Podcast appearances and mentions of charles villiers stanford

This Day in Legal History: Starve or SellOn August 15, 1876, the United States Congress passed a coercive measure aimed at forcing the Sioux Nation to relinquish their sacred lands in the Black Hills of present-day South Dakota. Known informally as the "starve or sell" bill, the legislation declared that no further federal appropriations would be made for the Sioux's food or supplies unless they ceded the Black Hills to the U.S. government. This came just two months after the Lakota and Northern Cheyenne had defeated General George Custer at the Battle of the Little Bighorn, a major blow to U.S. military prestige.The Black Hills had been guaranteed to the Sioux in the 1868 Treaty of Fort Laramie, which recognized their sovereignty over the area. But when gold was discovered there in 1874 during Custer's expedition, settlers and miners flooded the region, violating the treaty. Rather than remove the intruders, the federal government shifted blame and sought to pressure the Sioux into surrendering the land.The 1876 bill effectively weaponized hunger by conditioning life-sustaining aid on land cession. This tactic ignored treaty obligations and relied on exploiting the Sioux's vulnerability after a harsh winter and military setbacks. Despite resistance from many tribal leaders, the U.S. government eventually secured signatures under extreme duress. In 1980, the U.S. Supreme Court in United States v. Sioux Nation of Indians ruled that the Black Hills were taken illegally and ordered compensation—money the Sioux have famously refused, insisting instead on the return of the land.Russian state-sponsored hackers infiltrated the U.S. federal court system and secretly accessed sealed records for years by exploiting stolen user credentials and a vulnerability in an outdated server. The breach, which remained undisclosed until recently, involved the deliberate targeting of sealed documents tied to sensitive matters like espionage, fraud, money laundering, and foreign agents. These records, normally protected by court order, often include details about confidential informants and active investigations. Investigators believe the hackers were backed by the Russian government, though they haven't been officially named in public disclosures.The Department of Justice has confirmed that “special measures” are now being taken to protect individuals potentially exposed in the breach. Acting Assistant Attorney General Matt Galeotti said that while technical and procedural safeguards are being implemented broadly, the DOJ is focusing particular attention on cases where sensitive information may have been compromised. He did not provide specifics but acknowledged that the situation demands urgent and tailored responses. Judges across the country were reportedly alerted in mid-July that at least eight federal court districts had been affected.This breach follows an earlier major compromise in 2020, also attributed to Russian actors, involving malicious code distributed through SolarWinds software. In response to both incidents, the judiciary has ramped up its cybersecurity efforts, including implementing multifactor authentication and revising policies on how sealed documents are handled. Some courts now require such documents to be filed only in hard copy. However, officials and experts alike have criticized Congress for underfunding judicial cybersecurity infrastructure, leaving it vulnerable to increasingly sophisticated attacks.The situation raises ongoing concerns about the security of national security cases and the exposure of individuals whose cooperation with law enforcement was meant to remain confidential. Lawmakers have requested classified briefings, and President Trump, who is set to meet with Russian President Vladimir Putin, acknowledged the breach but downplayed its significance.Russian Hackers Lurked in US Courts for Years, Took Sealed FilesUS taking 'special measures' to protect people possibly exposed in court records hack | ReutersA federal trial in California is testing the legal boundaries of the U.S. military's role in domestic affairs, focusing on President Donald Trump's deployment of troops to Los Angeles during protests in June. California Governor Gavin Newsom sued Trump, arguing the deployment of 700 Marines and 4,000 National Guard troops violated the Posse Comitatus Act, an 1878 law that prohibits the military from engaging in civilian law enforcement. Testimony revealed that troops, including armed units and combat vehicles, were involved in activities like detaining individuals and supporting immigration raids—actions critics argue cross into law enforcement.The Justice Department defended Trump's actions, asserting that the Constitution permits the president to deploy troops to protect federal property and personnel. They also claimed California lacks the standing to challenge the deployment in civil court, since Posse Comitatus is a criminal statute that can only be enforced through prosecution. U.S. District Judge Charles Breyer expressed concern about the lack of clear limits on presidential authority in such matters and questioned whether the logic behind the Justice Department's arguments would allow indefinite military involvement in domestic policing.Military officials testified that decisions in the field—such as setting up perimeters or detaining people—were made under broad interpretations of what constitutes protecting federal interests. The case took on added urgency when, on the trial's final day, Trump ordered 800 more National Guard troops to patrol Washington, D.C., citing high crime rates, despite statistical declines. The Justice Department has also invoked the president's immunity for official acts under a 2024 Supreme Court ruling, further complicating California's legal path.Trial shows fragility of limits on US military's domestic role | ReutersThe U.S. legal sector added jobs for the fifth consecutive month in July, nearing its all-time high of 1.2 million positions set in December 2023, according to preliminary Bureau of Labor Statistics (BLS) data. While this signals positive momentum, long-term growth remains modest; employment is only 1.7% higher than its May 2007 peak, showing how the 2008 financial crisis and the pandemic stalled progress. Big law firms, however, have seen major gains: between 1999 and 2021, the top 200 firms nearly doubled their lawyer headcount and saw revenues grow by 172%.Still, the wider legal job market—including paralegals and administrative staff—hasn't kept pace. Technological efficiencies and AI have reduced reliance on support staff, and the lawyer-to-staff ratio has declined steadily. Some general counsels are now using AI tools instead of outside firms for tasks like summarizing cases and compiling data, suggesting further disruption is on the horizon. Meanwhile, superstar lawyers at elite firms now earn upward of $10 million a year, driven by rising billing rates and high-demand corporate work.Broader U.S. job growth lagged in July, with the BLS issuing significant downward revisions for previous months. President Trump responded by firing BLS Commissioner Erika McEntarfer, accusing her without evidence of data manipulation. On the law firm side, Boies Schiller is handling high-profile litigation over Florida's immigration policies, with rates topping $875 an hour for partners. Separately, Eversheds Sutherland reported a 10% jump in global revenue, citing strong performance in its U.S. offices and a new Silicon Valley branch.US legal jobs are rising again, but gains are mixed | ReutersThe U.S. Supreme Court has declined to temporarily block a Mississippi law requiring social media platforms to verify users' ages and obtain parental consent for minors, while a legal challenge from tech industry group NetChoice moves through the courts. NetChoice, whose members include Meta, YouTube, and Snapchat, argues the law violates the First Amendment's free speech protections. Although Justice Brett Kavanaugh acknowledged the law is likely unconstitutional, he stated that NetChoice hadn't met the high standard necessary to halt enforcement at this early stage.The Mississippi law, passed unanimously by the state legislature, requires platforms to make “commercially reasonable” efforts to verify age and secure “express consent” from a parent or guardian before allowing minors to create accounts. The state can impose both civil and criminal penalties for violations. NetChoice initially won limited relief in lower court rulings, with a federal judge pausing enforcement against some of its members, but the Fifth Circuit Court of Appeals reversed that pause without explanation.Mississippi officials welcomed the Supreme Court's decision to allow the law to remain in effect for now, calling it a chance for “thoughtful consideration” of the legal issues. Meanwhile, NetChoice sees the order as a procedural setback but remains confident about the eventual outcome, citing Kavanaugh's statement. The case marks the first time the Supreme Court has been asked to weigh in on a state social media age-check law. Similar laws in seven other states have already been blocked by courts. Tech companies, facing increasing scrutiny over their platforms' impact on minors, insist they already provide parental controls and moderation tools.US Supreme Court declines for now to block Mississippi social media age-check law | ReutersThis week's closing theme is by Samuel Coleridge-Taylor.On this day in 1875, Samuel Coleridge-Taylor was born in London to an English mother and a Sierra Leonean father. A composer of striking originality and lyricism, Coleridge-Taylor rose to prominence in the late 19th and early 20th centuries, earning acclaim on both sides of the Atlantic. Often dubbed the “African Mahler” by American press during his tours of the U.S., he became a symbol of Black excellence in classical music at a time when such recognition was rare. He studied at the Royal College of Music under Charles Villiers Stanford, and by his early twenties, had already composed his most famous work, Hiawatha's Wedding Feast, which became a staple of British choral repertoire.Coleridge-Taylor's music blended Romanticism with rhythmic vitality, often inflected with the spirituals and folk influences he encountered during his visits to the United States. He was deeply inspired by African-American musical traditions and maintained a lifelong interest in promoting racial equality through the arts. His catalogue includes choral works, chamber music, orchestral pieces, and songs—each marked by melodic richness and emotional depth.This week, we close with the fifth and final movement of his 5 Fantasiestücke, Op. 5—titled "Dance." Composed when he was just 18, the piece captures the youthful exuberance and technical elegance that would characterize his career. Lively, rhythmically playful, and tinged with charm, “Dance” is a fitting celebration of Coleridge-Taylor's enduring legacy and a reminder of the brilliance he achieved in his all-too-brief life.Without further ado, Samuel Coleridge Taylor's 5 Fantasiestücke, Op. 5 – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Join The Revd Canon Dr Alison Joyce, Rector of St Bride's, and St Bride's Choir for this week's reflection in words and music. St Bride's Choir opens this reflection with the last from the set of Three Motets by Charles Villiers Stanford, "Beati quorum via" which sets Psalm 119: 1 – "Blessed are they whose way of life is wholesome: who walk in the law of the Lord." Today we celebrate the feast of St Peter and St Paul, two of the most significant saints in Christian history. Alison reflects on this rather unexpected pairing as although they likely died together, they had very different backgrounds and personalities and their relationship was not without its tensions. We close with the hymn "Ye watchers and ye holy ones" which has text by Athelstan Riley and is set to an uplifting German tune – Lasst uns erfreuen/ Let us rejoice. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. People are often surprised to learn that St Bride's receives no external funding. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

