Podcasts about this lp

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

Co-host Jeremy spins a late-stage release by "End of the World" singer Skeeter Davis. This LP emphasizes the country roots of the crossover popstar. We also learn about her tumultuous upbringing and rise to stardom.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks! 

KILL DEVIL HILL guitarist Mark Zavon and OCTOBER NOIR frontman Tom Noir join us on this week's edition of The Loaded Radio Podcast KILL DEVIL HILL is set to unveil its third album, "Seas Of Oblivion," on September 20th. This LP, meticulously crafted by engineer Chris Collier, who handled production, engineering, mixing, and mastering duties, seamlessly blends classic hard rock with elements of metal. The result is a musical journey that bridges the gap between contemporary and classic metal, reminiscent of iconic bands like SOUNDGARDEN and ALICE IN CHAINS. With "Seas Of Oblivion," KILL DEVIL HILL demonstrates its versatility, fearlessly experimenting with various styles, and pushing the boundaries of expectations to deliver a fresh and exhilarating experience for their devoted fans. Prior to the album's release, KILL DEVIL HILL has already treated fans to a taste of what's to come with the launch of four singles: "Playing With Fire," "Blood In The Water," "You Can't Kill Me California," and "Before The Devil Knows." Formed in 2011 by legendary drummer Vinny Appice (formerly of BLACK SABBATH and DIO) and bassist Rex Brown (PANTERA), KILL DEVIL HILL has undergone a couple of lineup changes, yet continues with a pummeling vengeance. The band's current roster includes Johnny Kelly (formerly of TYPE O NEGATIVE) on drums, Zavon on guitar, Dewey Bragg on vocals, and Matt Snell (formerly of FIVE FINGER DEATH PUNCH) on bass. In the podcast, Mark discusses the evolution of KILL DEVIL HILL, the band's new additions, his love for Wolfgang Van Halen and much more. Hailing from Pensacola, Florida, OCTOBER NOIR emerged onto the music scene in 2016 as a gothic/doom metal ensemble. Since their inception, they have crafted and shared their unique sonic vision through three full-length albums and an impressive collection of nine stand-alone singles. The brainchild of Tom Noir, OCTOBER NOIR was conceived in late 2016, and their inaugural album, "The Haunting and the Powerful," saw the light of day on October 19, 2017. Following the album's release, Tom Noir welcomed talented musicians into the fold for their live performances. Drummer Daniel "Stickz" Bryant, guitarist Troy Lambert, and keyboardist Jackie "Jaxxx" Daniel added depth and energy to the band's live shows. In 2018, OCTOBER NOIR expanded their repertoire by releasing two remarkable singles, both of which were captivating covers. "Pictures of Matchstick Men (RIPeter)," a reinterpretation of the classic by STATUS QUO and TYPE O NEGATIVE, graced listeners' ears on April 14, 2018. Subsequently, on July 5, 2018, they offered their rendition of "Lips like Sugar," originally by ECHO & THE BUNNYMEN, showcasing their versatility and creative prowess. In the second portion of the podcast, Tom discusses the band's influence, the new album "Letters To Existence", his use of torture devices and more. Tune in via the player below or wherever you get your podcasts.

Sitting in front of the computer, thinking about what I should write about for this week's EMN Round-Up, I put on one of my favorite Jazz albums, Miles and Monk, at Newport Live 1958. This LP is an essential listen for everyone alive today! Jazz, in essence, is a group of very talented musicians, each a master of their instrument, coming together; they may have a set list, or they may not. They play off each other's strengths, and somehow, without any sheet music or a conductor, they produce a fantastic piece of music. (If you don't like jazz, you can find the same type of collaborations with the Grateful Dead or Phish.) Jazz music can teach us much about disaster response, as both involve improvisation, collaboration, and adaptation to changing circumstances. Here are a few ways in which jazz music can inform disaster response:Links https://emnmedia.com/https://emnetwork.substack.com/ Get full access to The Emergency Management Network at emnetwork.substack.com/subscribe

