Podcast appearances and mentions of Buddy Miller

When you imagine the tools of a guitar shredder, chances are you see a sharp-angled electric 6-string running into a smokin'-hot, fully saturated British halfstack of sorts—the type of thing that'll blow your hair back. You might not be picturing an acoustic steel-string or a banjo, and that's a mistake, because some of the most face-melting players to walk this earth work unplugged—like Molly Tuttle. The 31-year-old Californian has been performing live for roughly 20 years, following in a deep family tradition of roots-music players. Tuttle studied at Berklee College of Music, and has gone on to collaborate with some of the biggest names in bluegrass and folk, including Béla Fleck, Billy Strings, Buddy Miller, Sierra Hull, and Old Crow Medicine Show. Her 2023 record, City of Gold, won the Grammy for Best Bluegrass Album. The furious flatpicking solo on “San Joaquin,” off of that Grammy-winning record, is the subject of this unplugged episode of Shred With Shifty. Shiflett can shred on electric alright, but how does he hold up running leads on acoustic? It's a whole different ballgame. Thankfully, Tuttle is on hand, equipped with a Pre-War Guitars Co. 6-string, to demystify the techniques and gear that let her tear up the fretboard. Tune in to hear plenty of insider knowledge on how to amplify and EQ acoustics, what instruments can stand in for percussion in bluegrass groups, and how to improvise in bluegrass music. If you're able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:  https://guitarcenterfoundation.org https://www.cciarts.org/relief.html https://www.musiciansfoundation.org https://fireaidla.org https://www.musicares.org https://www.sweetrelief.org Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

This week, Louisiana old time and traditional Cajun music father-daughter duo the inimitable Dirk Powell with his daughter Amelia recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Dirk. “Dirk Powell is known as a “musician's musician” in the circle of American roots music and beyond. He learned banjo and fiddle from his Kentucky grandfather, James Clarence Hay, and has been a part of the thriving Cajun/Creole music community in Louisiana since his early 20s. He has toured and recorded with musicians such as Joan Baez, Rhiannon Giddens, Eric Clapton, Buddy Miller, Loretta Lynn, and Levon Helm, while his contribution to film has found him collaborating with directors like Anthony Minghella ("Cold Mountain"), Ang Lee ("Ride with the Devil"), and Spike Lee ("Bamboozled"). His solo records, which often combine a traditional foundation with a wide-ranging commitment to emotion and original songs, have had impact around the globe. His original song “Waterbound” has been recorded over 100 times. He is also in demand as a producer and owns his own studio, the Cypress House, on the banks of Bayou Teche near Breaux Bridge, Louisiana. On this performance, Dirk is joined by his daughter Amelia.” - https://www.dirkpowell.org/about In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark originals Aunt Lilly Freeze and her son Ervin Freeze singing the gospel classic “Just One Drop,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater deconstructs how melodies are played on the mountain dulcimer.

Michelle Malone joins hosts Billy and Sarah Hubbard for a fun conversation about her 16th studio album, Southern Comfort!  The record features a collective of all star special guests including Buddy Miller, Randal Bramblett, Will Kimbroug, Charlie Starr of Blackberry Smoke, Rick Richards and Joey Huffman of the Georgia Satellites, and features five songs co-written with legendary songwriter Dean Dillon! Learn more about Michelle Malone at https://www.michellemalone.comPodcast producer and host Billy Hubbard is an Americana Singer/Songwriter and former Regional Director of A&R for a company that published a Grammy winning song. Billy is also a signed artist with Spectra Music Group and co-founder of the iconic venue "The Station" in East TN. Billy's album was released by Spectra Records in Oct 2023. Learn more about Billy at http://www.BillyHubbard.com and stream/purchase his music at https://orcd.co/billyhubbardSupport the showIf you'd like to support My Backstage Pass you can make a donation to Billy & Lee's coffee fund at this link https://www.buymeacoffee.com/MyBackstagePassMy Backstage Pass is sponsored by The Alternate Root Magazine! Please subscribe to their newsletter, read the latest music reviews and check out their weekly Top Ten songs at this link http://www.thealternateroot.com

It's Spooky Season! Just in time for your Halloween playlists Danny and Tyler are here to offer some delightfully spooky songs. This week we discuss..."Vampire Girl" by Buddy Miller and Jim Lauderdale"The Rubber Room" by Porter Wagonerand "Water Witch" by The Secret Sisters and Brandi Carlile We'll be back next week with more spooky, creepy, and spine-chilling country songs!Check out our Patreon!Check out our new merch store!Instagram: @TakeThisPodandShoveItFor everything else click HERE!Want to create your own great podcast? Why not start today! We use BuzzSprout for hosting and have loved it. So we suggest you give them a try as well! Buzzsprout gets your show listed in every major podcast platform, and makes understanding your podcast data a breeze. Follow this link to let Buzzsprout know we sent you—you'll get a $20 credit if you sign up for a paid plan, and it helps support our show.

Nueva sesión desde tu club subterráneo favorito con canciones favoritas de The Cramps seleccionadas de las valijas de Lux Interior y Poison Ivy.Playlist;(sintonía) THE GAMBLERS “LSD 25”THE ORIGINAL STARFIRES “Fender bender”MAD MIKE and THE MANIACS “The Hutch”JOE KLAY “Did you mean Jellybean”THE VOCALEERS “Cootie snap”SPARKLE MOORE “Tiger”MAC REBENNACK “Storm warning”RONNIE SELF “Bop a lena”BILLY LEE RILEY “Flyin’ saucers rock’n’roll”JOHNNY HONEYCUT “Blue song of love”CHARLIE FEATHERS “Certain female”RUDY THACKER and THE STRINGBUSTERS “Black train”JOHN and JACKIE “Little girl”THE STRIKES “If you can’t rock me”AMERICAN TEENS “Shake shake baby”BUDDY MILLER “Teen twist”LEE CHANDLER AND THE BLUE RHYTHMS “Tree top”THE TIDES “Midnight limbo”HOMER DENNISON JR. “March slav boogie”THE TOKENS “Bwanina (pretty girl)”BETTY SMITH and THE RHYTHM MASTERS “Yeah baby”RONNIE KAE “Drums fell of the Cliff”STACY BENGAL and HIS SIX OUTFIELDERS “I come to demolish Cleveland”THE TEMPESTS “Rockin’ Rochester USA”ROGER and THE TEMPESTS “Bad bad way”JACK CONSTANZO “The catwalk”GANIMIAN and HIS ORIENTALS “My funny valentine”Escuchar audio

Looking back over the past fifty-or-so years, we find a large gathering assembled under a large, all-inclusive tent, called Americana. There's hardly a definition that's been assigned and it's hardly what we'd term ‘a genre'. It is, rather, a mood of the music and a narrative of the storytelling defines it. Like the dozens of genres that line it's walls, we've come to know what we're listening to: blues, gospel, folk and tradition, jazz, and everything in between. This week we'll be stepping into that tent to congregate and celebrate that ‘sound we know' called Americana. The digital bins will take us only so far back, celebrating the music of Bob Dylan, Buddy Miller, Gillian Welch, Joe Ely, Old Crow Medicine Show and a couple dozen others. Just what's needed and built on playlists worthy of the very best of the Americana Hours broadcast each morning here on KOWS Community Radio. If you're a fan…or want to know more about what's under the tent…drop on by this coming Friday morning here on Deeper Roots.

John Mayall ha muerto a los 90. La máxima figura del blues británico, la leyenda que dio su primera gran oportunidad a guitarristas como Eric Clapton, Peter Green, Mick Taylor o Randy Resnick. Buen guitarrista, teclista y gran armonicista, es una de las grandes referencias para artistas de rock de varias generaciones como Marcus King, Billy Gibbons (ZZ Top), Mike Campbell, Buddy Miller, Todd Rundgren, Joe Bonamassa, Steve Van Zandt (E Street Band). Dedicado a Alberto Holgado Sáez CLO PROMO MILEMARKERDISCO 1 JOHN MAYALL & THE BLUESBREAKERS All Your Love ( )DISCO 2 JOHN MAYALL Room To Move ()DISCO 3 JOHN MAYALL Mess Around ( )CLO LUCAS EXPLORANDO + SEP MARTÍN X (TWITTER)DISCO 4 JOHN MAYALL My pretty Girl ()DISCO 5 JOHN MAYALL Gasoline Blues ( )DISCO 6 JOHN MAYALL The Sensitive Kind () CUÑA BUSCAS SAMUSTINA+ CLO PODCAST LUCASDISCO 7 JOHN MAYALL & THE BLUESBREAKERS Hard Road ()DISCO 8 JOHN MAYALL & THE BLUESBREAKERS Oh Pretty Woman ()DISCO 9 JOHN MAYALL & THE BLUESBREAKERS Someone’s Acting Like A Child ( )GRANDES ARTISTASDISCO 10 JOHN MAYALL Nature’s Disappearing ()DISCO 11 JOHN MAYALL & BILL GIBBONS Put It Right Back ()DISCO 12 JOHN MAYALL & MIKE CAMPBELL Chills And Thrills ( )DISCO 13 JOHN MAYALL Don’t Waste My time ( ) EMPTY ROOMS 1970Escuchar audio

On today's episode, we chat with Crowder! Known for his innovative blend of folk, rock, electronic and urban elements, Crowder's distinct style is characterized by his soulful vocals and eclectic instrumentation. His ability to seamlessly blend genres, from bluegrass to electronic, sets him apart, and with more than 1.8 billion global streams, he is one of the most influential voices in contemporary Christian music. Armed with four No. 1 radio singles, five Grammy nominations, and more than 20 Dove Award nominations – four of those being wins – Crowder's exploration of faith, redemption and personal transformation continue to catapult the genre forward. In addition to the awards and numerous RIAA Gold and Platinum certifications, the multi-instrumentalist is known for his genre-defying live performances that are anything but ordinary. Beyond his music, Crowder is also known for his philanthropic efforts and dedication to charitable causes. The EXILE” is a recipe for a genre-bending revival.  The album features Grammy Award-winning Buddy Miller on a track titled “All My Tears,” a song originally recorded by Julie Miller and Emmylou Harris.  The full collection is a journey, boasting more traditional-laden songs “STILL” and “Somebody Prayed,” while also featuring “Lord of All,” “Rinsed in the Blood” and “Unstoppable,” which pushes production boundaries in all of the right ways. The Exile releases this Friday! crowdermusic.com @crowder christianmusicguys.com @christianmusicguys --- Send in a voice message: https://podcasters.spotify.com/pod/show/christianmusicguys/message

WILL KIMBROUGH is originally from Alabama and made his way across the nation and even MTV. His songs have been recorded by Jimmy Buffett, Little Feat, Jack Ingram, Todd Snider and more. Kimbrough has also collaborated with many artists including Rosanne Cash, Guy Clark, Rodney Crowell, Steve Earle, Gomez, Emmylou Harris, The Jayhawks, Mark Knopfler, Buddy Miller, John Prine and more, His latest album is “I Like It Down Here” and his next release is Spring Break, a solo acoustic record in the tradition of Folkways and Vanguard folk records. WoodSongs Kid: Parker Collins is a 15-year-old banjo player from Virginia.

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.Episode includes Iron & Wine, Allison Russell, John Mayall, Suzy Bogguss and Buddy Miller.

