Podcasts about voder

Giving computers a voice has always been at the center of sci-fi movies; “I'm sorry Dave, I'm afraid I can't do that” wouldn't hit as hard if it just appeared on screen as a terminal output, after all. The first electronic speech synthesizer, the Voder, was built at Bell Labs 85 years ago (1939!), and it's…. something:We will not cover the history of Text To Speech (TTS), but the evolution of the underlying architecture has generally been Formant Synthesis → Concatenative Synthesis → Neural Networks. Nowadays, state of the art TTS is just one API call away with models like Eleven Labs and OpenAI's TTS, or products like Descript. Latency is minimal, they have very good intonation, and can mimic a variety of accents. You can hack together your own voice AI therapist in a day!But once you have a computer that can communicate via voice, what comes next? Singing

INHALT: Wir berichten darüber, wie man in Rechenzentren die eingesetzte Energie effektiver nutzen kann und mit der Abwärme Häuser beheizt. In den USA gibt es eine Gesetzesvorlage, die Autohersteller dazu verpflichten soll, wieder Mittelwellen-Empfänger einzubauen Und, Eva-Maria stellt uns ein wahrlich revolutionäres Gerät vor, den VODER. Mit diesem gelang es bereits vor dem Zweiten Weltkrieg, künstliche menschliche Stimmen zu erzeugen. Wenn Sie es nicht glauben, wir haben Tonbeweise dafür. VERSCHLAGWORTUNG: Green IT Energieeffiziente Rechenzentren Der Voder Künstliche Simmerzeugung GEMA INFO / FOLGENDE MUSIKTITEL WERDEN IN DIESER SENDUNG GESPIELT Alison Krauss, Shawn Colvin, Jerry Douglas - The Boxer xPropaganda - Only Human Daliah Lahvie - Schalt dein Radio ein Pasa Doble - Computerliebe F.R. David - Words don´t come easy Foreigner - Say you will Gruß und vy 73, Rainer Englert (DF2NU)

Guadalajara, Jalisco, México, 1975. Vive y trabaja en Guadalajara y San Diego, CA. Es un artista e investigador que combina una variedad de medios que incluyen grabado, fotografía, escultura, video, pintura, dibujo y cerámica. Sus intereses de investigación incluyen tecnología, automatización y sociedad, y sus implicaciones en nuestro contexto. En su trabajo, como parte de una metodología, ha elegido yuxtaponer eventos, imágenes, técnicas, materiales y procesos que le permiten examinar e investigar las experiencias de contemporaneidad en su proporción local y global, así como analizar las relaciones entre imaginería contemporánea e histórica. Conceptualmente, su trabajo enfatiza la disfuncionalidad, la hibridación, la anomalía y la fusión como parte de un proceso complejo que lo lleva a cuestionar cómo se construye la estructura de la imaginación colectiva, su importancia y su impacto en la memoria cultural. Su trabajo ha sido presentado en San Diego Art Institute (2019), The Armory Art Center, Pasadena, CA (2019, Commons Gallery UCSD, San Diego (2019), Espacio Tolsa (2019), Robert and Frances Fullerton Museum of Art, San Bernardino (2018), Museum of Latin American Art, Long Beach (2016), Torrance Art Museum, Torrance (2015 ), Vincent Price Museum, Los Ángeles (2013) en California. Museo de las Artes (MUSA) (2018), Museo de la Ciudad (2016), Museo Raul Anguiano (MURA) (2014), en Guadalajara, Jalisco, México. Actualmente cursa una maestría en artes visuales en la Universidad de California en San Diego (UCSD). Tracklisting: “XIS NOILLIM RALLOD BASTARD”: 1. AI, Artificial Intelligence, Steven Spielberg, 2001. 2. EL HOMBRE NUCLEAR INTRO ESPAÑOL LATINO 3. Future Robots. Towards a Robotic Science of Human Beings | FedericaX on edX, 2018. 4. Here Come The Bastards, Sailing the Seas Of Cheese, Primus 1991. 5. Love Songs For Robots, Patrick Watson, 2015. 6. The Turing Test, Alan Turing, 1950. “The Human Invention Of the Human Sound”: 1. The TerraForming. The Revenge of the Real. Part 3_ Artificial Anthropos (Face as Infrastructure), Strelka Institute, 2020. 2. ElectroLarynx Speech, voice files. WebWishpers. 3. VODER (1939) - Early Speech Synthesizer, Homer Dudley, 1937-1938 . 4. God Hates a Coward, Tomahawk, 2001. 5. The Theremin, Léon Theremin, 1920. 6. Six Litanies for Heliogabalus, John Zorn, Mike Patton 2007. 7. AlienVoices - organs a capella (polyphonic overtone and mongolian khoomei throat singing). 8. Adult Theme For Voice, Robot Sex, Mike Patton, 1996. 9. The Turk Automaton {History Specials - Lost Magic Decoded}. 10. Vocal Vision II for the new Vocal Tract Organ, David M. Howard, 2014.   “äb-jekt”: 1. Art is Pretentious* | The Art Assignment | PBS Digital Studios. 2. Mario Carpo: "The Second Digital Turn" | Talks at Google. 3. Gilbert Simondon - Entrevista sobre la mecanología [Parte 1] (1968). 4. Object, Three Imaginary boys, The Cure, 1979. 5. What is Presentism? (Philosophy of Time). 6. Statues Also Die (Les statues meurent aussi), Alain Resnais, Chris Marker, and Ghislain Cloque, 1953. 7. DIY CNC Machine - Testing Foam Insulation Cut. 8. Mighty Thor TV cartoon intro (1966). 9. We must ask a stone to record its autobiography, Juan Bastardo, 2019.   “Model Nº58”: 1. Augmented Future Open Bionics Trailer - Deus EX: Mankind Divided, 2016. 2. Change Utopia! An interview with Hou Hanru, 2015. 3. How prosthetics went from peg legs to biolimbs, VOX and Massachusetts General Hospotal, 2016. 4. A German man makes wooden hand and leg prosthetic devices for amputees during World War II, Critical Past, 1944. 5. Prefiero ser un Cyborg que una Diosa, Leer es Sexy, 2018. 6. Teóricos, Discutible, Babasónicos, 2018. 7. Salon | Artist Talk | The Idea of Utopia in Art and Life, 2011.     --- Send in a voice message: https://anchor.fm/dominiopublico/message

