Earth pigment of characteristic colour
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2 episodes with Ochre
2 episodes with Ochre
2 episodes with Ochre
Water is an integral part of many artists' practices, from inspiration to materials and motifs, but how does water interact with art-making for those of us who live far from the ocean? On today's show, we're speaking with Emma Russell, an incredible Gamilaroi artist who shared a bit about her experiences using ochre from the local Moonee Ponds creek in both her arts practice and her teaching.Emma tells us about how her artistic practice is 'a family affair' and the influence of her local environment, living on Wurundjeri country, on her work. Plus we touch on the history of the urbanised and sometimes under-appreciated waterways of Melbourne's north-west.You can keep up to date with Emma's work at her instagram, @emmarussellarts and keep an eye out for her upcoming arts workshops!Artwork by Emma Russell.
This week on The Pharma Letter Podcast, we're joined by Quin Wills, co-founder and chief scientific officer of UK biotech Ochre Bio.A physician-scientist with a background in genomics and computational biology, Quin has spent much of his career focused on the biology of liver disease — a path that has shaped Ochre's approach to RNA-based therapies and human-based validation models.Founded in 2019, the Oxford-based biotech is developing a pipeline of RNA medicines for chronic liver conditions, using live human donor livers to test therapies in real time. With a focus on regenerative biology and fibrosis, the company's platform has drawn interest from heavyweights in the industry.In 2024, Ochre landed a regenerative medicine partnership with Boehringer Ingelheim targeting advanced MASH cirrhosis, and signed a multi-year data licensing deal with GSK to deepen AI models of liver disease.Backed by Khosla Ventures, the firm raised a $30 million Series A in late 22 and is now progressing its first programs toward IND-enabling studies.In this week's episode, we ask Quin about the scientific vision behind Ochre Bio, the state of innovation in liver disease, and where AI is beginning to shift the needle in drug development.
Ochre Bio co-founder and CSO Quin Wills spoke with In Vivo about the UK-based company's novel approach to finding and validating RNA therapies for chronic liver diseases.
And the Grammy goes to…The Crossing! This Philly-based choir was just awarded the Grammy for Best Choral Performance for their album “Ochre.” The Crossing is a professional chamber choir that has now won four Grammy Awards after being nominated nine consecutive times. They might just be the most successful Philly musicians you didn't know about. Last year, host Trenae Nuri chatted with Donald Nally, conductor, Nate Barnett, tenor, and Chelsea Lyons, alto and the group's community engagement manager back when they were nominated for the Grammy to talk about their soulful sound and the secret to winning big in the music industry. This episode originally aired on December 4th, 2024. Call us and sing us a song: 215-259-8170 Get Philly news & events in your inbox with our newsletter: Hey Philly We're also on Instagram: @citycastphilly Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices
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WEE-WOO WEE-WOO! Sprint Deviation Police incoming! Stage 2 of the Tour Down Under 2025 had it all—crashes, climbs, and controversy. A dramatic day on Mengler's Hill saw the Ochre jersey tested, a lead-out man relegated, and plenty for Patrick and Benji to analyse. Tune in for the full breakdown and some silly stuff.This show is sponsored by JOIN Cycling. Lanterne Rouge listeners can access JOIN Cycling with an exclusive risk free 30-day free trial period. Head over to our website for more information: https://join.cc/lanternerouge/Our merch has dropped! Custom designs painstakingly crafted by Louemans on t-shirts, mugs and hats with all your favourite catchphrases from the podcast. Check it out at https://shop.lanternerouge.comIf you enjoy LRCP please support us by subscribing and leaving us a like and comment! You can also send us a tip here https://ko-fi.com/lanternerougecyclingpodcast
Send us a textSplash Stories kicks off 2025 with Crispin Gray, former guitarist and songwriter for Daisy Chainsaw renowned for their UK top twenty hit 'Love Your Money' (which also appeared in an episode of Beavis & Butt-Head in the USA), Queenadreena and guitarist for Portuguese artist Starsha Lee. His latest band Alien Airforce released the mighty fine and poignantly titled single Good Luck World (I Think You're Going To Need It) on Easy Action Records in the spring of 2024 and we felt it was topical to talk to Crispin as we plunge head long into 2025.Good Luck World (I Think You're Going To Need It) is available on limited edition Ochre coloured vinyl https://easyaction.co.uk/product/alien-airforce-coloured-vinyl-7-single/ & The Album Give Pigeons The Right Of Way https://alienairforce.com/albumAll artwork designed by Crispin Gray. Crispin Gray incidentally, is the great nephew of the poet John Gray, friend of Oscar Wilde and inspiration for Wilde's 'The Picture Of Dorian Gray'.https://alienairforce.com/https://www.instagram.com/crispin_gray_/https://www.buzzsprout.com/admin/1891668/episodeshttps://podcasts.apple.com/gb/podcast/splash-stories-the-90s-music-scene-legendary-london/id1613247196https://open.spotify.com/show/7cTnjVrSnwy6Eyqac5ETSk?si=10c7a723c3524392Join Splash Stories https://www.buzzsprout.com/1891668/supportGet in touch with Splash Stories : splashclubtv@gmail.comhttps://www.facebook.com/thesplashclubSupport the showGet in touch with Splash Stories : splashclubtv@gmail.comhttps://www.facebook.com/thesplashclubJoin Splash Stories https://www.buzzsprout.com/1891668/supporthttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/Terrorvision Tequila : https://youtu.be/8hLQCA2h8kA?si=7_HfuruL5fFUnMdFhttps://linktr.ee/thesoupdragonshttps://www.merchbar.com/rock-alternative/cj-wildhearthttps://www.facebook.com/CJWildheartOfficial/https://www.instagram.com/cjwildheart/EMF www.emf-theband.comhttps://www.facebook.com/lustforlife1976/...