Sesión de baile ininterrumpida con material procedente de la colección de discos favoritos de Lux Interior y Poison Ivy, la pareja que lideró el grupo The Cramps, auténticos devoradores de música de los años 50 y 60, siempre en busca de lo más salvaje, lo más bizarro, lo más sorprendente y rompedor. A disfrutar. Playlist;MARVIN and JOHNNY “Vip Vop”CHARLIE FEATHERS “The certain female”THE ORIGINAL STARFIRES “Fender bender”JOE CLAY “Did you mean Jelly Bean”BETTY McQUADE “Blue train”YOUNG JESSE “Lonesome desert”ANDRE WILLIAMS with THE DON JUANS “Pulling time”SPARKLE MOORE “Tiger”THE VOCALEERS “Cootie snap”THE TOKENS “Bwanina (pretty girl)”ANDRE WILLIAMS “The greasy chicken”KAY MARTIN “Swamp girl”THE GREY STOKES “The legend of Tarzan”AMERICAN TEENS “Shake baby shake”RICK McGUIRE “Space craze”THE STRIKES “If you can’t rock me”BUDDY MILLER “Teen twist”THE TIDES “Midnight limbo”HOMER DENNISON Jr “March slav boogie”CHAINO “The pigmy song (tikky tikky boom boom)”RUDY THACKER and THE STRING BUSTERS “Black train”STACY BENGAL “I come to demolish Cleveland”JACK CONSTANZO “Catwalk”THE VISCOUNTS “Harlem nocturne”KAY MARTIN “The heel”Escuchar audio

A Middle Tennessee Business Podcast...Keio Stroud has had an impressive and diverse career drumming for some of Nashville's most successful and well-respected artists, producers and musicians including the following:Rodney Crowell, Richard Marx, Jake Owen, Deana Carter, Little Big Town, Hank Williams Jr, Emmylou Harris, Keith Urban, Hank Williams jr, Roseanne Cash, Lee Brice, Taj Mahal, The Nashville Star television show, Jason Aldean, Tiffany, Tommy Simms, Kip Moore, Buddy Miller, Keb' Mo', Randy Houser, Guy Clark, Micky Gilley, The Randy Rogers Band, Jamie O'Neal, Thompson Square, Leroy Parnell, Stoney LaRue, Peter Collins, Chely Wright, Booker T. Jones, Brian Setzer, Florida Georgia Line, Lee Brice, Terri Clark, Sarah Buxton, Frankie Ballard, Ray Scott, Halfway to Hazard, Jedd Hughes, The Wooten Brothers, Chuck Wicks, Will Kimbrough, Al Anderson, Gary Nicholson, Chad Warrix, Laura Bell Bundy, Mike Farris, John Popper, Keith Anderson, Beth Neilson Chapman, The Lost Trailers, Trent Willmon, Mark Mcguin, Wade Hayes, Joey DeGraw, Amy Dalley, Jermaine Jackson, Blue County, Victoria Shaw, Gretchen Wilson, Dee Snyder, Jason Meadows, Dean Dillon, Craig Wayne Boyd, Arlis Albritton, Ty Herndon, Jimmy Wayne, Chris DeStefano, Josh Gracin, Jaron and The Long Road To Love, Buxton Hughes, and many others.Stuff that came up:Daughter loves dad jokesThe beginning of relationship was through daily dad jokesPath to become a musician-is it pure luck? Path to longevity- business mind/sense People have 2 reasons to meet with him- meet for coffee to pick brain or meet to let him know “how much they know” they know the answers but not the experience Have to be able to tolerate person on tour- attitude vs aptitude; people will always pick the nice personToilet paper can change the attitude of the whole company; aka cutting corners can make a big impact; “be as professional as your bathroom”Metal mania drinking game- 36 hour bus rideOh, I get why you're “it”; charisma and believing in yourselfAwareness is good business; you can do it but maybe not like that personOnly speak about things I can control/fixNobody puts baby in the corner uber rideGives Rodney crowell all his success Who would be your tribute band - living colourWhat's your problem? Setting up next 20 years (40) of life; forgot how hard it was to start over; Deon effect know your worth and get paid for itWhere do you wanna be in 20 years- working w kid and be happy; be better off than i am now; driven by having purposeCheaper to go into a studio now than remote*****SUBSCRIBE/RATE/FOLLOW What's Your Problem? PODCAST:www.whatsyourproblempodcast.comwww.instagram.com/whatsyourproblempodwww.instagram.com/jimmccarthyvosTiktok: @jimmccarthyvos __________________________________________________________The Dad Joke Challenge is sponsored by Ed Fox and Tradebank of Nashville, for when you have unsold inventory or services and think that barter is smarter, go to www.nashville.tradebank.com. The Dad joke challenge with Ed Fox - Author of 101 groan-tastic dad jokes available on Amazon Kindle, or you could go TikTok channel @specialedfoxdadjokes____________________________________________________________****You hear Jim mention it on almost every episode, ME vs. WE and how 2023 will be 1943 all over again….order “PENDULUM:How Past Generations Shape Our Present and Predict Our Future”:https://a.co/d/7oKK7Ip__________________________________________________________________________The co-author of Pendulum wrote a myriad of other books and started a non-profit 21st Century Non-Traditional Business School that you should really check out: Wizard Academy - www.wizardacademy.org__________________________________________________________________________Talking about the real problems (and possible solutions) of everyday business owners and professionals in and around Middle Tennessee and beyond...this is the What's Your Problem Podcast!

Tune in to today's episode of LaunchLeft, where Rain Phoenix is joined by MC Taylor of Hiss Golden Messenger to launch Johanna Samuels. Rain and MC engage in conversations about the artistic process, exploring how the emotions and creativity of artists contribute to the final musical outcomes. They agree on the irreplaceable human element in music creation and songwriting, asserting that AI will never replicate this human touch. Johanna and MC recount their initial meeting, her new record, and the importance of a songwriters community. Listen to the end to hear Johanna's powerful song "Holy Mother." -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:OO] MC Taylor speaks about the inspiration for his music and his roots.  [07:35] He discusses the passion and process of creating music.  [10:27] MC Taylor talks about AI and its role in creativity. [14:00] MC Taylor shares how he and Johanna met, and they all discuss playing in smaller local venues in the LA area. [18:21] Johanna describes what her future schedule will be and discovers the “why” of what she is doing. [21:52] MC Taylor talks about his current state of happiness, how that has affected his recent writing, and how he’s feeling now. [33:15] Johanna describes her innermost feelings about music.  [35:38]  Listen to Johanna as she sings Holy Mother.   KEY TAKEAWAYS:  Artists are influenced by their emotions and world events. They want to be able to write from their heart and not by what they are directed to write. MC Taylor would rather create his music, which fluctuates financially, than secure jobs he hates. AI fails to enable the humanity of music creation due to the absence of emotion in the creative process.   BIOGRAPHIES:  HISS GOLDEN MESSENGER “I went looking for peace,” says songwriter M.C. Taylor of Hiss Golden Messenger about his new album Quietly Blowing It, out June 25, 2021, on Merge Records. “It’s not exactly a record about the state of the world—or my world—in 2020, but more a retrospective of the past five years of my life, painted in sort of impressionistic hues. Maybe I had the presence of mind when I was writing Quietly Blowing It to know that this was the time to go as deep as I needed to in order to make a record like this. And I got the time required in order to do that.” He pauses and laughs ruefully. “I got way more time than I needed, actually.”Quietly Blowing It was written and arranged by Taylor in his home studio—his 8’ × 10’ sanctuary packed floor to ceiling with books, records, and old guitars—as he watched the chaotic world spin outside his window. “Writing became a daily routine,” he explains, “and that was a ballast for me. Having spent so much time on the road over the past ten years, where writing consistently with any kind of flow can be tricky, it felt refreshing. And being in my studio, which is both isolated from and totally connected to the life of my family, felt appropriate for these songs.” Between March and June, Taylor wrote and recorded upwards of two dozen songs—in most cases playing all of the instruments himself— before winnowing the collection down and bringing them to the Hiss band. In July, the musicians, with Taylor in the production seat, went into Overdub Lane in Durham, NC, for a week, where they recorded Quietly Blowing It as an organic unit honed to a fine edge from their years together on the road. “We all needed to be making that music together,” he recalls. “We’ve all spent so many years traveling all over the world, but in that moment, it felt cathartic to be recording those particular songs with each other in our own small hometown.”Throughout Quietly Blowing It, Taylor brings his keen eye to our “broken American moment”—as he first sang on Hiss Golden Messenger’s critically acclaimed, GRAMMY ® - nominated Terms of Surrender—in ways that feel devastatingly intimate and human. Beginning with the wanderer’s lament of “Way Back in the Way Back,” with its rallying cry of “Up with the mountains, down with the system,” Taylor carries the listener on a musical journey that continually returns to themes of growing up, loss, obligation, and labor with piercing clarity, and his musical influences—including classic Southern soul and gospel, renegade country, and spiritual jazz—have never felt more genuine. Indeed, Quietly Blowing It is a distillation of the rolling Hiss Golden Messenger groove, from the rollicking, Allman-esque “The Great Mystifier” to the chiming falsetto soul of “It Will If We Let It,” to the smoky, shuffling title track with its bittersweet guitar assist from Nashville legend Buddy Miller. The album ends with soulful lead single “Sanctuary,” a song about trying to reconcile tragedy and joy, with references to John Prine (“Handsome Johnny had to go, child...”), economic disparity, and the redemptive quality of hope. Indeed, when he sings, “Feeling bad, feeling blue, can’t get out of my own mind; but I know how to sing about it,” it feels like the album’s spiritual thesis. Throughout Quietly Blowing It, Taylor reckons with the tumultuous present in wholly personal terms, encouraging listeners to do the same. “These songs always circle back to the things that I feel like I have a handle on and the things that I’m not proud of about myself. When I think of the phrase ‘quietly blowing it,’ I think of all the ways that I’ve misstepped, misused my gifts, miscommunicated. ‘Born on the level, quietly blowing it.’ That’s what’s on my mind there. Always fuckin’ up in little ways.”Surrounding himself with a trusted cast of collaborators that includes Miller, songwriter Gregory Alan Isakov, songwriter and Tony Award–winning playwright Anaïs Mitchell, multi-instrumentalist Josh Kaufman, Dawes’ brothers Taylor and Griffin Goldsmith, and his oldest musical confidant Scott Hirsch, Taylor has made his most audacious and hopeful work yet with Quietly Blowing It; it’s an album that speaks personal truth to this moment in which the old models of being feel broken and everything feels at stake. “I don’t know that the peace that I crave when I’m far from home exists, actually,” says Taylor. “It’s more complicated. I still don’t know what peace means for me because I can be sitting on the couch watching a movie with my family and be completely tangled up in my head. But if I keep on doing my own personal work on myself—writing records like Quietly Blowing It—I have to think that I’m getting closer.”JOHANNA SAMUELS  Johanna Samuels is broadening the confines of pop music. The New York and Los Angeles-based singer-songwriter’s work is lyrically and melodically driven, singing about the depths and dualities of life with her unique bell-like voice. With her deep understanding and reverence for the musical greats of the 1960s and 70s, Samuels has created a sound and musical place that is all her own - and invites you in. Her debut album “Excelsior!” (2021), produced by Sam Evian and released by Mamabird Recording Co., garnered praise for its lush beauty and complex explorations. NPR described Johanna’s music as "...so compulsively listenable, and so smart in the way she assesses space and communication, it's just brilliant...what a voice." Johanna’s recent release EP "Scam Likely," produced by Josh Kaufman (Bonny Light Horseman, The National, Bob Weir and Hiss Golden Messenger...) with collaborations with Fruit Bats is just a taste of what's to come. Her forthcoming work, sophomore LP "Bystander,” also produced by Kaufman, will be released in June 2023. Samuels has shared stages with artists such as Faye Webster, Madison Cunningham, The Hold Steady, Bonny Light Horseman, Lomelda, Courtney Marie Andrews, Tallest Man on Earth, Fruit Bats, Anaïs Mitchell, Cassandra Jenkins, Haley Heynderickx, Buck Meek, Sam Evian, Sean & Sara Watkins and more.   RESOURCE LINKS Podcast - LaunchLeft HISS GOLDEN MESSENGER LINKS: Hiss Golden Messenger - Website Hiss Golden Messenger - Email Hiss Golden Messenger - Instagram Hiss Golden Messenger - Twitter Hiss Golden Messenger - Facebook Hiss Golden Messenger - YouTube Hiss Golden Messenger - SoundCloud Hiss Golden Messenger - BandCamp JOHANNA SAMUELS LINKS: Johanna Samuels - Website Johanna Samuels - Instagram  Johanna Samuels - Twitter Johanna Samuels - Facebook Johanna Samuels Music - Facebook Johanna Samuels - Bandcamp  

The Band: The Weight (first verse); The Staple Singers: The Weight; Dubbelaar: Cassandra Wilson: The Weight; Mavis Staples, Joan Osborne, Keb Mo, Buddy Miller, and many more: The Weight; Will Lee, Shawn Pelton: Blue & Sentimental; Count Basie Sextet: Blue … Lees verder →

The #1 way you can support our podcast is by visiting our Patreon page!   We're also excited to say that we are now an affiliate for Sweetwater.  So, the next time you need any new strings, picks, microphones, recording gear, etc. make sure to use this link!   Today is Sunday, May 14th, 2023 Carly and I are back with another new episode.    Before we get to today's guest let me invite you once again to go check out our Patreon page and consider becoming a supporter of our little show here for as little as $3 a month.  Just go to the Support the Podcast tab at TheTroubadourPodcast.com and click on our Patreon link.  Carly and I would be eternally grateful as we continue to try to keep our head above water with this thing.   Back in March of 2021 Carly and I released Episode #112 of The Troubadour featuring a western swing band that I knew had a boatload of talent.  The interview featured Ryan Humbert and Emily Bates of the Ohio based band named The Shootouts.  At the time they were promoting their latest record entitled “Bullseye” produced by Chuck Mead.  Well, since that time they've been grinding it out on the road and have cut another record called “Stampede” with Ray Benson and Sam Seifert co-producing.  “Stampede” features guest performances by Ray, Asleep at the Wheel,  Jim Lauderdale, Marty Stuart, Raul Malo and Buddy Miller.  Not exactly a bunch of light-weights!   Today we're catching up with Shootouts frontman Ryan Humbert to hear all about the new record and their debut performance at The Grand Ole Opry on February 24th, 2023 which just also happened to be the day “Stampede” was released.   There're some great conversation in this episode that you won't want to miss so let's get to it!  Here comes Episode #174 of The Troubadour and our visit with Ryan Humbert, frontman of the red hot western swing band, The Shootouts.

