Podcasts about endeavors

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

The first half of this pod covers current events, including the loss of another decorated Admiral, how much lower the bar for ICE agents has fallen, more Presidential pardons for seemingly guilty people, and FIFA's take on a zombie peace prize from hell. Also, how the Pentagon just agreed to give a record amount of $620M to a small company, the hilarity of accusing Senator Mark Kelly of sedition, the new anti-science CDC, and deportation news. Then, the second half delves into the putrid underbelly of RFK Jr's most recent, lewd, extramarital scandal, with Lauren Skae tagging in to explain the unforgettable details. All opinions are personal and not representative of any outside company, person, or agenda. This podcast is hosted by a United States citizen, born and raised in a military family that is proud of this country's commitment to free speech. Information shared is cited via published articles, legal documents, press releases, government websites, executive orders, public videos, news reports, and/or direct quotes and statements, and all may be paraphrased for brevity and presented in layman's terms.Check your voter registration, find your polling location, or contact your representatives via USA.GOV, VOTE.GOV, and/or the "5 Calls" app. “I love America more than any other country in the world and, exactly for this reason, I insist on the right to criticize her perpetually.” - James BaldwinWanna support this independent pod? Links below:BuyMeACoffee - https://www.buymeacoffee.com/BBDBVenmo @TYBBDB Hosted on Acast. See acast.com/privacy for more information.

Fran Tarkenton, founder and CEO of Tarkenton & NFL Hall of Famer, discusses his legendary football career and transition into entrepreneurial endeavors. Tarkenton spoke with Bloomberg's Tom Keene and Paul Sweeney.See omnystudio.com/listener for privacy information.

(Acts 16:6-15) What are you doing for the gospel's sake? The Lord Jesus left us here for His purpose to accomplish His work, His way, in His strength, for His glory. Too often, we are found lacking in our gospel endeavors.  (09264251101)  Get equipped to share the gospel and find gospel tools in English and Spanish at https://enjoyingthejourney.org/witness Keep Studying  Whether you're a new believer or have walked with the Lord for years, you'll find thousands of free devotionals, Bible studies, audio series, and Scripture tools designed to strengthen your faith, deepen your understanding of the Bible, and help you stay rooted in the Word of God. 

This week's Difference Maker highlights a non profit that lights a way for young Chicago moms and their kids. Bright Endeavors is a candle and home fragrance company that employs moms ages 24 and under.

This week's Difference Maker highlights a non profit that lights a way for young Chicago moms and their kids. Bright Endeavors is a candle and home fragrance company that employs moms ages 24 and under.

This week's Difference Maker highlights a non profit that lights a way for young Chicago moms and their kids. Bright Endeavors is a candle and home fragrance company that employs moms ages 24 and under.

Sweltering heat hit Santa Barbara County Thursday, August 21st, and into the weekend, bringing temperatures in the high 80s and in some areas hitting the 90s. How are homeless individuals impacted by the extreme heat, and what are local organizations doing to help? KCSB's Tatiana Jacquez spoke with The Good Samaritan's Kirsten Cahoon to learn more.

In this episode, Savannah finally offers proof that she has been writing a Young Adult book series since October 2019! As the final edits and creative efforts to get the project across the finish line are still ongoing ... and seemingly never ending in and of itself ... the project is so close to being completed. Enjoy the first chapter of the prologue from the first book in the Nix Series, Nix - Rebirth (Book 1)-----SAVANNAH HAUK is the author of “Living with Crossdressing: Defining a New Normal” and “Living with Crossdressing: Discovering your True Identity“. While both focus on the male-to-female (mtf) crossdresser, “Defining a New Normal” delves into crossdressing and relationships and “Discovering Your True Identity” looks at the individual crossdressing journey. Her latest achievements are two TEDx Talks, one entitled "Demystifying the Crossdressing Experience" and the other "13 Milliseconds: First Impressions of Gender Expression". Savannah is a male-to-female dual-gender crossdresser who is visible in the Upstate of South Carolina, active in local groups and advocating as a public speaker at LGBTQ+ conferences and workshops across the United States. At the moment, Savannah is working on more books, blogs, and projects focused on letting every crossdresser–young and mature–find their own confidence, expression, identity and voice.IG @savannahhauk | FB @savannahhauk | FB @livingwithcrossdressing | web @livingwithcrossdressing.com------JULIE RUBENSTEIN is a dedicated ally to transgender community and the certified image consultant and co-owner of Fox and Hanger. F&H is a unique service for transgender women and male-to-female crossdressers that creates customized virtual fashion and style “lookbooks”. Julie intuitively connects with each client to find them appropriate clothes, makeup, hair, and shape wear all in alignment with their budget, body type, authentic style and unique personality. Julie also provides enfemme coaching and wardrobe support. Julie has made it her life's work to help MTF individuals feel safe and confident when it comes to their female persona, expression and identity.IG @Juliemtfstyle | FB @foxandhanger | web @FoxandHanger.com

Preview: Trump in LEO. Colleague Bob Zimmerman comments on the ambition of the Trump administration to deregulate space-related endeavors, especially startups. More later. 1950

review Nixon Trump. Colleague Professor Steve Hayward comments on the Nixon ambition to take charge of the executive branch as POTUS Trump now endeavors. More later. 1972

This week Craig and Alex review Pleasantville and take you through everything else they've been watching this week! Next week we're watching Requiem for a Dream

Welcome to Episode 145. This is a Coop Endeavors episode where our cousin/podcast editor Brian joins us to talk about the many games we play together.The Game:Diablo 2: ResurrectedIntro Song "Letting Go" by Emerge.Title Art by Devious.Pixel.Internet Presence Preamble "Dystopian Sycophants" by Cherished Ghosts.Podcast edited by Brian Owsley.Sweet Jams:"Main Theme""Chaos Sanctuary"These tracks and more can be found on the Diablo 2: Resurrected OST.The Internet:TwitchYouTubeBlue SkyDiscordFacebookInstagramLock Stock StorePatreonSuspension of DisbeliefBlake's Story "They Come This Night"2smokingcontrollers@gmail.comThe End

Tony Pec – The Godfather of Instagram – along with his team at Y Not You Media and partners Mitchell & Doonan, hosted the highly anticipated 4th Annual Impact Charity Golf Outing on Thursday, June 26, 2025, at Pelham/Split Rock Golf Courses in the Bronx. This unforgettable event was a celebration of purpose, community, and meaningful connections, all to benefit Blythedale Children's Hospital, New York's only independent children's specialty hospital. A total of 288 golfers took to the course, where over 50 food, drink, and brand vendors were featured across 36 holes—making for a lively and interactive experience from the first tee to the final putt. The excitement continued into the evening with the Networking Cocktail Reception, which welcomed more than 1,500 business owners and professionals from across the Tri-State area. Guests had the opportunity to network and unwind while enjoying top-tier food and beverage offerings. Westchester Talk Radio was on hand to capture the energy of the day, and host Andrew Castellano spoke with Dominique Hart, Founder of Dynamik Endeavors, about the impact of the event and the power of blending business with giving back. 

Self-belief isn't the absence of doubt; it's the decision to act in spite of it. In this episode, Scott Peltin and Brian Wade look at the critical role of building self-belief and share TIGNUM's approach to developing this skill.Leaders and high performers have the role of being the Chief Belief Builder for their teams. There is a lot of confusion and misinformation around self-belief, what it isn't, and how to create it. Scott and Brian dive into how self-belief differs from confidence, how to build it authentically, and how to promote self-belief within a team. They also discuss how to use self-doubt as the catalyst to be bold. Get in touch Visit us at tignum.com Email us at contact@tignum.com Think clearer. Show up better. Maximize impact.

Pedro Da Silva's Student Address at Commencement 2025 Thomas Aquinas College, New England

The central theme of this podcast episode revolves around the profound connection between artistic expression and personal surrender, particularly in the context of the speaker's musical journey. We delve into the creation of the album titled "if in case you feel the same," which began in 2016 and faced numerous delays due to external pressures from the record label. The speaker recounts the moment of clarity when they resolved to release the album amidst a global pandemic, asserting that the music was "looking for a fight." This decision led to unexpected recognition, including being invited to perform on "The Tonight Show" shortly after contemplating a career shift. Ultimately, the conversation underscores the unpredictable nature of artistic endeavors and the importance of remaining open to the possibilities that arise, even when one considers stepping away from their passions.Takeaways: The creation of art is an evolving journey that often involves significant delays and challenges. The album 'if in case you feel the same' was conceived in 2016 but released amid a pandemic in 2020. Artists frequently navigate the complexities of their relationships with record labels regarding release decisions. Music serves as a powerful medium for connection, often leading to profound conversations between artists and their audiences. Surrendering to the unpredictability of a creative career can lead to unexpected opportunities and recognition. The act of making music embodies a sense of service, aiming to resonate with listeners on a deeper level. Companies mentioned in this episode: Jimmy Fallon The Roots

Veteran, Steve Baskis, shares his experience turning his focus to outdoor adventures after losing his vision while serving in the military.  He shares techniques for sailing, biathlon (skiing and shooting), climbing, and how to prepare for an adventure through gathering a good team.Record an Audio Message!www.stevebaskis.comwww.blindendeavors.orgCheck out a list of our guests: www.storiesofvisionloss.com/guestshttps://buymeacoffee.com/storiesofvisionlossBecome a supporter of this podcast: https://www.spreaker.com/podcast/stories-of-vision-loss--5626029/support.

