Podcasts about vcrs

Way back when, in the first year of the Podcast back in 2019, we covered the 1983 Macy's Thanksgiving Day Parade in Episode 9, and we've done the following year's edition every year since. Given we've now had a set formula for covering these parades since, we decided this year to do a "Revisited" for the 1983 edition. We got Shirt Tales, Jon Bauman, Yogi Bear, Charley Pride, the Superman balloon that hides in the corner depressed, Woody Woodpecker, a drunken Bullwinkle, Leonard Frey, and Mr. Smith! Plus, we also get some hot Atari 2600 commercials and some early info on buying VCRs for Black Friday 1983 during the parade! The second part of our Thanksgiving Day Parade Extravaganza will be posted at 12 Noon later today when we discuss The 1989 Macy's Thanksgiving Day Parade.

Young people today face noise, pressure and expectations that can drown out who they really are. I have met many who feel unsure of their path, and I believe this is one of the most important conversations we can have. In this episode, I sit with youth coach Hillary Spiritos, someone who has walked her own winding path from fearless child, to shy young adult, to a coach helping others reconnect with their inner voice. Her honesty about the old messages she carried and the ways she learned to trust herself again offers a lesson for all of us, no matter our age. Hillary and I talk about what young adults face today, why so many feel lost and how simple daily choices can move us away from fear and toward clarity. You will hear how she helps people uncover what they value, build resilience and create a life that feels true. I think you will find this conversation grounding and hopeful. My hope is that it reminds you, just as it reminded me, that we all have the ability to step forward with purpose and live with an Unstoppable mindset. Highlights: 00:10 – Learn how early life messages shape confidence and identity.01:27 – See why many young adults step back from who they really are.02:54 – Understand how internal stories influence your choices.03:55 – Hear how changing environments helps you discover new parts of yourself.13:42 – Learn how young adults navigate both opportunity and uncertainty.15:36 – Understand why modern pressures make clarity harder to find.19:00 – Discover why resilience begins with facing normal challenges.23:25 – Learn how redefining success opens space for authentic living.25:20 – See how guided reflection builds direction and self trust.39:57 – Discover tools that help you quiet the noise and listen inward. About the Guest: Hillary Spiritos, founder of Bat Outta Hell, is a pathfinding coach dedicated to helping young adults pursue the lives they envision by building self-trust and discovering their potential. She conducts workshops on essential life skills such as leadership development, interviewing, resilience, and maximizing your study abroad experience. Through her coaching, Hillary empowers young adults to navigate social media noise and societal pressures, encouraging them to listen to their inner voice and achieve their unique personal and professional goals. This process helps clients identify their values, overcome obstacles, and embrace their fears, ultimately leading to a fulfilling and authentic life. As a certified pathfinding coach, she offers her clients that unique in-between space to create and execute their life road map. Hillary brings years of experience as an Academic Advisor at NYU and Northeastern University, as well as a background in the corporate sector, both as an employee and freelancer. Ways to connect with Hillary**:** https://batouttahell.net/ https://www.tiktok.com/@bat.outta_hell https://www.linkedin.com/in/hillaryspiritos/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, wherever you happen to be today, I would like to welcome you to unstoppable mindset, and I am your host, Michael hingson, or you can call me Mike, one of those two, no other kind of words, just Mike or Michael. But we're glad you're here, whether you're watching, listening or doing both. And our guest today is a coach. She especially does a lot in coaching and working with youth, young people, and I'm really interested to learn more about that as we go forward. I think it'll be kind of fun. So I would like to welcome Hillary Spiritos to unstoppable mindset, Hillary, we're glad you're here. Thanks for coming. Hillary Spiritos  02:02 Hi, thank you so much for having me. Mike. It's a pleasure to be with you. Michael Hingson  02:06 Well, I think it's a pleasure to be with you too, so I guess it works out both ways, right? Wonderful. Yeah, absolutely. Well, thank you for being here. Why don't we start as I love to do, let's start at the beginning. Tell us sort of about the early Hillary, growing up and all that. Since you know you're dealing with youth and and all that, you were one once. So let's, let's hear about you. Hillary Spiritos  02:29 I was one once, absolutely. So I was a really fearless child. I had a really, like, wild fashion sense. I asked a lot of questions. I was pretty independent. I like to stay in my room and like play with my imagination and and then as I got older, I got a little bit shyer. I got a little bit behind the scenes. I started to I started to back away a little bit and kind of lose touch with who I was. And then I have finally, like when I was in my when I was in university, I really just decided that I didn't really know what I wanted to do, what I wanted to study what I was interested in, and it's been a process to kind of live my fullest, most authentic life, and that is what I want to help young people do. Michael Hingson  03:29 Why did you back away? Why did you become kind of, maybe less outgoing or less adventuresome, if you will? Hillary Spiritos  03:38 I think you know there are multiple reasons for this puberty is not like the least of which, but I would say that I'm a big believer that we are taught these messages when we're younger as children, and they get internalized. And I think I internalized messages that were to make myself smaller, to not cause waves, to just not be as big of a presence, perhaps. And so I you have to kind of rewire that. You have to break free from that, and then you can decide, actually, I'm not at the mercy of these stories that I've been told in these messages that I've gotten. Now, Michael Hingson  04:23 where are you from? Hillary Spiritos  04:24 I'm from New York City. Okay, Michael Hingson  04:27 yeah. Well, you know, New York is a tough place, so you can certainly