Podcasts about herberger institute

Arizona's largest egg producer has lost more than a million chickens to bird flu as the deadly virus spreads fast. He says the government has to allow them to vaccinate their flocks before it spreads to humans. Plus, the new dean of ASU's Herberger Institute argues for art in today's world.

Carlton Turner understands that when you can't feed yourself the imagination is the first thing to go And if you can't "see" a different future you can't make change. Sipp Culture is about feeding both the body and the mind's eye. BIOCarlton Turner is an artist, agriculturalist, researcher, and co-founder of the Mississippi Center for Cultural Production (Sipp Culture). Sipp Culture uses food and story to support rural community development in his hometown of Utica, Mississippi where his family has been for eight generations. He currently serves on the board of First Peoples Fund, Imagining America, Project South and the National Black Food and Justice Alliance. Carlton is a member of the We Shall Overcome Fund Advisory Committee at the Highlander Center for Research and Education and is the former Executive Director of Alternate ROOTS and is a founding partner of the Intercultural Leadership Institute.Carlton is a current Interdisciplinary Research Fellow with the Robert Woods Johnson Foundation and was named to the Yerba Buena Center for the Arts YBCA100. He is also a former Ford Foundation Art of Change Fellow and former Cultural Policy Fellow at the Creative Placemaking Institute at Arizona State University's Herberger Institute for Design in the Arts.Carlton Turner is also co-founder and co-artistic director, along with his brother Maurice Turner, of the group M.U.G.A.B.E.E. (Men Under Guidance Acting Before Early Extinction). M.U.G.A.B.E.E. is a Mississippi-based performing arts group that blends of jazz, hip-hop, spoken word poetry and soul music together with non-traditional storytelling. His current work is River Sols, a new play being developed in collaboration with Pangea World Theater that explores race, identity, class, faith, and difference across African American and South Asian communities through embodiment of a river.He is also a member of the Rural Wealth Lab at RUPRI (Rural Policy Research Institute) and an advisor to the Kresge Foundation's FreshLo Initiative. In 2018, Carlton was awarded the Sidney Yates Award for Advocacy in the Performing Arts by the Association of Performing Arts Professionals. Carlton has also received the M. Edgar Rosenblum award for outstanding contribution to Ensemble Theater (2011) and the Otto René Castillo Awards for Political Theatre (2015).Notable MentionsSIPP Culture: The Mississippi Center for Cultural Production is an approach and resource for cultivating thriving communities. Based in the rural South, “Sipp Culture” is honoring the history and building the future of our own community of Utica, MS. Sipp Culture supports community development from the ground up through cultural production focused on self-determination and agency designed by us and for us. We believe that history, culture, and food affirm our individual and collective humanity. So, we are strengthening our local food system, advancing health equity, and supporting rural artistic voices – while activating the power of story – all to promote the legacy and vision of our hometown.Octavia Butler: OCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work. Born in Pasadena in 1947, she was raised by her mother and her grandmother. She was the author of several award-winning novels including PARABLE OF THE SOWER (1993), which was a New York Times Notable Book of the Year, and PARABLE OF THE TALENTS (1995) winner of the Nebula Award for the best science fiction novel published that year. She was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the...

In these next few episodes, we are recording in collaboration with my fellow podcaster and now friend Ethan from Artistic Finance. Today we are talking with Linda Essig. Linda Essig, MFA, PhD, and former lighting designer, was appointed Baruch College's Provost and Senior Vice President for Academic Affairs on July 1, 2021. She previously served as dean of the College of Arts & Letters at California State University, Los Angeles (Cal State LA) where she was responsible for nine academic departments, four centers, and the Ronald H. Silverman Fine Arts Gallery. Prior to Cal State LA, Dr. Essig was director of Enterprise and Entrepreneurship Programs for the Herberger Institute for Design and the Arts at Arizona State University (ASU) and founding director of its School of Theatre and Film. She also served as chair of the Department of Theatre & Drama and director of University Theatre at University of Wisconsin-Madison. Dr. Essig has authored four books and numerous articles and book chapters on both arts entrepreneurship and theatrical lighting design.  Her most recent book, published in 2022, is ‘Creative Infrastructures: Artists, Money, and Entrepreneurial Action'. Artistic Finance with Ethan Steimel We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thank you to our sponsor @clear-com The TheatreArtLife Podcast is a branch of our larger TheatreArtLife Community. Come visit us at www.theatreartlife.com