Episode 93 Playlist for Part 2 Noise and Improvisations I found a mother lode of noise and experimental music hiding in the crates of my local New York record store. Corum, “Effigy Mounds: Ceremonial Music For Spore Alter” side a from Effigy Mounds: Ceremonial Music For Spore Alter” (2014 Psychic Sounds). Effigy Mounds is the second album of the Beguiling Isles Trilogy (Born of Earth's Torments / Effigy Mounds / Magic Mirror). This LP is about spore modification, the rise of the puffs, and juice modification. All with tabletop electronics and found sounds. Played and recorded 2012/2013. 20:07 Crumer-Franco, “Agony In The Zodiac” from Agony In The Zodiac (2008 Ahaziah). Vinyl, 12", Single Sided, Limited Edition. Droning, beautiful noise, hums, and crackling. Collaborative recording by Jason Crumer and Matt Franco made during the "American Band" sessions. Limited to 100 copies. 13:17 Noise Nomads, “Side B” from Ernest Thrasher (2013 Feeding Tube Records). Vinyl, 12", Album, Limited Edition. Noise and rhythmic noise by Jeff Hartford. Using Tascam 424 With Greenwood Electronics 2012 - 2013. 14:07 Jojo Hiroshige, Pika, Paal Nilssen-Love, Lasse Marhaug, Osaka Fortune (2013 Premier Sang). French release of noise/jazz improvisation. More Drums, Paal Nilssen-Love; Drums, Pika; Guitar, Jojo Hiroshige; Noises, Lasse Marhaug. Recorded at Osaka Chika-Ikkai, February 10th 2011. This noise romp is side two of this record. It begins with a supplementary drum track that sounds like mono to which Pika adds her own crashing, continual rhythms in stereo. 14:58 Pod Blotz, The Swamp Command (2006 Fish Pies). Vinyl, LP, Limited Edition. Pod Blotz is the electronic, experimental noise project of Suzy Poling, started in 2002. Limited to 320 numbered copies. 7:00 Rodger Stella, Kites, “Untitled” (side 1). from Interior Moon (2011 Mutter Wild). Both sides of the LP end in a locked groove. Rhythmic noise that is modulated in real time to gradually shift the timbres of the piece from beginning to end. 17:56 UW OWL, “Black Flag” from Thorn Elemental (2006 Phaserphone). Vinyl, LP, Limited Edition Recorded in 2003 on a broken, dust-filled concrete basement floor in Bushwick, NY. Die-cut record sleeve with letter-pressed inner tip-on. Copy 118 of edition of 333. Electronics and drum machines. Reminiscent of early Cabaret Voltaire. 3:13 Atmospheres Among the new arrival finds were several tracks that I categorize as atmospheric or ambient. Skanfrom, “A Fax” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:15 AGE, “Landscape” and “Electronics” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo with an affinity for ominous electronics. 9:12 AGE, “Hymalaya” from Landscapes (1980 Gamm Records). Emmanuel D'haeyere and Guy Vachaudez, a Belgian EM duo. I wanted contrast this soothing electronic sound with the previous tracks from this group. 2:34 Tangerine Dream, “Ride on the Ray” from Underwater Sunlight (1986 Relativity). Composed, Performed, Produced by Chris Franke, Edgar Froese, Paul Haslinger. Recorded April 1986, Berlin, West Germany. Another entry into the TG catalog. This album has some sounds and textures quite like Le Parc from 1985. 5:31 Nobuyoshi Koshibe (越部信義), Takashi Kokubo (小久保隆), “Midnight Submarine” (ミッドナイト・サブマリ) from Urashiman Synthesizer Fantasy (未来警察ウラシマン シンセサイザー・ファンタジー) (1983 Columbia). Continuing the water theme, some nicely produced Japanese synth music. 5:44 Opening background music: Thom Holmes, “Blader-WW1” (2019 no label). 16:36   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Philadelphia Rockers SORAIA lead singer ZouZou joins STRIKE A CHORD to celebrate their new album Bloom (2022) in both digital streaming and collector's vinyl edition. Bloom was released on Friday October 28th, 2022 and featured LIVE on our show. The last album SORAIA produced was in 2019. This new release explodes from the pressure building up from the last 3 years of not screaming on stage! Lead singer ZouZou recalls the hurdles of getting this record to the studio—but it was worth it. This LP is powerful and passionate—"It's the beginning of another great cycle of our career. We're very excited. We've waited a long time for this one in particular.” AND Steven Van Zandt under Wicked Cool Records is IN on this band! What's the success of your magic? The band's latest single “Tight Lipped” is blowing up the charts! “I think you just persevere in anything you do… if you really want it… you don't stop.” “I Seek Fire” OR should we all take the slow road to love? This track makes you think twice about dating apps. Falling in love is all about chemistry. Taking a shared risk in love is not easy. It should happen organically—BUT can we fight our biology? The pheromones are strong with this album! Support and listen: https://www.soraia.com