Mandy Johnson, chief executive of Blue Yard, former government press secretary and former government special advisor on Northern Ireland and Chris Donohoe, former government press secretary and former special advisor in the department of Foreign Affairs and the Department of Enterprise

Welcome to another episode of Getting Neighborly, where Dave welcomes Carey Zarate, who shares her journey from part time artist, to full-time entrepreneur. Carey shares her journey from transforming a part-time passion into a full-blown creative business, especially after a pivotal moment during the pandemic. She now runs Artistic Endeavors, a vibrant storefront in Fairview Town Center, where creativity knows no bounds. From printing on anything imaginable to collaborating with local artists and big brands like the Ritz Carlton, Carey's journey is a testament to the magic of creativity and community. Carey and Dave discuss the world of 'usable art', her passion for making art accessible and functional, and discover valuable insights into thriving as a small business owner. Whether you're an aspiring entrepreneur, an established creator, or just someone with a spark of creativity, there's something in this episode for everyone. Key Topics Discussed: Carey's entrepreneurial journey from part-time to full-time business owner The importance of creativity and how artists can expand the use of their art Carey's experiences and challenges in running Artistic Endeavors in Fairview The collaborative, supportive community environment of Fairview, Texas Advice for aspiring entrepreneurs on authenticity and financial awareness Examples of innovative projects and partnerships, including corporate gifts and artisanal products Carey's philosophy on helping other businesses and the reciprocal benefits the approach brings

