Podcasts about ridicule

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Au menu de la troisième heure des GG du mercredi 28 mai 2025 : "Un congé pour deuil d'animal : indispensable ou ridicule ?" avec Didier Giraud, éleveur de bovins, Emmanuel de Villiers, entrepreneur, et Joëlle Dago-Serry, coach de vie.

Les souliers de Justin Trudeau volent la vedette! Retour sur la visite royale. Les oppositions réagissent à la visite du roi Charles III. La SAAQ au bord du gouffre. La rencontre Abdelfadel-Dumont avec Yasmine Abdelfadel et Mario Dumont. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Satire is a funny, aggressive, and largely oppositional literature which is typically created by people who refuse to participate in a given regime's perception of itself. Although satire has always been a primary literature of state affairs, and although it has always been used to intervene in ongoing discussions about political theory and practice, there has been no attempt to examine this fascinating and unusual literature across the full chronological horizon. In State of Ridicule: A History of Satire in English Literature (Princeton University Press, 2025), Dr. Dan Sperrin provides the first ever longue durée history of political satire in British literature. He traces satire's many extended and discontinuous trajectories through time while also chronicling some of the most inflamed and challenging political contexts within which it has been written.Dr. Sperrin begins by describing the Roman foundations and substructures of British satire, paying particularly close attention to the core Roman canon: Horace, Persius, and Juvenal. He then proceeds chronologically, populating the branches of satire's family tree with such figures as Chaucer, Jonson, Dryden, Swift, Pope, and Dickens, as well as a whole series of writers who are now largely forgotten. Satire, Dr. Sperrin shows, can be a literature of explicit statements and overt provocation—but it can also be notoriously indirect, oblique, suggestive, and covert, complicated by an author's anonymity or pseudonymity. Dr. Sperrin meticulously analyses the references to transient political events that may mystify the contemporary reader. He also presents vivid and intriguing pen portraits of the satirists themselves along the way. Dr. Sperrin argues that if satire is to be contended with and reflected upon in all its provocative complexity—and if it is to be seen as anything more than a literature of political vandalism—then we must explore the full depth and intrigue of its past. This book offers a new starting point for our intellectual and imaginative contact with an important and fascinating kind of literature. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

We have spent nearly a century trying to make another gangster movie this good and some could argue we haven't done it yet. Being released before the Hay's code allows this movie to really speak it's mind and it does. With its loud commentary about the state of the US, strong female characters, sex, openly gay characters and nuance this movie is the perfect reminder of what the code took from us. It's a cliche for a reason, they don't make them like they used to. THE HAYS CODE:  The "Don'ts" (Absolutely Forbidden) Profanity, including "God," "Jesus," or "hell" used irreverently. Nudity, in any form (including silhouettes). Illegal drug use. Sexual perversion (code word for homosexuality, fetishism, etc.). White slavery (human trafficking, especially of white women). Miscegenation (interracial romantic or sexual relationships). Scenes of childbirth, in fact or in silhouette Ridicule of clergy. Willful offense to any nation, race, or creed. The "Be Carefuls" (Sensitive Topics Requiring Caution) Use of firearms. Theft, robbery, and safe-cracking. Brutality and gruesomeness. Techniques of murder. Sympathy for criminals or crime success Adultery, if presented sympathetically or explicitly. Seduction. Sexual relationships outside of marriage. Excessive kissing or lustful embraces. Drunkenness, especially if humorous or sympathetic. Use of liquor in the presence of children. Mocking the law or law enforcement. Revenge in modern times as a moral justification. Surgical operations, unless essential to the plot. Cruelty to animals. Apparent cruelty to children. Chapters 00:00 Introduction to Midnight Local and Pre-Code Cinema 06:01 The Evolution of Film Acting and Cagney's Influence 11:58 Character Development: Tom Powers and His Journey 18:00 Prohibition Era and Its Influence on the Film's Narrative 23:57 Censorship and Its Impact on Film and Society 30:03 Character Development and Censorship in Film 32:44 The Rise of Cagney and Blondell 37:05 Iconic Scenes and Their Backstories 40:39 War and Morality in Cinema 49:13 The Introduction of Jean Harlow 57:18 The Impact of Realism in Film 01:00:26 Buster Keaton and Physical Comedy 01:09:00 The Evolution of Gangster Films 01:25:29 The Legacy of James Cagney and Film History Learn more about your ad choices. Visit megaphone.fm/adchoices

