Podcasts about canon ae

C’est la rentrée, et c’est aussi la rentrée du blog, pour la 31e fois depuis 1995 et le sujet du jour sera l’IA et la créativité. L’idée n’est pas d’aborder l’intelligence artificielle sous un angle technique, mais plutôt celui de la réflexion, en puisant à la fois dans mon parcours numérique et artistique. En 2026, la quatrième version de mon programme intitulé « La création de contenu à l’ère de l’IA » (Content Creation in the Age of AI, en anglais) sera dispensée à tous les étudiants du groupe Omnes Education. Une première vidéo avait été enregistrée en 2024 sur ce sujet, et un sérieux rafraîchissement s’imposait. J’ai donc pris pas mal de recul pour en apprendre davantage sur l’impact de l’IA, notamment sur la musique et les arts créatifs. Trois points seulement sont couverts ici, histoire de ne pas me perdre dans un sujet bien trop vaste. D’abord, la popularité apparente des artistes IA sur les plateformes de streaming comme Spotify, avec l’exemple d’un groupe appelé Breaking Rust. Ensuite, l’étude de la Stanford GSB sur les arts visuels et l’impact de l’IA sur les créateurs. Enfin, mes propres réflexions et conclusions sur tout cela. L’IA a-t-elle étouffé créativité et originalité ? Regard sur la période 2024-2026 IA et créativité, et popularité fabriquée, parce que ça aussi, ça existe. En 2024, je m’étais posé cette question : « L’IA et ses outils vont-ils étouffer toute créativité ? » dans le cadre de mon programme Shift24, conçu spécialement pour le groupe Omnes Education. Le programme complet ne peut pas être partagé en ligne, mais mes collègues d’Omnes ont eu la gentillesse de me laisser publier ce petit texte pour mes lecteurs et abonnés, et je tiens à les en remercier chaleureusement, ainsi que pour leur soutien renouvelé ces quatre dernières années. Dans ce cours de 2024 consacré à la « créativité », en m’appuyant sur le dictionnaire Merriam-Webster, j’ai distingué l’innovation de l’invention, et j’ai choisi de me concentrer sur cette dernière, en particulier dans la musique, un sujet que je n’avais pas encore abordé dans mes cours précédents. J’ai ensuite illustré cela avec Suno, capable de produire jusqu’à 900 000 morceaux de musique par jour dès 2024 (loin devant les 1 128 compositions de Bach sur toute une vie de 65 ans). J’ai donc partagé un morceau que j’avais généré moi-même, « The Dying Cyberspace ». Je ne dirai pas que je suis fier de cette chanson, mais au moins, je me suis bien amusé à la générer, et la gratification a été immédiate. (En dehors de mes maigres talents de compositeur) tout cela soulevait des questions sur la valeur de la création musicale, le risque de stagnation créative, et l’épineuse question de la propriété intellectuelle, puisque ces IA sont entraînées sur des siècles de musique créée par des humains. Rien de bien nouveau sous le soleil jusque-là. Pratiquement tous les journalistes ont dû écrire la même histoire ces trois dernières années. Cela dit, j’ai trouvé que cela manquait un peu de recul. J’ai donc relativisé la nouveauté du phénomène en rappelant quelques précédents historiques, « Popcorn » de Gershon Kingsley (1969), les compositions en boucle de Zoe Keating (un exemple parmi bien d’autres), ou encore le projet Magenta de Google, qui remonte à 2016. Ce ne sont là que des exemples. J’ai choisi de rester bref, mais la créativité musicale appuyée sur la technologie ne manque pas depuis plus de 50 ans. Pensons déjà au regretté Klaus Schulze et à ses camarades d’Ash Ra Temple, Tangerine Dream, Kraftwerk, et à toute l’école dite Krautrock, sans oublier le mouvement new wave des années 1980. J’ai aussi cité Wim Mertens, Philip Glass, Laurie Anderson, et des artistes allemands comme Nils Frahm, qui mélangeaient déjà électronique et acoustique bien avant l’IA générative. La vraie différence aujourd’hui, ai-je fait valoir, tient à l’échelle, car ces outils sont désormais entre toutes les mains. Que ce soit pour créer une musique du genre de The Dying Cyberspace, ou un travail généré par IA bien plus ambitieux, comme cet album entier de faux Pink Floyd, qui ne s’est pas aussi bien vendu que The Dark Side of the Moon ou Wish You Were Here. Avec un brin de courage, j’avais conclu à l’époque que l’IA ne remplacerait pas les musiciens, mais deviendrait simplement un instrument de plus dans la boîte à outils créative, la véritable innovation venant de la façon dont les humains utilisent ces outils. La musique restant fondamentalement une affaire d’expression humaine et d’émotion, je pensais, plutôt optimiste, sinon naïf, que la musique générée par IA ne marquait pas la fin de l’invention musicale, mais plutôt le début d’un nouveau chapitre. Voilà pour mes réflexions d’il y a deux ans. Il est temps à présent d’aller plus loin et de voir ce qui s’est passé en 2025-2026. Comme expliqué plus haut, j’ai concentré cette nouvelle recherche sur trois points. D’abord, la popularité apparente des artistes IA sur les plateformes de streaming comme Spotify, avec l’exemple d’un groupe appelé Breaking Rust. Ensuite, l’étude de la Stanford GSB sur les arts visuels et l’impact de l’IA sur les créateurs. Enfin, mes propres réflexions et conclusions. Breaking Rust Breaking Rust, un tube sur Spotify Commençons par Breaking Rust. Breaking Rust est un groupe de country généré par IA qui a atteint la première place du classement Billboard Country Digital Song Sales en novembre 2025, sur Spotify. Les chiffres semblent énormes, plus de 2 millions d’auditeurs mensuels sur Spotify, et plus de 3 millions d’écoutes en moins d’un mois. Le projet est crédité à un certain Aubierre Rivaldo Taylor, dont on sait pourtant très peu de choses. Rivaldo Taylor serait apparemment payé, d’après ce que j’ai pu découvrir, uniquement au téléchargement. Combien ça rapporte ? J’ai essayé de calculer ce que ce classement Billboard pouvait réellement rapporter à monsieur Taylor. En ne regardant que Spotify, et en comptant qu’un artiste touche entre 0,003 et 0,005 dollar par écoute, le revenu potentiel se situait quelque part entre 9 000 et 15 000 dollars pour ce seul premier mois. Étalez ça sur un an, et vous arrivez sans doute à quelque chose comme 100 000 dollars, à condition que la popularité du groupe ne s’essouffle pas, ce qui a plutôt tendance à arriver, puisqu’il devient déjà plus difficile de trouver Breaking Rust sur Spotify. J’ai ensuite essayé de comprendre ce qu’il faudrait faire pour hisser un titre comme celui-ci en tête des classements. Imaginons que je crée un morceau avec Suno ou une application similaire, que je le mette en ligne sur Spotify, et que je veuille le propulser tout en haut des charts. Ce que j’ai appris, c’est que si peu de morceaux sont réellement achetés par les auditeurs sur ces plateformes que le simple achat d’un millier de téléchargements suffit largement à atteindre la première place, pour ce genre de musique en tout cas. Mon estimation, c’est que si Rivaldo Taylor avait fait cela, ça lui aurait coûté environ mille dollars pour ces mille téléchargements. Voilà un moyen simple et peu coûteux de trafiquer les résultats, et un chemin plutôt facile vers le sommet. IA et créativité : Breaking Rust a-t-il triché sur les applaudissements ? Il vit en tout cas en sursis, à l’en croire. Growth hacking Ce qui se passe sur ces plateformes ne se limite pas au contenu. C’est ce que les experts du marketing digital appellent le growth hacking, autrement dit la manipulation des statistiques, et ce domaine est truffé de fraude. Le streaming généré par des bots en est le point de départ, avec des robots qui écoutent, ou plutôt qui font semblant d’écouter, des morceaux pour les faire paraître plus populaires qu’ils ne le sont réellement. Sur Deezer, l’une des plateformes de streaming, on a constaté que 70 à 85 pour cent des écoutes étaient signalées comme générées par IA. On en est arrivé à un point où cela menace les plateformes elles-mêmes, car qui a vraiment envie d’écouter autant de bouillie numérique (AI Slop) ? Breaking Rust n’est pas si mauvais que ça pourtant, je le trouve même plutôt bon, mais je n’ai pas envie d’écouter ça du matin au soir. Je veux écouter de vrais artistes. La méthode qui a peut-être été utilisée par Breaking Rust est classique. Difficile d’affirmer avec certitude qu’elle l’a été ici, mais c’est probable. Le même genre de combines se retrouve sur d’autres plateformes, comme Instagram. Jos Avery, le vrai-faux photographe sur Instagram. Avec l’IA, créativité et authenticité ont pris un coup Un « photographe » Instagram du nom de Jos Avery, prétendument basé à Londres et photographiant avec un Nikon D810, s’est révélé être un avatar IA publiant des photographies générées par machine, faites avec Midjourney et Photoshop. En regardant son fil Instagram, il m’a semblé assez évident que ses portraits étaient générés par IA. Peut-être que les utilisateurs d’Instagram ne font pas la différence. IA et créativité, le coût de l’IA pour les vrais créateurs d’arts visuels En m’intéressant aux arts visuels, je me suis tourné vers l’étude de la Stanford GSB qui compare 2024 et 2025. L’IA fait croître les ventes globales des plateformes, le gâteau grossit donc, mais la part qui revient aux créateurs se réduit de façon spectaculaire. C’est quelque chose que l’on a déjà observé avec le contenu, le marketing des plateformes et les réseaux sociaux, et cela se produit désormais aussi avec l’IA. C’est du marketing de plateforme classique. Il y a tellement de bouillie numérique que la part de valeur revenant au contenu, et son prix, part littéralement à la poubelle. L’impact sur les arts visuels est considérable. Dans une enquête menée en 2026, 32 pour cent des illustrateurs ont déclaré avoir perdu des commandes à cause de l’IA générative. La perte annuelle moyenne chez les illustrateurs britanniques touchés par ce boom de l’IA s’élevait à environ 9 000 livres sterling. Selon la Society of Authors, 26 pour cent des membres ont signalé une perte de travail liée à l’IA, avec une perte de revenus associée avoisinant les 40 pour cent. C’est considérable. On peut donc dire que l’IA n’a probablement pas tué la créativité, mais elle a bel et bien tué la valeur qui lui était associée. Je peux confirmer que la même chose s’est produite dans le marketing de contenu. Le renouveau de la photo argentique a un coût, et je ne parle même pas de cette magnifique bête à droite, là-haut. Mais je pense qu’il va y avoir un renouveau, un peu comme ce qui s’est passé avec la photographie argentique, et comme vous le savez, je suis moi-même photographe. J’ai récemment acheté un appareil flambant neuf datant de 1966, et je suis allé chercher le vieux Canon AE-1 de mon père. Je me suis remis à l’argentique, même si je suis en réalité un pionnier de la photo numérique, ayant commencé en 1995 et n’ayant jamais cessé de photographier en numérique depuis. Pourtant, je trouve aujourd’hui qu’il y a de bonnes raisons pour les photographes de revenir à la pellicule. C’est d’ailleurs ce qu’explique Tony Northrup dans la vidéo ci-après. Alors que le look photo pro a été copié par Midjourney, celui-ci finit par devenir « craignos » (cringe), et la nouvelle tendance des photographes new-yorkais ces temps-ci est de revenir à l’argentique et, si possible, au moyen format. J’étais d’ailleurs en train de suivre la même tendance de manière intuitive. La première raison, c’est d’échapper au soupçon d’IA qui touche déjà l’écrit, où des textes ont été rejetés parce qu’ils contenaient des tirets cadratins, alors que tout le monde utilisait ces tirets avant que l’IA ne les rende suspects. La méfiance monte, et les utilisateurs comme les clients tiennent à savoir d’où vient réellement le contenu. L’avez-vous fait vous-même, ou l’avez-vous fait avec l’IA ? Et si vous l’avez fait avec l’IA, ça ne veut pas forcément dire que c’est mauvais, mais ça veut certainement dire que ça ne vaut plus la même chose. Si l’IA peut produire quelque chose en une seconde, pourquoi paierait-on un professionnel mille euros pour faire la même chose, peut-être même sans relecture ? La hausse du prix de la pellicule est elle-même un bon signe de la valeur croissante de l’argentique face au numérique. Une pellicule peut coûter jusqu’à 20 dollars, soit 15 euros en Europe, le rouleau, même si ça dépend de ce qu’on achète, la pellicule 6×6 coûte plus cher que le 35 mm (24×36), qui est moins onéreux et se trouve autour de 5 euros en France. Mais si je tire une pellicule complète de 36 poses et que je fais agrandir tous les tirages, ça peut facilement revenir à 60 ou 70 euros par pellicule, ce qui est beaucoup, et si je fais une erreur, ce qui m’arrive de temps en temps puisque je n’ai plus l’habitude et que je dois réapprendre le processus, ça coûte encore plus cher. Mais cette rareté même est la preuve que rien n’a été synthétisé. C’est réel, c’est vrai. C’est un peu comme le retour du vinyle chez les jeunes, dont vous faites probablement partie. Le vinyle n’est pas meilleur que le CD, contrairement à ce que l’on pense. Il est même bien pire sur le plan technique, mais il a ce grain analogique, quelque chose d’humain. Je crois que de plus en plus de gens vont exiger davantage d’humanité dans la création. Les créateurs de contenu (ordinaires) pourront-ils encore en vivre ? C’est vrai, on peut truquer les classements, pour l’instant. Breaking Rust a prouvé qu’il est facile de tricher avec le streaming, mais je ne pense pas que la fraude par bots va durer. Spotify, Deezer, Apple et les autres, avec en plus l’AI Act européen, vont faire porter le fardeau de la preuve vers la transparence, tout comme cela se produit déjà pour l’écrit, comme je l’ai évoqué dans une autre vidéo. Il ne semble pas évident qu’on puisse se faire prendre, mais je crois qu’au bout d’un moment les gens voudront des preuves que rien n’a été trafiqué. En photographie numérique, cela voudra dire montrer ses fichiers RAW et l’historique de ses retouches, parce que sinon c’est bien trop facile, surtout avec les nouveaux outils d’image comme Gemini ou ChatGPT, dont les résultats sont vraiment impressionnants. Je pense donc que la créativité survivra. Ce qui est bien moins certain, c’est de savoir si les personnes qui travaillent réellement dans les métiers créatifs pourront en vivre. Là, c’est beaucoup plus douteux. AI-Creativity-Visionary Marketing version 2026Télécharger la présentation À propos du Groupe OMNES Education OMNES Education (anciennement INSEEC U.) est un groupe français d’enseignement supérieur. C’est le seul groupe à proposer une offre de formation tout au long de la vie couvrant le Management, l’Ingénierie, les Sciences politiques et relations internationales, ainsi que la Communication et la Publicité, à travers des écoles telles que ECE, ESCE, EU Business School, INSEEC, IUM Monaco, Sup Career, IFG Executive Education, HEIP-CEDS, Sup de Création, Sup de Pub et Créa Genève. Le groupe forme 40 000 étudiants, accompagnés par 3 000 experts au sein de 15 écoles et 19 campus, avec 215 000 alumni. Les campus sont situés à Paris, Lyon, Bordeaux, Beaune et Chambéry, ainsi qu’à l’international à Monaco, Londres, Barcelone, Munich, Genève et Lausanne. Source : omneseducation.com/en/the-group/about-omnes-education | omneseducation.com/en/the-group/governance À propos du programme Shift Shift est un programme unique et obligatoire, pleinement intégré au cursus des étudiants d’Omnes. Son objectif premier est de leur permettre d’acquérir des connaissances et de développer des compétences complémentaires à leur domaine d’études initial. Le programme comprend quatre mini-cours, d’une durée de 12 heures chacun, dispensés par les écoles du Groupe. Les étudiants ont la liberté de choisir l’une des quatre thématiques proposées, leur permettant ainsi d’explorer un nouveau champ d’enseignement. Selon l’école, les étudiants peuvent sélectionner parmi trois thématiques ne relevant pas de leur domaine d’études initial. Parmi ces quatre thématiques figure « La création de contenu à l’ère de l’IA ». Ce cours a été dispensé pour la première fois en 2023 et fait l’objet d’une actualisation constante. Les étudiants y explorent les enjeux liés à l’usage de l’IA. Au-delà de la simple découverte des outils et des capacités technologiques, l’accent est mis sur l’esprit critique et la transformation personnelle. The post IA et créativité : faisons le point en 2026 appeared first on Marketing and Innovation.