258. Pursuing Creative Endeavors While Mothering with Liz Bell Young   Matthew 13:52 "Therefore every scribe who has become a disciple of the kingdom of heaven is like the head of a household, who brings out of his treasure things that are new and fresh and things that are old and familiar."   **Transcription Below**   Questions and Topics We Cover: Will you tell us about your journey to becoming the creator of Haven magazine, which was distributed by Anthropologie and also how you were selected to be a contributor to the Magnolia Journal? What have you learned about wisely overlapping mothering and pursuing dreams? How does writing and sharing stories help us to take good care of one another?   Liz Bell Young is a writer, experience designer and collaborator in the Midwest. Her work appears in Magnolia Journal on the shelves, Artifact Uprising and Darling on the sites, Procter & Gamble in the studios, and Woman Camp in the woods.   A grad of The School of the Art Institute of Chicago + University of Cincinnati, LBY takes a multidisciplinary approach to her work and home. Favorite pairings: words on index cards, words next to rolling film, words covering real paper inside real books. She also adores rocks, oyster shells, the smell of hay and gasoline, old Austrian boots, coffee in small cups. But above all: her life with Ryan and their children.   Thank You to Our Sponsor: Midwest Food Bank   Other Episodes on The Savvy Sauce Related to Hospitality, Mothering, and Pursuing Creative Endeavors: 1 Finding Your Purpose as a Mom with Courtney DeFeo 9 Self-Care in Motherhood with Karen Stubbs 13 Managing Family, Career, and Health with Leslie Neslage 15 The Supernatural Power Present While Gathering at the Table with Devi Titus 43 Joys and Challenges of Motherhood with Podcaster and Author, April Hoss 46 Encouragement and Inspiration for your Motherhood Journey with Anjuli Paschall 57 Implementing Bite-Size Habits That Will Change Your Life with Author, Blogger, Podcaster, and Speaker, Kat Lee 67 Thriving at Work, Home, and Life with Author, Blogger, Podcaster, and Business Owner, Crystal Paine 75 Responding to God's Stirring with Elizabeth Pehrson, Founder of The Exchange 168 Experiencing Joy, Connection, and Nourishment at the Table with Abby Turner 178 Fresh Take on Hospitality with Jaime Farrell 202 Simple Ways to Connect with Our Kids And Enjoy Breaks with Beth Rosenbleeth (Days with Grey) 223 Journey and Learnings as Former Second Lady of the United States with Karen Pence   Connect with The Savvy Sauce on Facebook or Instagram or Our Website     Please help us out by sharing this episode with a friend, leaving a 5-star rating and review on Apple Podcasts, and subscribing to this podcast!   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”   Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”   John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”   Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   **Transcription**   Music: (0:00 – 0:09)   Laura Dugger: (0:10 - 1:24) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Duggar, and I'm so glad you're here.    Thank you to an anonymous donor to Midwest Food Bank who paid the sponsorship fee in hopes of spreading awareness.   Learn more about this amazing nonprofit organization at MidwestFoodBank.org.    Liz Bell Young is my kind guest for today. She is an artist and an extremely gifted writer, and I just love the title of her book, Let There Be Havens: An Invitation to Gentle Hospitality.   So, she's going to share stories and offer practical tips for fostering creativity. She's going to talk about attuning to the Holy Spirit in our lives so that we can take good care of one another. And she also offers out-of-the-box ideas for genuine hospitality that creates a haven to offer others.   Here's our chat. Welcome to The Savvy Sauce, Liz.   Liz Bell Young: (1:25 - 1:28) Thank you, Laura. It is really good to be here with you.   Laura Dugger: (1:29 - 1:48) Well, I would love to just begin here because early on in your book, there was a line that grabbed me when you wrote, “I was raised to show love for others through action, not just in theory.” So, will you start there and elaborate and share more about that?   Liz Bell Young: (1:49 - 3:56) Sure, sure. I have this little part in the book. It's titled; My Dad Gave It Away.   And so, I'll just tell that little story because I think it's pretty representative of how things ended up playing out. But I got home from school one day and my dollhouse was not at home anymore. It was gone.   And I just stood in front of it and, you know, I was so sad. Where's my dollhouse? One of my dad's co-workers had had a horrible house fire.   And so, during the day, my dad had picked a few things from the house that he thought would bless this family, who also had a little girl. And I, as soon as I understood what had happened, you know, I felt I was very okay with that. I was, I grieved my dollhouse, but I thought, you know, when you, when you have something to give to someone who has just lost, you know, they lost really everything that it is, it's so important to do.   And so, my, my dad and my mom were very, very love and action people. You know, probably even more than we talked about it. It was just a lot of, you know, somebody has low air in their tires and my dad's filling it up.   Somebody needs counsel and they take the time to give it. My mom had a friend who was blind. And so, we would spend time like organizing her, her clothing closets and her dishes just so that she could get through.   She was an attorney, but just help her like get through her day a little bit more easy. So, they were very aware of people's needs. And we learned that sometimes like that was at cost to us, you know, giving away something that we actually still could have used or taking the time to go and, you know, paint someone's house when really we wished that we could have gone to the amusement park, you know, things like that.   That, that was their love and action, you know it really affected all of us, I think in a big way. I have three sisters.   Laura Dugger: (3:56 - 4:40) So, I love that because it's the same setup for our family. We have four daughters. And so that was your book.   But I think that example that you gave just reminds me of scripture. I was reminded of recently from 1 John 3:18, that just says, “Dear children, let us not love with words or speech, but with actions and in truth.” So, it's apparent that you were raised in really good soil with parents who lived and shared this way of life, and they shared the good news of Jesus with you.   But when and how did you make your faith your own and choose to personally follow Christ?   Liz Bell Young: (4:41 - 6:02) Oh, so if I had to pinpoint a time, I would say it was like a summer camp. I think I was 11 or 12. You know, that often happens, I think, like when you're removed from your environment.   I was just at night standing next to a lake with a counselor and I just, I'd already, I already knew God. I had always sort of felt His voice and presence and whispers. And I also felt familiar with, you know, the enemy's voice.   And I was very aware, you know, I think when you're a really sensitive child sometimes, which I was, you can kind of feel the weight of the spiritual realm. And so, you know, it was a very gradual, I think, thing turning fully to the Lord. But that I do remember that moment at camp where I just was like, I want this always, I want the fullness of this.   And I want to just completely, I just felt so completely in love with Jesus. And I was just like, very, like, lean forward, eager, you know, for that. So, but of course, you know, it's, it's a, it's a process.   There was, there were highs and valleys and all over the place along the way, but that's kind of where it took off.   Laura Dugger: (6:03 - 6:34) That is really helpful. Even thinking of sensitive children, maybe that resonates with some of us as parents, you've kind of put language around what we may be experiencing. But then just going back further into your story, you're a graduate of the School of the Art Institute of Chicago.   And I'd love to hear some more about the lessons you learned there. So, what are just a couple of stories that stand out from that season of life that ended up shaping you?   Liz Bell Young: (6:35 - 8:51) Oh, I, it was a really formative time. I actually just, I did my undergrad in social work. And so this was actually graduate school, because I'd always wanted to be a writer or an artist of some sort.   And so finally, after, you know, I took some time off in between undergrad and graduate school, got back and went to the Art Institute. And one of the, the huge moments for me, it's funny for other people, it would have been like just a nothing moment. But we were, I was in a drawing class, we were doing large format charcoal.   And I'm working on a portrait, and I was working like really tediously on the nose. And my professor came up behind me and said, it's a really pretty nose. Is that what you see?   And I looked at it, and I realized I'm drawing from what I've been told a nose should look like from what I've seen from it's, she's like, I think as a writer, because, you know, I was just taking art classes, but primarily there's writers, she's like, I think as a writer, you understand that, like, you don't want to fall into cliche, but what you're doing here is, is a cliche. And so, what you haven't done is you haven't put any of the reality in it, there were no twists and turns, no shadow, barely any. And it looked pretty and commercial.   But it was not, I had not learned like the transparency of an artist yet. I'm starting to learn it with writing, but I had not learned it with a visual. And I often think about that, because, you know, as a creative, or even as a as a mother, as you know, whatever you do, I think it's very easy to just fall into the routine of what you think is the most acceptable, or what you think it's supposed to be like, or look like.   And getting, getting to that, like honest transparency, whether as a creative, or, you know, whatever you're doing, I think is so freeing, but it really took someone to point out where I was like, where I was not free.   Laura Dugger: (8:52 - 9:21) Wow, that's so helpful. Art just unlocks all kinds of things within us. So that's a really helpful example.   And this next question, I guess, kind of comes from two angles. So first, was creativity encouraged in the home you grew up in? And then also now, as a mother, how have you cultivated an atmosphere in your home, where all of the family members are free to create?   Liz Bell Young: (9:24 - 11:22) Yes, we, and I don't want to paint an idyllic childhood, because we certainly had hard points in all of this. But my mom was an art teacher, and my dad is a very, like, inventive engineer type person. So, and yet, they're very organized and orderly people.   So it was sort of this funny contrast of like, free spirit mixed with like, responsibility, you know. And so, we were allowed to sit on the counter and make up a cake recipe while my mom was making dinner, big art pieces on the driveway, we could make spontaneous choices to put up a fort under the kitchen table. So, there was a lot of like, creative flexibility in the house.   And then at the end of the day, we had to clean up like it wasn't, it wasn't like a without regulation or without responsibility to take care of the things that you own. And so I think that's what I've tried to, you know, give to our children is just like, this spirit of invent things, try things, mix things together. We did homeschool for a little bit, turns out I wasn't a great homeschool teacher.   It was very difficult for me. I thought it would be fun, but I just wanted to, you know, do art and play all day. So, I kind of missed the other stuff.   But you know, but during that time, like, you know, getting to make maps on the driveway and put rocks and sticks in places, like all of that was like, really taken from my childhood and like, you know, what I wanted to give to give our kids and still recognize like those, those boundaries of like, you know, then when we're working or, you know, I'm working in the house, like I need you to be quiet. So again, and like, not like the free for all, but still a lot of free.   Laura Dugger: (11:23 - 12:06) Well, and it makes me think of one of your quotes on page 104. I just thought this was really helpful because everybody were made in the creator's image. So, there is some creativity in each of us, but you said in the design process, it does wonders to make a physical mood board.   I realized maybe I was struggling because I had only made word lists and digital mock-ups. What I actually needed was to make the process physical. So then when I read that, my question for you, Liz, is how can we actually make that creative process physical and help our children to do the same?   Liz Bell Young: (12:08 - 14:27) Yeah. Well, I, I, I really do love physicality. I think I, I got to the point where I was working so much that I just kind of got stuck on this screen a little bit too often.   So the, what I was talking about in the book is when we were did like designing and building a house that we're now in. And I was really, you know, it was just so much it was, yeah, it was pretty bound to screens and spreadsheets and lists, like trying to like get it all organized. And I just felt like I couldn't it wasn't cohesive.   I couldn't feel it. I had to experience it. And so that's just when I, you know, began to make it physical.   And I think it's important, like you know, a lot of just, if you just think about the design world or interior design, a lot of people will do this. It's like, you know, you put your piece of tile next to the piece of carpet next to the, which I think is wonderful. But then what I recognize is if it's, if it stops there, it's, that's actually not representative of what it's going to be like.   And so, what we need to have is like the parts of our lives that that is getting added to. And so, putting in like, I mean, I just started adding in the stuff that's like always around our house. Lots of paper, of course, because I just love paper, kids homework, you know, little clay pots, the things that we that we bring to it.   So, it didn't feel like a sterile environment. So that, that was that whole like physicality and live into something. And it was literally just out, you know, on a table.   Unfortunately, it was our kitchen table. And I kept it out for way too long. So, we had to eat around it.   But yeah, I think that that's really helpful, especially for children, too. I don't, this isn't quite the parallel, but I was thinking like, you know, a lot like when you have teenagers, like I have a son who plays basketball, we, we have the best conversations when we're playing basketball together. And so just like being physical, like while we're in conversation versus just this, like, I'm trying to talk to you about this, you know, that's been really helpful for us parenting teens.   