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2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
2 episodes with In a Lonely Place
We say farewell to Farrow and Allen (for now, although we'll probably encounter them individually on the podcast again) with this final episode on their cinematic collaboration, covering Alice (1990), Shadows and Fog (1991), and one of their very best, the ill-fated Husbands and Wives (1992). In the first two, two more Allen characters struggle to live the good life in what couldn't be more different settings, and then we join Allen in meditating on all of the different ways that romantic relationships attempting to function at a high level can go wrong. Then, on Fear and Moviegoing in Toronto, we briefly glance at Siodmak's 1944 Phantom Lady, covered by us before, and Ray's In a Lonely Place (1950), to be covered in detail very soon as part of our Gloria Grahame series. Time Codes: 0h 00m 25s: ALICE (1990) [dir. Woody Allen] 0h 23m 27s: SHADOWS AND FOG (1991) [dir. Woody Allen] 0h 33m 41s: HUSBANDS AND WIVES (1992) [dir. Woody Allen] 0h 59m 00s: Our favourites from the Farrow/Allen canon 1h 01m 54s: Fear & Moviegoing in Toronto – Robert Siodmak's PHANTOM LADY (1944) at TIFF Lightbox & Nicholas Ray's IN A LONELY PLACE (1950) at The Revue Cinema (Designing the Movies) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
We do a quick survey of Hulk 335 (non-Todd McFarlane art, but a nice creepy possession story) and then dig more deeply into Hulk 336, where he crosses paths with X-Factor! I mean the X-Terminators! No, wait, I mean X-Factor! Loose Screws: Will talks about the 1950 Bogart film In A Lonely Place and Kevin discusses the video game Horizon Zero Dawn: Forbidden West!
Hey Lasso and Shrinking fans! It's go time as we're breaking down season 2 of episode 6: In A Lonely Place. Sean finds himself in the hospital after letting the construction workers beat him up which prompts Jimmy and Paul to find his father to help them both move forward and finally deal with their emotions. Gabby and her sister come to a better understanding after their mom's surgery. Alice learns of Brian talking with Louis and forces Brian to arrange a meet that leads to emotional and unexpected revelations from everyone. FEATURING: Jeremy Goeckner & Craig McFarland BUY OUR TEA: https://www.whimsytea.shop/product/breakfast-with-the-boss/535?cp=true&sa=true&sbp=false&q=false BUY SOME MERCH! https://www.reverieapparel.shop/frn Email the show at frontrowlasso@gmail.com Follow on Twitter at twitter.com/PBBFRN Join the Facebook group at https://www.facebook.com/groups/3161086474176010 --- Support this podcast: https://podcasters.spotify.com/pod/show/pbbfrn/support
AP Mike from THE BEST SHOW joins us once again for our #Noirvember episode and he's bringing Humphrey Bogart with him. Mike has chosen two wildly different takes on the Bogart persona from two of Hollywood greatest directors. First, it's the classic mystery that made Bogie a star with THE MALTESE FALCON from first-time director John Huston in 1941. Bogart is San Francisco private dick Sam Spade in this veritable blueprint for all the detective noir that followed it. Bogie is backed by an amazing cast with Mary Astor as femme fatale Brigid O'Shaughnessy; Petter Lorre as Joel Cairo; Sydney Greenstreet making his film debut at 62 years old as Kaspar Guttman; and Elisha Cook, Jr. playing shifty thug Wilmer Cook. All of these characters are on an existential quest the big, black bird--the stuff that dreams are made of--and several of them will do anything to get it. Then, Bogart goes grim dark in Nicholas Ray's IN A LONELY PLACE (1950). Bogie plays Dixon "Dix" Steele, a hasbeen Hollywood script writer with severe anger management issues. Dix is dragged in for questioning after Mildred, the hat-check girl he took back to his apartment, turns up murdered, and Bogie's wise-cracking ways take on an air of extreme menace as he jokes his way through the police interrogation. His neighbor, Laurel Gray played by Noir princess Gloria Grahame, falls for him despite the allegations because she saw that he didn't leave with the victim. But as Dix grows more violent and domineering, she, and the audience, start to question all that we've seen. Mike details the differences between the movie and the novel that it's based on. Eddie Muller's favorite film of all time. In our opening segment, we attempt to sort out the wreckage of our society, and our world, post-election before the conversation devolves into more recent movie recommendations. Cory really wants everyone to see CONCLAVE, while Bob says to get really high and watch HUNDREDS OF BEAVERS on Fandor or tubi. Meanwhile, Philena is plotting her escape to Ireland. With Robert Eggers' remake of NOSFERATU hitting theaters next month,OMFYS will be back next month for NOSFERATU CHRISTMAS. Movie critic Matt Zoller Seitz of MZS.press will join us to pair weed with FW Murray's original expressionist vampire epic from 1922 and Werner Herzog's 1979 remake with Klaus Kinski. Please subscribe so you don't miss it. Hosts: Cory Sklar, Philena Franklin and Bob Calhoun Greg Franklin is on assignment Old Movies for Young Stoners and TikTok Report themes by Chaki the Funk Wizard "Hard Times" by Mike Lisk & Chaki the Funk Wizard with additional dialog by George C. Scott "Smoke Jacket Blues" by TrackTribe and "The Black Cat" by Aaron Kenny courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com
With Halloween only 21 days away, folk horror blogger Rowan Lee joins us to discuss a pair of offbeat Brit horror movies with totally loaded casts. First, Peter Cushing discovers that the humanoid fossil he discovered in New Guinea transforms into the slimy embodiment of pure evil when you just add water in THE CREEPING FLESH (1973). In a film with f--d-up family dynamics, Cushing almost immediately injects cells from his creepy skeleton's newly formed flesh into his young daughter (Lorna Heilbron) in a hair-brained attempt to inoculate her against evil. Christopher Lee is Cushing's hyper-competitive half-brother who mismanages a mental hospital and decides that stealing the fossil during a rainstorm is a great idea. What could go wrong? Directed by Hammer veteran Freddie Francis (DRACULA HAS RISEN FROM THE GRAVE), who went on to late-career success as the director of photography of three David Lynch movies (ELEPHANT MAN, DUNE, THE STRAIGHT STORY) and Scorsese's remake of CAPE FEAR. Next, Christopher Lee teams up with the great Boris Karloff and 60s scream queen Barbara Steele in THE CRIMSON CULT aka CURSE OF THE CRIMSON ALTAR (1968). This one starts off with a bang with psychedelic sex parties and pagan sacrifices, so as Greg suggests, get high quick because the movie soon gives way too much screen time to Mark Eden as a dense antiques dealer looking for his brother where everyone is losing their minds (and articles of clothing) over anniversary of the burning of the witch Lavinia (Steele). I mean, um, Christopher Lee is right there! Also starring Michael Gough who played Alfred in the Tim Burton BATMAN movies. Both of our films today are from Tigon British Film Releasing Productions, the studio that released two folk horror classics: THE WITCHFINDER GENERAL (1968) and THE BLOOD ON SATAN'S CLAW (1971) along with some sex comedies. We also discuss folk horror and the pandemic with Rowan Lee and Bob saw MEGALOPOLIS! Check out Rowan's blog at https://theharvestmaidsrevenge.com/ Hosts: Greg Franklin, Philena Franklin and Bob Calhoun Cory Sklar is on assignment OMFYS theme, "Funky Frankenstein," and "Bigfoot Bonanza" by Chaki the Funk Wizard used with permission. "Pelagic" by Density and Time; "Black Mass" by Brian Bolger; and "Apocalyptic Echoes" by Jimena Contreras courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: AP Mike aka Mike Lisk joins us for a pair of Bogart classics with THE BIG SLEEP (1946) and IN A LONELY PLACE (1950).
