Podcast appearances and mentions of chase bliss

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts talk about their favorite off-label uses for pedals: an Expression Ramper as an expression splitter, a trereo overdrive pedal as a lofi tape machine, a pedal with perfectly spaced knobs as a phone holder, etc. They take calls and some comments from the Discord, all focused around pedal usage that goes beyond the marketing and expectations of the user interface into unexpected sonic corners. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome Philippe Herndon of Caroline Guitar Company. He talks about their latest pedal, a self-proclaimed normie pedal called the Aaron Graves Overdrive. We talk about specific design choices, the story of its namesake, and the importance of versatility even in a fairly fundamental pedal. Plus, we get the scoop on why they use pictures instead of labels, and Philippe has a surprise for us in lieu of the traditional object talk. It's basically a two parter, so fire it up and get listening! Check out the Aaron Graves Overdrive and other pedals from Caroline: https://carolineguitar.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome themselves! Andy talks about his recent show at a planetarium: the gear involved, the style of preparation, and the experience of performing with previous guest Matt Kidd. Then they take some calls with questions about a variety of things, and their answers range from "we've never heard of it" to "sorry, that was a lot of information and I don't know if I answered your question." It's another hour of unabashed whatever this is! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Rhett calls in from the road, one month into The Midnight's tour. Their drummer landed in the hospital mid-tour, a monitor engineer stepped in off the couch to save the show, and a fill-in arrived on 17 hours notice and crushed it. Also: Rhett blew up a Divided by 13 at Brooklyn Paramount and accidentally came home with a Kirk Hammett signature V. Back in Nashville, Zach is keeping Mythos running and trying not to think too hard about it. We dig into the Chase Bliss Big Time, Rhett unboxes the CXM 1978, and we settle the debate on whether beginners should factor in resale value when buying their first guitar. Plus a Dip the Rig from Chips in the French Pyrenees. Thanks so much to the sponsor of today's episode, Sweetwater! Make sure to check out all the gear we use here and more: https://www.sweetwater.com/shop/dipped-in-tone/ Check out our website & merch: https://www.dippedintone.com Support us on Patreon: https://www.patreon.com/dippedintone Follow us on Instagram: https://instagram.com/dippedintone Dipped In Tone is: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIME STAMPS 00:00:00 Intro 00:02:10 Zach's Update 00:03:35 Rhett's Update 00:06:18 Thanks so much Patrons! 00:06:38 Big thanks to today's sponsor, Sweetwater! 00:07:12 Hot Take 00:12:10 Rhett's been on the road with The Midnight (and rollercoasters) 00:23:03 Rhett blew up one of his amps 00:25:26 Two Rock & Divided by 13 have some of the best customer service 00:27:57 Rhett's new Kirk Hammett Guitar 00:32:52 The New Chase Bliss Delay - The Big Time 00:50:21 Rig Dip 00:57:44 Zach Shill 01:01:03 Rhett Shill 01:03:37 Thanks again Sweetwater! 01:03:52 And thanks so much to all our Patrons Some of our favorite gear (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Welcome to Products of Music, a podcast sharing Inside stories and expert insights on product innovation in music technology.In this episode:Host Adam Wakeling speaks with Brady Smith, co-founder of Old Blood Noise Endeavors (OBNE), about his career and founder journey, the approach to product development at Old Blood, as well as how he is reshaping business processes and operations to survive the challenges of running a small business in a niche industry.To learn more about the company, visit: https://oldbloodnoise.com/Chapters:00:00 Preview01:14 Intro02:20 Brady's founder story07:16 Keeley Electronics job09:00 Birth of Walrus Audio11:30 Quitting Walrus, founding OBNE14:40 The OBNE way of product development18:07 Chase Bliss sponsor section18:57 Product development process23:07 Brady's role at OBNE24:26 EOS business model26:30 Split with Seth McCarroll29:40 Thoughts on the future effects market31:35 Empress Bass compressor love36:25 Future pedal opportunities42:45 Friendship with Joel Korte46:20 Quick-fire questions49:55 Community questions56:40: Outro