Laura Dugger: (14:28 - 16:26) Let's take a quick break to hear a message from our sponsor. Midwest Food Bank exists to provide industry leading food relief to those in need while feeding them spiritually. They are a food charity with a desire to demonstrate God's love by providing help to those in need.   Unlike other parts of the world where there's not enough food, in America, the resources actually do exist. That's why food pantries and food banks like Midwest Food Bank are so important. The goods that they deliver to their agency partners help to supplement the food supply for families and individuals across our country, aiding those whose resources are beyond stretched.   Midwest Food Bank supports people globally through their locations in Haiti and East Africa, which are some of the areas hardest hit by hunger arising from poverty. This ministry reaches millions of people every year. And thanks to the Lord's provision, 99% of every donation goes directly toward providing food to people in need.   The remaining 1% of income is used for fundraising, cost of leadership, oversight, and other administrative expenses. Donations, volunteers, and prayers are always appreciated for Midwest Food Bank. To learn more, visit midwestfoodbank.org or listen to episode 83 of The Savvy Sauce, where the founder, David Kieser, shares miracles of God that he's witnessed through this nonprofit organization. I hope you check them out today.    Even back to just a small thing that also came into mind. I loved how you said physically you would bring nature into your home for designing.   And if you didn't have access to a flower, you would grab something green in the backyard. And it just had never occurred to me that I could do that and just grab some leaves or a branch. And you even have pictures of that beautiful example in your book.   Liz Bell Young: (16:27 - 16:39) Oh, yes. I love cutting branches off trees and bringing them inside, mostly because I forget to plant flowers. And so, like, I don't, you know, I could buy them, but I love branches inside.   Laura Dugger: (16:40 - 17:03) Such a creative idea. But you've gone on to have some pretty remarkable experiences in your career. So, will you tell us about your journey to becoming the creator of Haven Magazine, which was distributed by Anthropologie, and then also how you were selected to be a contributor to the Magnolia Journal?   Liz Bell Young: (17:05 - 20:59) Oh, sure. At some point, either I read it or somebody taught me this, I can't remember, about, like, making something that you want to make before you're asked to make it. And so, as a young writer, you know, I didn't have a portfolio.   I didn't have anything impressive. I'm trying to just, like, get into something with a pub, just something published, you know, that's not just, you know, me stapling a book together. And it was, you know, it was very difficult.   I mean, trying to get into travel or food writing, you know, anything, and it's just, like, rejection, rejection. And so, I just decided then, well, I have to make it. I have to figure out a way to create it myself.   And I had talented friends who were also trying to, you know, get published or get their photography out or art, whatever it was. And so, just getting that group of people together with this vision for what I wanted Haven Magazine to be, and then just doing the work ahead of time. Nobody asked for it.   Nobody wanted it. And found somebody who believed in the vision for it, who would, like, donate paper at cost. You know, so, like, we found some things to make it, like, a lighter financial lift, for sure.   And that was the beginning. So, that, and then I forget. My husband uses a word for this that I, it's not like, I don't know, grit or gumption.   I, like, I love challenge. I love trying to get something that feels nearly impossible, and any side door, just trying, trying, trying. And so, that's how, like, getting into anthropology did take a long time.   I can't even think about, maybe two years, a year and a half. And when I finally got the first one that I made through the door, and I had somebody looking at it who, you know, had clout, had the ability to make decisions, their feedback to me was, you're on to something really beautiful here, but I think that you're actually not following, like, I think you're trying, it was, again, like, the nose in art school. I was making something that I thought, okay, this is what people want right now, except it was a little bit more about, kind of, wanderlust, and travel, and that sort of thing.   And the woman on the phone was like, I think your heart is actually really about home. And so, are you afraid to take it there? And she said, you need to also just get better.   Like, I needed to, as a publication, like, I had to tighten things that, like, it wasn't, it wasn't on par with something that they would sell. And so, I did those two things. I was like, okay, well, then we have to do it again.   This one was at higher cost, you know, didn't get the donated paper this time. And my husband and I were just like, let's just do it. It feels like it's a good direction.   And so, the second one is the one that Anthropology distributed. And I'm very thankful that they pushed me as hard as they did, because a lot of times, you're just experimenting and trying something, and you have to go through these refining processes. You have to be humble enough to be like, okay, I recognize, you're right, that's not good enough for your shelf.   And it wasn't even like she challenged me, it wasn't where it was like trying to go, you know, or she didn't say this, but maybe it's that probably wasn't going in the direction that my heart and where God was pushing me wanted it to go. So, being willing to, you know, change direction a little bit with it and, and work hard to get after it. So, that was that part.   Yeah.   Laura Dugger: (21:00 - 21:24) Yes. And before you share about Magnolia Journal, just to comment on that, I think as believers, that probably deeply resonates with all of us that we all are so eagerly anticipating coming home, like with a capital H to having, and so even displaying that in your magazine. I love that she pushed you as well, but then yes, continue with the rest of the journey.   Liz Bell Young: (21:26 - 23:49) Okay. So, then I worked at a church for about 11 years, and that was a huge process of just getting, just getting more, just getting better as a writer. You know, I had done a school, but I needed practice and, and worked with a lot of designers.   So, I was getting this kind of multidisciplinary background built up. So, helping with set design, helping with video, so kind of, you know, the fullness of storytelling. But of course, primarily, I still, writing was my number one love.   And then I, after 11 years working for this church, I just, I was finished. I knew I was finished and I had been freelancing a lot on the side. So, I've always loved to be kind of in different places, not just all, you know, kind of in one spot.   And just decided to go for it and just go full freelance. And I was really nervous, very, very nervous because I, I loved, I really amazing creatives that I was working at, really great spiritual leaders. And so, to walk away from that and just think like, am I just going to be by myself?   Like trying to, you know, meld into other teams, whoever, whoever my clients are. So, it was like, I was nervous, but I also felt like it was the right time to do it. And then very soon after that, an editor from Magnolia reached out.   They just happened to be looking for someone to write a story about camping. And I had been a big part of creating a camping experience for the church I was working for. And like, because I had been in anthropology where some of the people from Magnolia now worked.   So, there, you know, again, it was just like relationship stuff that put my work in front of a person who didn't know me. And then, you know, they had a topic that they thought, well, who do we have who knows about, you know, writing about the outdoors and camping? Oh, I heard that there's this woman in Ohio, right?   So, that's, they, and then they just asked me to write a story. And I wrote that one and then just kept writing. So, it's been years now.   Laura Dugger: (23:50 - 25:00) I love that. So, fun to hear the backstory. But in the midst of building your career, you and your husband, Ryan, also have raised three children.   And again, I just want to quote you. So, on page 56, you write, “I knew I could not be a singularly focused person. I have no desire to be a solitary novelist. I want to be right in the middle of all my people, heart full and available, hands designing books, but also packing lunches. So, on some days I worked and some mornings I wrote. Then on other days, Ryan and I would drive our kids to a farm and pick blueberries and eat cider doughnuts.”   And I just love that. It was so relatable, especially to fellow moms who maybe are also squeezing in their own side career or creative endeavor while also raising children. And so, my question from your story is this, what have you learned about wisely overlapping, mothering, and pursuing dreams?   Liz Bell Young: (25:02 - 28:40) I don't, well, oh my goodness. This, it was true trial and error, and I still am making errors. But I think that, you know, it's hard.   It's definitely hard because there's a lot of just internal struggle in that, right? Like, I have this artist passion and heart. And so, I want to be, to, you know, work in that space.   And I don't want my kids to feel like I'm choosing that over them. And I know that it's also very good for them to be a part of that, to see it come to fruition. I think I learned a little bit by taking it too far, maybe a lot bit by taking it too far.   And I don't know how to necessarily avoid that. I think, I didn't know what too far was for me. I was getting sort of more and more sleep deprived without quite recognizing that I was starting to, like, sacrifice my health.   I was starting to, you know, get kind of that dizzy vertigo stuff that can happen with stress, but you don't know it's stress. Or I didn't. I just thought, okay, I'm tired.   I need a break. But it was hard. It was hard to stop.   I just wanted to fit everything in. So, I think I took it too far and then I recognized, okay, this is what too far feels like. And so, now, I have to be way better to protect my health, my, our marriage, just to make, you know, just, like, we wanted time for that.   I was, like, you know, books aren't more important than Ryan. And so, I used to do things, like, whenever the client wanted a meeting, I would just take it. Now, what I've learned is, like, I will not overpack things.   I will make sure that it works for our schedule. And just putting, that was a big one for me. Because I'd be, like, super sweaty trying to take a Zoom call while I'm at a park with three, you know, like, it doesn't work.   Or it didn't work for me. And so, I had to learn, like, don't, like, I would set myself up for failure a little bit. And so, just reining that in and kind of having better boundaries about that.   Still getting the sleep I needed. But I create best in the morning. And so, saying, like, okay, for this season, I will get up really early in the because I want this a lot.   And then I want to be able to have breakfast with my kids. And so, I just, you know, made that adjustment. So, yeah.   I guess that's the trial and error piece. But I do think if you, like, I also have friends who have not, who have put it all aside. And so, then that's very hard.   I think sometimes, especially when their kids are all in school or, you know, like, they're empty nesters or whatever. And then, like, you haven't had, you haven't had the chance to be, like, practicing in that and exploring that. And so, then there's this sort of loss and grief felt.   So, I think it's good even if it's just, like, dabbling in it. If that's a part of who you are, and creativity, or it doesn't just have to be creativity, of course. Whatever it is, if you can at least maybe just dabble, I think it's really good.   Laura Dugger: (28:41 - 29:05) I think that's helpful. That's a message of freedom that gives us permission. And that it's not selfish to do that.   It can actually be really wise stewardship. I'm curious, too, what have your children said? Have they given any feedback or appreciation even of seeing you pursue your dreams and be all in with the family?   Liz Bell Young: (29:06 - 29:55) Oh, that's a good question. I didn't used to really bring them into what I was doing and why I was doing it. I don't know why I didn't earlier.   I have since, like, now they're also, like, older and can comprehend more of it now. I've since kind of just brought them more into, this is what I'm doing, and this is why I care about writing this story. This is why this book matters to me, or why I'm helping someone else with their project.   And that has been better. I would include them, like, sometimes they would help me make stuff, or sell stuff, or deliver things. So, they were a part of that piece of it, but not, like, the sort of the heart and mind piece of it.   Laura Dugger: (29:56 - 30:03) That's helpful. So, you brought them in where possible. I wonder if any of them will, even in some ways, follow in your footsteps.   Liz Bell Young: (30:05 - 30:29) Yeah, we'll see. We'll see. I don't know.   I think it's, well, it's just fun to watch them. I know you, you know, with your girls, you probably feel the same way. And trying not to, like, over shape them, but just, like, create the space for them to try the things that they, you know, that they feel the direction that it's toward.   Laura Dugger: (30:29 - 32:27) Yes. When was the first time you listened to an episode of The Savvy Sauce? How did you hear about our podcast?   Did a friend share it with you? Will you be willing to be that friend now and text five other friends or post on your socials anything about The Savvy Sauce that you love? If you share your favorite episodes, that is how we continue to expand our reach and get the good news of Jesus Christ in more ears across the world.   So, we need your help. Another way to help us grow is to leave a five-star review on Apple Podcasts. Each of these suggestions will cost you less than a minute, but it will be a great benefit to us.   Thank you so much for being willing to be generous with your time and share. We appreciate you. Well, I just want to draw one other point, too, that you talk about in your book.   When you talk about a woman with a pen, and that deeply resonated with me. And I see the power of a person with a pen because the written word is clearly such a gift, obviously, with God preserving the Bible for us. But in the Bible, the person with a pen can be described as a scribe.   And it makes me think of this scripture from Matthew 13:52, where Jesus says, “Therefore, every scribe who has become a disciple of the kingdom of heaven is like the head of the household who brings out of his treasure things that are new and fresh and things that are old and familiar.” So, that's where my mind goes when I read your beautiful words, Liz. But I want to hear your unique take on this.   