Join The Revd Canon Dr Alison Joyce, Rector of St Bride's, and St Bride's Choir for this week's reflection in words and music. St Bride's Choir opens this reflection with the last from the set of Three Motets by Charles Villiers Stanford, "Beati quorum via" which sets Psalm 119: 1 – "Blessed are they whose way of life is wholesome: who walk in the law of the Lord." Today we celebrate the feast of St Peter and St Paul, two of the most significant saints in Christian history. Alison reflects on this rather unexpected pairing as although they likely died together, they had very different backgrounds and personalities and their relationship was not without its tensions. We close with the hymn "Ye watchers and ye holy ones" which has text by Athelstan Riley and is set to an uplifting German tune – Lasst uns erfreuen/ Let us rejoice. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. People are often surprised to learn that St Bride's receives no external funding. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

In deze aflevering van Kalm met Klassiek hoef je je enkel op je ademhaling te richten. Ab Nieuwdorp praat je weer eens door die heerlijke ademhalingsoefening heen. En zo zorgt hij voor een zachte landing in de Ierse muziek van vandaag: 'Irish fantasies, nr. 5' van Charles Villiers Stanford. Wees je bewust van je ademstroom, ga op in de muziek, en ervaar hoe het stil mag worden in jezelf... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).

In a special edition of the Gramophone Podcast, we explore the music of Charles Villiers Stanford with the leading expert on the composer, Jeremy Dibble, who joins Editor Martin Cullingford to mark the centenary year of Stanford's death. Though arguably still best known today for his church music, we discuss the full breadth of Stanford's works, including his symphonies, songs, chamber music, and his operas - the latter a genre he was devoted to throughout his life. 

In deze aflevering van Kalm met Klassiek luister je naar Ierse muziek van componist Charles Villiers Stanford. In aanloop naar zijn serene koorwerk 'Silence is in our festal halls' gaat Ab in op het thema van de Dag van de Stilte, die afgelopen zondag plaatsvond. En dat heeft alles met de natuur te maken, dus ga vooral naar buiten tijdens het luisteren, mocht je in de gelegenheid zijn. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).

Deze aflevering van Kalm met Klassiek verschijnt op Dierendag! Speciaal daarvoor halen we 'The blue bird' van Charles Villiers Stanford nog eens uit de kast, want dat is o zo mooi. Met dit geliefde vogelwerkje is de tweehonderdste (!) aflevering van Kalm met Klassiek van dit jaar een feit. Het is de laatste aflevering in het thema 'Vogels', maar gelukkig fladderen we gewoon nog lekker verder de komende maanden. Ben je benieuwd naar onze huisdierenspecial? Klik dan hier (https://www.npoklassiek.nl/klassiek/luistertip/95f4e3c1-a0eb-401a-8fc8-aa6ef89d0999/huisdieren-oudjaar-special-van-de-podcast-kalm-met-klassiek)! Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

This service of Choral Evensong with a Sermon in Music for the Ninth Sunday after Trinity, 28th July 2024, has been collated from archive live music recordings together with prayers and readings for the appointed day specially recorded in church and in people's homes. It features a Sermon in Music which gives our professional St Bride's Choir the opportunity to sing for an extended period on a theme relevant to the liturgical season. Responses: John Holmes Psalm: 74: 11-16 Canticles: Evening Service in C – Charles Villiers Stanford Sermon in Music: i) For lo, I raise up – Charles Villiers Stanford; ii) O for a closer walk with God – Charles Villiers Stanford Organ Voluntary: Cortège et litanie – Marcel Dupré If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on

Hattie Butterworth meets soprano Sophie Bevan ahead of her appearance at the First Night of the Proms. Moving through Sophie's early life and career, they speak about her experience navigating a diagnosis of bowel cancer, the importance of her faith and family, and what she wishes audiences knew about the life of a singer.  Music included in the epsiode: 'Take the Heart' from Jephtha Act I, Scene 3: George Friderich Handel · The Sixteen · Harry Christophers on CORO (2014) 'Perché, se tanti siete' from Scena di Berenic on Perfido!  · Sophie Bevan · Franz Joseph Haydn · Ian Page · Classical Opera / The Mozartists on Signum Classics (2017) 'Ferma l'ali' from Pt. 1 Scene 2 from Handel's La Resurrezione · The English Concert · Harry Bicket · Sophie Bevan on Linn Records (2023) 'Beati Quorum Via' by Charles Villiers Stanford from Vidi Speciosam: Sacred Choral Music · Graham Ross · The Bevan Family Consort  on Signum Records (2023)    

Sunday Worship for May 12, 2024, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen Prelude—Free improvisation on the tune RAQUEL (ACS 948, “Womb of Life and Source of Being”) • Introit—Psalm 27:7, 8, 9, 1 • Gathering Hymn—Womb of Life and Source of Being •  Children's Message • First Reading—Acts 1:15-17, 21-26 • Psalm 1 • Second Reading—1 John 5:9-13 • Gospel—John 17:6-19  • Hymn of the Day—Rise, O Sun of Righteousness, ELW 657 • Anthem at the Distribution— Become to Us the Living Bread , arr. Donald Busarow (1934–2011) • Sending Hymn—  Rise, O Church, Like Christ Arisen, ELW 548  • Postlude—At Easter-Tide, Charles Villiers Stanford (1919–2009) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠

Another hour of winning performances from the 2024 Manx Music, Speech and Dance Festival. Performances in this programme are from :- Simon Fletcher - Winner - American Art Song - The Song of Black Max - accompanied by Graham Kirkland Joshua Clarkson - Winner - Piano Solo Class - Grade 5 and 6 - playing Minneleid (Anon) Matthew Quinn and Karen Elliot - Winners - Mixed Voice Duet Class - singing The Magic Chase by Dvorak - accompanied by Gareth Moore Evie Skillicorn - Winner - Songs from the Shows for ages 14 to 18 - accompanied by Madeline Kelly, singing ' I Will Be Loved Tonight' from the musical 'I Love You, You're Perfect - Now Change!' Graham Crowe - Winner - Song by a British Composer - accompanied by Graham Kirkland Parker Kissack - Winner - Boys Treble Solo - Age 10 to 11 - singing 'Windy Nights' by Charles Villiers Stanford and accompanied by David Kilgallon Thomas McAleer - Winner - Boys Treble Solo - Age 12 to 14 - singing 'A Smuggler's Song' accompanied by David Kilgallon Parker Kissack and Lyla King - Winners - Duet Class for ages 8 to 11 - Accompanied by Wendy McDowell singing 'Feed The Birds' These singers will join Debbie Gooding and Emily Coates in the final of the 2024 Cleveland Medal Test - all were awarded 85 or 86 marks, the highest marks given in any of the Special Solo Voice classes : Lorcan O'Mahony sings 'I want to die while you love me' - accompanied by Frank Woolley Neil Taverner sings The Apple Orchard by Lori Laitman - accompanied by Madeline Kelly Matthew Quinn - accompanied by Madeline Kelly - singing Die Stille Nacht by Alma Mahler Terry Qualtrough sings Sea Fever by John Ireland - accompanied by Gareth Moore And to finish ...... Manx Voices Triads (Mel Keating, Elisa Gerrard and Angela Gerrard) sing Harry Pickard's arrangement of Ellan Vannin

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy DibbleMarking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain's musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford's works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music.Music Featured:The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac' (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child's Garland of Songs, Op 30 No 9 (My ship and me) The Clown's Song from Twelfth Night', Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L'Allegro ed il Pensieroso' (Andante molto tranquillo) Shamus O'Brien, Op 61 (Act 2 Captain Trevor's Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim', Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feetPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Mezzo-soprano Sharon Carty and pianist Finghin Collins joined Marty to chat about their new album 'Cushendall' marking the century of Charles Villiers Stanford, and a series of concerts at the National Concert Hall. 

Exploring the motets and part-songs of Charles Villiers Stanford, including Beati quorum via and The Blue Bird. Led by George Cook Directed and accompanied by Polina Sosnina Performed by St Martin's Voices With thanks to the donors of the Spirit of St Martin's Campaign for supporting this season of Great Sacred Music.

durée : 01:28:52 - John Ireland - par : François-Xavier Szymczak - Élève du pionnier Charles Villiers Stanford, puis professeur du grand Benjamin Britten, John Ireland fut non seulement un passeur essentiel de la musique anglaise, mais aussi un compositeur de talent dont plusieurs œuvres se sont maintenues au répertoire.

durée : 01:29:23 - Charles Villiers Stanford, compositeur - par : François-Xavier Szymczak - Charles Villiers Stanford, né à Dublin en 1852. En évitant d'inutiles comparaisons avec les géants de son temps comme Wagner ou Debussy, jetons une oreille sur quelques-unes des trois cents partitions de Stanford pour orchestre, chœurs, piano, musique de chambre.

It's been a while since the last episode. Simon opens up about why. Also: chatting about the Dungeons and Dragons movie, Everything, Everywhere, All At Once, and possibly the most chaotic Corin's Pondence corner we've ever recorded. Rice's Church Primer: https://www.ribabooks.com/rices-church-primer_9781408807521 Simon's DnD one shot with Jasper: https://www.twitch.tv/videos/1777333997 Simon's documentary on the history of global warming: https://www.youtube.com/watch?v=hvGQMZFP9IA DCPOTW Magnificat for Double Choir by Charles Villiers Stanford: https://www.youtube.com/watch?v=yRTlGIJECPE The Last of Us: https://en.wikipedia.org/wiki/The_Last_of_Us_(TV_series) Everything Everywhere All At Once: https://en.wikipedia.org/wiki/Everything_Everywhere_All_at_Once Allelujah: https://en.wikipedia.org/wiki/Allelujah_(film) Pokemon Rimworld streams: https://www.youtube.com/playlist?list=PLvSp-8FGBzxkDhSb2PizB8993IQkS6LPA Hat Films Vault Hunters: https://www.youtube.com/playlist?list=PLW1Yb5N9dD8dBLk9NoQw4mhdPJuKEE25Q Our Patreon: https://www.patreon.com/thewikicast -------- Email us at: spongyelectric@gmail.com Follow us on Twitter: @DanielJMaw @simonoxfphys This week's article: https://en.wikipedia.org/wiki/Franklin_County_Jail_(Benton,_Illinois)  Fan discord channel: https://discord.gg/SZu6e2F This episode was edited by the wonderful Fergus Hall! https://www.fergushallmusic.com/ 