Avec : Emmanuelle Dancourt, journaliste indépendante. Jérôme Lavrilleux, propriétaire de gîtes en Dordogne. Et Frédéric Hermel, journaliste RMC. - Après le succès d'audience rencontré cette année, Estelle Denis repart pour une nouvelle saison. Toujours accompagnée de Rémy Barret et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

Rep. Mark Pocan (D-WI) exposed Treasury Secretary Scott Bessent as the Trump sycophant he is, refusing to acknowledge that Americans pay Trump's tariffs to pay for tax cuts for rich people.

Resources to Click· “How Then Shall We Mock?: Ten Principles for Wielding the Sword of Holy Satire”- Clinton Manley· “The Serrated Edge of Scripture: How God Uses Satire” – Clinton Manley· “Humour” – G.K. Chesterton· “On Satire, Moods, And What We're Known For” – Joe Rigney· “Letter XI: To the Reverend Fathers, The Jesuits” – Blaise Pascal·  “Against the Valentinians” – Tertullian· “The Right to Ridicule?” – Michael J. Ovey· “And Wilson, Almost Suitably Abashed, Responds” – Doug Wilson· “The Use of Satire in the Book of Isaiah and in Christian Ministry” – Tom Woolford· “When Should Christians use Satire?” – John Piper· Theme of the Month: Wise Words: Simple, Salty, Sacred· Give to Support the Work Books to Read· Fool's Talk: Recovering the Art of Christian Persuasion – Os Guinness· “Satire” in the Dictionary of Biblical Imagery – Leland Ryken, James Wilholt· God Mocks: A History of Religious Satire from the Hebrew Prophets to StephenColbert – Terry Lindvall· A Serrated Edge: A Brief Defense in Biblical Satire and Trinitarian Skylarking – Doug Wilson· The Problem of Pain – C.S. Lewis· Mere Christianity – C.S. Lewis· Leadership and Emotional Sabotage – Joe Rigney· Orthodoxy – G.K. Chesterton

The FC crew break down Real Madrid's reaction to comments from the referees of the Copa del Rey final and criticize the club for their continued pressure of the match officials this season. Plus, the guys preview the El Clasico final and look ahead of this weekend's FA Cup ties. Stewart Robson also reacts to Patrice Evra calling out Luis Suarez to an MMA fight. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cote de crédit: Legault se veut rassurant. Québec songe à interdire le cellulaire dans les écoles. Des soins à domicile et autobus et à pied? Sondage Léger. Où sont les chefs? Retour du « Ice Bucket ». Tout savoir en quelques minutes avec Alexandre Dubé, Isabelle Perron et Mario Dumont. Abonnez-vous à QUB télé via https://www.tvaplus.ca/qub ou écoutez ce segment en balado via https://www.qub.ca/radio/balado/mario-dumont Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Bienvenue sur Happy Work Express, le podcast quotidien qui vous livre des chiffres étonnants et des anecdotes sur le monde du travail en quelques minutes. Happy Work Express est une version quotidienne et plus courte de Happy Work, le podcast francophone audio le plus écouté sur le bien-être au travail et le management bienveillant.Que vous soyez salarié, manager ou à la tête d'une entreprise, Happy Work Express vous apporte chaque jour des informations pertinentes et surprenantes pour éclairer votre journée de travail.Chaque épisode vous offre un regard neuf sur des statistiques clés, des tendances actuelles et des faits insolites qui façonnent le monde professionnel. Être manager ou managé, ce n'est pas toujours simple... mais ces chiffres vous montreront que vous n'êtes pas seul.e.s.devenir un meilleur manager ou un meilleur managé... c'est parfois simple comme un chiffre ;-)Abonnez-vous dès maintenant et enrichissez votre quotidien avec Happy Work Express !Si vous êtes sur Apple Podcast... n'oubliez surtout pas de mettre une étoile à Happy Work management carrière Soutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'AS Saint-Etienne s'est imposé face à l'OL 2-1) au terme d'un derby historique marqué par de nombreux rebondissements. L'ASSE réalise la bonne opération pour le maintien tandis que Lyon marque le pas dans la lutte à la Ligue des Champions. Avec un doublé de Stassin, un rouge accordé puis annulé au buteur stéphanois et l'arrêt du match pour un jet de projectile sur l'arbitre assistant, ce derby restera gravé dans les mémoires mais est-ce un match dingue ou ridicule ? Le WFC revient sur ASSE - OL.

