Podcasts about Quetzal

Welcome to a delightfully unhinged follow‑up to our Billy Meier & FIGU saga (Season 4, Episodes 59, 61, and 63). Strap yourselves into the beamship, we're rocketing straight into Billy's newest cosmic fever dream. This week we're doing a 'dramatic' reading of Billy's latest contact report—an intergalactic casserole of dwarf galaxies, alien refugees, population statistics from space accountants, and Quetzal's increasingly desperate attempts to get a word in while Billy monologues like the universe's most self‑assured improv student. We revisit some of BEAM's predictions, marvel at his galaxy‑sized confidence, and explore why the Plejaren allegedly talk only to Billy (spoiler: spiritual prerequisites, baby). It's a return to the FIGU‑verse that proves Billy's imagination remains the most active extraterrestrial presence in Switzerland.

Que seraient nos vies sans les couleurs ? Leurs rôles dans le Vivant sont souvent mé- ou inconnus du grand public. Pourtant, elles sont un des langages, une des conditions sina qua non du Vivant… Il était tant que BSG consacre aux couleurs une grande saga inédite.Aujourd'hui le vert : sans doute la couleur la plus visible et répandue sur Terre… ne serait-ce que grâce aux plantes, qui constituent 83% de la biomasse.Invité : Frédéric Archaux, biologiste et chercheur, auteur de Toutes les couleurs de la nature (Quae, 2025).___

Charlamos con Sergio Lifante "Quetzal" sobre su libro acerca de Silent Hill: La Ciudad Doliente: Bienvenidos a Silent Hill. Comprar La Ciudad Doliente: https://amzn.to/4pENAg7

Veja também em youtube.com/@45_graus Zita Seabra nasceu em 1949. Foi deputada à Assembleia da República de 1975 a 1988, coordenou o Secretariado Nacional para o Audiovisual em 1993, ano em que assumiu a presidência do Instituto Português de Cinema. De 1994 a 1995, foi presidente do Instituto Português da Arte Cinematográfica e Audiovisual. É editora e autora de Foi Assim (Alêtheia, 2007), onde partilha as suas memórias desde a infância até ao momento de ruptura com o Partido Comunista Português, altura em que publicou O Nome das Coisas (Publicações Europa-América, 1988). Desde 2005, dirige a Alêtheia Editores, da qual é fundadora, assim como a Várzea da Rainha Impressores. Há longos anos no meio editorial, foi editora da Quetzal e também administradora e directora editorial da Bertrand Editora. _______________ Índice: (0:00) Introdução (2:38) Como funciona por dentro um partido comunista? | Porque dá o Comunismo sempre em totalitarismo: é da ideologia ou do tipo de pessoa que permite chegar ao poder? (14:12) Porque foi do PCP diretamente para a direita? (22:51) Posição em relação ao aborto: no PCP e depois (28:52) O 25 de novembro | Livro Álvaro Cunhal - “Rumo à Vitória” | golpe militar va insurreição militar armadaSee omnystudio.com/listener for privacy information.

Veja também em youtube.com/@45_graus Zita Seabra nasceu em 1949. Foi deputada à Assembleia da República de 1975 a 1988, coordenou o Secretariado Nacional para o Audiovisual em 1993, ano em que assumiu a presidência do Instituto Português de Cinema. De 1994 a 1995, foi presidente do Instituto Português da Arte Cinematográfica e Audiovisual. É editora e autora de Foi Assim (Alêtheia, 2007), onde partilha as suas memórias desde a infância até ao momento de ruptura com o Partido Comunista Português, altura em que publicou O Nome das Coisas (Publicações Europa-América, 1988). Desde 2005, dirige a Alêtheia Editores, da qual é fundadora, assim como a Várzea da Rainha Impressores. Há longos anos no meio editorial, foi editora da Quetzal e também administradora e directora editorial da Bertrand Editora. _______________ Índice: (0:00) Introdução (4:32) O que atrai um(a) jovem no comunismo? | Comunismo vs maoismo vs trotskismo | Os totalitarismos e os perigos do intelectualismo excessivo (26:54) Quem militava naqueles partidos sabia o que se passava na URSS e na China maoista? | Porque o comunismo deu sempre em totalitarismo? (35:42) O que a fez a primeira vez duvidar, e como saiu do PCP? | Mikhail SuslovSee omnystudio.com/listener for privacy information.

En este capítulo compartimos historias conmovedoras y llenas de terror junto a nuestra amiga y artesana Quetzal, de Cipactli Rosa. Disfruta con nosotras de este aquelarre lleno de emociones. Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio del Podcast Contenedor de Negocios, conversamos con Waleska Sterkel de Ortiz, Directora Ejecutiva de AmCham Guatemala, sobre la importancia del dragado en Puerto Quetzal y cómo esta inversión estratégica busca recuperar millones de toneladas de carga, reducir tiempos de espera y fortalecer el comercio exterior del país. Más información: https://dataexport.com.gt/

In this episode we have tfal fan favorite Faith Santilla aka  “Tita Faith” in her fourth appearance on the pod! Joining Faith is the amazing and inspiring Martha Gonzalez of Quetzal. On this episode Elaine, Kat, and Producer Mike talk story about the exciting and upcoming show at The Ford Los Angeles, Labor of Love....

Crisis en los puertos Quetzal y Santo Tomás de Castilla: ¿Quiénes ganan y quiénes pierden?

¡Ya es miércoles de Cine con Piquete! En este episodio de Cine con Piquete, Óscar Zueck (IG: @zueck), Cris Becerril (IG: @crisbecerril) y Sibis Gaxiola (IG: @arrobasibis) discuten sobre lo que les gustó, lo que no y califican esta entrega cinematográfica estelarizada por Scarlett Johansson y dirigida por Gareth EdwardsTodo esto acompañado de un trago invención del Cristóbal, el Quetzal. Nuestras redes sociales son:YouTube: ⁠⁠⁠⁠⁠⁠Cine con Piquete⁠⁠⁠⁠⁠⁠Instagram -⁠⁠⁠⁠⁠⁠ @cine_con_piquete⁠⁠⁠⁠⁠⁠Tiktok - ⁠⁠⁠⁠⁠⁠Cine con Piquete⁠⁠⁠⁠⁠⁠e-mail - conpiquetecine@gmail.com

Send us a text This week on NO-FI Radio it's not just us talking – we've got something special. Our friend Quetzal aka KetzR takes over with a heavy-hitting techno groove set at 144 BPM. Expect rolling rhythms, hypnotic energy, and that raw dancefloor vibe we live for.  Follow NO-FI Radio on Instagram!