Conversations avec...un article. C'est 10-15 minutes où je rends compte d'un article scientifique récent paru dans une revue en sciences humaines et sociales. Épisode 10 : Siri, Alexa et Google Home, une histoire de l'oralité machinique. L'article original : Justine Humphry et Chris Chesher, "Preparing for smart voice assistants: Cultural histories and media innovations", New Media & Society, mai 2020. --------- Les extraits de voix de robots : Voder (1939) : https://www.youtube.com/watch?v=0rAyrmm7vv0 Electro (1939) : https://www.youtube.com/watch?v=soO9CR1NiZk --------- Les extraits de voix de robots : Voder (1939) : https://www.youtube.com/watch?v=0rAyrmm7vv0 Electro (1939) : https://www.youtube.com/watch?v=soO9CR1NiZk --------- Les autres références universitaires citées par les deux auteur.e.s : John langshaw Austin, Quand dire, c'est faire, Points / Essais. Paris, Seuil, 1991. Félix Guattari, "L'oralité machinique et l'écologie du virtuel", dans Roger Chamberland et Richard Martel (ed.), Oralités-Polyphonix 16, Interventions/ Les Presses du réel, Canada, octobre 1992. Theo van Leeuwen, Introducing Social Semiotics: An Introductory Textbook, London ; New York, Routledge, 2004. Walter J. Ong, Oralité et écriture: La technologie de la parole, 1ʳᵉ éd. Paris, Les Belles Lettres, 2014." --------- Pour aller plus loin : **Sur les assistants vocaux/le son en régime numérique** : Un beau n° de la revue Réseaux sur les agents conversationnels : https://www.cairn.info/revue-reseaux-2020-2.htm Olivier Ertzscheid, "We need to talk. À propos du Père Noël, des mensonge d'état et des interfaces vocales", 24 septembre 2018, en ligne : https://affordance.typepad.com/mon_weblog/2018/09/we-need-to-talk.html Stéphan-Eloïse Gras, "L'écoute en ligne. Figures du sujet écoutant et mutations des espaces musicaux sur Internet", These de doctorat, Paris 4, 2014. Adresse : http://www.theses.fr/2014PA040210 [Consulté le : 16 juin 2020]. Andreas Hepp, "Artificial companions, social bots and work bots: communicative robots as research objects of media and communication studies", Media, Culture & Society, 2020, p. 0163443720916412. Internetactu, "Si les assistants vocaux sont la solution, quel est le problème ?", 12 janvier 2019, en ligne https://www.lemonde.fr/blog/internetactu/2019/01/13/si-les-assistants-vocaux-sont-la-solution-quel-est-le-probleme/ **Sur l'oralité** : Jack Goody, Entre l'oralité et l'écriture, Paris, Presses Universitaires de France - PUF, 1994. Ryoko Sekiguchi, La Voix sombre, POL Editeur, 2015. Paul Zumthor, Essai de poétique médiévale, Le Seuil, 2016. **Sur la littérature web** : Tant d'oeuvres que je suis sur YouTube/Facebook : François Bon, Gracia Bejjani, Milène Tournier, Marine Riguet, Anh Mat...Suivre le hashtag #LittéraTube sur YouTube + le collectif Pneumatic Cinema. **Sur la mémoire des formes culturelles** : Yves Jeanneret, "Ecriture et médias informatisés" dans Anne-Marie Christin, Histoire de l'écriture. De l'idéogramme au multimédia, Flammarion, 2012 [2001], P. 394-402. Eric Méchoulan, "Intermédialité, ou comment penser les transmissions", Fabula Colloques, 2017. **Sur les robots, la littérature, les stéréotypes** : Anaïs Guilet, Pour une littérature cyborg : l'hybridation médiatique du texte littéraire, These de doctorat, Poitiers, 2013. Adresse : http://www.theses.fr/2013POIT5001. Robert Sparrow, "Robotics Has a Race Problem", Science, Technology, & Human Values, 45(3), 2020, p. 538‑560. **Sur l'invocation** : Sidy Diop, L'énonciation homérique et la pratique de l'invocation à la Muse, Circe, 15 (1), 2011, en ligne : https://cerac.unlpam.edu.ar/index.php/circe/article/view/2496