EPISODE 55 - “Favorite Classic Films of the 1950s ” - 09/30/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1950s was a real transitional decade for classic films. As we got further away from WW2, and the Cold War began to rise up prominently, there was a cynicism across the land that influenced the content of many Hollywood movies. Films took on a grittier, more realistic feel, and the subject matters were darker and more controversial. It was the decade that sparked masterpieces like “Sunset Boulevard,” “All About Eve,” “From Here To Eternity,” “Cat On A Hot Tin Roof,” “A Streetcar Named Desire,” “Anatomy of a Murder,” “ Strangers on a Train,” “Shane,” and “High Noon.” Listen as Steve and Nan talk about some special 1950s films that inspire them. SHOW NOTES: Sources: TCM.com; IMDBPro.com; Wikipedia.com; NewYorkTimes.com RogerEbert.com Movies Mentioned: No Man of Her Own (1950), starring Barbara Stanwyck, John Lund, and Richard Denning; In A Lonely Place (1950), starring Humphrey Bogart and Gloria Grahame; A Place In The Sun (1951), starring Montgomery Cliff, Elizabeth Taylor, and Shelley Winters; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, Thelma Ritter, and Richard Kiley; Witness For the Prosecution (1957), starring Charles Laughton, Tyrone Power, Marlene Dietrich, and Elsa Lanchester; A Face In The Crowd (1957), starring Andy Griffith, Patricia Neal, Lee Remick, Walter Matthau, and Anthony Franciosa; Big Country (1958), starring Gregory Peck, Jean Simmons, Carroll Baker, Burl Ives, Charles Bickford and Charlton Heston; Indiscreet (1959), starring Cary Grant and Ingrid Bergman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In A Death in the Family, Jason Todd died. In A Lonely Place of Dying, we got our first look at Tim Drake. But what happened between? This episode, I take a look at some of the issues in the very brief set of issues following Robin’s death but before [...]
In A Death in the Family, Jason Todd died. In A Lonely Place of Dying, we got our first look at Tim Drake. But what happened between? This episode, I take a look at some of the issues in the very brief set of issues following Robin’s death but before [...]
Steve! (Martin).... also.. A Documentary in 2 Pieces. Friend of the podcast, Scott Rogowsky joins Adnan to discuss one of the strangest films in Cinephile history. Sick: The Life & Death of Bob Flanagan, Supermasochist. An all-time great dog name. Chris' trip to the Bahamas. Ramy Youssef: More Feelings. Adnan's gift for Bob Costas. In A Lonely Place. You don't always want to be the person initiating texts. Great middling by Adnan. Learn more about your ad choices. Visit megaphone.fm/adchoices
Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two LTS regulars were excited when I mentioned it. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two LTS regulars were excited when I mentioned it. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
In A Lonely Place (1950) by Bob Sham & Friends
Disturbing books are so often synonymous with horror fiction. While there are classics, nonfiction, memoirs and other genres that are 'disturbing' I've found horror tends to populate the tops and bottoms of these iceberg images that are popular online. Is there a level below, sinking deeper than the murky depths? I would say there is... I recommend In A Lonely Place https://amzn.to/3OXLDM5 for those who want to remain in the top two levels of books like this. There is the original version (I finally found it again!) of the image here https://imgur.com/a/3Y6UB5L as was posted by one 'shyplasterlord' on reddit a few years ago. It was in a thread on hundreds of them, but this iceberg floated to the top as it were :) For those interested in the PDF that goes along with the Degree of Horror video, it is here: https://nightface.ca/Peever-Writing-Horror.pdf and the video itself is here: https://youtu.be/vdt9il9zoks ✮✮✮✮✮✮ ▹ Bookworm decor is here! https://shop.typicalbooks.com/ ▹ All socials, the shop and news: https://linktr.ee/LydiaPeever ▹ Read books I wrote: https://amzn.to/3k20OY6 ▹ A list of horror books out each month: https://typicalbooks.com/newhorror ▹ Bookshop: https://bookshop.org/shop/typicalbooks to shop local! ▹ Music by ænorex: https://aenorex.com As an Amazon Associate, I earn from qualifying purchases when you use Amazon links here. If you prefer an alternative, try my Bookshop! Bookworm Central on Patreon ▹ https://www.patreon.com/typicalbooks I talk horror books; extreme horror, classic, slasher, gothic, and everything in between. Helping you find the next best horror book to read is the goal, and sharing new and old horror from my shelves and new releases is how! Horror, nonfiction and even true crime can be found here as I find that human beings are the scariest thing of all. ✮ Thank you! ✮
Nicholas Ray directs Humphrey Bogart and Gloria Graham. Bogie is Dix Steele, who should not be confused for Captain Picard’s hollowdeck alter ego, Dixon Hill. (Am I the only one who does that?) Bogie is not a detective, but a screenwriter suspected of murder. In A Lonely Place is considered one of the best film noir made, and Bogart and Graham give excellent performances. Shelly Brisbin with Judy Samelson, Randy Dotinga, Micheline Maynard and Nathan Alderman.
Nicholas Ray directs Humphrey Bogart and Gloria Graham. Bogie is Dix Steele, who should not be confused for Captain Picard’s hollowdeck alter ego, Dixon Hill. (Am I the only one who does that?) Bogie is not a detective, but a screenwriter suspected of murder. In A Lonely Place is considered one of the best film noir made, and Bogart and Graham give excellent performances. Shelly Brisbin with Judy Samelson, Randy Dotinga, Micheline Maynard and Nathan Alderman.