After a six week break, the Camerosity crew are back with another episode, but unlike most, we decided not to send out invites and instead just got everyone together and hit the record button.  As it turned out, we hit record so fast, we forgot to make an intro! On this, the 113th episode of the Camerosity Podcast, what we lacked in callers we more than made up for in massive amounts of GAS!  Who would have thought that keeping five camera collecting lunatics away from each other for a month and a half and we would get ourselves into so much trouble?! We start the show with a brief summary of what each of us have been up to and Mike dominates this section complaining about being without power for over 10 days in mid August due to a massive storm called a derecho which decimated the area he lives in.  We quickly get to more interesting discussions, recapping recent pickups both through Japanese auctions and more traditional channels including Theo's beautiful new black chrome Leicaflex SL2 and Anthony's "bucket list" Rolleiflex SL66. We get into more obscure cameras too, such as a beautiful French folding rangefinder called the DeMaria-Lapierre Telka III, a late Voigtländer rangefinder called the Vitomatic III CS, and a Honeywell inspired and Zeiss branded camera built in Braunschweig, Germany called the Zeiss-Ikon Contessa S310. There is a ton of GAS in this episode, but you'll just have to listen to the show to know what it is, but in addition to specific camera models, we talk about the differences between Ai and AiS lenses, the merits of aperture priority AE vs shutter priority AE, and even a hearty discussion about our favorite midlevel DSLRs including a comparison between the equally awesome Nikon D300 and D7000. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We don't yet have a topic for the next episode, but whatever it is, we will record it on Monday, September 21st at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time.  For more time zones, please consult the World Time Buddy calculator and plug in your time.  Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode Camerosity is back after taking several weeks off / What exactly is a derecho? Mike survived ten days without power / Generators, sump pumps and keeping the camera collection dry Buying cameras from Japan / Buyee shipping options / ECMS versus air shipping Lithium batteries can dramatically change your Japanese shipping options Documenting damaged packages when buying through Buyee Theo gets cameras from Japan to Australia surprisingly quickly Shipping cameras from the United States to Australia can take considerably longer Theo's beautiful Leicaflex SL2 / Black chrome versus black paint Leica black chrome wear / Early Leica M6 finish problems Leica R4, R4S and R4SP / Which version should you buy? The Leica R4's relationship to the Minolta XD / Why some cameras have noticeable shutter lag Minolta's "Final Check" metering system / Feature or workaround? Aperture priority versus shutter priority / Which does the Camerosity crew prefer? Canon AE-1 / AV-1 / AT-1 and the Canon A-series exposure modes Konica's preference for shutter priority Nikon Ai versus AiS lenses / Why AiS mattered for shutter priority and program exposure Olympus OM cameras and why Olympus never offered conventional shutter priority Learning f-stops with pizza mathematics Mike buys an Olympus M-1 from Japan / M-1 versus OM-1 Leica's objection to the Olympus M-1 name Olympus M-system lenses / Other subtle M-1 differences Stephen buys a broken lens just to get the lens hood and accidentally fixes it When a parts camera turns out to be better than the camera it was supposed to repair The Honeywell rangefinder that wasn't a Pentax Zeiss Ikon S312 / Zeiss Ikon Contessa S310 Anthony's Zeiss Ikon Voigtländer Vitessa 1000 SR Theo's Pentacon Six TL / Carl Zeiss Jena 80mm f/2.8 Biometar Repairing a Pentacon Six using a donor body Shooting expired Kodak Panatomic-X in medium format Getting thirteen exposures from a 12-exposure roll Pentacon Six shutter sounds / Thankfully not as violent as a Pentax 67 Adapting medium-format lenses to Micro Four Thirds and Nikon F Biometar versus Biotar / The history of the Zeiss Biometar design How the Biometar design ultimately contributed to the Flektogon Paul is tempted by a Rolleiflex SLX on Facebook Marketplace Rolleiflex SLX batteries and modern replacement options Paul finds an extremely nice Contax IIIa with 50mm f/1.5 Sonnar Anthony finally gets his bucket-list Rolleiflex SL66 Anthony trades his Leica M4-2 for the Rolleiflex SL66 Why Anthony never got along with the Leica M4-2 film loading system Rolleiflex SL66 macro capability / Reversing lenses / Lens movements The Camerosity camera circle continues / Anthony's old cameras find new homes with listeners Finding the correct Rolleiflex SL66 strap Stephen rediscovers early Nikon DSLRs / Nikon D70 for $25 Nikon D200 versus D300 versus D300S Why the Nikon D300 might be one of the greatest digital camera bargains today APS-C isn't necessarily a disadvantage / 28mm becomes a useful 42mm equivalent Nikon D300 autofocus fine tuning / Using Ai and manual focus Nikon lenses on digital bodies Theo used the D300 as one of his main digital cameras for years / Nikon D300 versus D7000 Why the D7000 blurred the line between consumer and professional Nikon bodies Nikon's excellent inexpensive 18-55mm DX kit lens Nikon 18-200mm DX superzoom / Better than pixel peepers might suggest DxO PhotoLab profiles can transform older lenses Correcting chromatic aberration, softness and distortion with modern software Buying a camera because you already own the brochure for it Mike's final Buyee shipment... supposedly / Telka III Asahi Camera annual camera guides / Researching obscure Japanese cameras Why old camera magazines remain invaluable historical resources The decline of blogs and disappearing online camera research resources Mike's Voigtländer Vitomatic III CS / Ultron f/2 lens / A working Voigtländer rangefinder is apparently possible eBay Global Shipping sends a camera on a tour of North America Stephen's month-long shipping odyssey from the United States to Canada Mike buys a Certo Six, a beautiful camera, perfect bellows, dead rangefinder The increasing difficulty of finding technicians willing to repair obscure cameras Camera repair options have noticeably declined during the lifetime of Camerosity Sarah Davis begins learning Hasselblad repairs Why the next generation of camera repair technicians is so important Jeremy Scott rescues auction purchases for several Camerosity listeners 45 Argus cameras weigh approximately 51 pounds Jeremy apparently now has a pile of Olympus OM cameras to repair Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, Stephen, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg Sarah Davis Photo Repair - https://www.sdavisphotorepair.com/ The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity in Spanish Podcast - https://camerosity.es/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

