - King Of Bongo Triggerfinger - All This Dancing Around Again The Surfaris - Wipe Out Ghinzu - Out Of Control The Stranglers - Walk On By Weezer - Hash Pipe Hole - Celebrity Skin The Bros Landreth - Half Moon Eyes Steve Miller Band - Abracadabra 12'' Mix Interpol - Lights Puscifer - Bad Wolf Janis Joplin - Move Over The Afghan Whigs - I'm Her Slave Penny Arcade - Rear View Mirror Stevie Ray Vaughan - Taxman Primal Scream - Kill All Hippies MGMT - Kids Archive - Look At Us Gary Clark Jr - When My Train Pulls InHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

You might not know his name, but you definitely know his music – Otis Blackwell, who wrote or co-wrote so many of the songs you know and love from the 50s and 60s, would have turned 95 this month. And I’ve never done a cover story for MGMT, so let’s do those together! (66 minutes)

You might not know his name, but you definitely know his music – Otis Blackwell, who wrote or co-wrote so many of the songs you know and love from the 50s and 60s, would have turned 95 this month. And I’ve never done a cover story for MGMT, so let’s do those together! (66 minutes)

“The Bird”  Morris Day and the Time "Confusion (Pump Panel Reconstruction Mix)"  New Order “Forsaken”  David Draiman of Disturbed #1 Crush"  Garbage “Don't You (Forget about me)” Simple Minds "Afro Kiss (CONTACT Refix)"  Prince Vs Yolando Be Cool  “After Dark”  Tito n Tarantula "Pray For Me (BPM Supreme Twerk Remix)"  The Weeknd, Kendrick Lamar “A Girl Like You”  Edwyn Collins  "Pursuit Of Happiness (Steve Aoki Remix)"  Kid Cudi (ft MGMT & Ratatat) Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Bird”  Morris Day and the Time "Confusion (Pump Panel Reconstruction Mix)"  New Order “Forsaken”  David Draiman of Disturbed #1 Crush"  Garbage “Don't You (Forget about me)” Simple Minds "Afro Kiss (CONTACT Refix)"  Prince Vs Yolando Be Cool  “After Dark”  Tito n Tarantula "Pray For Me (BPM Supreme Twerk Remix)"  The Weeknd, Kendrick Lamar “A Girl Like You”  Edwyn Collins  "Pursuit Of Happiness (Steve Aoki Remix)"  Kid Cudi (ft MGMT & Ratatat) Learn more about your ad choices. Visit megaphone.fm/adchoices

Louis The Child returns for another round of #PlaygroundRadio with tunes MPH, googly eyes, MGMT, Passion Pit, Soul Reductions, A$AP Rocky and many more!Playground Radio Intro 00:00:00Feed Me & Crystal Fighters - Love Is All I Got 00:00:56 Myd - Our Home 00:04:59 Sam Gellaitry - NERVOUS 00:08:30 Don Low - FUNK MOTOR 00:11:54 Street Player - Nothing You Can Do 00:13:34 googly eyes - Bruises on the Peach 00:16:17 A$AP Rocky ft. Brent Faiyaz - STAY HERE 4 LIFE 00:19:06 Beat Connection - Another Go Round 00:23:03 KH, Nelly Furtado - Only Human (MPH Remix) 00:27:12 camoufly - go!!!!!! 00:31:14 Yves, PinkPantheress - Soap 00:33:50 Snakehips, Louis The Child - Nobody Else But U 00:36:16 Louis The Child ft. KFlay - It's Strange 00:39:46 Passion Pit - Little Secrets 00:43:52 MGMT - Time to Pretend 00:47:49 Soul Reductions - Got 2 Be Loved 00:51:58 Fcukers - L.U.C.K.Y 00:58:39