So, how does writing and sharing stories help us to even take good care of one another?   Liz Bell Young: (32:29 - 35:10) I love that scripture that you just read, too. I think that when you decide to write that way, because I even talk about it in my journey as a writer, I wasn't always doing that. I could feel, I sort of had this melancholic spirit at times, especially in my 20s.   And I felt like I was actually pushing into places that I didn't want to be. And so, I thought, why am I bringing a reader there? Or writing in a way that I think stories can also be so sort of self-focused or insulated into that they're actually not offering generous space for the reader.   So, I think about that a lot. I think about how stories can take care of people. I mean, they're just like little portals or doorways into connection, whether it's because somebody relates to a thing that happened.   Like sometimes I think it can be that specific, but sometimes it's just, that's exactly how I felt. And I didn't know how to articulate it. I have this story that felt so big to me, but really small.   I didn't even know if I should put it in the book, but it was just about breaking a carton of eggs when I was babysitting and the shame that the parents walked in and saw the eggs all over the floor. And it was just horrible for me. Really small thing that happened that could seem really trivial to one person.   But then what it really was just about was shame and then grace for yourself and believing that you, you know, what, believing in your worth. And so that's where the story ends. It's real short.   It's like a page. Well, all my stories are short, I think. But I shared that story for some reason has been the one that most people have come back and said, I needed that story.   They didn't break a carton of eggs, but they knew that, that sense, that depth of shame. And so that's where I think stories can take care of people and then taking it to a place of hope and forgiveness and leaving enough white space, even metaphorically, for someone to enter into that story is something that I think about for taking care of someone.   Laura Dugger: (35:11 - 36:02) That's so good. And it makes me think at our church on Wednesday nights, I'm in the room with second through fifth grade girls and our theme verse two verses from Psalm 78 verses four and seven, just talking about sharing stories with the next generation and ultimately about God's power and his righteous deeds. But I think that is such a way to take care of the next generation.   Stories are powerful. We see that in Jesus. And I was so blessed by all of your stories.   So again, your book is entitled, Let There Be Havens: An Invitation to Gentle Hospitality. So, let's kind of shift gears. And will you explain and define what a haven is and just hear a little bit more about hospitality and creating havens?   Liz Bell Young: (36:03 - 38:13) Oh, sure. It kind of took me a minute to figure this out because I had a sense of what I wanted and thought that a haven and taking care of people was. And the way I describe it in the book is that it's people who shelter us, places that hold us and experiences that lift us up.   So, when I think about hospitality and taking care of people and just being like a little cove for someone, maybe it's so temporary because it's just, you know, passing on the street and it's something that you can do, or maybe it's something more permanent, you know, like the relationship you have with your children. And I think of it as like gentle and grounding. So, it's not over the top or forced or rigid, or it's not putting myself in the spotlight.   I think a lot of times hospitality and the pressures that come with it are because we've been sort of accumulating this message that it's a performance. And so, I think that gentle hospitality or havens is when you're just creating spaces for people, whether it's physical or emotional, and they feel easy in that space. They feel safe.   They feel like the grounding part is just, you know, it's a step outside the wild waters or the chaos of other things that are happening. It gives a chance to catch your breath, feel cheered for, loved by someone. And so that's what I see a haven as.   And the picture that I have in my mind, which I took a picture out in California that I put in the book, and it's just this rocky coast, but it just has that swoop of a cove, and the waters are quieter there. And I mean, you know, 10 feet away, it's not quiet, but just right there, there's a pause. It's a safe, easy place.   And so that's what I think of for haven.   Laura Dugger: (38:15 - 38:21) And what are a few practical ways that you've created havens in your own life?   Liz Bell Young: (38:26 - 40:53) I've always, well, I did want to open a little hotel when I was little. So, I always loved thinking about like overnight spaces for people. So, we really, that's, that is a very, that's sort of the obvious, I think, kind of in my mind of like, what is like creating a literal space?   We've had to do it on couches and in a van, like we haven't always had a guest room. Right now we do. But just like being resourceful and trying to think of like, what's a way to make someone feel like really taken care of in this space?   Like bring a lamp and a coffee maker, even if it's on a couch, give them a stack of books that you think that they would love and that sort of thing. So that's, that would be a haven in my mind. I think, and I learned this in social work actually, but where you like when you're with someone, okay, this is a little bit more of sort of being an emotional, but physical presence haven is like, I try not to top someone else's emotions.   So, like if they're really upset or they're grieving, instead of just like meeting them or even like going above it, like just to be more like just with them and hang out like a little bit under that. Like, again, it's not, it's not about you. It's about the company, you know, that you keep with someone.   So just being next to someone, holding onto their arm when they're grieving. I, and I've had great examples of this, but like you can tell someone awkward or alone and you just go and you just go next to them. You don't draw attention to it.   You just become present. Holding the doors for people. This is a big thing for my parents.   Like, oh, we always must hold doors for people. And the part that I, that then someone, another mentor taught me was just to like delight in people's presence. So, when somebody does come in, whether you know them or not, whether it's a child or your husband, but you've already seen him 10 minutes ago, but like still like beaming on, on them because you love that they're there and that they're with you and that they're here, you know, on earth.   And so, I think, you know, beaming is a big one for me, for taking care and showing hospitality. Yeah.   Laura Dugger: (40:54 - 41:08) That's so good. I love that word. And what are some other tips for ways that all of us can take care of the people in our lives and help them to feel known and cherished and treasured?   Liz Bell Young: (41:08 - 42:51) Oh, well, I'm sure if I was in your Sunday school class, if I was a second through fifth grade, I would feel exactly this because I think like, um, again, like you're just giving, you're giving those girls like your heart and attention for that 45 minutes or hour. And you know, you're getting, um, you're getting like eye to eye with them. And like you said, sharing stories and just like being concerned with them as children, as people.   And so that I think it's, I don't want to like make it more than it is. I think, I think that's been part of the problem with like the sort of the pressure of like, how can I be like the best caretaker or like the, like a really great hostess. And I think like the very first thing is just the position of your heart and just connecting to someone and they're telling a story and you listen to it instead of just trying to trump their story with your own, you know, or, um, giving someone something that, you know, that they would love, you know, that, that simple.   Um, and so it's just, I guess that's just paying attention, Laura, right? Like just paying attention to people and what would even just give them a moment of reprieve or a moment of joy, a moment of inclusion and trying to like follow, um, I mean, the Holy spirit will nudge the heck out of you, you know, so you can like listening to the Holy spirit and then like listening to people. And I think that that, um, it really brings you into that space of, of genuine and gentle hospitality.   Laura Dugger: (42:52 - 44:11) Well, in genuine and gentle, those are some great words to describe even how I experience you as a writer. And I'll just share one more of my favorite practical tips that you listed for ways to take care of people, I guess, because I've been a recipient of this and it instantly made me think of my own dear mom, who I adore. And she has just rocked mothering since the baby phase.   And even as we're adults now, I don't know how she does it, but she just loves so well and every season. And so, I thought of her when you said on page 28, a way to show how to take care of others. You write help a friend or sibling with a couple things on their to-do list.   Jump starts are huge gifts. And I just thought, wow, practically like thinking of being a young mother and having my mom come along and give a jump start. Those times, you know, still impact us today.   And what a great example. So, your book is full of ideas like this. And so, if anybody wants to pick up their own copy or continue learning ways that they can also create havens, where would you direct all of us to go after this conversation, Liz?   Liz Bell Young: (44:11 - 44:58) Oh, well, thanks for asking. I think the book is the best place, partly because I'm pretty quiet on social media. And I just can't find my rhythm there.   But maybe just because I love books so much, but I really try to give everything that I could think of to these specific pages. And so, I mean, you can buy it on Amazon, Target, Barnes & Noble, you know, all the book places. Magnolia will be selling it, I think, or it might be for sale there right now.   And yeah, that's it. And I have a website, lizbellyoung.com. So, if you want to visit me there too.   Laura Dugger: (44:58 - 45:23) Wonderful. Yes, we can add that link in the show notes. But that is wonderful.   And congrats. That's so exciting being sold all those places. You may be familiar that we're called The Savvy Sauce because savvy is synonymous with practical knowledge or insight.   And so, as my final question for you today, Liz, what is your Savvy Sauce?   Liz Bell Young: (45:26 - 46:20) I think it's calm. I was thinking about how I have learned even because I love to solve problems and try to figure things out. And if I can even do that with a calm spirit, even if I have to work fast and hard, but if I can have that calmness or Megan Fate has a book, Relaxed, which I haven't even read yet, but I'm excited to because I think it's this similar note where, you know, I think it's the way that Jesus like literally lived was just in this relaxed and calm state.   And so that's I've always loved calm and very drawn to it, people who are calm. And I think it's what I try to embody myself.   Laura Dugger: (46:21 - 46:54) I've gotten to be the recipient of that calm and relaxed posture from you today, but you're also so thoughtful of others and gentle and talented. And I'm leaving this chat so encouraged with the way that you've stepped into your unique design by our creator. And I just pray it inspires all of us to delight ourselves in the Lord and allow him to give us the desires of our hearts.   So, thank you very much, Liz, for being my guest today.   Liz Bell Young: (46:55 - 47:02) Thank you, Laura. It was great to be with you. It really was.   I'm so glad I got to talk to you. Likewise.   Laura Dugger: (47:03 – 50:46) One more thing before you go. Have you heard the term gospel before?   It simply means good news. And I want to share the best news with you. But it starts with the bad news.   Every single one of us were born sinners, but Christ desires to rescue us from our sin, which is something we cannot do for ourselves. This means there is absolutely no chance we can make it to heaven on our own. So, for you and for me, it means we deserve death and we can never pay back the sacrifice we owe to be saved.   We need a savior. But God loved us so much, he made a way for his only son to willingly die in our place as the perfect substitute. This gives us hope of life forever in right relationship with him.   That is good news. Jesus lived the perfect life we could never live and died in our place for our sin. This was God's plan to make a way to reconcile with us so that God can look at us and see Jesus.   We can be covered and justified through the work Jesus finished if we choose to receive what He has done for us. Romans 10:9 says, “That if you confess with your mouth Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved.” So, would you pray with me now?   Heavenly Father, thank you for sending Jesus to take our place. I pray someone today right now is touched and chooses to turn their life over to you. Will you clearly guide them and help them take their next step in faith to declare you as Lord of their life?   We trust you to work and change lives now for eternity. In Jesus' name we pray. Amen.   If you prayed that prayer, you are declaring him for me, so me for him. You get the opportunity to live your life for him. And at this podcast, we're called The Savvy Sauce for a reason.   We want to give you practical tools to implement the knowledge you have learned. So, you ready to get started? First, tell someone.   Say it out loud. Get a Bible. The first day I made this decision, my parents took me to Barnes & Noble and let me choose my own Bible.   I selected the Quest NIV Bible and I love it. You can start by reading the book of John. Also, get connected locally, which just means tell someone who's a part of a church in your community that you made a decision to follow Christ.   I'm assuming they will be thrilled to talk with you about further steps, such as going to church and getting connected to other believers to encourage you. We want to celebrate with you too, so feel free to leave a comment for us here if you did make a decision to follow Christ. We also have show notes included where you can read scripture that describes this process.   And finally, be encouraged. Luke 15:10 says, “In the same way I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.” The heavens are praising with you for your decision today.   And if you've already received this good news, I pray you have someone to share it with. You are loved and I look forward to meeting you here next time.