This episode of Darkness Weaves marks a milestone in the series. Beyond Any Measure is the last story in Wagner's horror collection In A Lonely Place. Our original mission statement was to cover this collection but we are going to move on to his other material. Up next, we will delve into the Kane stories. Thanks for checking this out and I promise you, if you dug these stories, you will also love the Kane stories. Intro / Outro: “Darkness Weaves” – Mike Hill
The Darkness Weaves Collaboration marches on. Karl and I have been exploring the work of Karl Edward Wagner, a prolific, yet obscure author of dark fantasy and horror. In this episode, we cover .220 SWIFT, one my favorite stories in the IN A LONELY PLACE collection. If you have been following us, please be sure to check out IN A LONELY PLACE, the Karl Edward Wagner collection brought to us by Valancourt Books. Intro: “Darkness Weaves” – Mike Hill Outro: “All Pigs Must Die” – Death in June
David Thomson chats to Paul Burke about the completion of his fictional trilogy - SUSPECTS (film noir), SILVER LIGHT (Westerns) & CONNECTICUT (screwball comedy). We also chat the American dream, actors, how fiction sheds light on life and vice versa.SUSPECTS: Noah Cross, Norma Desmond, Norman Bates, Harry Lime - short biographies of some of the most famous characters in the history of film noir. Thomson sketches in whole lives, lives as intense as the dreams put up on the screen. Then these characters start to meet each other outside the films as if they were real people with real needs and passions. The book is becoming a novel. The names and faces are familiar to us. All these disparate characters come together to form a kind of society. SILVER LIGHT: From 1865 to 1950, the American West, its rich, colourful characters, and its many faces - historical, mythic, and cinematic - are captured in the story of a reclusive, elderly photographer and her friend, a writer of Western comic books. Two characters dominate the novel's foreground: a Georgia O'Keeffe-like figure, photographer Susan Garth, shrewd, cantankerous, reclusive, and still self-reliant at 80, and her longtime friend Bark Blaylock, a western writer/filmmaker who may be Wyatt Earp's son. Silver Light artfully juxtaposes the brimming frontier of legend against a construct of the West as a constricted wilderness of the soul.CONNECTICUT: an enchanting yet haunting celebration of screwball romantic comedies. Now a trilogy is completed with Connecticut. Why Connecticut? Because that lovely, liberal state has been set aside as the resting place for every disturbed person in the nation! At first, this seems like an opportunity for meeting up with the merry ghosts of Cary Grant, Katharine Hepburn, Carole Lombard, William Powell and Margaret Sullavan. We get glimpses of Bringing Up Baby, My Man Godfrey and The Lady Eve. But then the wild comedy darkens as we realize that Connecticut itself is on the edge of a demented and cruel war that challenges all its inmates to keep seeing the comic side of mishap and madness.The trilogy is revealed not just as a set of dazzling stories. But a commentary on how far we have all been steered towards delightful but dangerous fantasies by the movies. Aren't we all screwball now? Is Connecticut safe to visit?Recommendations: Chinatown, The Killing, In A Lonely Place, Citizen Kane, Double Indemnity, Red River, The Searchers, Bringing Up Baby, Sullivan's Travels, My Man Godfrey, The Lady Eve. Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023&CWA Daggers 2023
This week we are talking about Albert Brooks' "Modern Romance", Humphrey Bogart's "In A Lonely Place", and the Elizabeth Berkley classic, "Showgirls". Yeah...it's a weird episode. Don't forget to follow us at: facebook.com/jaythomasofmix945 facebook.com/TheRewatchPodcast instagram.com/the_rewatch_podcast/ instagram.com/jaythomas416/
On January 6th, 1949 Lauren Bacall gave birth to their first child, Stephen Humphrey Bogart, named in honor of his character in To Have and Have Not. Meanwhile Bogart made Knock on Any Door and Tokyo Joe for his Santana Productions company. Both were moderately panned by critics. In 1950 he made Chain Lightning for Warner Brothers and In A Lonely Place for Santana. In A Lonely Place sees Bogart star as Dixon Steele, a troubled, violence-prone screenwriter suspected of murder. Gloria Grahame co-stars as Laurel Gray, his neighbor who soon falls for Dix. The film is considered among Bogart's best and perhaps a character with personality traits most like the real man. It was among a trio of films released that year, along with Sunset Boulevard and All About Eve, which comment on the dark side of Hollywood. Simultaneously, Bogart and Bacall looked for a vehicle on radio for their talents. Santana Productions partnered with the Frederic W. Ziv Company to develop a series called Bold Venture. It would be written by Morton Fine and David Friedkin, who famously wrote for Broadway is My Beat and Crime Classics. Bogart had long interest in starring in his own series, but had resisted due to the constraints of live radio. By 1950, due to widespread transcription, that was no longer an issue. He could do the show in takes and have music and sound effects added later. Three or four shows a week could be done, leaving Bogart and Bacall free for the rest of the year. Bogart plays Slate Shannon, hotel owner and owner of a boat called the "Bold Venture." Bacall, plays Sailor Duval, and Jester Hairson plays calypso singer King Moses. Shannon, based out of Havana, is always ready to rescue a friend in need or hunt down an enemy. Seventy-eight thirty minute shows were produced. The first show aired on March 26th, 1951. The Ziv Company distributed the series, putting up twelve-thousand dollars per episode. Bogart and Bacall were each paid four-thousand-dollars per show. Four-hundred twenty-three stations bought the series, paying weekly fees to Ziv ranging from fifteen dollars for small stations to seven-hundred-fifty dollars for big ones. Newsweek noted that although the series was set in Havana, it could just have easily been in Casablanca. While the series was first airing, the Bogarts were in Africa. Humphrey was set to star opposite Kathryn Hepburn in The African Queen.
Welcome to It's A Wonderful Podcast!! Obsession, suspicion and destructive melancholy in this beautifully bleak Noir on this week's main show as Morgan and Jeannine talk Nicholas Ray's layered adaptation of Dorothy B. Hughes novel, IN A LONELY PLACE (1950) starring a perhaps never better Humphrey Bogart and the always perfect Gloria Grahame in the tale of a downtrodden screenwriter who comes under suspicion for a murder, and his new love who slowly begins to question their relationship and whether he actually did commit the crime! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Bar Talk (our recommendations):Jessica is watching You Won't Be Alone (2022, dir. Goran Stolevski); drinking Burnside Oregon Oaked Rye.Damien is reading The Nineties by Chuck Klosterman; drinking Glenmorangie A Tale of Winter Scotch whisky.Ryan is reading In A Lonely Place by Karl Edward Wagner; drinking Shackleton Scotch whisky.If you liked this week's story, check out The Bleeding House (2011; dir. Philip Gelatt) or Revival by Stephen King.Up next: The Great Snow by Richard JefferiesSpecial thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out on Instagram, Twitter, Facebook, and at whiskeyandtheweird.com.
For January's prompt, to read a book published in a year ending in 3, Becca had us read The Charioteer by Mary Renault. It was published in 1953 and known for being one of the first popularly published novels about positive homosexual romance. Despite some language differences between two Americans in 2023 and a British woman in 1953, we really loved this story. For February's prompt of reading a western or pulp novel, we will first be reading True Grit by Charles Portis (western) and then either Odd Girl Out by Ann Bannon (pulp) or In A Lonely Place by Dorothy B. Hughes (noir). The first two are available on Hoopla, but you can find any at your local bookstore or library and read along with us! In this episode we also mentioned: Giovanni's Room by James Baldwin The City and the Pillar by Gore Vidal The Awakening by Kate Chopin
Twenty friggin' twenty three!!! The Abyss crew opens the year with a rough (but amazing) one when they discuss E.A. Petricone's short story We, the Girls Who Did Not Make It. Before taking on the heavy topic of abduction and murder they chat about This Place Rules on HBOMax, Strange Days, Smithy by Amanda Desiree, Karl Edward Wagner's In A Lonely Place, How to See Ghosts and Other Figments by Orrin Grey, Junji Ito's Black Paradox, The Laws of the Skies by Gregoire Courtois, and Glass Onion. Read We, the Girls Who Did Not Make It
Listen folks... I gotta keep it real with you. It's half past midnight as I write this episode description and I hate writing episode descriptions. So I'll just say thank you for listening, and check the spreadsheet for a list of what we cover, and go watch In A Lonely Place. You can follow Niamh on twitter @FoxmomNia and listen to faer other podcasts, Ghost Divers, Pondering Pootan, and Around the Long Fire by going to exportaud.io/ghostdivers, exportaud.io/pootan, and abnormalmapping.com/longfire. You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!!
Hosts Josh and Jamie and special returning guest Chris Cabin (of We Hate Movies) kick off Noirvember with a Robert Siodmak double feature of CHRISTMAS HOLIDAY (1944) and CRY OF THE CITY (1948). Next week's bonus episode is a patron-exclusive bonus episode on SUNSET BOULEVARD (1950) and IN A LONELY PLACE (1950), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:30 CHRISTMAS HOLIDAY // 13:30-1:13:22 CRY OF THE CITY // 1:13:22-2:16:10 Outro // 2:16:10-2:21:50 Josh talks STONE COLD with Chris and the other We Hate Movies boys: https://omny.fm/shows/we-hate-movies/stone-cold-with-josh-lewis MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
In this episode we're discussing Nicholas Ray's In A Lonely Place (1950) Learn more about your ad choices. Visit megaphone.fm/adchoices
Melanie and Ed love watching film noir and dishing on them. This week's movie: IN A LONELY PLACE (1950), starring Humphrey Bogart and Gloria Grahame. Mel and Ed make book recommendations with similar themes. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!