Tracklist ------ Matisse & Sadko - Himalaya Kastra & Amanda Collis - Wrong Side of Love (Acapella) Lady Gaga - Abracadabra (Kastra Remix) Mau P vs. Marlon Hoffstadt x Fisher - It's That Merther Time (Pat C Mashup) Justin Bieber vs. Plastik Funk, NERVO, jeonghyeon - Daisies (Kastra _Talk About Us_ Edit) Ravyn Lenae & Rex County vs. Paige Cavell - Love Me Not (Kastra _Runaway_ Edit) Charli XCX vs. Alok - party 4 u (Kastra _Friday I'm In Luv_ Edit) Olivia Dean vs. Galantis - Man I Need x Runaway (COASTR. Edit) sombr vs. Dubvision - Back To Friends (Kastra _Endless Dreamers_ Edit) David Guetta, Afrojack, Amel, Martin Garrix - Our Time Fallon vs. Mesto - Diet Coke (Kastra _Caramelle_ Edit) Tiesto, Odd Mob, Goodboys - Won't Be Possible (Acapella) Yeah Yeah Yeahs vs. Disco Lines, Avello - No Broke Boys (Kastra "Heads Will Roll" Edit) Darude x Kill Safari x Timmy Trumpet x Da Hool - Voices In My Head x Sandstorm x Freaks (Kastra Edit) The Chainmokers - White Wine & Adderall (LUCKY REMIX) John Summit - crystallized (ft. Inéz) (Kozmoz FLIP) Fred again, Skepta vs. 4B - Victory Lap Two (Kastra _Bass Drop_ Edit) Remk - Autopilot KATSEYE vs. Chime X Doctor P X Franky Nuts - Gnarly (Kastra _Feel It_ Edit) HUNTR/X - Golden (Kastra Remix) Sabrina Carpenter vs. Alesso, Sacha, Avello - Manchild (Kastra _Destiny_ Edit) FISHER x bbyclose - Blackberries (Acapella) Heidi Montag - Ill Do It (Leondis Remix) Nimino vs M83 & Don Diablo - I Only Smoke When I Drink x Midnight City (Adam b Edit) The Weeknd vs. YouNotUs - Timeless (Kastra _Cinema_ Edit) Justin Mylo & Ryos Ft. SBSTN - In My Bones CHRYSTAL, Notion vs. Knock2 - The Days (Kastra _feel u luv me_ Edit) Calvin Harris - Blessings (if found Remix) BLACKPINK - JUMP (Guy Arthur Remix) Devault - Feels Like Us (Boges Remix) Skrillex & Diplo vs. Nikko - Jungle Bae (Kastra _PUSHINN_ Edit) Bobby Shmurda, SIDEPIECE vs. A$AP Ferg, Proppa x Cloonee, Young M.A - Cash Out x Work x Stephanie x Move Your Body (Kastra Edit) Swedish House Mafia x Darren After x Drake - NOKIA (DJ Arman Aveiru 'One' Edit) Anyma & Ellie Goulding vs. Nostalgix - Hypnotized (Kastra _Power_ Edit) Taylor Swift vs. MGMT, Matt Pridgyn - The Fate of Ophelia (Andrew Marks _Kids_ Edit) SICK INDIVIDUALS, Matisse & Sadko, Third Party - Take Me There Steve Aoki & Vikkstar - All This Time (Kastra Remix) Kastra & Dani King - I Can't Stop Tate McCrae - Sports Car (Telykast Remix) Lorde vs. Meduza - What Was That (Kastra _Fire_ Edit) The Chainsmokers - Smooth Morgan Wallen & Post Malone vs. Audien - I Ain't Comin' Back (Kastra _Living In Color_ Edit) Jaden Bojsen & David Guetta - Let's Go (Acapella) Benson Boone vs. Lucas & Steve - Mystical Magical (Kastra _Feels So Good_ Edit) Swedish House Mafia vs. Medun - Wait So Long (Kastra _Golden_ Edit) Martin Garrix, Alesso & Shaun Farrugia - Inside Our Hearts

Galtere, Inc. v. Harvest Capital Asset Mgmt.

Special thanks to Buffalo Wild Wings for the outro.   Patreon Merchandise   Social Media: Twitter Instagram 

Today, we are another episode in our series, sponsored by our good friends at Railsware. Railsware is a leading product studio with two main focuses - services and products. They have created amazing products like Mailtrap, Coupler and TitanApps, while also partnering with teams like Calendly and Bright Bytes. They deliver amazing products, and have happy customers to prove it.In this series, we are digging into the company's methods around product engineering and development. In particular, we will cover relevant topics to not only highlight their expertise, but to educate you on industry trends alongside their experience.In today's episode, we are chatting with Julia Starun, Product Director at Railsware with over 17 years of experience in product management, business process automation and optimization. Julia will share her insights into where an MBA helps you manage a product team - and where it doesn't.Questions:What was your story before MBA, and what motivated your decision to pursue it?What real-world gaps between MBA theory and product management practices did you discover at Railsware?Does MBA training help with the "people management" side of leading product teams?How can the tools and frameworks you learned during your MBA help with uncertainty – or overcomplicate things – when creating products?How does understanding "business stuff" – like P&L, unit economics, financial modeling, etc. – change how you approach product decisions?Does MBA business strategy training help product managers think beyond features to market positioning?For someone already managing product teams, when does pursuing an MBA make sense versus other learning paths?What's your biggest surprise about how MBA education did (or didn't) change the way you approach the realities of product team leadership?Linkshttps://railsware.com/https://www.linkedin.com/in/julia-starun/Our Sponsors:* Check out Incogni: https://incogni.com/codestory* Check out NordVPN: https://nordprotect.com/codestorySupport this podcast at — https://redcircle.com/code-story-insights-from-startup-tech-leaders/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ep. 436 — Thursday Night Live Show (Oct 30, 2025) Kevin L. Warren moderates a sharp, no-fluff breakdown: Blue Jays vs. Dodgers (why Toronto owns the margins), the sports-betting integrity mess and prop bets, NBA load management vs. fan trust, the Mavericks–Stars arena showdown, plus NFL/NBA coaching decisions and early-season trends. With DA, Mike Mills, Ryan DeSouza, and MLB analyst Alvin Clawson.