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today the whole Object Worship world suffers a Setback - did I say suffers? I mean revels in! Our hosts are talking all about the new Old Blood Noise Endeavors Setback, a reverse pedal with all the bells and whistles. They start with some anecdotes about their personal gear journeys, then dive into Setback: the development process, control choices, art and name, and why you're gonna wanna set back and play one. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome Dave Gill of Baltimore Sonic Research Institute. Dave is a long-time hog, first time guest, and we have a great time getting into a lot of specifics about Boss pedals, particularly the PS-5 Super Shifter. We ponder the historical arc of Boss' popularity, the different considerations looking at a company that size vs a company like Old Blood vs a company like BSRI, and we reiterate that the best thing about this industry is the people. It's a good hang, and you're invited! Buy some BSRI: https://www.bsriaudio.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @bsriaudio, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome Blair White, owner of Eastside Music Supply in Nashville Tennessee. As a stockist and a friend, Blair's history runs in parallel with Old Blood's in a lot of ways, and we talk a lot about what it's like to create a business around the idea that a Nashville guitar store should actually be weird and cool and a good time. We focus the object talk around his Rickenbacker 330, and talk about the many ways he experiences music, whether at the shop, playing out, playing at home, or on the road teching for Adrian Belew. Visit Eastside Music Supply online: https://eastsidemusicsupply.com/ (And if you're in or around Nashville, go check it out in person!) Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @eastsidemusicsupply, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Season 9 comes to a close and I wanted to wrap it up with a short episode and what's to come, and take care of our incredible end-of-season giveaways.This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Today it's a whole bunch of topics! Dan starts with an anecdote about selling gear, and the listeners bring in their would-you-rathers, guest suggestions, and other pressing thoughts and concerns. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Guitarist Andy Reiss joins me on the show today, the last full episode of Season 9! When I first moved to Nashville, I started going to see the Time Jumpers. They are an incredible band that plays western swing and classic country every Monday at 3rd & Lindsley. For quite a few years there, the band included Vince Gill, Paul Franklin, Ranger Doug, 3 incredible fiddle players, Dawn Sears on vocals, and Andy Reiss was always there, just calmly tackling every song, no matter how fast and crazy or slow and soulful. Usually playing elegant jazz/blues/bop licks on a Les Paul, or sometimes a 335. And while it was mind-bending to see everyone doing what they do, Andy was always a high point of any show for me. He's still doing that gig, as he has for over 20 years now. Andy started out in San Francisco, and made his way to Nashville around 1980, where he got to watch and work with a number of the original Nashville A-Team. Folks like Pete Drake, Harold Bradley, Bob Moore, Ray Edenton, and Pig Robbins. People that I know of as legends - Andy was around them from day 1 after moving here. He spent a good deal of time on the road with artists like Reba McIntyre and Slim Whitman, and has played on hundreds of records for artists like Miranda Lambert, Willie Nelson, Kenny Rogers and Leon Russell. He is truly one of the great guitar players in town, and has a deep knowledge of music, guitars and history. I also get to enjoy him up close and personal, since he now plays in my band The Volcano Brothers as well! Be sure to go and see Andy any time you're in Nashville.Enjoy my conversation with Andy Reiss.This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Today our hosts talk about Andy's experience recording with last episode's guest, and his discovery of the Roland JC-40 through that process. An amp that manages to be both a direct-in silent recording solution and an in-the-room tool. We talk about various tonal revelations, and get reminders that sometimes you need the confidence to say this is good and I will now perform well. Also we're both coming off head colds so who knows what we were on about! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

British pedal steel guitar legend BJ Cole joins me on the show today. BJ is a masterful steel player - very inventive and textural but with incredible chops and skills as well. He's amassed an incredible body of solo work over the years, but has also been the top call steel session player in the UK for decades. He had a very solitary musical start, but got into country bands in England and eventually started gigging and playing sessions. Things changed for BJ when he got called to play steel on Elton John's “Tiny Dancer” in 1971. He laid down some very tasty and memorable steel parts on that hit, and the phone started ringing big time. BJ has played on records and toured with an incredible array of artists like Joan Armatrading, Marc Bolan, KD Lang, Beck, Bjork, Sting, John Cale, Brian Eno and many more.He's also always written and recorded his own music and collaborations, which have been all over the place musically and are a great way to delve into his musical brain. There's a new collab with cellist Emily Burridge - cello and steel duets that's really cool, and his solo albums like Transparent Music, The New Hovering Dog, Trouble in Paradise - all great albums well worth checking out. We get into all it, plus some seriously nerdy pedal steel talk.You can keep up to date on BJ's latest projects and tours at bjcole.co.ukEnjoy my conversation with BJ Cole!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Products of Music, a podcast sharing Inside stories and expert insights on product innovation in music technology.In this episode:Host Adam Wakeling speaks with Francisco Cresp, co-founder and CPO at Neural DSP, about his founder journey, how the company approaches product development and inside stories from one of the leading names in digital modeling for guitar and other instruments.Chapters:00:00 Preview01:15 Intro02:36 Francisco's founder story09:00 Working with Doug Castro11:00 Neural DSP's product development16:03 Chase Bliss sponsor section16:47 User feedback mechanisms19:05 John Mayer X development23:02 Plugin compatibility challenges26:10 How Neural DSP prioritises27:42 Why a vocal plugin?31:30 Quad Cortex for vocals33:10 Analog versus digital debate34:48 Tom Morello JCM800 differences37:40 Love of analog synths38:52 Synth in the Quad Cortex39:08 Neural DSP as a target40:36 Latest research projects41:21 Gen AI in the Quad Cortex?42:50 Challenges of capturing fuzz46:06 Noise floors in capture tech47:33 Quick-fire questions51:30 FX captures?53:52 When PCOM for Petrucci?55:22 Interface gain at 0?58:24 Software for Nano Cortex?59:04 Outro