This is one of the most important election of our history, and one of the most important propositions is Prop 308.Today we have Gloria Martinez Granados to tell us her story and some details about her art currenly on display at the Phoenix Art Museum. Gloria Martinez-Granados is a Phoenix, Arizona based artist. Born in Guanajuato, Mexico she migrated to the United States of America with her family at 8 years old. Gloria is a interdisciplinary artist creating with indigenous practices, adding a contemporary approach by including printmaking, assemblage, installation and performance to the more traditional arts of beadwork and weaving. Through this process, she develops themes around identity, dreams, place, home and land. This merges with her experience growing up undocumented in the United States and the legal limbo she lives day to day as a DACAmented person. In 2019 she earned a Bachelor of Fine Arts degree in Printmaking from Arizona State University's Herberger Institute for Design and the Arts. She has been invited as a teaching artist at The Phoenix Art Museum and CALA Alliance. In 2022, Gloria received the 40th Annual Environmental Excellence Award for her collaboration “Good Trouble Bucket” with environmental artist Joan Baron. This same year, Valle del Sol has awarded Martinez-Granados for the annual Profiles of Success event with the Espiritu y Cultura Award. Gloria will also be presenting work at the Phoenix Art Museum from September 2022 till May 2023 as a recipient of the inaugural Sally and Richard Lehmann Emerging Artists Awards.

Carlton Turner understands that when you can't feed yourself the imagination is the first thing to go And if you can't "see" a different future you can't make change. Sipp Culture is about feeding both the body and the mind's eye. BIOCarlton Turner is an artist, agriculturalist, researcher, and co-founder of the Mississippi Center for Cultural Production (Sipp Culture). Sipp Culture uses food and story to support rural community development in his hometown of Utica, Mississippi where his family has been for eight generations. He currently serves on the board of First Peoples Fund, Imagining America, Project South and the National Black Food and Justice Alliance. Carlton is a member of the We Shall Overcome Fund Advisory Committee at the Highlander Center for Research and Education and is the former Executive Director of Alternate ROOTS and is a founding partner of the Intercultural Leadership Institute. Carlton is a current Interdisciplinary Research Fellow with the Robert Woods Johnson Foundation and was named to the Yerba Buena Center for the Arts YBCA100. He is also a former Ford Foundation Art of Change Fellow and former Cultural Policy Fellow at the Creative Placemaking Institute at Arizona State University's Herberger Institute for Design in the Arts. Carlton Turner is also co-founder and co-artistic director, along with his brother Maurice Turner, of the group M.U.G.A.B.E.E. (Men Under Guidance Acting Before Early Extinction). M.U.G.A.B.E.E. is a Mississippi-based performing arts group that blends of jazz, hip-hop, spoken word poetry and soul music together with non-traditional storytelling. His current work is River Sols, a new play being developed in collaboration with Pangea World Theater that explores race, identity, class, faith, and difference across African American and South Asian communities through embodiment of a river. He is also a member of the Rural Wealth Lab at RUPRI (Rural Policy Research Institute) and an advisor to the Kresge Foundation's FreshLo Initiative. In 2018, Carlton was awarded the Sidney Yates Award for Advocacy in the Performing Arts by the Association of Performing Arts Professionals. Carlton has also received the M. Edgar Rosenblum award for outstanding contribution to Ensemble Theater (2011) and the Otto René Castillo Awards for Political Theatre (2015). Notable Mentionshttps://sippculture.org/ (SIPP Culture): The Mississippi Center for Cultural Production is an approach and resource for cultivating thriving communities. Based in the rural South, “Sipp Culture” is honoring the history and building the future of our own community of Utica, MS.  Sipp Culture supports community development from the ground up through cultural production focused on self-determination and agency designed by us and for us. We believe that history, culture, and food affirm our individual and collective humanity. So, we are strengthening our local food system, advancing health equity, and supporting rural artistic voices – while activating the power of story – all to promote the legacy and vision of our hometown. https://www.octaviabutler.com/theauthor (Octavia Butler): OCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work. Born in Pasadena in 1947, she was raised by her mother and her grandmother. She was the author of several award-winning novels including PARABLE OF THE SOWER (1993), which was a New York Times Notable Book of the Year, and PARABLE OF THE TALENTS (1995) winner of the Nebula Award for the best science fiction novel published that year. She was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the far future. https://www.newworldstation.com/artistlisting/maurice-s-turner-ii (Maurice Turner): Maurice S. Turner, II is co-founder of Turner World Around Productions, Inc.

