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On a recent wintry afternoon in Manhattan, Stephan Crump was doing what he has done countless times in the city—toting his upright bass, clad in a heavy black bag, along the sidewalk, as if he had a baby that was also a bear. Finding his car, Crump shimmied the instrument through the minivan's side, climbed into the front seat, exhaled, and then grinned. In less than 24 hours, he would fly to Portland to teach “On Magnetism,” a long-accreting class on connecting more deeply with yourself and others through your instrument, and to play solo at the city's jazz festival. But he knew he first needed to make the 40-minute trek from Brooklyn to Finlay + Gage, the legendary bass shop in Tribeca, to have his bass adjusted, so that he could make that connection himself. The sound post—that stout wooden dowel inside the bass that keeps it from collapsing on itself, and that the French call l'âme, or the soul—wasn't sitting quite right. “It's so personal, elusive, and mysterious. Yes, it's a mechanical thing, but it has so much mojo to it. That's why it's called ‘the soul,'” Crump explained several days later from Portland, noting that the hassle of the errand had been worth it. The bass felt good in his hands again. “It's this combination of sound and feel.” For a quarter-century now, pairing sound and feel have become Crump's ambit and expertise. A bassist and composer, collaborator and bandleader, Crump has become one of New York's most steadfast and experienced instrumentalists. He was the anchor of Vijay Iyer's foundational trio for 20 years, even as he developed a slew of imaginative ensembles of his own—the two-guitar Rosetta Trio, the Borderlands Trio alongside Kris Davis and Eric McPherson, the Secret Keeper duo with Mary Halvorson, just to sample. In all of these contexts, the act of bringing the rest of his life to the bass—the trauma and hope, the frustration and delight—remains Crump's primary motivation. It is, if you will, the soul of his playing. “All art is an expression of the artist's presence in that moment. Musicians need our evolving physical capabilities on the instrument and technical knowledge—how notes interact harmonically and melodically, transcribing our heroes, learning all that,” Crump said. “But in the act of making music, we need to allow that stuff to fall away, to not impose it on the music, to relinquish our defenses. We are sculpting energy as we make music, shaping magnetism.” In some ways, Crump's career is the fulfillment of his father's own youthful ambition. His dad toyed with turning pro as a jazz drummer, but he pursued architecture instead. (That's also how he met Crump's mother, who comes from a long line of French architects.) His devotion to jazz, though, didn't waver, and he would constantly play jazz classics—Monk, Miles, Coltrane, MJQ—in the family's Memphis home. Crump thinks that's where he fell for the bass, especially when the low-end would creep through old wooden walls at night. At his mother's behest, though, Crump's training started with piano, the Suzuki Method leading him through the classics and eventually to his all-time musical hero, Stevie Wonder. But at 13, Crump finally got his first bass, a MapleGlo Rickenbacker 4001 like that of another hero, Yes' Chris Squire. He joined a crackling power trio with his brother, later enlisted in a larger band, and then started his own group; they all gigged hard. Backpacking through Spain by himself after high school, however, he encountered an epiphany by the name of Dave Holland, playing in his mighty and future-facing quartet. The upright bass: That was Crump's future. His first was a dilapidated plywood model, collecting dust in a corner of Amherst College, where he'd in part gone to escape family turmoil down south. He'd intended to study physics and music, but he soon realized that his energy and enthusiasm belonged with the latter. That was helped along by a guitarist pal Crump met during his first few weeks at Amherst. He had connections in the West Village. Crump had the car. (“The bassist,” he half-joked, “always has the car.”) Most every week, they would drive the four hours south, link with high-caliber New York pros they'd hired, play until 2 a.m. or so, and head back to school. “That was really powerful and clarifying. It was thrilling to be 18 and gigging in New York. I got a taste for that level of musicianship, and I was doing more than just cutting it,” he said, smiling. “By the end of my first semester, I knew I was moving to New York as soon as I graduated.” That is precisely what Crump did. He used his paycheck from a month-long, fresh-out-of-college stint with the Tommy Dorsey Orchestra to rent his first Brooklyn apartment in 1994. He dove right in, roving the West Village with his bass, listening, and joining late-night jams that ended with the sun's arrival. He'd seal his shades with tape, sleep, and repeat. Crump, though, bristled at the scene's pervasive machismo, how some of the city's most vaunted players would put up walls to prevent revealing too much of themselves through their music. That's actually what he craved. Crump found others who shared his ardor, earnestness, and a belief in what jazz could show of and to a person. Those people, like saxophonists Chris Cheek and Miguel Zenón, helped shape his first albums. There was film score work and sessions and stages alongside singer-songwriters. In these concentric creative circles, he met a young singer, Jen Chapin, and fell in love. They got married in September 1999. After five years, the existence Crump had imagined for himself as a New York musician was happening. “My goal from the start was to come to New York and make a life in music—to make music that I loved, to learn and grow with amazing musicians,” said Crump. “I never set out to be a rock star, a jazz star. I just wanted to make music—real, deep, honest shit, you know?” Actually, Crump flirted with something at least like “jazz stardom” during a 20-year stint in Vijay Iyer's trio. Iyer cold-called Crump soon after moving to New York in 1999, on a friend's recommendation. They spent the next 20 years building the band into one of modern jazz's most successful units. It was a tremendous trip, of course, but it was again clarifying for Crump, revealing the sorts of bands he wanted to build outside of the Iyer orbit. He steadily realized that traditional jazz ensembles were not his preferred vehicle. The bass could get lost, its role restricted. And the power dynamics with such a clear and visible leader created an environment of dominance (again, often masculine) that he hoped to avoid. “Control and bravado keep you from deeper layers of experience and expression,” he said. “When you find yourself with a group of people who are willing to at least attempt ego dissolution and real communion, you have the opportunity for transcendence. You open a portal for each other and the audience—that's a service to society.” Crump has found those connections in so many contexts, emptying his feelings into his diverse ensembles. Rosetta Trio's bittersweet groove, for instance, emerged from little Fender Rhodes fragments he compiled in the months after watching 9/11 unfold with Jen from their Brooklyn roof. Open Wide, his 2002 set of duets with her, are intimate and entangled portraits of marriage's first few difficult, delightful years. The music of Rhombal—his celebrated quartet with Tyshawn Sorey, Adam O'Farrill, Ellery Eskelin—unfolded after the death of his brother, Patrick, the one who first brought him into a band back in Memphis. And Slow Water, his latest project built with a drum-less sextet of fascinating New York artists, hinges on the Memphis native's experiences with bodies of water around the world, his lifelong love of nature, and his worry about and hope for our collective future. “The acoustic bass is almost infinite as an instrument, sonically and expressively, but so much of that can get covered up in a traditional ensemble,” he said, turning toward his duos with saxophonist Steve Lehman and guitarist Mary Halvorson. “Those experiences gave me so much more room to explore the terrain of the instrument, its possibilities. That pushes you. It's the kind of scary environment you want to put yourself in.” When Crump talks about and teaches music, he doesn't discuss notes. Or rather, they are only the beginning, the technical basis for something that can and should be something much richer. Notes are vessels that the player then fills with their experiences, their ideas, their emotions, their essence. These are gestures, at least as he has put it for many years now, the basis of the music he wants to put into and get out of the world. In some significant ways, this echoes his childhood in Memphis, where his Southern grandmother instilled the value of a story well told, and where he worked alongside his uncle building furniture—really, sculptures of wood—that they would sand until the material seemed somehow to shimmer. (Crump's music stand was made by his uncle, Stephen.) It wasn't just an object or a story; it was a piece of work you invested yourself in until it became art. “A note is an abstract notion, meaningless without all of the human, spiritual stuff you can channel into it,” Crump said. “A gesture has the physical element, a sense of offering, a reflection of our presence through each unfolding moment.”