Today our hosts welcome back Jeremy SH Griffith. He's guested, he's guest-hosted, and now he... well we don't know, he's just a friend making great conversation. He has a few objects to talk about, chief among them the Vhikk X Forge-TME, and opens the conversation with a question about objects more broadly: what is the value of a complex hardware setup to a young producer in an in-the-box world? Listen to Jeremy's album Kimbo: https://jeremyshgriffith.bandcamp.com/album/kimbo Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @_j_s_h_g_, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

This is Part 2 of my conversation with Brent Maher - have a listen to Part 1 from last week first and then dig in!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Today our hosts discuss experiments in gear: those times where you buy something, experience or learn something new with it, then realize it is no longer for you. They revisit one of Dan's objects of the past, take a lot of calls, and analyze a lot of common thoughts around what drives a gear purchase and, eventually, a gear sale. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Brent Maher joins me on the show today to talk about his incredible career as a producer, engineer and songwriter. This is Part 1 of our conversation, and part 2 will come out a week from today.Brent is one of the few 1st generation of Nashville recording studio icons still active and working in town. Some of his extensive credits including recording “Proud Mary” for Ike & Tina Turner, “Dance to the Music” by Sly & The Family Stone and “Age of Aquarius” by the 5th dimension, not to mention producing every Judds record. His career began at Fred Foster Sound, which was the studio built by Sam Phillips. He learned and worked for years as an assistant to Bill Porter, one of the greatest engineers of all time. From the early 60's, they were working on albums for Roy Orbison, The Everly Brothers, Chet Atkins and many more. Brent followed Porter to Las Vegas, where they set up shop and that's where Brent started his producing and songwriting career, with the first song he ever wrote being recorded by Ike & Tina. Brent eventually moved back to Nashville, where he found the Judds, produced all of their huge records and redefined country music in the 80's. He was instrumental in bringing the recording scene to Berry Hill, where he helped design and build Creative Workshop and what eventually became Blackbird Studios. Brent continues to work at his studio in Berry Hill today with artists like Rob Ickes & Trey Hensley, Taj Mahal, as well as his latest project “Night of the Orphan Train” - which is a musical novel. We get into all of these facets of his stunning career in this 2-part episode.Enjoy my conversation with Brent Maher!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Today our hosts are joined by Scott Harper, aka Knobs. Scott is a quiet figure who's had great influence in the world of effects pedal demos, bringing depth, fun, and true knowledge of the product to his presentations. He's also been creatively involved in bringing to light some modern classics from Chase Bliss, like MOOD and Blooper. Today we talk about the weirdo delay microlooper that marks a turning point in his journey, as well as many of ours: the Montreal Assembly Count to 5. There's also one and a half minutes of fountain pen conversation, and etc.Buy some Chase Bliss: https://www.chasebliss.com/Buy some Old Blood: https://oldbloodnoise.com/Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @knobs.creative, @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Eddie Angel joins me on the show today. Eddie is a guitarist, producer, and one of the founding members of the legendary instrumental surf-rock band Los Straitjackets.Eddie grew up in Southern California, steeped in classic rock 'n' roll, surf music, and vintage guitar tones, and he's spent decades helping keep that spirit alive while pushing it into new territory. Eddie was a well respected guitarist in the California rockabilly scene, and moved to Nashville to work with the Planet Rockers in the 80's. Sometime in there, her formed a new band that became Los Straitjackets, and put out their first record in 1995. They also donned some luchador masks and have basically never taken them off since. They've gone on to record 14 studio albums, and 8 live albums. Their newest album is called “Somos” and is up there with their best work as a band. What started as an instrumental surf outfit quickly became something much bigger, blending rockabilly, garage, country, and cinematic guitar music into a sound that's unmistakably their own.Another interesting facet to Eddie's career is as a collaborator, most notably working with Nick Lowe. The partnership between Lowe and Los Straitjackets has also gone on for years and is something they both continue to explore when the opportunities arise. Collaborations with Deke Dickerson and Eddy Clearwater are also notable projects that are a great example of interesting things coming along when you remain open to ideas.In this conversation, we talk about Eddie's early influences, the origins and evolution of Los Straitjackets, and what he's learned from a lifetime of playing, producing, and collaborating at the highest level.You can get all the latest info and tour dates for Eddie and Los Straitjackets at: losstraitjackets.comEnjoy my conversation with Eddie Angel!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