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

Bandcamp: http://bit.ly/omni-bc Juno: https://bit.ly/LTTS-Jn Beatport: https://bit.ly/LTTS-Bp Apple Music: https://bit.ly/LTTS-apple --------------------------------------------------------------------------------------- Cryogenics returns once more to Omni Music with his 4th LP. Demonstrating his mastery of atmospheric beats, he beautifully leads the listener into mini-worlds of breaks, bass, and sonic soul. This LP shows his versatility as well showing that breakbeat-led atmospheric drum and bass can move your feet as much as your mind. This is a 10 track opus of space-faring sounds, and we avidly wait to hear what Cryogenics rustles up next.

This LP is a treasure of both Pepe Romero's playing as well as the music of Mauro Giuliani Discogs Info --- Send in a voice message: https://anchor.fm/powellguitar/message Support this podcast: https://anchor.fm/powellguitar/support

THE "LET'S LISTEN" VAPORWAVE PODCAST. Vaporwave is an art aesthetic that embodies the anxiety, disillusionment, and nihilism of the modern world. In music form, vaporwave dives deep into these unconscious anxieties, manifesting sounds from past decades - warping them, manipulating them, and summoning the ghost of the good times that were promised by modern capitalism, but never came. Vaporwave is an expression of the pains of the collective modern unconscious, taking the form of heroin-level escapism, ecstasy-inducing pop music, or dystopian ambient worlds. Because of its internet-based nature, its aesthetics have evolved so rapidly, further reflecting the chaotic subconscious of the modern mind.Vaporwave captures the modern unconscious of humans raised by the internet succinctly, and understanding this art form matters. In each episode, we listen to tracks that make up genre and give our thoughts, analysis, emotions, and commentary on them. Let's set sail on the Virtual Ocean.And now, for today’s episode.What is up with the nostalgia around pre-9/11 cities? See-Muh Vanity, aka Dead Dream Vanity, explores this idea in the 2014 proto-ish vaporware album “fantasy Mayonaka Noapāto “, aka fantasy Midnight Apartment This record dropped during the early days of vaporwave, where the method of manipulating old samples to create something moody and dark started popping up all over the internet.This LP will engulf your entire body in the comfort of a leather couch stuffed with clouds. While you lay in its luxury, you begin to realize that the ideal city that this album takes you back to doesn’t exist.It never did.Let’s set sail for Dead Dream Vanity’s Fantasy Midnight Apartment.

Support the label: https://connectionverified.bandcamp.com/album/i-rocked-till-the-midnight-hour-at-melissas-bat-mizvah Connection Verified [FKA Controlled Violence] is back. After almost 5 years of releases, parties, and connections made across the world, CV felt like it was time for a change. Their latest full-length offering is from Oliver Moir (FKA Flora Tucker, AKA Sandman). This LP is left-field. Take, for instance, the LP's title ‘ Rocked Till the Midnight Hour at Melissa's Bat Mizvah. Brilliant. The 8-track ambient LP is a glowing excursion through Moir's perception of the world, as the album hums across vast plateaus, gently weaving in and out of endlessly complex pads, and into the pliant ears of listeners. Bomphcast / Bomphcast Audio · Premiere: Oliver Moir – Easy Now Girl, Come On Now Girl (Connection Verified – CVR XIX) The focus of this premier is Oliver's Easy Now Girl, Come On Now Girl. This synth-heavy track fills you with warmth. As the track plays out, introspection sets in. The tune would be perfect to open or close a DJ set. The LP is a departure from the old CV. To me, Oliver's work signifies the labels new direction. You can buy Rocked Till the Midnight Hour at Melissa's Bat Mizvah via CV's Bandcamp page.