Samuel Coleridge-Taylor (1875-1912)  was a British composer.His mother was English and his father from Sierra Leone.  He referred to himself as "Anglo-African" and was referred to by white musicians in the US as the "Black Mahler", which is the title of the biography by  Charles Elford.Coleridge-Taylor entered the Royal College of Music at the age of only 15 and was taught by Prof. Charles Villiers Stanford, who conducted the debut performance of Coleridge-Taylor's "Hiawatha".  He is renowned in the US as a role model for black classical musicians and Elgar said he was “far and away the cleverest fellow going amongst the younger men".We hope you enjoy finding out more about him. Guest :  Chenoa Murphy Host:  Lottie WalkerEditor:  Harry JacobsAbout Chenoa Murphy: https://blackclassicalmusicians.com/about-chenoa/Follow  Chenoa on Twitter : https://twitter.com/chenoaalamuSuzuki Association of America: https://suzukiassociation.org/Chineke! Foundation: https://www.chineke.org/The Black Mahler Website: http://www.blackmahler.com/Thank you for listening. If you've enjoyed today's podcast do subscribe via your streaming platform so that you never miss an episode and you can catch up on past episodes.If you'd like to help us to keep the podcast going in these tough times, please consider becoming a patron. It's really easy to do. Just go to :https://www.patreon.com/bluefiretheatreif you're more comfortable with a one off donation you can do this via our website:https://www.bluefiretheatre.co.uk/or buy us a coffee on:https://ko-fi.com/bluefiretheatreEven the smallest donation helps us get our shows on the road and keep the lights on in the studio and we are so grateful for all your help and support.And finally...don't forget to follow us on social media. We'd love to hear from you!Find us at:https://twitter.com/famous_heardhttps://www.instagram.com/bluefire_tchttps://www.facebook.com/bluefirepodcast

As the Christmas festival continues, Roy Jenkins explores – with the help of a range of guests – the significance of one of the best known seasonal texts. The Magnificat is an outpouring of joy from Mary, on hearing the news from the Archangel Gabriel that she is to give birth to Jesus. The text, from St Luke's Gospel, will have been heard in many churches during the past few weeks as part of the telling of the Christmas story. There have been countless musical settings down the centuries – ranging from single line Gregorian chant to more florid settings from JS Bach and Palestrina, and in the present day from composers such as John Tavener and Arvo Pärt. As the Magnificat has an important place in Roman Catholic and Anglican liturgy, there are numerous settings for singing in the daily round of Vespers and Choral Evensongs in our cathedrals and churches. On the face of it, the Magnificat or “Mary's Song” as it's sometime known, isn't such good news for the mighty who will be unseated, and the rich who will be sent empty away. The German pastor and theologian Dietrich Bonhoeffer who was executed by the Nazis, described the Magnificat as “the most passionate, the wildest… the most revolutionary hymn ever sung.” But after a year during which we have seen the start of a war, a rise in the cost of living, a widening of the gap between rich and poor, continuing pestilence and the ravages of climate change, what hope can we glean from it for 2023? Our guests: The Rt Revd Mary Stallard, Assistant Bishop of Bangor. Andrew Wilson-Dickson, composer and Cardiff-based musician. Dr Emma Gibbins, Director of Music, St Woolos Cathedral, Newport. Revd Dr Craig Gardiner, Tutor at South Wales Baptist College and Cardiff University. Sean Stillman, Minister at Zac's Place, Swansea, and International President of God Squad. Revd Dr Jennie Hurd, Chair of Wales Synod Cymru of the Methodist Church. The programme includes extracts of settings of the Magnificat by Sir John Tavener, JS Bach, Charles Villiers Stanford, Richard Shephard, and Margaret Rizza.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.  Justorum animae – Charles Villiers Stanford

durée : 01:29:23 - Charles Villiers Stanford, compositeur - par : François-Xavier Szymczak - Charles Villiers Stanford, né à Dublin en 1852. En évitant d'inutiles comparaisons avec les géants de son temps comme Wagner ou Debussy, jetons une oreille sur quelques-unes des trois cents partitions de Stanford pour orchestre, chœurs, piano, musique de chambre.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Kalm met Klassiek staat op dit moment in het teken van ‘Vogels'. Veel componisten hebben een uitgesproken liefde voor de natuur, wat je dan ook terug kunt horen in talloze composities. Met name vogels en hun gezang blijken voor velen een onuitputtelijke inspiratiebron. Ik neem je graag mee naar muziek van iets meer dan een eeuw geleden. De engelse componist Charles Villiers Stanford stuitte op een gedicht met de titel The Blue Bird. 