In this episode, host Adam Wakeling speaks with Analog Mike Piera, founder of Analog.man, about his approach to product development, the infamous waitlist for the King of Tone, the state of the guitar and pedal market and what the future looks like for the company.To learn more, visit: https://www.analogman.com/Many thanks to this episode's sponsor Chase Bliss.Check out Chase Bliss effects pedals here: https://www.chasebliss.com?utm_source=productsofmusicChapters:00:00 Preview01:02 Intro02:00 Mike's founder story03:57 Approach to product dev10:50 Analog Man marketing12:53 Sponsor section13:38 Art versus science in design15:01 Testing rigs17:10 FX loop challenges18:50 Pedal gain versus amp gain20:49 Analog Man Rat pedal?21:24 King of Tone wait list24:25 Analog Man without Mike?25:31 Teaching knowledge27:06 Thoughts on digital modelers31:04 What not to add on pedals34:47 Chase Bliss Brothers AM36:42 Mike's current concerns40:32 Challenge of limited supply42:39 What keeps Mike motivated44:57 How the customer has changed50:07 Mike's advice to founders52:52 Quick-fire questions56:38 Community questions01:00:30 Outro

Pat Bergeson joins me on the show this week. Pat is one of those musicians who makes you stop and rethink what's actually possible on a guitar. And on a harmonica.Pat Bergeson is a true master of touch, tone, and taste, and one of the most deeply musical players you'll ever hear.Pat's guitar playing is rooted in the blues, jazz, and country traditions, but it's always personal, always expressive, and always unmistakably his own. He's been here in Nashville for a number of decades now, and has amassed an impressive list of credits, playing on records for artists like Dolly Parton, John Paul White, Suzy Bogguss, Blake Shelton, Alison Krauss and Lyle Lovett. But Pat has never been one to devote himself to session work, so he's led a much more rounded life, with tons of live playing and touring, including his current touring gig in Peter Frampton's band. When I first saw him, it was with the band Les Brers, which was Butch Trucks' band playing mostly Allman Brothers music, and seeing Pat teamed up with the band's other guitarist Jack Pearson, was a one-two punch of two of my absolute favorite guitarists in music city!One of the most meaningful chapters in Pat's career was his close association with the legendary Chet Atkins. Chet didn't just admire Pat's playing - he brought him to Nashville. Pat recorded and performed with Chet, and you can really hear that shared philosophy: musical elegance, deep respect for melody, and an understanding that less can truly be more. Pat played with Chet for years, both on records but also as part of his band that used to have a weekly gig here in Nashville at a little Italian joint downtown.And then there's the harmonica.Pat isn't just a great guitarist — he's one of the finest diatonic harmonica players you'll ever hear. So whether you know him from his work with Chet Atkins, his collaborations with Peter Frampton, his session work, his solo recordings, or his unforgettable harmonica playing, you're in for a great conversation today.Enjoy my conversation with Pat Bergeson!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This is Part 2 of my conversation with Dave Jacques - have a listen to Part 1 from last week first and then dig in!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Bassist Dave Jacques is on the show today. Dave was John Prine's bass player for nearly thirty years. That's not just a gig - that's a musical marriage! That's knowing when to play, when not to play, when to push a lyric forward, and when to just lay the hell out of the way and let the song do its thing. This will be a 2-part conversation and Part 2 will come out one week from today.If you know John Prine's music, you know that the bass is doing a lot of quiet heavy lifting. Those songs don't survive flashiness. They survive feel, restraint, and humor, and Dave understood that instinctively. He helped build the foundation under some of the most beloved songs in the American songbook, and he did it without ever getting in the way.What's remarkable is that Dave brought that same sensibility everywhere else he went. Whether it was Emmylou Harris, Buddy Miller, Townes Van Zandt, or countless other sessions and tours, he always sounded like himself — but somehow also exactly right for the artist.In this conversation, we talk a lot about his years with John Prine — what he learned from standing next to and playing with night after night, one of the greatest songwriters ever, not to mention endless hours in a car with him.I've had the pleasure of knowing and playing with Dave on quite a few sessions here in Nashville, and he was also crazy enough to join my band The Volcano Brothers, so if you find yourslef in Nahsville, come see us! You can also find Dave playing with a host of great musicians around town, my favorite being Kenny Vaughan's Imperial Blues Hour.You can get the latest on Dave and his projects over at davejacquesonbass.comEnjoy my conversation with Dave Jacques!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