KC [Passion Week] Jesus and Our Sin (r) - Ridicule / Pastor Daniel So / Luke 22:63-65 (2025-04-16) by One Hope Church

durée : 00:18:34 - L'interview de 9h20 - par : Mathilde Serrell - L'acteur Melvil Poupaud explore son potentiel comique dans "Les règles de l'art", une histoire de braquage improbable inspirée de faits réels. Rencontre.

durée : 00:18:34 - L'interview de 9h20 - par : Mathilde Serrell - L'acteur Melvil Poupaud explore son potentiel comique dans "Les règles de l'art", une histoire de braquage improbable inspirée de faits réels. Rencontre.

Certaines personnes n'entrent pas aisément dans les cases. Si vous aussi, vous avez du mal à définir votre métier en un mot, cet épisode va vous permettre de vous sentir moins seuls !Jessie Kanelos Weiner est à la fois artiste illustratrice, professeure de peinture, auteure et comédienne américaine installée à Paris. Vous connaissez peut-être son travail à l'aquarelle qui a suscité l'intérêt de magazines – Vogue US, The New Yorker, T Magazine, The New York Times – et de marques comme Fragonard, Louis Vuitton ou Nespresso.Elle a co-écrit plusieurs guides illustrés à l'instar de New York à pied ou Paris à pied, est l'auteure d'une newsletter sur Substack et vient tout juste de sortir son dernier livre Thinking in Watercolor (Éditions Artisan), un manuel méditatif pour oser s'exprimer « en » aquarelle.Mais le plus étonnant au sujet de cette artiste c'est que lorsqu'elle n'est pas en train d'organiser un cours de peinture pour ses élèves ou une retraite à Paris pour les amateurs d'aquarelle, elle prépare ses vannes pour les scènes parisiennes de stand-up où elle joue plusieurs fois par semaine.Dans ce nouvel épisode du podcast de Lili Barbery, Jessie Kanelos Weiner raconte combien l'aquarelle lui a appris à s'ancrer dans le présent et accepter l'impermanence, et comment l'exercice du seul-en-scène a vaincu sa peur du ridicule. Si vous avez archivé un projet qui vous tient vraiment à cœur dans les tréfonds de votre cerveau, cette conversation précédée d'une courte méditation colorée va vous inspirer.Une production Les Podcasteurs, enregistrée et préparée par Laurent Aknin.Liens utiles au sujet de Jessie Kanelos Weiner :- Pour suivre Jessie Kanelos Weiner sur Instagram et connaitre les dates de ses prochains spectacles ou retraites d'aquarelle, c'est par ici : https://www.instagram.com/jessiekanelosweiner/- Pour la suivre sur Substack : https://jessiekanelosweiner.substack.com/- Le livre New York à pied est disponible ici : https://tidd.ly/41SOuwD- Le Livre Paris à pied est disponible ici : https://tidd.ly/42bZ9S5- Le livre Thinking in Watercolor (en anglais) aux éditions Artisan est disponible ici : https://tidd.ly/3XCGE7W Liens utiles au sujet de Lili Barbery :- Pour s'abonner à la newsletter de Lili, c'est ici : https://lilibarbery.substack.com/- Pour la suivre sur Instagram : https://www.instagram.com/lilibarbery/- Par email : contact@lilibarbery.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le «Jour de la libération» de Donald Trump. Quelle sera la réponse du Canada? Stellantis fermera pour 2 semaines son usine de Windsor TOUT SAVOIR EN QUELQUES MINUTES avec Alexandre Dubé, Isabelle Perron et Mario DumontPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Le «Jour de la libération» de Donald Trump. Quelle sera la réponse du Canada? Stellantis fermera pour 2 semaines son usine de Windsor TOUT SAVOIR EN QUELQUES MINUTES avec Alexandre Dubé, Isabelle Perron et Mario DumontPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Aujourd'hui, Élina Dumont, Étienne Liebig et Emmanuel de Villiers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

La rencontre Robitaille-Dutrizac avec Antoine Robitaille et Benoit Dutrizac. Antoine Robitaille et Benoit Dutrizac critiquent la décision d’Ottawa de renoncer aux contre-tarifs, au nom du pragmatisme économique. Pendant ce temps, Mark Carney grimpe dans les sondages malgré ses revirements, et la première ministre de l’Alberta, Danielle Smith, flatte le nationalisme québécois en adoptant un ton étonnamment complice.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Rachel Maddow looks at a string of bizarre headlines about Donald Trump's secretary of defense, Fox News personality Pete Hegseth, whose insistence on surrounding himself with close family while acting in his official capacity speaks poorly of his professionalism.