learn to be outgoing and active there. But I hear what you're saying, yeah. Now, where are you now? Hillary Spiritos  04:39 I live in London, England, Michael Hingson  04:41 okay, yes, a little ways from New York, Hillary Spiritos  04:45 absolutely. But actually not as far as you might Michael Hingson  04:48 think, no, it's only, what a five hour airplane flight, right? Hillary Spiritos  04:53 But it's, it's actually shorter than going to California, yeah? Michael Hingson  04:58 So, yeah. You know well, but what took you to London? Hillary Spiritos  05:06 I have always wanted to live in London, and I really love the arts and culture and comedy scene here. I also am a deep, deep lover of travel, and obviously living on the continent of Europe, just gives me more opportunity to travel in that way and over the weekend, you know. And I also just am a deep believer in international education, study abroad, the ability to have cross cultural experiences, to learn more about yourself and your place in the world and the world itself through experiencing your life and yourself in a different Michael Hingson  05:46 place. Do you have a car, or do you just use the tube and public transportation? I Hillary Spiritos  05:52 use the tube and public transportation mostly. I mean, the thing about Europe is that it's really well connected over train. Michael Hingson  05:59 Yeah, absolutely. Yeah. And that that makes a big difference, because you can get wherever you want to go around Europe fairly easily by train, sure, absolutely, certainly, a lot easier than getting around most places in in the States. Hillary Spiritos  06:19 Yeah, that's that can be true, though. I mean, there is an ease to a car Absolutely, and there's like a lovely I can blast my music and be with my thoughts and be in my own space that a car brings you that the train doesn't, Michael Hingson  06:34 yeah, well, or you use earphones, but it's still not the same. Hillary Spiritos  06:39 Yeah, I have a lot of clients and students who are perhaps in places that they don't have their car, and they find that their car is their safe space, and the space where they can vent and listen to music and just be alone and and they feel fine that they really miss their car. So it's I mean, but I also grew up in New York City, so I, I, it's not a part of my it's not a part of my existence, really. Michael Hingson  07:06 Yeah, you're used to not having a car pretty much. I had a friend when I lived in in Winthrop, Massachusetts for three years. I had a friend. We both worked at the same company, and his philosophy was, buy a car, but don't get anything fancy. Just get a clunker. And when it dies, just leave it and go off and buy another one. And so he never did get any kind of a really high end car. And he had a couple where they died, and he just left them or got got them taken away, and then he went off and got a new Hillary Spiritos  07:43 car. Sure, I guess it's really just what you value. Yeah, absolutely. Michael Hingson  07:50 Well, I'm pretty used to having access to a lot of public transportation. Unfortunately, where I live here in California, we don't have a lot where I live anyway, of great transportation, but I remember living in the east, and of course, there was a lot more train access around New York, around Boston and around Washington, DC, for that matter, compared To out here, absolutely well. So where did you go to college? Hillary Spiritos  08:24 I went. I got my undergraduate degree at Duke University, and then I got my master's in international education at NYU. Michael Hingson  08:33 Okay, and so what was your Bachelor's Hillary Spiritos  08:37 in theater and comparative religion? Michael Hingson  08:41 That's a little different than international education. What prompted you to Hillary Spiritos  08:44 switch? Yeah, so that's a great question. So I actually changed my major in my junior year of college because I didn't believe that anyone would be accepting of me majoring in theater and comparative religion as two separate things, and I didn't think it was good enough, and I had all these judgments again from messaging that I received as a young person, and I finally decided that I wasn't going to listen to that. So I changed my major, and I actually worked in the theater and live events production for five or six years after college, and loved it, but I found that it wasn't fulfilling in the way that I wanted my work to be. It wasn't as soul feeding as I wanted my work to be. And I realized that I was an RA at Duke University, and I I just truly loved working with young adults and helping them find their path and figure out what they wanted to do with their life and who they were and what they valued and and so I found that I really wanted to be in the world of higher education, so I went and got my master's. Michael Hingson  09:49 But you didn't do that right out of getting a bachelor's. It was a little bit later. Hillary Spiritos  09:53 Yeah, it was about five or six years later. Wow. Michael Hingson  09:55 So what did you do for the theater while you were working? Hillary Spiritos  09:58 I. Yeah, I was a stage manager in the theater, and then I was a Live Events Producer, so concerts, festivals, movie premieres, anything like that. I helped Michael Hingson  10:11 produce. Did you do a lot of that around New York? Hillary Spiritos  10:15 Yeah, so New York, LA, I also worked in Boston, actually, both as in the theater, as well as at a university in Boston after I had gotten my masters. So yeah, Michael Hingson  10:29 I always enjoyed going to Broadway shows. There's, there's nothing like live theater. I agree. Yeah. I mean, it's, it's just a totally different kind of environment, and it's so much more fun than watching a movie or whatever, the sound is different and better and just the whole performance. There's nothing like seeing something on the stage. Yeah? Hillary Spiritos  10:54 I mean, I think it's all about To each their own. Right? There are actors and people who find that movies have changed their lives and and I definitely have movies that I watch over and over again for comfort, same with TV shows. But for me, personally, the theater, there's nothing like live theater. Live theater is like energizing for me, and if I go too long without seeing it, I get a little Michael Hingson  11:18 Yeah, well, you're in a in a town that has a fair amount Hillary Spiritos  11:22 of theater? Absolutely, yes. Michael Hingson  11:25 So what are your favorite movies? Oh, oh. Hillary