This Episode is Sponsored By: HUB International If you're wondering what stock throughput policies are, and how they can help your food business, you aren't alone. HUB International managing director and senior vice president Kaleigh Kemmerly and CRC Group office president Ted Clayton join The Food Institute Podcast to explain how these policies provide coverage for company goods anywhere in the supply chain. More About Kaleigh Kemmerly: Kaleigh Kemmerly provides significant, logical consulting services to her clients and future clients by structuring industry specific, custom tailored insurance programs for the Food & Beverage Industries. Kaleigh has been a part of the business expansion for middle-market commercial accounts for the past 11 years. She is a Specialty Expert within HUB's Agribusiness Specialty Practice, specializing in Food & Beverage, part of a high-performance team. Her passion is Food & Beverage due to her husband's health. Reading labels and knowing what we put in our bodies is most important. Food is our medicine. Kaleigh joined HUB in 2014 and has been in the insurance industry for 11 years. Prior to insurance, Kaleigh worked in the design industry for a fabric designer and custom rug company. Kaleigh received her Bachelor of Arts from the Herberger Institute for Design in Design Management from Arizona State University. More About Ted Clayton: Ted began his insurance career in 1985 with Chubb as a Property, Inland & Ocean Marine Underwriter. With ever increasing responsibilities during his 20 year tenure with Chubb, Ted held Underwriting and Leadership positions in many cities across the United States, Canada and London. He began his Wholesale career with CRC in 2005 specializing in Property business of all types. Ted's vast experience and global background gives him a unique perspective on how to handle and create specialized solutions on difficult placements. Ted is a graduate of Occidental College with a Bachelor's Degree in Economics. Thanks to Our Sponsor: HUB International Headquartered in Chicago, Illinois, HUB International Limited is a leading full-service global insurance broker and financial services firm providing risk management, insurance, employee benefits, retirement and wealth management products and services. With more than 13,000 employees in offices located throughout North America, Hub's vast network of specialists brings clarity to a changing world with tailored solutions and unrelenting advocacy, so clients are ready for tomorrow. For more information, please visit www.hubinternational.com.

Today, Ria rides solo as she interviews Alek Shrader about his amazing new kickstarter. Ria's Twitter: @RiaCarrogan – Ria has her own show called Femme On Film that airs on the feed of Comics In Motion (with 3 episodes out thus far, including one in November 2021 with Tonya about Grease 2) plus she can also be found on Pop Guerrillas, Seasons Greetings & Indie Comics Spotlight, all of which are found here: https://anchor.fm/comics-in-motion-podcast CARMEN: THE GRAPHIC NOVEL is the passion project of writer Alek Shrader, an operatic tenor and director, who is best known for his appearance in The Audition, a documentary about the Metropolitan Opera National Council Auditions. For his first graphic novel, Shrader collaborated with the New York Times bestselling illustrator P. Craig Russell, who is renowned both for his graphic novel adaptations of Neil Gaiman's novels, and his acclaimed adaptations of opera, including Mozart's The Magic Flute, Leoncavallo's Pagliacci, and Wagner's Ring Cycle. For CARMEN: THE GRAPHIC NOVEL, P. Craig Russell provides the layouts, which are finished, illustrated, and colored by Aneke, who has drawn comics for DC Comics and Marvel. CARMEN: THE GRAPHIC NOVEL is planned as an epic 90-page adaptation, featuring a stunning cover illustrated and colored by Aneke. “There's a reason that Carmen remains one of the most frequently performed operas,” said Shrader. “Themes that were fashionable in Bizet's day still captivate audiences. There's a power struggle between the sexes, a meditation on the question of freedom versus fate, and a stark contrast between the exotic Roma lifestyle and a repressed society. And, of course, everything is set to some of the most gorgeous and tuneful music in all of opera.” “What appeals to me most about Carmen is the strength of her character,” said Aneke. “Her timeless appeal to audiences transcends time, politics, and societal change. Through her strength, we see her vulnerability, passion, and sexuality exude from the stage. Through a graphic novel, new audiences can be introduced to one of the most well-known, fearless women in opera.” The development of CARMEN: THE GRAPHIC NOVEL originated through Arizona Opera's OnPitch Business Challenge, created in association with ASU's Herberger Institute for Design and the Arts and the W. P. Carey School of Business. Funding for OnPitch was made possible by an Innovation Grant from OPERA America, through the generous support of the Ann and Gordon Getty Foundation. OPERA America's Innovation Grants support exceptional projects that have the capacity to improve the vibrancy of opera in the field's most important areas of practice, with a focus on empowering organizations to increase their investment in experimentation and innovation and contribute to field-wide learning. “CARMEN is the perfect opera for longtime opera aficionados and newcomers alike,” said Shrader. “And ultimately that's why I wanted to adapt Carmen with Arizona Opera. If you love Carmen, but are new to comics, you can appreciate the storytelling on the page. And if you are a comics fanatic but are new to opera, here's a book that practically sings.” For updates, follow Arizona Opera on Twitter, Facebook and Instagram. To support the project, head to the Kickstarter campaign. --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message Support this podcast: https://anchor.fm/comics-in-motion-podcast/support