In this episode, host Adam Wakeling speaks with Tosin Abasi (CEO and Founder of Abasi Concepts), as well as Ivan Chopik (Founder of Guitar Messenger and COO of Abasi Concepts) about their journeys; the state of the guitar and pedal market; and their approach to product development and innovation.To learn more about Abasi Concepts, visit: https://abasiconcepts.com/Many thanks to this episode's sponsor Chase Bliss.Check out Chase Bliss effects pedals here: https://www.chasebliss.com?utm_source=productsofmusicChapters:00:00 Preview01:35 Intro02:41 Abasi Concepts Origin Story10:16 The First 7/8 Strings17:00 Chase Bliss Sponsor Section18:15 Compromises in Guitar Design20:32 Abasi Concepts Product Development25:16 Ideation to Production31:30 Why Tosin Loves Analog Gear34:40 Digital and the Young Generation35:26 Where Abasi is Looking Next38:32 Gibson Neck Heel Issues39:37 Abasi Concepts Bass Guitars40:00 Abasi Nylon String Guitars42:05 Solving Problems for Guitarists45:30 Leveraging Industry Collaborations47:36 Guitar Market Concerns50:00 Abasi Guitar Quality Issues54:39 Entrepreneurial and Musician Advice58:54 Quick Fire Questions01:01:54 Reddit Community Questions

Ruthie Foster joins me on the show this week. I first met Ruthie about 20 years ago, when we were both playing at a Canadian folk festival. We had a few workshops together and really hit it off. She's one of the most incredible singers I've ever heard - so powerful and soulful, but also totally open to jamming and opening things up in a cool way. We re-connected this summer at the Vancouver Folk Festival and had a blast playing together again after all those years.Ruthie is a Grammy Award- winning recording artist (among many other awards!) who has an incredible new album out on Sun Records that she made here in Nashville with Tyler Bryant called “Mileage” - be sure to check it out! Ruthie came up singing in the church, performing all over Texas, and then had a stint in New York when she got signed to Atlantic Records. That didn't really pan out and Ruthie stepped back from music for a while, joined the Navy, which led to joining the Navy band, which sort of got her back into performing music. After her time in the Navy, Ruthie re-committed to music and started releasing her first solo albums, of which she now has 11 or 12 out since about 1997. They're all excellent, and Ruthie has always stayed true to her roots of blues, soul, gospel, folk and rock & roll. I got a chance to spend a bit of time with her here in Nashville during the Americanafest this year, and it was so great to hear her tell her story about her ineteresting path in the music world.You can get all Ruthie's current info and her busy tour schedule over at www.ruthiefoster.comPlease enjoy my conversation with Ruthie Foster!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Drummer Gary Craig joins me on this show this week. Gary is an incredible musician who has gained the reputation as one of Canada's finest studio and live drummers working today. He's been at it for a long time and has maintained a number of long-term associations with artists like Bruce Cockburn, Anne Murray, Blackie & The Rodeo Kings and Jann Arden. Gary's attention to detail, combined with a unique sense of groove makes him one of the more creative forces in modern roots drumming. Coming up in Toronto in the 70's and 80's, Gary learned from some of the city's great jazz drummers, but shifted his focus to roots, blues and rock bands that appealed to his taste more than jazz did. Landing the gig with Anne Murray, which he got at a young age, Gary stayed with her until she retired about 25 years later. His ability to hold on to gigs and manage juggling several of them at once is no small feat, but when you hear him play, you understand why artists will do what they need to to keep him on board. Gary's also a great hang too, which I can attest to first-hand, and while that might not be the most important thing in keeping a gig, it's probably the second most important! Gary and I get into his history, influences, his work with many of the artists that he is known for, and what he's up to these days both on the road and around Toronto as a live player and studio musician.Enjoy my conversation with Gary Craig!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Singer, songwriter, bandleader and founder of the legendary BR549, Chuck Mead, joins me on the show this week.There's some people that just have music in their veins and they can do things with it and within it that other people can't - perfectly naturally with seemingly no effort. Well, Chuck is one of those guys. He just knows music. He understands country music and rock & roll in a deep way. He can sing it, feel and play it better than almost anyone. Chuck is known as the leader of the band BR549, which was a huge band in the alt-country scene in the 90's before “Americana” existed. That band, almost single-handedly, turned Broadway in Nashville into a hopping live music scene, where there really was nothing much going on before they arrived. He's also a fantastic solo performer and bandleader in his own right, as well as having a big part in the Broadway musical “The Million Dollar Quartet”.Chuck was born in Missouri, but grew up in Kansas, where he started playing music in all kinds of country and rock bands, but also played in a family band, touring on weekends all through high school and cutting his teeth that way. His band, The Homestead Grays, had some notoriety around Kansas, but when that band broke up, he moved to Nashville in the early 90's. Broadway at that time was just a sleazy street with a couple bars, some cool guitar shops, and not much else. But that all changed once Chuck and his band (which became BR549) started playing basically 6 nights a week at Robert's Western World and Tootsie's Orchid Lounge. Their notoriety led to them being put on the cover of Billboard magazine, which essentially started a label bidding war for the band and led to a deal with Arista records. The band made about 7 albums before splitting up. Since then, Chuck has made 4 solo albums, and played on the Grand Ol Opry a whopping 137 times. He's been nominated for 3 Grammys and is still very active around Nashville. You can get all the latest onfo and find out when he's playing at chuckmead.comThis season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss.He's also a hilarious fellow and a great story teller as you'll hear, so now please enjoy my conversation with Chuck Mead! Hosted on Acast. See acast.com/privacy for more information.