Spiritos  11:30 I mean, I guess it depends on what genre we're talking about. But I really love the genre of, like, inspirational sports movies. I that also I remember watching all of those and just really resonating with the character of the coach and realizing that that's kind of who I wanted to be in life, that person who recognized the potential and helped everybody reach their potential. So I loved, you know, the Karate Kid and Mighty Ducks and, like the replacements and strictly ballroom and and miracle and, you know, any Rocky, Michael Hingson  12:10 you name it, yeah, A League of Their Own. Hillary Spiritos  12:14 Oh, League of Their Own is incredible. Michael Hingson  12:16 Absolutely, yeah, I always like the league of their own. Yeah, Hillary Spiritos  12:19 the natural is also a great fact be the natural. Michael Hingson  12:22 And I read the book long after seeing the movie, but I, but I read the book, and that was worth reading as well. Hillary Spiritos  12:32 I think I've also read it, but I'm not, I can't. Michael Hingson  12:38 Yeah, it's been a long time since since I've read it, but it was fun. I don't know my probably one of my favorite movies, and I love to quote it all the time. Goes away from sports. It's Young Frankenstein, but I'm a Mel Brooks fan. So what can I say? Oh yeah. Hillary Spiritos  12:55 Oh yeah. I mean, that's an incredible film, too. And I would say I love a lot of movies that are not inspirational sports movies as well, but yeah for sure, Michael Hingson  13:03 yeah, and I've always liked Casablanca. That's still one of my favorite movies of all time. Hillary Spiritos  13:09 Classic, absolutely, Michael Hingson  13:11 a classic, absolutely yes. But there's still nothing like going to see things on Broadway. You know, I used to see, I watched Damn Yankees the movie, and then when I lived back in the east, we got to see Damn Yankees on Broadway. I actually saw it twice. The second time was with Jerry Lewis playing Mr. Applegate, the devil, and it was the only thing he ever did on Broadway. And we, before we went to see it, there was a my wife read an interview with him, and he said his father had told him, you won't have really ever arrived in entertainment until you do something on Broadway. Well, he did a great job in the play. It was well worth seeing. Hillary Spiritos  14:00 Well, yeah, I mean that that's a challenging statement for sure. And I think it depends how you how he took that right, but that can also be very disheartening, Michael Hingson  14:11 yeah, yeah, well, he took it, he took it the right way. And, and, you know, he, I think he thought his dad was, was hoping his dad was watching from wherever his dad was and saw him on Broadway, but Broadway plays are fun, and I've seen a number on Broadway, and I've seen some plays not on Broadway, but still, people did a great job well. So you anyway, you did theater, and then you went back and got your master's degree, and you wanted to deal with young people. Why? Specifically just young people? Hillary Spiritos  14:50 I think that young adults are exist in such an incredible but volatile space. So like throughout life, we go through on this track of all pretty much doing the same things at the same time, at the same pace with everybody else. And then when we meet or when we get to university, there just becomes so many more paths, and paths start to diverge, and everyone starts to get a little bit mixed up, and then once you're out of university, then that happens even more, and that can be a period of incredible opportunity and possibility and excitement, but it can also be a time of really a lot of anxiety and challenges and obstacles and fear of the unknown, and I think that that is a really exciting, interesting, dynamic place to be. I also just love the ethos of young people, of I'm not going to take that this is the way it's always been done, mentality. I'm not going to just let whatever is going on in the world wash over me. I'm going to actually take a stand. I'm I'm going to stand for what I believe in. And I think that's just a really, I mean, there are some real fierce young people out here, out here, and so that's really uplifting and really motivating and energizing to see. Michael Hingson  16:18 Do you think that it's different now than it was, say, 30 or 40 years ago, in terms of dealing with youth and young people in terms of what they face and how they face it. Has it? Has it changed much? Or do you think it's really basically the same? And of course, the other logical question is, Is it easier or harder now? Hillary Spiritos  16:39 Absolutely, so I think that it is absolutely part of the human condition to try to figure out who you are and what you want, and that is something that young people are constantly dealing with at every generation. So that's absolutely true, but I do believe that there are certain things that make it harder for this generation, the Gen Z and Millennial like cohort, I think that whether that's the covid pandemic, social media, helicopter or lawn mower, snow plow, parenting, whatever you want to call it, that just this general state of the world, there are all of These structures and systems in place that are crumbling and broken, that young adults are having to get a grip and understand and find their feet in a world that is constantly shifting and and not meeting their needs. So I think it is definitely, I mean, harder is challenging to rank, right? Because, like, obviously, there are very hard challenges in various generations, but I do think it is very different. Michael Hingson  17:49 Well, you know, in 1917, 18, we had the pandemic of the flu. So it's not like this is the first time we've ever had that, but sure, it just seems to me, with everything that's going on today, with with social media, with instantaneous communications and so on, and probably other things where a number of people are raised in fear oriented environments, it is definitely a lot more challenging to be a youth growing up today. They're just too many challenges, much less you mentioned helicopter and other kinds of parents, I would assume that they're operating more out of fear than anything else, which is why they do what they do. Hillary Spiritos  18:36 Well, that's interesting. I think they absolutely could be operating out of fear, and they can be operating out of the I want you to reach this echelon. I want you to do this thing, have this job, so that you will be secure and safe. However, we know that that's not a given, right? There's