Welcome to a brand new episode of Poppin' Off (About Pop Culture)! This week we're talking about all the new music that came out recently, Brittany Broski's questionable cover of "Adore You," and how we feel about "Sex Live of College Girls" being canceled. It's all going down, so get ready to pop off with us!Follow us on Instagram:Poppin' Off About Pop Culture (@poppinoffaboutpopculture)Maggie's socials:Twitter: kale queen (@literallymaggie)Instagram: ✨maggie✨ (@literallymaggie_)Stephen's socials:Twitter: stephen gaedcke (@sgaedcke99)Instagram: Stephen Gaedcke (@sgaedcke99)Don't forget to rate us 5 stars and leave a comment. We want to hear from you!

Open Discussion!

Welcome to Episode 135. This is a new Co-op Endeavors episode were our cousin/podcast editor Brian joins us to talk about one of the many we've played together.The Game:The Division 2Intro Song "Letting Go" by Emerge.Title Art by Devious.Pixel.Internet Presence Preamble by Brandon Little.Podcast Edited by Brian Owsley.Sweet Jams:"The Beginning of the End""Quarantine"These tracks and more can be found on the The Division 2 OST.The Internet: TwitchYouTubeBlue SkyTwitter(X)DiscordFacebookInstagramLock Stock StorePatreonSuspension of DisbeliefBlake's Story "They Come This Night"2smokingcontrollers@gmail.comThe End

In the past, people have asked me such questions as:Did you ever get into trouble?Did you have any close encounters?Did you have any near misses?Were you ever in jail in a foreign country?Did you ever gear for your life?In this short podcast, there are a few examples of the above, with the exception of jail time, because that never happened.Just to drop a hint or two:Flight MH 17Moscow in Dec. 1991First Gulf CrisisScuba Diving incidentCycloneEarthquake..... to name a few.The main thing is, though, I may be a little fortunate to still be alive.The adventure continues.http://www.malcolmteasdale.com

Coach Ted talks about the intangible factors that impact your training and results. (Originally aired 08-03-2023)

Join us for a Guided Reiki Meditation with Psychic Medium and Energy Healer Angel Face Grace, activating your Body with the energy of Reiki and Cleansing your Spiritual Energy. This Practice begins seated upwards in a comfortable position and ends laying down on the floor, a yoga mat, a bed or couch. Beginning our Healing Meditation with some guidance from the Oracle Deck, Angels, Gemstone and Guardians Cards by Margaret Ann Limbo to ground our energy and support us. This Practice begins with a Body Scan Meditation beginning at aprox ~ 7:04 to tune into the feeling of Reiki Activating and Cleansing our Body and How it Feels as it moves through us from the bottom of our feet to the top of our head, this practice is inspired by Yoga Nidra. Moving into a Guided Visualization to Connect to our Chakra Energy Centers, tuning into the feelings and images the body creates as we meditate with this Reiki Healing Energy. Calling in the Energies of Pyrite and Black Tourmaline Crystals to Support us. The Cards Ask Us From Pyrite: " Are You Worried About Money? Are You Willing To Accept Prosperity in Your Life? You Can Earn Unlimited Income doing what you Love to Do. Use your Skills. Follow Your Dreams. Have Confidence. Believe in yourself and your ability to be Successful" From Black Tourmaline " Do you Fear Betrayal? Do you Feel Threatened In some way? Are you surrounded by negative or untrustworthy people? Focus your intention on deflecting the negativity. Know that your angels and Spirit Guides are Watching out for You." The Energy of The Angels Guiding us with Affirmations From The Angel of Protection: " I am safe and sound. I am out of harm's way. All is well. I surround myself with trustworthy people. I am Blessed. I am always Divinely Protected. I am Enveloped in a Sphere of Goodness and Well Being." From The Angel of Entrepreneurship: " I am Prosperous and Abundant in All of my Endeavors .I have limitless potential, and I fulfill my Highest Purpose. I naturally attract whatever I need to be Joyously Successful. I earn unlimited income doing what I Love. "Thank you for practicing with me and healing together. See you next week on Spiritual Freak Show Follow us on ⁠⁠⁠⁠Instagram ⁠⁠⁠⁠ @angelface.graceYoutube @angelfacegrace⁠⁠⁠⁠https://youtube.com/@angelfacegrace?si=o8FggbB6JvjNvkoe⁠⁠⁠⁠RATE AND REVIEW 5 STARS IF YOU NASTY :)