Jurassic World: Rebirth For a franchise that started with a single book and then a begrudging sequel, the fact that we are now 7 Films, two sub-titles, two Netflix animated shows and numerous games deep, tells us a lot about the state of the entertainment industry… (rather than the quality of that first book.) We have moved past the Jurassic park, beyond even the Jurassic World… we are now living in a post Jurassic planet. So if this film a true rebirth of a franchise, or the should this egg have been left in the incubator a bit longer. Dion and Jill have seen this weeks film, but Quinny is definitely here for emotional support and colour commentary. https://youtu.be/1AGTMry5nSc As always, a gigantosaursus sized thank-you to the dinosaurs and the mercenaries who love them, who join in with the conversation on the Twitch stream, live each Tuesday (or wednesday) night at 7:30pm AEDT. And an especially huge thanks to any of the slutty glasses wearing scientists who are kind enough to support us by leaving thier fossils in our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the fences electrified and the boat fueled up… or it just pays for hosting…) If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/jan5CFWs9ic?si=wCPlEDf35P3owkWB WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/   Full text transcript Quinny  RRRraawr. You don’t wait to see the transcription of this.  Dion  Uh, uh hello going to the table. Listen, tonight we’re talking. Billy and the Montessori. Yes, that’s right. Jurassic World rebirth. Let’s go and say hello. Tell me your dinosaur name, Connie.  Quinny  Rusty, Durkins, Liam and someone else asaurus.  Dion  Rusty jerkins. You didn’t think about this hard enough, Jill, do you have a dinosaur name?  Quinny  I don’t know.  Jill  I’m a jealous sore.  Dion  I’m jealous, though. There you go very simply done.  Quinny  Ohh OK I thought I was trying to do the actual like thing. No, right. OK, I’m just I’m.  Dion  A Quinn playdon.  Quinny  Hang on.  Jill  Like it?  Dion  That’s where I gotta.  Quinny  Call Quinn flygon. I’m down for being a Quinn flygon.  Dion  Yeah. Or Quinn Claudon or something.  Quinny  Quinn play.  Dion  Docus yeah, yeah.  Quinny  Yeah, I I like being a quintillus.  Speaker  Yep.  Jill  Phenolic quinoa. Quinoa.  Quinny  Quinolines quinolines Rex. But not locusts cause **** locusts cause that was stupid, yeah.  Dion  ******** cause. Yeah.  Quinny  Sorry, I I. Love that we tonight we’re talking about Jurassic World rebirth. Yeah, the chat is currently just concerned about the Superman shit that we watched. Last night.  Speaker  Usually.  Speaker 7  We’ll get to that next week.  Dion  Yeah. Yeah, next.  Quinny  Week we will we will talk. About Superman and the real dog. Yeah. Next week? Yeah.  Dion  We’re not, we’re. Talking about the other summer blockbuster of the season by Universal Pictures. That’s right, Jurassic is not finished yet. We’re having another crack at it. The 7th ******* film in the franchise is out. And for your watching viewing Dino pleasure.  Quinny  Hmm. And Speaking of a real dog, let’s talk about this.  Dion  Donald, pleasure.  Speaker  oh Wow. Wow.  Dion  Yes, it kind of does.  Quinny  Yeah, I I I I’m gonna have to. Sorry, you go down.  Dion  No, no, you’re on, Gifford.  Quinny  I was just gonna say I have to put my hands up to it. I haven’t been able to watch this film. I have seen clips of it I have. I have been given a a wonderful description from Dion as to what the film essentially was about.  Dion  A rapid fire blow by blow.  Quinny  Yeah. Yeah, but yeah, I I haven’t been able to watch the film yet, so I’m at a certain point in time. I may even have to skip out for spoilers, or I may not bother. I don’t know.  Dion  Don’t even bother. I won’t even go there. It can’t be that sort of thing. Yeah.  Quinny  Right.  Dion  And I mean, if you’re not for anyone in the chat, and who? Casper. Casper. Hello, Casper. You. We. You. You’re like. I haven’t seen Dominion. Guess what? Don’t worry. This is a brand new. Yes. Because it went. No, no. We’ve finished those stories now, and we’re gonna start a whole new thing with a whole new team of lovable people that may or may not get eaten.  Quinny  I guess.  Speaker 7  Doesn’t matter. Yeah.  Quinny  Yes, this, this, this new reboot trilogy thing. I don’t know if it’s gonna be a trilogy. Who knows? Is entirely Chris Pratt bless.  Dion  Unfortunately, it seems to have done fairly good bank, so there’s probably gonna be a sequel.  Quinny  How many Jurassic films? Until they just completely have run out of anything interesting to say about dinosaurs.  Speaker  Right.  Dion  Yep.  Quinny  I understand. I mean, we have hit the bottom of the.  Dion  Well, what? Well. They seem to be they see they seem to. Be re digging the well.  Quinny  Well, this is Jurassic World.  Dion  Just next door. Yeah, look. OK.  Quinny  Like I don’t know how to. Do this anymore. Todd.  Dion  It’s difficult. I’m trying actually trying to think, OK, what sort of, uh, freaking accent does queen have to do this opposite? Because we got to get the synopsis out of the way. What is like in Jurassic World rebirth all about? You know, is it Scarlett Johansson giving birth to a dinosaur? No, it’s not. It’s got nothing to.  Quinny  OK, it’s not that right? No, because that would have been a very interesting and strange film.  Dion  Do with.  Speaker  Dion  Is it Ian Malcolm waking up to a Velociraptor in his bed? Allah Jurassic World 3. Or was it 2? I can’t remember. There was literally that bit. Where’s Malcolm? Malcolm.  Jill  Three, it was him and the daughter that went back to.  Dion  Yeah, I think. 3.  Jill  The.  Dion  Island in the circle? That’s right. But that could have been anyway. Yeah, anyway.  Quinny  Sorry, just to go back, Dominion was the one that included most of like a bunch of the original Jurassic Park cast, wasn’t it? Yes.  Dion  Yes.  Jill  That is the crossover 1.  Quinny  Yeah, right, that was.  Speaker  Yeah.  Quinny  The the X-Men that is the future 1st.  Speaker 7  Yes, yes it was.  Dion  Yeah, yeah, the old and the new coming together to fight dinosaurs again. Yeah. Fight, ******* Jurassic locust.  Quinny  Locusts. Yeah, not even dinosaurs. ******* locusts. I remember that part about Dominion being really ****.  Dion  But this one.  Jill  Yeah. And I had the evil Tom Cook that was. Selling the dinosaurs or something, right?  Dion  Ohh look, there’s always an evil scientist trying to profit from the dinosaurs. That’s the that’s the whole point. And in this one guess what? You’re not alone. It’s evil scientist trying to profit from the dinosaurs through corporate.  Speaker  Right.  Quinny  So you don’t need me to do this anymore.  Dion  Hey, go right ahead, man. I don’t even have any background music for you. I just have. I can just do dinosaur. Creams in the background.  Quinny  Hey. Wow. Yeah. Yeah. So, Zora Bennett. Yeah. Like she leads a team of skilled operatives to the most dangerous Wow place on Earth. I’m not. That’s meant to be a, me and Malcolm and it’s. Feeling miserable.  Dion  I know I was kind of like.  Speaker 7  Sure. That’s what you were doing.  Quinny  Yeah, I was like, yeah, no, I I realized I was not in a gold blooming of enough. No, couldn’t do it just so I’m just gonna do it as me moves to Christian.  Dion  Christopher Walken for fun. Why not?  Quinny  It was heading towards Christopher Morgan. Well, Dinos. He’s a team. No, I’m. I’m apparently not in a place where I could do stupid voices right now. Something has broken in me. Thanks to COVID, I’m pretty sure 15 of my 27 elves that live inside me. Are dead.  Jill  No.  Dion  This is just becoming horrifying. Please continue this, not this. As quickly as that.  Quinny  Yes, it is. OK. Zora Bennett. Yeah, zora. That is her name. Leads a team of skilled operatives to the most dangerous place on Earth. An island research facility for the original Jurassic Park. 1 of 27,000 island research. Facilities for the original Jurassic Park, apparently. Yeah. Their mission is to secure genetic material from dinosaurs, not in the way you’re thinking. Whose DNA can provide life saving benefits to mankind as the top secret expedition becomes more and more risky, they soon make a sinister, shocking discovery that’s been hidden from the world for decades. There you go.  Dion  I I love that synopsis. I still have no idea what the sinister and shocking discovery that’s been hidden.  Quinny  Yeah.  Dion  From the world for.  Jill  Decades is that was the Montessori US, and it wasn’t decades. It was 17 years.  Dion  Yeah, which is very nice decades, but also like, is that a shocking thing? No, it’s like, OK, they’re hidden.  Jill  Set at the start of the movie.  Dion  It’s like. It’s kind of like it’s kind of like, wow, would Jurassic World have progressed into that? Ohh, you come to see the dinosaurs in the cages too. Come see the freak show. Freak show dinosaurs come. See. The freak show.  Jill  Yeah, it was definitely giving phantom of the opera dinosaur vibes. It was like I showed the whole thing. Just. Yeah, we’ll wait until the end. Yeah.  Speaker  Yeah.  Speaker 7  It’s just like. Yeah.  Speaker  Yeah.  Quinny  I’m speaking Elephant Man and dinosaurs.  Dion  Yeah. Yeah, really. And also I. Love that they just played into the tropes right at the start there of the. Hapless idiot scientist who can’t do things right. Who does the little critical mistake even though they work in literally a research *******. Place and it’s their mistake that unleashes absolute hell across that. And I’m like, wow, if that was the security problem, like, that thing that that person did, they had way bigger problems. You know, at least they at least they had an actual corporate self sabotage moment in Jurassic Park. The first one where it’s like, ah, I’m doing this for money. It’s like, yeah, great. I understand that.  Speaker 7  Yeah.  Jill  Yeah, where was BD Wong in this one?  Quinny  Yeah. Or or Dennis medrick.  Dion  Yeah, yeah. Surprising lack of BD Wong. In all of this, too, yeah, yeah.  Quinny  It’s. I’m pretty sure he died at. The end of the last one, didn’t he?  Jill  Probably. Maybe.  Dion  You’re not like, are you? Are you? Are you seriously telling me that that character would not have cloned himself about 53 billion times because he’s the master of the cloning stuff and has been doing all of that? And he’s like, you’re gonna make like 50 of.  Jill  Yeah, exactly.  Quinny  Yeah, I have. I’m not entirely sure that may or may not have been an actual plot point from. The animated series. Like like I I’m the the Jurassic nerd who has gone and watched all of Camp Cretaceous and all of ******* chaos theory. The two Jurassic animated series. So yeah, yeah, I mean very well aware of how stupid the ******* storylines are.  Dion  Someone else?  Quinny  I’m.  Dion  The movie is this movie, this movie, not the movie. This movie established itself in the Jurassic World world by becoming a direct continuation from the Jurassic World Movie World. I know right where the dinosaurs have escaped from their captivity, which we saw in Dominion, and they’re kind of populating themselves out across and the and to causing chaos to the humans like humans have to deal with dinosaurs as a thing. But then I love that it did a smart thing in my brain which was to pull it all back towards the equator. Because they’re basically like, oh, dinosaurs are dying and they’re becoming a real pain in the **** like a dead dinosaur is quite annoying and everyone’s bored with them because they’re just a pain. They just cause traffic gridlock when they die, and they can only really exist around the equator, where it’s a more oxygen rich and kind of prehistoric era like like area where it. There. More sustainable life. Expectancy. So dinosaurs basically exist around the yeah, dinosaurs basically exist around the equator and and you know people kind of forgotten about them except for the corporations which want to make drugs, drugs, drugs from dinosaurs, even though technically no one’s allowed to go near the dinosaurs.  Quinny  It does vaguely make sense.  Dion  It’s like great. It’s like a no go zone. Is there any patrols or anyone managing that? No, we just say don’t go.  Speaker  And people will not go.  Quinny  Wait a minute. Like if it’s the entire ring of the equator, that’s quite a lot of travel, like space to try and. Manage. Yeah, but I mean.  Dion  There’s not lots of stuff there. A little bit.  Speaker  You know.  Quinny  Like I don’t know how long the equator is, but I imagine that it’s quite mountain.  Jill  And it goes right around the middle of the. World. Yeah, covers land and sea.  Dion  Well, anyway, there’s lots of, you know, research islands and stuff like extra research islands. I also love that it’s like, oh, we have thousands of these islands around the equator. Cool. There’s more research places. I’m like, really.  Speaker  Yeah.  Jill  They gave themselves a problem and they gave themselves a very easy way to solve it.  Quinny  Yeah.  Dion  Yeah, it’s like and. But I looked at this, this island, and I’m like, man, that that looks even more like more technology and infrastructure went into that island than the park. So now I understand, I feel like ohh, that’s why they got out of the park cause they just didn’t give a ****. Whereas in this one, I was like, oh, this feels like it was. It had more money as could you said. To me, yesterday spared no expense, but we didn’t see that in Jurassic Park in the 1st. No, we didn’t see the spared no expense. It felt like it was, but it wasn’t. And now look at this one. I was like, wow, they’ve they’ve done so much more. There’s, like, helipads and geothermal energy and a whole bunch of things in there. But it’s a bit of a cop out.  Quinny  I really like. That that whole thing that the first one, you know, we’ve made a a park and we everybody understands theme park. OK, cool. Second film, it’s like AH, but there’s a site B.  Dion  Yeah.  Quinny  And you’re like, OK, fine by the time you get to 7 ******* films later, it’s like there’s sight 274B/3.  Dion  And that sure research area.  Quinny  Yeah. So what’s so cool about this research?  Dion  Where? Where do we keep over?  Quinny  Area I don’t get. It why? Why? Why should we care?  Jill  It’s the lab where they were doing the genetic experiments, so they were trying to cross breed dinosaurs with DNA. To make more exciting and terrifying dinosaurs, Allah the Dominus racks that we saw in the First Jurassic World. Except I think there were a few failures.  Dion  Yes, it’s where they kept all of the the the ones that went wrong. Yeah. Yeah, they’re like, oh, we cloned one. Ohh. It’s got an extra leg. Well, well, we can’t get rid of it. It costs a lot of money. So we’ll just see what we can get out.  Jill  Little bit.  Dion  But. At the end. Right. Yeah. So like it’s kind of like, oh, you have your, your, your your site B where you raise things that you kind of work because you did standard stuff and then you have your as you said, what was it, the Indominus Rex or whatever which was there. But where did all of the bits that came up to that go? Oh, they were at this other site which specialized in ****** dinosaurs.  Jill  Yeah. Where did the unaborted fetuses go?  Dion  Yeah.  Quinny  OK, right. See there, there is a concept there that I like, if only because one of my favorite bits out of alien for.  Dion  You mean the bit?  Quinny  Where there’s the multiple clones of Ripley that they got. Wrong.  Speaker 7  Yeah, right. Yeah. Yeah, it’s.  Dion  Yeah, like that, yeah.  Quinny  Yeah, that that kind of horror of like, yeah, we tried multiple times and **** got real messy.  Speaker 7  But father, why?  Dion  Queen.  Quinny  Yeah, yeah. Yeah, exactly.  Dion  But quinnie, I’m sorry in terms of movie making, that’s not going to happen because we only have the models that we could control C Control V and if every model is distinct and individual. That has different limbs or other things we we can’t do that that is too expensive. Plus we have this really great Tyrannosaurus Rex, one that we’re just going to keep using no matter what. We just reskin it. Another one.  Quinny  Yep, control Z control V.  Dion  Yeah, I mean, I’m I’m really into the island of Doctor Moreau. Dinosaur Island too, like, you know, everything is ******. Like if every dinosaur has had some something that was wrong with it in this, I would have been like, this is an interesting thing. Like, if everything like a Tyrannosaurus Rex with really. Really.  Quinny  Moret.  Dion  Tiny legs and huge arms that would be. I would love watching that. UM, but yeah.  Quinny  I would have loved to have seen like the T Rex. That actually still. Had its feathers and they’re like, yeah, this is actually what came out when we genetically did it. But yeah, nobody wanted to see that. And it looked stupid. So we just had to have that on site. ******* 27 B wouldn’t because.  Jill  That would have been. A better deep cut than just putting a school bus that said Creighton High School on it in. The opening thing like.  Dion  Yeah, I.  Jill  Know the taste levels in this film were non active.  Quinny  Sure. I I did see a sequence where they like they were walking into a a what you would call it like a museum. And they were literally dropping the banner of when dinosaurs ruled the Earth. And I was like, **** me.  Dion  The banner.  Quinny  Really, that’s a bit on the nose.  Jill  Quinny, I will tell you, I will tell you now that is not the first time they exactly ripped off the first film.  Quinny  Ohh dear.  Dion  Yeah. Yeah, but. I was written by the same guy who wrote the first film based on the Michael Crichton book. That’s OK, but I do feel. Like. Yeah, it’s a.  Jill  Is it OK to not do anything original that you have to completely lift sequences?  Dion  Bit.  Quinny  Right. Yeah, yeah.  Dion  Maybe he’s just using. ChatGPT to really he’s like, here’s the story outline. Fill it out.  Jill  Remember, remember the the fun kitchen sequence with the velociraptors. You wanna see that again?  Quinny  Yeah, but with a different. Yeah. Excellent. Sweet.  Jill  Cool, you’ve got it. Yeah. Do you wanna see the sequence well?  Speaker 7  Kids.  Jill  Yeah, yeah, yeah. You got that done alright. Do you wanna see another sequence where someone’s trying to lead a dinosaur away from a?  Quinny  Wait, OK.  Jill  Group of people with a flair. Yeah, because you got that.  Quinny  Too, I love Jurassic.  Dion  Your thing?  Quinny  Park. Yeah. The first film. Yeah.  Speaker  Yeah, like I mean.  Dion  Sorry, it’s it’s it’s interesting because the ideas that are purported from some of the concepts that presented to us in this. Film I were talking about, you know, interesting, different, distorted kind of things. Like, you know, you’ve got established law like they added amphibian DNA to fill out the chains when they got there. And Can you imagine seeing a Tyrannosaurus Rex or even, you know, some sort of Velociraptor that has a tongue that can fire out? And grab like a frog, like that kind of **** is.  Quinny  I still want the the ******* thing that’s in the book. The the The Lost World Book, the sequel book.  Speaker  Uh. That.  Quinny  Is one of the creepiest bits of the novel that they’ve never adapted to the screen. Probably so.  Dion  Which was that? Tell tell me of that news.  Quinny  So there there’s a bit where they’re they’re they’re running away and that’s much like the Lost world film. They’re running away from dinosaurs and suddenly they’re being chased by Raptors and the Raptors **** ***. And they’re, like, hang on, what the **** makes Raptors turn around and run? No way. And they’re like, well, we’ve gone into something else’s territory. We’re in deep ****. We don’t know what it is, and I think it. I think it was a Spinosaurus or something like that, that they patched some of the DNA of of that with a a. Ohh ****. What are the ones that. You can see through.  Dion  Ohh jellyfish Daniel.  