Stephan Crump is a Brooklyn-based bassist, composer, and educator whose work moves fluidly between groove, spacious sound-worlds, and collective improvisation. We dig into the making of Slow Water, the magnetism of deep feel, and how growing up in Memphis—and spending a lot of life near the Mississippi—shaped the way Stephan hears music as ecology, storytelling, and energy in motion. We talk about inspired listening walks, the ideas behind Erica Gies' book Water Always Wins (and what it means to let water—and music—meander), and Stephan's approach to leading ensembles. We also get into bass-life details, his time in Amherst and Paris, and much more. Check out Stephan on Instagram, his website, and Bandcamp! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg
Sound Travels 58 Playlist 01 10 25 1. Daniel Harris III - Front Street - Ubuntu (self-released) 2. Carmen Staaf - Koolbonga - Sounding Line (Sunnyside Records) 3. Baltimore Jazz Collective - Link to Lateef - Baltimore Jazz Collective (self-released) 4. HII Trio: Henrique Mota, Iury Batista, Igor Wilcox - Connections (feat. Bob Franceschini) - Connections (self-released) 5. Kelsey Mines - Pluriverse - Everything Sacred, Nothing Serious (OA2 Records) 6. Phylipe Nunes Araújo - Bixin - single (Farout Recordings) 7. Danny Janklow + Elevation Band - Dance of the Dragonfly - Balance/Eternal Realm (self-released) 8. Drew Williams Quartet - Fix Your Heart (or Die) Standard Quartet: Live at Weights and Measures (self-released) 9. Christian Cuevas Müller - Rebellion of the Pawns - Golden Gloom (self-released) 10. Louis Jones III - Sunlight - Motions (self-released) 11. Oriol Vallès - heh - Manteca Abtracta (The Changes Music) 12. V. Shayne Frederick - The Happy Medium - Treasures (self-released) 13. Stargazers - The Second Day - Stargazers (Night Dreamer) 14. Rastko Obradovic - Kanda - Mandala (A.MA records) 15. Space Travelers Union - Where Did I Put My Hokas? - single (self-released) 16. Mike LeDonne Groover Quartet - I Love Music - Turn it Up! LIVE at the Sidedoor! (Cellar Music Group) 17. Otherlands Trio w/ Stephan Crump, Darius Jones, Eric McPherson - Diadromus - Star Mountain (Intakt Records) 18. Nat Birchall - The Black Ark - World Without Form (Ancient Archive of Sound)
SIMÓN WILLSON QUARTET “FEEL LOVE” 19 de agosto de 2024, Astoria, Nueva YorkRepent, Leave Behind, Feel Love, Show You OutNeta Raanan (ts) Evan Main (p) Simon Willson (b) Kayvon Gordon (d) BORDERLANDS TRIO “REWILDER” Brooklyn, NY, May 24, 2023Commerce sunriseKris Davis (p) Stephan Crump (b) Eric McPherson (d) KASSA OVERALL “CREAM” c. 2024Freedom jazz dance, Big Poppa, C.R.E.A.M. Continue reading Puro Jazz 26 de septiembre, 2025 at PuroJazz.
SIMÓN WILLSON QUARTET “FEEL LOVE” 19 de agosto de 2024, Astoria, Nueva YorkRepent, Leave Behind, Feel Love, Show You OutNeta Raanan (ts) Evan Main (p) Simon Willson (b) Kayvon Gordon (d) BORDERLANDS TRIO “REWILDER” Brooklyn, NY, May 24, 2023Commerce sunriseKris Davis (p) Stephan Crump (b) Eric McPherson (d) KASSA OVERALL “CREAM” c. 2024Freedom jazz dance, Big Poppa, C.R.E.A.M. Continue reading Puro Jazz 26 de septiembre, 2025 at PuroJazz.
REZ ABBASI ACOUSTIC QUARTET “SOUND REMAINS” c. 2024 Presence, You areBill Ware (vib) Rez Abbasi (g,comp) Stephan Crump (b) Eric McPherson (d) Hasan Bakr (perc) TOMMY CRANE / DAVID BINNEY “THE ISLE” Montreal, PQ, Canada, 2023Canal Moms, It ain't magic, The isle of jam, Snow in VerdunDave Gossage (fl) David Binney (sax,synt,comp) Parker Shper (p,keyboards) Thomas Carbou (g) Levi Dover, Jordan Brooks, Logan Kane (b) Tommy Crane (d,comp) TIM HAGANS QUARTET “THE MOON IS WAITING” Maggies Farm, Pipersville, PA, March 3 & 4, 2011Ornette's waking dream of a woman, First jazz, What I'll tell her tonightTim Hagans (tp,flhrn) Vic Juris (g) Rufus Reid (b) Jukkis Uotila (d) Continue reading Puro Jazz 21 de agosto, 2025 at PuroJazz.
REZ ABBASI ACOUSTIC QUARTET “SOUND REMAINS” c. 2024 Presence, You areBill Ware (vib) Rez Abbasi (g,comp) Stephan Crump (b) Eric McPherson (d) Hasan Bakr (perc) TOMMY CRANE / DAVID BINNEY “THE ISLE” Montreal, PQ, Canada, 2023Canal Moms, It ain't magic, The isle of jam, Snow in VerdunDave Gossage (fl) David Binney (sax,synt,comp) Parker Shper (p,keyboards) Thomas Carbou (g) Levi Dover, Jordan Brooks, Logan Kane (b) Tommy Crane (d,comp) TIM HAGANS QUARTET “THE MOON IS WAITING” Maggies Farm, Pipersville, PA, March 3 & 4, 2011Ornette's waking dream of a woman, First jazz, What I'll tell her tonightTim Hagans (tp,flhrn) Vic Juris (g) Rufus Reid (b) Jukkis Uotila (d) Continue reading Puro Jazz 21 de agosto, 2025 at PuroJazz.