When it comes to photography, there's always going to be the popular items. The ones that everyone wants to have and use, we're talking the Leica M3, Canon AE-1, fast prime lenses, trending film stocks like Portra, and all the normal developers out there. But what about those things that are often overlooked, underrated and underappreciated? Well, that's exactly what James, Bill and Alex sit down to talk about in today's episode. From the Leica M5 to the Olympus OM series, 28mm f/3.5 lenses, slow films, and different developers, nothing is off the table.

Send us a textIn this episode of the Street Life podcast, we have the pleasure of speaking with Perry Hall, an American photographer renowned for his raw and emotionally charged street photography. Perry's journey into photography is as unconventional as his background, which includes experiences of hitchhiking, juvenile detention, and homelessness. He discovered his passion for photography while living in Rome, where he began documenting street life and subcultures.We kick off the conversation by delving into Perry's early days in San Francisco, where he first picked up a Canon AE-1 camera gifted by a friend. This initial spark ignited his love for capturing the essence of street culture, particularly through the lens of his skateboarding background. Perry shares insights into the psychological connections between skateboarding and street photography, emphasising how both require a keen understanding of angles, persistence, and the ability to navigate challenging environments.As we explore Perry's experiences, he opens up about his time spent homeless and how skateboarding played a pivotal role in steering him toward a more positive path. We discuss the importance of community and connection, both in skateboarding and photography, and how these relationships have shaped his work and life.Throughout the episode, we touch on Perry's project-based approach to photography, including his extensive work in Rome and his projects "Devil Lived" and "Sin Street" in Austin, Texas. He candidly discusses the motivations behind his work, the importance of documenting real-life moments, and the ethical considerations that come with street photography.We also dive into Perry's experiences with flash photography, his transition from film to digital, and the impact of festivals and competitions in the photography community. He shares his thoughts on the significance of making connections and the serendipitous nature of opportunities in both photography and life.As we wrap up, Perry offers valuable advice for aspiring photographers on how to find like-minded individuals and build a supportive community. His passion for street photography and the stories behind his images serve as a reminder of the beauty and complexity of life captured through the lens.Join us for this inspiring conversation with Perry Hall, where we explore the intersections of art, community, and the human experience in the world of street photography.WEBSITE | INSTAGRAMFollow us on Instagram and leave us a review!