The powerful sound of The Crossing Choir — a multiple-Grammy award winning chamber choir based in Philadelphia — just hit a new record: The 25-member group received its 10th consecutive nomination this year. Host Trenae Nuri talks with Donald Nally, conductor; Nate Barnett, tenor; and Chelsea Lyons, alto and the group's community engagement manager, about their latest album Ochre, their soulful sound, and the secret to winning big in the music industry. Want some more Philly news? Then make sure to sign up for our morning newsletter Hey Philly. We're also on X and Instagram! Follow us @citycastphilly. Have a question or just want to share some thoughts with the team? Leave us a voicemail or send us a text at 215-259-8170. Learn more about the sponsor of this episode: BetterHelp - get 10% off at betterhelp.com/CITYCAST Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode Reid speaks about curriculum, diving into Ochre Education and their partnership with CECG in developing high quality curriculum resources, prioritising Explicit Instruction and High Impact Teaching Practice. Reid speaks about the importance of a knowledge rich, low variance curriculum and what we should be aspiring to. He also speaks about why Ochre and CECG have designed their lessons using slide decks and how to best teach with them. Resources mentioned Hirsch, E. D. (2016). Why knowledge matters: Rescuing our children from failed educational theories. Harvard Education Press. Ashbee, R. (2021). Curriculum: Theory, culture and the subject specialisms. Sage Publications. Australian Education Research Organisation. (2024). A knowledge-rich approach to curriculum design. https://www.edresearch.edu.au/research/research-reports/knowledge-rich-approach-curriculum-design
In this year 2021, the summer series of Com d'Archi embodies the sense of nuance, by addressing the theme of color. From July 5 to August 25, architectural walks through the shades: black, white, blue, green, ochre, gold, pink, and finally gray. The first four issues are written by Esther Greslin. The next four numbers are written by Anne-Charlotte Depondt who carries, by her voice, the French version. Esther lends her beautiful voice to the English version. In this fifth issue, let's discover the perennial values of ochre, its composition, its shades, its symbolism, and its noble applications in architecture!Image ochre background teaser DR © Jacky JeannetSound engineering : Julien Rebours____If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Part 4 of 4. My guest for this week's episode is Quin Wills, CSO and Co-Founder of Ochre Bio, a pioneering biotechnology company developing RNA therapies for chronic liver diseases. Using a combination of genomic deep phenotyping, precision RNA medicine, and testing in live human donor livers, Ochre is developing therapies for liver health challenges ranging from increasing donor liver supply to reducing cirrhosis complications.
Part 3 of 4. My guest for this week's episode is Quin Wills, CSO and Co-Founder of Ochre Bio, a pioneering biotechnology company developing RNA therapies for chronic liver diseases. Using a combination of genomic deep phenotyping, precision RNA medicine, and testing in live human donor livers, Ochre is developing therapies for liver health challenges ranging from increasing donor liver supply to reducing cirrhosis complications.
Part 2 of 4. My guest for this week's episode is Quin Wills, CSO and Co-Founder of Ochre Bio, a pioneering biotechnology company developing RNA therapies for chronic liver diseases. Using a combination of genomic deep phenotyping, precision RNA medicine, and testing in live human donor livers, Ochre is developing therapies for liver health challenges ranging from increasing donor liver supply to reducing cirrhosis complications.
Part 1 of 3. My guest for this week's episode is Quin Wills, CSO and Co-Founder of Ochre Bio, a pioneering biotechnology company developing RNA therapies for chronic liver diseases. Using a combination of genomic deep phenotyping, precision RNA medicine, and testing in live human donor livers, Ochre is developing therapies for liver health challenges ranging from increasing donor liver supply to reducing cirrhosis complications.
If you're looking for evidence of electronic music being in the rudest of health, look no further. If you're wondering how widely spread it is across this here planet on which we all dance, the answer is right here. And if you're seeking a label straining every sinew to bring the best of that music from every continent to you and showcasing it in a way that gives our artists the visibility their creativity deserves…Selador Recordings at your service. The 19th (count ‘em) instalment in our esteemed Showcase series is truly unique. A whopping 19 brand new and exclusive tracks, curated by label boss Steve Parry and our good friend and uber DJ Anthony Pappa, they have started life as a killer DJ mix put together by the duo. Each track will now get a full release over a series of 3 EPs released over the coming weeks. For your delectation & delight, we present Part One. Kasey Taylor & Jamie Stevens – ‘Ochre' Our dynamic Aussie duo team up and it's pile driver alert with this certified party starter.
Quin Wills, Co-Founder & CSO of Ochre Bio, joins us to discuss their use of deep analysis of liver genetics and precision RNA design to develop new therapies for liver diseases like hepatitis, cirrhosis and liver cancer.