Brook and Sarah continue to learn about noir and hardboiled detective fiction with special guest Frances from the Chronicles of Crime online bookshop. Part 2 of 2. Reading list recommendations: Hardboiled Carroll John Daly, Three Gun Terry (Black Mask, May 1923) Carroll John Daly, Knights of the Open Palm (Black Mask, June 1923) Dashiell Hammett writing as Peter Collinson, Arson Plus (first Continental Op story) (Black Mask, October 1923) Dashiell Hammett, The Maltese Falcon (1930) Dashiell Hammett, The Thin Man (Redbook Magazine, 1933) Raymond Chandler, The Big Sleep (1939) Mickey Spillane, I, The Jury (1947) Ross MacDonald, The Drowning Pool (1950) Richard Stark (aka Donald Westlake), The Hunter, (1962) Lawrence Block, Eight Million Ways To Die, (1982) John D. MacDonald, The Deep Blue Good-Bye, (1964) James Crumley, The Last Good Kiss, (1978) Noir James M. Cain, The Postman Always Rings Twice (1934) Horace McCoy, They Shoot Horses Don't They (1935) James M. Cain, Double Indemnity (Liberty Magazine, January 1936 as a serial in the magazine) *Cornell Woolrich aka William Irish, It Had To Be Murder, (Detective Dime Magazine, May 1942) This became the Alfred Hitchcock film, Rear Window. *Cornell Woolrich, any short story or novel David Goodis, Dark Passage, (1946) Dorothy B. Hughes, In A Lonely Place, (1947) Fredric Brown, The Fabulous Clipjoint, (1947) Fredric Brown, The Screaming Mimi, (1949) Patricia Highsmith, Strangers On A Train, (1950) James Ellroy, The Black Dahlia (1987) Megan Abbott, Queenpin, (2007) Duane Swierczynski, The Blonde, (2006) Fuminori Nakamura, The Thief (2012) Roger Hobbs, The Ghostman (2013) Others George Pelecanos Ken Bruen Peter Temple Gary Discher Robert Crais Michael Connelly Charlie Houston Dennis Lehane Sam Wiebe Joe Id Philip Kerr For more information: cluedinmystery.com Instagram: @cluedinmystery Contact us: hello@cluedinmystery.com Music: Signs To Nowhere by Shane Ivers - //www.silvermansound.com
"I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me." The film noir series continues this week with 1950's IN A LONELY PLACE. Our classic film genius Rance Collins is back once again to help us break down the film, which stars Humphrey Bogart and Gloria Grahame. The film tells the story of a washed up screenwriter who gets mixed up in a murder investigation, and it's a surprisingly dark role for Bogart. Watch the film now on Amazon Prime if you haven't seen it. Links Rance's podcast, The Envelope Please Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions
"I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me." The film noir series continues this week with 1950's IN A LONELY PLACE. Our classic film genius Rance Collins is back once again to help us break down the film, which stars Humphrey Bogart and Gloria Grahame. The film tells the story of a washed up screenwriter who gets mixed up in a murder investigation, and it's a surprisingly dark role for Bogart. Watch the film now on Amazon Prime if you haven't seen it. Links Rance's podcast, The Envelope Please Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions
We are getting all emotional at The Speakeasy this week... We talk boats, alcohol, repressed feelings and more on this weeks episode! Even Jason's noir trailer voice makes a comeback! This weeks episode is the classic In A Lonely Place. Directed by Nicholas Ray Screenplay by Andrew P. Solt Edmund H. North (adaptation) Based onIn a Lonely Place 1947 novel by Dorothy B. Hughes Produced by Robert Lord Starring Humphrey Bogart Gloria Grahame Frank Lovejoy Carl Benton Reid Art Smith Jeff Donnell Martha Stewart Cinematography Burnett Guffey Edited by Viola Lawrence Music by George Antheil --- Send in a voice message: https://anchor.fm/speakeasy-noircast/message Support this podcast: https://anchor.fm/speakeasy-noircast/support
After a week off, Steph and Jeff look at In A Lonely Place. Dixon Steele is a successful screenplay writer (must be nice), who is suspected of murder - which is less nice...but might be worth it to be a successful writer...do those two go together? Anyway, this is a classic film noir that successfully subverts expectations (yes, it can be done). Check out the episode and then go watch the movie.
Talking 1950, Nicholas Ray and Humphrey Bogart classic, In A Lonely Place.
Bonus Episode! Ryan sat down remotely with best-selling horror author, Grady Hendrix to discuss his new novel, The Final Girl Support Group! Plus, they discuss their favorite slasher franchises, the difficulties of adapting a novel into a film, Ryan's accidental Grady Hendrix Shrine, and more! The Final Girl Support Group (audiobook read by Friday the 13th's Adrienne King!) Horrorstör (audiobook) My Best Friend's Exorcism (audiobook) Paperbacks from Hell (audiobook) The Southern Book Club's Guide to Slaying Vampires (audiobook) Grady Hendrix Follow Grady Hendrix on Twitter: @grady_hendrix Follow Grady Hendrix on Facebook: @grady.hendrix.9 Grady Hendrix's Podcast: Super Scary Haunted Homeschool! The other horror podcast mentioned: Jack of All Graves Murder books: My Sister, the Serial Killer by Oyinkan Braithwaite (audiobook) In A Lonely Place by Dorothy Hughes Indian Killer by Sherman Alexie Other Links Gibson's Bookstore Website Purchase Gift Certificates! Browse our website by Category! Donate to the bookstore! Check out our Events Calendar! Gibson's Instagram The Laydown Instagram Facebook Twitter TikTok Libro.fm (Our Audiobook Platform) Use the code “LAYDOWN” for 3 audiobooks for the price of 1! Email us at thelaydownpodcast@gmail.com
Matt Pinfield grew up loving all things radio which led to visits to the local AM station WCTC in New Brunswick at the age of ten, where he would sit in with the patient and supportive night jock, giving him the chance to learn everything he could about being a DJ and being on the radio. When Matt turned sixteen, he had his first chance to do a real live radio show on the Rutgers University radio station WRSU, where he would later become promotions director and music director. He also did summer shows on Princeton University's WPRB in the early '80s. Now with real on-air experience, Matt looked to the next level, which was getting a job at a commercial radio station.Matt got that chance in 1984, as a weekend/overnights/fill-in jock at WHTG- FM in Asbury Park NJ in 1984. He embraced the opportunity he had been given, and soon enough he secured a regular midday slot, quickly followed by the coveted afternoon drive. Matt's reputation as the most knowledgeable and respected music personality at the station led to a dramatic increase in listenership and helped put WHTG on the national map as one of the first alternative music stations anywhere, leading to the worldwide alternative music revolution to come in the early 90s.His next promotion took him to the position of Music Director at WHTG. During his tenure, his talent and personality were recognized by his peers and he was awarded the Gavin Award for Commercial Alternative Music Director of the Year back to back in '92 and '93, the first time anyone who was not in a major market had won the award. In early 1994, he was promoted to Program Director at WHTG.With his talent, personality and unmatched enthusiasm for music now making waves on a national level, he was approached by MTV, and they quickly recognized Matt was the right person to join their global brand. In ‘93, Matt did his first on-air MTV hosting on the show “120 Minutes” as a fill- in. Although he didn't get hired as the permanent host at that time, it was clear that this would be inevitable when a permanent slot opened up. No one knew the alternative music scene more thoroughly, or was respected more by the artists.In January of '95, Matt was named Manager of Music Programming for MTV, and was one of the committee of 10 who picked and programmed the videos and created specials for the channel in one of their most influential periods. Just months later, Matt was asked to start hosting “120 Minutes”, the cutting edge alternative music program on MTV.Due to his vast musical knowledge and relatable delivery, MTV research soon showed he was MTV's most loved and respected VJ. This quickly led to a dramatic expansion of his on-air responsibilities to include over the next 5 years over 15 regular shows, over 100 specials, and used his style as the template for the original MTV2 (M2), where he became that channel's first VJ.In the spring of '96. Howard Stern suggested that WXRK in New York City flip format from Classic to Modern Rock and asked them to hire Matt.Although they wanted him to do afternoon drive, because of his growing MTV schedule, he ended up doing a 4-hour free form New Music/Classic show called “The Buzz” which ran until the station changed format in the mid-2000s. Pinfield continued to do the show when he left MTV to move to LA in 2000 to broadcast from K-ROCK LA's studios. Matt's move to LA was to host and write the USA network TV show “Farmclub.com” which was on TV from 2000-2001 where A-list artists played live alongside unknowns who uploaded their music to the show's website. Interscope CEO and show creator Jimmy Iovine said, “it was a great show and idea…think Myspace and Facebook but way ahead of its time, when no one had broadband.”When the show finished, Matt moved back to NYC and was named Vice President of A&R and Artist Development for Rock at Columbia Records where he signed and oversaw the making of many gold and platinum recordsbetween 2001-2006.Matt continued hosting “The Buzz” on WXRK, New York, and was then hired to do the first weekly music interview show in HD by Marc Cuban for HDNET. “Sound Off With Matt Pinfield” lasted 4 seasons and featured interviews with artists from every music genre-Rock, Pop, Country, Hip-Hop, Jazz, andR&B.In May of 2008, Matt started doing morning drive for WRXP in NYC, a new station that fused modern and classic rock and remained with the station until it changed ownership and format in June 2011. In July 2011, MTV brought back Matt's signature show and changed the name to “MTV2's 120 Minutes With Matt Pinfield”. The show's return met with praise from over 250 publications and websites including The NY Times, The LA Times, Entertainment Weekly and Hollywood Reporter. The show aired weekly on Fridays.Matt has continued to host radio shows and specials for SiriusXM since 2003 on the Lithium, First Wave, Left Of Center (now SiriusXMU), and Volume channels. In 2014, he was elected to the Board of Governors of the Recording Academy and Grammys where he worked to help pass legislation on artists' songwriting and performance fair royalties compensation. He remained on the board until he moved to San Francisco to do the morning show on legendary rock station KFOG during 2016-17.Matt is the host of the classic rock history syndicated weekend radio show “Flashback” for Cumulus Radio Networks which airs on over 200 stations in the U.S. and Canada including KLOS in Los Angeles and KSAN in San Francisco. He also produces “The Hivecast with Matt Pinfield” which is a free podcast through iTunes and MTVHIVE.COM. Matt started a live streaming show to benefit MusiCares for the COVID-19 pandemic, called “In A Lonely Place with Matt Pinfield” featuring conversations with artists as diverse as Foster The People and Yungblud.Allison Hagendorf is the Global Head of Rock at Spotify, host of the brand new show on Spotify called Rock This, with Allison Hagendorf as well as a national television host/live announcer and music journalist. She is the official host of the world's most famous New Year's Eve celebration, Times Square New Year's Eve, seen by more than a billion television viewers across the globe. Allison also serves as the Live Announcer for both the MTV Video Music Awards and MTV Movie Awards, and is the host of Refinery29's “Be A Badass” series, The CrossFit Games Live Show, and The X Games Live on ABC and ESPN.Allison began her entertainment career in A&R at Sony Music's Columbia Records and Epic Records. She recruited new talent globally, and oversaw the album production for many artists including metal band, Lamb of God, whose single “Redneck” received a Grammy nomination for “Best Metal Performance.”Hagendorf then transitioned from working with bands in the studio to interviewing them on-camera. She hosted the live primetime music competition show on The CW Network, “The Next,” which was executive produced by hip-hop icon Queen Latifah, and featured superstar mentors: Gloria Estefan, Joe Jonas, Nelly, and John Rich. Allison also became the main host on Fuse, hosting numerous shows including “Top 20 Countdown” and “Grammys Live,” and traveled with Fuse across the country covering national music festivals such as Bonnaroo, Warped Tour, SXSW Music Festival, and Lollapalooza.She also hosted the first-ever live television broadcast of both The New Orleans Jazz & Heritage Festival and The Stagecoach Festival for AXS TV and co-hosted “Music Fridays” with supermodel, Chrissy Teigen, on MSG Network. Additionally, Allison has hosted a variety of shows on both VH1 and The Cooking Channel.Allison is also a health/wellness coach who has inspired thousands in her dual role as rock n roll expert and health advocate. She ascribes to positivity, knowing yourself, exercise, self-care, and emotional intelligence.She is the mother to son, Cole Hendrix, just six months old and married to health advocate, Brian Jaffe. They make their home in Los Angeles.
A trio of true Humpheads get together to talk about a portrait of a toxic relationship in Nicholas Ray's 1950 film IN A LONELY PLACE! swimfanspod.com
Kim and Tom discuss Netflix hit Army of the Dead, and Tom's new venture into classic cinema with Humphrey Bogart gem, In A Lonely Place. Follow us on Instagram: KilmFlub & kims.cinema.escape Music Credit: The Show Must Be Go by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4509-the-show-must-be-go License: http://creativecommons.org/licenses/by/4.0/
In episode 438, Chris Crespo and Drewster Cogburn do the thing and Chris reviews A Quiet Place Part II and also talks about Mare of Easttown, Gangs of London, Le Samorai, and In A Lonely Place, plus Drew reviews M.O.D.O.K. and Manhunt: The Nail Bomber! Support the show and remember to damn the man, save...
Back in 2017, Carrie and Jake went for a walk in the Eversgreen Forest, critiqued Veronica's negotiating techniques, explored a haunted attic, and went shopping on Glamazon. Join them in their travels on this week's episode of 'Living In A Van Down By The Riverdale', in which Love YA Like Crazy's Carrie and Jake discuss Riverdale Chapter 7: In A Lonely Place. The theme song is "JOSIE HAS THE UPPER HAND" by Josh Woodward. Free download: http://joshwoodward.com/
We're officially entering our third decade, and this year is a big one: All About Eve won the Oscar, but Sunset Boulevard is a bona fide classic - and Akira Kurosawa also released Rashomon in 1950 too. All three have stood the test of time, no doubt - but which of the three has best stood the test of time? Join Rachel Schaevitz and Aaron Keck as they discuss the year in cinema, the allure of seedy Hollywood stories, Bette Davis, Gloria Swanson, Toshiro Mifune, postwar pessimism, the return of Luis Buñuel, the artificiality of noir, and just how much of a jerk Humphrey Bogart really was - and then we dig into the data and the numbers (and our expert panel votes) to identify the best picture of 1950. The nominees are All About Eve, In A Lonely Place, Los Olvidados, Rashomon, and Sunset Boulevard. Who wins the Moonlight?
After a week off, Steph and Jeff look at In A Lonely Place. Dixon Steele is a successful screenplay writer (must be nice), who is suspected of murder - which is less nice...but might be worth it to be a successful writer...do those two go together? Anyway, this is a classic film noir that successfully subverts expectations (yes, it can be done). Check out the episode and then go watch the movie.