This LP discusses the Washington Football Team hiring of Jason Wright as the First Black Team President in NFL History as well as their recent string of diverse and respected hires as they look to change not only the name but the culture in DC. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/upon-further-review/support

This LP discusses how the problems go deeper than the name as the bombshell report from the Washington Post accuses the executive leadership of rampant sexual harassment and abuse with the team formerly known as the Washington Redskins. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/upon-further-review/support

This LP discusses Dak's fight for a long term contract. (Recorded before news of Patrick Mahomes new contract). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/upon-further-review/support

This LP discusses the NBA restarting inside of the Bubble in the face of COVID 19. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/upon-further-review/support

This LP covers the two QBs who had to back-peddle on previous statements and how public figures put their foot in their mouths. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/upon-further-review/support

Jake Smith, aka The White Buffalo, released his 7th album, "On The Widow's Walk" this April and we just had to cover it. This LP features 11 songs that toss around your emotions and leave them for dead...in a good way, of course. Songs featured:  "The Drifter" "The Rapture" "Sycamore" "Widow's Walk" "Cursive"

The Virtual Ocean is the “Let’s Listen” vaporwave discovery podcast.What is vaporwave?Vaporwave is a music genre (and internet meme) that appropriates mood music from the past while presenting subtle takes on modern-day consumerist culture. The genre has drawn many passionate listeners with its powerful immersion, ambiguous commentaries, and the genre's unique ability to amalgamate with the memes created as its byproduct.It's a genre with several subgenres that are extremely distinct from one another in sound and style; and yet evoke similar archetypal ideas that say, either explicitly or implicitly, a lot about the modern world.It's also very, very, aesthetic.In each episode, we listen to tracks that make up genre and give our thoughts, emotions, and commentary on them.Vaportrap. The beautiful marriage between the chill, ambient vibes of vaporwave and the power and kinetics of trap music.But now, for today’s episode.In this episode, we explore the work of Italian vaporwave artist Quadratox.This album is one of EIGHTY projects released by Quadratox under the Business Casual vaporwave label.This LP has by far THE most range than any album we’ve covered ever.Ever wonder what an acoustic ballad sounds like with a vaporwave tinge? What about eurotrap? How about industrial and METAL? Quadratox displays an impressive range and sticks the landing on most of it.Ready to hear what it sounds like?Let’s go atomic and set sail into the mind of Quadratox’s 1995.