Jill  The cuttlefish.  Quinny  No, no. Like the the little gecko, like a gecko. But what are the ones that change? Chameleon. Chameleon. Yeah. So it was like this perfect chameleon dinosaur and everything was scared ******** of it because they could never see it.  Speaker  Thing.  Jill  Well, they did that with the Indominus. They put the the cuttlefish DNA in the Indominus and it was camouflage.  Dion  Yeah.  Quinny  Ohh I didn’t even remember it being that camouflage. I always think of the Indominus as being kind of just white and dumb looking.  Jill  No, it was camouflage.  Dion  Could also and and change its heat signature. And it was, yeah, like they had a whole bunch of weird ****. And it had Velociraptor. DNA.  Speaker  Yes.  Dion  And it had everything, and it was linked to the child that was made.  Speaker  Yeah.  Quinny  Yeah, that was ******* stupid. OK. So, so yeah. Like it was a cool idea. Yeah. Yeah. That you know something that perfectly camouflaged itself. Yeah. But also is is still a normal looking dinosaur.  Dion  I mean, yeah, look. This film has it all. It has all of the greatest dinosaurs that you wanted to see kind of. I don’t know. They tell you in the film what the ones that they’re going to go for and then they do that they go to the ones that they’re going for. It has, you know, a great person to hate straight away. It’s got a great team of mercenaries who also had.  Quinny  Scarlett Johansson was quite pleasant. I don’t. Know what you’re talking.  Dion  Has a great team of mercenaries that all had distinct personalities and the back story. Yeah, yeah, that was the I was there. I’m like, I’m down for this. This is great. This is gonna be a fun adventure. We’re gonna go to the island and get the things. And I’m like, OK, they got, you know, sluty glasses guy. He was gonna be the person you follow. And then they added a family.  Jill  Yeah. How Red shirt gang.  Dion  For no ******* reason.  Jill  Yeah, that you’ve. Never seen the trailer? There’s just a random. Family got added.  Dion  Yeah. If it’s just like, oh, we need more people now. It’s like, do, do we. We had the team, we had the team which we could grow to love. And then when they got eaten by a dinosaur, we would feel something.  Jill  Yeah.  Dion  In this one, we just get to watch, you know, Ed screen get eaten within the first, like, completely wasted within the first time. Like ohh cool. He’s a military. That was. Yeah, he’s the military guy who’s got the only gun that they seem to have. And then he gets eaten and everyone’s like, cool. So you didn’t pack any other ******* guns.  Jill  Yeah.  Quinny  The. Even though you’re going to an island full of deadly dinosaurs.  Dion  None. And you pack 1 gun. That’s a **** gun anyway. Like.  Speaker 2  I don’t.  Quinny  Understand this. The reason they’re going there is for what? What’s the magnuson?  Jill  OK, so the pharmaceutical Rep wants to get blood samples from dinosaurs that had the largest hearts because that’s going to cure heart disease.  Dion  And they could make a **** ton of money. At least they’re open about that straight away, but then also.  Jill  Yeah, yeah, but it doesn’t work if you only get 1 sample from one large hearted dinosaur, you have to collect three. You have to get the air 1 and the water one and the land one. And together with their powers combined. Will cure heart disease.  Quinny  I’m Captain dinosaur planet. Yeah.  Dion  Exactly. And then if you if you use the fire from a flare.  Quinny  Wow.  Dion  It all goes together and also, you know, hey, let’s just let’s just throw in. Rupert, Friends standing there going and also didn’t your dad die of heart disease? Don’t you want to do something about that? And it’s like what? OK, it’s fine. We’ll just go.  Quinny  And heart.  Jill  Yeah, OK, well, now this is a cause that’s closer.  Dion  Yeah, yeah, it’s closer to. It’s closer to my heart, but like, ohh, holy ****, you already had us with money.  Jill  To my heart. So yeah, that will help.  Dion  Because she was like, that’s real dumb. It’s like, well, here’s a bunch of money. And she’s like, yeah, OK, I can do money. I love money. We’ll do money like that was fine. And then. But, you know, I was on board for that anyway, you know.  Jill  Done.  Dion  I also love how what’s his name? Jonathan Bailey’s Henry Loomis. That paleontologist was like. I’m really conflicted about going. To this island that I’ve been like consulting to this pharmaceutical company about how they can make drug and actually like they like he was the one who came up with like no you have to get it from. The heart of a. Living animal while it’s alive and they have to be the biggest. I came up with this idea. It’s like, OK, we’re going the island to do your idea. He’s like, oh, I don’t know if I can go.  Jill  Yeah, it’s like I’ve just dedicated my life to dinosaurs, and I might have the opportunity to see them in real life, but I don’t.  Dion  I mean.  Jill  Think I could.  Dion  Do it, but I’m slightly morally. Conflicted by it, it’s like.  Speaker  Wait. Really.  Dion  Yeah. Anyway, and then there’s an additional family which is just useless. They add nothing to the plot. Nothing. They’re not there for anything. They’re there for different sequences with different dinosaurs.  Quinny  What are they there for?  Jill  They literally add nothing to any of the context of the plot.  Dion  The mercenary team would have been better off not rescuing them.  Quinny  Right.  Jill  Yeah.  Quinny  So they probably would have been better off too.  Jill  Oh, and the whole family subplot. So it’s not like they were even there for. Fodder.  Dion  The survival rate in the.  Quinny  Ohh ****, I thought this. I thought they were gonna be like, you know, the another red shirt but a red shirt that maybe we’re a little bit more invested in because they’re kids or whatever.  Dion  No. The survival rate in this ******* film is way too high.  Jill  Yeah, out of like, all of the characters, I’m pretty sure it was like 4 that died, tops. And there was, I gotta say, like 10 or 12 characters in the movie that were on the island.  Quinny  Right. OK.  Jill  Yeah.  Dion  There were 11. There were 11 people on that island. I just counted them up quickly in the car. There were 11 people and out of it like 3.  Jill  There you go. You go.  Speaker  And it.  Jill  Was 4, three or four? Yeah.  Dion  Died. 33 died.  Jill  Ohh and it was all in the first like action sequence.  Dion  Well, no there was. There was.  Jill  Ohh wait, no there was one later. Two in the first action secrets and.  Dion  Yeah, there was. There was 2 and then one at the end and yeah. And even someone who did a heroic thing of sacrificing themselves to it, like, you know, to to let everyone get out didn’t die for no explanation. Absolutely no explanation. Yeah.  Jill  Then one later. Yeah, didn’t I?  Dion  You explain how that happened, no? You’re gonna explain where the monster. Where did the Montessori’s go? That was literally going to eat him when you went back to pick him up.  Quinny  And wave it. Away.  Jill  Yeah, they’re not the swords. Like, as terrifying as it was, was very slow.  Dion  No idea. The Montessori was.  Speaker 7  Didn’t move very quickly at.  Quinny  I was going to say you may have to help me a.  Speaker 7  All.  Quinny  Little bit. What’s the Montessori, especially as Jill.  Jill  What the source was like is the Phantom of the opera, so he’s the one that.  Speaker 7  Like.  Jill  Kills the scientists in the lab at the start, but you never really see it until the very end, where it reveals itself. But.  Quinny  Oh, he’s he’s.  Dion  Jill, you came up with the greatest explanation of it. This is the special needs dinosaur. Oh, dear. I’m sorry to say it because say that. Yeah, it is. It is the special needs dinosaur because it’s it’s it looks all ******.  Quinny  You can’t.  Dion  It is all ****** **. Yeah, but it’s also like it just makes it makes decisions in there, which is like, are you OK, buddy? Are you a special little dinosaur? Ooh, shiny thing. You know, kind of like, that’s the kind of level you get it. It’s supposed to be big and scary and kind of weird.  Jill  It’s giving Timmy for himself.  Dion  Then OK, you get that. But like by the end of it, you’re like, you could probably distract this thing with a rock.  Speaker  Like.  Dion  Shiny thing? It’s not hunting anyone in particular, it’s.  Jill  Yeah.  Speaker 7  Just yeah, a laser pointer like a.  Speaker  There.  Dion  Cat. Yeah, yeah, he’s a laser pointer. It should be. Like ohh over. Here. OK, alright. Don’t worry about him. He’s just. A.  Quinny  ********. I am looking at the design of it like I’ve found a. Toy of it.  Dion  Right.  Jill  Ohh yeah, they made a toy that was a toy.  Dion  Its official name is Distortus Rex.  Jill  Yeah. That was just because they. Couldn’t call it the R word. Don’t cancel me.  Dion  Restore restores Rex.  Quinny  Yeah. I’m going. I’m just trying to work out why. It has 6 legs.  Jill  Because it’s an abomination. Quitting.  Dion  Why not?  Quinny  Yeah. And a giant alien looking ahead. Actually, you know what it reminds me of doing? It reminds me. Of. Dion  A duback it reminds me of a. Rancor. What did you call me? Easy. It reminds me of of like a. A a a not quite a right rancor.  Quinny  Ohh yeah, but like the tail of the.  Jill  Rankle from Team who, didn’t we?  Speaker 7  Say.  Quinny  Yeah. Yeah. Rank. God, it does have rankle from Teemo, doesn’t it? Yeah, with a little bit of dew back in there as well. But but dewback with with tiny little dumb **** little baby legs at the front. But then giant *******.  Dion  Got removed.  Jill  Excuse me.  Quinny  Clothes as well. Wow. Yeah, terrible design.  Jill  And it was very slow.  Dion  Yeah. Comparatively, yes. Yes. Casper was asking you.  Speaker  Are.  Quinny  There any other cool dinosaurs in?  Dion  There is there is product placement in this which is also funny. OK, here’s the thing. No, there are not really any cool dinosaurs in this.  Jill  They’re all the stock standard ones that we’ve seen before. There was iguanodons. There was a Tyrannosaurus, there was a.  Dion  Spinosaurus.  Jill  Resource resource source. We saw a really fuzzy blurry shot of a couple of loose wrapped.  Dion  Agodon or whatever they want to call it, Moses areas.  Jill  There’s there’s flexicoil and.  Speaker  Oh oh.  Dion  That, that, that game that gave me the sheets. OK, I need to explain. That one. What? What is in every single?  Speaker  And.  Jill  There was a Ankylosaurus, but it was like for 1/2 little second as they’re like rushing through the jungle I’m like. No. Give me ankylosaurus. What? What?  Quinny  Is the.  Dion  What is the staple dinosaur across all of the other Jurassic Park movies? What is it?  Speaker 7  Yes, velociraptor. Yeah.  Dion  It’s a velociraptor. How dare you in this one? Only show a Velociraptor or two velociraptors out of focus.  Jill  Out of focus.  Dion  Stalking the character you want to die like there’s a character that you want that character to die because it’s just a.  Speaker  Yeah.  Dion  Person that didn’t need to be in the field, but also you’re like, yeah, get rid of that, that character that that character’s ******. And then it gets killed. Like they get killed off screen like in the kind of. Behind things so you don’t need to see what happens like. They’re not even. In the frame like ohh we we put lots of Raptors in there.  Jill  It was supposed to be a comedy beat, but.  Quinny  Yeah. Anyway, OK, I I will point out that there is a toy of Zora Bennett with the Velociraptor.  Dion  No, no, no, no, no, they’re well, they kind of I I did look it up. They were like a different kind of Velociraptor that had been engineered. And I’m like, no, that’s just a Pelican with no feathers.  Quinny  OK, right. So.  Speaker  You want to be.  Jill  Hold that one. Yeah, yeah, yeah, it was. It looked more like a Pokémon.  Dion  At the end, which was Kinder? Yeah, but you know my favorite dinosaur of this whole movie?  Speaker 2  Wow.  Dion  Merchandising. Dinosaur. That’s right. We’re going to give the little we’re going to give a kid the war merchant door. Yeah, merchant hours.  Jill  Baby Diner Deloris the baby dinosaur.  Dion  Yeah, Mercer hours because ******* rogu the dinosaur. All right. OK. Yeah.  Jill  That’s it.  Dion  Yeah, groger the dinosaur. Who who manages to to to look. It’s almost like Dora the Explorer. Yes, because that’s what it is. The little girl with the backpack is.  Jill  Yes, giving Dora. And boots.  Dion  From from like a Latina background has like adopted. ******* dinosaur. For some reason, even though they’ve been trying to eat her for the whole time, whatever.  Quinny  And and doesn’t. She say early on that she hates dinosaurs. Yeah.  Jill  Well, yeah. She just had a traumatic experience with one, and then all of a sudden, she befriends the baby. 1. Because marketing they.  Dion  I can’t wait for the next one. Jurassic World Re Rebirth, where it’s grown up a little bit and it’s just causing terror around their household because it’s gotten too big. I know, right?  Jill  Yeah, they should get James Gunn to direct that one.  Quinny  I mean, you’ll at least make it fun. Maybe Jill. OK.  Dion  Jill, that’s next week.  Speaker  Look.  Jill  You guys know that I love wanton dinosaur destruction as much as the next, but there was 0 in this movie. This was the most this.  Quinny  And she’s wanting dinosaur destruction.  Jill  Is the biggest. Let down of my life for a Jurassic film.  Quinny  Wow. Yeah, yeah.  Dion  Ohh great it was.  Jill  Not even any of the scenes with dinosaurs were exciting. Was none of them very mediocre?  Dion  I I really liked 1 scene which also did not pay. Off at all. Point of the scene.  Jill  Uh-huh.  Dion  So, and I’ll say because I don’t really feel like it’s not really a spoiler anyway, they they, their boat crashes, they get they have to swim to the beach. The Moses all can’t get in there, but there’s these other like is it Spinosaurus that are like the sail the sail ones yeah I don’t know the ones are the sail Finn on their back they have been kind of swimming around and you know smartly.  Speaker 7  Slide on some things.  Speaker  Yeah.  Dion  The dinosaur expert goes. Like, don’t stop at the beach. They’re amphibious, like keep moving. He keeps running like everyone else is like, oh, finally, we made it to the beach. There’s no more dinosaurs, and he just keeps running. Going. Nope. Nope. And phebus amphibious, like and keeps running into there. And I like that. And someone kind of takes a beat on the beach. And you’re looking at the back, and it’s kind of rocks.  Speaker  Hmm.  Quinny  Yep.  Dion  Everywhere and stuff. And then suddenly one of those ones rolls over. Because it’s been lying on the beach flat. So you didn’t see this? The big sail, Finn. And it’s terrifying because you realize. Ohh ****. They’re on the beach already and everyone’s just kind of relaxing and like breathing heavy and going. Oh my God, I can’t. And one rolls over and kind of like slides around. And you’re like. Holy ****, that’s gonna get that person that’s right there. And then they take a beat and it doesn’t for some reason. Another one comes from somewhere. Else to do it and. Then they just **** ***. Yeah, like they see a person dying like ohh no, that happened anyway. Alright, that’s very sad. We should go. And it’s like they would be hunting you.  Jill  There were a couple of moments that were giving like ohh this is alien vibes. This would work perfectly if they just let into the horror aspect and then they completely swerve the other direction and.  Dion  Yeah. Yeah, this is.  Jill  Basically, make a really kid friendly film.  Dion  Yeah, there’s there’s no horror in this and I think that’s one. Of. The things Queen you’re saying Camp Cretaceous was a. A good TV show. It feels like they they wanted that audience to come and see and they couldn’t get too scary.  Quinny  Yeah. Well, and the and the stupid thing is in in Camp Cretaceous and chaos theory, they do, you know, have enough actual threat in there like dinosaurs do, eat people and ****. You just don’t see it. Like you don’t see big bodies being munched in half, but.  Jill  That was the beauty of the first one. That was the beauty of Jurassic Park. They’re terrified. 8 year old me, but I still went back to keep watching. I’m like, this is ******* terrifying. Must watch more here.  Quinny  Dinosaur leaping. Sir. Absolutely.  Speaker  Yeah.  Dion  They don’t. They do. They hate that guy on the toilet, like the lawyer.  Jill  Yes, snapped him up, chewed him, gobbled him.  Quinny  Down. Yeah, exactly.  Jill  Getting electrified on fences.  Dion  As a.  Quinny  Yeah, and and the, the, the.  Jill  Joke ******** your pants in the kitchen. Yeah, yeah.  Quinny  The Raptors were ******* scary because they were smart, yes.  Speaker 7  Jello.  Speaker  Yeah. Give me.  Quinny  That I mean. Come on. There’s a girl.  Dion  This is this is a like Jurassic Park, is it?  Jill  I ohh Dion, did I tell you or did I not tell you that I wanted them to say clever girl in this movie?  Dion  Is it what?  Jill  And it didn’t happen all the.  Dion  Exactly. We’re waiting for regrets. Yeah, yeah, yeah. Especially considering you’ve got a female lead.  Jill  Of all the things.  Speaker  Yeah.  Dion  Like you know, and.  Jill  Yeah, straight female characters. Yeah, that 41 got eaten, but still.  Dion  Yeah, only it’s it’s one of those. It’s one of those things that I was like. Jurassic Park. The first one is great because you take two kids, you terrorise them with an attack and then the first thing that Ian Malcolm. Sorry. No. Ian. Malcolm. Sam. Meals. Thing is, is also scare them is to make them like.  Speaker 7  Oh yeah, with the color and the.  Dion  No, no, not no, no, the the like the electrified fence. I forgot about that. They’ve just gone through gold.  Jill  Yeah, that’s the first moment he met them. He shows them the the talent and he’s like that. Rip your guts. Out like this?  Dion  No, that was the kid. That was a shift head at the archaeological view.  Quinny  Oh no, I’m pretty. The to the little kid as well, really.  Jill  It doesn’t terrified a kid. Oh.  Dion  Yeah. Ohh yeah, yeah. But like also, I love that like it’s traumatic experience. We should terrorise them a little bit more. I’ll play that joke and then they get terrorized again. Like it is about scaring kids. And this one is not about scaring kids. This one is about making. You know who’s scared in this?  Jill  It wasn’t. There wasn’t even jump scare in this I don’t think.  Dion  No.  Quinny  And yet it’s been very popular and made.  Jill  Why? But why? Why?  Quinny  A lot of.  Speaker  Money.  Quinny  That was my question. That’s my question. Why?  Jill  I think it’s all the people with chat. Deputy brain rot.  Quinny  Who would? Just like yay dinosaur fan?  Dion  It’s it’s, it’s it’s a movie. Like it’s a movie from a pitch deck. It’s like, here’s this action scene. Here’s this action scene. Here’s this action scene. Here’s this action scene. Right. Write it all together for some reason and do it also you. Let’s throw in a message there which I think is Gareth Edwards touch like he’s I feel like Gareth, who’s a good director like I don’t, I don’t think his films are bad. He he wanted to tell a message in it, but he had to do it. In such a. Way, which is like corporations are bad and we should like work together with each other and it just feels ham fisted because he’s been handed a bunch of scenes that he has to put in this movie that don’t make ******* sense. Also, yes again, you mentioned that the other thing quinny the magical blow up boat that seems to be the only thing that can stop dinosaur bites. Yeah. Yeah, because they’re 2 rubbery.  Jill  Completely imperceptible to teeth.  Dion  Yeah. Can’t Pierce a a blow up boat.  Quinny  Oh, we’re OK.  Dion  Which is also done in the stupidness.  