Nicholas Ray is a legendary director known for his emotional, incredibly influential output in the 1950s. From Humphrey Bogart's best performance with In A Lonely Place to James Dean's iconic turn in Rebel Without A Cause, Nicholas Ray was responsible for some of film's greatest moments. As Jean-Luc Godard explained, "Cinema is Nicholas Ray."But Ray's demons of drinking, gambling, and drug abuse helped lead him on a destructive course. With no one willing to hire him anymore, he took a job teaching film in upstate New York — and seized on the opportunity to make one more film, using his students as his novice film crew.If you like this episode, please subscribe, review it, and recommend it to a friend — the love and attention that everyone involved poured into it will quickly become apparent. And check out Nicca Ray's book, Ray by Ray: A Daughter's Take on the Legend of Nicholas Ray. See acast.com/privacy for privacy and opt-out information.
In the sixteenth episode of Season 2, Noir Means Noir, Kyle is joined by filmmaker Alejandro Etcheagaray and fellow critic Tyler Harlow (of the After the Credits blog) to discuss the heartbreaking tragedy between two lovers destined for isolation due to their far too damaged selves and a searing indictment on Hollywood celebrity and eccentricity in Nicholas Ray's In a Lonely Place.
Matt Pinfield is a music personality, TV host, radio DJ, and video DJ most notably for MTV and VH1. Matt also worked as Vice President of A&R and Artist Development for Columbia Records. A man of many titles, Matt Pinfield has lived more life than a dozen people combined could compare. Recently seven months sober, Matt joins Hilary and Jason this week to discuss his life in music and his own road to recovery. Matt always wanted to have a career in the music business, which he very successfully attained; however, the business began to cause a lot of problems in his personal life. Many times, the music industry and substance abuse go hand-in-hand and Matt discusses how he began to get caught up in the lifestyle of his career. He also talks about trying moments in his life that have tested his sobriety including a near fatal accident that occurred two years ago as well as the current isolation forced upon by COVID-19. Today, Matt is grateful to be alive and explains how being of service and staying active have been the true keys to his sobriety. He stresses, in a world full of negativity, it’s important to focus on the positive things and the positive people in it. You can find Matt on: - Instagram: @matthewpinfield - Twitter: @mattpinfield - Facebook: Matthew Pinfield Also, click the link to get Matt’s book, All These Things I’ve Done: My Insane, Improbable Rock Life! Check out Matt’s show, In A Lonely Place with Matt Pinfield, on YouTube! For more information on the Red Songbird Foundation, please visit: redsongbird.org If you are interested in donating to the Red Songbird Foundation, please visit: redsongbird.org/donate New episode every Thursday! Please subscribe, rate, and review! Listen on Apple Podcasts, Spotify, Google Podcasts, or wherever you listen to podcasts.
This week, we're heading to Alex Proyas' gothic, brilliant DARK CITY! Dan Reese joins me to talk about this modern sci-fi masterpiece starring Rufus Sewell, Jennifer Connolly, Kiefer Sutherland, and William Hurt. Blending film noir, horror, and sci-fi, this 1998 gem out-Matrixes THE MATRIX. Hosted by Steve Guntli Logo by Corinne Kempen Twitter: @rogerslistpodEmail: rogerslistpod@gmail.com Instagram: @rogerslistpodLetterboxd: https://boxd.it/7ESRsNext week's episode: In A Lonely Place
Tim and Jay talk film noir and Bogart; what noir has in common with Samson and Delilah; the ambiguity of noir's characters; and Tim laugh-cries over an episode of Wings that may or may not have happened. We mention In a Lonely Place, Casablanca, The Big Sleep, and The Maltese Falcon.Here's the book with the essay on noir by Eric S. Christianson.Opening music: "Let's Start at the Beginning," Lee RosevereClosing music: "Découvre moi," Marc Senet & Simon GrivotCome find us:WebsiteFacebookTwitterInstagram
This week we present In A Lonely Place, Nicholas Ray's loose adaptation of the Dorothy Hughes novel of the same name. The film stars Humphrey Bogart as a sour and often violent Hollywood screenwriter Dixon Steele. Dixon has been suspected of killing a coat check girl he hired to summarize a novel he was hired to adapt, though his neighbor Laurel, played by co-star Gloria Grahame, testifies that she saw him and the girl the night of the murder but does not believe that Dixon committed the crime. The two begin a romantic relationship and as they grow closer Dixon's violent behavior makes Laurel wonder if the man she loves could be a killer.---Find Cathode Ray Mission on Letterboxd at crmpodOr on Instagram at cathoderaymissionpodEmails us at cathoderaymissionpodcast@gmail.comFind Randy & Will on Letterboxd at Raygun Busch & Wolf DakotaOr on Instagram @raygun_busch and @will.scovill
Join Dani and Nick for the eighth episode of KINOTOMIC.In Episode 8 we will be discussing all things noir. First with In A Lonely Place, directed by Nicholas Ray and starring Humphrey Bogart, and then with Brick, a high-school noir directed by Rian Johnson and starring Joseph Gordon-Levitt.Vivian Sobchack quote from her essay 'Lounge Time: Postwar Crises and the Chronotope of Film Noir' (1998): “The noir world of bars, diners and seedy hotels, of clandestine yet public meetings in which domesticity and kinship relations are subverted, denied and undone, a world of little labor and less love, of threatened men and sexually and economically predatory women – this world (concretely part of wartime and postwar American culture) realises a frightening reversal and perversion of home and the coherent, stable, idealised and idyllic past of prewar American patriarchy and patriotism.” Leave a rating and a review, and THANK YOU for listening!!Twitter: @kinotomicContact us: kinotomic@gmail.com
A Phil Svitek Podcast - A Series From Your 360 Creative Coach
For over 5 years, Demetri Panos (@DemetriPanos), Marisa Serafini (@SerafiniTV) and I did a movie series called Anatomy of a Movie (https://bit.ly/3gksPn6). To call it a review series would be a huge disservice. As fans of movies, we gave our opinions but we also went into the behind-the-scenes making of aspects and tried to showcase our love of movies by helping bring to light how hard the filmmaking process truly is and what a miracle any movie that's made truly is. It's been a while since the three of us got together to talk movies online, but we felt this was a perfect opportunity to do so. In this episode, we each highlight three movies we think you'd enjoy watching at home during continued quarantine/stay-at-home orders. We give you a basic summary, some context for the film and most importantly, why we loved it. Afterwards, we do an "after-dark" segment where we basically go down memory lane. So join us and as you watch, please comment down below with your thoughts on any of the movies we discuss OR suggest a movie of your own. PS: If you'd love to see the band back together, please let us know and we'll figure out something moving forward. Thank you! PS: Here's the movies we selected: a re-watch of Jurassic Park, Your Name, In A Lonely Place, The Mandela Effect, Birds of Prey, The Farewell, The Descendants, Troop Zero and Star Wars: The Empire Strikes Back. Even though we listed them here, we encourage you to watch the full episode otherwise you won't know WHY we recommended these.
In this episode, Sarah and Megan cover a new show called Fatal Vows. We watched the episode In A Lonely Place. This episode is packed full of true crime goodness, or evil horrendousness, depending on your take. There is an ax murder, affairs, mysterious identities, missing people, massive drug addiction, bad choices and inappropriate pillows. Check out our website: https://www.buzzsprout.com/837988Instagram: @itsalwaysthehusbandTwitter: @alwaysthehubsEtsy Shop: https://www.etsy.com/shop/ItsAlwaysTheHusband?ref=seller-platform-mcnav Theme song by Jamie NelsonSupport the show (https://www.patreon.com/join/itsalwaysthehusband?)