A topic that we've lightly touched upon in previous episode, but never dared devote an entire episode to is the taboo subject of repairing your own cameras.  There are those who firmly believe all repairs should be left to the capable hands of professionals, but there are others who have no problem with opening their own cameras and trying it out themselves. If you're in the latter group and are interested to hear some tips and tricks from those of us who have been brave/foolish enough to try it, Episode 89 is all about repairing your own cameras.  Joining Paul, Stephen, Theo, and Mike are returning callers A.J. Gentile, Alyssa Micha, Andrew Reynolds, Christopher Wells, John Michael Mendizza, Keir Frei, Larry Effler, Pat Casey, Rafael Espinoza, Ray Nason, Wayne Scheipers, and Will Pinkham who all share their own experiences. We cover a wide range of topics, starting with what you can and cannot repair on a Kodak Medalist and whether you can still send your Leicas to the factory in Wetzlar to get repaired.  Hear who we think makes a good set of JIS screwdrivers, lens spanners, and Mike recommends a rubber grippy tool.  We share our recommendations for cleaning cameras, getting sticky residue off film doors, replacing mirror bumpers and foam light seals, how not to clean a reflex mirror, what works on lenses and what not to use.  We even cover the taboo topic of washing your camera in the dishwasher! Although there is very little GAS in this episode, we do get into a few model specific camera repairs.  Alyssa Micha shares with us her beautiful 1903 Kodak camera which had moldy bellows and what she needed to do to replace them.  We talk about how to and how not to fix the infamous Canon Squeal of the Canon AE-1 and A-1 cameras, along with how to deal with the sticky backs of the Nikon N80 and N90, Mike talks about a product he used to mold a custom hand grip for his Minolta 650si. We talk about various cleaners, when and when not to use lighter fluid, acetone, glass cleaner, and for the love of God, please never use WD-40 on any camera!  Although this whole episode is about home repairs and cleaning, we end the show talking about how best to take care of your camera to minimize its chances of never needing to be repaired, how to deal with humidity, and whether or not to store your cameras in their original leather cases. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us.  Who knows, maybe even some other Camerosity Podcast regulars will show up as well.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 90, and like we've done for episodes 70 and 80, we will be devoting the show to cameras of that decade.  For Episode 90, we will discuss cameras of the 1990s (or 1890s for that matter)!  Finally, Theo will get a chance to talk about his beloved Mamiya 7, but in addition to that there were many other terrific cameras from that decade like the Nikon N90s and the premium 28Ti and 35Ti point and shoots, the Contax AX, and the Olympus µ[mju:]-II.  In addition to terrific film cameras, the 1990s was the first decade with a large number of digital cameras like the Minolta RD-175 and Nikon D1.  We will record Episode 90 on Monday, March 24th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time started in North America on Sunday, March 9th, so be sure to check your local time if you plan on joining the show!) In This Episode Disclaimer: A Proper CLA is Always the Best Way to Get Your Camera Working / Technicians for Some Models Are Retiring You Don't Have to Use The Most Popular Technicians to Repair Leicas / Does Leitz in Wetzlar Still CLA Cameras? Larry Wants to Repair His Kodak Medalist / Mike Offers Tips on Cleaning the Medalist Rangefinder Rerolling 620 / Larry Reload 828 Film Using Unperforated 35mm Film 3D Printing Battery Holders for Nikon SLRs / 3D Printing for Analog Photography Facebook Group Cleaning Corroded Battery Compartments / Removing Stuck Pentax Spotmatic Battery Compartment Covers Eyeglass Screwdrivers Are Not Good Enough / Japanese Cameras Use JIS Screws Get Good Spanners / SK Grimes Spanners Are Very Good / Micro-Tools Mike Recommends Getting a Set of Rubber Grips for Removing Lens Rings How to Remove Stuck Filters Due to a Damaged Filter Ring How Do You Know Whether You Should Fix It or Live With It? Beware of Sellers Claiming a Camera Was CLAd If They Did It Themselves Repairing the Canon AE-1 / Canon Squeaky Shutters / Never Use WD-40! Using Ronsonol and Lighter Fluid / Naphtha Oil Use Caution When Cleaning a Reflex Mirror / What is a Front Surface Mirror? / ROR Solution Replacing Light Seals is a Good DIY Repair / Mirror Bumpers Do Not Shoot a Camera with Compromised Light Seals / Cleaning the Old Stuff Out First Are PEC Pads Recommended for Cleaning Cameras? / Kimwipes and Baby Wipes A Old Toothbrush and a Tiny Drop of Soap is Good for Cleaning Crevasses and other Tight Spots Cleaning and Conditioning Rubber Grips on Lenses / Shrinking Rubber Grips Cleaning Sticky Rubber Surfaces / The Nikon N80 and N90 Have Horribly Sticky Backs Making a Hand Grip for a Minolta 650si Using Sugru How Do You Know When a Shutter Needs to Be Serviced? Beware of Self-Timers on Old Cameras / What does "V" Mean on German Shutters? Tips for Keeping Your Camera Working / Use It / Remove the Batteries Controlling Humidity / Using Silica Gel Packets and Desiccants / Damp Rid Getting Rid of Ever Ready Cases / Are There Any Cases Worth Saving? An Easier to Remember Join Link - join.camerositypodcast.com Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Robert Beck was a staff photographer for Sports Illustrated for over 30 years. Raised in California, he played and photographed “alternative sports”  long before the term “X Games” was coined. The result of shooting outside the box has given Robert the platform to shoot even the biggest “American Games” in a slightly skewed manner with a very fresh eye. 1977 UCI history alumnus has been one of the nation's premier sports photographers, a career he fell into almost accidentally while working as a middle school teacher and football coach. Robert borrowed his dad's Canon AE-1 Program camera and started shooting high school sports, selling the prints to parents and students. Beck has shot 10 Super Bowls; a half-dozen Olympics; and countless games, matches and athletic achievements, such as Wayne Gretzky's record-breaking 802nd hockey goal. He has also developed a reputation for compelling portraits. Using such props as Fruity Pebbles cereal, underwater furniture, Navy jets and a herd of sheep, he has coaxed intriguing poses out of everyone from skateboarder Tony Hawk and pitcher Madison Bumgarner to hurdler Lolo Jones and Olympic sprinter Usain Bolt.www.robertbeckphotography.com https://www.instagram.com/shoot802/

Robert Beck was a staff photographer for Sports Illustrated for over 30 years. Raised in California, he played and photographed “alternative sports”  long before the term “X Games” was coined. The result of shooting outside the box has given Robert the platform to shoot even the biggest “American Games” in a slightly skewed manner with a very fresh eye. 1977 UCI history alumnus has been one of the nation's premier sports photographers, a career he fell into almost accidentally while working as a middle school teacher and football coach. Robert borrowed his dad's Canon AE-1 Program camera and started shooting high school sports, selling the prints to parents and students. Beck has shot 10 Super Bowls; a half-dozen Olympics; and countless games, matches and athletic achievements, such as Wayne Gretzky's record-breaking 802nd hockey goal. He has also developed a reputation for compelling portraits. Using such props as Fruity Pebbles cereal, underwater furniture, Navy jets and a herd of sheep, he has coaxed intriguing poses out of everyone from skateboarder Tony Hawk and pitcher Madison Bumgarner to hurdler Lolo Jones and Olympic sprinter Usain Bolt.www.robertbeckphotography.com https://www.instagram.com/shoot802/

Descubre los últimos rumores sobre las nuevas cámaras Canon que se esperan para 2025. En este video, te compartimos las filtraciones y novedades más importantes sobre las próximas cámaras de fotografía y video de Canon, incluyendo las últimas innovaciones en tecnología y equipos profesionales. Si eres un apasionado de la fotografía y el video, no te pierdas esta exclusiva información sobre lo que se viene en el mundo de Canon. Desde cámaras mirrorless hasta cámaras réflex, te contamos todo sobre las últimas noticias y lanzamientos de Canon para 2024 y 2025. Contenido: 03:06 Canon EOS R6 Mark III 05:56 Canon EOS R1X 07:44 Canon RE-1 o Canon AE-1 en versión moderna 10:02 El Beso del Hotel de Ville 12:59 Canon EOS R5C Mark II 14:59 Cámara Canon 3D VR 16:15 Canon EOS R7 Mark II 17:29 Canon EOS R3 Mark II