On this episode, Keith & Geoff welcome Marvin Etzioni into Thunderlove Studio - he is also known as the Mandolin Man. Etzioni is best known as a founder and bassist for the band Lone Justice. He is also a noted songwriter, composer, and record producer. He has released three solo albums in addition to performing with loads of artists. In 1982, Etzioni met Ryan Hedgecock, who shared his love for country and roots music. Hedgecock was already performing with Maria McKee. Hedgecock and McKee asked Etzioni to back them on bass duties, along with drummer Don Heffington and the band Lone Justice was launched. Etzioni was a member of Lone Justice from 1983 to 1986, during which he encouraged them to write original material, and contributed the songs "East of Eden," "Working Late," "You Are the Light," and "Soap, Soup and Salvation" (written with McKee). Marvin has produced for numerous artists, including Peter Case, Counting Crows, and Toad the Wet Sprocket. Etzioni's compositions have been covered by Cheap Trick, Victoria Williams, Julie Miller and Judy Collins. Etzioni produced and wrote songs with the Williams Brothers (Andy Williams' nephews Andrew and David).  Together with David Williams, Etzioni co-wrote "Can't Cry Hard Enough" which became his most successful song. In the 1990s, Etzioni recorded and released three albums: The Mandolin Man (1991), Bone (1992) and Weapons of the Spirit (1994).Etzioni employs the analog-vinyl-digital (AVD) technique, in which his master tapes are converted first to vinyl, and the vinyl is recorded to digital for the final product. In 2012, Etzioni released the 2-disc album Marvin Country on Nine Mile Records. On the album, which had been in development since 1985, Etzioni played mandolin, mandocello, guitar, bass, piano, Mellotron, porchboard and keyboards. Included are duets with Lucinda Williams ("Lay It on the Table"),Steve Earle ("Ain't No Work in Mississippi"), Richard Thompson ("It Don't Cost Much"), Buddy Miller ("Living Like a Hobo"), John Doe ("The Grapes of Wrath"), Maria McKee ("You Possess Me"), and the Dixie Hummingbirds ("You Are the Light"). For most songs, the backing band was Heffington (drums), Steve Fishell (pedal steel), Gurf Morlix (bass), Tammy Rogers (fiddle), and Buddy Miller and Duane Jarvis (guitar). LINKS Marvin Etzioni  Marvin Etzioni Bandcamp George Jones The Clash Toad the Wet Sprocket Counting Crows  The Bangles Alt Country T-Bone Burnett Martinis and Bikinis

1. She & Him 2. Black Keys 3. Hugh Cornwell 4. The Fourmyula 5. The Mavericks 6. Rosanne Cash 7. Vera Ellen 8. Liz Phair 9. Yo La Tengo 10. 3D's 11. Robert Scott 12. Bobby Darren 13. Buddy Miller & Jim Lauderdale 14. The Doors 15. Desmond Dekker And The Aces 16. Lindsay Buckingham 17. Luther Allison

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comI focus on the Boss VB-2 Vibrato in the continuing "favorite pedals" series. It is a killer pedal, that Boss improved upon with their more recent VB-2W "Waza Craft" version. Where the old one had noise/hiss issues when bypassed, the Waza Craft version has a special bypass mode that addresses the original"s weak point. The original pedal has been used to great effect by John Jorgenson with the Desert Rose Band, Neil Finn with Crowded House, Prince, and Buddy Miller.GEAR USED:2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)https://danocaster.com/Strings: Ernie Ball Regular Slinky 10-461965 Deluxe Reverb amp with Celestion V30 speakereffects used:Boss VB-2W https://amzn.to/39T5CVJPower by battery #askzac #guitartech #telecasterSupport the show

Episode # 196 Clare Bowen & Brandon Robert Young aka "Bowen Young" discuss their incredible music, upcoming tour! With haunting and ethereal songs that masterfully delve into the depths of ferocious love, heartbreaking loss and steadfast hope, the debut album, Dangerous Love, by new duo Bowen Young unveils a unique style of music the couple has dubbed “Cinematic Americana.” Bowen Young's timeless debut record created by Clare Bowen and husband Brandon Robert Young is a multi-sensory feast. The music, produced by Sean McConnell, invokes themes painted by the duo's powerfully authentic lyrics and hypnotic harmonies. Clare, the charismatic actress who played Scarlett O'Connor in the popular show Nashville, is known as a ray of sunshine around the world. She is an empath who leads with her heart, able to communicate and translate emotions whether on stage or screen. Born in rural Australia, she moved to Music City in 2012 for the Nashville role and immediately earned respect from the city's musical leaders. She has performed with artists such as Vince Gill, Zac Brown Band, working with Grammy Award winning producers/songwriters T-Bone Burnett, Colin Linden and Buddy Miller, who became her mentors. She toured her eponymous album for sold-out crowds with Brandon in Germany, Australia, the US and UK. The pair also earned a coveted spot on Sugarland's popular “Still the Same Tour” and toured live with the Nashville cast, selling out London's O2 Arena. Brandon, who began singing at age five under the gentle guidance of his mother, had a very different upbringing and path to Nashville. In 2000, he moved from Enfield, CT, to Nashville, where he taught himself to play guitar. He worked as a courier during the day and spent his nights filling empty composition books with song after song. He spent a decade touring with music legend John Hiatt, first as percussionist and background vocalist and eventually becoming one third of The John Hiatt Trio. He worked on three of the famed artist's albums, the last of which was nominated for a Grammy in the Americana category. Brandon has collaborated with Grammy Award-winning artists Emmylou Harris, Colin Linden, and Mikky Ekko. Young was also invited by John Carter Cash to finish one of his father's unpublished works for Johnny Cash Forever Words. Brandon's music has been heard in shows such as Shameless. A Million Little Things, and Nashville. It was serendipity that brought Bowen Young together in 2013, when Brandon was a last-minute replacement for Clare's no-show duet partner for her first solo set at Nashville's Bridgestone Arena. They immediately discovered they had wonderful chemistry both onstage and off. Brandon proposed to Clare at the Ryman Auditorium during the couple's Grand Ole Opry set in 2015. They were married by John Carter Cash at the Cash Cabin in 2017. Website - https://www.bowenyoung.com/

On February 3, 2023, I presented a four-hour edition of the Tasty Brew Music Radio Show, interviewing an array of local, national and international touring artists that were in Kansas City for the annual Folk Alliance International Conference. Next up is Patterson Barrett from Austin, Texas and Beth Bombara from St. Louis. Patterson first came to my attention about 8 years ago at the Folk Alliance Conference as the side man for Songwriter Stephanie Urbina Jones. As you'll hear, we've stayed in touch over the years and I learn something new about Patterson with each visit. During this conversation, he casually drops new information to me that at the age of 17 he played pedal steel, dobro and guitar on Jerry Jeff Walker's rendition of Guy Clark's L.A. Freeway for Walker's first release on MCA Records. He has helped anchor the Buddy Miller House Band during an Americanafest Awards Show at the Ryman Auditorium. I had the privilege of attending those Awards Show for a good number of years and the house band was always on fire! Not long after arriving in Austin, he formed the band Partners In Crime, which included Buddy and Julie Miller, sometimes referred to as Mr. and Mrs. Americana Music….releasing one album on their own label, Criminal Records. In the years since, Patterson produced some of Hal Ketchum's earliest demos, served in Al Kooper's back-up band, and performed before 10,000 festival-goers as Chuck Berry's pianist. He accompanied Nancy Griffith on Austin City Limits, legendary Austin singer Lou Ann Barton in music clubs around the country, and Buddy Miller on his Your Love And Other Lies CD, and more recently, on the Buddy & Jim CD. He has a continuing collaboration with Stephanie Urbina Jones as her accompanist, musical director and producer, including work with her Honky Tonk Mariachi project, appearing on the Grand Ole Opry multiple times. In addition to years of supporting other talented artists in every format imaginable, Barrett has maintained a career as a recording artist in his own right. Around 2015, I was introduced to Beth Bombara through a mutual musical friend, Sky Smeed. Although based in Missouri, Beth has spent much of her adulthood on the road, carving out her own award-winning mix of vintage folk and electric roots-rock. She's been a solo artist, a bandleader, and an occasional side musician for other artists. Her songs live in the same world as greats like Petty and Dylan; Gillian and Joni, and grow up like trees drawing nourishment from their roots music. But she never, ever sounds like the "typical" artist who claims these influences; Bombara to zig where someone else might zag, making harder or gentler turns, brushing up against jazz or taking rock toward its fulfillment.” - The Columbia Tribune It's been my pleasure to include Beth for the last three years now as part of the Heartland Song Network Private Showcase line up. Enjoy these conversations and performances with Patterson Barrett and Beth Bombara in Hour 3 of the Folk Alliance Takeover of the Tasty Brew Music Radio Show.

Brady L. Blade, Jr. is one of the most in-demand session drummers in the world, and has played on several critically acclaimed albums, including records by Solomon Burke, Daniel Lanois, Emmylou Harris, Dave Matthews, Buddy Miller, Indigo Girls, Steve Earle, and Shawn Amos. He is also an accomplished producer and composer. He enjoys working with new talent, developing their songwriting and, ultimately, producing and recording alongside them. He has had a number of major successes, particularly in Australia and New Zealand, where his work has topped their national charts, producing the debut records of Brooke Fraser (7x Platinum in New Zealand), Annabel Fay, and Annah Mac. Brady can be heard on over 70 records to date. Brady's brother is jazz drummer Brian Blade. Brady currently plays with Bayou Punks, Rev. Shawn Amos and the Brotherhood and Indigo Girls In this episode, Brady talks about:    Being the “Floating Artist” on the Americana cruise Cayamo    Why he lives in Stockholm, Sweden    Preparing to tour with The Indigo Girls    Working with Emmylou Harris    Utilizing technology to survive in the industry in the 21st century    Growing up with a musical and supportive family    Producing, writing, and staying productive

Abrimos por vacaciones The Basement Club, un acogedor tugurio subterráneo desde el que te ofrecemos una sesión sin palabras ni interrupciones, con canciones seleccionadas entre las favoritas Lux Interior y Poison Ivy de los Cramps. Playlist; (sintonía) THE GAMBLERS “LSD 25” THE ORIGINAL STARFIRES “Fender bender” MAD MIKE and THE MANIACS “The Hutch” JOE KLAY “Did you mean Jellybean” THE VOCALEERS “Cootie snap” SPARKLE MOORE “Tiger” MAC REBENNACK “Storm warning” RONNIE SELF “Bop a lena” BILLY LEE RILEY “Flyin’ saucers rock’n’roll” JOHNNY HONEYCUT “Blue song of love” CHARLIE FEATHERS “Certain female” RUDY THACKER and THE STRINGBUSTERS “Black train” JOHN and JACKIE “Little girl” THE STRIKES “If you can’t rock me” AMERICAN TEENS “Shake shake baby” BUDDY MILLER “Teen twist” LEE CHANDLER AND THE BLUE RHYTHMS “Tree top” THE TIDES “Midnight limbo” HOMER DENNISON JR. “March slav boogie” THE TOKENS “Bwanina (pretty girl)” BETTY SMITH and THE RHYTHM MASTERS “Yeah baby” RONNIE KAE “Drums fell of the Cliff” STACY BENGAL and HIS SIX OUTFIELDERS “I come to demolish Cleveland” THE TEMPESTS “Rockin’ Rochester USA” ROGER and THE TEMPESTS “Bad bad way” JACK CONSTANZO “The catwalk” GANIMIAN and HIS ORIENTALS “My funny valentine” Escuchar audio