Dr. Maria Rosario Jackson, the 13th chair of the National Endowment for the Arts, is no stranger to the Arts Endowment having had a great deal of first-hand experience with the agency as she has served on the National Council on the Arts since 2013.  She comes to the position of chair with years of experience in comprehensive community building that focuses on the centrality of the arts, culture, and supports what she terms an “artful life.”  The first African American and Mexican American woman to chair the Arts Endowment, Chair Jackson received her doctorate in urban planning from the University of California, Los Angeles.  Her resume is long, deep, and rich, with notable work at the Urban Institute, Kresge Foundation, and as Institute Professor in the Herberger Institute for Design and the Arts at Arizona State University, where she also holds an appointment in the Watts College of Public Service and Community Solutions. In this thoughtful and engaging conversation, Chair Jackson shares her thoughts about the arts, an artful life, and the Arts Endowment at this time of reopening, rethinking, and reimagining the arts landscape.

Dr. Maria Rosario Jackson, the 13th chair of the National Endowment for the Arts, is no stranger to the Arts Endowment having had a great deal of first-hand experience with the agency as she has served on the National Council on the Arts since 2013.  She comes to the position of chair with years of experience in comprehensive community building that focuses on the centrality of the arts, culture, and supports what she terms an “artful life.”  The first African American and Mexican American woman to chair the Arts Endowment, Chair Jackson received her doctorate in urban planning from the University of California, Los Angeles.  Her resume is long, deep, and rich, with notable work at the Urban Institute, Kresge Foundation, and as Institute Professor in the Herberger Institute for Design and the Arts at Arizona State University, where she also holds an appointment in the Watts College of Public Service and Community Solutions. In this thoughtful and engaging conversation, Chair Jackson shares her thoughts about the arts, an artful life, and the Arts Endowment at this time of reopening, rethinking, and reimagining the arts landscape.

Episode 064: A Case Study for Practice: Stayner ArchitectsHow can architects redesign the practice model of architecture? In this week's episode, we interview Christian Stayner to learn more about his process for designing his projects and the business model for his firm.https://staynerarchitects.com/ ( Stayner Architects) is a case study firm bridging the role of the architect, developer, designer, builder, strategist, and even expanding into the role of operator. Stayner Architects, a practice based in Los Angeles, is focused on architecture for food systems – the spaces where food is produced, consumed, grown, and distributed – specifically for nonprofit educational and cultural institutions. Additionally, the practice is unique in that it acts as developers and operators of roughly half of the projects in the office at a given time – much of this in food and hospitality. Sometimes this also involves the construction of projects under their general contractor license. The practice has been working to consolidate its food systems knowledge into an online resource called Tools & Utensils, which launches in February and provides educational and cultural institutions strategies for approaching issues such as sustainability, STEM learning, labor equity, and public health/nutrition. Guest: Christian Stayner, AIA, NCARB, Managing Partner of Stayner Architects, is a licensed architect in California, Hawaii, Oregon, Arizona, New Mexico, and a general contractor in California. He received his undergraduate degree in International Development from Harvard College and his professional degree from the Graduate School of Design at Harvard University. His undergraduate and graduate research focused on temporary settlement patterns due to forced migration resulting from war and colonialism, specifically two long-term refugee settlements in southern and central Somalia. Christian has fifteen years of experience in architectural design, project and construction management, and development. His expertise includes designing and managing projects from conception through ongoing operations, and works across scales, from campus master planning to single-family homes. He has consulted for governmental and non-governmental agencies, academic and cultural institutions, and private corporations. Christian has held academic appointments at the University of Michigan's Taubman College, Woodbury University's School of Architecture, and at Arizona State University's Herberger Institute for Art and Design. His research focuses on geographies of architectural materials including production networks, infrastructures, and logistics. Christian's work has been exhibited at the Venice Architecture Biennale, California College of the Arts, the University of Virginia, Woodbury University, and the Istanbul Museum of Modern Art. Before taking on his current role at Stayner Architects, he worked as an architect in Rotterdam and New York City for firms including the Office for Metropolitan Architecture and Thomas Phifer & Partners.