Is it a coincidence or did we plan it all along?  Episode 70 of the Camerosity Podcast is all about the 70s!  In this episode, the gang does our best to fit the best, the worst, and other noteworthy camera and photographic advancements of an entire decade into a 104 minute podcast! Joining Anthony, Paul, Theo, and Mike on this episode are returning callers Daniel Belmes, Jordan Berube, Patrick Casey, Tim Peters, and first time callers Gheerwijn Clicque and Will Pinkham. We start off this episode dedicated to the 1970s, discussing a camera from...the 1960s!  As we often do, the show gets off topic quickly and we end up discussing the merits of the Canon Pellix and pellicle mirrors, but we get back on track with other Canon SLRs like the Canon AE-1 and A-1. We discuss the beginning of the auto focus era, and cover the first ever auto focus SLR.  In addition, the topic of everyone's favorite 1970s film, Pocket Instamatic Type 110 is discussed, why it was invented, notable cameras that used it, and some tips and tricks to home developing and scanning your own 110 film. We declare the two companies who we think were the most and least innovative camera makers of the 1970s.  Can you guess who they are?  I'll give you a hint, one of them rhymes with "Schmoloroid"! Realizing that we made it more than halfway through the show without discussing too many cameras, we did a lightning round asking everyone to share their favorite, least favorite, and at least one noteworthy camera from the 1970s.  Be sure to listen to the show and see if your 1970s camera was mentioned. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! For the next episode, we are taking a break from our regular two week recording cadence as both Paul and Theo have some vacations coming up.  We will definitely return soon for Episode 71, but as of right now, we do not have a date or a topic set.  As mentioned in this episode, we teased an upcoming Zeiss-Ikon episode, but so far, that's still to be determined... The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Camera Collectors vs Camera Photographers / What Do People Like to Collect? Canon Aspherical 35mm f/2 Lens / De-Yellowing Lenses Using UV Lights Two of the Most Reliable and Under Appreciated Canon SLRs of the 70s are the TLb and FTb Canon Pellix and the Virtues of Pellicle Mirrors / Canon and Nikon Both Made Other SLRs with Pellicle Mirrors Anthony Was in His Prime in the 70s / Shooting Concerts / Anthony and Ken Rockwell Love the Olympus RC / Other Olympus Rangefinders The Canon A-1 is Great When They Work But Haven't Proved to be Too Reliable Anymore The Canon AE-1 Was Very Popular and Easier to Fix / Squeaky Shutter Gearing Did the Canon AE-1 Motivate Nikon to Make the FM and FE? Polaroid Was the Most Innovative Camera Company in the 1970s / Polaroid Big Shot Polaroid Made the First Auto Focus SLR / Polaroid SX-70 OneStep Sonar /  Polaroid Put Batteries in their Film / Tips for Owning a Polaroid SX-70 110 Film Was One of the Great Advancements of the 1970s! Pentax Auto 110 / Canon 110ED /  Why Did Kodak Switch from 126 to 110? Kodak's Smaller Film Formats Forced Them to Make Better Film Home Developing 110 Film Using 16mm Reels /  How to Scan 110 Film Using Picture Frames Cameras We Love, Hate, and Think are Special Nikonos III, Canon AE-1, Konica Auto-Reflex / Yashica Electro 35 GSN / Rolleiflex 3.5F / Nikon FE, Minolta XE-5, Canon AE-1, Nikon EM Rollei 35 T, Olympus Trip 35, Peafowl DF-1 /  Nikon F2, Olympus OM-1, Canon A1, Alpa 11 / Bronica S2A, Mamiya 1000DTL Mamiya Press 23, Mamiya RB67 / Nikon F2, Nikon EL2, Miranda dx-3 / Pentax K1000 / Leicaflex SL2 Leica R-Mount SLRs / Brian Long's Leica R-Series Book / Leica R-Mount Lenses Are Getting More Expensive Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

BremerUndGroth... Der Fotografie Podcast von der Straße wo wir Euch auch hin und wieder mal was vom Pferd erzählen...

Film photography is SO MUCH FUN, but when you're first wanting to dip your toes in the developer (ha, film joke) then it can be a little scary! Now sure where to start? This episode is a great place! I give you advice as far as what cameras to buy, what film to use, where to get them developed, and more! The cameras talked about in this podcast are the Canon Sure Shot, Canon Elan 7, Canon AE-1, Pentax K1000, Olympus, and Minolta brands. Buy My Favorite Film! Places to get your film developed: The Darkroom Southbound Film Lab Reformed Film Lab Richard Photo Lab Indie Film Lab To protect and organize your film: Use these negative sleeves. Store your negatives in this binder. Clean your negatives with this rocket blaster. ⁠Snag my presets!⁠ http://education.cayleighely.com/product-tn-sunset-presets ------------------------ Where you can find me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠@cayleighelyphotography ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@cayleighelyphotography ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://cayleighely.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mentorships with me:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ http://education.cayleighely.com/mentorships ⁠⁠⁠Join my Private Facebook Group here!:⁠⁠⁠ https://www.facebook.com/groups/cayleighskillacrew --- Support this podcast: https://podcasters.spotify.com/pod/show/clearlyfocused/support

Part Three of the trilogy! Marie Nikondo has lain waste to Jeff's camera collection — now the question is, how to dispose of the booty? What's the best way to divest yourself of camera equipment — sell online? Donate to salivating photography students? Give to a potential paramour? Find all the answers in this holiday classic.was the Shroud of Turin the first contact print?Jeff sold three lenses and one camera — thanks, listeners!with the proceeds, he bought a vintage boombox and a 28mm f2.8 LW-Nikkor, an above-water lens for the Nikonosposting panoramas to Instagram? check out the extremely useful (and free) Instagram Swipe Panorama iPhone shortcutpushing film: Gabe has, Jeff never has!our prodigious mailbag, including shots fired about the proper pronunciation of “Nikon”!and now the main event: how to divest!eBay, Craigslist, FaceBook Marketplace, and what to do when you fear peoplethe KEH option — in person at their Atlanta HQ, with their buyers when they come to your neighborhood, or shipping them gear for a quote? (there are similar protocols at Adorama, B&H and other online retailers)local camera shopsthe local film community: Beers and Cameras, meetups, etc.ever had a bad experience as a seller?the reseller's creed: if you're not using and enjoying an item, its value to you is not what you paid for it, nor what it might fetch on the open market… it's zeroan alternate to selling: donating! The Film Photography Projects's school donation program is greatGabe's sudden brainwave: an I Dream of Cameras Garage Sale! are y'all in?another alternative: give a film camera to the new parents of a child or a puppy — or a gift for your date!your IDOC photo assignment: shoot a portrait of a friend, shoot a portrait of a stranger — post on Instagram and tag us to be amplified!'tis the season of giving, so why not check out our dazzling merch?Chris Chu is hosting a photowalk in Venice, California on Sunday, December 18Gabe got a $50 Mark O'Brien surprise package — which is another fun way to divest yourself of stuff!Still available from the Greenstein collection — email or DM if intrigued!Bell & Howell Dial 35 (with case)Bolex H16 Reflex 16mm movie camera (with case and accessories)Bolex 16mm lenses:10mm f1.6 Kern-Paillard Switar17.5mm-70mm f2.4 SOM Berthiot Pan-Cinor (with case, viewfinder and filters)25mm f1.8 SOM Berthiot Lytar75mm f2.8 Kern-Paillard YvarCanon Color Demi (red)Canon Color Demi (blue; with cap and case)Canon Color Demi (white; with case)Canon Dial Rapid (nonfunctional)Canon 110 ED 20 (with case)Canon AE-1 with 55mm f1.2 FDKodak Bantam SpecialKodak No. 2 Folding Autographic BrownieKonica Acom-1 with 50mm f1.7 Hexanon ARLeica M3 (single-stroke)Leica M lenses:50mm f1.1 7Artisans (chrome)50mm f2 Dual Range Summicron (with goggles and two cases)90mm f2 APO-Summicron-M (with box, case and caps)Minox B (with case and chain)Minox BL (metric scale; with case and chain)Nikon F with Photomic T Finder, Prism Finder and Action Finder and 50mm f1.4 Nikkor-S Auto and 55mm f3.5 Micro-NikkorNikon Speed MagnyNikonos III with 35mm f2.5 NikkorOlympus MFT lenses9mm f8.0 fisheye body cap lens14-42mm f3.5-5.6 M.Zuiko EZ ED MSC (silver, with caps)Pentax Auto 110 Super with Pentax 110 flashPentax 110 lenses:18mm f2.8 Pan Focus20-40mm f2.8 Zoom24mm f2.850mm f2.870mm f2.8Pentax Electro Spotmatic with 55mm f1.8 SMC TakumarPentax 6×7 MLU (with TTL finder and wooden grip)Pentax 6x7 lenses:45mm f4 SMC Pentax-6×7 (with caps)105mm f2.4 Super-Multi-Coated Takumar/6x7 (with caps)Petri Color 35 (black; with cap and case)Polaroid Big Swinger 3000 Land CameraPolaroid i-Zone (blue) + three packs of filmPolaroid Snap (black) + several packs of Zink paperVoigtländer Perkeo I (first version, Vaskar lens, Pronto shutter, with case)

She's back! Everyone's favorite collection-culler returns, and this time she's out for blood! Jeff is contemplating a major purge, but those pesky ol' emotions keeps holding him back. Can Gabe/Marie help him see the righteous path and release his gear to the limitless legions of camera-craving Tessas? Tune in and find out! But first...a manageable mailbag!John-Michael Mendizza was the one who gave us the Pentax 6x7 grips - thanks, J-M!Gabe had a mishap... his cherished M6 is in the shop with a failing meter :(And now the main event: Gabe assumes the role of Marie Nikondo, cruelly coercing Jeff to cull his colossal camera caboodle. Among the items discussed (and feel free to make an offer, gang):Bell & Howell / Canon Dial 35 (with case)Bolex H16 Reflex 16mm movie camera (with case and accessories)10mm f1.6 Kern-Paillard Switar17.5mm-70mm f2.4 SOM Berthiot Pan-Cinor (with case, viewfinder and filters)25mm f1.8 SOM Berthiot Lytar75mm f2.8 Kern-Paillard YvarCanon Color Demi (red)Canon Color Demi (blue; with cap and case)Canon Color Demi (white; with case)Canon 110 ED 20 (with case)Canon AE-1 with 55mm f1.2 FD and 50mm f1.4 FDCanon Dial RapidKodak Bantam SpecialKodak No. 2 Folding Autographic BrownieKonica Acom-1 with 50mm f1.7 Hexanon ARLeica M3 (single-stroke)40mm f1.4 Voigtländer Nokton Classic (with shade)50mm f1.1 7Artisans (chrome)50mm f2 Dual Range Summicron (with goggles and two cases)90mm f2 APO-Summicron-M (with box, case and caps)Minox B (with case and chain)Minox BL (metric scale; with case and chain)Nikon F (with Photomic T Finder, Prism Finder and Action Finder)50mm f1.4 Nikkor-S Auto55mm f3.5 Micro-NikkorNikon Speed MagnyNikonos III with 28mm f3.5 UW-Nikkor (with caps)and that's just the beginning! more to come in our next episode!