Quinny  I’d I’d only read about it and I was like, ohh OK. Magical rubber dingy. Cool, yeah.  Speaker  Sticky.  Dion  Magical rubber, sweet, but also dumb. I mean that whole sequence which was specifically design. Mind for just the T Rex attack was not particularly scary, thrilling or interesting. It was just like they’re gonna get away. Everyone and no one dies.  Quinny  Is is the is the T Rex still even remotely scary?  Jill  No, not in comparison to anything else these days.  Speaker  Yeah.  Quinny  Yeah, right. Because when that. When it first shows up in that first film and you know you don’t see it for a while, it eats a goat off screen and you’re. Like oh ****.  Jill  Yeah.  Quinny  And then it finally shows it up. And it’s this ******* magnificently terrifying thing in the dark.  Jill  Yeah.  Quinny  It was incredible, was there.  Jill  Yeah.  Speaker  That.  Jill  The scariest thing, but like since Jurassic World, he’s just been good guy T Rex. He’s like he’s our pet.  Speaker  Yeah.  Quinny  And that is a problem, isn’t it? Like if you’re now a good guy, we can rely on T Rex to always come through for us.  Jill  Yeah. Again, another slow dinosaur. How how are people in a dinghy outgrowing a Tyrannosaurus Rex?  Dion  Yeah. Or is swimming like, how is a river at both times deep enough for a Tyrannosaurus Rex to swim and then?  Quinny  It’s funny.  Speaker 7  But also the stick. It’s like that Godzilla thing where he’s in the ocean. It’s like his legs go all the way.  Dion  But also to stand in.  Quinny  Yeah, yeah, yeah, yeah.  Speaker 7  Down. They can still serve.  Dion  I’ll stand there and go. Oh, no. I’ve been foiled by my one weakness. A small gap in rock.  Quinny  Casper, I think has hit the absolute nail on the head there. Have the solution. We give the Dinos lasers. I also agree that they should have lasers and should have people riding them. I know riders.  Dion  Yeah. Yeah.  Quinny  I mean, it’s not that ******* hard, guys.  Dion  I mean, come on, there are plenty of islands. There’s gotta be some Indigenous tribe there that’s been left with. And also has domesticated them and now is using them to, you know, fight battle. Why not?  Quinny  Yeah, I’m down for that. Yeah.  Dion  Yeah, yeah. I mean the rest of Hollywood is bankrupt, so why not this one? Hi, Amy.  Quinny  I love the fact that they they go into all of the effort of going OK in the previous films. We’ve now set dinosaurs out into the world and the the whole idea of Jurassic World is that yeah, we are now living in a Jurassic.  Dion  It’s the world. Yeah, yeah.  Quinny  World, where there’s dinosaurs and **** like that. And it’s like, yeah, no undo all of that. Take them out of society so that society just doesn’t care about them and we’re going to put them in a small band in the middle of the of the planet.  Dion  Yep, we’ve gone across the world to come all the way back around. No back to islands in the Pacific. Yeah, yeah.  Speaker  Yeah.  Dion  Cool.  Quinny  Is Scarlett your handsome good.  Jill  She’s adequate.  Dion  You know what I gotta say, all the cast is great because, like they, they are trying very hard. Like they’re all likable. I liked. Wait. OK, let me separate this out. All of the cast from the mercenary side. Like the the you get introduced straight away. They’re all actually quite likable, you know. They’re stereotyped out, so you know who’s who to follow. You know, you got the boat, captain. You got the the mercenary. You got the evil creepy guy. Like it’s very aliens. Easy to follow. It’s like predator. I think I explained that one. It’s like. In the first predator film, by the time they’re on the helicopter going out to the mission, you have identified exactly the difference between all of them and how they work. So yeah, it’s a good way to introduce a cast of different people. Same kind of thing here, here’s all the cast and then they. Had. A boat full of family. That you hate. Like all of them are *****, pretty much or. Bless.  Jill  Yeah, they were pointless, they.  Dion  They’re all.  Jill  Were fine, but they were. Pointless.  Dion  Yeah, fine. But they’re pointless. And then they mix them up. And I was like, this is just irritating and the most irritating thing I think I found about it was after they, their boat crashes, they split them up again to the exact same groups. And that is dumb. Like I mean you presented you, you could have at least given half the mercenaries to the family and half the family to the mercenaries.  Speaker  Hmm.  Jill  If you had mixed them up. Then it’s like, OK, how do we now work with what we’ve got to complete the mission that we have to do, but also get you back safely to get?  Dion  Because the family’s just trying to get off the island and the mercenaries just default back to Ohh well, they’re dead. We’ll.  Speaker 7  And leave the island.  Dion  Just go and get the blood we need.  Jill  Yeah. They’re like, oh, maybe they’ll need us at that helipad that we told. Them about who knows.  Dion  Yeah, yeah.  Jill  And then when they do, they’re like.  Quinny  Oh my God, you made it.  Dion  My God, we never thought we’d see you again.  Speaker 8  Yeah, that’s.  Speaker 7  The grey.  Dion  Yeah, yeah, yeah.  Quinny  The Quetzalcoatlus thing, the the big flying one, is there anything called with?  Speaker  What?  Jill  I mean, no, they’re raiding its nest and then it comes back and it eats one of them.  Dion  No.  Speaker  Oh.  Dion  Do you know what was scarier in the previous films?  Jill  Ohh yeah, they’ve wait, but Joe Bailey fell off a Cliff and survived.  Dion  Because everyone survives, you can’t not survive, right? Also getting up the Cliff is hilarious because, like, we have to make it up there by, like, you know, in the next few hours.  Speaker  Yeah.  Dion  And then they’re just. There. Yeah. Like how how no one can climb that fast. You couldn’t even take an escalator. Fast, but like OK, the the the flying dinosaur like that, the terradon that was in the in the second one. No third one in justified. Well, they went to the Avia and they were like, Oh my God, there’s an aviary. That was scary. And then the eating people off the off the, the the resort in Jurassic World that’s also terrifying. In this one it’s just kind. Of like.  Quinny  Ohh Margarita man being picked up. I love that. It was great.  Dion  Yeah, like all of that kind of stuff. That was this one just kind of felt like ohh no, they got their thing for the thing and now they’ve got their thing, OK. Then they disappear. It’s like, great, now bird is gone and then have to.  Speaker  Yeah.  Dion  Worry about bird anymore.  Jill  Yeah. Yeah, they’re. Like, oh, so once we complete that mission, how do we get off the island? And Scarjo says, Ohh well, there’s a helicopter that I prepared earlier. It would be here at dusk on the second day and it will hover for two minutes precisely. So we must be there at the appointed time so we can leave.  Dion  Yes. And then leave.  Quinny  Here’s one I.  Dion  Prepared, yeah, exactly 100%.  Jill  Precisely.  Quinny  Yeah. I’m sorry. Just wanna wanna call out something Karina has just said in the chat that there’s a mystery temple that they never explain.  Jill  So they’re like. Yeah, because they’re on some random ******* island where a lab has been set up. But here’s like this main looking temple. That are, you know, aptly named Quetzal cottis’s nesting in and they’re like, oh, yeah, whatever.  Quinny  Oh no worse. Yeah, just and wave that away. Yep. Yeah, cool.  Dion  Yeah. Yeah, it’s. There’s a lot of hand waving this way. Actually, there’s a fun one. I know that we’re. We haven’t even got to like ratings or spoilers. I don’t really care. I don’t. Want to play the clip anymore?  Speaker 7  We’re kind of really spoiling this whole movie right now, but it’s not a particularly good movie, I’m afraid, guys.  Quinny  Yeah, I’m feeling like I didn’t I.  Dion  Didn’t even want to play the clip of the family. No, I really enjoyed the weird threesome that was. That was the unintended.  Jill  Oh yeah, what? Joe Bailey in the ****. Chair.  Speaker 7  yeah  Dion  When they’ve when they’ve finally come across. Yeah, what are they called? They’re like. Big the big they’re not brontosaurus or whatever. They’re gigantosaurus whatever they’re like. They’re kind of cool, but.  Speaker  Gig gig addon Adam.  Dion  Gigaton.  Quinny  Giga Dong, well done.  Jill  We didn’t get sleep, got no pain, there was no diesel pain. It just kind of made out for a bit. Now see it.  Speaker  We.  Dion  We said we supposedly supposed to get to this really beautiful moment where these two gigantic gigantosaurus are titanosaurs or whatever it is are like mating. And they go like, oh, my God, we’ve stumbled onto this field where all these things are and they’re mating and we need to get that.  Jill  Titanosaurus Higdon this course. Oh my God. Wait, wait. Can I just say they’re in a field with absolutely nothing, and then they turn slightly and here are these big **** *** dinosaurs, and then they turn around just a little bit more. And then there’s like 100 of them.  Speaker  Why?  Speaker 8  It is cold.  Dion  Yeah, I mean it plays. It plays exactly into that thing which has been established in the previous ones. It’s like do not go into the long grass. That’s where the velociraptors hunt. And you go in, they’re walking in there like, oh, great. We’re finally getting to the action edit. And it’s just ******* giant ones. It just happened to be there.  Jill  Yeah, there’s nothing. Ohh, this is fantastic. Ohh wait. Hang on. Ohh, look at that big one.  Speaker 7  Another big one. I’ll be right on top of.  Speaker 8  Us. What the?  Dion  It’s. *******. It’s supposed to. Yeah, it’s supposed.  Jill  Thing.  Speaker 7  Wait, what? There’s a hundred more over there? Yeah.  Dion  It’s supposed to be this really beautiful moment for Jonathan Bailey’s character as the paleontologist to go, Oh my God, I’m watching this happen in real life and I can see this, and he gets too close to them and touches them. But it is just the fact that there are these two titanosaurus and they just curl like twist sort of twist their necks like ******* snakes. They just do that.  Jill  Yes, they’re just making it out. They’re making.  Quinny  Out they’re making.  Dion  And he’s and. And he’s putting his hand on it. And I’m like, that is the worst part of the reason right there. There is the awkward guy just trying. To get involved. Well, these two are like, what are you doing?  Speaker 7  Getting in the middle of the.  Jill  Well, just I’m just gonna get scratching here. Oh, no. OK.  Dion  Yeah, yeah, yeah. So do I just do an intro or just leave my hand here? Meanwhile, the dinosaur kind of looks down and goes. What are? You doing yes.  Speaker 7  Like is this working for you?  Dion  Stop looking at me.  Quinny  So he’s in the Cockfield exactly.  Dion  Yeah. And then Sky Joe shoots it with a dart for blood for blood and that kind of thing. And that’s how you go.  Jill  And then they’re like. 2 down, one to go.  Dion  I also love how they celebrate every time they get a vial they have they have a they’re like a, a a briefcase full of like, which has space for three vials of blood that that they kind of are using as the as the the progress meter for the game that is this movie. And they all get really excited about harvesting this blood and it’s. Like. You know that you’re the bad guys, right? You’re the bad people. You’re like in Jen from the second movie. You.  Quinny  Know. So is there a point where like and and this is me not having seen it. OK, thank you. Is is there a moment where the the the obviously not great.  Jill  There’s no point.  Speaker 1  There is no point.  Quinny  And the guy at the start turns on them. And of course, OK, just I just just checking. Of course he’s.  Speaker 7  Ohh yes, very early. Very early in the movie.  Dion  He’s established as a complete **** **** the very start, like when.  Quinny  He kind of books them just like that.  Dion  When they’re in, when they’re in the the the water. But like, you know, and then of course he finds.  Speaker 7  Yeah, they’re like.  Jill  No, you’re not a good dude. But we’re just gonna. Look over here.  Dion  Yeah. Yeah, yeah, yeah, yeah. But we you have money and we do that. And then eventually, of course, he makes.  Jill  Until the moment when they’re like. I think we can get rid of this. Guy, if we just do nothing.  Dion  Yeah. Yeah. And then you’re. You’re right, Kenny. He he does. Carter Burke himself. He he tries to escape him. Leave them all for dead while he tries to get away. And that’s the Carter Burke, you know, right. Not even a satisfying death for him. Just a boring death.  Jill  Yeah. It’s not getting eaten on a toilet.  Speaker  Yeah.  Dion  That’s for sure. No, it is not. And anyway, they all get out and they live happily ever after in only to time to come back now and.  Jill  And we never find out what they did with the.  Quinny  Samples. Ohh really. Nope.  Dion  They kind of say what they plan on doing.  Speaker 7  Jay, just leave the island and that’s it.  Dion  But they don’t say what. There’s no post thing that’s kind of like M we should agree to do this. Yeah, maybe end of film. Ohh alright.  Speaker 7  Yeah.  Dion  Sure.  Quinny  Should we have a clip? And then do our ratings? Do you want to do it the? Other way around I don’t get. I didn’t wanna I. Speaker 7  Whatever works.  Dion  Don’t even wanna play the clip. It’s so dull.  Quinny  Oh.  Dion  Because it’s just the family.  Quinny  Oh, OK.  Dion  No, **** it. I’ll just play the.  Quinny  Clip and the the clip I want to I. On. Want to? I want to see the clip.  Speaker 7  What happened, Dad, where is?  Speaker  He I don’t. Know.  Speaker 8  I’ll go back down. I’ll keep looking.  Speaker 2  Speaker 8  Right.  Speaker 2  What?  Speaker 3  Come on, come on, come on.  Speaker 7  Are you?  Dion  Ohh thank God they all live and no one dies and there are no consequences for anyone in this whatsoever.  Jill  Yeah.  Dion  Yeah, yeah, yes, I know. Karina. How was he? Out. Swim. The mosa saw. We don’t answer these questions. We just watched the films.  Jill  How were they able to outrun a Tyrannosaurus? How was Kincaid able to outrun the? Montessori’s.  Dion  Rex, why was the mosasaur in the open ocean? Also hunting slash, swimming around with the the with the.  Jill  Spinosaurus that we’re in. The middle of nowhere.  Dion  In the middle of nowhere and those just, they just disappear.  Jill  In the middle of nowhere, an amphibious dinosaur was in the middle of the Atlantic helping a mosasaur hunt. Yep. And then where did it go?  Speaker  Yes.  Dion  They just ****** off. We don’t know. Why?  Jill  Where did it go?  Dion  And then, sorry and then?  Jill  We’re doing spoilers right now, yeah.  Dion  And then and then wait.  Quinny  Right and pretty, Kanga says I have to ask is?  Jill  It really called the Montessori. No, it’s just a really monted looking dinosaur.  Dion  No, we just call it the Montessori. Exactly.  Quinny  Like Distorters Rex, but let’s go with yeah, yeah.  Dion  That’s what we say, like, not Billy and the connoisseurs, Billy and the Montours. The the other thing is that that mosasaur like knocks the boat over that they’re on because it’s it’s whatever, ******* territorial. Who cares. And then right after that. Scene where it kind of just misses the guy getting on the boat. Then it just goes. No, pull it. Now go **** ***. Yeah, and it just ***** off like.  Jill  Yeah.  Dion  But it wouldn’t. What? Why? You know.  Jill  This was the stuff that was missing. If they had completely trashed the boat and eaten the family. Would have loved it.  Dion  Fine. Yeah, it could have just been nameless family gone because also as they said it, it just ***** off and then they pick the people up and then the Moses source decides actually, no, the the other boat, that’s the power boat full of mercenaries. That’s the one I’m going to buck up and run aground onto the island. You’re like, wait, it it it could easily funked up a a A. Sailboat, but it knew it had stuff on, and yet it decided to take on the heavily armoured boat.  Jill  Catamaran.  Speaker  Yeah.  Dion  No good reason.  Quinny  I’m in one of the artworks for this that that like also just want to put it out there the the the art, the thing that first indicated to me that perhaps this movie was a bit **** is that all of the posters and everything that I could find looked like the worst *******.  Speaker  Yes.  Quinny  Photoshop jobs that I’ve ever seen. Like it, it’s pictures of like clearly CGI body with its gullet. Your Hansen’s face just kind of pasted onto it halfway up a Cliff or something like that. Not footage, not shots, anything like that. And there is a design in one of them that I went. The **** is that? It has a beaky kind of face, but it looks a bit like a Raptor.  Jill  Yeah, that’s the new kitchen. Dinosaur. Except we’re doing it in a convenience store, but it’s the exact same secret.  Dion  Yeah, yeah, yeah, the the convenient. The convenient dinosaur.  Jill  Yeah, that’s the Pokémon looking one.  Dion  Yeah, that’s the.  Quinny  Right.  Dion  One is like if you took a. Pelican and you took all the feathers off it. Yeah, kind of.  Jill  Thing it’s a little bit flying. It’s a little bit water tight, but.  Dion  It it’s I I called it the goiter dinosaur because it’s got the big kind of flopped up neck that it kind of does, but it’s just it’s just dull.  Speaker  Yeah.  Dion  Right. It does. Yeah, it has no problem. Like there’s there’s no real reason to do it.  Quinny  Dion  It was just there to be like, oh, this is scarier than a Raptor is like, is it because it’s not? You could have just had a Raptor.  Quinny  Right. OK.  Dion  You could have you could you could have made a Raptor with the plates of a stegosaurus. Or imagine you’re a Raptor with the the the horns with horns like you could have done. Yeah. Yeah, you’re ******* with genetics and stuff too. That ****. Make a Raptor with horns so it could impale people.  Quinny  Like a tricera wrapped. Yeah, or.  Dion  That would be ******* scary.  Quinny  Or what?  Jill  How come when I’m trying to think of that that one?  Quinny  Looked like and I get an anklyosaurus. What? What’s the ones that the the head butting ones they? Ankles, horses or.  Jill  No, that’s the. The.  Dion  I think it’s a goto asaurus.  Quinny  I’ll wait for you.  Jill  Was in the last one. He was in Dominion. I can’t remember.  Quinny  Yeah, yeah, I I know. Karina will be able to say Pachycephalosaurus. Yeah, yeah. You know, get a *****. But give that, like, a crown of thorns of of horns or something like that, you know, go for something really ******* out there and mutant and weird. And I’ll be like, OK.  Speaker  Hey.  Speaker 7  Sure.  Quinny  Cool. It sounds like we’re not not weird enough.  Dion  Yeah, I I feel like they’re like, oh, we’re going to do the island of meat and dinosaurs. It’s like, cool. So we don’t really have models that we can do that with because they cost more money. So where do you want to focus on? Is that do we have to keep the other cast of the family with the boat in? Right? It’s like, no, can we get rid of them? No, they have to stay. No, weird dinosaurs. Just use the dinosaurs you already got. It’s it’s a. It’s a bit, yeah. It’s weird, right? So ratings.  Quinny  Yeah, I was gonna say drop some numbers at me like and and if you’ve seen it in the chat, which I know Karina has. You know, drop some of that with with a number after it, so I know what’s gone on.  Dion  25-O Jesus just ******.  Speaker  Wow.  Dion  It’s it’s annoying on both sides. It it? It neuters the dinosaurs and their effectiveness and their scariness, and it also neuters the really good cast you had. And the smart things you could have done and the director, I feel. I feel like everyone kind of. Got. Castrated by this, for whatever reason, I don’t understand why I didn’t like it that much, and I would probably no, I can’t really defend. I’m thinkin