Today, the Spotlight shines On guitarist and composer Rez Abbasi.Rez's new album with his Acoustic Quintet, Sound Remains, puts steel-string acoustic guitar at the center of a deeply personal meditation on presence and impermanence. The album adds master percussionist Hasan Bakr to Rez's long-standing quartet with Bill Ware, Stephan Crump, and Eric McPherson, creating what Rez calls music where "often the only thing that remains is sound."The 2021 Guggenheim Fellow has spent decades finding his voice in jazz, blending his Pakistani roots with American musical traditions. Sound Remains, dedicated to his late mother, finds Rez returning to acoustic intimacy while furthering his exploration of mindfulness through music.(The musical excerpts heard in the interview are from Sound Remains by the Rez Abbasi Acoustic Quintet)–Dig DeeperVisit Rez Abbasi at reztone.com and follow him on Instagram and YouTubePurchase Rez Abbasi's Sound Remains from Whirlwind Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceRez Abbasi: Top 5 Must-Hear PicksDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On guitarist and composer Rez Abbasi.Rez's new album with his Acoustic Quintet, Sound Remains, puts steel-string acoustic guitar at the center of a deeply personal meditation on presence and impermanence. The album adds master percussionist Hasan Bakr to Rez's long-standing quartet with Bill Ware, Stephan Crump, and Eric McPherson, creating what Rez calls music where "often the only thing that remains is sound."The 2021 Guggenheim Fellow has spent decades finding his voice in jazz, blending his Pakistani roots with American musical traditions. Sound Remains, dedicated to his late mother, finds Rez returning to acoustic intimacy while furthering his exploration of mindfulness through music.(The musical excerpts heard in the interview are from Sound Remains by the Rez Abbasi Acoustic Quintet)–Dig DeeperVisit Rez Abbasi at reztone.com and follow him on Instagram and YouTubePurchase Rez Abbasi's Sound Remains from Whirlwind Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceRez Abbasi: Top 5 Must-Hear PicksDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Fosforo 1650: I brani della striscia numero 2 della settimana: Pat Metheny - Falcon Love; Stephan Crump`s Rosetta Trio - Esquima Dream; Laraaji - Kalimba 2 (Glimpse); War - The Cisco Kid; Anthony Moore - Dreams of Laughter; Led Zeppelin - Royal Orleans; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
10e émission de la 59e session...Cette semaine, pas mal piano trio et pas mal dans le free jazz! En musique: Marta Sanchez Trio sur l'album Perpetual Void (Intakt, 2024); Stephan Crump sur l'album Slow Water (Papillon Sounds, 2024); Amalie Dahl's Dafnie sur l'album Står Op Med Solen (Aguirre, 2024); WHO Trio sur l'album Live At Jazz Festival Willisau 2023 (ezz-thetics, 2024); Steve Cohn sur l'album The Day She Cried (Modern Improvisation, 2024); François Houle, Kate Gentile, Alexander Hawkins sur l'album Fatrasies (Disques VICTO, 2024); Shinya Lin Quartet sur l'album Live at Scholes Street Studio (gaucimusic, 2024)...
Last week we started looking back at albums released this year that we have been fascinated by. From these albums we have been cherry picking the songs that struck us the most. Enjoy the fifth installment. The playlist features Haroldo Bontempo; Cassie Kinoshi; Abdullah Ibrahim; Stephan Crump; Phillip Golub; Riley Mulherkar [pictured]; Mikael Máni; and Jamie Baum. Detailed playlist at https://spinitron.com/RFB/pl/19220195/Mondo-Jazz [from "Sobe e Desce" to "An Old Story"] Happy listening! Photo credit: Zenith Richards
"Two" is the thread running through this episode of Mondo Jazz, two albums of rare depth by Stephen Crump, two members of the Koppel family, two remarkable musicians at the center of the new LA scene, Josh Johnson and Julien Knowles, and two trumpeter player to keep an eye, and ear, on: Knowles and Tomasz Dabrowski. A set that is pairful and suspensful! Detailed playlist at https://spinitron.com/RFB/pl/19127036/Mondo-Jazz [from "Time Again" to "Commerce Sunrise" ]. Happy listening!
Slow Water is the latest release from bassist and composer Stephan Crump. In this ambitious 67 minute work, Crump explores how society uses water and addresses the question “What does water want?” as proposed by Erica Gies in her 2022 book Water Always Wins. For this project he assembled a new ensemble comprised of musicians with which he had little previous history with the goal of creating both a band and music that flowed in an improvisatory manner similar to water.
https://www.indiegogo.com/projects/gemini--6#/An artist interested in multiple musical directions and one who strives for quality and sincerity in his work. His exciting energy has compelled him towards many different musical directions and projects. Considered by his contemporaries as cutting edge, Gray shows promise as an artist that will not only move the music forward, but one who will share his unique musical vision with the world of music.Devin Gray's fresh approach to modern drumming has enabled him to play with many of the worlds great jazz musicians. He has performed and recorded with innovative musicians of contrasting styles and backgrounds such as: David Liebman, Tony Malaby, Gary Thomas, Ingrid Jensen, Dave Burrell, Dave Ballou, Michael Formanek, Nate Wooley, Stephan Crump, George Garzone, Chris Speed, Drew Gress, Sam Rivers, Ralph Alessi, John O'Gallagher, Ellery Eskelin, Kris Davis, Ted Rosenthal, Matt Mitchell, Satoko Fujii, Uri Caine, Andrew D'Angelo, Vardan Ovsepian, Angelica Sanchez, as well as many others.Support the show
Allan Holdsworth, Tony Williams, Tony Newton: Mr. Spock; Stanley Clarke: Vulcan Princess; Dubbelaar: Miles Davis: Human Nature; Viljay Iver, Stephan Crump, Marcus Gilmore: Human Nature; Carla Bley, Steve Swallow, Andy Sheppard: Vashkar; Tineke Postma: Still Another Day; Julian Lage: I'm … Lees verder →
Featuring the calming exotica sounds of Frank LoCrasto's Kolumbo; Malian maestra Rokia Koné and Jacknife Lee from her solo debut; fresh beasts from Danish guitar hero Thor Madsen; a trip to the magical world of Parisian jazz courtesy of Cyrille Aimee and Michael Valeanu; Drumming improvisational powerhouse Ches Smith; chill out lo fi jams from Moped; LA space funk from Eulipion Corps; performance artist, dancer, musician, composer Alison Clancy's beautiful sonic landscapes; bass wizard Stephan Crump from his latest solo recording; and finally, Colorado's Daniel Rodriguez delivers another top-notch neo-folk anthem.
Featuring the modern funk of Danish guitar hero Thor Madsen; the fresh sounds of NOLA's Extended Trio; kick-ass Tuvan fusion courtesy of Bady-Dorzhu Ondar and Shodekeh; country/jazz mashed up beautifully by the one and only Ron Miles; drummer/composer Ches Smith and his latest Pyroclastic release; a double-shot of solos from master bassist Stephan Crump and guitar legend John Scofield (his 1st ever solo recording!); and wrapping up with Italian maestro Ennio Morricone + music from HBOs ‘Lovecraft Country'.