In episode 292 of the podcast, we give MGMT's first album, ‘Oracular Spectacular', the Podioslave treatment. We're joined by friend of the pod, Kevin K. AKA “PRJCT MGR”. We dig into our early memories of the record, the production, the perfect side A, and everything in between. This record was a monster in the moment, and hold's up extremely well. We start the podcast talking about Kevin's new music, under the name PRJCT MGR. A new song is out TODAY, and you should definitely go spin it. It was co-produced by the multi talented Ep 280 guest Dave Gutter. Maine Gang stays on top! Check out PRJCT MGR here:IG: @prjctmgrPodcast theme performed by Trawl. Follow them here:Web: https://www.trawlband.com/IG/X/TikTok: @trawlbandWe'd love for everyone to hear this episode! Support the Podioslave family by rating, subscribing, sharing, storying, tweeting, etc — you get the vibe. Peace, love, and PodioslaveCheck us out here:Web: https://www.podioslave.comIG/Threads/X/TikTok: @PodioslaveYoutube: Podioslave PodcastEmail: Podioslavepodcast@gmail.com

Join Jeff Malec as he sits down with Brad Giaimo and Bruce Greig from Q3 Asset Management, two investment pros who turned trading floor grit into a modern, rules-based quant shop helping RIAs build out tactical trading models for clients.  From Brad's formative days alongside Paul Tudor Jones to Bruce's mathematical approach to market analysis, you'll hear how Q3 builds transparent, systematic models that aim to outperform while protecting downside risk.  If you're an RIA, allocator, or markets geek, this episode is packed with tactical insights and practical knowledge delivered by practitioners who've moved from the trading pits to the trading platforms. SEND IT!Chapters:00:00-00:42=Intro00:43-9:37= Cotton to Paul Tudor Jones: Brad Giamio's Trading Floor Origin Story09:38-19:39=From Bankruptcy Software to Quantitative Trading: Bruce Greig's Path to Q319:40-34:57=Q3's Organic Growth: From Family Funds to Advisor-Driven Strategies34:58-47:42=Systematic Investing Unveiled: Q3's Quantitative Model Philosophy47:43-01:03:16= Q3's Fund Evolution: From SMAs to Mutual Funds and ETFs01:03:17-01:09:47= Eddie Murphy & Trading Floor Memories: The Concentric Circles of Market InformationRCM Blog: The Definitive List of the Best Investing MoviesFollow along on LinkedIn with Bruce & Brad and be sure to check out Q3's website https://www.q3tactical.com/ for more information!Don't forget to subscribe to⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Derivative⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, follow us on Twitter at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rcmAlts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and our host Jeff at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@AttainCap2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ , and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sign-up for our blog digest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Disclaimer: This podcast is provided for informational purposes only and should not be relied upon as legal, business, or tax advice. All opinions expressed by podcast participants are solely their own opinions and do not necessarily reflect the opinions of RCM Alternatives, their affiliates, or companies featured. Due to industry regulations, participants on this podcast are instructed not to make specific trade recommendations, nor reference past or potential profits. And listeners are reminded that managed futures, commodity trading, and other alternative investments are complex and carry a risk of substantial losses. As such, they are not suitable for all investors. For more information, visit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rcmalternatives.com/disclaimer⁠⁠⁠

Today we are are continuing our conversation about the San Diego State University L Robert Payne School or Hospitality Masters Programs in Hospitality and Tourism Management and Meeting and Event Management program with four recent graduates along with Bollotta-fide's own Anthony Bollotta. They are alums from Cohort 5 in the Masters in Event Management program we have Renee Agsten (Ticketing and Operations Manager at DSP Shows) and Holly Gallacher (Meetings and Events Manager at Abbott) along with Cohort 11 in the Hospitality Tourism Management alums Hannah Grossman (Associate Brand Manager with Sonesta International Hotels) and Michael Garvin (Operational Excellence Manager for Marriott International/Ritz Carlton Maui, Kapalua). Find out what motivated them to enroll in the program, what they aspire to and how do they actively benefit now from their experiences.Submit ASK ANTHONY questions on the form at www.bollotta.com/podcastFollow @BollottaEntertainment on Instagram