Have you made a monthly blog part of your marketing strategy yet? I could tell you all day long why you should, but until you see the results play out in real-time, you might wonder if you're wasting time or you might question whether you're even doing it correctly. I get it!With the majority of Google search results being blog posts, it is safe to say that blogging is still a relevant and smart way to get more of the right traffic to your website. But…blogging can also feel like one of the most tedious marketing tasks to check off the list. Today's episode aims to show you a better way to blog.Do you know why you should blog, how frequently you should publish a post, what to say, and how to make sure you are talking to your ideal client versus just producing content?Whew — lots of questions and, on today's episode, we have a lot of answers. Long-time listeners of The Kate Show might recognize today's interview from a couple of years ago. I wanted to re-air this episode because the tips that my guest, Jaquilyn Edwards of Ochre & Beige, provides are still relevant today and they are things that every home pro should know.You'll hear Jaquilyn share helpful insights on topics such as why a massive readership of your blog should not be your goal, how long it takes for a single blog post to gain traction, and (this one is still a very hot topic today) what to do with a blog post after you publish it.
On Sunday the 3rd of March, Chloe Foster will be joined by Peter May, soil scientist and horticultural educator; Evan Gaulke of Ochre Landscape; and Richard Barley, Director of Gardens at Kew Botanic Gardens.
After the Indus valley Civilisation came to an end or disappeared slowly or morphed into something else, who/what were the cultures that were still thriving in India? These chalcolithic and iron age cultures appear to have coexisted with the IVC-Harappans and the Vedic Civilisation that would follow. --- Send in a voice message: https://podcasters.spotify.com/pod/show/history0/message
In the In Conversation With series, a part of the free DDW podcast, DDW speaks with members of the drug discovery industry about their work and how it helps turn science into business. In this episode, Megan Thomas is in conversation with Quin Wills, Co-founder and CSO of Ochre Bio, a company whose scientists are working in collaboration with AI to unlock the potential of complex human liver data. Ochre's lab in Oxford takes different types of human cells from donor livers, which they combine to build components of the liver from scratch. These ‘bottom up' models allow them to flexibly study the metabolic, cell death, inflammation, fibrosis, and neoplastic processes that occur throughout the liver disease trajectory. They are, in effect, trying to do the clinical trial before the clinical trial. You can listen below, or find The Drug Discovery World Podcast on Spotify, Google Play and Apple Podcasts.
4:21:46 – Welcome, hosts and listeners of The Onsug radio universe, to come and join a freeform chat in video, which will be released in audio. The Exit Ramp continues for another amazing group show. Host Frank from The Overnightscape is joined by Dave in Kentucky from his various shows, Michael Feir from Canada, Bob LeMent from Morning Commute, Jan Erik from […]
This month's first edition will be our last podcast featuring a full lineup of different musicians, with the finale for this year just before the Christmas holiday, another special on a well-respected band and their various solo and other projects. We are back with a more upbeat selection here, including melodic sequential music and several Berlin School-influenced tracks. Only one new name, B. Ashra, to add to the roster of the thousands of musicians/bands we've introduced over more than 30 years. We include two of his recent albums, which span ambient music's dark & light side with meditational & ritual overtones. Talking of dark ambient, Vidna Obmana's Dante Trilogy is a collection of his early 2000 albums Tremor Spore & Legacy. Kamarius, with his ritual, mystical sound, relaxing and enigmatic atmospheres. Pioneers of French electro, Space Art with ‘Personal Duty', mastered by the legendary Michel Geiss and Dutch musician Remy's most conceptual project, including a ten-piece choir. Steve Hillman has been in this scene with sequential and progressive electronics for 40 years. We've included his latest ‘Sunsets Of Summers Past' converging on the prog rock side. Playlist No 244 02.19 Zanov ‘Quantum World' (album Lost in the Future) https://zanov.bandcamp.com Website https://zanov.net/epk-for-mediaEdit *** 11.00 Zanov ‘Conscious Machines' 14.47 Space Art ‘Code Required' (album Personal Duty) https://www.desertedislandmusic.nl 19.26 Space Art ‘Hello' 22.38 B.Ashra ‘Aurora' (album Aurora Live At Open Ear Ambient Festival 2023) *** https://klangwirkstoff-records.bandcamp.com 29.36 Däcker ‘Aergia' (album Anthropomorphic Personifications) https://www.desertedislandmusic.nl 40.12 Pauline Anna Strom ‘Mushroon Trip' (album Plot Zero) https://paulineannastrom.bandcamp.com/album/plot-zero 48.03 Pauline Anna Strom 'Spacial Spectre' (Echoes, Spaces, Lines) 54.54 B.Ashra ‘Softmachine' (album Aurora Live At Open Ear Ambient Festival 2023) *** https://klangwirkstoff-records.bandcamp.com 59.42 B.Ashra 'Moon Shadow' (album Dark Moments) *** 01.04.20 Phobos ‘Resonance' (album Resonances) ***https://phobos.bandcamp.com 01.16.03 Kontroll Raum ‘The Runaway' (album Gate 23) https://manikinrecords.bandcamp.com 01.27.00 Frore & Shane Morris ‘From Spark to Flame' (album Ochre) https://frore-shanemorris.bandcamp.com 01.35.28 Kamarius 'Natural Ritual' (album Rituals) https://kamarius.bandcamp.com 01.45.33 Vidna Obmana ‘Bloodshift' (album Dante Trilogy: Tremor, Spore, Legacy-ZOHARUM) https://vidnaobmana.bandcamp.com 01.52.30 Vidna Obmana ‘The Humanity Underneath' 01.59.19 Vidna Obmana ‘Luminous Progression' 02.06.59 B.Ashra ‘Indian Summer' (album Dark Moments) 02.10.28 Christain Wittman ‘Floating Illusions' (album Evanescence) https://christianwittman.bandcamp.com 02.15.23 Remy ‘Epilogue' (album The Other Side-Lost In Reality) https://www.desertedislandmusic.nl 02.24.02 Remy ‘First Movement/Skeptic' *** 02.29.46 Detlef Keller ‘Spaintronic I' (album Spaintronic) ***https://manikinrecords.bandcamp.com 02.37.49 Detlef Keller ‘Spaintronic IV' *** 02.49.04 Steve Hillman ‘In Formation' (album Sunsets Of Summers Past) https://stevehillman.bandcamp.com/album/sunsets-of-summers-past 02.54.28 Steve Hillman ‘In Shadow's Realm' Edit ***
Ochre Lawson is an artist and teacher working out of Addison Rd Studios in Marrickville. She has a deep knowledge of colour and composition through self study and curiosity, Her work is free, flowing and colourful, full of the energy of the bush, which she loves to hike through. She was once an environmental activist and her love for nature comes through in her work. She is represented by Jennings Kerr Gallery in the Southern Highlands. The group show, Pulp, opens at Jennings Kerr November 17 until December 17. She has a solo show next October... thansk Ochre! Ochres Art School - Art Class Sydney, get yourself along to one of her classes!