Toy Trucks kick of the show this week for a Wax Time Special where Richard plays 3 tracks from direct off the vinyl. Further to this, Richard has the pleasure of being in conversation with Jeremy Scott, lead singer and guitarist with The Toy Trucks. Jeremy is a likeable and laid back gent who effortlessly lets the conversation roll about the band. Richard is also curating New Music this week, bringing back Sports Team to the show. The Jaggeresque Alex Rice reminds us why guitar bands work. Excellent music and lyrical jokers Sports Team make a welcome return to form and impress the hell out of Tobin. Speaking of whom, he brings us Meg Myers with her high-school indie rocker Lemon Eyes. It's easy to get lost in its crashing guitar sounds. And Tobin is indeed master of sounds this week. He brings us some Cool Sounds straight out of Australia. Cool Sounds' latest LP is a massive hit with us here at Record Box HQ. Richard has been intermittently spinning this with Rockets, Bells and Poetry all week. All that's left is Tobin's Double Record Box Classic - it's his Nana exclusive 2-track playlist. It's the infectious sample-based early 90s classic by Chad Jackson and then something as suggested by his Grandmother. The Benny Goodman Orchestra featuring Peggy Lee remind us where pop music really started. Let's dive in. Track Listing Don't Be So Easy The Toy Trucks Lemon Eyes Meg Myers Captain Remo The Toy Trucks Fishing Sports Team Hear The Drummer (Get Wicked) Chad Jackson Why Don't You Do It Right Benny Goodman & His Orchestra feat. Peggy Lee Around And Down Cool Sounds Show You Love The Toy Trucks The Toy Trucks - as described by their label Here's what Black & Wyatt Records, Memphis-based record label has to say about The Toy Trucks: The Toy Trucks are collectively 180+ years old. They are fueled by equal parts cheap beer, cheap thrills and Cheap Trick. Over the band’s multi-year existence, songwriter/leader Jeremy Scott has developed an “anything but another crappy love song” ethos. This has resulted in the songs on the band’s first full-length, Rockets Bells and Poetry. (“We stole the title from Mama Cass Elliott,” Scott explains.) Over the course of said album, the band prove conversant with, among other things, Rascals-like blue-eyed grooves (Don’t Be So Easy. Along with grisly true crime balladry (57 Bayview), updated Del Shannonesque psychodrama (Hot Tears). And there's honest flat out rock and roll (I’m on the Dish But I Ain’t No Rag). This LP is both a stand-alone statement and a teaser for the band’s revved up live show. Rockets Bells and Poetry should satisfy anyone’s rock/garage/power-pop itch quite nicely. The Toy Trucks deliver stomping pop flavours on debut platter The Memphis Flyer Further praise from The Memphis Flyer Jeremy Scott is familiar to any fan of Memphis music. He has played in the original Reigning Sound and groups backing Harlan T. Bobo and Dan Montgomery. Although his ensemble playing reveals a fine sense of playing at the service of the song, it's barely offered a glimpse of his songwriting talents. For a time, he led the Wallendas, which also included longtime guitar ace Jim Duckworth, but that was ancient history in pop terms, and never resulted in a full length release. Nonetheless, as Scott's Sunday night DJ slot on WEVL makes clear, he is steeped in the history of pop and rock, old and new, and something was bound to come of it. Now, with his band The Toy Trucks making their debut, rockets bells and poetry (Black & Wyatt), we can finally hear all that cumulative experience blossom into some fine material. Read the full article Memphis combo The Toy Trucks... Led by ex-Reigning Sound member Jeremy Scott, the group — which also includes guitarist Dylan Cranmer, bassist Ryno Hanson and drummer Steve Barnat — have crafted a killer full-length debut for the local Black and Wyatt label that bears the influence of everything from Del Shannon to the Rascals, from garage to punk to power pop and beyond. Commercial Appeal FTBOTRB review of Rockets, Bells and Poetry Visceral. Well, you have been warned in the opening track that there is a distinct possibility you may get disemboweled. It's a raucous and driven way to open this excellent LP from the Memphis circuit's cheap beer driven rockers. However, you're in for quite a ride with Rockets, Bells and Poetry, it's not all balls out rocking. There's the self-effacing heart string plucker Show You Love which plays out the show this week. The whole sound of this LP is one of transition and exploration. The quite carnival-like C D B gives way to the anthemic Hot Tears without so much as a warning. Despite band leader Jeremy Scott professing the band is past its sell by date this recording is much more than that. Its freshness belies Jeremy's statement and one can only wonder how much that tongue in cheek comment actually influences the bands' sound. It is boyish, scruffy and offers more than an occasional sense of childlike wonderment. Much can be learnt from a few listens of this new offering from The Toy Trucks, such as punk glockenspiel. You may never have been touched by it before, but from now on you'll never be untouched. Excellent and rewarding music from past-it rockers who are only just beginning their journey. FTBOTRB official verdict: essential listening.

Dr. Kenneth W. McFarland (1906-1985) was a teacher, public speaker, author, and conservative pundit. He was born in Caney, Kansas, received a bachelor’s degree from Pittsburg State College of Kansas in 1927, a master’s degree from Columbia University in 1931, and a doctorate from Stanford University in 1940. Eventually, he became the superintendent of the Topeka, Kansas school system, and was the superintendent when the Topeka Board of Education was sued in the landmark anti-discrimination case Brown v. Board of Education (1954). After Brown v. Board, General Motors and Readers Digest, among others, hired him as a speaker.Many of McFarland's speeches were recorded and published as LPs by the Edward M. Miller and Associates, Inc. label from Grand Rapids, Michigan, which published LPs by many different conservative speakers.This LP is a recording of a speech McFarland delivered to a Rotary International group in about 1966. Among other things, he criticizes the Supreme Court, singling out Justice Douglas, and questions the legitimacy of the civil rights movement. See acast.com/privacy for privacy and opt-out information.