Check out this week's QuadCast as we highlight how intranasal mupirocin decreases radiation dermatitis associate with nasopharynx radiation, the lack of benefit of immunotherapy in MGMT-unmethylated GBM, the role of neoadjuvant chemoradiation in unresectable pancreatic cancer, and more. Check out the website and subscribe to the newsletter! www.quadshotnews.com Founders & Lead Authors: Laura Dover & Caleb Dulaney Podcast Host: Sam Marcrom

On episode 423 of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into the sonic world of keyboards — not the clacky kind you're typing on, but the kind that can make a rock anthem soar or turn a groove into pure magic. Each host shares their personal top five tracks that showcase the power of keys.Professor Aubrey's picks span from Billy Preston's legendary turn on The Beatles' “Get Back”, to Stevie Wonder's funk-defining “Superstition”, the haunting post-punk of Joy Division's “Love Will Tear Us Apart”, MGMT's psychedelic anthem “Kids”, and the shimmering dance beat of Arcade Fire's “Sprawl II.”Tim the Nerd counters with his own heavy-hitting lineup: The Who's stadium-shaking “Baba O'Riley”, Van Halen's synth-laden “I'll Wait”, Ray Charles' groundbreaking “What'd I Say”, Queen's operatic masterpiece “Bohemian Rhapsody”, and The Doors' moody classic “Riders On The Storm.”Listeners can head over to the Friends Talking Nerdy website and cast their vote for whose playlist reigns supreme.But the episode doesn't stop there. Professor Aubrey shares her firsthand impressions of the 2025 Oregon Country Fair, bringing listeners along for the sights, sounds, and eccentricities of Oregon's most beloved countercultural gathering.Then, buckle up, because Tim the Nerd closes the show with a spoiler-packed deep dive into James Gunn's new film Superman — his take on the story, characters, surprises, and what it means for the future of DC films.From keyboards to country fairs to Krypton's last son, this episode covers it all with the trademark mix of nerdy passion and playful banter that makes Friends Talking Nerdy a must-listen.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Tiffany Johnson is originally from Texas, but grew up in California. At a young age, she was a bit of an adrenaline junkie, partaking in skydiving, snowboarding, wakeboarding and gymnastics. In school, she fell in love with Econ, Mgmt, and Statistics - and eventually, fell into the payment industry by accident. Outside of tech, she has been married for 20 years with 3 kids. Her kids are all snow skiers, though she doesn't hold that against them as a snowboarder.A few years ago, Tiffany was contacted about a new opportunity at a decades old company in the payments space. This company wanted to bring to market a solution around embedded finance, specifically for SaaS solutions - and Tiffany was the perfect product leader for the role.This is Tiffany's creation story at NMI.SponsorsPaddle.comSema SoftwarePropelAuthPostmanMeilisearchMailtrap.TECH Domains (https://get.tech/codestory)Linkshttps://www.nmi.com/https://www.linkedin.com/in/tiffany-johnson-b339242/Support this podcast at — https://redcircle.com/code-story/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

He's jammed with Freddie Mercury after Live Aid, written songs with Beach Boys royalty, and once found himself shooting guns in a backyard with KISS guitarist Ace Frehley…while on Quaaludes. I'm talking about musician, songwriter, and producer Larry Dvoskin. Over the years, Larry has collaborated with legends like Robert Plant, Sammy Hagar, Sean Lennon, Robin Zander, Bad Company, Al Jardine, and MGMT. In this episode, we cover it all—from co-writing “Wish” with Al Jardine, to talking quantum physics with Paul McCartney, to the unreleased David Bowie–Brandy track he's holding onto. He shares the full story behind that surreal Ace Frehley moment and discusses his latest release, “This New Age,” recorded with the band Familiar Faces. We kick off this conversation with a heartfelt look at the legacy of Brian Wilson - and the timeless music of the Beach Boys that continues to inspire generations. Keep up with Larry with the following links: ⁠Instagram⁠ ⁠Larry Dvoskin Website⁠ ⁠This New Age- Larry Dvoskin and Familiar Faces⁠ Songs from this episode: The Beach Boys - Don't Worry Baby KISS - Lick It Up Larry Dvoskin - This New Age The Beatles - Yesterday Led Zeppelin - Stairway to Heaven For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