The centerpiece of this episode is a delightful interview with motorcycle-ridin' L.A. photographer Talya Adams. But first!Gabe's bare-bones kit for his upcoming Canada trip: Leica M4 and M10The Nikonos V is nice-konos! - let's hear from Nikonos shooters!the mailbag, featuring:more talk of travel geardo you have cute names for your cameras?homebrew copystandsthe mysterious allure of the 40mm focal length (Summicron, Hexanon, Pentax, Zuiko, Ultron, etc.)Talya Adams interview:how she got into film photographyher thrift-store Rollei 35 S and the Rollei B 35 that replaced ither LA shop of choice: Walter's Camera Repairslearning her way around the exposure trianglelearning to develop her own filmher love for TMax 400capturing personality in portraiture workher next camera: the Canon AE-1 Programhow her admiration for Jane Bown led her to the Olympus OM-1and then the OM-4 and the OM-10what led her into medium-format?her experiences with the Mamiya RB67, Mamiya 645, Pentax 645… before getting her own Pentax 6x7her first rangefinder cameras: the Olympus 35RC and Canon QL17not much love for the Canon P - she prefers the 7s“buying the dip” on eBayhow many cameras is excessive?her key shooters: Leica M3, Hasselblad 500C, Pentax 6x7 and Yashica Awhy should Jeff want a Big Ugly Box camera like the 500C? because it will make him a better personthe philosophy which underlies her YouTube channel: develop your eyeTalya's Instagram, YouTube, Medium and website

Every now and again, we make mistakes. And with some of the reviews we've done on Billingham camera bags, we got the materials wrong. The Phoblographer, for 12 years, has really done the most extensive review coverage of the camera bag world. Indeed, lots of folks tell us we honestly have the best. So, we take these very seriously. We invite you to take a look below and see what updates we've made. Some photographers, quite transparently, wouldn't bat an eye at this update, but we take this seriously. And I'm penning a specific news post on it because it happened across a category of camera bags. This all started when we published our Billingham Hadley Large Pro review. We mistakenly said that the materials were canvas. Reviewer Brittany Smith and I both agreed that it was made from similar materials as the Hadley Pro 2020. To that end, we concluded that it was canvas as we have reviewed a lot of camera bags. Indeed, if you didn't know any better, it's likely you would also say they're made from canvas and leather. But, we were wrong about this and a few other products. Our Billingham rep got in touch with us to offer a correction. Truth be told, even they admitted it's confusing. To the touch, Billingham bags feel like canvas and leather. They even look like it. But not all of them are canvas. It reminds me almost of what Canon did years ago with the Canon AE-1. Lots of folks think that camera is made of metal, but it's actually plastic that's designed to look and feel like metal. Here's what our rep said: Our Sage is always FibreNyte. Navy, Grey and Burgundy is always Canvas. Black and Khaki can either be Canvas or FibreNyte. Sorry I know it's confusing! Looking at the bags that you have reviewed for us: Mini Eventer – Black FibreNyteHadley One – Navy CanvasHadley Small Pro – Grey CanvasHadley Pro 2020 – Sage FibreNyteAVEA End Pockets – Khaki Canvas35 Rucksack – Black CanvasF1.4 – Black FibreNyte And there you have it! You're probably wondering why we didn't just check the materials to begin with when doing our reviews? Well, it's because, for years, we were just that sure of it. Others might've checked because they're so new and don't have the vast database of camera bag reviews we have. Literally, we have over 172 camera bag reviews. To put this into more perspective, I'd like you to think about the differences and similarities in the following situations; Beef vs buffalo vs yak meat: If you didn't know any better, you could easily say Buffalo is probably grass fed beef. To that end, you could say Yak is a buttery form of beef. But if you weren't told the difference, you'd probably blame it all on the seasonings and way it was cooked. Meanwhile, the stark difference between beef and lamb shoulder is synonamous with canvas and nylon. Single Malt Whiskey vs Indian Dessert Whiskey vs Bourbon: Some single malt whiskeys taste like a bourbon. Some Indian whiskies taste like a bourbon as well. And if you had to do a blind taste test, you probably wouldn't be able to tell the difference. Let's not even get into wine. I'm not sure how many people would be able to tell the difference between a Cabernet and a Malbec just by taste. Kitten fur vs rabbit fur: In most blind situations, I doubt most folks would be able to tell the difference between well groomed kitten fur vs rabbit fur. It isn't as stark a difference as say cashmere vs wool. For the record as well, this really only applies to three reviews we've done. Billingham has some canvas bags for sure. But the two are incredibly difficult to tell apart.

It was really nice to connect with Sarah and hear about her story. From humble beginnings with a Canon AE-1 Program to a Pentax 67 she jumped into the world of large format with a Wista 4x5 before moving into the wild world of 8x10. We talked about how photography is an interesting tool to use to connect with community and her experiences with it. If you missed the live you'll have a good time listening to the recording. Thank you for hanging out with me Sarah :)Here is a little more about her."Blurb: Sarah Stellino is a self-taught large format film photographer based in Madison, Wisconsin. She is a queer woman who is passionate about helping folks within the LGBQTIA+ community feel seen and worthy through portraiture. Sarah is currently in the beginning stages of creating her first large body of work - Queering Rural Spaces - which aims to challenge the assumption that queer culture begins at the doorstep of urban cities. In her portraiture practice, she primarily uses large-format black and white film, and enjoys taking a hands-on approach to her portraits by developing her own film and making prints in the darkroom."Follow Sarah at https://www.instagram.com/sarahstellinophoto/Photography Chat is a weekly Instagram Live @merlindb hosts every Thursday at 5pmPST/8pmESTGive me a follow if you want to see the episodes live https://www.instagram.com/merlindb/Support this podcast at — https://redcircle.com/photographychat/donations

Gioacchino lebt in Frankfurt. Er war Autodidakt der vom Koch zum Fotografen wurde. Über Gioacchino kann ich sagen, dass es der liebste und führsorglichste Italiener ist den ich kenne. Ihm ist es extrem wichtig, dass sich das Model wohl fühlt. Seine Aussage: in jeder Frau steckt etwas wundervolles man muss es nur herauskitzeln. Gioacchino ist sehr bescheiden obwohl er schon zahlreiche Veröffentlichungen in verschiedenen Magazinen hatte. Tell us something about yourself -Born 1971 in Frankfurt on the Main i travelled Europe for many years and worked as a Chef. I love art and and life. How and when did you get into photography? -I got to know Photography in School at extra classes. Back then it was very practical lessons. Processing Film and about Camera construction and function. the moment you develop your film and see the result slowly appear on Paper - I still process analog films and still have my Canon AE-1 from then. What does photography mean to you? -It´s a lot of things to me. The intimate passion Model and Photographer share is electrifying to me. Please briefly describe your photography style for our readers. -i do many many things basically against all rules of classic photography and do not follow rational rules. Most of my best Shots happen by instinct. Where do you get inspiration from? -I observe a lot. I am constantly looking for something in faces i see everyday. Also Nature and ordinary interactions between people, in Cafes, Bars, Supermarkets… Think you in advance what you want in the picture? -I have a vague idea before i meet a model but like mentioned above i follow my instinct. This is a key aspect of my photography because i want to be flexible and open for an occurring opportunity. Studio, on location or both? -on Location. Working in studios is something i just don't have strong feelings for. Would you consider yourself a hobbyist or a paid professional? -i am a paid hobbyist What has been your most memorable session and why? -i am so lucky i can say there were far more than just one very memorable session. But one of my most special sessions was with my ex Girlfriend. We haven´t met since years. This was one of the most intimate connections i have experienced when shooting. What is one piece of advice you would like to offer a new photographer looking to start their own business? -Be organized, continously develop your skills and find your own style. Don't hesitate to make clear your work is worth getting paid. What has been the biggest source of inspiration in your work? -It´s simply the person i shoot. Nikon or Canon? Favorite lens? -Sony What do you think of our new magazine? -It´s fresh and arty and rich in variety. HP https://giacchi.wixsite.com/meinewebsite/galerie/?fbclid=IwAR07EwELBypMOyC_MujYLw1pnSOy3fgDNtVwogq9de763e0RBAiBPEBTWuM   Facebook: https://www.facebook.com/gioacchino.erba   instagram: https://www.instagram.com/giacchidellerba/?hl=de&fbclid=IwAR0Yu3tNO6jnqWH6_OsjnuWU60tU_EqoPwqgNYp53PF26Uz66IEo3BjVJEw  

Wir sprechen über Firmware Updates für die Canon AE-1 und die Vorbereitung zu gelungener Bildkomposition.