This LP is titled "I Have A Dream: The Rev. Dr. Martin Luther King, Jr. 1929-1968." It consists of 7 speeches delivered at the March on Washington, August 28, 1963, beginning with Martin Luther King, Jr.'s iconic "I Have a Dream" speech. It was published by 20th Century Fox Records in 1968, shortly after King's assassination. The liner notes were written by Nat Hentoff. Here is the tracklist:A1The Rev. Dr. Martin Luther King, Jr.A2A. Phillip RandolphA3Dr. Benjamin E. MaysB1A. Phillip RandolphB2John LewisB3Whitney M. Young, Jr.B4Roy Wilkins See acast.com/privacy for privacy and opt-out information.

Mohandas Karamchand Gandhi (1869-1948) was an Indian activist who led the Indian independence movement against British colonial rule. He became known for his advocacy of nonviolent civil disobedience to achieve political goals, and inspired civil rights movements around the world. In 1948, Gandhi was assassinated by Nathuram Godse, a Hindu nationalist, who fired three bullets into Gandhi's chest.This LP was published in 1972 by CMS Records, Inc., by arrangement with BBC Radio Enterprises. It was compiled from recordings of Gandhi and other political figures, and was written and narrated by Francis Watson. See acast.com/privacy for privacy and opt-out information.

On March 15, 1965, President Lyndon Baines Johnson spoke before a joint session of Congress, urging it to pass legislation guaranteeing voting rights. Johnson's speech led to the passage of the Voting Rights Act, which he signed into law on August 6, 1965. This LP consists of excerpts from Johnson's March 15, 1965 speech. See acast.com/privacy for privacy and opt-out information.

Kyle had the chance to talk to two of the biggest names in Heavy Metal the other day! Frank Bello of Anthrax and David Ellefson of Megadeth! The guys dropped a new LP today "Get It Out" with their side project "Altitudes and Attitudes." This LP has an incredible lineup of guest appearances including Ace Frehley (ex-KISS) Gus G. (Ozzy) Nita Strauss (Alice Cooper) and more! Kyle chats with Frank and David about the new LP, what the recording process was like and Frank and David talk about how A&A came to be, how it's therapy for them and how their wives think they're insane. All this and more, just click that play button and be sure to pick up Altitudes and Attitudes DEBUT LP "Get It Out" available now!

This LP was released in 1985 by the WWF and features most of the prominent professional wrestling stars and personalities of that era.

From the 1950s through the 1970s, it was common for large corporations to stage elaborate theatrical productions celebrating their business and products, often referred to as "industrial musicals." This LP is a recording of the musical numbers from an industrial musical produced by IBM in 1968. The full title of the album is, "Midwestern Region 1967 Hundred Percent Club, February 11-14, Chicago." The album was produced by MWR [Midwestern Region] Promotional Services, and performed by the "MWR Quintet": Don Bradshaw, Pat Creadon, Wayne Cook, Pete Jorgensen, and John Sirich. An amusing relic of mid-century industrial policy.Side 1:OvertureOpening MedleyBetter TomorrowHow ToThoroughly Modern IBMThink BigSide 2:Leading SalesmenCaptain IBMProposalOde to District ManagerFinale See acast.com/privacy for privacy and opt-out information.