April 20 is Chinese Language Day but perhaps more importantly, 4/20 is also Lima Bean Respect Day, National Banana Day, and National Cheddar Fries Day. Is there anything else that signifies this day? While you ponder that question, I’ll tell you that this is Charlottesville Community Engagement, a program back from a brief break and ready to get going with another year of information as it flows. On today’s program:Charlottesville City Council gets an update on what environmental staff are doing to plan for climate actionFatalities on Virginia roads reached a 14-year high in 2021Andy Parker concedes in the 5th District race to be the Democratic nomineePaul Goldman explains in writing to a federal judge why he thinks a House of Delegates race must be run this year And the Virginia House of Finance advances a bill to provide a three month period where fuel haulers would not have to pay a tax to the state of Virginia First shout-out goes to the Rivanna Solid Waste Authority for e-waste collection dayIn today’s first subscriber supported public service announcement, the Rivanna Solid Waste Authority wants you to know about Electronic Waste Collection Day coming up on April 23, 2022. Residents of both Albemarle County and Charlottesville have the opportunity to drop off old electronics from 9 a.m. to 3 p.m. at the Ivy Material Utilization Center. Permissible items include computers, printers, VCRs, stereos and televisions and people can dispose of up to ten items. Only two tube-style monitors or televisions per person! You must register in advance online where you will be give a time slot. Registration is limited to 110 people per hour. Visit rivanna.org for more information.Crashes reached 14-year high in Virginia in 2021Nine hundred and sixty-eight people died on Virginia roads last year. That’s the highest number in 14 years, according to the Department of Motor Vehicles. Fatalities were up in several categories including speed-related crashes, pedestrians, motorcyclists, young drivers, and bicyclists. The acting commissioner of the DMV is urging people to slow down, wear seat belts, and avoid distractions. “Vehicles and roadways are safer than they ever have been, yet we continue to lose lives to senseless crashes,” said Linda Ford, who is also Governor Glenn Youngkin’s highway safety representative. “Do your part to help.”Last year’s numbers in Virginia are part of a national trend toward higher fatalities in 2021 when over 31,000 people died across the United States in the first nine months. The full data for the whole country will be available later this year. 2022 might be worse than 2021. So far this year, 245 people have been killed on Virginia roadways, which is a 12 percent increase over last year. Parker concedes Democratic nomination to ThroneburgA candidate who failed to get a thousand signatures to be on the Democratic ballot in the June 21 primary has conceded to the only one who met that threshold. Andy Parker made his announcement via Twitter on Monday.“I was looking forward to a spirited primary and campaign against [incumbent Bob] Good but did not meet the technical requirements to be on the primary ballot,” Parker wrote in the tweet. Parker’s daughter was murdered on live television while doing a report from Smith Mountain Lake in 2015, along with her colleague. The default nominee, Josh Throneburg, noted this in his statement on Parker’s concession. "Andy is a person who rose from the ashes of his tragic personal loss and dedicated himself to a life of public service,” Throneburg wrote in a statement. “He was a tireless advocate who wanted to shield other families from the terrible grief he experienced, and I know his mission doesn’t end with this race.” First-term incumbent Bob Good faces Dan Moy in the Republican convention to be held on May 21 at Hampden Sydney College in Prince Edward County. That’s right in the middle of the new Fifth District as drawn by two Special Masters appointed by the Virginia Supreme Court last year to complete the redistricting process. Goldman files new motion arguing for oral arguments in suit to force 2022 Delegate electionWhen the statewide primary is held on June 21, will there be candidates for the House of Delegates on the ballot? Richmond attorney Paul Goldman hopes so and filed a new document on Monday arguing why Judge David Novak should not dismiss the case. To recap, Goldman filed suit against the Virginia Board of Elections last year asserting that their certification of the 2021 election was unlawful because the districts were based on the 2010 Census. Goldman argues that action violates the principle of “one person, one vote” because some legislative districts are much larger than others. “The old House District 87 ranked as the most populated with 130,192 inhabitants,” Goldman writes on page seven. “Old House District 75 ranked as the least populated with 67,404 inhabitants.” The response goes into detail in its claim that this deviation is unconstitutional and deserves a remedy in the form of an election this year based on the new districts. At heart, Goldman argues that none of the current members of the House of Delegates are in legally valid districts, citing the Cosner v. Dalton case that forced a House of Delegates race in 1982. (learn more on Wikipedia)Virginia’s Solicitor General has until April 25 to respond to Goldman’s response. Second shout-out goes to a Charlottesville Jazz Society event this weekendIn today’s second subscriber-supported shout-out, the Charlottesville Jazz Society is partnering with the Front Porch and the Tom Tom Festival to host musician Joel Harrison and Free Country this upcoming Saturday. The free show will feature the guitarist, composer, and vocalist with the touring band of Adam Larrabee on guitar, Stephan Crump on bass, and Jordan Perlson on drums. The timeless, haunting melodies of this music anchor the flights of improvisation that the band creates anew every night. The tour is funded in part by South Arts through the auspices of the Doris Duke Fund and the Jazz Road initiative. For more information, visit frontporchcville.org! Charlottesville City Council briefed on climate actionEarlier this year, the nonprofit group Community Climate Collaborative waged a campaign to get Charlottesville City Council to push staff toward meeting the city’s greenhouse gas emission goals. On July 1, 2019, Council adopted a goal of reducing community-wide gas emissions by 45 percent of 2011 levels by 2030, and to be carbon neutral by 2050. Council had an hour-long work session on the issue on Monday. Kristel Riddervold, the city’s environmental sustainability and facilities development manager, led off the discussion.“The city of Charlottesville has had an active climate program since 2007 when it committed to reducing community-wide greenhouse gas emissions by joining the U.S. Mayors Climate Protection Agreement,” Riddervold said. (watch the update)Riddervold said the City reaffirmed that commitment by also joining the Global Covenant of Mayors for Climate and Energy, which offers resources for both reduction of gasses and adaptation to changing weather patterns. “We use the terms climate action to be the umbrella for both of these areas of focus,” Riddervold said. The presentation covered what work has been underway since the July 2019 goal was endorsed by Council. Riddervold said there have been stumbling blocks to preparing a specific climate action plan, and that includes the adoption of a new Comprehensive Plan. She also said going through several city managers during that time has been an issue, as has been the loss of top management in city government.