Aujourd'hui, Barbara Lefebvre, Didier Giraud et Flora Ghebali débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

This week Pastor Justin talks about the reality of the Battle of Obedience!   You can now see on our Youtube Channel by following this link: The Battle of Obedience (Seek First Pt. 4)   Important Points: Obedience in the midst of Ridicule! Obedience requires more than Words! Obedience trusts God's Timing!   Important Scriptures (NLT version unless stated otherwise):   Genesis 6:9-22 Genesis 6:14-16 Genesis 7:1-5

Congressman Dan Crenshaw (R-TX) attempted to ridicule progressives at his town hall as he discussed the made-up trans problem but instead articulated Conservative/MAGA closed-mindedness.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE

Un acteur du monde du foot est l'accusé du soir. Il est ensuite défendu avant le verdict du juge.

Kevin Hoyt brings on Dustin Nemos and a special forces Friend, Sander to talk about the crazy topics of the world. Real life experiences, NOT what someone else told us. It's OK to disagree, that's how we find the truth; buy talking and with logic. Learning involves listening also and that's HARD when it goes against what we are taught and usually just blindly believe. QUESTION AUTHORITY and each other - that's healthy!Source: GrassRootsWarriorNetworkhttps://rumble.com/c/GrassRootsWarriorNetworkOn Sale Now - CarbonShield60 Oil Infusions 15% OFFGo to >> https://www.redpillliving.com/NEMOSCoupon Code: NEMOS-(Coupon code good for one time use)

by Elder Chris McCool, Pastor (preached on December 4, 2024) As the Jews began to work on the walls of Jerusalem, the enemies of the Kingdom of God began to rise up in opposition. The enemy is always upset when the Kingdom of God prospers! One of the first kinds of opposition that arose was...

La première heure en intégralité de l'émission « Rothen s'enflamme », le rendez-vous qui vous plonge dans un vestiaire de foot. Tous les soirs, des anciens joueurs professionnels analysent et débattent autour de l'actualité du foot. Jérôme Rothen anime des

[EP 25-102] When all is said and done, DOGE will prove what many Americans have long suspected: a majority of Congress, both House and Senate, are on the take and have been for decades. They've enriched themselves off taxpayers through kickbacks, pay-for-play schemes, and outright theft funneled through federal agencies. So, the Left's full-court press against DOGE continues. Now, they're targeting Tesla dealerships in a coordinated effort to demonize Elon Musk. Clearly, this is an organized political attack, and the latest in their playbook to destroy anyone who dares challenge the regime.Just recently, MSNBC hosts laughed when a SpaceX rocket exploded ([reference needed]). What's so funny about that? Think about it. This wasn't some North Korean missile test failure. It was a historic attempt by one of the greatest minds of our time, a man who might be the Da Vinci of our era. Laughing at his setbacks is like mocking a scientist searching for a cure for cancer. The Left ridicules Musk because they can't control him. Ridicule is their last resort when all else fails. But how do you ridicule success?Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kevin-jackson-show--2896352/support.

Avec : Yael Mellul, ancienne avocate. Périco Légasse, journaliste à Marianne. Et Juliette Briens, journaliste à L'Incorrect. - Après le succès d'audience rencontré cette année, Estelle Denis repart pour une nouvelle saison. Toujours accompagnée de Rémy Barret et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

Analyse, reportage, décorticage : les GG vous expliquent le gros dossier de la semaine !