Don't be offended by the title of today's Business of Biotech podcast. Dr. Quin Wills' application of what's become known as "Wheaton's Law" (look it up) is central to the ambitious goals his company, Ochre Bio, is pursuing: pioneering the value of computational biology in large mol discovery and development, putting an end to the global liver disease epidemic, and changing the costly, high-risk approach to clinical trials. On this week's episode, Dr. Wills and I explore how those goals are being addressed despite the challenges they present, and how the company's three guiding principles, don't be a d*** being one of them, align the Ochre team with the mission at hand. Subscribe to the NEW #BusinessofBiotech newsletter at bioprocessonline.com/bob for more real, honest, transparent interactions with the leaders of emerging biotech. It's a once-per-month dose of insight and intel that you'll actually look forward to receiving! Check it out at bioprocessonline.com/bob!
On Sunday 10th September Chloe Foster - horticultural teacher and writer, will be joined by Bronwyn Koll - fruit fly expert, Evan Gaulke - Ochre Landscape, and Graeme Morrison - fruit tree expert.Text your gardening questions to 0488 809 855, or call 9419 8377 while we're on air.Tune in 7:30 - 9:15am Sundays on 855 on the AM dial, 3CR Digital or stream at 3cr.org.au.
Join us in today's episode as we sit down with Lauren Siemonsma, the creative force behind Ochre Ceramics. Lauren shares her journey of crafting ceramics and jewelry, delving into the challenges she faced, the evolution of her business model, and the essential role of sustainability and ethical practices. Discover how she stays inspired, connects with her audience, and maintains a perfect balance between routine tasks and joyful creativity. Tune in for insights on adapting, engaging, and finding your unique path in the world of e-commerce. In today's episode you'll learn: How staying inspired can rejuvenate your business and creativity. The power of adapting your business model to align with your passion and values. Understanding the art of connecting authentically with your audience and building a loyal community. Practical ways to infuse sustainability and ethical practices into your business strategy. Insights into maintaining consistent and engaging marketing strategies that resonate with your audience. The secret to balancing routine tasks with joyful creativity in your daily work. Links from the show: Book Your Free Strategy Session! Bright Red Marketing Episode 47 Ochre Ceramics Website Ochre Ceramics Upcoming Workshops! See omnystudio.com/listener for privacy information.
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Annie Hogg is a visual artist based in Co. Tipperary, Ireland. After graduating with a Diploma in Fine Art from the Crawford College of Art and Design, Cork in 2001 and a BA in sculpture from Aki College of Art in The Netherlands in 2002, Annie worked and lived in environmental protest camps and learned organic horticulture. When Annie Hogg was in art college, her interest in the environment was dismissed as not being 'real art', causing her to abandon her art practice. Twenty years later, her work gravitates around the themes of solastalgia, ecopsychology and transformation. She uses plants, soils, stones, shells and found bones in her art practice, creating pigments and charring foraged objects from the landscape as a votive action to create paint and sculpture. She has won several awards, residencies and art grants, most recently was the winner of the K-Fest Arts Festival in Killorglin Co. Kerry. Annie talks about: Her early concern for the environment Her work being dismissed as not being a worthy theme for art during art college Leaving her art practice for twenty years The importance of drawing and mark making Deciding to become a full-time artist Book illustration Return to fine art and sculpture Learning to extract pigment from the landscape Charring Family connection Foraging The impact of industrial farming Smell Sculptural work Collaboration for her installations Inspiration behind Lost - what happens in a landscape after the land has gone through conversion to an industrial scale farming model. Specifically a system of long established native hedgerows. Solastalgia - the emotional or existential distress caused by environmental changes Her deep sorrow over the loss of the local hedgerows and her guilt about not trying to stop it. Her studio Research Her next project inspired by soil will incorporate sound Grant Applications Rejection Advice Creating titles for her solo exhibition, Blood, Bone, Rust and Stone, using her father's Technical Graphics Textbook Annie also teaches workshops both online and in-person. Contact Annie or see her work on: www.instagram.com/anniehogg_thewidhedgeinkco www.anniehoggstudio.com Full show notes and images available. Contact Éadaoin on instagram.com/eadaoin_glynn and www.eadaoinglynn.com/podcast Artists who inspire Annie include: Pierre Soulages https://www.pierre-soulages.com/ Jesse Jones https://www.jessejonesartist.com/ Aideen Barry https://www.aideenbarry.com/ Books:Caroline Ross - Found and Ground A practical guide to