Guest Bryan Yamami is the co-founder and executive director of the acclaimed and award-winning drumming group TAIKOPROJECT (www.taikoproject.org). You'll learn why he was a less than enthusiastic young taiko student, but why he returned to this ancient form of Japanese drumming with fervor while a college student. Notably, Bryan shares why and how he and co-founder Masato Baba felt led to start their own group with the emerging vision to create a uniquely Japanese American version of taiko ensemble performances.  TAIKOPROJECT will be celebratinig its 25th anniversary with a culturally collaborative show featuring Chicanx band Quetzal and Berklee-trained Japanese musician Sumie Kaneko, who will be performing vocals, on koto, and on shamisen. More information about buying tickets can be found at www.taikoproject.org/25th.

El observatorio Vera Rubin ha ofrecido sus primeras y espectaculares imágenes del firmamento. Este gigantesco telescopio, situado en Chile, está equipado con una cámara de 3.200 megapíxeles, la mayor del mundo. En solo una noche ha descubierto 2.000 asteroides, la décima parte de todos los hallados por el resto de telescopios en un año. Durante la próxima década se encargará de mapear el universo en movimiento, con una sensibilidad, escala y velocidad nunca vistas hasta el momento, abriendo una nueva era en la astronomía. Hemos entrevistado al cosmólogo Juan García-Bellido Capdevila, catedrático de Física Teórica en la Universidad Autónoma de Madrid, investigador del Instituto de Física Teórica (CSIC/UAM) y miembro de la Real Academia de Ciencias. Alejandro Muñoz nos ha informado de un proyecto europeo liderado por el CSIC para desarrollar un sistema de alerta temprana para prevenir la mortalidad de pinares y encinares. Con testimonios de Alberto Hornero, investigador del Instituto de Agricultura Sostenible. Hemos informado de la Encuesta de Percepción Social de la Ciencia y la Tecnología que elabora cada dos años la Fundación Española para la Ciencia y la Tecnología (FECYT). Los españoles muestran un alto grado de confianza en la ciencia y la tecnología y un creciente interés por esos temas, así como un convencimiento de que los beneficios que reporta son mayores que los perjuicios, pero echan de menos una mayor sensibilidad social y una mejor comunicación. La aleación, el arte de mezclar metales con otros elementos, ha sido durante mucho tiempo una piedra angular de la ciencia de los materiales y la metalurgia. Por el contrario, la desaleación se ha conocido principalmente como un proceso corrosivo que degrada los materiales y debilita su estructura. José Manuel Torralba nos ha contado una investigación del Instituto Max Planck que ha convertido estos dos procesos aparentemente opuestos en un concepto innovador y sostenible de síntesis de nuevos materiales. El doctor Pedro Gargantilla nos ha hablado de la sordera de Beethoven, de sus posibles causas y de cómo le influyó en su vida diaria y en su creatividad. Con Javier Ablanque al mando de nuestra máquina del tiempo hemos viajado al Méjico precolombino del siglo X para presenciar un curioso fenómeno físico, la Cola de Quetzal, la reverberación que se produce en la escalinata de la pirámide de Chichén Itzá.Escuchar audio