Entretien mené par Bruno Blairet Dans ce livre où la folie d'écrire produit « des milliers de ronds » dans l'eau de la mémoire, l'auteur de La Maison indigène prolonge l'exploration à la fois poignante et ironique de ses origines d'écrivain – afin de vérifier sans doute la fameuse hypothèse de Proust : « La vraie vie, la vie enfin découverte et éclaircie, la seule vie par conséquent pleinement vécue, c'est la littérature. » À lire – Claro, Des milliers de ronds dans l'eau, Actes Sud, 2025

Les Grandes Gueules ne savent rien de ce qui les attend... Et pourtant ils vont devoir débattre sur une actu qu'ils vont découvrir en direct !

It takes more than an, R; rating to save the world.By kittybeaver, in 5 parts. Listen to the ► Podcast at Explicit Novels. Of course he was good looking. In fact, 'good looking' was an understatement. 6'4" and 240 lbs. of muscle clad in tight blue jeans and an equally tight red t-shirt, he was intimidatingly gorgeous. Dirk Allen made his living as a male model, so Tina had expected intimidatingly gorgeous. Good thing for her she wasn't easily intimidated.If he hadn't been her assignment, she would've entertained the thought of seducing him. Sometimes, when global safety was at stake, seduction was part of her assignment, so she had that skill set. Tina knew how to accidentally position herself in a man's line of vision and show her figure at the best angle. She could purposefully make the random eye contact that somehow led to the chance connection. She knew how to suggest he come back to her place in such a way that it was obvious she'd "never done this sort of thing before." And she knew how to ride a cock. She would have been more than happy to prove that to male model Dirk Allen.Tina could picture him sprawled naked on her living room floor. In that picture she was straddling him, impaling herself on his engorged manhood, rocking her hips to a rhythm that made him whimper. She could almost feel his silky, raven black hair as she fisted it and pulled him up into a sitting position, encouraging him to suck and bite her breasts. Oh God, her breasts ached for the touch of his full, pouty lips."Keep on mission, Agent Blondell," an authoritative voice chirped from the small communicator tucked behind Tina's ear."Stay out of my bio readings, Fact-Tel," she snapped.Generally it was helpful to have an artificial intelligence with access to every database in the world at Tina's beck and call. Usually it was a good thing Fact-Tel monitored her vital signs, making sure she hadn't been poisoned or wasn't bleeding internally. But at that moment, when Tina's nipples were so stiff they cast shadows on her silk blouse, Fact-Tel's omniscient omnipresence wasn't helpful or a good thing."This is why I don't like working with biologicals," Fact-Tel muttered. "You all get distracted by the mere thought of reproduction.""Target is heading west on Spruce," Tina said as Dirk Allen disappeared from view. "Possible destinations?""I don't know," Fact-Tel groaned. "There's like 80 coffee shops between here and 22nd Street. He's probably going to one of those.""You're a big help. Thanks." Tina casually slid around the corner onto Spruce Street, catching sight of her target almost immediately. With his broad shoulders and tight ass, he stood out in a crowd."He's not good breeding material," Fact-Tel warned her. "Sure he's got perfect DNA, but all my research indicates he's a mama's boy.""Not looking to breed," she said while she slipped through the lunch crowd lining up at a sidewalk hot-dog cart."Do you really want Delia Villa-Allen as your mother-in-law?" the AI asked. "She is kind of evil.""We haven't proved that yet," Tina reminded him. "And I'm not in the market for a mother-in-law, or husband, for that matter."Love wasn't a luxury she could afford. As the number one agent for the SWSO, Tina Blondell didn't have time for date nights or boyfriends. All her time was spent protecting the public from people like Delia Villa-Allen, CEO of Villa Pharmaceuticals. If reports could be trusted, Villa-Allen had developed the formula for Delectiovenenum and was planning to use it to enslave the human race.It was Tina's mission to infiltrate Villa Pharmaceuticals, find out if those reports were true and, if they were, stop the fiendish plot before it could be completed. She hoped hunky Dirk Allen was, in fact, a mama's boy. If he was the sort of son who diligently listened while his mother complained about her workday then perhaps he knew a thing or two about Villa Pharmaceuticals' alleged illegal experiments and maybe, just maybe, Tina could trick him into giving up those secrets and helping her save the world.For the last block and a half, Tina had stealthily followed Dirk. She noted his every move, never taking her eyes off of him. But she did have to blink and it was in that half second of blinking that she lost sight of him. One moment he was there, the next he wasn't."Fact-Tel," Tina gasped. "Where'd he go?""I, um, Ahh, " the AI stammered."Hack into the surveillance cameras on the neighboring buildings," she ordered. "There's got to be something. He was just here.""Maybe that alleyway," Fact-Tel suggested, but Tina could tell from the tone of his mechanical voice he had nothing.Sure enough, the ally was a dead end. There wasn't a single male underwear model hiding behind the dumpster. Tina sighed with frustration. If the human race was enslaved it would all be her fault, hers and her stupid, blinking