no such thing as security in that way. But I would also say there's a way to be operating out of a projection of what they wish that they lived, and they're passing that along to their children as well. So there are various ways that it can manifest Michael Hingson  19:12 that's probably been somewhat true though, through most generations, although it may be a little bit more the case now, because there's so many outside forces, and they want to keep their kids from having to put up with all of that. Hillary Spiritos  19:23 Yeah, I would also say that their parenting used to be a little bit more hands off, and it is now. Let me remove the obstacles from my children's lives and let me and that's a generalization. Obviously, not all parents are like that, but there is a big push to let me make it somewhat easier, and that's not to say don't support your children, and that's not to say don't help them out. That's not to you know, but in removing all the obstacles, young people aren't given the opportunity to build. Of the self reliance and the resilience and the self trust that they need to move forward, Michael Hingson  20:05 yeah, and it may ultimately come down to, how many of the obstacles are you really removing, but? But that is true, that they make it they think easier. But the reality is, there are reasons why we all have to go through different situations to learn Hillary Spiritos  20:26 Sure, absolutely, I think if you, if you don't develop resilience or self reliance or grit, I think that that is, that is going to be a very challenging life until you learn to really develop those traits, those skills, tools, Michael Hingson  20:46 I know for students with disabilities. And this goes back 50 years. I know here in California, a number of the colleges and universities started hiring people to run offices for students with disabilities, and they would come in and Oh, we'll get we'll, we'll, we'll make sure you have your textbooks, we'll make sure you have a place to take your tests. And they do any number of things for students that some of us who grew up a little bit before those offices realized that the offices were were really creating more of a problem than a great solution, because they did everything for students, rather than students learning to do things for themselves. Students didn't learn how to hire people to read information for them, or how to go to professors and advocate for what they needed, because they just relied on the offices. And the offices would say, well, students don't know how to do those things, yeah, and they never will. It's the same, it's the same kind of concept. But you know, the reality is that there is a reason why there is value in having challenges put before you to overcome and deal with Hillary Spiritos  22:07 Absolutely, absolutely. I mean, it helps you recognize what you're capable of, and it also helps you realize that you have been through maybe something difficult previously, or you've gone outside of your comfort zone or tried something new or whatever, there's precedence there that you can do something like that again, and if you don't have those experiences, then you are unsure. I mean, I have clients who have not built up these experiences, or they don't recognize the experiences that they've had, and that's part of the work that we do, is that then they just feel so unprepared to go out in the world because they don't know what they're made of. Michael Hingson  22:47 Yeah, yeah. And it is, it is a real challenge. And you know, the other part about it is that what referring back to the offices for students with disabilities, what the offices should be doing, is encouraging students to to do the work, and then saying, this is what, what I actually went through, and then actually saying, if you have a problem and you can't get the things that you know you need to have, will help you. We will. We will bring the resources of the university to, for example, to to bear, to get you what you need. But you have to be the one to initiate it. And I think that's the issue. Hillary Spiritos  23:32 Sure, absolutely, it's it's it's the it's the asking questions without trying to figure out what the answer is yourself, or trying to find the answer yourself. And I think that can be manifest in many ways, and I think that that is also indicative of like a larger of a larger system, which is not being able to trust that you can figure it out, not being able to trust that you have the answer or that you can, like, trust your inner voice or your gut, and so you look outward and that so it can be part of a task, but it can also just be. It can manifest in your just general life. Speaker 1  24:14 Yeah. So what does redefining success mean today for young people, and how do they separate their goals from what society expects them to do, or societal expectations? Hillary Spiritos  24:28 Yeah, absolutely. So, as I kind of alluded to before, is that we learn these definitions. We learn these we have these messaging from when we were younger, and we learn what success means, what failure means, what courage is, and we start to internalize what we think other people will see as acceptable or good enough. And what we need to do is unpack that and. Try to redefine success and failure and all the rest of it for ourselves so that we can live our own lives and not be at the mercy of our prior messaging, childhood wounds of our parents, hopes and dreams and fears, perhaps what people of people in society might deem as not good enough, or not interesting, or whatever we want to live according to what we think we value. And so that would that's what redefining success means. Speaker 1  25:32 How do you teach people how to redefine success? You you have a coaching process that I assume that you use. So what is that? How does all that work? Hillary Spiritos  25:42 Yeah, so it's a three month process, and it's called aligned and alive. And the first month is helping young adults really get to the root of who they really are, what they really value, and what they really want their life to look like. And it is going deep, and it is being honest and answering those questions outside of societal expectations, and cutting through the noise to the best of their ability. And then the second month is really honing in on what is blocking you from going after the life you want, from imagining the life you want to create, and creating the life you imagine. And then the third month is reevaluating those what we those of things that we talked