«En mis sueños inquietos veo esa ciudad. Silent Hill. Prometiste volver a llevarme allí algún día. Pero nunca lo hiciste». Quien lo ha jugado no lo olvida, Y se queda en nuestro inconsciente colectivo de manera que si en España hace niebla es fácil encontrarse con él trending topic #SilentHiill. Desde su nacimiento a finales de los noventa, la obra del Team Silent ha seducido a varias generaciones de jugadores con su compleja simbología y su horror psicológico. En La ciudad doliente. Bienvenidos a Silent Hill (Ed. Héroes de Papel), nuestro invitado Sergio Lifante «Quetzal» analiza la historia de la saga desde su nacimiento y esplendor hasta su decadencia, examinando sus influencias, su complicada mitología y su legado, además de las claves por la que esta serie se convirtió en un mito del terror en los videojuegos. Con Don Víctor conectamos este terror con los cómics e incluso el legado de Chicho Ibáñez Serrador.Escuchar audio

Musician Quetzal Flores celebrates the birthday of Ritchie Valens by sharing the journey of his most famous song, “La Bamba,” from African communities in Mexico, to the top of the U.S. charts, and eventually as an anti-racism protest song on the streets of Charlottesville, Virginia.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Hey liebe Scrabble Fans! Anfang Mai findet die deutsche Scrabblemeisterschaft in Minden statt und wir vom tierisch!-Podcast verhelfen euch zu einem triumphalen Gewinn. Hier gibt es die Namen von Tierarten, die euch ganz weit nach vorn bringen. Quastenflosser auf den dreifachen Wortwert!!! Als Oase in der Servicewüste Deutschland, liefern wir neben tollen Wörtern sogar deren Buchstabenzahl! Letzteres zugegebenerweise auch, weil wir uns da erstmal falsch vorbereitet hatten: Wir haben nur die längsten crazy Artnamen wie zum Beispiel Gleichzahnohrenspitzmausmaulwurf oder auch Kaiserschnurrbarttamarin herausgesucht. Spannende Tiere, ihre Namen passen aber – irgendwie auch logisch – gar nicht auf das Scrabblebrett! Also haben wir zurück gerudert zu Yucatanspecht, Quagga und Quetzal. Übrigens auch tolle Wörter für Stadt, Land, Fluss. Nun wünschen wir unseren Scrabble Freunden in Minden viel Erfolg! Wenn ihr einen tollen Tiernamen gelegt habt, schickt gerne ein Foto an unseren Insta-Account von Weltwach! Weiterführende Links: Scrabble Verein und Meisterschaft: https://scrabble-info.de/turniere-info/dm-info/ Liste langer Artnamen: https://de.wikipedia.org/wiki/Liste_skurriler_wissenschaftlicher_Namen_aus_der_Biologie Quastenflosser: https://www.planet-wissen.de/natur/wildtiere/lebende_urtiere/pwiederquastenflosser100.html Kaiserschnurrbarttamarin: https://animalia.bio/de/emperor-tamarin?environment=13 Mehr als fairer Kaffe mit Kaiserschnurrbarttamarin von Fraukes Agro-Forst-Projekt in Peru: https://perupuro.de/produkt/urubamba-fino-bio-hochlandespresso-ganze-bohne-1kg/ Marc Twain- The awful german language: https://www.daad.org/files/2022/09/Mark_Twain-Broschuere.pdf Königsriesenhörnchen: https://www.nationalgeographic.de/tiere/2019/04/indische-riesenhoernchen-mehr-purpur-geht-nicht Quetzal: https://www.regenwald-schuetzen.org/regenwald-wissen/bedeutung-des-regenwaldes/vielfalt-im-regenwald/tiere-im-regenwald/quetzal Gleichzahnspitzmausmaulwurf: https://animalia.bio/de/equivalent-teeth-shrew-mole Unser Partner, die Biodiversity Foundation: https://biodiversity-foundation.com/ Hosted on Acast. See acast.com/privacy for more information.

Esta semana falamos da provável inspiração do famoso conto ‘A Bela e o Monstro', e do feriado brasileiro de 21 de Abril.Sugestões da semana:1. André Canhoto Costa - A Corte das Mulheres. Quetzal, 2025.2. Moudhy Al-Rashid - A Mesopotâmia Antiga e o Nascimento da História. Bertrand Editora, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Ricardo Neves Figueira, Cláudio Batista, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Carlos Castro, Daniel Murta, David Fernandes, Domingos Ferreira, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, Luís André Agostinho, Luisa Meireles, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Alfredo Gameiro, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, André Silva, António Farelo, Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Camoes, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joel José Ginga, José Santos, Luis Colaço, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Peter, Ricardo Pinho, Ricardo Santos, Rúben Marques Freitas, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.Apoio técnico: 366 Ideias (366ideias@gmail.com)

March Madness is truly underway in college basketball, and that madness infiltrates the Aliens and the studio, but it also includes returning guest Doce Quetzal! Doce comes by to discuss his 2025 plans for battle rapping and showcasing his heritage at events around the country, and why spending hundreds of dollars on Funko Pops were totally a good investment.Plus, the intricate aspect of dating single moms, the boys throw it back to the pandemic days and the difficulty of obtaining new gaming consoles, a Bryan back injury, giving props to a Michigan baseball player for his crafty celebration, and more! Doce Quetzal - @doce_quetzalCheck out The Legal Aliens on all social platforms at linktr.ee/thelegalaliens.#aliens #podcast #detroit

Matt Badiali, President and CEO of Quetzal Copper (TSX.V:Q) joins us to discuss the maiden drill program at the Princeton Copper Project in BC. This Project is adjacent to the Copper Mountain Mine, see the map below.    Matt outlines the Company's journey from its listing on the TSX Venture Exchange to the commencement of drilling. He provides an overview of Quetzal's projects, including the previous drilling in Mexico and current efforts in Princeton, and discusses the logistical advantages and key target areas for the drill program.    Key exploration targets include Bud South and Knob Hill, prioritized based on historical data, geophysical anomalies, and surface indications of copper and gold mineralization. Matt also emphasizes the Company's approach of balancing risk and potential reward while providing details on the planned drilling activities and goals.   Please email me with any follow up questions you have for Matt. My email address is Fleck@kereport.com.    Click here to visit the Quetzal Copper website. Figure 1: Location of Princeton Project Claims and Targets