Gerre Hancock (1934-2012), Preces & ResponsesHymn 242, “How oft, O Lord, thy face hath shone on doubting souls” JacobPsalm 150, Anglican chant: Charles Villiers Stanford (1852-1924)Harold Friedell (1905-1958) in FHoward Helvey (b. 1968), Awake, arise!Hymn 206, “Alleluia! O sons and daughers, let us sing!” O filii et filiaePeter Hurford (1930-2019), Magdalen, cease from sobs and sighsHymn 205, “Good Christians all, rejoice and sing” Gelobt sei GottProcessional Psalm 150, Anglican chant: George Talbot (1875-1918)

St. Patrick's Day is around the corner, and a very special group of musicians is visiting Oak Creek Public Library to take part in the festivities! Rachel and Leah prepare for their arrival by recommending media which celebrates Irish heritage & culture. Check out what we talked about: Books mentioned: "The Carnival at Bray" by Jessie Ann Foley with readalike "No Filter" by Orlagh Collins. "Rememberings" by Sinéad O'Connor. "Tales from Old Ireland" by Malachy Doyle. "The New Irish Table: Recipes from Ireland's Top Chefs" by various contributors as well as "The Irish Country Kitchen" by Mary Kinsella. "DK Eyewitness Travel" guides with readalike series "Fodor's Essential" travel guides. "The Guest List" by Lucy Foley with readalike "Smile" by Roddy Doyle. "Say Nothing: A True Story of Murder and Memory in Northern Ireland" by Patrick Radden Keefe with readalike "One Man's Terrorist: A Political History of the IRA" by Daniel Finn. "Love Letters" by Katie Fforde. Music artists & scores mentioned: Enya Van Morrison Sinéad O'Connor "The Best of Irish Music: Complete Sheet Music Editions" by Creative Concepts, including "Four Irish Dances" by Charles Villiers Stanford. Movies mentioned: Song of the Sea, directed by Tomm Moore The Secret of Kells, directed by Tomm Moore by Nora Twomey Wolfwalkers, directed by Tomm Moore and Ross Stewart Register for "Music of Friends: Ceol Cairde" by visiting oakcreeklibrary.org/events To access complete transcripts for all episodes of Not Your Mother's Library, please visit: oakcreeklibrary.org/podcast Celtic Impulse by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3484-celtic-impulse License: https://filmmusic.io/standard-license Check out books, movies, and other materials through the Milwaukee County Federated Library System: countycat.mcfls.org hoopladigital.com wplc.overdrive.com oakcreeklibrary.org

Today we're chatting with the Artistic and Executive Directors of the Santa Fe Desert Chorale to learn all about the storied past, present, and future of this unique professional vocal ensemble. We'll also learn about the inner workings of planning and producing a successful season for the Desert Chorale, and discuss some of the characteristics of what makes a successful artistic & executive team. http://www.inunisonpodcast.com/episodes/s05e01#transcript (Episode transcript) Edited by https://www.inunisonpodcast.com/fausto (Fausto Daos) Music excerpts “https://music.apple.com/us/album/encouragement/1340979696?i=1340979997 (Encouragement),” traditional Shaker song, performed by Santa Fe Desert Chorale, conducted by Dr. Joshua Habermann on the album “https://music.apple.com/us/album/the-road-home/1340979696 (The Road Home)” https://www.youtube.com/watch?v=9cqF4HzPpJw&t=203s (Eight Partsongs, Op. 119: 3. “The Blue Bird, ”) by Charles Villiers Stanford, performed by Santa Fe Desert Chorale, conducted by Dr. Joshua Habermann August 7, 2018 at Cathedral Basilica of St. Francis of Assisi, Santa Fe, NM “https://music.apple.com/us/album/mid-winter-songs-intercession-in-late-october/1340979696?i=1340980958 (The Road Home),” by Stephen Paulus, performed by Santa Fe Desert Chorale, conducted by Dr. Joshua Habermann on the album “https://music.apple.com/us/album/the-road-home/1340979696 (The Road Home)” Episode references https://desertchorale.org/ (Santa Fe Desert Chorale) https://desertchorale.org/artistic-director/ (Joshua Habermann), Artistic Director https://desertchorale.org/artistic-director/ (Emma Marzen), Executive Director  http://www.inunisonpodcast.com/donate (Support) In Unison! Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)

Local Wonders is an anthology of poetry, edited by Pat Boran, more than 100 poets were charged with the task of taking inspiration from their locale, from the things that have seen them through the last couple of years, Chris Wasser reviews After Life, Music for Galway will present a weekend of music celebrating composer, Charles Villiers Stanford

durée : 00:25:02 - Charles Villiers Stanford, Magnificat latin op 164 - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur une des compositions de Charles Villiers Stanford (1852-1924), son Magnificat pour huit voix en si bémol. - réalisé par : Philippe Petit

The Last Sunday after Pentecost: Christ the King ORISON: ‘Psalm 95' from Six Hymns to Doctor Watts – Alice Parker (b. 1925) PSALMS 93 and 150 – Plainsong, Tone VIII.3 and Charles Villiers Stanford (1852-1924) HYMN: Now thank we all our God (Tune: NUN DANKET ALLE GOTT) – mel. Johann Crüger (1598-1662); harm. Johann Sebastian […]

Musikudgivelser der er værd at lægge øre til og kunstnere der er værd at holde øje med. I denne uge bl.a. Klaverkvintet af Charles Villiers Stanford. Tilrettelæggelse: Claus Berthelsen.