making your own foraged paints https://www.instagram.com/foundandground/ Heidi Gustafson - Book of Earth A guide to Ochre pigment and raw colour https://www.instagram.com/heidilynnheidilynn/ 'Dreamtime' by John Moriarty https://www.lilliputpress.ie/author_post/john-moriarty Contributors to LOST: Natalia Beylis sound artis thttps://www.nataliabeylis.com/ https://www.instagram.com/nataliabeylis/ Adrienne Diamond glass blower https://www.glasssocietyofireland.ie/user/adiamond/ Sinead Brennan of Glint Glass Studio https://www.instagram.com/sineadbrennanglass/https://www.instagram.com/glintglassstudio/ Mick Wilkins on bronze http://wilkinsart.ie/ https://www.instagram.com/mick_wilkins/ Other mentions: Flora Arbuthnott of Plants & Colour https://plantsandcolour.co.uk/ https://www.instagram.com/plants_and_colour/ James Horan was the friend to whom our lecturer told“You have to put in the work to make the work” https://www.jameshoransculpture.com/ https://www.instagram.com/jameshoransculpture/ LOST exhibited atSouth Tipp Arts Centre (as a result of Residency Award ‘22/'23) https://www.southtippartscentre.ie/K-Fest https://www.kfest.ie/ blood bone rust & stone exhibited atLily Gallery Beara https://www.instagram.com/liligallerybeara/ And Cahir Arts https://cahirarts.com/ Annie attended a three-week soil research residency in 2023 with https://www.live-art.ie/
Ochres, iron oxides, and earth pigments are humankind's oldest art material. For ochre researcher and artist Heidi Gustafson, they are also an invitation to challenge how we interact with the inanimate world, and to deepen our respect, reciprocity, creativity, and connection with the lands we live on. In this week's episode of Terra Verde, Heidi joins host Fiona McLeod to share about her rare working collection of more than six hundred ochers from around the world, and to discuss her new book, Book of Earth: A Guide to Ochre, Pigment, and Raw Color. Art meets science in this celebration of earth's extraordinary pigments and their fascinating uses today and throughout history. The post The Art and Science of Earth Pigments appeared first on KPFA.
In this episode of the Knowledge for Teachers Podcast, Brendan Lee talks to curriculum expert Reid Smith, founder and co-CEO of Ochre Education and Head of Curriculum, Assessment and Instruction at Ballarat Clarendon College. Reid's done a lot of research around the importance of knowledge for comprehension and cognitive load theory. In this conversation, Reid talks about: - The importance of working in teams - What we need to consider when designing a knowledge-rich curriculum - Why teachers need to lose the idea that we need to do it all - The origin story of Ochre Education - The components involved with the makeup of Ochre lessons - He mentioned the quote from Richard Elmore “You learn to do the work, by doing the work, not by talking about the work.” and related it to the importance of actually analysing real lesson plans, rather than just asking general questions And much more! Resources mentioned in this conversation: Greg Ashman Core Knowledge Foundation Wiggins and McTighe Read2Learn Syntax Project (I spoke to Steph Le Lievre, one of the creators in Episode 2) Oak National Academy Australian Education Research Organisation (AERO) This is Reid's paper that was mentioned: Reid Smith, Pamela Snow, Tanya Serry & Lorraine Hammond (2021) The Role of Background Knowledge in Reading Comprehension: A Critical Review, Reading Psychology, 42:3, 214-240, DOI: 10.1080/02702711.2021.1888348 You can connect with Reid Twitter: @Smithre5 Website: ochre.org.au Nlog: notquitetabularasa.wordpress.com/ You can connect with Brendan: Twitter: @learnwithmrlee Facebook: @learningwithmrlee
This episode is timed to release as the new year is soon to begin and many of our colleagues are stepping away to start their locuming journey. We hope that this can begin to answer some of the questions about locuming and provide some clarity and reassurance. Originally hailing from Malaysia, Dr. Lilian Tnew moved to New Zealand aged 18 to pursue a medical degree at Otago Medical School. While training in rural medicine, she has spanned experience as a medical registrar and anaesthetic registrar. She has enjoyed locuming for two years around New Zealand, from as far south as Invercargill to as far north as Whangārei. She joins us today to discuss the pearls and pitfalls of being a locum doctor. In this episode, we discuss:Reasons for locumingIdeal timing in your career to locumPicking an agencyAgencies vs casual employment Bad experiencesFinding jobs Travel and accommodation arrangements Indemnity insuranceFinances - accountants, Xero, Hnry, taxes, GST, tax-deductible expenses, superannuation & Kiwisaver InPractice/MCNZ/BPACLeaving anaesthetics training for rural medicine It was a conscious decision to not mention any specific locum agencies to keep this episode as neutral as possible. For this reason, even though we are both registered with locum agencies, I have not linked any referral codes or affiliate links. Referral links will provide both you and the referrer a referral bonus of anywhere between $500 to $2000 - if you would like a referral link, please feel free