In this episode of the Second Success Podcast, Dr Rakish Rana talks with mutli-award winning photographer, Sanjay Jogia of Eye Jogia Photography. Sanjay is an Internationally acclaimed, award-winning photographer who has been featured as One of the World's 6 Best Wedding Photographers by the global Professional Photographer Magazine. He is the only Wedding Ambassador by Canon UK representing the EMEA region, as well as being a global Brand Ambassador for X-Rite, Fundy Software, Tether Tools, Loupedeck, Canson Infinity, Eizo, Spiffy Gear, and Dreambooks Pro. Together, Sanjay and his wife Roshni established ‘Eye Jogia Photography', a successful Luxury Destination Wedding Photography Studio based in Harrow on the Hill - but Sanjay's self-taught love of photography started at school by developing his own style and approach from a young age with his father's film Canon AE-1 camera. Known for his unconventional creativity in a timeless style, Sanjay travels the world as a Photographer, Educator, Mentor, Judge, Brand and Industry Ambassador. His wedding images are a blend of ‘Reality' and ‘Fantasy' - a fashion and movie inspired approach using beauty lighting and posing techniques which are balanced with a sensitive, observant and almost portrait-like documentary approach for the majority of wedding images giving his wedding couples the best of both worlds. Ultimately, he wants to tell the amazing story of all Eye Jogia couples in a way they will cherish with pride. Sanjay has won over 80 of Print Competition Awards but now is privileged to be invited regularly as a Judge for WPPI in Las Vegas, for SWPP in London, SM Fotografi in Sweden, and for the British Photography Awards as an Associate amongst various online European competitions. Sanjay has also proudly represented Team GB in the World Photographic Cup for the past two years with 2 of his images as ‘finalist'. Last but not least, Sanjay actively represents the British Wedding and Events Industry with his ongoing participation in the UK Government Taskforce for Weddings in two of the 6 Working Groups to gain government support both financially and operationally to reignite the industry in the wake of the Global Pandemic following a year of industry wide neglect. Website: https://www.eyejogia.com/ Instagram: https://www.instagram.com/eyejogia/ Episodes released every Tuesday 6am GMT. How can you support the podcast? 1. Share it on your social media platforms. 2. Tell your friends and family 3. Please follow, subscribe and review. --- Send in a voice message: https://anchor.fm/theclearcoach/message

it's a new year, check your batteries! How to replace the obsolete PX625: the MR-9 adapter, the Weincell, the 675 + paulbg ring, etc.wrongly valued cameras (Minoltas, Konicas and Mirandas are treated like trash; Mamiya/Sekor is garbage while Mamiya is a treasure; Pentax K1000 overvalued while ME Super is undervalued; Canon AE-1 over, EF and A-1 under; Olympus OM-1 way under, etc.)autofocus / point and shoot - is it real photography?does handheld metering make you more of a photographer?plastic / toy / Lomo camerasPolaroid, Instax, One Instant (a disaster), Polaroid Chocolateexpired film - what's so great?bulk loadingSpotlight: the cameras we each irrationally and indefensibly love (Hasselblad 553ELX, Canon EF)

Jeff and Gabe are back with another brilliant episode of I dream of cameras! Topics this week include:• it’s a new year, check your batteries! How to replace the obsolete PX625: the MR-9 adapter, the Weincell, the 675 + paulbg ring, etc.• wrongly valued cameras (Minoltas, Konicas and Mirandas are treated like trash; Mamiya/Sekor is garbage while Mamiya is a treasure; Pentax K1000 overvalued while ME Super is undervalued; Canon AE-1 over, EF and A-1 under; Olympus OM-1 way under, etc.)• autofocus / point and shoot - is it real photography?• does handheld metering make you more of a photographer?• plastic / toy / Lomo cameras• Polaroid, Instax, One Instant (a disaster), Polaroid Chocolate• expired film - what’s so great?• bulk loading• Spotlight: the cameras we each irrationally and indefensibly love (Hasselblad 553ELX, Canon EF)• Thanks to Fred Coury for the music and Keith Greenstein for the logos You can find Jeff: https://twitter.com/blue439https://www.instagram.com/sjeffgreenstein/?hl=en And you can find Gabe: https://twitter.com/gabestuff?lang=enhttps://www.instagram.com/gabesachs/?hl=en 

I saw a Canon AE-1, a Mamiya RB67 and a Nikon F2 among others, but my Graflex Crown Graphic towered over them all! Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Wir sprechen über verpasste Chancen und vergessene Orte

WOW! Get ready for some insight into the fashion industry with Melissa Rodwell, photographer, and editor of ALICE Magazine.Melissa found her direction as a fashion photographer in a Paris museum at a Helmut Newton exhibition. Returning home to LA and borrowed her dad's Canon AE-1 and the rest is rock & roll history. Oh, wait did I mention, Melissa partied with Led Zeppelin and Van Halen and those times influenced her imagery, lifestyle, and creative vision.Fast forward a few years to find Melissa involved heavily in the educational world with BREED and the creator/editor of the highly acclaimed ALICE magazine in New York.Melissa's best advice for young photographers... LEARN LIGHTING FIRST!Grab your beverage of choice and crank up the volume on the legend known for her rocking attitude, flowing fashion and tack sharp wit. The only thing we miss to ask is - Who is Tiffany Twist? You should send her a message about that one.Find, Follow, and Love her work online:Melissa Rodwell websiteInstagramFacebookJoin The BREEDALICE Magazine WebsiteALICE Magazine InstagramFashion Photographers Connect! groupVisit our YouTube Videos for more weekly inspiration!Connect on the Facebook Page for news and upcoming interview polls.Join the conversations on Flick appLeave a review on iTunes and let others know about the show.The Foto Twins love using Røde Microphones & RødeCaster Pro for smooth, quality audio on our podcast episodes. Be sure to check out their entire line of audio capture devices and tell them the FotoFacts Twins sent you!

Today, with a short podcast, Sunil Sharpe, Rachael Bailey and Marcus O'Laoire inform us on 'Give Us The Night'.  As stated on their website (giveusthenight.com) Give Us The Night is 'an independent volunteer group of professionals operating within a night-time industry, campaigning for positive changes to nightlife in Ireland, with particular regard to music venues'. Explaining where the current issues lie in the night time economy and why this movement is so critical are three guests doing stunning work within the in the music industry: - Sunil Sharpe is one of Ireland's most celebrated DJ's and tirelessly campaigns for this cause, educating and enlightening on why archaic licensing laws among other issues are causing venue closures discouraging a fostering of a night time industry that reflects the 'wide range of lifestyles and working hours' in Ireland.  -Rachael Bailey creates sponsored content centred around underground music, club culture and festivals.  -Marcus O'Laoire (DJ) has held residencies in Tramline, The Academy and Opium as well as the recently closed Hanger and District 8. Listen for a digestible understanding of what this movement is and why you are hearing about it everywhere. To see what you can do or gain a deeper understanding of what these inspiring guests are talking about, I strongly urge you to head over to giveusthenight.com and read the incredible mandate this group of volunteers have drawn up and follow @giveusthenight on instagram. Audio by Pete Regazzoli. A huge thank you to my sponsor, Depop, for fascilitating me cover these really important discussions. The Depop shop I am loving this week is @loafcameras for fully refurbished 100 percent working second hand cameras from the throwback underwater film cameras to Canon AE-1's. These guys have an incredible collection at really great deals and a guarantee of function for those of you trawling through second hand shops for film cameras only to find they're not working!