Philip Radcliffe (1905-1986), Preces & ResponsesHymn 29, “O Trinity of blessed light” BromleyPsalm 1, Anglican chant: Bruce Neswick (b. 1956)Charles Villiers Stanford (1852-1924) in CMalcolm Boyle (1902-1976), Thou, O God, art praised in SionHymn 382, “King of glory, King of peace, I will love thee” General SeminaryJohn Ireland (1914-1992), Ex ore innocentiumHymn 408, “Sing praise to God who reigns above” Mit Freuden zartPsalm 150, Anglican chant: George Talbot (1875-1918)

This service of Choral Evensong with Sermon in Music for the Fifteenth Sunday after Trinity, 12th September 2021, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: John Sanders Psalm: 119: 73-88 Magnificat & Nunc Dimittis: Evening Service in D – Herbert Brewer Sermon in Music: i) Justorum animae – Charles Villiers Stanford; ii) Te Deum in C – Charles Villiers Stanford Organ Voluntary: Fugue in C major BWV 545 – Johann Sebastian Bach If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

The First Sunday after Pentecost: Trinity Sunday ORISON: O Trinity of blessed light – Jeff Junkinsmith (b. 1956) PSALMS 93 & 150 – Plainsong, Tone VIII.3 & Charles Villiers Stanford (1852-1924); arr. for men's voices by Peter R. Hallock (1924-2014) HYMN: Holy Father, cheer our way (Tune: Ton-Mân) – David Evans (1874-1948) NUNC DIMITTIS – Plainsong, Tone VII; harm. Lodovico […]

Van de acht strijkkwartetten van Charles Villiers Stanford is het Vijfde kwartet, in Bes-gr.t., opus 104 misschien wel het meest persoonlijke, niet in de laatste plaats omdat het een eerbetoon is aan de kort voor de voltooiing ervan in 1907 overleden violist en vriend van Stanford, Joseph Joachim. Boven de partituur staat dan ook “In […]

This podcast episode features the hymns and anthem recorded by Dr. Dennis Keene and the Ascension Choir, featuring the Manton Memorial Organ, for the Church of the Ascension's worship service on the Fourth Sunday of Advent, December 20, 2020, which took place online via Zoom. 1) Ye who claim the faith of Jesus; 2) O come, O come, Emmanuel, verses 7-8; 3) Magnificat in B-flat Major, by Charles Villiers Stanford; 4) Savior of the nations, come

This service of Choral Evensong with Sermon in Music for the Feast of Christ the King, 22nd November, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: Kenneth Leighton Psalm: 93 Magnificat & Nunc Dimittis: Evening Service in D – Thomas Attwood Walmisley Sermon in Music: i) Beati quorum via – Charles Villiers Stanford; ii) Te Deum in C – Charles Villiers Stanford Organ Voluntary: Voluntary in A minor – John Stanley If you would like to make a donation to support our ministry, music, and architectural heritage, please do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20 At the time of posting all public worship at St Bride's is suspended though the church's doors remain open for private prayer.

The Rev. Scott Donahue-Martens preaches a sermon entitled "A Shared Future". The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Coelos ascendit hodie" Op. 38, No. 2 by Charles Villiers Stanford and "God is gone up" by Gerald Finzi/arr. by Scott Perkins along with service music and hymns.

The Rev. Scott Donahue-Martens preaches a sermon entitled "A Shared Future". The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Coelos ascendit hodie" Op. 38, No. 2 by Charles Villiers Stanford and "God is gone up" by Gerald Finzi/arr. by Scott Perkins along with service music and hymns.

Il 29 marzo 1924 muore a Londra Charles Villiers Stanford. Alessandro Macchia lo racconta a WikiMusic

The Last Sunday after the Epiphany ORISON: O wondrous type! O vision fair (Tune: Aeterne Rex altissime) – Plainsong, Mode I, Zisterzienser Hymnar, 14th cent. PSALMS 2 & 150 – Plainsong, Tone VIII.3 and Charles Villiers Stanford (1852-1924); adapt. Peter R. Hallock (1924-2014) HYMN: Songs of thankfulness and praise (Tune: Salzburg) – mel. Jakob Hintze (1622-1702); harm. Johann Sebastian Bach (1685-1750) NUNC DIMITTIS: […]