about in the first month, so who you really are, what you really value, and what you really want your life to look like. These things probably have changed over the course of this time, as you've kind of uncovered new aspects of yourself, and then we create an actionable strategic plan so that you're not just going off into the world unprepared and feeling unprepared to kind of take the next step. And there are absolutely follow up calls to just make sure that you feel the most secure and that you if you have any questions or kind of feel like you want to check in, that's absolutely acceptable and possible and hope like I hope you will and we will set up. And there are also people who don't work on this three month platform, but they also just meet with me regularly. So it's it depends on what you're looking for. This isn't a one size fits all situation. Michael Hingson  27:24 Yeah, what? Which makes sense? It it shouldn't be a one size fits all because everyone is a little bit different. Needless to say, absolutely. So I didn't mention it before, but we should talk about what is the name of your company? Hillary Spiritos  27:39 So the name of my company is called bat out of hell. There you go. Michael Hingson  27:44 See how did you come up with that? It's I think it's great. Hillary Spiritos  27:48 Thank you. I really love and have a kinship with bats. I think that bats are highly adaptable, perceptive, social creatures, and they spend a lot of their time upside down, so they see the world in a different perspective, and they symbolize transformation and rebirth and the shedding of the old to come into the new and out of the darkness and into the light, all of which I really resonate with and want the energy of the business. And then I also am not a one size fits all cookie cutter coach, let alone person. And I, and I wanted a name that kind of had that ethos, had that a bit of rock and roll in it, if you will. And so, yeah, I feel like it's has real momentum to it, and a real edge, which is great. Michael Hingson  28:44 And so you, of course, feel a great kinship for the TV show in the movies Batman, right? Just checking, Hillary Spiritos  28:51 yeah. I mean, there is, I'm not the biggest Batman fan, Marvel or super, but I will say there I did talk about this with people about how Batman, if I'm correct, embraced what he was most afraid of, and took that to help him fight the bad villains in Gotham. And so that is an incredible thing to do, to take what is blocking you, to take those fears, anxieties and and insecurities, and recognize where they come from, own them to and understand how they influence and manifest in your everyday life, so that you're not at the mercy of them. That's basically what Batman does. And that's great. That's dope. Michael Hingson  29:37 I think that happened probably more in movies than in the TV series, but that's Sure. Adam West was an interesting character for TV, but that that's fine. I actually sat a row in front of him on an airplane flight once, he was a whole lot different on the airplane than he was as Batman was interesting. Did you talk to him? No. He didn't have any interest in talking to anybody except, I guess it was his agent or or someone who he was with, and that was the only person he talked with. Okay, that's that's a lot. What do you do? You know, well, so the the thing is, though, that I think you're right. Batman, like anyone had fears and he and especially in the movies, he learned to embrace them and did the things that he needed to do. He he chose his life, although there were things that that led him to do it, he still chose his life and operated accordingly. And that's something that we all have the opportunity to do, is we can make choices. I think it's important that we monitor our choices. That is when we choose things. I can I can go back many years in my life and see how I got to where I am today by the choices that I made. And I think that's a thing that is worth people doing, is being introspective and and thinking about what you do, what you did, and how you got where you are, not in any kind of a blame way, but rather just to know, and that also helps you then decide where do we go from here, Hillary Spiritos  31:25 absolutely, to constantly or consistently, take stock of who you are and what you want, and to ask yourself questions of, is that true? Is that actually what I want? Is that actually what I value? Is that what I believe is, Am I doing this because somebody else says I should? Am I doing this because I don't want to be embarrassed, like, am I excited to do this, or excited and anxious, or do I just really not want to do it? All of these questions are really important to continually ask ourselves. But I think if you haven't learned to ask yourself those questions, or if you're feeling really lost at sea, or if you're feeling like you really just don't know how to cut out the noise, then it might be beneficial to talk to somebody. But absolutely, that's something that that's being introspective and reflective is is vital? Michael Hingson  32:19 Yeah, I think that's extremely important to do, and it's it's also all about working to keep fear from controlling you, and learning how to control fear. And the more you look at like, what, what you do every day. And I encourage people, as they're going to sleep at night, to be introspective. What happened today? What? Why did I react to that? Why? Why was I afraid? What can I learn from that, or even the good stuff that went really well, but how might I do it better? Being introspective and really listening to your inner voice helps a lot in being able to deal with fear. Hillary Spiritos  33:01 Absolutely, absolutely. I think it's the question of, are you able to listen to the to your inner voice? Do you trust your inner voice? Do you listen to your inner voice? Is there a reason why, even though you hear it, you're not doing it? Is there a reason why you're not taking the steps to engage with your life the way that you want. Do you not even know what the life you want to create is? And I think that these are really like listening to your inner voice is absolutely critical. It's vital. But sometimes it's not the easiest thing to do, Michael Hingson  33:38 no because we haven't learned to do it. The more we work at it, the easier it becomes. It's a matter of really exercising that muscle that is our mind. Because we can learn to trust that inner voice. We can learn to listen to that inner voice, but we have to make the choice to