CD1 ‘Earth’, layers Earths Hertz frequency to create instant calm and comfort for the listener. The Earth behaves like a gigantic electric circuit. Its electromagnetic field surrounds and protects all living things with a natural frequency pulsation of 7.83 hertz on average — the so-called “Schumann resonance,” named after physicist Dr. Winfried Otto Schumann, who predicted it mathematically in 1952. I hope you like it. Ethnic Prayer and ancient chants rub shoulders with the ’Voder’, Alan Watts and Carl Sagan whilst heavenly vocals fuse with crystal clear cinematic Sci-fi tracks in order to transport you from earth to space. You’re about to press play on a very different journey. It’s an audio story about Humans and where we are as a species in 2020. We live on a dying planet, yet we can’t leave for another. We have more technology and information than ever before but we’re still not acting quickly enough to save it. My travels around the world, thoughts, ideas and research have all been a subconscious preparation for this mix. It combines many of my ponderings and endless late nights spent going through YouTube watching old interviews and oddities about humans, our psyche and our relationship with Earth & Space. I have read many interesting books on many different topics but the common theme has been understanding human psychology. How to expand it, explore it and make it more positive. It’s only in the last 4 years that I started mixing and creating again, returning to music as a source of creative release and positive escapism. I also have a huge passion for film, which I studied at University where I found particular interest in fusing sound and vision to disorientate the viewer and make them second guess what they were seeing and hearing. I’m combining all these interests for this concept album. The mix is therefore different than many of my other mixes. It contains some very personal tracks on both CD’s and my original edits and samples. Both mixes were recorded live in one take on 4 decks.