to contact me or the speaker directly.The primary agencies in New Zealand, as far as we are aware, include: STAT Recruitment, MedRecruit, Global Medics, Triple0 and Ochre. This episode is not sponsored by any of the agencies above and not affiliated.Similarly, the primary accounting platforms mentioned are Xero and Hnry. Since publishing this episode, I have signed onto Hnry in an effort to become slightly more independent and savvy!If you would like a referral bonus of $25 for Hnry: https://app.hnry.io/r/MAPLE88085Support the showAs always, if you have any feedback or queries, or if you would like to get in touch with the speaker, feel free to get in touch at doctornos@pm.me. Audio credit:Bliss by Luke Bergs https://soundcloud.com/bergscloudCreative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0Free Download / Stream: https://bit.ly/33DJFs9Music promoted by Audio Library https://youtu.be/e9aXhBQDT9Y
This week, we speak with Olivia Miller, the interim director at the University of Arizona Museum of Art. We're going to hear the real life story of an art heist that intrigued the world. And it took over 30 years to get the painting returned to Tucson. Today is November 6th, my name is Tom Heath and you're listening to "Life Along the Streetcar". Each and every Sunday our focus is on Social, Cultural and Economic impacts in Tucson's Urban Core and we shed light on hidden gems everyone should know about. From A Mountain to UArizona and all stops in between. You get the inside track- right here on 99.1 FM, streaming on DowntownRadio.org- we're also available on your iPhone or Android using our very own Downtown Radio app. Reach us by email contact@lifealongthestreetcar.org -- interact with us on Facebook @Life Along the Streetcar and follow us on Twitter @StreetcarLife--- And check out our past episodes on www.lifeAlongTheStreetcar.org, Spotify, iTunes or asking your smart speaker to "Play Life Along The Streetcar Podcast." Our intro music is by Ryanhood and we exit with music from Hunted Horse, "Stolen Art."
"Amédée Ozenfant wrote of the art in the Les Eyzies caves, 'Ah, those hands! Those silhouettes of hands, spread out and stencilled on an ochre ground! Go and see them. I promise you the most intense emotion you have ever experienced.' He credited the Paleolithic artists with inspiring modern art, and to a certain degree, they did. Jackson Pollock honoured them by leaving handprints along the top edge of at least two of his paintings. Pablo Picasso reportedly visited the famous Altamira cave before fleeing Spain in 1934, and emerged saying: 'Beyond Altamira, all is decadence.'" -Barbara Ehrenreich "Should we not say that we make a house by the art of building, and by the art of painting we make another house, a sort of man-made dream produced for those who are awake?" -Plato, Sophist "The aim of an artist is not to solve a problem irrefutably, but to make people love life in all its countless, inexhaustible manifestations." -Leo Tolstoy, Virgo "I am a great believer in the creativity of the selective, perceptive act. I once read an article in the International Herald Tribune about a man named Jean-Claude Andrault who had an exhibit, in a small Paris museum, of various pieces of wood he had found over a many-decade span, which resembled all sorts of objects: “landscapes, writhing polyps, an erupting volcano, abstract visions and so on", to quote Michael Gibson, the author of the article. In fact, let me continue quoting Gibson's opinions: 'He [Andrault] wanted to know if I thought these objects were art I said I did not — because they do not voice any human intention. These objects are a case of nature imitating art...But a work of art in its proper dimension is more than order, pattern, suggestion It conveys an intention and thus reveals itself to be a product and an expression of culture taken as the web of all human purposefulness.' Gibson clearly likes Andrault's stuff — he just doesn't consider it art. I find this absurd. In a sense I agree that art has to 'voice a human intention', but the act of selection by Andrault is a deep human intention, just as deep as a photographer's selection of a scene or an event to capture. In fact, Gibson overlooks one further level of human intention: the very idea of collecting pieces of wood and exhibiting them is an excellent example of original human intention. Indeed, it's the invention of a whole new art form!” -Douglas Hofstadter, Le Ton beau de Marot “The very first artistic act executed by man was one of adornment and, above all, the adornment of his own body. In adornment, that primordial art, we find the seeds of all subsequent art. And that first artistic act simply consisted of the union of two works of nature that nature itself had not united. Man placed a feather upon his head, or strung together tiger's teeth to hang about his neck, or clasped a bracelet of colorful stones around his wrist; and behold, the first babblings of that complex and divine discourse on art.” -José Ortega y Gasset, Meditations on the Frame (1990) Sources/place for discussion: https://old.reddit.com/r/DilettanteryPodcast/comments/y3ixbp/33_the_origin_of_art_or_homo_aestheticus_part_2_a/?