do it. No one else can do that for us, absolutely. Hillary Spiritos  33:59 And I think that's that's really important information, right? Because we're the ones that have to live with the consequences of our choices. We have to live. We're the ones who have to live in our lives, so to look outward for answers rather than looking inward. While it might feel more comfortable and you feel like, oh, that way I want won't make mistakes, or people will deem it acceptable, because I've I've taken the census, and everybody thinks that this is what I should do. It doesn't save you from you're the one who actually has to go through the motions, and you might be living someone else's life, and you're going to realize that at some point or another. Yeah. Michael Hingson  34:43 And, and, I guess, in a sense, hopefully you will realize it and use that to advance and go forward and more. Learn to listen to your inner voice and more. Learn to not be afraid of so many things. Yeah. Hillary Spiritos  34:57 And, I think that it's you. It's lovely to recognize that and try to get on the right path, or let's say, your path earlier rather than later. Yeah, because what you don't want is to necessarily look back and realize that you've lived your life according to someone else. It's the number one regret of the dying, right? So obviously, we do that to the best of our abilities, because all we can do is make the best decisions with the information that we have at the time. So it's keep it's a constant constant, trying to figure it out, but you we want to get on that. We want to live our most authentic life as as much as possible. Michael Hingson  35:41 Sure, you talk a lot, or you refer to reclaiming your 20s and 30s and so on. And I think that's an interesting thing, because it's it was a probably most people view it as a simpler time in life. But what are some of the misconceptions that people actually have about their 20s and 30s, and how do you refrain from dealing with uncertainty and turn it into opportunity? Hillary Spiritos  36:12 Yeah, that's really an interesting question, and it's a way really interesting way of phrasing it, because when you're older, you do tend to say, Oh, if only I, like, realized this in my 20s, because the or, like, what I could tell my 20 year old or 30 year old self is because actually, your 20s and 30s are fraught with a lot of challenges and a lot of insecurities and a lot of fears, and They're actually not necessarily simple times, but I would say some misconceptions are that you need to have it all figured out, that you're running out of time, that it's too late, or that you're behind, that everybody else has it figured out, and you you're lost, that your 20s are for figuring things out, and then once you hit your 30s, you're supposed To have it all figured out, and all your ducks in a row, the idea that your path is straight, and once you make a decision, then you're off to the races. And like you don't ever have to think about it again. If I could just pick the right career, pick the right partner, pick the right industry, I'll just be done. And that's that's not how life works. No. So I would say that we want to reframe uncertainty and all of these questions as opportunity. And so life is uncertain. And so when you learn to see uncertainty as possibility and obstacles as opportunity for growth, then you will begin to have more forward momentum, have live your live a more authentic life, and learn more about yourself and gain self trust and resilience and self reliance. And that's that's what we want to learn how to do in our 20s and 30s and beyond Michael Hingson  38:00 and beyond, because the reality is, it's all part of the same thing. Hillary Spiritos  38:04 Sure, absolutely, yeah, Michael Hingson  38:08 it, it may or may not get any simpler, or maybe we learn enough things that it looks like it's simpler, but because we've learned certain things that help us get through whatever it is we have to get through. But the reality is, it's all about learning. I think, yeah, go ahead. Hillary Spiritos  38:27 No, I just I think it absolutely is. So I think it's about if you start to recognize this in your 20s and 30s, you will as you go older, the wisdom comes with recognizing that you've done things like this. You've got a lot in your backpack. You have a lot of tools, you have a lot of experiences. You have the wisdom that comes with that. You have the self reliance and the self assurance that comes with that. And you know that you're going to be okay. You know that you can get through it because you've done it. So I think what being an adult means is, am I do I trust myself? Am I secure in who I am? Am I someone? Can I soothe myself? These are questions, rather than like, do I have the home, the kids, the you know, the traditional markers of adulthood really don't mean anything anymore. But what's really important is, Am I okay with me, and how do I want to engage in the world? Michael Hingson  39:22 Yeah, and the reality is that it is, I think, going back to something we talked about before, it is tougher today, because there are just so many external meth or things that influence or that try to influence, and it probably is a lot more difficult than it than it used to be, because towns are larger, there are more people around. You've got social media, you've got so many other things that you face daily, probably a number of which we didn't used to face, or at least not to the same degree. So. It is more of a challenge than it used to be. Hillary Spiritos  40:03 Sure, it's definitely it's definitely different, but I do believe that say that there are inflection points, right? And I do think that the advent of social media is a huge inflection point, and something that is not beneficial for young adults of today. Yeah, and it is in many ways detrimental and so but it is something that is here, and it is something that young adults have to navigate. How Michael Hingson  40:35 do you teach them to deal with all of that, all the noise, all the social media and everything else, because it's all there. And I'm sure that you as a coach, face this, because you hear it from the people that you work with. Well, but all this is going on. How do you teach people to know what to cut out, or how to cut out a lot of that, to be able to get back to that, I've got to really know me absolutely. Hillary Spiritos  41:02 So there are many tools that one can engage with. So there's actually sitting quietly and reflecting like literally cutting out