We had the pleasure of interviewing BOWEN * YOUNG LIVE from The Twisted Wool Lounge at the Historic Woolworth Theatre in Nashville!Most partners, in theory, will promise the world to keep each other safe and sound, but rarely is their vow necessary in everyday practice. However, when husband and wife duo BOWEN * YOUNG—singer/songwriters Clare Bowen and Brandon Robert Young—found themselves in the midst of a terrifying home invasion, the pair stared down the prospect of being separated, or worse, during a very real situation. Just two days later, without sleep and lacking creativity, BOWEN * YOUNG sat down with their friend and producer Sean McConnell and shared what they'd just been through. After several hours, the glimmer of an idea took hold of Bowen, just as McConnell picked up a guitar and said, “What if it goes a little something like this?” In less than an hour, the chilling story had been shaped into a song, and “Dangerous Love” was born. “Somewhere, deep in the conversation, Clare offered up an idea that was perfectly beautiful in the moment, revolving around the most harrowing part of the whole event,” remembers Young. “...The prospect of one of us being taken away from the other, just because one cruel individual decided it should be so.”The end result is a beautifully dark love song; an ode to just how far true-lovers are willing to go for each other. “Each time we play it is cathartic and healing,” says Young. “Each time we play it we love each other a little bit more. This event was just one part of our story, but it affected us deeply, and the trauma therapy we've done to recover has been one of the best gifts we could have given ourselves and each other. We can't undo what was done to us, but we can, through spreading awareness of how important it is to take care of your mental health, strive to turn that individual's cruelty into another person's healing.”More About BOWEN * YOUNG: Bowen Young's timeless debut record created by Clare Bowen and husband Brandon Robert Young is a multi-sensory feast. The music, produced by Sean McConnell, invokes themes painted by the duo's powerfully authentic lyrics and hypnotic harmonies.Clare, the charismatic actress who played Scarlett O'Connor in the popular show Nashville, is known as a ray of sunshine around the world. She is an empath who leads with her heart, able to communicate and translate emotions whether on stage or screen. Born in rural Australia, she moved to Music City in 2012 for the Nashville role and immediately earned respect from the city's musical leaders. She has performed with artists such as Vince Gill and Zac Brown Band, working with Grammy Award-winning producers/songwriters T-Bone Burnett, Colin Linden, and Buddy Miller, who became her mentors.She toured her eponymous album for sold-out crowds with Brandon in Germany, Australia, the US, and the UK. The pair also earned a coveted spot on Sugarland's popular “Still the Same Tour” and toured live with the Nashville cast, selling out London's O2 Arena. Brandon, who began singing at age five under the gentle guidance of his mother, had a very different upbringing and path to Nashville. In 2000, he moved from Enfield, CT, to Nashville, where he taught himself to play guitar. He worked as a courier during the day and spent his nights filling empty composition books with song after song. He spent a decade touring with music legend John Hiatt, first as percussionist and background vocalist and eventually becoming one-third of The John Hiatt Trio. He worked on three of the famed artist's albums, the last of which was nominated for a Grammy in the Americana category.Brandon has collaborated with Grammy Award-winning artists Emmylou Harris, Colin Linden, and Mikky Ekko. Young was also invited by John Carter Cash to finish one of his father's unpublished works for Johnny Cash Forever Words. Brandon's music has been heard in shows such as Shameless, A Million Little Things, and Nashville.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #BOWENYOUNG #ClareBowen #BrandonRobertYoung #WoolworthTheatre #TheTwistedWool #Nashville #NashvilleCMT #DangerousLove #NewMusicListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter!https://www.facebook.com/groups/bringinbackpod

Welcoming an Americana duo creating quite a 'buzz' in the music industry: BOWEN * YOUNG The pair—Clare Bowen who spent years playing Scarlett O'Connor on the hit TV show Nashville and her husband Brandon Robert Young who has been touring with Americana legends for the last decade are gearing up for their debut album 'Dangerous Love', slated to come out early 2023 and have created quite a buzz in the build up. It was serendipity that brought the electric duo together in 2013 when Brandon Robert Young was a last-minute replacement for Clare Bowen's no-show duet partner for her first solo set at Nashville's Bridgestone Arena. Immediately discovering their wonderful chemistry together, both onstage and off, Brandon proposed to Clare at the Ryman Auditorium during the couple's Grand Ole Opry set in 2015. They were married by John Carter Cash at the Cash Cabin in 2017. And now, after Clare's time spent playing Scarlett O'Conner on the popular show Nashville, performing off-screen with artists such as Vince Gill, Zac Brown Band, and working alongside Grammy Award-winning producers/songwriters T-Bone Burnett and Buddy Miller—and Brandon's decade of touring with Americana legend John Hiatt and collaborations with Grammy Award-winning artists Emmylou Harris, Colin Linden, and Mikky Ekko—BOWEN * YOUNG are set to play around the world in 2023. For dates and all info: www.bowenyoung.com

This December sablues.org dips into the archives and presents some past podcasts. Fear not listeners, there are no Christmas Carols here, just some engaging roots and blues tracks from the recent past. This is Dec 2012's edition of "The Roots and Blues Hour". ARTIST | ALBUM | TRACK 1 The Maldives - Muscle for the Wing - Blood On the Highway. 2 Lord Huron - Lonesome Dreams - Ends Of The Earth. 3 Blind Atlas - Kodiak Bear - Brother Moon. 4 Minnesota - Are you there -Death by Snakebite. 5 Delta Reign - Calm Before The Storm - Cant Find My Way Home. 6 Chris Knight - Little victories - You Lie When You Call My Name. 7 Anna Coogan & Daniele Fiaschi - The Nowhere, Rome Sessions - Red shoes black dress. 8 Mississippi Sheiks - Stop & Listen - Lonely One in This Town. 9 Buddy Miller & Jim Lauderdale - Buddy & Jim - Lonely One in This Town. 10 Jen Cloher - Single - Mount Beauty. 11 Jen Cloher with Courtney Barnett - EP - Numbers. 12 Kasey Chambers & Shane Nicholson - Wreck & Ruin - Flat Nail Joe. 13 Holly Golightly and The Brokeoffs - Sunday Roll Over Me - Goddamn Holy Roll. 14 John Hiatt - Mystic Pinball - You're All the Reason I Need. 15 The Rolling Stones - Grrr - Doom and Gloom 16 Lucero - Women and Work - On My Way Downtown. 17 Aimee Mann - Charmer - Charmer. 18 Betty LaVette - Thankful n thoughtful - Dirty Old Town. 19 Langhorne Slim & The Law - The way we move - Bad Luck. 20 Sara Cahoone - Deer creek Canyon - Deer Creek Canyon. Size: 181 MB (190,376,809 bytes) Duration: 1:19:17

This December sablues.org dips into the archives and presents some past podcasts. Fear not listeners, there are no Christmas Carols here, just some engaging roots and blues tracks from the recent past. This is Dec 2012's edition of "The Roots and Blues Hour". ARTIST | ALBUM | TRACK 1 The Maldives - Muscle for the Wing - Blood On the Highway. 2 Lord Huron - Lonesome Dreams - Ends Of The Earth. 3 Blind Atlas - Kodiak Bear - Brother Moon. 4 Minnesota - Are you there -Death by Snakebite. 5 Delta Reign - Calm Before The Storm - Cant Find My Way Home. 6 Chris Knight - Little victories - You Lie When You Call My Name. 7 Anna Coogan & Daniele Fiaschi - The Nowhere, Rome Sessions - Red shoes black dress. 8 Mississippi Sheiks - Stop & Listen - Lonely One in This Town. 9 Buddy Miller & Jim Lauderdale - Buddy & Jim - Lonely One in This Town. 10 Jen Cloher - Single - Mount Beauty. 11 Jen Cloher with Courtney Barnett - EP - Numbers. 12 Kasey Chambers & Shane Nicholson - Wreck & Ruin - Flat Nail Joe. 13 Holly Golightly and The Brokeoffs - Sunday Roll Over Me - Goddamn Holy Roll. 14 John Hiatt - Mystic Pinball - You're All the Reason I Need. 15 The Rolling Stones - Grrr - Doom and Gloom 16 Lucero - Women and Work - On My Way Downtown. 17 Aimee Mann - Charmer - Charmer. 18 Betty LaVette - Thankful n thoughtful - Dirty Old Town. 19 Langhorne Slim & The Law - The way we move - Bad Luck. 20 Sara Cahoone - Deer creek Canyon - Deer Creek Canyon. Size: 181 MB (190,376,809 bytes) Duration: 1:19:17

Reposting this episode in memory of Peter Cooper, who we sadly lost today. Journalist and singer-songwriter Peter Cooper of the Country Music Hall of Fame joins me to talk about Jim Lauderdale's classic ‘Pretty Close to the Truth' album and how the changes in country music in the 90s created the need for the Americana music genre, the migration of people like Jim and his friend and collaborator Buddy Miller from California to Nashville, and how Jim helped Peter propose to his wife.

Opportunities don't come from playing it safe or waiting until you become perfect and everything is right. Sometimes you have to trust it, do your absolute best, believe in yourself, bring the best work forward, and see what happens.Sometimes, the things that we think are perfect don't always turn out to be great. Sometimes, it's the gig, job, or song that you see as not ideal or unappealing that is going to push you to do the next level or the best work of your life.Great opportunities don't usually come dressed as you expect them to be, and no matter how appealing or unappealing an opportunity looks, you will never know where it can lead you until you say yes to it. Saying yes to an opportunity and giving it your best is where the magic happens. Judging opportunities and thinking of them as less than ideal is an excuse for not giving your best effort.Stop worrying about making everything perfect, and start giving your best to every opportunity. Any opportunity is great if you believe in yourself and give it the best shot.To thrive, you must be willing to take risks and be open to doing the best work you can. The worst thing you can do is shy away from a great opportunity because it doesn't seem like the perfect one. Just go for it and see what happens. You might end up having the most incredible time; if not, you will learn from it, and either way, it was worth the effort.In this episode, Clare Bowen and Brandon Robert Young, a husband-and-wife duo singing group, talk about how to build your career, set boundaries, and succeed as an artist and entrepreneur. “Empathy and compassion are big, and you have to hold on to them as an artist.”Snapshot of the Key Points from the Episode:[03:47] Clare and Brandon share how they became a great singing duo and, more importantly, husband and wife.[11:22] How to stop playing it safe and stepping out even when you feel it's not your ideal gig or perfect timing[15:30] What led Clare to be called for the nationals despite being shy, introverted, and coming from a small town in Australia and her experience? [19:06] Clare and Brandon's favorite and most memorable performances. [23:54] The superpowers that have helped Clare and Brandon navigate and achieve success in their career. [28:44] How do Clare and Brandon build and maintain their fan base to be successful in what they do?[38:02] How do Clare and Brandon navigate the business and creative side of their day-to-day career?[46:44] What does working from your happy place mean to Clare and Brandon?[50:20] Clare and Brandon's advice to young people starting out their career in arts and anyone who is setting out to do something greater than themselves.[57:39] The importance of rising beyond expectations and being kind to yourself. How to be yourself and recognize your uniqueness and what makes you special. About Clare Bowen and Brandon Robert Young - With haunting and ethereal songs that masterfully delve into the depths of ferocious love, heartbreaking loss, and steadfast hope, the debut album, Dangerous Love, by new duo Bowen Young unveils a unique style of music the couple has dubbed “Cinematic Americana.”Bowen Young's timeless debut record, created by Clare Bowen and her husband, Brandon Robert Young, is a multi-sensory feast. The music, produced by Sean McConnell, invokes themes painted by the duo's powerfully authentic lyrics and hypnotic harmonies.Clare, the charismatic actress who played Scarlett O'Connor in the popular show Nashville, is known as a ray of sunshine around the world. She is an empath who leads with her heart, able to communicate and translate emotions, whether on stage or on screen.Born in rural Australia, she moved to Music City in 2012 for the Nashville role and immediately earned respect from the city's musical leaders. She has performed with artists such as Vince Gill and Zac Brown Band, working with Grammy Award-winning producers/songwriters T-Bone Burnett, Colin Linden, and Buddy Miller, who became her mentors.She toured her eponymous album for sold-out crowds with Brandon in Germany, Australia, the US, and UK. The pair also earned a coveted spot on Sugarland's popular “Still the Same Tour” and toured live with the Nashville cast, selling out London's O2 Arena.Brandon, who began singing at age five under the gentle guidance of his mother, had a very different upbringing and path to Nashville. In 2000, he moved from Enfield, CT, to Nashville, where he taught himself to play guitar. He worked as a courier during the day and spent his nights filling empty composition books with song after song.He spent a decade touring with music legend John Hiatt, first as percussionist and background vocalist and eventually becoming one-third of The John Hiatt Trio. He worked on three of the famed artist's albums, the last of which was nominated for a Grammy in the Americana category.Brandon has collaborated with Grammy Award-winning artists Emmylou Harris, Colin Linden, and Mikky Ekko. Young was also invited by John Carter Cash to finish one of his father's unpublished works for Johnny Cash Forever Words. Brandon's music has been heard in shows such as Shameless. A Million Little Things, and Nashville.It was serendipity that brought Bowen Young together in 2013 when Brandon was a last-minute replacement for Clare's no-show duet partner for her first solo set at Nashville's Bridgestone Arena. They immediately discovered they had wonderful chemistry both onstage and off. Brandon proposed to Clare at the Ryman Auditorium during the couple's Grand Ole Opry set in 2015. They were married by John Carter Cash at the Cash Cabin in 2017.How to connect with Clare Bowen and Brandon Young :Instagram: https://www.instagram.com/bowenyoungofficial/Facebook: https://www.facebook.com/bowenyoungofficial/About the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. Over the last 20 years, she has been expertly building her speaking and consulting business, Step Into Success. How to Connect with Belinda:Facebook - https://www.facebook.com/stepintosuccessLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram - https://www.instagram.com/stepintosuccess/Website - www.workfromyourhappyplace.com

Buddy Miller, Julie Miller, and stop this train.