This is episode 85 and as we've heard, the English settlers have just arrived in the Albany district – the year is 1820. It had taken three months and now all 5000 new settlers were ensconced on their land. For these settlers, it was an epic of pathetic naiveté and makeshift survival. They would need to adapt or disappear. It was bewildering to most, they originated from England, Scotland, Ireland and Wales, sailed across the Atlantic Ocean, survived the landing at Algoa Bay, and then they'd been driven to their farms on the frontier by ox wagon where they were left without so much as a helping hand. No effort was made to offer advice, and they were forbidden to approach the amaXhosa or Khoekhoe for help. Their sons were going to herd the livestock and till the fields, unlike the Boers who used Khoehoe and mixed race men and women to do their hard work. This landscape appeared perverse, waterless and yet vegetated. The wildlife was breathtaking, elephants would roam about beside thorn fences hastily erected. Thomas Pringle's party had arrived at Bruintje's Hoogte when after a few days, their first lion began to roar at midnight. The Scots poet and humanitarian Thomas Pringle who was shocked by how the Boers treated their Khoekhoe slaves initially, then seemed to approach the matter of race relations in a more philosophical bent. This is where Miles Bowker, remember the man descended from Elizabeth Bouchier who married Oliver Cromwell, this is where his family began to excel. The Bowkers turned rather rapidly into what some called “a tough lot…” survivors of the first order remoulding themselves into Africans.
This is episode 85 and as we've heard, the English settlers have just arrived in the Albany district – the year is 1820. It had taken three months and now all 5000 new settlers were ensconced on their land. For these settlers, it was an epic of pathetic naiveté and makeshift survival. They would need to adapt or disappear. It was bewildering to most, they originated from England, Scotland, Ireland and Wales, sailed across the Atlantic Ocean, survived the landing at Algoa Bay, and then they'd been driven to their farms on the frontier by ox wagon where they were left without so much as a helping hand. No effort was made to offer advice, and they were forbidden to approach the amaXhosa or Khoekhoe for help. Their sons were going to herd the livestock and till the fields, unlike the Boers who used Khoehoe and mixed race men and women to do their hard work. This landscape appeared perverse, waterless and yet vegetated. The wildlife was breathtaking, elephants would roam about beside thorn fences hastily erected. Thomas Pringle's party had arrived at Bruintje's Hoogte when after a few days, their first lion began to roar at midnight. The Scots poet and humanitarian Thomas Pringle who was shocked by how the Boers treated their Khoekhoe slaves initially, then seemed to approach the matter of race relations in a more philosophical bent. This is where Miles Bowker, remember the man descended from Elizabeth Bouchier who married Oliver Cromwell, this is where his family began to excel. The Bowkers turned rather rapidly into what some called “a tough lot…” survivors of the first order remoulding themselves into Africans.
In the latest play session of our homebrew D&D campaign, Into The Weirs, the party escorts a magical fountain to a new town, but not before there's news of some no-good ooze.
With a new friend made but supplies growing short, our stranded survivors need to find out how to get off this strange planet while they still can... Cast: GM - Adam Kiki - Lou Whomhurst - Ben Venla - Leslie Links: Ben and Leslie join us from The Hydian Way, which we should not need to enthuse over by now but we will - go and listen to them! Follow us on social media! Twitter: @forcemajeurepod Facebook: https://www.facebook.com/ForceMajeurePod Instagram: forcemajeurepod Online: www.forcemajeurepod.com Email: forcemajeurepod@gmail.com We have a Discord! Come and join us! We also have merch! https://teespring.com/stores/forcemajeurepodhttps://www.teepublic.com/user/forcemajeurepod If you like what we do and have some spare money, we have both a Patreon and a Ko-Fi account. We are extremely grateful for your support. https://www.patreon.com/forcemajeurepod ko-fi.com/forcemajeurepod Additional Music: "Frozen Trail (Music only Patreon Version)" "Generation Ship (Music only Patreon Version) both by Tabletop Audio Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ For full credit and links please see the Credits page of our website.
Rejoice as LA-based grunge-gazing fourtet Goon have a new album, “Hour of Green Evening,” coming out tomorrow! If a picture paints a thousand words, then a song can capture a color. “Ochre” is frontman Kenny Becker's favorite color to paint with, brought to sonic life with his lilting orchestration and made all the more vibrant by a beautiful piano improvisation from Spoon's Alex Fischel.
Craig Squire, owner of Ochre Restaurant, Modern Australian, in Cairns, talks with James Shillinglaw of Insider Travel Report about how Australian cuisine has evolved to make the country one of the world's great foodie destinations. Ochre, part of a new wave of great Australian restaurants, was one of the places visited by last month's Down Under Answers travel advisor fam trip. For more information, visit https://ochrerestaurant.com.au. If interested, the original video of this podcast -- with supplemental pictures and video -- can be found on the Insider Travel Report Youtube channel or by searching for the podcast's title on Youtube.