Quais os primeiros jogos a usarem voz? Como limitações levaram às mais criativas soluções? Como a popularização da mídia ótica mudou a preocupação da quantidade para a qualidade? E afinal, quais nossas aplicações favoritas de vozes em jogos?E o que você tem a dizer?Deixe seu feedback acessando o post deste podcast, ou mande um e-mail para contato@jogabilida.deLinks Comentados: Vídeo: Macintosh Falando Painel: Síntese de Voz para Jogos Vídeo: Voz Recriada do Joe Rogan Vídeo: Máquinas de Voz Antigas Vídeo: Voder Vídeo: JoyCon Tocando Música Site: Commodore SAM Vídeo: Origem dos Gritos de Golden Axe Vídeo: Rivaldo Sai Desse Lago Vídeo: Comercial Dercy Blocos do Podcast: 00:02:40: Apresentação da Convidada 00:04:21: Máquinas Antigas 00:13:13: Síntese e Digitalização de Vozes 00:23:26: Primeiros Jogos com Vozes 00:43:19: Vozes com Limites 01:00:56: Vozes sem Limites 01:25:56: Nossos Favoritos 01:40:33: O Futuro Trilha do Podcast: "Getting Started" de Exapunks "Prototyping" de Shenzen I/O "The Robots" de Kraftwerk "Keep the Groovin" de Streets of Rage "My Loved Ones Are Gone (OCRemix)" de Wolfenstein 3D "Green Greens (Remix por Qumu)" de Kirby's Dream Land "Joy (In the Labyrynth)" de Persona Q "Poltergeist Mix (OCRemix)" de Ghouls'n Ghosts "One More Time" de Rockman X3 "Theme" de Clay Fighter "Yume de Owaranai" de Tales of Phantasia "Two Days Ago" de Animal Crossing "Hot N Cold (Simlish)" de Katy Perry "Girlfriend (Português)" de Avril Lavigne "Succumb to the Wilderness (OCRemix)" de Wild Arms "Ace of Spades" do Motorhead "Rhapsody in Poo (OCRemix)" de Conker's Bad Fur Day "Theme of Laura" de Silent Hill 2 "True" de Silent Hill 2 "Hope (Instrumental)" de Grand Chase "The Summit" de God of War "Want You Gone" de Portal 2 "Bound Together" de Pyre "My Only Chance" de The Toxic Avenger

Laura y Santiago hablan sobre voces artificiales, ¿sí saben? No sólo tenemos asistentes de voz en los celulares (que representan mucho dinero invertido por grandes corporaciones), sino que además existen parlantes inteligentes que uno puede llevar a la casa. De eso se trata este episodio. Hablamos sobre la moda, sobre la historia de la «síntesis de habla», sobre las ventajas y desventajas del audio como interfaz y sobre la personalidad de estas voces medio inteligentes. www.cosasdeinternet.fm Con el apoyo de: ▸Oyentes como tú en Patreon Notas del episodio: Apoyarnos en Patreon. Platzi. Steve Jobs presenta el primer computador Macintosh, y ¡la máquina habla! Siri, Cortana, Alexa y más información sobre asistentes virtuales. Así se ve el Google Home. «Helpful Mom Voices», el episodio de podcast que nos inspiró de Mike Rugnetta. Síntesis del habla (en Wikipedia). Presentación de The Voder. Artículo sobre «2001: Odisea del espacio» y el computador 704 de IBM. El video que menciona Santiago sobre el audio como una interfaz para consultar información: «Is voice really the future of computing?». La primera operadora de teléfonos en Boston, Emma Nutt, y la transición de «operadores» a «operadoras». Suso el Paspi en Waze. Google Duplex pide una cita a una peluquería. Recomendación: AirTable.

Reason 10 is announced, A Tasty Pixel's SampleBot, Spitfire Audio's Hans Zimmer's Percussion library, the 1939 Voder speech emulator, Bjork's new album, Thompson Holiday's Evolution of Dance Music infographic, the new Apple stuff.

Reason 10 is announced, A Tasty Pixel's SampleBot, Spitfire Audio's Hans Zimmer's Percussion library, the 1939 Voder speech emulator, Bjork's new album, Thompson Holiday's Evolution of Dance Music infographic, the new Apple stuff.

Cold War The 50s, the 60s, and the 80s and the climate at the time of the film. Star Wars (but not that Star Wars). Weapons to End War Gatling and the Gatling Gun, Alfred Nobel and dynamite, Tesla and his particle beams, and…. nuclear weapons? Early-80s Computing Hardware Text-To-Speech. Voder at the 1939 World’s Fair. Matthew Broderick’s computer. WarGames computer graphics and rendering radar screens. Machine Learning Teaching computers to teach themselves. The point where this movie steps into scifi territory. Dinosaurs Dinosaur extinction hypotheses at the time of the film. Falken is a psychopath. Hardcore History 59 - The Destroyer of Worlds: Hardcore History Silicon Cowboys: iTunesAmazon Support the show!

In 1939, an astonishing new machine debuted at the New York World's Fair. It was called the “Voder,” short for “Voice Operating Demonstrator.” It looked sort of like a futuristic church organ. An operator — known as a “Voderette” — … Continue reading →

In 1939, an astonishing new machine debuted at the New York World’s Fair. It was called the “Voder,” short for “Voice Operating Demonstrator.” It looked sort of like a futuristic church organ. An operator — known as a “Voderette” — … Continue reading →