What up everyone, Welcome to another episode of LEMeKNOW My guests on today's episode are Jonathan, Omar, Lou, Jordan aka J-Soulo, Sik Sleven, LP, and Doctor J members of the hip-hop group JustxUs. They came on the show to promote their new LP Broken Language. This LP is a game changer they locked themselves in the studio and laid out a stacked album. They stuck to what was important to them and the things that they face every day in there life. As men, POC, and as someone following their dreams. On this episode, we find out about who is JustxUs. We discuss some social issues that affect all of us. We find out about the influences East coast hip-hop has on their music and them as individuals. I also find out how much of an influence I was to them. They are throwing an album release party on Wednesday, October 3rd at Bruddahs, doors open at 7:30. This is a free event and the only time you will be able to get a physical copy of the LP. No money? Pre-save the album on Spotify to listen to it the moment it drops. Don't forget to follow them at: FB/Insta @Jusxus310 They are releasing Broken Language Thursday, October 4th Album Release party Date: Wednesday, October 3rd Location: Bruddahs 1430 W Redondo Beach Blvd Gardena Ca Doors open at 7:30 No Cover Like the podcast? Be sure to subscribe so you never miss an episode. While you are at it, leave a review to helps people find our podcast. 5 starts, please!!! I hope you guys enjoy!!! As Always… Thank You for listening and letting me be part of your day. Insta/Face @lemeknowpod Email lemeknowpod@gmail.com Track title: Southland By: @JustxUs310

What up everyone, Welcome to another episode of LEMeKNOW My guests on today's episode are Jonathan, Omar, Lou, Jordan aka J-Soulo, Sik Sleven, LP, and Doctor J members of the hip-hop group JustxUs. They came on the show to promote their new LP Broken Language. This LP is a game changer they locked themselves in the studio and laid out a stacked album. They stuck to what was important to them and the things that they face every day in there life. As men, POC, and as someone following their dreams. On this episode, we find out about who is JustxUs. We discuss some social issues that affect all of us. We find out about the influences East coast hip-hop has on their music and them as individuals. I also find out how much of an influence I was to them. They are throwing an album release party on Wednesday, October 3rd at Bruddahs, doors open at 7:30. This is a free event and the only time you will be able to get a physical copy of the LP. No money? Pre-save the album on Spotify to listen to it the moment it drops. Don't forget to follow them at: FB/Insta @Jusxus310 They are releasing Broken Language Thursday, October 4th Album Release party Date: Wednesday, October 3rd Location: Bruddahs 1430 W Redondo Beach Blvd Gardena Ca Doors open at 7:30 No Cover Like the podcast? Be sure to subscribe so you never miss an episode. While you are at it, leave a review to helps people find our podcast. 5 starts, please!!! I hope you guys enjoy!!! As Always… Thank You for listening and letting me be part of your day. Insta/Face @lemeknowpod Email lemeknowpod@gmail.com Track title: Southland By: @JustxUs310

Back for more Cosmic America, as we continue our deep-dive into The War on Drugs. This LP, entitled Slave Ambient, broke The War on Drugs more fully into the national consciousness, featuring many of the key characteristics that made their music so interesting and attractive to so many people. We cover it track-by-track, giving anecdotes and details for all of the songs.Be sure to subscribe to Cosmic America on iTunes, and give us a positive rating if you're feeling charitable. Cosmic America is recorded and produced by Galen Clavio and Alex McCarthy. You can reach us on Twitter at @doctorgc or at @akmccarthy.

Stay Tuned on Fb > www.facebook.com/8daymtl Follow 8day > @8day-montreal Some Science is a new project from Miguel Prieto & Javier Moreno who we know from the fantastic trio @ProblemMakers. They deliver a fat techno EP on spanish label iLogic, tune ine for this exclusive premiere on 8day! Follow Some Science > https://soundcloud.com/somescience Follow the Record Label, ILogic > https://soundcloud.com/ilogic_label / www.facebook.com/ilogiclabel/ Ilogic is an electronic music record label based in Spain. We bet on new talents, emergence and established artist in the international music scene. Our musical identity is all electronic music with strong personality and powerful sound. The Universe of Gödel by Some Science "Relativity is correct, while time, is an illusion" this is the claim for this LP, the first work from Some Science; a techno music duo based in Madrid / Berlin. His unique approach to the studio and his vision of techno music make this duo a safe bet for electronic music. His creations talk about music from inside part, rethinking the relationships between people and sound, ensuring an illusory connection with the real world and facilitating access to parallel universes. The Universe of Gödel is a dark techno LP with lines of fast arpeggios and powerful bass. A not very complicated musical line with pads and melodies easy to understand , all built under a pure and real sound. From the machines directly to the dancefloor , a big sound whith the best techno taste . This LP is dialogue between the machines, the human mind and mathematics.Three fundamental elements to understand this LP