It's shunned by society, yet necessary for the creative process. It's something we endured so much as youngsters, and never seem to experience as grown-ups. Am we boring you yet? If so, GOOD! We're going to explore the life changing magic of boredom and if and where if belongs in our daily life. What's on wrist:Big shout out to watchfam and friend of the show @ea8, for sending us two absolutely killer handcrafted watchstraps.https://www.instagram.com/ealeathergoods/https://www.instagram.com/ea8/“I am a one man shop making bespoke leather goods, mostly watch straps. See something you like or have an idea hit me up on @eA8” (https://www.instagram.com/eA8/) How we dealt with boredom as young chapsAJ* Probably why I find clarity in the outdoors...as an only child in growing up in the sticks you have three options: * Fish * Hike (Mountains) * Horse * ...and if none of that helped your boredom, or if you dare say that to your father, then a magically option (or secret menu) number four got created. Hammer in hand...there was always something to be built (probably why my personality is always geared towards tinkering). https://youtu.be/pJDiumlmVZU?t=898 ChrisGrowing up in Sequim, only child, multiple-mile bike ride away from friends* Watched a LOT of TV* Built spaceships with my huge Lego collection.* Read many sports magazines* Organized my sports cards. By year. Numerically.* High school - learned electric guitarPlaces to be bored around Bellingham and Whatcom CountyAJ-* Whatcom Falls :trail system (https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=2ahUKEwjViq65xJPgAhWLA3wKHc-8DEwQFjAAegQIChAC&url=https%3A%2F%2Fwww.cob.org%2Fdocuments%2Fparks%2Fparks-trails%2Ftrail-guide%2Fwhatcom_falls.pdf&usg=AOvVaw2C5uSydvGO0x7n68FCPdVu)* Big Rock Garden https://www.cob.org/services/recreation/parks-trails/Pages/big-rock.aspx* When a photog feel boredom * (Analog Explorer) Analog photography- now with a vintage (1981) Canon AE-1P https://en.wikipedia.org/wiki/Canon_AE-1_Program Chris* Taylor Dock* Tom Glenn Common* Fairhaven Village Green benchesBoredom in the 21st Century* Bored and Brilliant (https://www.amazon.com/Bored-Brilliant-Spacing-Productive-Creative/dp/1250124956/ref=sr_1_1?ie=UTF8&qid=1549057614&sr=8-1&keywords=bored+and+brilliant) - Manoush Zomorodi* The Power of Boredom (https://www.amazon.com/Power-Boredom-Essential-Meaningful-mindfulness-ebook/dp/B01LZ53UQI/ref=sr_1_10?s=books&ie=UTF8&qid=1549057683&sr=1-10&keywords=boredom) - Mark Hawkins* The Science Behind How Boredom Benefits Creative Thought (https://www.fastcompany.com/3042046/the-science-behind-how-boredom-benefits-creative-thought) - Fast Company* How Being Bored Out of Your Mind Makes You More Creative (https://www.wired.com/2017/01/clive-thompson-7/) - Wired

It's shunned by society, yet necessary for the creative process. It's something we endured so much as youngsters, and never seem to experience as grown-ups. Am we boring you yet? If so, GOOD! We're going to explore the life changing magic of boredom and if and where if belongs in our daily life. What's on wrist:Big shout out to watchfam and friend of the show @ea8, for sending us two absolutely killer handcrafted watchstraps.https://www.instagram.com/ealeathergoods/https://www.instagram.com/ea8/“I am a one man shop making bespoke leather goods, mostly watch straps. See something you like or have an idea hit me up on @eA8” (https://www.instagram.com/eA8/) How we dealt with boredom as young chapsAJ* Probably why I find clarity in the outdoors...as an only child in growing up in the sticks you have three options: * Fish * Hike (Mountains) * Horse * ...and if none of that helped your boredom, or if you dare say that to your father, then a magically option (or secret menu) number four got created. Hammer in hand...there was always something to be built (probably why my personality is always geared towards tinkering). https://youtu.be/pJDiumlmVZU?t=898 ChrisGrowing up in Sequim, only child, multiple-mile bike ride away from friends* Watched a LOT of TV* Built spaceships with my huge Lego collection.* Read many sports magazines* Organized my sports cards. By year. Numerically.* High school - learned electric guitarPlaces to be bored around Bellingham and Whatcom CountyAJ-* Whatcom Falls :trail system (https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=2ahUKEwjViq65xJPgAhWLA3wKHc-8DEwQFjAAegQIChAC&url=https%3A%2F%2Fwww.cob.org%2Fdocuments%2Fparks%2Fparks-trails%2Ftrail-guide%2Fwhatcom_falls.pdf&usg=AOvVaw2C5uSydvGO0x7n68FCPdVu)* Big Rock Garden https://www.cob.org/services/recreation/parks-trails/Pages/big-rock.aspx* When a photog feel boredom * (Analog Explorer) Analog photography- now with a vintage (1981) Canon AE-1P https://en.wikipedia.org/wiki/Canon_AE-1_Program Chris* Taylor Dock* Tom Glenn Common* Fairhaven Village Green benchesBoredom in the 21st Century* Bored and Brilliant (https://www.amazon.com/Bored-Brilliant-Spacing-Productive-Creative/dp/1250124956/ref=sr_1_1?ie=UTF8&qid=1549057614&sr=8-1&keywords=bored+and+brilliant) - Manoush Zomorodi* The Power of Boredom (https://www.amazon.com/Power-Boredom-Essential-Meaningful-mindfulness-ebook/dp/B01LZ53UQI/ref=sr_1_10?s=books&ie=UTF8&qid=1549057683&sr=1-10&keywords=boredom) - Mark Hawkins* The Science Behind How Boredom Benefits Creative Thought (https://www.fastcompany.com/3042046/the-science-behind-how-boredom-benefits-creative-thought) - Fast Company* How Being Bored Out of Your Mind Makes You More Creative (https://www.wired.com/2017/01/clive-thompson-7/) - Wired

Kodak Ektachrome is shipping! Juan Alatorre sends some love to arm the APS Revival, Aaron Alfano emails an update on his Pentax K1000, Eric Hendrickson of www.pentaxs.com for Pentax repairs, Jennifer Zehner emails an update to her public darkroom effort in New Jersey called the Obscura Darkroom. Also, a question from George Griffin about what inspires you to shoot photography. This leads to discussion of photography as a creative outlet but also a way to document your life. How mundane daily photos may be more important in the future than photos of only your life's major moments. Dustin Cogsdell sends in his first of a series of "On the road camera reviews" about the Canon AE-1 Program. Finally, how print exchanges can motivate your photography and give a more human element to sharing your work.

Film Photography Podcast – Episode 194 – August 1, 2018 We have a jam-packed episode lined up today! Joining Michael Raso in the studio today is Mat Marrash, Mark O’Brien, and Leslie Lazenby! And it’s our super special summer spectacular, and it’s a camerapalloza! We’ll be talking on the Ricoh GR1v, Kodak Retina IIa, the Canon AE-1, plus Strobe Kits for Film, Pushing/Pulling, a Book Review, Explosive Blix, avoiding FAT rolls and so much more! Grab a cool beverage, kick back and enjoy the show!Click the show notes tab - https://filmphotographyproject.com Visit our Film Store On-Line - https://filmphotographystore.com/

Just a late night ramble about my latest YouTube adventure! Stay safe! See you tomorrow!

On Today's Show My chat with Bryan Covarrubias Bryan Covarrubias says he's sold his soul to the photo industry 20 years ago. His dad gave him a Canon AE-1 Program when he was 16 and it was over. He instantly fell in love with capturing moments. He's worked for companies such as Apple, Samy's Camera, […]

This is the conversation that would have saved me thousands of dollars--if only I knew Tim McEver of Peachtree Camera Repair a few years ago. I learn something from every (yes, EVERY) conversation on The PhotoTellers. Rarely, though, does my head spin with SEVERAL big revelations. Hold on to your hats! Tim, aka, Camera Repair Guy, explains: What does it mean for a shop to be "authorized" by a camera/lens maker? Why did it become so difficult to buy Nikon repair parts, and how has that changed? Is it true that only Nikon in New York can repair your camera? What are the most common problems and symptoms that Photographers are facing with their gear? How is micro focus adjustment one of the most significant issues between a camera body and lens? HINT: Your new camera and your new lens "probably won't match." Struggling with soft focus? Listen up!!! The message that every Canon user needs to hear!!! NOTE: This is NOT sponsored content. None of the companies mentioned in this episode have paid for this show. Looking to sell or buy gear--with a discount? Click the logo below, and be sure to use the promo code PEACHTREE (1 word, all caps) for 10% off certain gear. And if you haven't met them yet, CLICK HERE to meet Arlington Camera--a Photographer's best friend. And of course . . . click below to find Peachtree Camera Repair. Or give them a call at 855.795.8023   . . . and YES, they DID fix my Canon AE-1. If you missed my earlier conversation with Ryan Brown of Sigma Lenses . . . CLICK HERE.

The internet radio show for people who love to shoot film! Working with Models! Polaroid Artist John Estwards Interview! Negative Storage! Developing Solution! Nikon F3! The Canon AE-1 Giveaway! More!

In Folge 48 geht es mit meinem Podcast weiter nach einer großen Pause. Auch mit Planet-Kai.org gehts weiter weil der Hoster ein günstiges Angebot hatte. Juhuu!. Objektiv für die Canon AE-1 Program, es kitzelt und kribbelt, am Sonntag gehts an den Bostalsee, digitalen Spiegelreflexkamera.