On this episode of the Inside Business Podcast, Jake Pinholster and Mesa Chamber of Commerce President & CEO Sally Harrison, talk the groundbreaking of Mesa City Center and what students and the community can expect from the facility. Jake Pinholster is the associate dean for enterprise design and operations in the Herberger Institute for Design and the Arts at Arizona State University and head of graduate programs in interdisciplinary digital media and performance design. Learn more about Mesa City Center About Mesa Chamber of Commerce: For over 100 years, the Mesa Chamber of Commerce has been the voice of Business in Mesa, AZ. The Chamber's mission is to improve, promote and advocate for the business community. The Mesa Chamber of Commerce Inside Business Podcast is a production of the Mesa Chamber of Commerce. Each episode is recorded in the University of Phoenix Podcast Studio. Inquiries regarding the MCIBP can be made via email to info@mesachamber.org. The Podcast interviews members and individuals/organizations on topics of interest to mesa Chamber members. Learn more at http://mesachamber.org © 2020 Mesa Chamber

This year, Tracing Architecture is teaming up with the AIA Arizona State Conference to create a special set of episodes. During the conference, local leaders of the design community will be leading conversations with each of the conference speakers, and Tracing Architecture is sitting down with those members of our design community to learn more about them and how they are connected with their respective conference speakers. In this episode, the first of three special episodes for the conference, we'll be speaking with two of the newest members of our community: Dr. Paola Sanguinetti, recently named as the Director of The Design School at Herberger Institute for Design and the Arts at Arizona State University; and John Czarnecki, Assoc. AIA, the new Executive Director of AIA Arizona.

Carlton Turner is an artist, agriculturalist, researcher and founder of the Mississippi Center for Cultural Production, also known as Sipp Culture. Sipp Culture uses food and story to support rural community, cultural, and economic development in his hometown of Utica, MS. Before founding Sipp Culture, Carlton was executive director of Alternate ROOTS, an arts-service organization based in the South promoting the creation of art rooted in community and advocating for social and economic justice for all. A widely admired thought leader on the power and urgency of creative placemaking, Carlton speaks all over the country and is a current Interdisciplinary Research Fellow with the Robert Woods Johnson Foundation. He is also a former Ford Foundation Art of Change Fellow and a Cultural Policy Fellow at the Creative Placemaking Institute at Arizona State University's Herberger Institute for Design in the Arts. He also currently serves on the board of First People's Fund, Imagining America, and Project South. As for his personal artistic projects, he is currently collaborating on a new performance piece titled “River Souls” with Meena Natarajan and Dipankar Mukherjee, the co-artistic directors of Pangea Theater Company in Minneapolis. In this interview with Rob Kramer and Pier Carlo Talenti, Carlton describes how rooting his work and art firmly in his hometown has allowed him to investigate and question on a micro and macro level the many systems that determine a community's overall well-being. He also celebrates how tapping into every community member's innate creativity can be the first step toward civic transformation. https://sippculture.com/

Mandy joins David and Jen on a bridge to discuss corporate gigs in Maui, auditioning for power rangers, and making your scene partner the hero. Mandy has been performing and teaching improv for 15 yrs. She studied at the world renowned iO Theatre and has a B.A. from the Herberger Institute for Design and the Arts at Arizona State University. She has travelled nationwide performing improv comedy and doing corporate training for companies big and small. Mandy was born and raised in Mesa, AZ. She is a proficient swing dancer, musical performer and has written several pilots. Her love language is laughter and her work focuses on human connection. She believes in the worth of the individual and the power of a united team. twitter-shmandyface instagram-shmandyface www.bridgeimprovtheater.com

On this episode of Surge, Emilie and André welcome Michael Rohd to a conversation exploring the intersections of culture, story, and community transformation.  Michael is a co-founder of Center for Performance and Civic Practice, where he holds the position Lead Artist for Civic Imagination. He is also founding artistic director of the 20 year old national ensemble-based Sojourn Theatre. In 2015, he received an Otto Rene Castillo award for Political Theater and The Robert Gard Foundation Award for Excellence. He is an Institute Professor at Arizona State University's Herberger Institute for Design & Art and is is author of the widely translated book Theatre for Community, Conflict, and Dialogue.You can learn more about Michael and his work at:https://www.thecpcp.org/