For this 25th episode,  I wanted to do something special for all you listeners and at the same time pay homage to one of Florida's best south seas Polynesian tiki tourist attractions. I'm referring to a place where every element was Polynesian themed. Some of the attractions on the roster included: • Polynesian Garden • Peacocks Villa • a Jungle Trail • Tiki Lagoon • Monkey Village • The Garden Wedding Chapel • Fire Mountain • Bird Tower • Trader Franks "Polynesian" restaurant •  and 8 gift shops that offered souvenirs and treasures from the south seas and beyond I'm sure many of you already know the place I've just described. But for those of you who don't, I'd like to introduce you to "Tiki Gardens".  Tiki Gardens was a South Seas Polynesian theme park located in Indian Shores, Florida. In 1962, "Trader" Frank and "Wahine"Jo Byars opened a small garden (about four acres) that was adjacent to their Signal House Gift shop. Unfortunately in 1963 the gift shop burned down but within one year, Frank and Jo were able to rebuild, expand and reopen the attraction.  And By 1969 "Tiki Gardens" expanded to a 12 acre tourist attraction making it a favorite for guests of all ages.  Now, Sadly in 1986, the Byars sold "Tiki Gardens" to a developer who planned to build a hotel on the large property but it never came to be and eventually the land was turned into a public beach access parking lot.  Luckily for us, there was a souvenir LP record produced that included an audio journey of "Tiki Gardens". This LP was titled "Exotic Sounds from Tiki Gardens" and it features the song "Polynesian Fantasy", which your hearing in the background.  For this special 25th episode, "Tiki Gardens" will be open again for business, at least in our imaginations on Exotic Tiki Island.   Join me now as I play host and MC to this wonderful Polynesian attraction from yesteryear and share with you the Exotic Sounds of Tiki Gardens.  Show LInks: Our Sponsor: Ho-Tap-Fefti (Paradise Found) Website: http://www.cafepress.com/hotepnefti Official Exotic Tiki Island Website: http://www.exotictikiisland.com Track List: 1. Trade Winds - Kenny Sasaki & The Tiki Boys 2. Hawaii - King Keoni and his Islanders - This Is Hawaii 3. Blue Hawaii - Eddie Bush - Legends of the Ukulele 4. Hukilau - Sol Kamahele & Diamond Head Beach Boys - Music of Hawaii 5. Beyond the reef - New Hawaiian Band - Hawaii's Greatest Hits 6. Lovely Hula Hands - Bing Crosby - Return to Paradise Islands 7. Aloha Oe - Elvis Presley - Blue Hawaii 8. Honana Honana / Tsviri - Eddie Lund - The mutiny Drums - Sharkskin Concerto 9. Hawaiian Wedding Song from Tiki Gardens CD 10. Coronation - Martin Denny - Quite Village 11. Yellow Bird - Art Coates - Whistling Like the Birds 12. Island Moon - The Polynesions 13. The Ancient Galleon - Les Baxter - The Exotic Moods of Les Baxter 14. Crickets Of Karachi - Don Tiare - The Music Of Les Baxter 15. Moonlight In Waikiki - Danny Stweart - Song of the Islands 16. Afro-Samba - Rodger Roder - Nino Nardini - Obsession Exotique 17. Pretty Red Hibiscus - The Hawaiian Beach Boys - Bali Hai 18. Lotus Land - Martin Denny - The Exotic Sounds of Martin Denny 19. The Sounds of Exotica - Ted Auletta - Exotica 20. Polynesia Poppie - Kava Kon 21. Temptation - Johnny Spencer and the Kona Koasters - s' Pacifica 22. Hula Blues - Lani McIntire - 23. Tiki Gardens - Tiki Brian's Exotic Remix (again with outré) 24. On a Coconut Island - Paul Shimomoto - All That Hawaiian Jazz