 This week, we're covering Megadeth's announcement that their next album will be their last, Bon Jovi's 2026 comeback tour (but will they still have it?), and the vintage guitar phone cases that are lighting up the guitar internet. We'll also dive into Gibson's new $2,999 Noel Gallagher Standard and the full Oasis signature line from Gibson and Epiphone. Plus, we're spotlighting blues guitarist Davy Knowles and a killer new record of originals that's pure blues rock gold. Finally, our Get It or Forget It segment features The Knobifyer pedal controller and innovative volume pedals from Black Mountain Picks and Chase Bliss. Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order, INCLUDING the new Foxcatcher V2 which is available NOW for pre-order. 

Steel guitarist and country music historian Pete Finney joins me on the show this week.I got to know Pete's playing when I'd go and see Chris' Scruggs' band The Stone Fox Five out in the parking lot of the East Nashville Legion during Covid. They'd put on a well-distanced weekly show that was my only live music for a couple of years! I loved Pete's soulful playing and got to learn more about his interesting history, mostly on the pedal steel guitar, playing for all kinds of country legends - artists like Reba McIntyre, The Judds, Vince Gill, The Chicks, The Monkees and lots more. Pete has a unique style, and while he has clearly absorbed the classic country sounds, he doesn't sound like anyone else. Pete's path from the DC area playing almost every night in country bars, to Austin to play with Doug Sahm, to his move to Nashville in the 80's is an interesting one, and Pete has carved out an incredible career in that time. Lately, Pete has also taken on the role of historian, and had a big hand in producing the Country Music Hall Of Fame's “Dylan, Cash and The Nashville Cats” exhibit, which was one of the best collections of 60's and 70's country music stories, exhibits and paraphernalia ever put on display. Pete is a well loved Nashville icon and plays around town with many different artists. He has no website or social media, so you'll have to just keep your ear to the ground about where to see himj play if you're in Nashville, but don't miss your chance if you get it!Enjoy my conversation with Pete Finney.This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Drummer, composer and bandleader Nate Smith joins me on the show this week. While many people have come to know of Nate's work through his recent collaborations with Vulfpeck, Brittany Howard, and as a member of the Fearless Flyers, Nate has been playing, touring and honing his craft for decades. His early experience with legendary jazz vocalist Betty Carter led to him being a full-time member of Dave Holland's group for many years, and carved out a reputation as one of New York's great up and coming jazz drummers. Nate's wide range of skills and musical tastes led him to start his own group, Kinfolk, which has recorded 2 spectacular albums. A somewhat random invite led him to become a member of The Fearless Flyers, which exploded on youtube, and has paved the way for Nate's own set of solo and collaborative videos that are highly original, exciting, and musical. His collaborations with musicians like Charlie Hunter, Cory Wong, Victor Wooten, Carrtoons, and Lionel Loueke are well documented on both album and youtube videos. Nate's latest project is under his own name, entitled “Live-Action” and is an incredible collection of compositions, improvisations and collaborations with many of his musical partners. Nate will be touring quite a bit over the next while with his band, so be sure to catch them when you can!You can get all the latest info on Nate and all his projects, records and amazing set of videos at natesmithdrums.comEnjoy my conversation with Nate Smith!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Vocalist, songwriter and Grammy Award-winning artist Mike Farris is on the show today. Mike has this incredible new record out called “The Sound Of Muscle Shoals” that he recorded at the legendary Fame Studios with Rodney Hall (the son of Fame founder Rick Hall - the guy who is largely responsible for creating the Muscle Shoals sound that we all know and love). Mike has had an incredible career, from his early days in the insanely wild and high energy band The Screamin' Cheetah Wheelies, Mike honed his skills as an incredible frontman and vocalist, but as we talk about today, he feels like he never really learned to sing until he started making solo records in 2001. Since that time, Mike has continued to evolve as an incredible singer whose voice and delivery pull from soul, gospel, country and rock n roll - and all of them very convincingly, as only someone who has truly lived the life can. His 2014 album “Shine For All The People” won a Grammy award, and Mike has been consistently recording and touring the world for decades. I wanted to hear from Mike about his songwriting, how he captures his voice in the studio, how his travels (which include some incredibly rocky patches) have brought him to where he is today, and how he feels like a bit of a misfit in a world where people love to peg musicians under a certain style. We also get into the nuts and bolts of making his new album, and the legacy that he feels working in such a sacred space with incredible musicians.Mike has quite a few albums out under his own name and the Screamin' Cheetah Wheelies albums are also well worth hearing. But do check out the new record “The Sound Of Muscle Shoals” - it's an incredible listen. You can catch Mike on tour and get all the latest info at mikefarrismusic.comEnjoy my conversation with Mike Farris!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Bruce Bouton is an accomplished pedal steel guitarist who has played on an extensive string of massive country albums and singles from the 80's onward. From his multi-year stint backing up Ricky Skaggs, playing some of the most memorable steel licks of the era, to most of Garth Brooks' musical output all through the 90's, Bruce has also appeared on records for Emmylou Harris, Brooks & Dunn, The Mavericks, Shania Twain, Keith Urban, Taylor Swift, Reba McEntire, and many more. Bruce has incredible skill on the instrument and has found a way to come up with hooky, accessible yet technically skillful parts and solos that have contributed to the success of so many of those recordings. He's been at this a long time and brings a wealth of experience to sessions and gigs still today. Bruce also made an instructional pedal steel video that is well worth seeking out - I sure found it enlightening when I was starting to play steel. Bruce is still very active around Nashville and we had a chance to hang out at the Henhouse and spend an hour or so talking about lots of his history and path to where he is today.You can get all the current info on Bruce at his website:www.rockinlapsteel.comEnjoy my conversation with Bruce Bouton!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Guests Paulee Bow Magical Synth Adventurer For preshow and Ad free version and much more: Patreon.com/sonicstate (including the new Venus Theory designed Sample Instruments) Native Instruments Modular Icons vintage modular synth sounds from iconic artists and instruments. Made in collaboration with the Bob Moog Foundation, more than 60% of each sale goes to them. Part of the Play Series:  Great-sounding presets and real-time control. iZotope FXEQ  - 5 powerful creative effects. 1 innovative EQ workflow. Easily add drive, dimension, and texture to your tracks. No more complex routing, buses, and sends – simplify your effects chain with the equivalent of 10 separate plugins in 1. Say hello to brilliant sound without the struggle. 00:00:00 Start 00:01:15 AD:Patreon 00:13:05 Faircamp 00:20:42 AD:iZotope FXEQ 00:22:01 NI Maschine 3 for Standalone 00:30:41 Twinkle Embellishments 00:35:55 Waveboy 00:40:24 AD: NI Modular Icons 00:41:46 New Chase Bliss Lost + Found 00:50:26 Jumperless V5