Abbie Van Klompenberg received her Bachelor's Degree in Music Education from Western Michigan University (Kalamazoo, MI) in 2007. In 2011, she graduated from Arizona State University (Tempe, AZ) with her Master's Degree in Music Education. She was selected as the Outstanding Graduate Student from the Herberger Institute of Design and the Arts from over 2,000 candidates and was given this award for excellence in the public school and collegiate level classroom. In 2013, Abbie became a National Board Certified Music Teacher, emphasizing in Early-Middle Childhood Vocal Music. This undertaking challenged her to grow as an educator and better understand her learning environment. Abbie completed all three levels of Orff Schulwerk training at Trinity University in San Anotnio, Texas. In the completion of these courses, she gained certification from the American Orff Schulwerk Association. Movement, composition, and creative play are all elements of the Schulwerk approach that she incorporates into her classroom on a daily basis. In this approach, her students are able to connect with and experience music in an accessible way. For the 2015-2016 school year, she was named the Trinity Prize Teacher of the Year for Castle Hills Elementary. Abbie loves doing innovative things in the music classroom. She likes the students to explore creativity, Project-Based Learning, world music, and music technology. She believes that students should be able to sing, play, analyze, compose, and arrange all types of music. Outside of the music classroom, Abbie has many hobbies and interests. She enjoys traveling and exploring new places. She likes to read and write in her journal. She also enjoys the outdoors and physical activities, especially running and yoga. She enjoys spending her free time with friends, her husband, Martin, and two dogs, Luna and Sirius. You can learn more about Abbie by checking out her WEBSITE! --- Support this podcast: https://podcasters.spotify.com/pod/show/musicast-podcast/support

In today's episode of the Ferguson Project we will hear from Mallory Rukhsana Nezam. Nezam is a cross-sector culture-maker who loves cities and believes that we have the tools to make them more just and joyful. She specializes in creative placemaking/keeping/knowing, systems change and the public domain. Through her cross-sector practice, Justice + Joy, she engages government, artists, advocacy groups, elected officials, community members and urban planners to de-silo the way we run cities and build new models of interdisciplinary collaboration. She has helped build inaugural arts & culture teams in non-arts organizations at the Metropolitan Area Planning Council of Boston, Transportation for America and PolicyLink. Raised in St. Louis, MO, she is the founder of St. Louis Improv Anywhere, and collaborating founder of the St. Louis Artivists. Through her art practice she disarms and disrupts public space norms using play and participatory performance. She holds a Master of Design from Harvard's Graduate School of Design and her research focuses on the racial equity impacts of artists residencies in local government. She's currently a 2020 Monument Lab Transnational Fellow and a 2019-2020 inaugural Practices for Change Fellow at Arizona State University's Herberger Institute of Design & the Arts.Links:https://mirrorcasket.com/https://www.mallorynezam.com/Music from Pixabay

“If we don’t take seriously that people live in a symbolic world… and expression and narrative and story and song, poetry… that all of that is essential to how we navigate and understand? Then we’re always only going to have half the solution.” Steven Tepper, dean of the Herberger Institute for Design and the Arts at Arizona State University shares wisdom on the role of arts.

In today's episode, I interview Robert Avril.   Robert, better known as Crzndo on social media is a classical pianist and piano teacher based out of Scottsdale, Arizona.     He received a Bachelor of Music degree, Summa Cum Laude, in Piano Performance from the Herberger Institute for Design and the Arts of Arizona State University in 2015.     He also earned a certificate in Audio Technology from Mesa Community College.  He has used both of these degrees to build a teaching studio of 55 weekly private piano students.  He also uses his knowledge in audio technology to create music education-based content on his channels on Instagram, Youtube, and Facebook.  He constantly strives to give students the knowledge and technique at the piano so they can play the music that they want to play!   Please enjoy my interview with Robert Avril.       Connect with me on social:   Instagram: https://www.instagram.com/ywrpodcast/   Facebook: https://www.facebook.com/ywrpodcast   YouTube: http://youtube.com/daynesgreatjourney

Producer Regina Revazova speaks with representatives from the Arizona Commission on the Arts, Arizona State University’s Herberger Institute for Design and the Arts and Southwest Folklife Alliance about AZ CCI, including goals, process, outcomes and framing for the partnership.

Jake Pinholster is the associate dean for enterprise design and operations in the Herberger Institute for Design and the Arts at Arizona State University and head of graduate programs in interdisciplinary digital media and performance design. He is also the Founding Director, ASU @ Mesa City Center. The Mesa Chamber of Commerce Inside Business Podcast is a production of the Mesa Chamber of Commerce. Each episode is recorded in the University of Phoenix Podcast Studio. Inquiries regarding the MCIBP can be made via email to info@mesachamber.org. The Podcast interviews members and individuals/organizations on topics of interest to mesa Chamber members. Learn more at http://mesachamber.org © 2020 Mesa Chamber of Commerce