Born right here in NYC at the very cusp of the Fin de Siecle, Christmas Day 1899, Humphrey DeForest Bogart came from a moneyed family as the scion of an early feminist suffragette. Intended to be brought up in "proper society", he blew his shot at Yale by tossing the headmaster into a local pond - his penchant for two fisted belligerence and a taste for strong, even "difficult" women present from an early age. "I wouldn't give you two cents for a dame without a temper," he once said... Joining the Navy at the height of the Great War, he came back from his experience "a liberal who hated pretensions, phonies, and snobs, defying both conventional behavior and authority"...very much a man after my own heart. Breaking into film in a recurring, even typecast role as a gangster of one sort or another (supposedly due to a resemblance to folk hero gangster John Dillinger, but I'm not seeing it), he worked that niche for 6 years and dozens of films before landing the role that made him a star: Sam Spade in John Huston's The Maltese Falcon. Following up with the much beloved Casablanca, it was his films with a certain someone that really cemented his position as a true Hollywood icon: To Have and Have Not. The Big Sleep. Dark Passage. Key Largo. It took him three bad marriages (the last of whom burned down their house, went after him with a knife and slit her own wrists several times) before he finally met his match in the sultry Lauren Bacall, who was both his longest and final spouse...and less than half his age. They met on the set of To Have and Have Not, and the heat carried offscreen, with the two remaining a couple through his death 12 years on. Always open about his issues with directors, actors and producers so often left on a pedestal, he both stood up rather openly against McCarthy's blacklist that was hitting so many in Hollywood at the time and even started his own production company (Santana productions), the working outside the system nature of which likely occasioned his run of far lesser (if occasionally much feted) final films, of which In A Lonely Place is easily the strongest contender. Further the man who coined the term "the Rat Pack" and dubbed the "PR director" of its earliest iteration (which included Bogie, Bacall, Sinatra and Judy Garland and her husband, among others), join us as we talk one of the true legends of the studio era, the inimitable Humphrey Bogart! Week 74: We’ll Always Have Paris – the films of Humphrey Bogart https://weirdscenes1.wordpress.com/https://www.facebook.com/WeirdScenes1https://twitter.com/WeirdScenes1 (@weirdscenes1)https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044
On this episode we present next door neighbors to Quentin Tarantino's latest divisive film (that opened to glowing reviews and box-office success... but real divisive!) ONCE UPON A TIME IN HOLLYWOOD with an officially sanctioned classic IN A LONELY PLACE and one Oscar contender miss in HOLLYWOODLAND. Programming this seemingly unfair fight is my co-host from 99 FROM 99, Ben Zuk, who states on this episode that all the value he attained from film school resides in this very episode. On that depressing note please subscribe to our podcast where we relive happier times and the films of 1999! Support what we do with bonus content and early episodes on Patreon Facebook/Instagram/Twitter: @warmachinehorse Letterboxd: @markasplayed And here are some other movie podcasts I host: 99 From 99 The Grand Gesture Mark As Played Original Remake Projecting Film Sober Cinema
Greetings! We introduce Dorothy Hughes' noir classic In A Lonely Place, discuss alcoholism in detective fiction for Subject Unknown, and dig up what we can about who Dorothy Hughes was and what made her tick. Join our Goodreads Group: www.goodreads.com/group/show/747867-point-blank Visit our Patreon: http://www.patreon.com/pointblankcrime Contact Us Facebook: Point Blank: Hardboiled, Noir and Detective Fiction Twitter: @pointblanknoir
Titus & Terry Teachout discuss In A Lonely Place, the 1950 Nicholas Ray noir, Bogart's most daring performance--a movie with a modern feel, with sophisticated adult characters, men & women, who nevertheless suffer great misery. We talk about Ray's talent for bending genre to tell stories that feel true to characters he establishes within genre. We also talk about film noir's connection to tragedy, to post-war America, & to our own times. Listen & share!
Humphrey Bogart gab mehrfach den Sam Spade, eine der wichtigsten Figuren des Film Noir und der Inbegriff des coolen Zynikers. Sein Dixon Steele hier in IN A LONELY PLACE funktioniert scheinbar genauso, nur ist die Coolness des in einen Mord verwickelten Drehbuchautors Fassade, der Zynismus Zeichen von krankhaftem Verhalten und mehr Selbstzerstörung, als Schutz vor der Welt. Nicholas Ray konstruiert um ihn herum einen cleveren, düster-traurigen Abgesang auf die amerikanische Nachkriegsgesellschaft und stemmt sich regelrecht gegen die Konventionen des klassischen Hollywood, ohne aber mit ihm zu brechen. Wir reden über die narrative Konstruktion, A- und B-Plot oder aber irgendwann den Protagonisten zu wechseln, unterhalten uns über die Noir-Elemente und ihre radikale Verwendung und wie der Film zwar ein Melodram ist, das Melodramatische aber auf eine meta-fiktionale Ebene verschiebt.
The career of Nicolas Ray boasts many films that are part of the cinematic canon, but it was his 1950 Film Noir In a Lonely Place that cemented his directorial sensibility and his appreciation of the fragile human condition. Starring an ageing Humphrey Bogart, in one of his most complex roles, and Gloria Grahame, who perhaps even surpasses Bogey in a performance that has the wit of Bacall, the emotion of Bergman and the sexiness of Hayworth. Screened in front of a full house in Hastings' Electric Palace In a Lonely Place provokes many interesting questions around sexual politics, representation, the dark side of Hollywood and how we understand cinema through the problematic structure of genre. For this episode, Dario interviews Professor Julie Grossman, director of Film Studies at Le Moyne College, upstate New York. Prof Grossman's book Rethinking the Femme Fatale contests the critical discourses that simplistically posit the female icon of Noir as an object of male fantasy and anxiety. There's also an accompanying blog by audience member and film teacher Peter Blundell for you to check out, should an hour and forty minutes not be enough for you. Show NotesProf. Julie Grossman, Le Moyne College, Syracuse, NY. Library of America entry on In a Lonely Place Ed Gonzalez Review in Slant Serena Bramble in Senses of Cinema Gaby Wood on In A Lonely Place for LRB
This week’s episode is the second viewing of one we haven’t seen in quite some time. In A Lonely Place takes place in season 5. The good ship D-Jen is just about to pull into port after a short but sexy trip out to sea. Ms Potter (if you’re nasty) just had a harrowing experience […]
Part 1: Zach, Lydia, Andrew and Nathan discuss movies they saw this week, including: Call Me By Your Name, Lady Macbeth and Brawl in Cell Block 99.Part 2: Zach and Andrew discuss their first time favorite films from 2017, including: Floating Weeds, Leave Her to Heaven, In A Lonely Place and Cemetery of SplendourSee movies discussed in this episode here.Facebook: www.facebook.com/cinemataryTwitter: twitter.com/cinemataryLetterboxd: letterboxd.com/cinematary/Mixcloud: www.mixcloud.com/Cinematary/Stitcher Radio: www.stitcher.com/podcast/cinematary-2★ Support this podcast on Patreon ★
We've unearthed an old Humphrey Bogart starring...classic? I guess? Hmmm... The year is 1950, the name of the movie is In A Lonely Place!!