Guests Paulee Bow Magical Synth Adventurer For preshow and Ad free version and much more: Patreon.com/sonicstate (including the new Venus Theory designed Sample Instruments) Native Instruments Modular Icons vintage modular synth sounds from iconic artists and instruments. Made in collaboration with the Bob Moog Foundation, more than 60% of each sale goes to them. Part of the Play Series:  Great-sounding presets and real-time control.   iZotope FXEQ  - 5 powerful creative effects. 1 innovative EQ workflow. Easily add drive, dimension, and texture to your tracks. No more complex routing, buses, and sends – simplify your effects chain with the equivalent of 10 separate plugins in 1. Say hello to brilliant sound without the struggle. 00:00:00 Start 00:01:15 AD:Patreon 00:13:05 Faircamp 00:20:42 AD:iZotope FXEQ 00:22:01 NI Maschine 3 for Standalone 00:30:41 Twinkle Embellishments 00:35:55 Waveboy 00:40:24 AD: NI Modular Icons 00:41:46 New Chase Bliss Lost + Found 00:50:26 Jumperless V5 Where to Watch/Listen - We now stream the live show to Youtube Live, Twitch,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in - we read the live comments as we go. Preshow available on Twitch.

Tom Hambridge joins me on the show this week. Tom is a Nashville-based drummer, but also an incredibly successful songwriter and producer. Mostly known over the past couple of decades as Buddy Guy's producer and key songwriter, Tom has had a huge hand in everything the blues legend has released since 2008's “Skin Deep”. Their partnership has earned them multiple Grammy nominations, and they have toured the world many times over. Tom is a solo artist in his own right, releasing 8 albums under his own name over the last 30 years. Aside from his stellar work with Buddy Guy, Tom has fascinating stories about working with artists like Roy Buchanan, Chuck Berry, and Bo Diddley while he was a top-call bandleader around the Boston area. His other production credits include records for Susan Tedeschi, George Thorogood, Joe Louis Walker, Chris “Kingfish” Ingram and many more.Tom's latest projects and tour dates can all be found at hambridgetunes.comEnjoy my conversation with Tom Hambridge!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This is part 2 of my conversation with the incredible guitarist Kenny Vaughan. This episode picks up right where we left off in Part 1, and we get into some of his guitar and amp preferences, his continued work with Marty Stuart, and his session work in his Nashville years, where he has called home since the 80's. Kenny doesn't have a website, but he is active on social media, so you can find him there. Enjoy Part 2!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