Americana, Roots, Country, Folk and Acoustic music. Featured Artists . New and classic tracks. Episode includes Mean Mary, Michael Weston King, Aldous Harding, The Hanging Stars and Buddy Miller. 

GUEST OVERVIEW: Bobby Blazier is a producer/songwriter/drummer from Atlanta, GA, raised in Chattanooga, TN and currently lives in Nashville, TN with his wife, singer/songwriter, Chrissy Blazier. Bobby has worked with Sam Moore, Bill Champlin, Matt Redman, Kenny Loggins, Eric Clapton, Vince Gill, Russ Taff, Buddy Miller, Commercials for Pepsi, GM Peter Cetera, Amy Grant, Tony Bennett, Michael McDonald, Ronnie Dunn, KT Oslin, VP of Orbison/Still Working Music Group. Bobby, Chrissy and lead singer/songwriter, Ron Hemby, wrote their new single, RED WHITE and TRUE, released on iTunes- August 2022. This song was written to help unite freedom loving patriots around the country. This is a freedom movement for ALL Americans, it's about our country and our history. “RED WHITE and TRUE” is not a political song, it's a song for Team Freedom (left right, black white...) Do we want a country where we maintain our values or throw the constitution away? This classic rock song appeals to the everyday Americans, it's a modern day version of the Star Spangled Banner, a soundtrack for current times in America and the future of our country, which leads the way for the rest of the world.

Bill Mallonee has been lauded as one of the 100 greatest living songwriters by Paste Magazine and honored by Rolling Stone, The New York Times, Billboard, and more. Before “Americana” was even known as a musical genre, his Athens GA band Vigilantes of Love was helping to define it. Later, with albums produced by Peter Buck of R.E.M., Mark Heard, Jim Scott, and Buddy Miller, it seemed all but inevitable that Bill and his band of outlaws would break through to the big time (whatever that means.) Instead, over thirty years into his career, Mallonee is duking it out, still taking things into his own hands – keeping it all painfully and beautifully real.   On this episode of the True Tunes Podcast, we are joined by one of the true “lifers” of the modern roots music scene. With over 70 albums under his belt – and no indication that he intends to slow down any time soon, Mallonee has become a sort of digital troubadour: an online busker. In this expansive conversation, we learn about his musical roots, his circuitous path through the music industry, and his lingering belief in the power of authentic songs.   Full Show Notes, Music List, and archival video are available HERE or at TrueTunes.com/VOL    If you would like to support the show, please consider joining our Patreon community or dropping us a one-time tip and check out our NEW MERCH!  