“I for example have been serving not only as the environmental sustainability manager, but also since mid-2018, the facilities development manager, and have been pulled into a variety of roles and responsibilities,” Riddervold said. The city is currently taking applications for a climate program specialist to assist with planning and action. The job closes April 29, if you know of anyone. “What we are looking at now is a reboot of focused effort to bring this process back on the rails and to get back on the same page,” Riddervold said. Riddervold acknowledged the frustration on the part of climate groups and she asked for their support going forward.Susan Elliott, the city’s climate protection manager, said a climate hazard assessment is complete, a climate vulnerability assessment is underway, and the adaptation plan will be ready for review next year.“In parallel with these planning activities on these two tracks, we are also still delivering a program aimed at supporting and achieving greenhouse gas emissions across our community,” Elliot said. “What we have seen when we look at our emissions community-wide is that approximately 95 percent of emissions are coming from the community outside of our local government control and about five percent are from our municipal operations.” About 30 percent comes from residential, 30 percent comes from transportation, and 30 percent comes from commercial uses. That will inform where government resources will go. “This includes supporting and funding energy efficiency improvements including hundreds of home energy assessments annually, helping to find gap fill measures so that our low-income houses are as eligible for as many utility-funded programs as possible, providing EnergySmart home rebates, [and] the Commercial and Clean Energy Loan Fund,” Elliott said.Other recent initiatives:This month, the city hired CMTA Energy Solutions to review public buildings to see how energy and water usage could be reduced (press release)Charlottesville Area Transit is conducting a study of how vehicles might transition to alternative fuels Charlottesville participated in an urban heat island study last summer (press release)Lower occupancy in city buildings due to the pandemic lead to less water and energy use (press release)This morning, the city also released two public surveys to help inform future planning efforts. One is a climate action survey and the other is a climate vulnerability survey. Both will close on May 20. Youngkin’s bill to temporarily eliminate gas tax advances The Virginia General Assembly is in special session but have not had much action. Yesterday, the House of Delegates Finance Committee heard testimony of a bill sent down from Governor Glenn Youngkin that would waive the state motor fuel tax from May 1 to July 31. “The purpose for this bill is to help cut the cost for Virginia families and fight the price of gasoline that has increased 48 percent in the last 12 months,” said Delegate Tara Durant (R-28). “This uses unanticipated transportation revenues to provide Virginians much needed tax relief.”Under the bill, the tax would be restored to half-strength in August and September before going back to normal in October. Speaking to the bill, Transportation Secretary Shep Miller talked about its fiscal impact. “The revenue impact for the FY22-24 budget that I am responsible for is about $470 million,” Miller said. “That’s about a 12 percent reduction in the motor fuels over the 26 month period in question. The total [Commonwealth Transportation Fund] collections during that same period is about $14 billion. So this represents about a three percent reduction in the CTF collections during that period.”Democrats are skeptical that any of the reduction in the tax will translate to lower prices at the pump because consumers don’t actually pay the tax. Here’s Delegate Vivian Watts (D-39).“I wanted to make sure that the patron was aware that the gas tax is collected when the tanker truck fills up,” Watts said. “There’s no guarantee at all that when I fill up my tank that if there’s no gas tax charged that I’m going to benefit from this.” Delegate Sally Hudson (D-57) said many in the state want to invest more in transportation. “When I hear from Virginians, I hear them tell me that they think our transportation infrastructure or even behind, that the roads are too crowded, their commutes are too long, the buses are infrequent and unreliable,” Hudson said. “We have nothing approaching modern commuter trains.” Durant said no existing projects would be cut, but this would just lower the amount of funds available in exchange for tax relief. Testimony against the bill came from Virginians for Better Transportation, the Amalgamated Transit Union, the Virginia Transportation Construction Alliance, the Northern Virginia Chamber of Commerce, Virginians for High Speed Rail, the Old Dominion Highway Contractors Association, the New Virginia Majority, the Southern Environmental Law Center, the Commonwealth Institute, and the Virginia Association for Commercial Real Estate“This coalition includes some pretty strange bedfellows,” said Trip Pollard of the Southern Environmental Law Center. Testimony in favor of the bill came from a series of individuals representing small businesses or speaking to their own pain.“I’d rather spend the money than have the government spend the money,” said Colonel Courtney Whitney, who served in the Youngkin campaign. Democrats on the committee sought to introduce a substitute that would issue a direct tax relief to Virginians for each registered motor vehicle, but the effort failed. On voice vote, the motion to advance the bill passed and it will now move to the House Appropriations Committee. No meetings are currently scheduled. Support Town Crier Productions through Ting!Special announcement of a continuing promo with Ting! Are you interested in fast internet? Visit this site and enter your address to see if you can get service through Ting. If you decide to proceed to make the switch, you’ll get:Free installationSecond month of Ting service for freeA $75 gift card to the Downtown MallAdditionally, Ting will match your Substack subscription to support Town Crier Productions, the company that produces this newsletter and other community offerings. So, your $5 a month subscription yields $5 for TCP. Your $50 a year subscription yields $50 for TCP! The same goes for a $200 a year subscription! All goes to cover the costs of getting this newsletter out as often as possible. Learn more here! This is a public episode. 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A playlist featuring Brazilian--and Brazil inspired--Argentinean and Venezuelan artist, as well some compelling long-form explorations led by bassists Ben Allison and Stephan Crump. The playlist features Jaques Morelenbaum [pictured]; Ryan Keberle; Gabi Hartmann; Cosmo; Lucia Boffo; Miriam Elhajli; Ben Allison; Borderlands Trio. Detailed playlist at https://spinitron.com/RFB/pl/15390270/Mondo-Jazz (up to "An Invitation to Disappear"). Happy listening!