Canadian journalist Nora Loreto reads the latest headlines for Tuesday, July 22, 2025.TRNN has partnered with Loreto to syndicate and share her daily news digest with our audience. Tune in every morning to the TRNN podcast feed to hear the latest important news stories from Canada and worldwide.Find more headlines from Nora at Sandy & Nora Talk Politics podcast feed.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterLike us on FacebookFollow us on TwitterDonate to support this podcast

Moist-soil habitat management involves lots of moving pieces, making it too easy to focus on one aspect and lose sight of the entire playing field. Kevin Nelms returns to break down the art and science--from ground-zero planning and mindset shifts to water manipulation, plant succession, and building a legacy for future generations of hunters--and ducks. Whether you're restoring an old field or fine-tuning established wetlands, this insightful discussion toes decades of expertise into a clear, actionable blueprint for putting it all together.  Refer to previous discussions below... ---------- Related Links: Wetlands Management for Waterfowl Handbook (PDF) Managing Moist-Soil Impoundments (YouTube)   ----------   Other Need-to-Hear Habitat Episodes: • EP 125. Wetland Management for Waterfowl Habitat 1/3 • EP 127. Wetland Management for Waterfowl 2/3 • EP 129. Wetland Management for Waterfowl 3/3 • EP 175. Wetlands Management for Waterfowl: Fall Considerations • EP 235. Waterfowl Habitat Management: Producing Desirable Moist-soil Vegetation • EP 237. Waterfowl Habitat Management: Controlling Problem Plants • EP 245. Waterfowl Habitat Management: Planting Agricultural Hot Crops • EP 254. Waterfowl Habitat Management: Good Intentions, Bad Ideas, Mismanagement • EP 483. Waterfowl Habitat Management: Rethinking Seed Mentality    ----------   Visit the Legendary Brands That Make MOJO's Duck Season Somewhere Podcast Possible: MOJO Outdoors  Alberta Professional Outfitters Society Benelli Shotguns Bow and Arrow Outdoors Ducks Unlimited  Flash Back Decoys GetDucks.com HuntProof Premium Waterfowl App Inukshuk Professional Dog Food  Migra Ammunitions onX Maps  Use code GetDucks25 Sitka Gear Tom Beckbe USHuntList.com   Like what you heard? Let us know! • Tap Subscribe so you never miss an episode. • Drop a rating—it's like a high-five in the duck blind. • Leave a quick comment: What hit home? What made you laugh? What hunt did it remind you of? • Share this episode with a buddy who lives for duck season.   Want to partner? Have or know a story to share? Contact: Ramsey Russell ramsey@getducks.com  

Imran Khan is the Founder at Proem Asset Management. In this episode we explore the arc of his remarkable career—from his early days as one of Wall Street's top-ranked analysts to leading global IPOs and eventually launching his own hedge fund.  We discuss: - Why gross margins are a critical indicator of fundamental shifts in a business - How he met Joe Tsai and helped lead Alibaba's record-setting IPO - The vision Evan Spiegel had that made Snap a generational product - His criteria for identifying high-quality public companies and warning signs to avoid - How private market hype has skewed investor incentives—and why that might be changing Links: Proem Asset Management - https://www.proemasset.com/ Imran on LinkedIn - https://www.linkedin.com/in/dotkhan/ Imran on X - https://x.com/dottkhan Support our Sponsors: Ramp: https://ramp.com/fort Vesto: https://www.vesto.com/fort BetterPitch: https://bit.ly/42d9L0I Topics: (00:00:00) - Intro (00:03:17) - Becoming a great research analyst (00:06:44) - The difficulty in controlling gross margins (00:08:25) - How to research companies to invest in (00:12:53) - Are there similarities today in technology to the 2001 tech bubble? (00:17:11) - The state of AI investing (00:20:04) - The America/China AI race (00:23:26) - Imran's experience with Alibaba (00:26:26) - The state of China's inevitability (00:31:11) - Imran's experience working at Snap (00:39:09) - Leaving Snap (00:40:26) - Imran's fund structure (00:43:00) - Being drawn to bias (00:45:05) - Mercenaries vs. missionaries (00:47:07) - The market likes to fool the greatest number of people (00:50:18) - The pendulum of private and public market investing Chris on Social Media: The Fort Podcast on Twitter/X: https://x.com/theFORTpodcast Instagram: https://www.instagram.com/thefortpodcast LinkedIn: https://bit.ly/45gIkFd Watch The Fort on YouTube: https://bit.ly/3oynxNX Visit our website: https://bit.ly/43SOvys Leave a review on Apple: https://bit.ly/45crFD0 Leave a review on Spotify: https://bit.ly/3Krl9jO