Joseph Franklyn McElroy got a chance to interview our special guest this week, Jim Lauderdale. Jim won two Grammys, released 34 full-length albums, and took home the Americana Music Association's coveted Wagonmaster Award. But his forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft.Check out this episode to hear about how he's been making music, the strategies and techniques that help him stay inspired and focused on his craft, and what advice he'd have for other musicians in their own creative pursuits.-------------------------------------------------------------------------------------------Also, we've got something special for all of you #music lovers, and it's a bit of a collaboration between Jim Lauderdale and friends. The #Songwriters Camp and Concert on August 12- 13,2022, will feature our own special guest Jim Lauderdale with Charles, Humphrey III, Darren Nicholson, Clay Mills, and Charles Chamberlain, who will be instructing on songwriting techniques and helping out with some live performances. This event is going to be jam-packed full fun, so be sure to check it out!https://meadowlarkmotel.com/event/songwriters-camp/#smokymountainsnationalpark #songwriter #northcarolina #maggievalley #podcast---------------------------------------------------------------------------------------------TRANSCRIPT00:00: 27--00:00: 47 Joseph Franklyn McElroy: Howdy. Welcome to the gateway to the Smokies podcast. This podcast is about America's most visited national park, the Great Smoky Mountains National Park. In the surrounding towns, this area is filled with ancient natural beauty, deep-storied history, and rich mountain cultures that we explore with weekly episodes. 00:00: 48--00:01: 01 Joseph Franklyn McElroy:  I am Joseph Franklin McElroy, a man of the World, but also with deep roots in these mountains. My family has lived in the Great Smokies for over 200 years. My business is in travel, but my heart is in culture.00:01: 02--00:01: 27 Joseph Franklyn McElroy: First a few sponsor messages and some events coming up. I want you to imagine a place evocative of motor courts of the past, yet modern and vibrant, with a chic Appalachian field. A place for adventure and for relaxation. Imagine a place where you can fish in a mountain heritage, trout stream, grill to catch on fire and eat accompanied by fine wine or craft beers.00:01: 28--00:01: 39 Joseph Franklyn McElroy: Imagine a place with old-time music and world cultural sounds. There is no other place like the Meadowlark Motel in Maggie Valley, North Carolina. Your Smoky Mountain Adventure Starts with Where you Stay.00:01: 40--00:02: 07 Joseph Franklyn McElroy: Another sponsor is Smokiesadventure.com. That's smokies plural. Adventure, singular. The Smoky Mountains and surrounding area is a vacation destinations for all seasons. Some of the nation's best hiking trails, waterfalls, outdoor adventures, and family entertainment can be found right here. Start your adventure by using Smokiesadventure.com to explore all the wonderful features of the Great Smoky Mountains National Park.00:02: 08--00:02: 18 Joseph Franklyn McElroy: The trails, the waterfalls, the caves, cove, the elk, and more. Then check out all the awesome family attractions and entertainment you and your family can enjoy.00:02: 19--00:02: 35 Joseph Franklyn McElroy: Find lodging, find places to stay. Find places to eat. Find where you can do outdoor life events like weddings and honeymoons. It's all at Smokiesadventure.com, which is the leading information portal for adventure experiences in the Great Smoky Mountains.00:02: 36--00:02: 54 Joseph Franklyn McElroy:  So, events coming up at the Meadowlark, August 12 to 13th we're having a Songwriters Camp it's a songwriter's camp in concert with Grammy-winning artists Jim Lauderdale and Charles Humphrey III, along with award-winning artists such as Darren Nicholson, Clay Mills, and Charles Chamberlain.00:02: 54 --00:03: 10 Joseph Franklyn McElroy:  It's a two-day event of interactive songwriting instruction for world-class musicians, and a demo tape will be produced for each participant. And there'll be a concert of songs from the Rogue Band on Friday night and a barbecue dinner and also our concert on Saturday night.00:03: 10 --00:03: 50 Joseph Franklyn McElroy:  This is going to be a unique event like no other, and space will be limited to ensure individual tension is given to all participants. The price is $675 per person, including all the activities and demo tapes and concerts, and barbecue dinner. And then there's special pricing for rooms, and there'll be room packages as well. Call 828-926-1717 for details. And there's also a limited amount of concert tickets available for the general public, and those are available on Friday and Saturday nights, and they're $30 each. And again, you can reserve your spot by calling 828-926-1717.00:03: 50 --00:03: 56 Joseph Franklyn McElroy:  Welcome to the Gateway to the Smokies podcast with my guest Jim Lauderdale. Hey, Jim. How are you doing?00:03: 56 --00:03: 57 Jim Lauderdale:  Great, how are you?00:03: 57 --00:04: 01 Joseph Franklyn McElroy:  I'm doing good. We're huge fans of yours.00:04: 01 --00:04: 02 Jim Lauderdale: Thank you.00:04: 02 --00:04: 16 Joseph Franklyn McElroy:  And all the artists are coming to that songwriter camp. I'm really thrilled that this came up. Was the songwriter camp your idea, Bob's idea? You guys came up with it together or what happened?00:04: 16 --00:04: 30 Jim Lauderdale:  I think Bob approached Charles Humphrey about it and then he asked me. And so luckily, timing-wise, it worked out00:04: 30 --00:04: 36 Joseph Franklyn McElroy:  cool. Yeah. I see that you do another couple of other camps, like one out west somewhere, don't you? 00:04: 36 --00:04: 49 Jim Lauderdale: I did. I did Steve Polt's camp out in Joshua Tree in May. And I just did the Swannanoa gathering and November00:04: 49 --00:05: 05 Jim Lauderdale:  I Believe it is. I'll be at Jorma Calconin's Fur Piece Ranch. Cool. Yeah. But I enjoy it a lot. I really do. Yeah.00:05: 05 --00:05: 19 Joseph Franklyn McElroy: Cool. I have a friend of mine I think is going to make it who's been doing music for a number of years but really wants to learn from some real professionals. I got some people that are fairly excited. It's an exciting thing, I think, for people to get to work with some great artists like yourself. 00:05: 19 --00:05: 39 Jim Lauderdale: It's exciting for me to see people it means a lot to people that are writing songs, and I think they're just as valid as somebody that's been doing it for a long time.00:05: 19 --00:05: 39 Jim Lauderdale: And so, it's great to see that enthusiasm and the ideas and to see where these songs can go, too well.00:05: 39 --00:05: 49 Joseph Franklyn McElroy:  it's nice to bring it to Western North Carolina. You grew up with Westville, right?00:05: 49 --00:06: 19 Jim Lauderdale: I lived around the Piedmont area and then in South Carolina for a few years not too far from Greenville in due west. And I've been coming to Flat Rock every summer of my life since I was born and have continued to come here a lot. 00:06: 19 --00:06: 36 Jim Lauderdale: And then other times in North Carolina. Winston Salem and Chap Hill for school. So, yeah, North Carolina is my home. Yeah.00:06: 36 --00:06: 43 Joseph Franklyn McElroy: Well, I'm glad that you're bringing the art of songwriting here. So, when did you get involved in writing songs? Did you start pretty young?00:06: 43 --00:07: 03 Jim Lauderdale:  I guess I was going through my last year of high school and the idea came to me when I was visiting Troutman, North Carolina, where I lived my first five years.00:07: 03 --00:07: 34 Jim Lauderdale: And so, this melody and a title came to me in a few lines here and there. It was kind of an old, tiny, like, string band type thing. I'd been doing bluegrass banjo for a few years, but that type of melody hit me first, and then I had some melodies I gave to one of my classmates when I was a freshman at the North Carolina School of the Arts.00:07: 34 --00:07: 55 Jim Lauderdale:  And he wrote some lyrics. And from there then I started writing on my own and doing a few demos produced by a guitar-playing friend of mine named Zan McCloud, who I knew in Chapel Hill.00:07: 55 --00:08: 33 Jim Lauderdale: I had a duo when I was in high school with a mentor named Rick Bowley who started a music store called Oxpo Music. And I would travel around with him to festivals and help him sell stuff, and we played as much as we could. And then I went off to college, and these songs were coming to me. So Zan took me to a place kind of out in the country there, outside of Chapel Hill fella named Steve Grandback, who later moved to Charlotte and opened up a studio.00:08: 34 --00:09: 08 Jim Lauderdale: And I thought, just doing three songs and six songs, I thought, well, hey, a record deal is going to come any day. I'll be touring all over the place. I'll have to quit school, but this is what I want to do. I was naive about that process. Like everybody, it took a while, but that's where my passion for songwriting started, really. 00:09: 08 --00:09: 21 Joseph Franklyn McElroy: I've always wondered. I've been a visual artist, and I've done a few things as a visual artist. I learned that there are different kinds of visionaries.00:09:21 --00:09: 42 Joseph Franklyn McElroy: There's, like, people that are haptic and there are people that are not haptic and non- haptic. Non-Haptic are people get the vision of the painting in their head, and then they just go create the vision, whereas a haptic artist gets the idea and sort of the sense of a painting, but then they have to work it with their hands.00:09:42 --00:09: 50 Joseph Franklyn McElroy: Haptic, they got to do it. Is that similar to songwriting? Do some people get, like, just the whole thing in their head and just put it on paper and other people have to work it? 00:09:50 --00:10: 25 Jim Lauderdale: That's right. It's different, really, for everybody. For me, a melody usually comes first, sometimes along with the title, but sometimes just a melody. I know some people who write down whole songs on paper and don't have a melody, or else then a melody comes to them or kind of simultaneously. So, it happens a lot of different ways.00:010:25 --00:10: 36 Joseph Franklyn McElroy That's interesting. So, in a songwriter camp, how would you help the different types of creators with the different ways of doing their creating of songs? How do you help them?00:10:38 --00:12: 33 Jim Lauderdale: I kind of feel like because usually these camps, there's so much to kind of cover in a short amount of time. I like to do things kind of spontaneously. I don't really have much of a format I follow. And it's kind of like that with me. With writing songs, if I'm co-writing or writing alone, it just kind of is spontaneous. And so, I kind of have to evaluate those writers in front of me at that time and ask them what they need, what do they need to learn, or to help them. And it's funny. My friend Steve Polts was saying at the start of this camp we did a few months ago, it's like, I can't teach you how to write songs, but I can help facilitate them, we'll kind of go through certain very briefly personal experiences of like well, this happened to me one time and that's how I got out of this block or something like that to help them. But I really make it about them. Usually, people have things that question of places where they need to work through.00:12:33 --00:012: 43 Joseph Franklyn McElroy: Now, does every songwriter really need to practice the discipline or can they come and go from it? How does the discipline work in the songwriting craft?00:12:43 --00:014: 03 Jim Lauderdale:  I think it happens in all different ways too. Some people are super disciplined and I try to be putting and everything I've got into it, but I don't have necessarily set times. Like I don't have a schedule where I go okay, I'm going to get up at eight, have a cup of coffee, right, for 2 hours. Some playwrights and novelists and people like that. It's like I get up at five, I write for 3 hours, that's it. And some people I've also written really late at night with co-writers. We will have tried to write at nine and then we kind of plugging along and then as I'm about to leave or something, somebody will say something and an idea comes out. And then you stay till two or three in the morning. If you're on a role, it's good if you can go ahead and capture that magic.00:14:03 --00:014: 15 Joseph Franklyn McElroy:  Now, when you are just going about your life and living, do thoughts for a song come to you all the time and you write them down and put them into snippets? Do you save those?00:14:03 --00:015: 25 Jim Lauderdale: My song ideas do come to me quite often in conversation or hearing something or just the thought will come into my head. So, I record them on my phone, on an app, on a voice memo app and refer to them later. I go back to them sometimes if I'm then though just playing also something comes out and then you've got your guitar there. But a lot of times I'll just hum the melody. I'm kind of old school. Instead of doing everything on my phone or computer as far as writing out lyrics, I write them down with a pen on if I have a notebook with me or just a scrap of paper. Sometimes I've lost a movie about that. Was there really somebody lost it.00:15:25 --00:016: 15 Joseph Franklyn McElroy:  Some creative piece and they spent the whole movie trying to find it? Yeah, it was a silly movie, I'm sure. But it's true. When you're in the visual arts is the same thing. You wake up in the middle of night and think you have solved the mystery of the perfect painting. You write down the thing and then you lose that piece of paper and you're searching for it forever. the creative process is really interesting. If you do voice memos, how do you remember what to search for to find the thing that you went?00:15:25 --00:017: 23 Jim Lauderdale: I labeled them. I labeled them like if it's a bluegrass song, I say BG. If it's a country song, I say c. If it's for donna the buffalo, I say donna. Songs from the road band SFRB. So different thing. If it's a soul thing, I'll say royal or soul. I do have a bunch of unfinished things. I've recorded a few albums at royal studios in Memphis, which was a great sole studio. If I have a studio booked in advance and I'm trying to write for that outright, like, for instance, blackbird for blackbird studio for those sessions. So, I'm not very organized, but at least I can reference those. Then when I'm flipping through the phone, trying to find something to have ready,00:17:25 --00:18: 00 Joseph Franklyn McElroy: I mean the human database is the most complex and sometimes also the most infuriating product. We own mine, trying to remember what it was you had thought of. Yeah.So, given that you're going to be working with some people in a collaborative manner here at the Meadowlark Motel August 12, 13th, but then you also write by yourself, what do you prefer? Do you prefer to write solo or with a partner or with a group?00:18:00 --00:18: 40 Jim Lauderdale:  When you're writing with somebody else, I feel like you always come up with something that neither one of you could do alone, necessarily. There's some different strength about that collaboration, but I still like to write alone to kind of challenge myself to do it because it's harder for me to write a loan. It's slower and sometimes more tedious, but I enjoyed both.00:18:40 --00:20: 07 Joseph Franklyn McElroy: Cool. You've written with some really great people, and I know that you have a podcast with another legend, Buddy Miller. Have you written with him? Yes. We've got a radio show on Sirius X outlaw country on channel 60 called the buddy and gym show. We have written it's been a few years. The last time we wrote, we did a record together, gosh, I think it was eight years ago, and we wrote for that record, and before that, we'd written some things for his albums. He'd usually save a song or two and say we'd work backwards. Usually somebody gives me lyrics and I put a melody to them, but he gave me melodies and I put lyrics to them, and then he'd be under a deadline, too, so I put deadlines on myself also. But he would be like, hey, I've got to finish this record. How are those lyrics coming along? You have to deliver in those situations,00:20:07 --00:20: 10 Joseph Franklyn McElroy: Especially professional and the legend.00:20:10 --00:20: 12 Jim Lauderdale: Yeah, absolutely.00:20:12 --00:20: 15 Joseph Franklyn McElroy: You have a reputation to meet now. 00:20:15 --00:20: 17 Jim Lauderdale: Yeah, that's right.00:20:19 --00:20: 25 Joseph Franklyn McElroy:  Is there any other people that you have co-written with that are sort of favorite co-writers?00:20:25 --00:21: 32 Jim Lauderdale Yes. The man I've probably written the most songs with is Robert Hunter, who used to write with Jerry Garcia and wrote kind of just so many of the grateful dead songs. And we've probably written about 100 together. And sadly, Robert passed a few years ago, and I've written a lot with John Levanthal, great writer and producer, guitar player, and a lot with OD Blackman and several songs with Harlan Howard, who was one of my songwriting heroes, and also Melbourne Montgomery and Charles Humphrey that will be there at the camp. I really enjoy riding with him a lot.00:21:32 --00:21: 36 Joseph Franklyn McElroy: He's a good guy. I've had him on the sales.00:20136 --00:22: 38 Jim Lauderdal: He really is. He's a good he really is. He's really a really great writer. And we have a few things. I did a bluegrass record at Echo Mountain a few years ago here, and my concept of it was to have North Carolina bands and North Carolina artists do tracks with me for this record. And so, Charles and I have a couple of cowrites on that. And then I've got a song coming up on a country record that's coming out in August of Charles. And I wrote that original I was thinking it was going to be more acoustic and bluegrass, and then now it's kind of more of a western not western swing, but slight swing thing. Well, I guess you could call it a western swing. Swing to it, right? Yeah. So that's going to be great to work with him at this camp.00:22:38 --00:22: 42 Joseph Franklyn McElroy: Is the swing a hard thing to get into performing?00:22:42 --00:22: 52 Jim Lauderdale: No, it's good. Not think it breaks up the other grooves you might be doing. I really like it a lot.00:22:52 --00:23: 16 Joseph Franklyn McElroy: Yeah. The reason I asked is my wife is actually a Brazilian percussionist, a swing in that that you have to have or it's just no good. Right. She's done all right with that. It's an advocation, but she got to be on Saturday Night Live and that sort of thing. 00:23:17 --00:23: 18 Jim Lauderdale: Oh, that's awesome.00:23:18 --00:23: 20 Joseph Franklyn McElroy: That's a great hobby.00:23:20 --00:23: 25 Jim Lauderdale:  Yeah, that's terrific.00:23:26 --00:23: 29 Joseph Franklyn McElroy: Which do you prefer? Do you prefer writing or do you prefer performing?00:23:29 --00:24: 15 Jim Lauderdale: I like them both. They both have their attractions and fulfilling things about them. It's a great feeling to write a song and then it's great in those circumstances when you're on stage and then you get to do those songs and interact with people, interact with the audience. And if you're playing in a band setting, those other musicians. So, I wouldn't be able to choose one from the other.00:24:16 --00:24: 18 Joseph Franklyn McElroy: Have you done, like, over 30 albums? Is that right? 00:24:19 --00:24: 22 Jim Lauderdale This will be my 35th coming out in August.00:24:22--00:24: 23 Joseph Franklyn McElroy: Wow. Yeah. What's the name of that one coming out in August?00:24:23 --00:24: 24 Jim Lauderdale Game Changer. 00:24:24--00:24: 25 Joseph Franklyn McElroy: Game Changer. And00:24: 32 --00:24: 56 Jim Lauderdale: it's a country record. I consciously I kind of go in different cycles with records, whether it's country, bluegrass, kind of singer-songwriter, soul or blues rock, or whatever. And this is a consciously focused country record.00:24:56 --00:24: 58 Joseph Franklyn McElroy: That's fabulous. Of all your records, which one is your favorite?00:25:01 --00:25: 14 Jim Lauderdale: I can't decide. I mean, I really don't have a favorite because a lot of times the most current record is the favorite one.00:25:14 --00:25: 42 Joseph Franklyn McElroy:  It said as the tea surpasses. People would ask the question, what's your favorite painting and they say, the last one. But I think there's a lot of truth to that. Yeah. When you hear a song or you see a song that you've written or listen to it, do you think, oh, I could improve it? There's something I should have done to improve it here? 00:25:42 --00:26: 10 Jim Lauderdale: Not really, no. I'm always if I hear somebody doing one of my songs, I'm just so elated that somebody else is doing, and I've never heard I've been asked before if I've ever been disappointed in a song offer, and I never have. It's always just real rewarding to hear somebody else's take on it.00:26:10 -00:26:14 Joseph Franklyn McElroy:  Cool. Well, people come into the songwriter camp. What kind of things can we expect?00:26:17--00:26: 55 Jim Lauderdale: I think hopefully they'll walk away from that camp with a different take on their own writing and that they will be able to incorporate some of the tips and methods and things like that and suggestions and that. They'll walk out of there feeling more confident about their writing and their minds will be more open to things and their creativity, hopefully, will expand.00:26:55 -00:27:00 Joseph Franklyn McElroy: And will you give them insights on how to pursue a songwriting career and that sort of thing?00:27:00 --00:28: 59 Jim Lauderdale: I think first somebody's got to develop their catalog. They've got to have a body of work to and it doesn't have to be hundreds of songs or anything. You could have ten or 15 songs and go out there and try, but it's a process we won't get into because, see, the business part of things changes a lot all the time. But, basically my thing to people, and to myself, too, is that you have got to constantly challenge yourself. If you feel like, hey, this one song am I, this is it. This is going to change everything. It's going to change my life. This is going to open up the doors. That's terrific that you've got that song, but you've got to keep going and create another one and another one and another one. Not to just set that aside and go, well, Madison, but to build on what you're doing. And I feel like it might be naive or old fashioned or something, but I feel that when the songs are there, then those doors open. But it doesn't matter what kind of contacts you have or this or that. The songs have to be there. 00:28:59 -00:29:02 Joseph Franklyn McElroy: Well, there's less than people write a good song, they can sing a good song, right? 00:29:02 -- 00:30:22 Jim Lauderdale Well, maybe, possibly, but sometimes it's mentioning that one song that somebody has. Some people have had careers, though, off of one song, but I think it's good to kind of be well rounded and have, let's say if you're outperforming, if you're a performing singer-songwriter, you've got to have a whole set of songs that you really feel are stand up to other people, other writers that you really like, and to your other good ones. And of course, that's a process. It doesn't happen all at once. It's like an art show. You've got to have a room full of art. You might have that one painting in the show. Yeah. And hopefully, those paintings in the room will be just as compelling.00:30:24 -00:30:31 Joseph Franklyn McElroy Your whole body of work. I know in other writing professions, there's writer's block. There's a writer's block in songwriting as well.00:30:32 -- 00:31:17 Jim Lauderdale: Oh, yeah, definitely. Yes. If we only had a series, we could do, Right? It would be a marathon. Yeah. I think that anybody that's riding something, will come across that rider block. That's one of the secrets I will talk about during this songwriter's workshop of how to break free of that rider's block.00:31:18 -- 00:31:19 Joseph Franklyn McElroy: Oh, wow.00:31:21 -- 00:31:34 Jim Lauderdale I would say right now, but people will have to come to see that one time. 00:31:34 -- 00:31:43 Joseph Franklyn McElroy:  That's the magic sauce, folks. Now you can learn, especially if you're starting out, you probably have riders block a lot.00:31:43 -- 00:32:45 Jim Lauderdale: Yeah, you do. But it takes practice and getting through growing as a writer, and you'll go through different steps and stages and things and just keepexpanding your abilities as time goes on. The more you do it, that 10,000. What is the expression when you do something for 10,000 hours, then you are good at something like that? Now you won't have to do that long, especially with the techniques people will be learning at this camp. They'll take a shortcut of 10 hours instead of 10,000.00:32:45 -- 00:33:06 Joseph Franklyn McElroy: There you, That's a big promise, man. I knew you had that big thing in you. Oh, that's great. And then you guys can have an all- star concert on the finale, right?00:33:06 -- 00:32:08 Jim Lauderdale: Yeah.00:33:08 -- 00:33:12 Joseph Franklyn McElroy: So, have you prepared to play this?00:33:012 -- 00:33:58 Jim Lauderdale: Yeah, we'll jam. I'm sure we'll talk about it before we get up there but on stage. But that's the cool thing about people can pick up. They can look at you while you're playing, or you can just say, Kia, this is like a one, four, five progressions. I'll kick it off. Whatever. It's fun to jam like that with people and hear what comes out.00:33:58 -- 00:34:25 Joseph Franklyn McElroy: So, it's going to be a fabulous time. I've got my whole family booked in at our motel, Meadowlark Motel, where it's going to be. That's great to be here because we're excited just to be around it. It's a two-day thing. It's two concerts. I imagine there'd be some jamming as well. Oh, yeah. Wonderful meals. I'm a cookie guy. Breakfast on Saturday morning.00:34:25 -- 00:34:28 Jim Lauderdale: Oh, nice. Yeah. Great. I'm a supporter of that. I'm a big breakfast guy. 00:34:28 -- 00:34:33 Joseph Franklyn McElroy: Have your requests? What do you like for breakfast?00:34:33 -- 00:34:40 Jim Lauderdale: You know what? Whatever you have I'm sure will be delicious.00:34:43 -- 00:34:50 Joseph Franklyn McElroy: Well, I can range from chicken fried steak to tomatoes with a smoked trout dip. Whatever slowed to you folk.00:34:50-- 00:34:52 Jim Lauderdale: Stop. You making me hungry.00:34:54 -- 00:34:56 Joseph Franklyn McElroy:  So, what's next for you?00:34:56-- 00:35:23 Jim Lauderdale:  I am working on my follow-up to the Game Changer record, and that's coming out, and several bluegrass things right now. And I have a fair amount of gigs coming up starting in September until the rest of the year.00:35:24 -- 00:35:36 Joseph Franklyn McElroy: Okay. Yeah. Cool. And are there any shoutouts you want to do? Any websites or anything you want to mention for people checking things out?00:35:36-- 00:36:02 Jim Lauderdale:  I guess my website is Jimlauderdalemusic.com and then all the social media things, I've got stuff on those. Yeah. So that's kind of got the current things that will be happening on there listed.00:36:02 -- 00:36:19 Joseph Franklyn McElroy: I will be sure to follow some of that. That is exciting for us. I want to thank you for being on this podcast and also thank you for doing this campaign.00:36:20-- 00:36:56 Jim Lauderdale: Guess I'll say one more thing about the camp. When you're a kid and you went camping and how much you enjoyed it and everything, this camp will make those times when you're a kid look like a Greek tragedy. This camp is going to be even though it's short, we don't have time these days to go to a summer camp for two weeks. We cram all the gusto in two days.00:37:02 -- 00:37:35 Joseph Franklyn McElroy: In a day and two- days, it'll be the center of your life for the rest of your existence. That's right. It'll be the sun about which your life repeats. Yes. Well, that's fabulous. We are about to change people's lives and looking forward to it. Well, thank you. This has been the Gateway to the Smokies podcast. You can find us@ facebook.com GatewaytotheSmokies and also smokiesadventure.com and there'll be this episode as well as other episodes on that website that you can find. Thank you much. And that's it.00:37:35-- 00:37:36 Jim Lauderdale: Thanks a lot.Bye!