eyes."Check architectural plans and recent building applications," she said, knowing it was hopeless, but she had to try. "Maybe there's a hidden door somewhere."At that moment a gust of wind stirred the back of Tina's skirt, almost lifting it past her hips. She spun around and found herself not two feet away from the elusive Dirk Allen. By God, he was even better looking up close, what with his pale green eyes and chiseled jaw."Did my mother send you?" he asked.Tina's face stayed deadly serious, but in her mind she smiled. She knew how to get the information she needed. It would be as easy as picking up a one night stand at a sports bar."She's worried about you, Dirk," Tina said, her eyes filling with concern. "We all are."Of course, the cute, little blonde worked for his mother. Dirk couldn't have been more disappointed.When he had noticed her following him three blocks back he'd hoped she was a fashion model groupie. He never actually had a groupie stalk him before, but he had heard stories and they all ended in filthy, unnatural, hate-yourself-in-the-morning sex.There were a few things he didn't particularly like about himself, things that definitely fell under the category of "unnatural." Heck, he was going to hate himself in the morning anyway. For the past few months it had been his constant mindset. If he was going to feel like shit, Dirk might as well get laid first.And the blonde was just his type, petite but with ample tits and ass. Dirk was a big guy and he had large hands. For him to get a satisfying handful there had to be a lot there to grab. This woman had a lot and he wanted to grab it all and squeeze.But, she worked for his mom. Squeezing was inappropriate.If she had been a groupie he would have grabbed her ample ass. He would've lifted her by her ass and let her wrap her legs around his hips. He'd lean her against the filthy alley wall, because that's how she liked it, filthy. Reaching up her skirt, he'd push her panties out of his way and sheath himself in her slick, hot cunt."Oh Dirk, Dirk," she would pant as he'd start to move inside her. "More, harder, "The more he'd give her the more she'd beg until his thrusts made her breasts bounce so hard the buttons would pop off her shiny, purple blouse. She'd scream his name one last time before she came, her inner muscles gripping his cock and forcing him to shoot his load.That's what probably would have happened if the blonde didn't work for his mother, but since she did she was going to do what his mother usually did; look at him like he was a big disappointment." and that's why she's worried about you," the cute, little blonde said. "You don't seem to be able to focus.""What?" Dirk asked. "I'm sorry. I wasn't listening.""She's concerned," she said, her voice taking on a bit of an edge, "that you may have inadvertently told someone about the Delectiovenenum.""Is that an STD?" Dirk shifted uncomfortably. "She knows I'm clean. She gets the blood and urine samples every week."Over the past month or so he'd begun to wonder if maybe there was something wrong with his relationship with his mother. Perhaps all scientists regularly collected and studied their children's blood and urine, or gave them vitamin injections, or made them sit under the "health" lamp so their skin could absorb all the "health" rays. It was possible all the things his mother did were the actions of a normal loving parent, but Dirk was beginning to think there was some connection to the mysterious abilities he had recently developed.Could it be that the health rays were the reason he could move so fast no one could see him? Maybe the vitamin injections were what made him so strong he could lift a car with one hand. Dirk felt a sense of dread in the pit of his stomach when he pondered whether or not his mother had performed experiments on him. Had she turned him into a monster, albeit an extremely attractive one?"You stopped listening to me again," the petite blonde said, her cute little nose twitching with annoyance. "Didn't you?""No," he said with feigned confidence. "Well, maybe a little. You were talking about detective something.""De-lec-ti-o-ven-en-um," she repeated slowly, enunciating every syllable. "It's the militarized airborne aphrodisiac Villa Pharmaceuticals was ordered not to develop.""Was I supposed to know about that?" Dirk asked. "Sometimes I forget to listen when people talk to me, so occasionally I don't know stuff I'm supposed to know."The woman sighed as if all hope was lost. "Either you're brilliant or unfathomably stupid.""Let's go with brilliant," he said, "because I'm not sure what unfathomably means.""I'll just have to figure something else out," she mumbled while she started to walk past Dirk."Wait a minute." He grabbed her arm as a stray thought rattled around in his head. "What is a militarized airborne aphrodisiac? Is it like a gas that makes people fall in love with the army?""Not exactly," she explained. "It's a chemical that, when inhaled, causes an uncontrollable need for sexual contact, a need that one would be compelled to satisfy immediately. If used as a weapon on a population, it could break the will of the people."Dirk shifted from one foot to the other. "Part of me thinks this Delective thing is wrong." He stopped to adjust the front of his pants. "If we were to get dosed right now, you and me, I'd be okay with it. It'd be awkward later, but I'm used to awkward." He shoved his hands into his pockets. "On the other hand, if