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, the instructional designers from Arizona State University’s Edson College of Nursing and Health Innovation (Aaron Kraft, Celia Coochwytewa, and Jinnette Senecal) are joined by special guest Tim McKean from the Herberger Institute at ASU to consider what makes assessment authentic, and why it matters. We then explore the possibilities and pitfalls for implementing authentic assessment in online learning environments. Today’s HOT TOPIC segment is focused on workplace norms, digital fluency, and communication skills. Resources from the episode: *Indiana University Bloomington, Center for Innovative Teaching and Learning. (n.d.). Authentic assessment. Retrieved from https://citl.indiana.edu/teaching-resources/assessing-student-learning/authentic-assessment/ *Mueller, J. (2016). Authentic assessment toolbox: Welcome. Retrieved from http://jfmueller.faculty.noctrl.edu/toolbox/ *Mueller, J. (2016). Authentic assessment toolbox: What is authentic assessment?. Retrieved from http://jfmueller.faculty.noctrl.edu/toolbox/whatisit.htm *Arizona State University, University Office of Evaluation and Educational Effectiveness. (n.d.). Measures & methods. Retrieved from https://uoeee.asu.edu/plan-measures *Ashford-Rowe, K., Herrington, J. and Brown, C. (2014) Establishing the critical elements that determine authentic assessment. Assessment & Evaluation in Higher Education, 39 (2). pp. 205-222. Retrieved from https://researchrepository.murdoch.edu.au/id/eprint/17047/1/Critical_Elements_of_Authentic_Assessment_KAR_21_June_13.pdf Hot topic and related resources: *Hu, J. C. (2019, October 2). Being bad at the Internet shouldn’t disqualify job candidates. Slate.com. Retrieved from https://slate.com/technology/2019/10/being-bad-at-the-internet-shouldnt-disqualify-job-candidates.html *Coochwytewa, C., Kraft, A., & Senecal, J. (2019, April 22). The competencies of digital literacy. Instruction By Design. Podcast retrieved from https://soundcloud.com/ibd_podcast/season-03-episode-06-the-competencies-of-digital-literacy

This ground-breaking magazine started humbly in 2016 by a small team with sponsorship by Dr. Amanda Tachine. The passion, drive and discipline of this multi-disciplinary team of students gives voice and presence to Native American and Indigenous students in a beautifully-designed, thought-filled and powerful medium. The team includes Sequoia Dance, a recent graduate of the Masters in Social & Cultural Pedagagy program; Taylor Notah, the Senior Editor of the magazine and recent graduate of the Cronkite School of Journalism; Danielle Lucero, a current PhD student in the Justice and Social Inquiry program; and Brian Skeet, a recent graduate with a degree in Industrial Design and Design Management from the Herberger Institute of Design and the Arts. Turning Point highlights resources available to Native students, as well as student narratives that create a sense of belonging and community. The magazine highlights Native students on college campuses across the US – to bring forward resources, narratives, and stories that usually go whispered, and don’t always get to be the center of attention. Have you downloaded the Sun Devil Rewards app? Each week we provide you with a "secret word" valid for 100 Pitchfork Points good for redeeming ASU gear and VIP experiences. This episode's Sun Devil Rewards "secret word" will expire at 11:59 pm on Friday, August 2nd, 2019.

This ground-breaking magazine started humbly in 2016 by a small team with sponsorship by Dr. Amanda Tachine. The passion, drive and discipline of this multi-disciplinary team of students gives voice and presence to Native American and Indigenous students in a beautifully-designed, thought-filled and powerful medium. The team includes Sequoia Dance, a recent graduate of the Masters in Social & Cultural Pedagagy program; Taylor Notah, the Senior Editor of the magazine and recent graduate of the Cronkite School of Journalism; Danielle Lucero, a current PhD student in the Justice and Social Inquiry program; and Brian Skeet, a recent graduate with a degree in Industrial Design and Design Management from the Herberger Institute of Design and the Arts. Turning Point highlights resources available to Native students, as well as student narratives that create a sense of belonging and community. The magazine highlights Native students on college campuses across the US – to bring forward resources, narratives, and stories that usually go whispered, and don’t always get to be the center of attention. Have you downloaded the Sun Devil Rewards app? Each week we provide you with a "secret word" valid for 100 Pitchfork Points good for redeeming ASU gear and VIP experiences. This episode's Sun Devil Rewards "secret word" will expire at 11:59 pm on Friday, August 2nd, 2019.

In our first episode, we hear from Jason Schupbach, the director of The Design School in the Herberger Institute for Design and the Arts. He discusses the origins of the creative placemaking field and his experience as the former director of Design and Creative Placemaking programs for the National Endowment for the Arts.