M
George Floyd fue asesinado hace dos semanas convirtiéndose así en un mártir involuntario de la causa afroamericana. Estados Unidos vive días de protesta en las calles contra el racismo sistémico y la brutalidad policial. Abrimos el programa en la calle, con el sonido de las voces que gritan que "Black Lives Matter". Dice la cantante portuguesa Sara Serpa que "occidente comparte un vergonzoso pasado colectivo de ocupación, explotación, comercio de esclavos, opresión, racismo, segregación, violencia y abuso". Su nuevo trabajo, junto a Zeena Parkins (arpa), Mark Turner (saxo) y David Virelles (piano) reflexiona sobre todo ello. Serpa pone música a la memoria en Super8 de su familia, a las imágenes de Angola bajo el yugo portugués, en "Recognition: music for a silent film". El guitarrista Liberty Ellman encuentra inspiración en la ultramaratón que atraviesa cuatro desiertos del mundo. "Nuestra especie necesita gente con el nivel de tenacidad para abrir camino hacia el futuro". Su nuevo trabajo, "Last desert", vuelve a reunirlo con Steve Lehman (saxo), Jonathan Finlayson (trompeta), Jose Davila (tuba), Stephan Crump (contrabajo) y Damion Reid (batería). "Descubrimiento y compasión. Esos son los estados a los que el violinista Jason Kao Hwang quiere llevar a sus compañeros con la música del Human Rites Trio, que comparte con Ken Filiano (contrabajo) y Andrew Drury (batería). Desde el comienzo de la pandemia, el clarinetista Ben Goldberg ha ido grabando un tema al día en casa. En "Plague diary", Goldberg interpreta todos los instrumentos. Lleva acumuladas más de 70 piezas. Toda la información y derechos: http://www.elclubdejazz.com
George Floyd fue asesinado hace dos semanas convirtiéndose así en un mártir involuntario de la causa afroamericana. Estados Unidos vive días de protesta en las calles contra el racismo sistémico y la brutalidad policial. Abrimos el programa en la calle, con el sonido de las voces que gritan que "Black Lives Matter". Dice la cantante portuguesa Sara Serpa que "occidente comparte un vergonzoso pasado colectivo de ocupación, explotación, comercio de esclavos, opresión, racismo, segregación, violencia y abuso". Su nuevo trabajo, junto a Zeena Parkins (arpa), Mark Turner (saxo) y David Virelles (piano) reflexiona sobre todo ello. Serpa pone música a la memoria en Super8 de su familia, a las imágenes de Angola bajo el yugo portugués, en "Recognition: music for a silent film". El guitarrista Liberty Ellman encuentra inspiración en la ultramaratón que atraviesa cuatro desiertos del mundo. "Nuestra especie necesita gente con el nivel de tenacidad para abrir camino hacia el futuro". Su nuevo trabajo, "Last desert", vuelve a reunirlo con Steve Lehman (saxo), Jonathan Finlayson (trompeta), Jose Davila (tuba), Stephan Crump (contrabajo) y Damion Reid (batería). "Descubrimiento y compasión. Esos son los estados a los que el violinista Jason Kao Hwang quiere llevar a sus compañeros con la música del Human Rites Trio, que comparte con Ken Filiano (contrabajo) y Andrew Drury (batería). Desde el comienzo de la pandemia, el clarinetista Ben Goldberg ha ido grabando un tema al día en casa. En "Plague diary", Goldberg interpreta todos los instrumentos. Lleva acumuladas más de 70 piezas. Toda la información y derechos: http://www.elclubdejazz.com
No es la primera vez que el jazz y la(s) música(s) de la India se dan la mano, pero el guitarrista Joel Harrison ha tratado de encontrar los "vínculos menos obvios" entre ambas tradiciones. En "Still point: turning point", el estadounidense aspira a alcanzar "punto inmóvil" del que escribió el poeta T.S. Eliot. En el empeño le acompañan el ínterprete indio de sarod Anupam Shobhakar, el saxofonista Ben Wendel, el percusionista Dan Weiss y los contrabajistas Hans Glawischnig y Stephan Crump. Además, colaboraciones del Talujon Percussion Quartet y de los músicos V. Selvaganesh y Nittin Mitta. Echábamos de menos sentarnos a escuchar música con él, así que felices por el retorno de Jesús Moreno "desde mi cadiera". Con él descubrimos la música del saxofonista bilbaino Fernando Ulzión y del chelista chileno Matías Riquelme. Ambos presentan "La trahison des mots". Aprovechamos para escuchar otros proyectos de ambos, incluida la colaboración de Riquelme con el cornetista francés Mérédic Collignon. Toda la información y derechos: http://www.elclubdejazz.com
No es la primera vez que el jazz y la(s) música(s) de la India se dan la mano, pero el guitarrista Joel Harrison ha tratado de encontrar los "vínculos menos obvios" entre ambas tradiciones. En "Still point: turning point", el estadounidense aspira a alcanzar "punto inmóvil" del que escribió el poeta T.S. Eliot. En el empeño le acompañan el ínterprete indio de sarod Anupam Shobhakar, el saxofonista Ben Wendel, el percusionista Dan Weiss y los contrabajistas Hans Glawischnig y Stephan Crump. Además, colaboraciones del Talujon Percussion Quartet y de los músicos V. Selvaganesh y Nittin Mitta. Echábamos de menos sentarnos a escuchar música con él, así que felices por el retorno de Jesús Moreno "desde mi cadiera". Con él descubrimos la música del saxofonista bilbaino Fernando Ulzión y del chelista chileno Matías Riquelme. Ambos presentan "La trahison des mots". Aprovechamos para escuchar otros proyectos de ambos, incluida la colaboración de Riquelme con el cornetista francés Mérédic Collignon. Toda la información y derechos: http://www.elclubdejazz.com
Featuring a blazing hot new track from Stu Bogie and the Bogie Band; a beautiful new release from rising star Damon Smith; prolific Brooklyn bassist Stephan Crump and the Borderlands Trio; maestro and vocalist from the moon Theo Bleckmann; the best instrumental keyboard album of 2019 from Frank LoCrasto; + modern masters Brad Mehldau, Brian Blade, and Tom Waits and finally legends Vince Guaraldi, Bola Sete, and the Temptations.
Tre album pubblicati nel 2019 dalla Intakt, etichetta svizzera che è un riferimento nel campo del jazz di ricerca e dell'improvvisazione, e che pur dedicandosi a questo ambito non facile riesce ad ampliare costantemente il suo catalogo con una nutrita produzione. Gli album hanno come denominatore comune la presenza della sassofonista Ingrid Laubrock: cinquantenne, è una delle figure più interessanti e attive espresse dall'improvvisazione europea dopo la generazione emersa negli anni sessanta; tedesca, newyorkese di adozione, da diversi anni collabora strettamente con Anthony Braxton. I tre album sono: Combobulated, del trio del batterista americano Tom Rainey (con Mary Halvorson alla chitarra); Channels, cointestato al contrabbassista Stephan Crump, alla Laubrock e al pianista Cory Smythe; e Kasumi, duo della Laubrock con la pianista Aki Takase.
Tre album pubblicati nel 2019 dalla Intakt, etichetta svizzera che è un riferimento nel campo del jazz di ricerca e dell'improvvisazione, e che pur dedicandosi a questo ambito non facile riesce ad ampliare costantemente il suo catalogo con una nutrita produzione. Gli album hanno come denominatore comune la presenza della sassofonista Ingrid Laubrock: cinquantenne, è una delle figure più interessanti e attive espresse dall'improvvisazione europea dopo la generazione emersa negli anni sessanta; tedesca, newyorkese di adozione, da diversi anni collabora strettamente con Anthony Braxton. I tre album sono: Combobulated, del trio del batterista americano Tom Rainey (con Mary Halvorson alla chitarra); Channels, cointestato al contrabbassista Stephan Crump, alla Laubrock e al pianista Cory Smythe; e Kasumi, duo della Laubrock con la pianista Aki Takase.