Fluent Fiction - Spanish: The Quetzal's Secret: A Journey into Monteverde's Mist Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-01-16-23-34-02-es Story Transcript:Es: En el corazón del bosque nuboso de Monteverde, Costa Rica, la niebla danzaba entre los árboles altos y cubiertos de musgo.En: In the heart of the bosque nuboso de Monteverde, Costa Rica, the mist danced among the tall, moss-covered trees.Es: Era verano, la estación seca, y el silencio era interrumpido solo por los sonidos lejanos de pájaros exóticos.En: It was summer, the dry season, and the silence was only interrupted by the distant sounds of exotic birds.Es: Santiago, un apasionado observador de aves, caminaba junto a su grupo, pero tenía un objetivo claro: fotografiar al elusivo Quetzal.En: Santiago, a passionate bird watcher, walked with his group, but he had a clear goal: to photograph the elusive Quetzal.Es: La guía del grupo, Elena, lideraba la caminata.En: The group's guide, Elena, was leading the walk.Es: A su lado, Mateo escuchaba atentamente las explicaciones sobre la increíble biodiversidad del lugar.En: Beside her, Mateo listened attentively to the explanations about the incredible biodiversity of the place.Es: Pero Santiago, con su cámara al hombro, estaba más interesado en cualquier señal del Quetzal.En: But Santiago, with his camera on his shoulder, was more interested in any sign of the Quetzal.Es: Sus colores resplandecientes le atraían como un imán.En: Its radiant colors attracted him like a magnet.Es: De repente, el eco del canto del Quetzal rompió el aire y Santiago sintió un impulso irresistible.En: Suddenly, the echo of the Quetzal's call broke the air, and Santiago felt an irresistible impulse.Es: Aunque sabía que debía quedarse con el grupo, la emoción lo venció.En: Although he knew he should stay with the group, the excitement overcame him.Es: Miró a su alrededor y decidió alejarse un poco en busca de su oportunidad dorada.En: He looked around and decided to move away a bit in search of his golden opportunity.Es: El camino marcado pronto se desvaneció, y la niebla, como si conociera sus intenciones, se hizo más espesa.En: The marked path soon faded, and the mist, as if aware of his intentions, became thicker.Es: Santiago se adentró más y más entre los árboles.En: Santiago ventured further and further among the trees.Es: Los sonidos del bosque parecían envolverlo en un abrazo misterioso.En: The sounds of the forest seemed to envelop him in a mysterious embrace.Es: De pronto, ya no escuchaba a Elena ni a Mateo.En: Suddenly, he no longer heard Elena or Mateo.Es: Estaba solo.En: He was alone.Es: La niebla era casi impenetrable.En: The mist was almost impenetrable.Es: Santiago comenzó a sentirse inquieto, pero entonces, el canto del Quetzal sonó más cerca.En: Santiago began to feel uneasy, but then the Quetzal's call sounded closer.Es: Se detuvo emocionado, su corazón latiendo rápido.En: He stopped excitedly, his heart pounding.Es: Caminó con cautela hacia el sonido, pero un paso en falso lo llevó demasiado cerca de una pendiente.En: He walked cautiously towards the sound, but a wrong step brought him too close to a slope.Es: La tierra se desmoronó y perdió el equilibrio.En: The ground crumbled and he lost his balance.Es: Agarrándose de unas raíces, logró no caer, pero ahora sí estaba verdaderamente perdido.En: Grabbing onto some roots, he managed not to fall, but now he was truly lost.Es: La niebla era densa y el sendero, un lejano recuerdo.En: The mist was dense, and the path was a distant memory.Es: Fue entonces que escuchó una voz conocida en la lejanía: era Elena, que, preocupada, había regresado para buscarlo.En: It was then that he heard a familiar voice in the distance: it was Elena, who, worried, had come back to look for him.Es: Con alivio, Santiago gritó su posición.En: With relief, Santiago shouted his position.Es: En pocos minutos, la figura de Elena apareció entre la niebla, su rostro reflejando tanto preocupación como alivio.En: In a few minutes, Elena's figure appeared through the mist, her face reflecting both concern and relief.Es: "Santiago, debes quedarte con el grupo," dijo suavemente, a la vez que le ayudaba a ponerse de pie.En: "Santiago, you must stay with the group," she said softly, as she helped him to his feet.Es: Juntos, comenzaban a retornar al sendero, cuando, como un regalo del bosque, el Quetzal apareció.En: Together, they began to return to the path when, like a gift from the forest, the Quetzal appeared.Es: Sus colores brillantes suspendidos en el aire, justo frente a ellos.En: Its bright colors were suspended in the air, right in front of them.Es: Santiago, asombrado, levantó su cámara, pero esta vez el momento no fue solo suyo, sino compartido.En: Santiago, astonished, raised his camera, but this time the moment was not his alone, but shared.Es: El Quetzal voló, adentrándose más en la espesura del bosque nuboso.En: The Quetzal flew, venturing deeper into the misty forest.Es: Santiago sonrió a Elena, agradecido.En: Santiago smiled at Elena, grateful.Es: Entendió que el conocimiento y la seguridad de otros eran tan valiosos como su pasión.En: He understood that the knowledge and safety of others were as valuable as his passion.Es: La niebla empezó a despejarse un poco, y juntos regresaron al grupo.En: The mist began to clear a bit, and together they returned to the group.Es: Santiago había encontrado lo que buscaba, pero más importante aún, había encontrado una nueva perspectiva de equilibrio entre su amor por la aventura y la importancia de la guía en el camino.En: Santiago had found what he was looking for, but more importantly, he had found a new perspective on balancing his love for adventure and the importance of guidance along the way. Vocabulary Words:the mist: la nieblathe forest: el bosquethe guide: la guíathe slope: la pendienteimpenetrable: impenetrablethe silence: el silenciothe season: la estaciónthe group: el grupothe path: el caminothe roots: las raícesthe opportunity: la oportunidaddense: densathe distance: la lejaníathe perspective: la perspectivathe echo: el ecothe impulse: el impulsothe knowledge: el conocimientothe safety: la seguridadthe balance: el equilibriothe embrace: el abrazothe biodiversity: la biodiversidadthe sound: el sonidothe path: el senderothe memory: el recuerdothe ground: la tierrathe face: el rostrothe passion: la pasiónthe adventure: la aventurathe slope: la pendienteto vanish: desvanecer

Habitando el sur de México y América Central, los Quetzales tienen una cola azul muy llamativa que puede ser hasta tres veces más larga que sus cuerpos. Probablemente por eso los aztecas consideraban a este ave una representación del dios Quetzalcóatl, la serpiente emplumada, uno de los dioses más adorados en la antigua Mesoamérica. Pero sin importar lo sagrados que son, los quetzales están en riesgo cercano a la amenaza por la disminución de su población. La deforestación y el comercio ilegal son su principales amenazas.

Back for the first time since being the first guest in the new studio, Doce Quetzal returns just in time as America is about to witness quite the event very soon! We lean heavy on the politics as this is the last show before the 2024 U.S. presidential elections, and Doce, Bryan, and Mario share their thoughts on the Democratic and Republican parties, their platforms, why U.S. citizens should start considering rallying behind other parties, and even take a quiz on which political side we're on.Plus, Doce talks about the worst moments in his battle raps to fumble and mess up words, thinking back to old NBA teams no longer existing, check out a not-so-fantastic set on a Kill Tony comedy show, and more!Doce Quetzal - @doce_quetzalCheck out The Legal Aliens on all social platforms at linktr.ee/thelegalaliens.#aliens #podcast #detroit

The Runner cards from First Contact, plus a look at Quetzal

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40093]

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40094]

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40094]

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40093]

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40093]

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 40094]

Matt Badiali, CEO of Quetzal Copper, discusses the company's drilling activities at the Princeton Copper Project in British Columbia. He emphasizes the importance of reducing exploration risks through strategic data analysis and the significance of being located near existing mines. The discussion also touches on market trends in junior mining, the impact of technology on metal demand, and the future outlook for gold juniors in the resource sector.

Matt Badiali, President and CEO of Quetzal Copper (TSX.V:Q) joins us to discuss the path to drilling the Princeton Project, in BC, beside the Copper Mountain Mine. Quetzal holds an 80% interest in this project.    Matt provides an in-depth look at the upcoming drill program, by explaining the four primary targets: Bud South, Knob Hill, Aura, and Contact. He highlights the strategic importance of the project's location near the historic Copper Mountain mine and sheds light on the preparatory work already undertaken, including soil sampling, geophysics, and mapping.   Please email me with any follow up questions you have for Matt. My email address is Fleck@kereport.com.    Click here to visit the Quetzal Copper website.

Hay veces en que más importante que el qué es el cómo. Ponerle onda a algo es vital. ECDQEMSD podcast El Cyber Talk Show - episodio 5864 Hay que ponerle Arte Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo:  Reforma Judicial en México - El deseo de Anthony Blinken - Naufragio en el canal de La Mancha - Evo Morales expulsa a Luís Arce del partido - De Jueces Federales y Ministros de la Corte - La campaña judicial - Meteorólogo Norcoreano. Historias Desintegradas:  El bache decorado - Un éxito de Cuadro Nacional - Puro cotillón - Análisis crítico del arte - Lo esencial y los distinto - Buscando el limite como Duchamps - Masividad e interés - Celebré mi cumpleaños - Fiesta de lavar platos - Check list - Los murciélagos de Argentina - Juegos Paralímpicos - celular prohibido en el trabajo - Me mamé - Tarjeta de crédito e impulsividad - Oasis dispara los AirBnB - Nacía Fredie Mercury - El hermoso Quetzal guate y más... En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados!! NO AI: ECDQEMSD Podcast no utiliza ninguna inteligencia artificial de manera directa para su realización. Diseño, guionado, música, edición y voces son de  nuestra completa intervención humana.

Welcome to Live From Progzilla Towers Edition 530. In this edition we heard music by Public Service Broadcasting, Kong, A Multitude Of One, Air, Steve Hackett, BT, Census Of Hallucinations, Illusions Of An Orange, Planisphere, Cosmic Trigger, Pallas, Level 42, Magic Fig, Massive Attack, The Wrong Object, A Day In Venice, Pink Floyd, Producers, Krononaut, Quetzal and Richard Barbieri & Tim Bowness.

 Sydney is a researcher, advocate, and student who works with seabirds.Learn more about Resplendent Quetzal.Resplendent QuetzalIngredients1 oz white tequila1/2 oz lime juice½ oz Triple Sec½ oz lemon juice¼ c cubed avocadoSugariceInstructions1.    Blend tequila, lime and lemon juice, triple sec, and avocado cubes2.    Wet the rim of the glass with lime juice and coat with the sugar and then add ice3.    Pour in the cocktail into the prepared glassSupport the Show.Connect with me at... IG: @HannahgoesbirdingFacebook: @HannahandErikGoBirdingEmail me at HannahandErikGoBirding@gmail.comWebsite: http://www.gobirdingpodcast.com

The gang is immediately beset upon by followers of the dragon wizard. A prehistoric chase ensues.

Ambition. Perspective. Competition. Kindness. These themes are at the heart of our conversation with essayist and cartoonist Tim Kreider. Drawing from his essay, “The Ones Who Turned Back” we talk about mid-life changes in creative practice, plus thoughts on the tension between doing what you want and doing what you are rewarded for (or what people expect of you) and why you want to stay not only young at heart, but young at mind.  Tim Kreider is the author of the essay collections We Learn Nothing and I Wrote This Book Because I Love You. His Substack is called “The Loaf” and he has contributed to The New York Times, The New Yorker, Vox, Nerve, Men's Journal, The Comics Journal, Film Quarterly, and Fangoria. His cartoons have been collected in three books by Fantagraphics Books. His cartoon, “The Pain—When Will It End?” ran for twelve years in the Baltimore City Paper and other alternative weeklies, and is archived at the paincomics.com. Tim was born and educated in Baltimore, Maryland. He lives in New York City and an idyllic compound in the Ozark woods. His cat The Quetzal died in 2013. His new cat is Richard, who is a fool, an adorable little fool.The ReferendumThe Ones Who Turned Back This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe

Quetzal Todo el tiempo digo que México no puede esperar a que todos maduremos y estemos “estables “ para poner una fundación. El mundo necesita con urgencia manos y corazones jóvenes que quieran ayudar, almas creativas y fuertes que sirvan y que se entreguen al otro, chavos que desde ya, pongan sus talentos al servicio de los demás. Arath y Pedro me confirman que los jóvenes son la verdadera esperanza de este país, ellos me recuerdan que si todos ponemos lo hacemos y tenemos para ayudar a aquellos que se han quedado atrás, entonces un día, viviremos en un mundo mucho más parejo y justo. Arath y Pedro encontraron su causa y su lucha siendo solo unos chavos de prepa. Ellos, a muy temprana edad, entendieron que en este mundo no puedes avanzar si no tienes una computadora, entendieron que sin ella, no hay manera de estudiar, no hay manera de emprender … sin una computadora las oportunidades se reducen y la brecha de desigualdad se hace más grande. Con CERO conocimiento sobre cómo arreglar o darle mantenimiento a computadoras, decidieron entrarle a un proyecto para arreglar , limpiar y equipar computadoras que parece que ya no sirven, para entregárselas a jóvenes que no tienen acceso a una. Ambos me abren su corazón y me cuentan, en este episodio, cómo ha sido su caminar en el servicio, sus errores y aciertos, pero sobre todo, me comparten su gran sueño: que todas y cada una de las familias en México puedan tener una computadora.