On this episode of Analog Smile, Sherry speaks with David Poe. His highly-anticipated new album Everyone's Got A Camera arrives September 23rd, 2022 on ECR Music Group. Its powerful third single, “Analog” is out now. More sonically adventurous than his previous album, Poe's latest begins and ends with straightforward songs for a world in reckoning. This third single follows on a wave of critical and commercial success for the artist. Rolling Stone writes, “David Poe gives the singer-songwriter genre a much-needed jolt.” Poe has toured the world with Bob Dylan, Joan Baez, Tori Amos, The Jayhawks, and Glenn Tilbrook of Squeeze. A composer fellow of the Sundance Institute, his work features in numerous film, TV, dance and theater projects, official selections of the Sundance Film Festival, and commercials for humanitarian projects like the Malala Fund and the You Mean The World Foundation. His songs have been performed by a wide array of artists, including Curtis Stigers, Oh Land, Ana Moura, C.C. White, Thomas Dybdahl and the cast of ABC's Nashville, and recorded by producers including T-Bone Burnett, Larry Klein, Buddy Miller, and Dave Sitek. He has also produced recordings for other artists, including Regina Spektor and Kraig Jarret Johnson. Shadowland, a collaboration with contemporary dance company Pilobolus, toured for a decade and was performed on five continents, for Her Majesty Queen Elizabeth II, and was released as a feature film. In an era of pop music that tends to either turn away from big concerns or focus on small ones, David Poe's Everyone's Got A Camera feels both new and old, as surprising as it is inevitable: a musical treatise for an age in flux that is as daring as it is profound. From 1960s-tinged rock & roll to quasi-trap, with nods to the jazz-inflected folk and acoustic music for which he is best known, Poe's new songs take on the handoff between this century and the last, surveillance culture and the ongoing battle between fact and opinion with a plain-spoken philosopher's wit. Transplanted from the American Midwest to New York City, David Poe served as the sound engineer at CBGB's 313 Gallery before signing with Sony/Epic. He currently lives in Los Angeles. Sherry and David chat about his new single “Analog”, his forthcoming album ‘Everyone's Got A Camera', and much more! Check out davidpoe.com for more information.

Today I'm bringing you a conversation with one of the most recorded pedals steel players in modern times - Russ Pahl. Russ has played on all the great T-Bone Burnett records of the past bunch of years, and has also recorded for the likes of Sturgill Simpson, Carrie Underwood, Dierks Bentley, Norah Jones, Blake Shelton, Orville Peck, Marcus King, Ceelo Green, Yola, Jim Lauderdale, Buddy Miller, and the list goes on. From his early days cutting his teeth in country bands around Minneapolis, to moving to Nashville in the 80's, he has managed to hone his craft and develop a unique sound. He scored a cool gig with Dickey Betts in the late 80's, and then Buddy Miller started calling him for his productions, and Vince Gill had him in his live band for about 5 years. It seems that after about 2000, the floodgates just opened and when someone wanted a steel player that didn't play the same licks as everyone else and had a creative approach, Russ was the one to call. We had a great conversation and get into all that stuff, and more. Enjoy, share and please subscribe wherever you get your podcasts!Listen to the accompanying playlist for this episode here, which features the artist's own music, plus many of the songs that were discussed during the show.This episode is brought to you by Izotope - check out their amazing recording software at: www.izotope.comThanks for your support, and your fearless host, Steve Dawson can be found at: www.stevedawson.ca

On this episode of Analog Smile, Sherry speaks with Jack Henderson. Jack is a singer-songwriter, producer, and multi-instrumentalist. He has performed and recorded extensively across North America, Europe, Australia, including multiple tours with Americana band Over The Rhine, rootsy Canadian outfit Cowboy Junkies and shared stages with the likes of Buddy Miller, Sarah Mclachlan and Ron Sexsmith. He has recorded in New York with Patti Smith's producer and bass player, Tony Shanahan and worked with Marc Ribot, (Tom Waits, Elvis Costello), Tony Garnier (Bob Dylan, Paul Simon), Jon Graboff (Ryan Adams, Sheryl Crow), David Mansfield (Bob Dylan, T-Bone Burnett, Bruce Hornsby) and Joan as Policewoman. They chat about his latest single “Red Dress”, The Lilith Fair, and much more! Please visit jackhenderson.co.uk for additional information.

On this special "from the archives" edition of our @45RPM podcast, we re-visit excerpts from two episodes from 2020 that had a profound impact on the direction of the show. Artist, songwriter, producer, and Americana legend Buddy Miller, and Ian Fitchuk (who won Producer of the Year that year for his work with Kacey Musgraves) both talk about how important it is to listen carefully - and how listening skills impact both their work as artists and their relationships. For more information visit the Show Notes page at TrueTunes.com/45-Listening.  Listen to the FULL EPISODE with Buddy Miller Listen to the FULL EPISODE with Ian Fitchuk The True Tunes Podcast is sponsored by VisionTrust.org. Help us change the world for one child at a time by sponsoring today. Visit VisionTrust.org/TrueTunes for more information. You can support this show by joining our group of patrons at Patreon.com/truetunes or dropping us a tip via PayPal.    

If it's one thing that we love here at americana podcast, it is the concept of the artistic process. We're not alone in this, it seems that when anyone speaks about artists, musical, visual, conceptual- you name it- one of the first things people will go into or ask about, is how a piece of art came to exist.We've been doing it for three years on this show. And even when you ask an artist “how did you do this?” There's no guarantee you're going to get a straight answer. If anything, in the interest of mystique- you're more likely to be left with more questions about creation than you are to be given clarity. Our curiosity about the subject is inherently curious. If it present, if it already exists for us to view, or listen to or think about, why do we care how it got there? That feels like a much deeper question that a philosopher would probably be able to answer. But as a semi-professional music lover with a microphone, I think it's because the artistic process reminds us that art, no matter it's shape, is still inherently human. That it is subject to the time, and strengths, and limitations, and abilities of the one who makes it. The artist lives a life, inherently creates based on that experience, and then puts those creations out into the world to say “I've made this”.It's a very human process. And even when it's difficult to like humanity, it is easy to love that which reminds us that we're still human. On today's episode, we welcome an artist who embraces that humanity and pursues creation and the artistic process. Enough to have made 34 records so far in his career. Jim Lauderdale, a native of Troutman, South Carolina released his first record in 1991. A natural collaborator, he's worked with the likes of Rodney Crowell, Buddy Miller, Nick Lowe, and Roland White. And he's had songs cut by everyone from Elvis Costello to George Straight. And like anyone in the music industry, he's had ups and downs. And he'd be the first to tell you. In just a few moments of being in a room with Lauderdale, it is difficult not be struck by his kindness and forthcoming nature (he's also a bit of a prankster, I found out the hard way). So Join us on this episode as our host Robert Earl Keen, speaks with Jim Lauderdale about the artistic process, the documented phenomenon of “the Jim Lauderdale effect”, and more.

 | Artist  | Title  | Album Name  | Album Copyright | Kerry Kearney Band  | Goin' To The Mardi Gras  | Smokehouse Serenade | Sean Ardoin & Kreole Rock and Soul  | Stay Here (Live)  | Live In New Orleans  |  | John Mayall  | 03 I'm As Good As Gone (Feat. Buddy Miller)  | The Sun is Shining Down | Bob Corritore & Friends  | Asked For Water  | Down Home Blues Revue 2 | Dick Van Dyke  | Is You Is Or Is You Ain't My Baby  | Blind Raccoon NOLA Blue Collection - Disc Two | Scott Ellison  | Where Do You Go When You Leave  | There's Something About the Night | Bubba And The Big Bad Blues  | I Own The Road  | Drifting  |   |  | Tom Rodwell  | Carry On  | Wood & Waste  |  | Professor Longhair & His Shuffling Hungarians  | Mardi Gras in New Orleans  | New Orleans - Blues, Soul & Jazz Gumbo - CD2 | Chickenbone Slim  | Hook Me Up  | Serve It To Me Hot  |  | Odetta With The Holmes Brothers  | Two Little Fishes And Five Loaves Of Bread  | Shout Sister Shout  |  | The Juke Joints  | Born In Chicago  | 35 Years Of Rock Rollin' Blues | Chuck Berry  | Rock and Roll Music  | The Ultimate Collection cd 1 | Doc Watson & Rec Live Newport Folk Fest 1963/4  | Blackberry Blossom  | The Essential Doc Watson | The Meters  | Talkin' 'Bout New Orleans  | Fire On The Bayou  | 