Tre album pubblicati nel 2019 dalla Intakt, etichetta svizzera che è un riferimento nel campo del jazz di ricerca e dell'improvvisazione, e che pur dedicandosi a questo ambito non facile riesce ad ampliare costantemente il suo catalogo con una nutrita produzione. Gli album hanno come denominatore comune la presenza della sassofonista Ingrid Laubrock: cinquantenne, è una delle figure più interessanti e attive espresse dall'improvvisazione europea dopo la generazione emersa negli anni sessanta; tedesca, newyorkese di adozione, da diversi anni collabora strettamente con Anthony Braxton. I tre album sono: Combobulated, del trio del batterista americano Tom Rainey (con Mary Halvorson alla chitarra); Channels, cointestato al contrabbassista Stephan Crump, alla Laubrock e al pianista Cory Smythe; e Kasumi, duo della Laubrock con la pianista Aki Takase.
Auf dem neuen Album Still Point: Turning World nimmt sich der Komponist und Gitarrist Joel Harrison grosses vor: Er komponiert für das Talujon Percussion Quartet, den indischen Sarod Spieler Anupam Shobhakar und die vier Jazzmusiker Ben Wendel, Dan Weiss, Hans Glawischnig und Stephan Crump. Die drei musikalischen Lager, zeitgenössische Klassik, traditionelle Indische Musik und Jazz unterscheiden sich in ihrer kulturellen Entstehung und in der Art des Machens. Sprich, der Komponist bringt die Welt der Interpretation von geschriebener Musik und die Improvisation über Formen zusammen. Joel Harrison gibt einer musikalischen Vision eine eigenständige Form. Wie dieses Konzept musikalisch manchmal besser, manchmal weniger gut funktioniert hörst du im Podcast.
9e émission du 41e session... Cette semaine, bop, hardbop, postbop et jazz-rock! En musique: Terry Pollard sur l'album A Detroit Jazz Legend (Fresh Sound, 2018, enr. 1955) The Louis Hayes Group sur l'album Variety is the Spice (Gryphon Productions, 1979, rééd. 2019); Karl Strømme Quintet sur l'album Dynalyd (TUG, 2018); Stephan Crump's Rosetta Trio sur l'album Outliers (Papillon Sounds, 2019); Chris Potter sur l'album Circuits (Edition, 2019); Dave Liebman sur l'album On the Corner Live! (Ear Up, 2019)...
Jen Chapin gets political as we discuss the music and her teaching high school history.The Jen Chapin Trio includes husband Stephan Crump on bass and Jamie Fox on guitar. They recorded new album in Nova Scotia.From her home in Brooklyn. We discuss the music, family and the political climate as well as Why Hunger and Jen's new endeavour as a high school history teacher. #NiagaraRocks @JimFannonShowJen Chapin's LinksFacebook https://www.facebook.com/JenChapinMusic/YouTube https://www.youtube.com/user/pmoosedakTwitter https://twitter.com/jenchapinmusic Get bonus content on PatreonSupport this show http://supporter.acast.com/jimfannon. See acast.com/privacy for privacy and opt-out information.
More dopamine enhancing jazz after last week's episode. Music that should turn a grey day into a shiny one. Playlist includes: Joe Jackson, Miles Davis & Gil Evans, Joe Lovano, Sun Ra, Dave Douglas, Gerald Clayton, Leo Parker, Rodney Kendrick, Kevin Eubanks, Stephan Crump, Duck Baker, Vana Gierig, Antonio Zambrini, Avion Travel, Nico Morelli & Mauro Negri, Tuck & Patti, Stevie Wonder, Stanley Jordan, Wayne Shorter Detailed playlist available at https://spinitron.com/radio/playlist.php?station=rfb&playlist=6089#here
Tres voces personales en la entrega 312 con tres grabaciones recién estrenadas, y todas ellas más que recomendables, puesto que es muy elevado el grado de verosimilitud de que las tres estén entre lo mejor del año 2017 en esas listas que comenzarán a aparecer unos meses antes del final de año: Tim Berne Snakeoil (con Tim Berne, Oscar Noriega, Ryan Ferreira, Matt Mitchell, Ches Smith) con Incidentals (ECM, 2017); Vijay Iyer Sextet (con Vijay Iyer, GHraham Hayhnes, Steve Lehman, Mark Shim, Stephan Crump, Tyshawn Sorey) con Far From Over (ECM, 2017); Nate Wooley (con Nate Wooley, Ingrid Laubrock, Sylvie Courvoisier, Matt Moran) con Battle Pieces 2 (Relative Pitch Records, 2017). Como suele suceder en estos negociados de la música creativa -y en otros ámbitos-, no es únicamente cuestión del líder, sino especialmente de las magníficas compañías. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.
El pianista Vijay Iyer presenta "Far from over", donde reúne a Graham Haynes (corneta, fliscorno y electrónicas), Steve Lehman (saxo alto), Mark Shim (saxo tenor), Stephan Crump (contrabajo) y Tyshawn Sorey (batería). Esta edición de 'Club de Jazz' del 6 de septiembre estrena igualmente "The new national anthem", segundo disco del cuarteto Riverside,formado por Dave Douglas (trompeta), Chet Doxas (saxo y clarinete), Steve Swallow (bajo eléctrico) y Jim Doxas (batería). Trabajo dedicado a la pianista y compositora Carla Bley. Además, el saxofonista argentino Jorge Torrecillas reúne a su Ensamble para proponer "Una búsqueda infinita", la que comparte con Agustín Zuanigh (trompeta), Inti Sabev (clarinetes), Pablo Vázquez (contrabajo y electrónica) y Santiago Lacabe (batería). Colaboran María Eugenia Irianni (flauta travesera) y Carolina Tierhs (voz y violín). El contrabajista David Mengual sigue en modo reposado con Miguel Villar 'Pintxo' (saxo), Oriol Roca (batería) y Dani Pérez (guitarra), su Slow Quartet, que invita a la cantante Carme Canela a la "Extraña alegría de vivir". El baterista Oriol Roca estrena trío junto a sus viejos amigos Giovanni di Domenico (piano) y Manolo Cabras (contrabajo) y con ellos contempla el "Mar". Toda la información y derechos: http://www.elclubdejazz.com
El pianista Vijay Iyer presenta "Far from over", donde reúne a Graham Haynes (corneta, fliscorno y electrónicas), Steve Lehman (saxo alto), Mark Shim (saxo tenor), Stephan Crump (contrabajo) y Tyshawn Sorey (batería). Esta edición de 'Club de Jazz' del 6 de septiembre estrena igualmente "The new national anthem", segundo disco del cuarteto Riverside,formado por Dave Douglas (trompeta), Chet Doxas (saxo y clarinete), Steve Swallow (bajo eléctrico) y Jim Doxas (batería). Trabajo dedicado a la pianista y compositora Carla Bley. Además, el saxofonista argentino Jorge Torrecillas reúne a su Ensamble para proponer "Una búsqueda infinita", la que comparte con Agustín Zuanigh (trompeta), Inti Sabev (clarinetes), Pablo Vázquez (contrabajo y electrónica) y Santiago Lacabe (batería). Colaboran María Eugenia Irianni (flauta travesera) y Carolina Tierhs (voz y violín). El contrabajista David Mengual sigue en modo reposado con Miguel Villar 'Pintxo' (saxo), Oriol Roca (batería) y Dani Pérez (guitarra), su Slow Quartet, que invita a la cantante Carme Canela a la "Extraña alegría de vivir". El baterista Oriol Roca estrena trío junto a sus viejos amigos Giovanni di Domenico (piano) y Manolo Cabras (contrabajo) y con ellos contempla el "Mar". Toda la información y derechos: http://www.elclubdejazz.com
HDO 247 está centrado en cinco propuestas de improvisación libre: Trandans (Stitching Wig, 2017), con Ab Baars, Ig Henneman y Dave Burrell; Waterscapes (Creative Sources Recordings, 2017) de Blaise Siwula y Jorge Nuno; Planktonic Finales (Intakt, 2017) de Stephan Crump, Ingrid Laubrock y Cory Smythe; A Square Meal (Atrito Afeito, 2017) de Karoline Leblanc, Luis Vicente, Hugo Antunes y Paulo J. Ferreira Lopes; 682/681 (TryTone, 2017) de Lisa Cay Miller con, entre otros, George Hadow, Mark Morse, Onno Govaert y Jasper Stadhouders. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 247 en http://www.tomajazz.com/web/?p=29753. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298
In this episode Jordon sits down with Grammy nominated musician Stephan Crump, who recently released an album called Rhombal as a response to the loss of his brother to cancer. We talk about the importance of the sibling relationship, and the twists and turns they often take, and the power of forgiveness when all is said and done. We also talk about how music can represent so many different things. The music itself is quite moving, and the track at the end of this episode is Pulling Pillars (Outro for Patty), the song that we discuss in our interview. From Stephan Crump on what the album is about: "Rhombal is not about sadness. much more, its a commemoration of a death well-confronted, of a spiritual evolution i witnessed in my brother during our last days together, and of how close we left each other after what had been, for many years, a very troubled relationship." Follow Stephan on Twitter @Crumbletones To find out more about the album go to Stephan's website here! You can purchase the album Here (on stephans website) or HERE via iTunes.