Library Lunchtime Lecture by Professor Úna Hunt, Professor of Music Performance Research at the TU Dublin Conservatory. The fifth lecture in our series on 'Discovering Thomas Moore.' This lecture series accompanied our exhibition 'Discovering Thomas Moore: Ireland in nineteenth-century Europe'. Curated by musicologist Dr Sarah McCleave, School of Arts, English & Languages, QUB, the exhibition and lecture series exposes the breadth of Moore's research and writing about Ireland and explores Moore's role as an Irish writer with an international reputation in positioning Ireland within Europe through cultural exchange. It also addresses contemporary European fascination with the orient and Moore's influential role in depicting eastern culture, particularly via his hugely successful work, Lalla Rookh. Location: Academy House Date: Wednesday 20 November, 2019 Speaker: Una Hunt is Professor of Music Performance Research at the TU Dublin Conservatory and, as a prominent Moore scholar, has published widely on the subject. Her seminal book: ‘Sources and Style in Moore's Irish Melodies' is published by Routledge. Una also enjoys a flourishing career as an international pianist and curated a 38-venue national tour of Moore's Irish Melodies in 2008 and has since performed Moore in many prestigious international venues including Carnegie Hall, New York. Her discography of world-premiere CDs on Irish music includes the first ever complete archive of the Irish Melodies (6CD box set: My Gentle Harp, 2008) and a collection of the songs performed with a period instrument – Moore's Irish Melodies, the Square Piano Recordings (2009). She compiled the multi-media outputs for the exhibition first shown at the Royal Irish Academy: My Gentle Harp – Moore's Irish Melodies, 1808-2008, which was subsequently toured across Ireland and viewed by 100,000 people. Una is also an award-winning radio producer and presenter and has compiled numerous features for the BBC and RTE, including the 6-programme series: My Gentle Harp. She is presently collaborating with Wexford Festival Opera to mount a performance of The Veiled Prophet opera by Irish composer, Charles Villiers Stanford, based on Moore's oriental romance, Lalla Rookh. Disclaimer: The Royal Irish Academy has prepared this content responsibly and carefully, but disclaims all warranties, express or implied, as to the accuracy of the information contained in any of the materials. The views expressed are the authors' own and not those of the Royal Irish Academy.

durée : 01:57:46 - Musique à Florence (5/5) - par : François-Xavier Szymczak - Oeuvres de Giacomo Puccini, Piotr Ilitch Tchaikovski, Serge Rachmaninov, Ottorino Respighi, Benjamin Godard, Maurice Jarre, Luigi Cherubini, Charles Villiers Stanford et Pupo. - réalisé par : Céline Parfenoff

November 25, 2018 The Last Sunday after Pentecost: Christ the King ORISON: ‘Psalm 95' from Six Hymns to Doctor Watts – Alice Parker (b. 1925) PSALMS 93 and 150 – Plainsong, Tone VIII.3 and Charles Villiers Stanford (1852-1924) HYMN: Judge eternal, throned in splendor (Tune: Komm, o komm, du Geist des Lebens) – melody from Neu-vermehrtes und zu Ubung Christl. Gottseligkeit […]

Five members of the Graduating Class of 2016 discuss their experiences with faith in their Higher Education experience at Boston University. The Marsh Chapel Choir sings "Coelos ascendit hodie," Op. 38, No. 2 by Charles Villiers Stanford and "Nun danket alle Gott" by Johann Hermann Schein along with service music and hymns.

Five members of the Graduating Class of 2016 discuss their experiences with faith in their Higher Education experience at Boston University. The Marsh Chapel Choir sings "Coelos ascendit hodie," Op. 38, No. 2 by Charles Villiers Stanford and "Nun danket alle Gott" by Johann Hermann Schein along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Doxatechne". The Marsh Chapel Choir sings "Justorum animae", Op. 38, No 1 by Charles Villiers Stanford and "In paradisum" from requiem, Op. 48 by Gabriel Fauré along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Doxatechne". The Marsh Chapel Choir sings "Justorum animae", Op. 38, No 1 by Charles Villiers Stanford and "In paradisum" from requiem, Op. 48 by Gabriel Fauré along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Take Heed." The Marsh Chapel Choir sings "Es ist ein' Ros' entsprungen" by Donald Cashmore and "Magnificat in G Major" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Take Heed." The Marsh Chapel Choir sings "Es ist ein' Ros' entsprungen" by Donald Cashmore and "Magnificat in G Major" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Take Heed." The Marsh Chapel Choir sings "Es ist ein' Ros' entsprungen" by Donald Cashmore and "Magnificat in G Major" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Take Heed." The Marsh Chapel Choir sings "Es ist ein' Ros' entsprungen" by Donald Cashmore and "Magnificat in G Major" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "After Thirty Years." The Marsh Chapel Choir sings "Laudate Dominum" by W.A. Mozart and "Justorum animae, Op. 38, No. 1" by Charles Villiers Stanford along with service music and hymns.

A portrait of the composer and conductor Charles Villiers Stanford. (Originally broadcast 1974)

A profile of the Irish composer and conductor Charles Villiers Stanford who is seen as a key player in the British musical renaissance. Born in Dublin in 1852, he composed seven symphonies, but his best-remembered pieces are his choral music works for church performance. (First Broadcast 1974)

Selected Duets for Flute, Page 36 Number 3, performed by David Summer. This longer duet continues the duets of Kaspar Kummer. Besides being a composer, Kummer was an excellent flutist and teacher. Among his pupils was composer Friedrich Kiel. Kiel composed mostly chamber music, including several piano quartets. He also passed on his knowledge of composition to several students including the Irish composer Charles Villiers Stanford and English composer Frederic Hymen Cowen. The metronome setting for this performance is quarter note = 108.