it hit while I was home with my dog, well, that would be traumatic for both of us. This sex gas needs to be stopped."The blonde studied him for a moment. "You're not so dumb after all.""That's what brilliant means.""I haven't exactly been honest with you, Dirk," she said, "but I need your help so I'm going to tell you the complete truth." An angry squawking noise suddenly erupted from the woman's ear. "Shut up, Fact-Tel," she spat. "I'm doing this.""That's a little weird," Dirk said to himself.The woman held out her hand to him. "I'm Agent Tina Blondell with the SWSO.""SWSO?" he asked as he shook her hand. "South West Student Organists?""Secret World Security Organization," she corrected. "We're concerned your mother may use Delectiovenenum on the city of Middleburg. Now, I know you don't think your mother could do something--""No," he interrupted. "That's totally something my mom would do. She's very sneaky and controlling in a creepy kind of way."Tina grabbed his hand. "I need your help, Dirk. I have to get into Villa Pharmaceuticals' headquarters. You think you can get me in?"Technically Dirk was no longer allowed at Villa Pharmaceuticals. Growing up he used to go there all the time, but when he was a teenager he'd done something which the family referred to as "The Donkey Incident" and since then he'd been banned. But he wasn't going to let that stop him from helping what's-her-name save the world."Sure can." He scooped the tiny blonde up in his arms. "Let's go right now." And with that he started to run.Tina didn't scream. She would have liked to say it was her training that helped her keep her head, but really there hadn't been time for her brain to process what was going on and even less time for her mouth to scream. One moment she was in the alley, cradled in Dirk's strong and solid arms. There was a blast of wind and then quite suddenly she was still in Dirk's arms, but also halfway across town, in another alley next to the Villa Pharmaceuticals corporate headquarters."What just happened?" she asked as she rapidly blinked, trying to restore moisture to her eyes."Ah, " Dirk set her down on her unsteady feet. "I probably should've mentioned this before. I kind of can run really fast." He pried his fingers between a metal door and effortlessly ripped it off its hinges revealing a cement stairwell. "I'm also kind of strong. I think my mom's been experimenting on me.""Interesting." She stepped into the stairwell and peered up. It was an emergency exit and the stairs disappeared into the dark distance above. They most likely led straight to Delia Villa-Allen's penthouse office."Don't trust him," Fact-Tel whispered in her ear. "He's a mama's boy."Tina reached up her skirt and un-holstered the pistol strapped to her thigh. "If it came down to helping me save the world or helping your mother control it, which side would you pick?" she asked. "And Dirk, I need you to be honest with me.""I'll be completely honest." He held up a finger. "One, I don't remember your name and two," he held up another finger, "my relationship with my mother is complicated. Obviously, I love her. She is my mother. But I'm in my late twenties. I should have a say in whether or not I'm experimented on and given freakish superhuman powers.""That didn't answer my question." She slipped the safety off her gun. "And you can call me Tina.""I don't want her controlling me," he said. "I definitely don't want her controlling the world. I'll help you, Tina." He stopped for a moment to think and then added. "If you're going to kill her I may need to leave the room.""Fair enough." Tina motioned with her head. "Can you use your powers to get me up to her office?""No problem. I can run you up the steps." He swept her into his arms again. "Besides the strength and speed, I also have inhuman stamina." He moved toward the stairwell, but stopped to add, "I'm not trying to brag. I'm just stating a fact.""Duly noted." Tina patted his biceps straining against the soft, red fabric of his t-shirt. She pressed her face against his chest as a way to protect her eyes from the moisture stealing wind of his inhuman speed. There was the added benefit of surrounding her senses with his scent, an intoxicating concoction of musk and Old Spice. If things went according to plan and they were able to save the world, maybe later she'd test his stamina and find out all that Dirk Allen was capable of doing."Dirk, honey, what are you doing?"Tina looked up to see an attractive middle aged woman in an impeccable business suit sitting behind a large mahogany desk. Delia Villa-Allen. Even if Tina hadn't studied her case file, she would have recognized her from all the magazine covers and cable news show appearances.Delia casually, almost too casually, turned off the monitor on her computer and shifted some papers on her desk before standing up. "Is this your way of telling me you have a girlfriend?" she asked. "She's not good enough for you.""No," Dirk blurted out. "This is, this is, ah, " He looked at Tina, his lips curving into an equivalent of a question mark. "I've forgotten your name again.""Tina Blondell," she reminded him as she gracefully slipped from his arms. "Dr. Villa-Allen, I have some questions I'd like to ask you.""Yeah," Dirk said. "like why did you perform experiments on me? Why did you turn me into a freak?""That actually isn't one of my questions," Tina tried to say, but Delia talked right over her."I did no such thing." The older woman m