the noise. There are mindfulness practices and meditation, there's journaling, and there's getting out in nature and exercise and dance and creative expression, and there are definitely tools in which you can get out of your head and into the body and and learn to literally cut out the noise. But I think what's really important is to figure out what resonates for each person, because, as we've said, everybody is different. But in particular for social media like it is really important to have an awareness of why you're using it so it feels like a neutral platform, or maybe it doesn't anymore. People are waking up to it, but it's optimized for engagement, and what you're seeing is someone's projected, curated reality. And so you want to ask yourself why you're doing it. You don't want to sit there and mindlessly scroll. You want to ask yourself what you're trying to get out of it. Are you looking for connection or validation, or creative inspiration or connection? And that can help you navigate through and help you realize what you want to get out from it, and not just like take it all in mindlessly, and we want to obviously be skeptical, skeptical of the information, and we want to limit our use, if not cut it out fully. And it's not a replacement for human connection. A lot of people we have feel like have a loneliness epidemic, because it's not, while social media does connect people, it's not a replacement for human to human connection. So it's really important to keep that in your life. And so I think it's just really important to continually engage with these questions of why you're engaging with it, and what it makes you feel, and how does it serve you? And do you want to be at the mercy of that? And the more you start to question it, the more you can break down those ties, Michael Hingson  43:16 yeah, and the more of that you do, then again, the more you're practicing some of that introspection that we talked about earlier, absolutely, which is really what it's all about. There's nothing wrong with, I don't want to call it second guessing, but there's nothing wrong with thinking about what you're doing, what you did, and using all of that as a learning experience. Life's an adventure. We should we should take it that way. Hillary Spiritos  43:43 Well, that's absolutely true as well. It's like all of these experiences are experiences. All of these are adventures. All of these are opportunities for growth, learning more about ourselves. And I don't want to minimize or belittle the fact that everyone needs to your life needs to be sustainable. You need to be able to like, live your life financially. So it's not like it's all fluff and but I do think it's important to recognize that this is all just a learning experience. Nobody really knows what they're doing. We're all trying to figure it out. So it's okay to take a little bit, cut yourself a little bit of slack, and be nicer to yourself and and it's actually really important to cut out the critical voice in your head, because that that is actually a huge reason of why you are feeling Michael Hingson  44:38 stuck. Yeah, I've said many times on this podcast that one of the things that I've learned over the last couple of years is to stop saying I'm my own worst critic. I used to do that because I will like to record speeches when I travel and speak publicly, and I come back and listen to them, and I always just sort of quickly. He said, I'm my own worst critic. I want to really listen to it, because if I don't tell me, nobody else will. And I realized what a negative thing to say. And I finally realized I should be saying I'm my own best teacher. Because in reality, no one can teach me anything. They can provide me with information, but I'm the only one that can truly teach me or open me up for learning Hillary Spiritos  45:21 that's beautiful. I love that I definitely have realized over the course of my life, that I have and I have certain narratives. We all do have certain narratives and stories that we've told ourselves about who we are as people that are actually quite negative and like we're not this kind of person, or we're not capable of this, or we're not the kind of person that does that, and it's actually limiting, and it's not going to help us in the long run Michael Hingson  45:50 well, and we've got to get over this negativity. Just also you do, yeah, the other thing is, I don't like failure. I don't like the term failure because it is so negative, I think that things don't always work out the way we expect. And if we view it as a failure, that's an end, but it's not. It is okay. Something happened. It didn't go the way I wanted. What can I learn from that? And that's the part I think that most of us miss. We don't take that step to really step back or jump back a little bit and go. What do I learn from this that will help me not make the same judgment as as last time? Will not make it go the same way. How do I make it go better next time? Hillary Spiritos  46:35 Yeah, and I think it definitely doesn't help that as young people, we are. We are like system, systemically taught to believe that grades and achievement is of the utmost importance, and the worst grade you can get is an F, and that means it's not good enough. Like that is the lesson we are learned. We are taught over and over and over again. So it is obviously not hard to deduce why we have this definition of failure. Yeah, and obviously our parents and other people in our community perhaps might have such fears, as we've talked about previously in this conversation, that might be like, if you do this, then you might fail at this. You like don't necessarily pursue this career, you might fail at this, and that's perceived to be a really bad thing. Yeah, but as you're saying, If you again, a failure is another way to read, another word that you may need to redefine. Because failure doesn't mean we're terrible. Failure doesn't mean we're incapable. Failure doesn't mean that we should, we should be never like we should stop doing this all together. It's not, it's not a judgment of our self worth. It's just a data point to help us realize, oh, this is not something that I maybe want to engage with, or, oh, I need to learn a little bit more about this, or whatever it might be. I also think it's important to recognize that failure, really, in my opinion, is not trying and not living the life that you want to live. It's if I believe that you can understand failure as like I'm just abdicating my responsibility to make these choices