In this weekend episode, Victor Davis Hanson and cohost Sami Winc examine the rhetoric between Trump and Zelensky, the historical precedents to the Ukraine war, the building of the Panama Canal and its legacy, Hegseth's cuts, Patel's confirmation, and Crockett's "wisdom."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we sit with Tammy Christine Raydon and Leila Olivarri. They are both members of Intuitive Endeavors, a supportive community and safe space that helps people explore and share their spiritual, paranormal, or psychic journey. Tammy and Leila share their paranormal experiences, some of which are positive and some are, let's say, FREAKY! Whilst recording this episode, it seemed Tammy, Leila, and Tommy were not alone... listen carefully! Intuitive Endeavors Link: https://www.facebook.com/share/g/1B8b8cCqmB/?mibextid=wwXIfr Freaky Merch! We are super excited to announce that you can now purchase Let's Get Freaky merch! Hoodies, t-shirts, mugs, stickers, and lots more! Check it out! http://tee.pub/lic/aQprv54kktwIf you have any paranormal or wild experiences to share and would like to be a guest on the show, please get in touch! Email us at letsgetfreakypodcast@mail.com or message us on social media. Facebook, Instagram, X, TikTok, Youtube, @tcletsgetfreakypodcasthttps://linktr.ee/letsgetfreaky

Today we launch a new series, Daily Endeavors. The series undertakes a deep dive into the daily life of a PhD student in linguistics. — Show Notes: relevanceofliterature.com/notes/ — Music by Leo Discenza Our Show: relevanceofliterature.com Our old (and yes, still functioning) blog: didionandhawthorne.blubrry.net

In this episode, we meet Max Silverman, the creator and developer of the brand-new (and free!) Ferry Godmother app, designed specifically to help Vashon Islanders coordinate errands and rides off the island. We learn about the inspiration behind the app and the features that make it unique, including sharing expiring ferry passes. Max discusses his childhood dream of being an inventor, his transition from a fast-paced startup environment to focusing on community-driven projects, and his hopes for the Ferry Godmother app to alleviate travel burdens for island residents. Join us for a behind-the-scenes look at the creation of the newest app for Vashonites, by a Vashonite!  You can download the Ferry Godmother app now in Apple's App Store or Google Play.

Jenna is a US Navy Veteran and founder of The Millennial Veterans Group. Jenna has amassed a big following on social media with her advocacy for veteran transition and connecting “millennial” veterans (and others) to transition resources. As a veteran herself, Jenna started the “Millennial Veterans Group” on Facebook and started using her voice to help her fellow veterans build a community, and has been an advocate for veteran's issues for years. She also started a podcast called “Vet Chats”, which ran for over a year and connected veterans all across the world with live shows on IG and eventually recorded episodes distributed on podcast platforms. In this episode we talk military transition and how veterans transition from service, the demands of finding community, and the challenges behind finding yourself once you leave the military. We also discuss the tragic wildfire outbreak in California, Women veterans programs, Archery for veterans, and the recently approved Junior Enlisted Members pay increase. Jenna also authored the “Veteran Workbook”, a transitional guide to help veterans not just transition from military to civilian life, but to help navigate the new life post service. Bookmarks: 0:00 - Intro/Countdown 5:03 - Getting Started 11:00 - TikTok Ban and other Social Media 19:00 - Junior Enlisted Pay Bump 25:00- California Wildfires 29:00 - Millennial Veterans Group 28:00 - Creative Writing/Novel Writing 55:00- New Jersey Women Veterans Nonprofit 58:00 - Veterans and Archery 60:00 - Future Plans, Endeavors, and Goals

This week, Mike and Bill are back for more fun and excitement. The post Holiday Special or whatever. Mike started with his reading and it was about the pursuit of happiness and the fact that many people put a price tag on that. We always have opinions about things like that and it was a good conversation. What was next? Vagina vitamins, enjoying life, AA at a football game, repetitiveness in recovery, a new book, storage woes, what do we deserve and how do we treat ourselves. And something about monkeys and poop. Enjoy the episode. Visit us Podcast  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Store  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmatureshop.com

Did you like this episode? Send us a text message and share your thoughts!In this episode of Cow-Side Conversations, Joe Zug of Zugstead Farms in Juniata County, Pennsylvania defines what growth means to him on his family's 950-cow dairy. He reflects on major, growth-related projects like building a new dry cow facility and expanding their herd. Joe also shares smaller, more recent endeavors that are helping to drive profitability and growth: deciding to haul their own milk for cost savings, installing a lameness camera to be proactive about hoof health concerns, being aggressive with their breeding program, and hiring an executive coach to help enhance their “people” skills. “I don't think you can grow unless you are profitable,” Joe shares in the podcast. 

You know, there's something really powerful about being passionate about what you do. Think about it – when you're genuinely excited and deeply interested in something, it doesn't feel like work, does it? Time flies, and you find yourself immersed in the moment, pushing boundaries and striving for more. Passion is like this invisible fuel that keeps you going, even when things get tough. When you truly care about what you're pursuing, obstacles don't seem as daunting. Instead, they become challenges you're eager to overcome. This kind of drive is essential because it almost guarantees that you'll keep moving forward, no matter what. Now, compare that to doing something just because everyone else is doing it or because you feel like you have to. Without passion, it's easy to lose motivation. The roadblocks start to feel like dead ends, and the whole journey can quickly become exhausting. Eventually, you might even give up because there's nothing pulling you through the tough times. Being passionate about your endeavors isn't just about enjoying what you do – it's about resilience and dedication. When you're passionate, you're more likely to put in the extra hours, go the extra mile, and keep learning and growing. Your dreams start to feel attainable because you're constantly working towards them with genuine enthusiasm. In the long run, this passion is what sets you apart. It makes the journey worthwhile and the success all the more satisfying. It's not just about reaching the end goal, but about the fulfillment you get from every step along the way. So, find what lights you up, what you can't stop thinking about, and pour your energy into it. Because when you love what you do, success becomes a natural outcome, and the journey itself is incredibly rewarding. We love you all so, so much!

"Every year I learn more about what really matters in homeschooling." ~ Aby Rinella Watch this full interview on our YouTube Channel. Yvette Hampton reunites with Aby Rinella to discuss exciting announcements and updates. Tune in as they celebrate Thanksgiving week, delve into family traditions, and share insights on the launch of the Thinking Dad Podcast and the Biblical Family Network. Discover how the Rinella family is making a difference with their Called Beyond ministry and explore the impact of the new wave of podcasts empowering homeschool families. Don't miss out on this heartwarming episode that's perfect for Thanksgiving! Come back tomorrow for the rest of this conversation. Has the Schoolhouse Rocked Podcast been a blessing to you? Support from our listeners allows us provide resources, support, and encouragement to homeschooling families around the world. Would you please consider a year-end gift to support the Schoolhouse Rocked ministry? Looking for the perfect Christmas gift? Get Schoolhouse Rocked: The Homeschool Revolution on DVD with any donation to the Schoolhouse Rocked ministry. Connect with Aby Rinella: Called Beyond Adventures Called to the Top (Aby's Blog) Recommended Resources: Strings Attached: The True Cost of School Choice Making Homeschooling Affordable Homeschooling Through the Years Series Homeschooling Every Subject Series Hillary Morgan Ferrer – Mama Bear Apologetics Guide to Sexuality Biblical Family Network Culture Proof Made2Homeschool – Interview with Yvette Hampton, Part 1 Made2Homeschool – Interview with Yvette Hampton, Part 2 Made2Homeschool – Interview with Yvette Hampton, Part 3   Podcast Recommendations: Aby Rinella on the Schoolhouse Rocked Podcast Kristi Clover on the Schoolhouse Rocked Podcast Cindy West on the Schoolhouse Rocked Podcast Meeke Addison on the Schoolhouse Rocked Podcast Thinking Dad Podcast

Our final collection of short stories set in the Endeavor universe.