durée : 00:07:04 - Le Masque et la Plume - Un Nosferatu (avec Lily-Rose Depp) qui manque sévèrement d'âme et d'inventivité selon nos critiques. Ils pointent également du doigt une esthétique surchargée, un vide narratif et un exercice de style stérile.

Jérôme Rothen se chauffe contre un autre consultant, un éditorialiste ou un acteur du foot.

RULES FOR RADICALS: "Power is not only what you have but what the enemy thinks you have.""Never go outside the experience of your people.""Whenever possible go outside of the experience of the enemy.""Make the enemy live up to its own book of rules.""Ridicule is man's most potent weapon. There is no defense. It is almost impossible to counterattack ridicule. Also it infuriates the opposition, who then react to your advantage.""A good tactic is one your people enjoy.""A tactic that drags on too long becomes a drag.""Keep the pressure on.""The threat is usually more terrifying than the thing itself.""The major premise for tactics is the development of operations that will maintain a constant pressure upon the opposition.""If you push a negative hard and deep enough it will break through into its counterside; this is based on the principle that every positive has its negative.""The price of a successful attack is a constructive alternative.""Pick the target, freeze it, personalize it, and polarize it."RESOURCES: https://commonslibrary.org/rules-for-radicals-by-saul-alinsky/ACCESS THE BOOK: https://archive.org/details/RulesForRadicalsSaulAlinskyOCR/mode/2upDONATE:www.pcrf.netGet Involved:Operation Olive Branch: Spreadsheets + LinksGET AN OCCASIONAL PERSONAL EMAIL FROM ME: www.makeyourdamnbedpodcast.comTUNE IN ON INSTAGRAM FOR COOL CONTENT: www.instagram.com/mydbpodcastOR BE A REAL GEM + TUNE IN ON PATREON: www.patreon.com/MYDBpodcastOR WATCH ON YOUTUBE: www.youtube.com/juliemerica The opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Le sujet fort de l'actualité foot du jour vu par Jérôme Rothen et la Dream Team.

Mark Willard and Ephraim Salaam recap a wild week 1 NFL Sunday with some questionable coaching decisions, strong starts, and even some ugly debuts. Mark and Ephraim also react to Sunday Night Football between the Rams and the Lions facing off in Detroit. Plus, the guys talk more about why the Deshaun Watson trade was the worst in history, why Antonio Pierce made some boneheaded decisions, rookie QB's making some solid and ugly debuts, and so much more!See omnystudio.com/listener for privacy information.

This week, Liza and Kara cover the SVU episode “Ridicule” (Season 3, Episode 10), the case of the "Manacled Mormon," and they are once again joined by the electric Diane Neal. SOURCES: The Guardian Wikipedia - Manacled Mormon case NBC Los Angeles The New York Times WHAT WOULD SISTER PEG DO: Tabloid - A film by Errol Morris Next week's episode will be “Dearly Beloved” (Season 20, Episode 19).  Support this podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/3yb7hqu Learn more about your ad choices. Visit megaphone.fm/adchoices