One of my absoliute favorite Nashville guitarists, Kenny Vuaghan, joins me on the show today for the first of a 2-part episode where we go deep into his stories about growing up in Colorado, his formative experiences seeing the Grateful Dead and Jimi Hendrix, taking guitar lessons as a youngster from Bill Frisell, and playing a seemingly endless string of country and rock gigs around the local area. We get into his move to Nashville in the 80's which led to many incredible sessions and touring gigs with Patty Loveless and of course his role in Marty Stuart's Fabulous Superlatives, a gig he's held down for over 24 years. We also discuss the finer points of 1980's Japan-made Strats, his pickups of choice and other nerdy guitar details.Kenny remains very active these days, continuing on a regular touring schedule with Marty Stuart, but also fronting one of my favorite bands to see around Nashville on a regular basis called The Imperial Blues Hour. Kenny doesn't have a website, but is active on socials if you want to follow him there. Stay tuned for Part 2 a week from today!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This is part 2 of my conversation with legendary engineer/producer Mark Howard. This episode picks up right where we left off, as we continue discussing sessions with Bob Dylan, Neil Young, and get into Tom Waits and Iggy Pop. Be sure to listen to Part 1 first and then dive into this one!Mark doesn't have a website, but he is quite active on social media, so you can find him there. Enjoy Part 2!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, Fabfilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Season 9 kicks off with an epic 2-part conversation with engineer/producer Mark Howard. Mark has been behind the console for some of the greatest and most sonically interesting albums of the past 40 years - Emmylou Harris “Wrecking Ball”, Dylan's “Time Out Of Mind”, Willie Nelson's “Teatro”, Chris Whitley, Neil Young, Tom Waits, Lucinda WIlliams and many more. While he is most often associated with Daniel Lanois as his engineer, Mark has gone off on his own to become one of the most respected producers in the business. It's quite a run for yet another kid from Hamilton, Ontario whose career kicked off creating the sonics for The Neville Brothers classic “Yellow Moon” and went on from there. We get into some of his many projects, and talk about some of the interesting locations that he and Lanois set up shop in over the years. There's some fascinating stories here and quite a few of them I'd never heard before, even as a total music nerd. This was a hefty conversation, so it's broken into 2 parts. Part 2 will come out 1 week from today.Mark doesn't have a website, but he is quite active on social media, so you can find him there. Be sure to check out his 2 books and look for the new documentary film about his incredible career. Enjoy Part 1!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, Fabfilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

Way back in the sepia-toned past of podcasting (circa 2016), I sat down with Joel Korte of Chase Bliss Audio — before the blinking lights took over the world and before I fully understood how microphones work. Can you believe that this episode is almost a decade old? What a wild ride it's been! This episode has it all: – Engineering nerdery – Emotional whiplash – Mild Midwestern awkwardness – And at least one questionable Paul Reed Smith tangent – Strollerblading! Joel shares how a stint at a major guitar company, and one very big life detour somehow led to building some of the most innovative pedals on the planet. And I mostly just try not to say anything too stupid. It's clunky. It's charming. It's full of chaotic origin-story goodness. Basically: if you've ever wanted to hear a future pedal wizard in larval form, this is the one. Check out everything Chase Bliss on their website HERE https://www.chasebliss.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Object Worship is a chit-chat among hosts about pedals that do "the thing." Andy has a new song he's obsessed with, there's a bit of recent pedal news discussed, but mostly they take voicemails and ponder the question: what is the thing? Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

On this episode of the podcast I have my good buddy Joel Korte of Chase Bliss back on the podcast to tell the tale of how he and the legendary AnalogMike came together to create the Brothers AM. We also get into some of the behind the scenes details of how Chase Bliss operates, and the harsh realities Joel & Co have had to navigate. It ain't all sunshine and rainbows, but it is fascinating! Enjoy! Check it out HERE https://www.chasebliss.com/brothers-am Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello dear listener,Welcome back! This week, Matt and I are talking all about his wonderful custom built mod of a mod of a Tube Screamer from NRG Effects! We're also discussing Mystery Boxes as a concept, Chase Bliss, Wren & Cuff, and we're introducing our new Shergold Guitars Giveaway! Hosted on Acast. See acast.com/privacy for more information.

Ça faisait un moment que je voulais tester un produit de chez Chase Bliss (chasebliss.eu). Les vidéos que j'avais vu de la Clean m'avaient emballé, je les ai donc contacté et hop j'ai reçu ça quelques semaines plus tard. En bien ce compresseur créatif (comme ils disent) est redoutable. On peut lui faire faire plein L'article Clean Chase Bliss, Test du Compresseur Créatif est apparu en premier sur La Chaîne Guitare.

Hello dear listener, Welcome back to the penultimate episode in season 5 of Guitar Nerds. This week, Matt and I are talking all about his Hello Kitty Fender purchases, the Chase Bliss and Wren & Cuff Mystery Boxes, and the new Boss Katana Mini X! Hosted on Acast. See acast.com/privacy for more information.