Embark on an enlightening journey into the impactful life and legacy of Michelle Obama with this comprehensive YouTube video. Explore the rich biography of the former First Lady, delving into her remarkable journey from Chicago to the White House and beyond. Gain insights into her transformative initiatives, such as her advocacy for women's empowerment, campaigns against childhood obesity, and inspirational speeches that have left an indelible mark. Uncover the global impact of Michelle Obama's cultural diplomacy and her significant philanthropic contributions. This video offers an in-depth look at her iconic fashion moments, family values, and leadership style, showcasing how she became a symbol of grace and resilience during her time in the public eye. Discover the unique intersection of Michelle Obama and political history, her close ties with Oprah Winfrey, and her enduring impact on youth, education, and health and wellness advocacy. Gain a nuanced understanding of Michelle's public and private persona, exploring her role as a loving partner in the Obama love story and her influence on popular culture. Dive into her post-White House projects, including her continued philanthropic work and initiatives supporting military families. This video is a tribute to one of the most influential women of the 21st century, providing a holistic view of Michelle Obama's multifaceted contributions to social issues, politics, and global affairs. Join us in celebrating the legacy of Michelle Obama, a trailblazing figure who has left an indelible mark on the world. #MichelleObama #FirstLadyLegacy #BecomingMichelleObama #InspirationalLeadership #GlobalImpact #WomenEmpowerment #ChildhoodObesity #PoliticalJourney #CulturalDiplomacy #Philanthropy #FashionIcon #FamilyValues #SocialMediaInfluence #VeteransAdvocacy #EducationInitiatives #LoveStory #PopCultureIcon #PostWhiteHouseProjects #InfluentialWomen #HealthandWellnessAdvocacy #PublicPersona Be Uncommon If You Can – Because in our Uniqueness & Struggles – Give Birth to our GREATNESS! Listen Now as I interview uncommon people, business owners & top level entrepreneur assassins & their uncommon journey! This is the Journey with Christian D Evans Podcast! Be Uncommon….If You Can! __________ CONNECT WITH ME: Twitter: https://twitter.com/be_uncommon_now?t=3bJA68AUmCxFBjciRGm8Tw&s=09 TikTok: https://vm.tiktok.com/ZTdujUXWv/ YouTube: https://www.youtube.com/c/ChristianDEvansEliteSideHustler/videos LinkedIn: https://www.linkedin.com/in/evansandfamily/ Instagram: https://www.instagram.com/christian_d_evans/?hl=en The Journey with Christian D Evans Podcast: https://podcasts.apple.com/us/podcast/journey-with-christian-d-evans/id1396344349 #investing #business #entrepreneur #investingtips #motivation #success #wealth #achievegreatness #achieveyourgoals #achieveyourdreams #politics #nevergiveup #founder #privateequity #venturecapital #successmotivation #successmindset #wealthy #wealthbuilding

A director at the ISS Laboratory shares unique research experiments to benefit life on Earth and exploration beyond and a chief of planetary policy addresses the need for executable plans and public support following Europa Clipper's launch.

Come study God's Word with us! Pastor Lance Sparks continues our study in Ecclesiastes. We invite you to connect with us each week. For the full series plus more messages and resources, please visit www.ccc-online.org.

In this episode of The Articulate Fly, host Marvin Cash welcomes back the multi-talented Brian Hester, an artist, inventor and, now, author. Brian shares updates on his latest artistic endeavors, collaborations with Jam Up Apparel and MothBear and his exciting new book, "She Talks to Fish." The conversation covers Brian's journey from the easel to industrial design, including his innovative use of tactile materials and magnets in his projects.Brian discusses his partnership with Jam Up Apparel, highlighting how his unique fish skin designs have been successfully translated into stylish and functional hoodies. He also delves into his collaboration with MothBear, where his inventive magnetic fly box and other gear have been developed to enhance the fly fishing experience.The episode takes a deeper dive into Brian's novel, "She Talks to Fish," which tells the inspiring story of Maya Jones, a young African American woman breaking barriers in the fly fishing world. Brian explains the genesis of the project, the extensive research and collaboration with his co-author cousin and the challenges of writing from a perspective different from his own. He also shares the exciting news of actress Angie Harmon's endorsement and involvement in the potential film adaptation of the book.Listeners will find this episode packed with creativity, innovation and inspiration, as Brian Hester's passion for art, invention and storytelling shines through.Grab a Copy of "She Talks to Fish"All Things Social MediaFollow She Talks to Fish on Instagram.Follow Brian on Instagram.Follow us on Facebook, Instagram, Twitter and YouTube.Support the Show Shop on AmazonBecome a Patreon PatronSubscribe to the PodcastSubscribe to the podcast in the podcatcher of your choice.Advertise on the PodcastIs our community a good fit for your brand? Advertise with us.In the...

Sponsors:• ◦ Visit Buildertrend to get a 60-day money-back guarantee on your Buildertrend account!• ◦ Pella Windows & Doors• ◦ Sub-Zero Wolf Cove Showroom PhoenixConnect with Kate Haynes:https://www.noblestudiointeriors.comConnect with Brad Leavitt:Website | Instagram | Facebook | Houzz | Pinterest | YouTube

This is one KILLER and super nerdy episode of the podcast! Today I am chatting with Frank Iero from My Chemical Romance and Jamesbowman of Bowman Audio Endeavors/ Against Me! The fellas came on to discuss the new pedal that BAE is producing for Frank, and we got really nerdy with it! We talk about a ton of different stuff including: The PULL that vintage guitars have. Why Frank plays so many different guitars James' signature Gibson that almost/kind of happened Frank's fling with digital amps (Did it last?) Novo Guitars and why they are awesome Go to food destinations around the country A WHOLE LOT MORE! Give Frank a follow on Instagram HERE https://www.instagram.com/frankieromustdie Check out the My Chemical Romance happenings HERE https://www.mychemicalromance.com Give James a follow on his Instagram HERE https://www.instagram.com/jimmyjamesb Check out the pedals HERE https://bowmanaudioendeavors.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

America's Heroes Group Roundtable Live Stream Digital Media Show July is American Diabetes and National Minority Mental Health Awareness Month Wednesday July 17, 2024Wednesday's Topics 5pmcst - 5:30pmcst Guest Panelist:Yvette Jones Swanson, M.A.U.S. Army Veteran and Founder of Vet Mentors, LLC and 100 Pretty Purses for female Veterans.

This week, Jason is joined by Bachelor Nation alum turned fashion designer, home chef and content creator, Kit Keenan! Many know Kit from her time on Matt James' season of The Bachelor, but what you may not know is that Kit is no stranger to the spotlight before going on the show, she was raised in New York City by her famous fashion designer mother, Cynthia Rowley. Growing up watching her mother succeed in the fashion industry gave her access and perspective on the fashion industry that many individuals would never have until much later in their careers. Now a few years later in her career, Kit has branded herself as Gen Z's answer to Martha Stewart by leveraging her knowledge of the fashion industry and adding a twist of her love of cooking. She has been entertaining her nearly 600k followers on Instagram and TikTok with fashion-focused content and hosting a social media cooking series “What's Kit Cooking”.  Kit gives insight to how she deals with imposter syndrome, how her perspective changed on the word influencer, what her mom thought about her going on The Bachelor, how she feels being labeled as a nepo baby, how to get out of the shadow of someone else, her relationship with money, how she ended up in a campaign with Hailey Bieber's company, and what she learned from launching her own clothing line. Kit also reveals what she thinks she spends too much money on, how she would define her brand, behind the scenes of influencer collaborations, how she plans from a financial standpoint, how finding her niche helped her grow exponentially, where fashion trends are at today, and what the best deal she has done is. What are her claims to fame in the Bachelor franchise? Would she ever go back on reality TV? What social media platform does she make more on?  Kit reveals all that and so much more in another episode you can't afford to miss!  Host: Jason Tartick Co-Host: David Arduin Audio: John Gurney Guest: Kit Keenan Stay connected with the Trading Secrets Podcast!  Instagram: @tradingsecretspodcast  Youtube: Trading Secrets Facebook: Join the Group All Access: Free 30-Day Trial  Deals! Monarch Money: Monarch is the top-rated, all-in-one personal finance app. It gives you a comprehensive view of all your accounts, investments, transactions and more. Create custom budgets, track progress toward financial goals, and collaborate with your partner. And now get an extended thirty day free trial when you go to MonarchMoney.com/SECRETS Storyblocks:  For a limited time, get 3 additional months free if you sign up with an annual individual license plan. Go to storyblocks.com/TRADINGSECRETS to take advantage of this exclusive offer only available until the end of May 2024. The offer won't appear at checkout, but rest assured, it will be automatically added to your account shortly after you sign up.” Shopify: Shopify powers 10% of ALL eCommerce in the US and Shopify's the global force behind millions of other entrepreneurs of every size across 175 countries. Sign up for a one-dollar-per-month trial period at Shopify.com/secrets and grow your business–no matter what stage you're in.

You can watch our new YMH Special “69 Minutes” NOW at https://69minutes.ymhstudios.comTom is coming to LA for the Netflix Is A Joke Festival. Tickets are on sale NOW. Get tickets at https://netflixisajokefest.com or https://tomsegura.com/tourSPONSORS:Go to https://Saatva.com/theshit to get $200 off ANY mattress of your choice.This week on 2 Bears, 1 Cave, Bert shares some phone sex tips from his private FaceTime sessions. They try out some new lip stuff that was gifted to Bert from the Philadelphia Flyers. Bert also introduces Tom to the Roast Beef Challenge. Tom and Bert then talk about their experiences at some recent basketball games and a UFC fight, before getting into their latest charitable endeavor involving Habitat for Humanity. They also get into Florida stuff, the trouble Diddy has gotten into, the It Is What It Is podcast, the drug of fame, and an update on the ongoing rivalry with the Kelce brothers!https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com/