This week we interview Dr. Spencer Pelton, the Wyoming State Archaeologist, about his work on the Powers II red ochre quarry site. He recently co-authored a paper about that site, and in it they reveal that the dating results make the Powers Site potentially the oldest quarry site in North America. It's a fascinating and unique site and Dr. Pelton graciously shares his expertise on red ochre, how it was mined, and how it was potentially used by Paleoindian people in Wyoming. Interested in sponsoring this show or podcast ads for your business? Zencastr makes it really easy! Click this message for more info. Start your own podcast with Zencastr and get 30% off your first three months with code TAS. Click this message for more information. Links In situ evidence for Paleoindian hematite quarrying at the Powars II site (48PL330), Wyoming This 12,000-Year-Old Wyoming Quarry Could Be North America's Oldest Mine A Life in Ruins Episodes with Dr. Spencer Pelton The Cowboys of Science with Spencer Pelton - Ep 01 The Cowboys of Science II: Dr. Spencer Pelton Returns - Ep 54 Contact Chris Webster chris@archaeologypodcastnetwork.com Rachel Roden rachel@unraveleddesigns.com RachelUnraveled (Instagram) ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular Motion
This week we interview Dr. Spencer Pelton, the Wyoming State Archaeologist, about his work on the Powers II red ochre quarry site. He recently co-authored a paper about that site, and in it they reveal that the dating results make the Powers Site potentially the oldest quarry site in North America. It's a fascinating and unique site and Dr. Pelton graciously shares his expertise on red ochre, how it was mined, and how it was potentially used by Paleoindian people in Wyoming. Interested in sponsoring this show or podcast ads for your business? Zencastr makes it really easy! Click this message for more info. Start your own podcast with Zencastr and get 30% off your first three months with code TAS. Click this message for more information. Links In situ evidence for Paleoindian hematite quarrying at the Powars II site (48PL330), Wyoming This 12,000-Year-Old Wyoming Quarry Could Be North America's Oldest Mine A Life in Ruins Episodes with Dr. Spencer Pelton The Cowboys of Science with Spencer Pelton - Ep 01 The Cowboys of Science II: Dr. Spencer Pelton Returns - Ep 54 Contact Chris Webster chris@archaeologypodcastnetwork.com Rachel Roden rachel@unraveleddesigns.com RachelUnraveled (Instagram) ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular Motion
Stephen Page has won a Red Ochre Award for outstanding lifetime achievement in Indigenous arts
Leah Purcell discusses her newest iteration of The Drover's Wife, and Stephen page is honoured with a Red Ochre Award
An electronica ambient mix with Jon Hopkins, Ghost In The Loop, Ochre, zYklen... Selected & mixed by Absürda
If this is your first time meeting the show, don't forget to follow us on Apple Podcasts or wherever you download your favorite shows. If you love what we're doing, consider supporting us at: https://www.buymeacoffee.com/dailydetroit
This week we talk about cat sandwiches and probe the many (not many) layers of Isla Vista's spear at the heart of emo and phone dialers, OCHRE. Mike also makes the most surprising advertisement which is roughly half the episode and I mean we're all about to be rich so you're gonna be glad about that.
In this week's episode Patrick speaks to Quin Wills and Jack O' Meara, Co-Founders of Ochre Bio, about their founding story, why in-silico discoveries could be the road to faster and lower cost liver therapeutics, and the need for prioritising preventative measures against disease as the average human lifetime gets longer.
The very first members of our species adopted innovative stone tools, hunted a variety of large animals, sat around campfires and used pigments. But were they as smart as we are today?Patreon: https://www.patreon.com/ourprehistorySupport the show
This episode we're moving forward into the early stone age as it's known and much of our story covers the period after the last ice age which ended 10 000 years ago. Prior to this the oceans had subsided as ice covered much of the world – leading to the coastline along the Indian and Atlantic seaboard of South Africa moving around one hundred kilometers out to sea beyond today's beaches. That poses a challenge as we investigate origins of man and woman on the sub-continent. Much of the archaeological evidence is now under hundreds of feet of sea water way offshore. We do have some material inland, as well as the shellfish middens that began to appear much later in the record which allows us to piece together an increasingly accurate picture of what was going on. South Africa's prehistory has been divided into a series of phases based on broad patterns of technology. The primary distinction is between a reliance on chipped and flaked stone implements which is referred to as the Stone Age which begins with the peolithic period 2.5 million years ago – that's the early stone age. The middle stone age starts 150 000 years ago and ends around 30 000 BC, while the late stone age ends 2000 years ago. That is when new people arrived in South Africa who had the ability to smelt iron weapons and tools – the Iron Age had arrived with these farmers from central Africa. The first peoples of the region predated both the San and Khoe and of course we have no clear idea of their language. But we do have Mitocondrial DNA evidence and cultural artifacts. First, let's consider Hunter-gatherers who foraged along the seashore for shells and fish, and cooked seafood over fire -the original people of this land. As there are a lot of hollowed caves along the South Eastern coastline of South Africa, many were extended and improved by the people living in them.
This episode we're moving forward into the early stone age as it's known and much of our story covers the period after the last ice age which ended 10 000 years ago. Prior to this the oceans had subsided as ice covered much of the world – leading to the coastline along the Indian and Atlantic seaboard of South Africa moving around one hundred kilometers out to sea beyond today's beaches. That poses a challenge as we investigate origins of man and woman on the sub-continent. Much of the archaeological evidence is now under hundreds of feet of sea water way offshore. We do have some material inland, as well as the shellfish middens that began to appear much later in the record which allows us to piece together an increasingly accurate picture of what was going on. South Africa's prehistory has been divided into a series of phases based on broad patterns of technology. The primary distinction is between a reliance on chipped and flaked stone implements which is referred to as the Stone Age which begins with the peolithic period 2.5 million years ago – that's the early stone age. The middle stone age starts 150 000 years ago and ends around 30 000 BC, while the late stone age ends 2000 years ago. That is when new people arrived in South Africa who had the ability to smelt iron weapons and tools – the Iron Age had arrived with these farmers from central Africa. The first peoples of the region predated both the San and Khoe and of course we have no clear idea of their language. But we do have Mitocondrial DNA evidence and cultural artifacts. First, let's consider Hunter-gatherers who foraged along the seashore for shells and fish, and cooked seafood over fire -the original people of this land. As there are a lot of hollowed caves along the South Eastern coastline of South Africa, many were extended and improved by the people living in them.
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