Rachel Bowditch (Phd) is a theatre director, an Associate Professor, Head of the MFA in Performance, and the Director of Graduate Studies in the School of Film, Dance, and Theatre in the Herberger Institute for Design and the Arts. Her areas of specialty are the Lecoq method, Rasaboxes, mask, devising, site-specific theatre, immersive theatre, incorporating innovative technology into performance, festival and utopian theory, and performance studies.  She is the author of three books: On the Edge of Utopia: Performance and Ritual at Burning Man (2010/University of Chicago Press/Seagull), Performing Utopia (2017/University of Chicago Press/Seagull), and Physical Dramaturgy: Perspectives from the Field (2018/Routledge) with Jeff Casazza and Annette Thornton. She is currently working on a book under contract with Routledge about Richard Schechner’s performance workshop and rasaboxes with Paula Murray Cole and Michele Minnick (expected publication 2019). Her work has been published in TDR (The Performance Review), Performance Research, Theatre Topics, the Journal of Media and Religion, Ecumenica, and Puppetry International as well as book chapters in Festive Devils in the Americas edited by Milla Riggio and Paolo Vignolo, Playa Dust: Collected Stories from Burning Man edited by Samantha Krukowski, and Focus on World Festivals edited by Chris Newbold. She presents both her scholarship and theatre research at theatre conferences nationally and internationally. She has was a recent Fellow at the Harvard Mellon Institute for Performance Research in 2018. She has received competitive funding from the Map Fund, the National Endowment for the Arts, the Network of Ensemble Theatres NET/TEN Exchange Grant, and the Arizona Commission on the Arts. Her performance and directing work specializing in devising, site-specific, and physical theatre, tackle challenging social issues from suicide, addiction, madness, forced relocation, the death penalty, and colonization has been seen at theatres and venues such as Childsplay, Mixed Blood, Northwest Children's Theatre, the Denver Center, Mesa Arts Center, Phoenix Art Museum, IDEA Museum, and Scottsdale Public Art. Her artistic work has been featured and reviewed in The Director's Vision by Scott Shattuck, Digital Media, Projection Design, and Technology for Theatre by Alex Oliszewski and Daniel Fine (Routledge), New York Times, Wall Street Journal, Theatre Journal, Newsweek, American Theatre, The Sun (NYC), The Village Voice, Time Out New York, Live Design, Rolling Stone, Vogue Italia, U.S. Airways Magazine, Channel 12 News, Channel 8/PBS, ABC 15 News, Minneapolis Star Tribune, Minneapolis Daily Planet, Aisle Say Twin Cities, TYA Today, the Phoenix New Times and Arizona Republic among other publications. As a Burning Man scholar, she has been attending the event since 2001. For directing work visit: www.vesselproject.org

Jason Schupbach is the director of The Design School at the Herberger Institute for Design and the Arts at Arizona State University. There, he’s undertaking an ambitious effort to ‘redesign design school,’ looking for ways...

Some studies consistently have shown that attendance is declining for “benchmark” arts events, the kind that take place in concert halls and formal theaters and don’t ask audiences to do much more than show up, watch and listen, and applaud on cue. But, at the same time, a profusion of relatively inexpensive DIY digital technology is allowing millions of people to participate in the arts in new ways, by creating and curating their own cultural experiences. Will the net result encourage arts engagement or hinder it in the long run? Those and other questions were taken up by Steven Tepper dean of Arizona State University’s Herberger Institute for Design and the Arts, and the author of Not Here, Not Now, Not That! Protest Over Art and Culture in America, during a Zócalo Public Sauare Conference titled “What Can the World Teach California About Arts Engagement?” on June 25, 2017 in downtown Los Angeles.

Dancer, choreographer, and somatic practitioner Jessica Rajko (www.jessicarajko.com) talks with Andrew Maynard and Heather Ross about her recent installations exploring data, privacy, and quantified self. Show Notes • Jessica Rajko: https://jessicarajko.com • Vibrant Lives: http://www.jessicarajko.com/vibrant-lives-and-archives/ • Herberger Institute for Design and the Arts: https://herbergerinstitute.asu.edu

Liz Lerman , a MacArthur award winning dancer and choreographer joins Tom to discuss her new appointment as a Professor in the Herberger Institute of Design and the Arts at Arizona State University. Then, Donald Hicken , who retired from the theater department at the Baltimore School of the Arts in June, joins Tom to share his reflections after three and a half decades of changing young lives. And, Sharayna Christmas is a dancer, writer and the executive director of Muse 360 , an organization that works with youth to cultivate their interests in the arts. In July, Muse 360 took a group of young people from Baltimore City to Havana, Cuba where for two weeks they studied history, Spanish and dance. The trip was put together in conjunction with The African Diaspora Alliance and Frederick Douglass High School. This program originally aired on June 17, 2016.

Kwang-Wu Kim, Dean of ASU Herberger Institute for Design and the Arts, discusses keeping curriculum fresh by incorporating the ideas of others.