Just in time for the new season of Riverdale that starts on Wednesday, this week’s One Off goes back to Season 1, Episode 7, ‘In A Lonely Place’. Listen along as Steve and Dave share uninformed opinions about popular teen dramas from the 00s. Also of note: nobody uses the term “on fleek”. According to...Continue reading »
Just in time for the new season of Riverdale that starts on Wednesday, this week’s One Off goes back to Season 1, Episode 7, ‘In A Lonely Place’. Listen along as Steve and Dave share uninformed opinions about popular teen dramas from the 00s. Also of note: nobody uses the term “on fleek”. According to...Continue reading »
Just in time for the new season of Riverdale that starts on Wednesday, this week’s One Off goes back to Season 1, Episode 7, ‘In A Lonely Place’. Listen along as Steve and Dave share uninformed opinions about popular teen dramas from the 00s. Also of note: nobody uses the term “on fleek”. According to...Continue reading »
On today's podcast adventure, Adolfo and Mark discuss the 1954 Alfred Hitchcock classic: REAR WINDOW! On this week's show:An in-depth discussion of Disney World ParksJedis are gender neutralAdolfo's favorite Hitchcock filmThelma Ritter: The MVPThe inevitable “Simpsons” discussionHow sound plays such an important role in the filmHitchcock's growing pains in cinemaThe movie is completely set up in the first two minutesThe believable cast of characters in the courtyardHow the film turns the audience into voyeursGrace Kelly at the peak of her Grace KellyHow Hitchcock places doubt in the viewer's headLars Thorwald is more sinister being kind to a dog than being cruel to itHow long does it take to walk up a flight of stairs?How Hitchcock makes you feel bad for the killer Sacrificing realism for suspenseAn exercise in reaction editingDifferences to the original short storyHitchcock likes to get around the censorsThorwald and Jeff mirror each other“It's almost as if it's being written for us”The camera as a phallic symbolThe made for TV Movie remake starring Christopher ReevePLUS CONVERSATIONS ON:WINGS (1927)THE LODGER: A STORY OF THE LONDON FOG (1928)THE MAN WHO KNEW TOO MUCH (1934)THE 39 STEPS (1935)SABOTAGE (1936)THE ADVENTURES OF ROBIN HOOD (1938)THE LADY VANISHES (1938)HIS GIRL FRIDAY (1940)IT'S A WONDERFUL LIFE (1946)IN A LONELY PLACE (1950)DIAL M FOR MURDER (1954)A MAN ESCAPED (1956)VERTIGO (1958)NORTH BY NORTHWEST (1959)PSYCHO (1960)“THE SIMPSONS” BART OF DARKNESS (TV Episode 1994)REAR WINDOW (1998)DISTURBIA (2007)AVATAR (2009)GUARDIANS OF THE GALAXY VOL. 2 (2017)LINKS:The Essential Films: essentialfilmspodcast.comRear Window 1998 TV Movie: https://www.youtube.com/watch?v=0bqrzWLRNEwSteamboat Bill Jr. (1928): https://www.youtube.com/watch?v=BUNZPHbwA-USOCIAL MEDIATWITTER: @EssentialFilms, @FPMoviePodcast, @Adolfo_Acosta, @Sportsguy515FACEBOOK: The Essential Films: https://www.facebook.com/The-Essential-Films-130585803634489/?fref=ts
Noah and Kyle are joined by special guest Kat as they discuss Riverdale Chapter 7 "In A Lonely Place". The search for Polly escalates to full-blown manhunt as both the Coopers and the Blossoms rally. Meanwhile, Veronica must deal her waning trust in her mother, and Jughead tries to reconnect with his father, FP Jones, with some help from the Andrews.
Humphrey Bogart stars as Dix, a Hollywood writer with a bit of a drinking problem. An abuse problem. An anger management problem… Okay, so he’s got a lot of problems. He really is…In A Lonely Place.
Nicholas Ray is now one of my top ten favorite filmmakers of all time. I had seen REBEL WITHOUT A CAUSE when I was younger, but it wasn’t until recently that I went back to check out about a half a dozen of his films back-to-back. I realized the more that I watched, the more I responded to his work thematically. Joining me once again to talk about this legendary director is returning guest Sergio Mims, one of the smartest critics I know. And boy does he have some stories to share throughout our conversation that made my jaw drop. We go through several titles including THEY LIVE BY NIGHT, IN A LONELY PLACE, ON DANGEROUS GROUND, JOHNNY GUITAR, REBEL WITHOUT A CAUSE, and BIGGER THAN LIFE. Sergio also mentions a couple of other films worth seeking out. Nicholas Ray has lead quite the life, and we dive into a lot regarding the man and his movies, both on-screen and off. I really think you’ll enjoy this one, even if you’re not familiar with the man’s work. 00:00 – 05:13 – Introduction 05:14 – 19:14 - Introduction with Sergio 19:15 – 20:04 - Director Song 20:05 – 52:14 - They Live By Night, In A Lonely Place 52:15 – 01:13:19 - On Dangerous Ground, Johnny Guitar 01:13:20 – 01:58:27 - Rebel Without A Cause, Bigger Than Life 01:58:28 – 02:17:23 - Top 3 Films / Outro I will be taking a couple weeks off from this podcast. When I return it’ll be in mid-late September alongside Chris Olson, as we explore the work of another legend: Roger Corman! Until next time, please send your emails to directorsclubpodcast@gmail.com. Visit: http://nowplayingnetwork.net and check out the archives: http://directorsclubpodcast.com. Hope to hear from you during my break!
Topic: In A Lonely PlaceGeek: EmilyWe're doing more film noir this week, with another of the greats of the genre: Humphrey Bogart.I more or less stumbled on "In A Lonely Place" by accident. I was in the midst of a weekend-long Bogart marathon (a reasonable life choice that I strongly recommend), wandering around his IMDb credits, and this one's description intrigued me. Boy was I right.Bogart plays a screenwriter who hasn't had a hit in years and ends up accused of murder. But did he do it? Unclear. It's a dark role, and he shines. You'll have to listen to find out if Eric liked it as much as I do. See acast.com/privacy for privacy and opt-out information.
The zombies are coming! Grab a knife and a gun, get in your car, lock the doors and pray that your iPhone is charged so that you can listen to this podcast.Is that a sound survival strategy? Nope. But really, most of us would not last a day in a real zombie apocalypse. That's why we love shows like this week's topic, "The Walking Dead."And since the show is filmed in Emily's state of Georgia, she had to watch it.Can't listen right now because you're too busy looking for a friend who has a crossbow? Then subscribe to Giant Geek vs. Mega n00b on iTunes!You can stream "The Walking Dead" on Netflix, or buy episodes on iTunes, Amazon or Vudu. For this discussion, we watched only the first two episodes of season 1, which are called "Days Gone Bye" and "Guts."To share your zombie survival plan or weigh in on anything else we discussed this week, email us at geekvsn00b@gmail.com. And you should follow us on Twitter and like our Facebook page.We'll be back next week to talk about "In A Lonely Place." See you then! See acast.com/privacy for privacy and opt-out information.
While it can be fun to talk to critics who spend their time keeping up with contemporary cinema, Peter is glad to bring on Imogen Sara Smith, who has always dived into cinema's past worlds. The author of Buster Keaton: The Persistence of Comedy and In Lonely Places: Film Noir Beyond the City talks about her initial love of film via the Great Stoneface, her desire to write long in order to thoroughly engage with a topic, and her love of Pre-Code's subversive pleasures. The two also dive deeply into the many ends and odds of the strange cycle of film noir, engaging with questions of genre, psychology, and some underrated hits, before ending with one of noir's canonical masterpieces: Nicholas Ray's In A Lonely Place, a film so brutal in its depiction of love by being at first so intoxicating. 0:00-1:24 Opening2:15-5:12 Establishing Shots - In The Mouth of Madness5:28-10:18 Listener Feedback11:03-1:12:57 Deep Focus - Imogen Sara Smith1:13:56-1:36:45 Double Exposure - In A Lonely Place (Nicholas Ray)1:36:47-1:39:19 Close / Outtake
Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com.
Mark Cosgrove discusses auteurs – Michael Haneke and Wim Wenders.
#PollyCooperKilledSamGold and it is up to Ryan and special guest co-host Matthew K. Begbie to find her! Join Ryan and Matt as they break down the seventh episode of Riverdale, "In A Lonely Place."
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