En este episodio Marjorie von Ahn conversa con Quique Godoy sobre el caso de corrupción en Puerto Quetzal. Todo comenzó cuando la Terminal de Contenedores Quetzal (TCQ) firmó en 2012 un contrato de usufructo oneroso por 25 años para desarrollar y operar una nueva terminal en Puerto Quetzal. La PGN solicitó la nulidad del contrato en 2016 tras investigaciones de la CICIG y el MP por corrupción. Exgobernantes Otto Pérez Molina y Roxana Baldetti, entre otros, fueron vinculados por recibir sobornos para la firma del contrato. La sentencia de nulidad implica que APM Terminals debe devolver el terreno y cesar sus operaciones bajo el contrato nulo y el Estado restituir lo recibido. El gerente de EPQ, aseguró en una entrevista de radio que tomarán acciones para minimizar el impacto en el comercio marítimo. La PGN indicó que fueron notificados y que se buscarán soluciones para la transición y se garantizará que las operaciones portuarias continúen sin interrupciones. (tomado del hilo/resumen realizado por Edgar Ortiz en X https://twitter.com/edgar_ortizgt/status/1800684027197964431)

Beer Sommelier Eduardo Fontanez nos acompaña nuevamente para hablar sobre al V Copa Quetzal a llevarse a cabo en Guatemala y contestaremos las preguntas más importantes: ¿Podrán conectares al episodio los organizadores de la competencia? ¿Operaron la rodilla del Co-Fundador? ¿Por qué Chris Jericho bloqueó a Norbert en twitter? Todo eso y mucho más en otro episodio del podcast más tecato del futuro

#128: Happy Memorial Day! The team is off - but we still have a treat for you. (Get it? Because conchas are so sweet?) Ok. Jokes aside, we're replaying this episode because it was recently nominated for a James Beard award, and the team is really excited about that.  But here's the thing... We can't make episodes like this without your help. If you value our flavor of journalism, please donate to keep us going strong. LAist.com/joinHTLA This episode originally published on July 7, 2023. Original description below. Everyone loves a fresh concha – that warm, doughy center with the crunchy cookie shell on the top could send any Angeleno's heart a'flutter. Today, Brian's taking LAist food editor Gab Chabran on a concha crawl. We're exploring the history of this famous Mexican treat, and checking out Brian & Gab's favorite spots across LA. For more sweet-breaded goodness, check out Gab's article over on LAist.com Panaderias visited: Panaderia Coatzingo in South LA, Vallarta, y Gusto Bread in Long Beach. Got a favorite we didn't mention? Send us a DM! instagram.com/LAistofficial Music in this episode composed by: Aaron Copland, Austin Cross, Haruomi Hosono, Radio Jarocho, Quetzal, Masayoshi Takanaka, The ModArchive, Dexter Thomas, Woo, Yeahman

Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings.  Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Series: "Arts Channel " [Arts and Music] [Show ID: 39526]

In this episode, we talk to Quetzal Dwyer about his in situ adventures looking for obscure boas and their habitats, and we touch on his work in CR on breeding certain boa species. Follow:Keith McPeek @ https://www.facebook.com/profile.php?id=100009398259326Warren Booth @ https://www.instagram.com/boabooth/Rob Stone @ https://www.instagram.com/highplainsherp/Follow:@MPR Network on:FB: https://www.facebook.com/MoreliaPythonRadioIG: https://www.instagram.com/mpr_network/YouTube: https://www.youtube.com/channel/UCtrEaKcyN8KvC3pqaiYc0RQMore ways to support the shows.Swag store: https://teespring.com/stores/mprnetworkPatreon: https://www.patreon.com/moreliapythonradio ★ Support this podcast on Patreon ★

In this episode of the Spiritual Psychiatrist Podcast, Dr. Samuel B. Lee interviews Hereditary Chief Phil Lane Jr., founder of Four Worlds International Institute. Chief Phil Lane Jr. shares his hero's journey, from his upbringing in Indian boarding schools to his spiritual awakening and his mission to promote unity and peace among humanity. The conversation touches on the importance of truth, the history of Native American traditions, and the prophecy of the union of the condor, quetzal, and eagle. Chief Phil Lane Jr. emphasizes the role of the divine feminine and the need for balance and unity in creating a peaceful world by 2030. In this conversation, Hereditary Chief Phil Lane Jr. discusses the urgent need for awakening and unity in the face of global challenges. He shares the message from the Kogi tribe, who warn of the dire consequences if humanity does not take action to protect Mother Earth. Chief Lane emphasizes the need for an alternative governance system and calls on individuals to think well of themselves and contribute to the betterment of humanity. He highlights the sacredness of all beings and the importance of coming together in peace. The conversation concludes with a discussion of the upcoming gathering in Palenque, Mexico, where indigenous nations will unite for the cause of peace on Earth.Story Notes:Chief Phil Lane Jr.'s Hero's JourneyChief Phil Lane Jr.'s Wrestling CareerSpiritual AwakeningImportance of Truth and BalanceProphecy of the Union of the Condor, Quetzal, and EagleThe Role of the Divine Feminine and EldersVision of Unity and Peace by 2030Time for AwakeningThe Message from the Kogi TribeNeed for an AlternativeThink Well of YourselfSacredness of All BeingsGathering in PalenqueWatch the Full Episode Here:Listen to the Full Episode Here:You are invited to help fund the Indigenous Elders as they gather in Palenque, Mexico to full the Union of the Condor, Quetzal and Eagle prophecies and help create a New Earth.  They have elected a council of 13 Elders (7 female, 6 male) who are requesting funds to help them with their airfare, transportation, and lodging.Any contribution is helpful.  Thank you for your consideration.  GoFundMe: https://bit.ly/4abSpq7To Learn more about Chief Phil Lane, visit:Instagram :  https://www.instagram.com/phillanejr/Facebook :  https://www.facebook.com/phillanejrTo find out more visit:www.transcendencementalhealth.comand click begin your journey.Want to lose weight, get shredded, or repair your body in a natural way that works with your body? Check out the magic of peptides atwww.practicalpeptides.comYou can order them from the comfort of your own home and have pure quality peptides delivered directly to you. We strive to be the most affordable, accessible, quality peptide company we are aware of.#SpiritualPsychiatrist #HeroJourney #NativeAmericanTraditions #ProphecyFulfilled #UnityAndPeace #DivineFeminine #GlobalAwakening #KogiTribeMessage #AlternativeGovernance #SacredBeings #PalenqueGathering #TranscendenceMentalHealth #PeptidesMagic

Quetzal Copper, headed by CEO Matt Badiali, resumed trading on the TSXV on Monday, March 18. In the summer of 2024, it plans to drill and test numerous targets on its flagship Princeton copper project immediately north of Hudbay Minerals Copper Mountain Mine in southern British Columbia.

La importancia relativa del color en los envases y la importancia absoluta del color de la llama. Consulte a su gasista de confianza. ECDQEMSD podcast El Cyber Talk Show - episodio 5659 Gases De Colores Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo:  Día de Acción de Gracias - Tregua en la franja de Gaza - Putin en el G-20 - Argentina en el Maracaná - El Thanksgiving y el Pavo - La historia de los colonos - Desfile en NY - Miley Cirus quiere pastel - Guatemala y el Quetzal.  Historias Desintegradas:  Paleta de colores - Garrafas, tanques y cilindros - El engañador engañado - Órdenes contradictorias - Sin miedo al éxito - La pulsera y el anillo de matrimonio - Mi amigo confiable el Feis - Todas mis fotos y recuerdos - Los peligros del veneno - Ecatepec cambió - Ecosistemas que evolucionan - Pedidos por wasap - El piso morisco - Gracias en Japón - Trabajadores y producción -  Inmigrante italiano en Uruguay y más... https://www.canaltrans.com/ecdqemsd_podcast_2023/5659_gases_de_colores.html En Caso De Que El Mundo Se Desintegre Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

#172: Día de los Muertos is right around the corner, and the traditional Mexican holiday has a LOT of representation in L.A. People gather with their families to celebrate the lives of loved ones who have passed away, and make altares y ofrendas with flowers, food, and other worldly comforts. Today, LAist food editor Gab Chabrán is taking host Brian De Los Santos on a cultural exploration of the holiday: its special treats, flavors, and of course, history.Check out Gab's piece over on LAist.com for more! Music in this episode composed by: Ben Prunty, Dexter Thomas, Haruomi Hosono, Moon Mullins, Pedro Infante, Quetzal, Yeahman

On this episode we focus on art as a tool for activism. Our artivists guests show us how identity and place influences their work, their critique of the confines of creatives spaces of the past, and how they are each working to make creatives of color have greater opportunities, mentorship, and liberty to create. Before that, we talk about Latina Equal Pay Day and the Latina wealth gap. We speak to Julio Salgado, the co-founder of DreamersAdrift and the Migrant Storytelling Manager for The Center for Cultural Power. His status as an undocumented, queer artivist has fueled the contents of his visual art, which depict key individuals and moments of the DREAM Act and the migrant rights movement. Undocumented students, organizers and allies across the country have used Salgado's artwork to call attention to the migrant rights movement. His work has been displayed at the Oakland Museum, SFMOMA and Smithsonian. Learn more about Julio: juliosalgadoart.com We also speak to Martha Gonzalez, a Chicana artivista (artist/activist) musician, feminist music theorist and Associate Professor in the Intercollegiate Department of Chicana/o Latina/o Studies at Scripps/Claremont College. Born and raised in Boyle Heights Gonzalez is a MacArthur Fellow (2022), Fulbright Garcia Robles (2007-2008), Ford (2012-2013), Woodrow Wilson Fellow (206-2017) and United States Artist Fellow (2020). Her academic interests have been fueled by her own musicianship as a singer/songwriter and percussionist for Grammy Award (2013) winning band Quetzal. Gonzalez along with her partner Quetzal Flores has been instrumental in catalyzing the transnational dialogue between Chicanx/Latinx communities in the U.S and Jarocho communities in Veracruz, Mexico. In the summer of 2017 Gonzalez's tarima (stomp box) and zapateado dance shoes were acquired by the National Museum of American History and are on permanent display in the One Nation Many Voices exhibit. Learn more about Quetzal: quetzalela.com Mentioned on this Episode Cultivating Financial Liberation Oct. 5th at the Pop-Hop in Highland Park: https://www.eventbrite.com/e/cultivating-financial-liberation-tickets-704841107727?aff=oddtdtcreator Latina Equal Pay Day Toolkit: https://drive.google.com/file/d/1QYcXNliY6PcIty_eHAX34k-Mlrz4VRtZ/view Encuentro Creative Retreat Feb. 15 - 19, 2024 in Puebla, Mexico: https://www.tamarindopodcast.com/encuentro Tamarindo is a lighthearted show where hosts Brenda Gonzalez and Ana Sheila Victorino discuss politics, culture, and self-development. Join us as we delve into discussions on race, gender, politics, representation, and life! You can get in touch with us at www.tamarindopodcast.com Brenda and Ana Sheila are executive producers of Tamarindo podcast with production support by Karina Riveroll of Sonoro Media. Jeff Ricards produced our theme song. If you want to support our work, please rate and review our show here.  Contribute to the show: https://www.paypal.com/paypalme/tamarindopodcast1 Follow Tamarindo on instagram @tamarindopodcast and on twitter at @tamarindocast  Follow Ana Sheila on instagram @la_anasheila and twitter @Shelli1228   Follow Brenda on twitter at @BrendaRicards Learn more about your ad choices. Visit megaphone.fm/adchoices

Found in Southern Mexico and Central America, Resplendent Quetzals have a striking blue tail up to three times the length of their bodies. That's probably why the Aztecs considered this bird a representation of Quetzalcoatl, the feathered serpent, one of the most worshiped gods across ancient Mesoamerica. But no matter how sacred, Resplendent Quetzals are currently considered near threatened due to a declining population. Deforestation and illegal trade are the main threats to their survival.More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

LA-based artist Ceci Bastida sets her sights on what we all worry about, hope to have more of, and constantly work towards — that is: moola, scratch, or cabbage, no matter what you call it, it all comes down to “Dinero” (Feat. Quetzal Flores and Martha Gonzalez).