9e émission de la 34e session... Cette semaine, du jazz nouveau, du jazz moderne et free ! En musique: Stephan Crump sur l'album Rhombal (Papillon Sounds, 2016); Wolfgang Muthspiel sur l'album Rising Grace (ECM, 2016); Damana sur l'album Cornua Copiae (Clean Feed, 2016); Daniel Erdmann's Velvet Revolution sur l'album A Short Moment of Zero G (BMC, 2016); Christoph Erb, Emanuel Künzl & Raphael Loger sur l'album Dolores (Veto, 2016); Paul Dunmall Quartet sur l'album Underground Underground (Slam, 2016)...
9e émission de la 34e session... Cette semaine, du jazz nouveau, du jazz moderne et free ! En musique: Stephan Crump sur l'album Rhombal (Papillon Sounds, 2016); Wolfgang Muthspiel sur l'album Rising Grace (ECM, 2016); Damana sur l'album Cornua Copiae (Clean Feed, 2016); Daniel Erdmann's Velvet Revolution sur l'album A Short Moment of Zero G (BMC, 2016); Christoph Erb, Emanuel Künzl & Raphael Loger sur l'album Dolores (Veto, 2016); Paul Dunmall Quartet sur l'album Underground Underground (Slam, 2016)...
Cumplimos 14 años de 'Club de Jazz' y en esta edición del 12 de febrero de 2015 estrenamos "Break stuff", nuevo trabajo en trío del pianista Vijay Iyer junto a Stephan Crump (cb) y Marcus Gilmore (bt). Conversamos con Johannes Nästesjö, contrabajista sueco que presenta "Rooftop promenade", disco de solo. Durante su estancia en Barcelona ha grabado con algunos de los músicos de improvisación de su escena, como Agustí Fernández, Marco Mezquida, Tom Chant, Ramon Prats, Albert Cirera y Marc Egea, entre otros. Toda la información y derechos: http://www.elclubdejazz.com
Cumplimos 14 años de 'Club de Jazz' y en esta edición del 12 de febrero de 2015 estrenamos "Break stuff", nuevo trabajo en trío del pianista Vijay Iyer junto a Stephan Crump (cb) y Marcus Gilmore (bt). Conversamos con Johannes Nästesjö, contrabajista sueco que presenta "Rooftop promenade", disco de solo. Durante su estancia en Barcelona ha grabado con algunos de los músicos de improvisación de su escena, como Agustí Fernández, Marco Mezquida, Tom Chant, Ramon Prats, Albert Cirera y Marc Egea, entre otros. Toda la información y derechos: http://www.elclubdejazz.com
I'm celebrating my 40th birthday with four new mini-interviews. Vijay Iyer talks about Holding It Down, his new album with Mike Ladd; Mary Halvorson introduces her septet recording Illusionary Sea; Stephan Crump's Rosetta Trio is back with Thwirl; and Nicky Schrire discusses her duo album Space and Time. Plus, Brad Linde returns with a preview of the upcoming season of jazz at the Atlas in Washington, D.C. NOTE: You can support The Jazz Session by buying these albums in the TJS Store. Thanks!
I'm celebrating my 40th birthday with four new mini-interviews. Vijay Iyer talks about Holding It Down, his new album with Mike Ladd; Mary Halvorson introduces her septet recording Illusionary Sea; Stephan Crump's Rosetta Trio is back with Thwirl; and Nicky Schrire discusses her duo album Space and Time. Plus, Brad Linde returns with a preview of the upcoming season of jazz at the Atlas in Washington, D.C. NOTE: You can support The Jazz Session by buying these albums in the TJS Store. Thanks!
I’m celebrating my 40th birthday with four new mini-interviews. Vijay Iyer talks about Holding It...
Bassist Stephan Crump formed the Rosetta Trio with guitarists Liberty Ellman and Jamie Fox to play music he composed in response to September 11. Now, with their second album, Reclamation (Sunnyside, 2010), the trio continues to explore an exposed and intimate sonic landscape. In this interview, Crump talks about the origins of the band; the trio's particular sonic palette; and the benefits of playing without drums. Learn more at www.stephancrump.com.
Bassist Stephan Crump formed the Rosetta Trio with guitarists Liberty Ellman and Jamie Fox to...
Pianist Vijay Iyer navigates the stream of history on his new trio recording, Historicity (ACT, 2009). Joined by bassist Stephan Crump and drummer Marcus Gilmore, Iyer unravels and rebuilds compositions of his own, and those of a cast as diverse as Stevie Wonder, Andrew Hill, Leonard Bernstein and M.I.A. In this interview, Iyer tackles everything from mirror neurons to math jazz, Fibonacci numbers to the legacy of Roy Haynes. And he answers the question: Is it necessary to understand any of this stuff to appreciate his music? Learn more at www.vijay-iyer.com. Help support The Jazz Session by buying this album via the link below:
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