In this episode, we sit a the feet of a true Black Empress and bask in the glow of her enchanting soul song.We get some Grandma Enola wisdom "Be Yourself, you can't be anybody else."We hear what it sounds like when you write a Love Song... to yourselfWe color outside the lines and refuse to be put in a boxWe try on different styles of expression and flex our creative musclesWe feel Sunrise with Aretha and  Sunset with LutherWe are inspired to make Art that matters, have the tough conversations on racism, and refuse to check out.We follow our own inner compass on the journey to ourselves and then beyond borders as an American Voice AbroadWe find Freedom when we are "Proud to Be Me"Teneia is an internationally touring musician and songwriter and has seven albums to her credit.Teneia has won multiple awards, she has had her work featured in television and film, AND has shared the stage with various critically acclaimed artists.Her work has been featured on HBO, Netflix as well as in several independent films. One of Teneia's most prominent pieces, "Stand," earned a placement in the HBO documentary Prom Night in Mississippi featuring Morgan Freeman. "Stand" embodies Teneia's ability as an artist to address deeply rooted social issues fearlessly and confidently.With a career spanning over a decade, Teneia has toured relentlessly throughout the years. Her most recent side project, Heart Society, gained recognition through the Sixthman Cayamo music cruise alongside John Prine, Buddy Miller, Patty Griffin, Lee Ann Womack, and many more.Teneia is a visionary with the heart to match. No matter what project she is a part of she always delivers a stellar performance. With folk-soul roots and infectious hooks, she teeters on the edge of defining a new sound and genre. It was proclaimed in the Phoenix New Times that her voice can “charm you into a hypnotic trance, make your heart beat faster, or motivate you to get out of your chair and dance."   We are so ready to be put in a trance and dance with her today!Personal Websitewww.teneia.comSocial Media linkwww.facebook.com/teneiamusicSocial Media linkwww.instagram.com/teneiamusicFreedom music videohttps://youtu.be/weIQfpMVTf8------Support Caravan of the HeartMore about Caravan of the HeartA podcast...a blisscast, a variety show for the soul by Troubadours of Divine Bliss, Aim Me Smiley & Renee Ananda, a touring folk music duo, inspirational speakers, retreat leaders, and advocates for this planet and its people.On this podcast, we have heart-to-heart conversations around freeing our dreams and amplifying love in all things. Enjoy an exhilarating mélange of exchanges where the arts meet awareness to champion and elevate the love of yourself, others, and the Earth.Join this caravan of seekers sharing what they find that empowers love in every part of the journey. Summon a revolution of Love through devotion, purpose, creation, Earth care, and community."Come, come, whoever you are. This is not a caravan of despair."  RumiLove is Spoken HereLearn MoreSupport the show (https://ko-fi.com/caravanoftheheart)Support the show (https://ko-fi.com/caravanoftheheart)

M.C. Taylor, the brains behind Hiss Golden Messenger, comes on the Goldmine Podcast to talk about the Hiss Golden Messenger 2021 holiday album, O Come All Ye Faithful (Merge Records).Taylor takes holiday music into a more contemplative realm with this release. As he puts it: "Big, brash holiday music — the type that we hear in big-box stores in the middle of December — has never resonated with me," Taylor certainly accomplishes a unique holiday mood on O Come All Ye Faithful. with renditions of holiday standards such as "Joy to the World," "Silent Night" and the title track, along with covers of Creedence Clearwater Revival's "As Long As I Can See the Light," Spiritualized's “Shine a Light” and Woody Guthrie's "Hanukkah Dance." But the best song just might be the HGM holiday original, "Grace." All songs on the album are delivered by Taylor and Hiss Golden Messenger's extended musical family, as well as special guests that include Grammy Award-winner Aoife O'Donovan, Nathaniel Rateliff, Erin Rae and Buddy Miller.Listen to samples of songs and Taylor's own descriptions of the music. It's a wonderful conversation to put you in the proper holiday spirit.

M.C. Taylor, the brains behind Hiss Golden Messenger, comes on the Goldmine Podcast to talk about the Hiss Golden Messenger 2021 holiday album, O Come All Ye Faithful (Merge Records).Taylor takes holiday music into a more contemplative realm with this release. As he puts it: "Big, brash holiday music — the type that we hear in big-box stores in the middle of December — has never resonated with me," Taylor certainly accomplishes a unique holiday mood on O Come All Ye Faithful. with renditions of holiday standards such as "Joy to the World," "Silent Night" and the title track, along with covers of Creedence Clearwater Revival's "As Long As I Can See the Light," Spiritualized's “Shine a Light” and Woody Guthrie's "Hanukkah Dance." But the best song just might be the HGM holiday original, "Grace." All songs on the album are delivered by Taylor and Hiss Golden Messenger's extended musical family, as well as special guests that include Grammy Award-winner Aoife O'Donovan, Nathaniel Rateliff, Erin Rae and Buddy Miller.Listen to samples of songs and Taylor's own descriptions of the music. It's a wonderful conversation to put you in the proper holiday spirit.

Eclectic composer bassist Viktor Krauss has been a presence in Nashville Tennessee since 1992 with nearly 500 album credits as either a bassist, composer/songwriter or producer. On tour, Viktor has been Lyle Lovett's primary bassist since 1994. Other artists have included jazz great Bill Frisell, James Taylor. Sheryl Crow, Robert Plant, Alison Krauss, Buddy Miller. Tom Jones, Shawn Colvin, Carly Simon and Jerry Douglas. Chet Atkins, Larry Carlton, James Newton Howard, The Chieftains, Peter Rowan, Harry Connick Jr. J.D. Souther, Joan Baez, Indigo Girls, Dolly Parton, Rodney Crowell, Graham Nash, Michael McDonald, John Fogerty, Elvis Costello, Kenny Rodgers, Jewel, and Michael Feinstein.https://www.instagram.com/kraussviktor/?hl=en@kraussviktor@thecareermusician@nomadsplace

Dale Baker - aka - The Maudlin FeeThe Maudlin Fee is the solo project of Dale Baker, an American indie folk singer and drummer currently living in Durham, NC. Formative years were filled with the music of Porter Wagoner and Dolly Parton, Johnny Cash, Johnny Horton and The Florida Boys. Bluegrass and old time gospel music were also early influences. In college, Baker studied jazz and world music at the University of North Texas. Later he joined Sixpence None the Richer. With them he recorded 5 albums, sold millions of records, toured the world, and was nominated for several awards (including two Grammy's), culminating in three top ten singles (with the songs Kiss Me, There She Goes, and Breathe Your Name). After a brief stint in the band Over the Rhine, Baker found success as a freelance drummer, performing and recording with Buddy Miller, Chris Stamey, Stephen Kellogg, Thad Cockrell et.al. In 2013 he became one of the core touring members of Big Star's Third Live (documented in the 2017 DVD release of “Thank You Friends” on Concord Bicycle Music), a concert event celebrating the music of Big Star, featuring a rotating roster of guest performers including members of Wilco, The Posies, REM, Beck, Dawes, Tom Petty, The dB's, Yo La Tengo and the Kronos Quartet. In February 2018, Baker began exclusively debuting his songs via the direct-to-fan distribution platform, Noisetrade. In July of 2018, Noisetrade featured The Maudlin Fee as "New and Notable," bringing attention to the release of his EP, "So Far."Web Site: https://www.themaudlinfee.com/----more----Shine A Light In The Darkness - The NEW Single From Rick Lee James Get The Single: https://rickleejames.hearnow.com/shine-a-light-in-the-darknessOfficial Music Video: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rickleejames.substack.com/subscribe

Don Was On Producing Gregg Allman's Final Recording Southern Blood. Southern Blood is the final studio album from rock and roll legend, Gregg Allman. Produced by Don Was and recorded in Muscle Shoals, AL at the renowned Fame Studios. With contributions from Gregg's friends and compatriots, including The McCrary Sisters, Buddy Miller, and Jackson Browne, Southern Blood is a true testament to a legendary career.Don Was gives personal insights into working with Gregg and how many years this project took to finally complete,  not knowing this would be Gregg's final studio recording. Gregg Allman made his transition May 27, 2017 and Southern Blood was released posthumouslya few months later.  Don Was, is an American musician, record producer and record executive. Primarily a bass player, Was co-founded the funk-rock band Was (Not Was). In later years he produced songs and albums for many popular recording artists. In 2012, he became president of jazz music label Blue Note Records.This episode is from an archive from the KPFK program Rock Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.  https://en.wikipedia.org/wiki/Maggie_LePiqueLink to purchase Southern Blood: https://greggallman.com/music/southern-blood/Support the show

With a recording career that spans forty years, musician/producer Marvin Etzioni has done it all. Not only has he performed with legendary band Lone Justice, Marvin has collaborated with such luminaries as Lucinda Williams, Steve Earle, Buddy Miller, Toad The Wet Sprocket, John Doe, and Counting Crows. His unique skills with the mandolin, his knack for efficient production, and his personal approach to accessing his creative space, have all resulted in an impressive body of work that spans genres and decades. Join Nick as he embarks on a trip through the events that shaped Marvin's creative life, a journey that reaches from the sweatshops of New York in the early 20th century, to a recording studio in the midst of the 2020 lockdown. HIGHLIGHTS: [02:04] Marvin describes working on his new album, "What's The Mood Of The Country Now?" [03:38] Marvin reveals his special analog-to-digital recording trick [06:09] Kendrick Lamar's engineer brought a warm rap and soul sound to Marvin's new album [07:01] Marvin recalls his early career in the Los Angeles music scene of the 80s [09.29] The origin of the band Lone Justice [11:48] Marvin hooks up with Toad The Wet Sprocket [13:21] Marvin's Polish grandfather instilled in him a love of the mandolin, and country music [15:06] Marvin loves string instruments, and he can play a lot of them [17:24] Marvin explores how he's maintained his creativity over four decades [18:45] A memorable creative moment between Marvin and Judy Collins [21:31] One of Marvin's most "radical" moments started in 1990 and culminated in 2020 Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps. Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook. Find out more about today's guest, Marvin Etzioni Find out more about your host, Nick Terzo MENTIONED IN THIS EPISODE: @springsteen @u2 @PaulSimonMusic @GarfunkelMusic @kendricklamar @SteveEarle @thebangles @interscopejimmy @bgmastering @ToadWetSprocket @T_Bone_Burnett @TheJudyCollins

https://www.instagram.com/blacyoda/ Born in 1980 into a musical family in Athens, Georgia, Keio Stroud started playing drums and performing at an early age. After studying at the University of West Georgia, Stroud moved to Nashville in 2000 and soon became and in- demand drummer for recording sessions, touring, and television performances.Currently touring with Big and Rich and playing sessions in Nashville, Stroud has had an impressive and diverse career drumming for some of Nashville's most successful and well-respected artists, producers and musicians;Rodney Crowell, Richard Marx, Jake Owen, Deana Carter, Little Big Town, Hank Williams Jr, Emmylou Harris, Keith Urban, Roseanne Cash, Lee Brice, Taj Mahal, Nashville Star, Tommy Simms, Kip Moore, Buddy Miller, Keb' Mo', Randy Houser, Guy Clark, The Randy Rogers Band, Jamie O'Neal, Leroy Parnell, Stoney LaRue, Peter Collins, Chely Wright, Booker T. Jones, Florida Georgia Line, and others…including 2018 Grammy winning TajMo Album.

After learning classical violin as a child, Tammy Rogers became a successful touring musician and session player for Trisha Yearwood, Kieran Kane of The O'Kanes, Emmy Lou Harris, Dolly Parton, Buddy Miller and many other Nashville legends. After releasing two critically acclaimed solo albums, Tammy found her muse playing and writing songs for The Steeldrivers, a group of legendary, off-the-charts gifted Nashville session musicians. The Steeldrivers' style is categorized as Bluegrass for the Grammy Awards, which they have won for Best Bluegrass Album for The Muscle Shoals Recordings in 2016, but their style has also been called Soul-grass, Rock-grass and R&B-grass. It is more than just Bluegrass.https://thesteeldrivers.com/https://www.facebook.com/thesteeldrivers/https://www.instagram.com/thesteeldrivers/https://twitter.com/SteelDrivershttps://en.wikipedia.org/wiki/The_SteelDriversSupport this podcast at — https://redcircle.com/back-story-song/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Robbie Fulks is a sort of latter-day Renaissance Man. After spending his formative years in Pennsylvania, North Carolina, and Virginia, Fulks eventually settled in Chicago - where his fresh take on American roots music established his status as one of the progenitors of what would become the alt-country genre. Fulks' fearless and uncompromising approach to his art is exemplified by a longtime association with insurgent country record label Bloodshot Records and a friendly working relationship with firebrand Chicago-based producer and engineer Steve Albini. In the last twenty-plus years, Fulks has released thirteen albums of his own, as well as accompanied numerous other artists both onstage and in the studio. Fulks is also known as a music journalist, having penned a blog and had his writing published in GQ, Blender, Chicago Reader and elsewhere. When he wasn't playing, recording, or writing, Fulks has hosted an XM satellite radio interview and performance program and spent twelve years teaching at the Old Town School of Folk Music in Chicago. But it is Fulks' whip-smart songwriting, high lonesome Buddy Miller-esque vocals, and facile and inventive guitar work that first earned him fans in Chicago's underground country music scene, and it's what keeps them coming back to shows across the country.