to somebody else, and I'm going to live the life that they've laid out for me, or not trying the things that you want to do, those could be perceived as failure. That's really the only way that can happen. The other Michael Hingson  48:32 part about it, though, is sometimes there may be some other cause for you're not succeeding at doing something. For sure, it could be you're dyslexic, and you don't, you don't do well at reading things, and nobody has diagnosed that. Nobody's figured that out, which is, again, another reason why it's always good for you to be analytical about what you do and and be introspective, or be willing to ask, Hillary Spiritos  49:00 absolutely, that's a great point, absolutely, Michael Hingson  49:05 because all too often we just tend to make assumptions. As you've pointed out, yeah, Hillary Spiritos  49:14 you always want to ask yourself, Is it true and how does that serve me? How does that belief serve me? Is it keeping me stuck? Michael Hingson  49:21 Right? Well, how do you help your clients navigate fear, and especially the fear of disappointing others and so on, as they're growing up and as they're gaining more experience? Hillary Spiritos  49:35 So this is actually definitely what we've been partially done, right? So it's redefining these, redefining failure for yourself and like or with any you know, just thought or assumption and asking yourself, Is it true? How does that serve you? Do you want to live at the mercy of that thought or belief and the fear of disappointing others? Is really interesting, because, as what we said before, it's not it's not someone else's life, it's your life, and you're the one who was to exist in that world. And it's also interesting, just as a note to recognize, sometimes we think we're going to disappoint somebody, because we assume what their response is going to be, but we've actually never had that conversation with them. So is that even true? Like, have you even had that conversation with them? Because we can often scare ourselves with these assumptions of what we think their response is going to be. So if we really don't even take the time to ask, but we're like, oh my god, we're paralyzed by the fear of of what we think they'll say. Then that's something we want to break through. And I also just think again, it's really important to recognize that you we want to build and form a relationship with our inner child, and so the way to live your fullest, fiercest, most authentic life and live the life you imagine is by creating a relationship with your inner child, because that is where your spark, your creativity, your passion, your zest for life, lives, but it's also where your fears and securities and anxieties live. But when you recognize that you are a composite of all of that, that is true, self love, and you can give that to yourself and other people, and also, again, when you recognize and own your fears and securities and anxieties, you're not at the mercy of them. And you can decide, I'm not going to bow down to them. I am going to move forward, I'm going to muster up the courage to move forward in the face of these fears and do what I want to do. Yeah, Michael Hingson  51:49 which makes a lot of sense. Well, you know, one of the things that I was wondering, how long have you been coaching? Let me ask that. Hillary Spiritos  51:56 So I opened up my business during the pandemic, so in 2020 but I've been doing this work for a lot longer than working in universities. Michael Hingson  52:09 So what did you do at universities? You worked in academia a long time? Hillary Spiritos  52:13 Yeah, so I was an academic advisor, and I got the reputation of being like my meetings just happened to run a lot longer, and I was not interested in having transactional conversations with students. I was more interested in trying to figure out who they are and what they wanted and why they weren't going after that, and what they wanted to major in, and what they wanted from their college career and beyond. And we got deep sometimes. And so, yeah, I was, I was someone who who just dug a little bit deeper for sure, Michael Hingson  52:45 well, and you I would think because of that, made students really think and become a lot more analytical about themselves. Hillary Spiritos  52:56 Yeah, I think it's really important to recognize why you are doing something, you know, I I ran into students, and I still have clients today who feel like if they don't know what they want to do, they should study business, or they really love art and drawing, or fashion or what, or some creative field, and their parents say that that's not good enough, and that they should study business or go into medical School or what have you like, there are lots of things that we accept as true or like, you know, maybe, oh, I can't study something in the humanities. I won't get a job from that. That's not important. You know, there are a lot of things we accept as true based on what society tells us, what society values, seemingly, what our parents and our community value, and it's really important to start questioning that and asking if that's really what we want to do. Because if you don't know what you want to do, and you think you're going to study business, because that's a catch all, but you actually realize that you don't enjoy math and you don't want to spend your day in front of a computer, you don't want like then you're going to be miserable. And it's really important to recognize that that's okay to not want that. Speaker 1  54:04 I really think one of the most important things to get out of college, and for those who don't go to college, then you get it from high school or from alternative ways. But I think that one of the most important things is not even necessarily dealing with your major but it is all this whole concept of character development. It's all the other lessons that you learn because you're in an environment where you have to do things differently than you expected that you were going to based on what your parents and other people told you. And I think that's one of the most important things that we could ever have happened to us is that we step out away from at some point in our lives, our Michael Hingson  54:48 growing up period, and we really put ourselves in an environment where we have to discover new things again. That's all part of life and being adventurous. Yeah. Hillary Spiritos  54:58 I mean, as someone who has worked at. Academia for a long time and still does a little bit of hot gossip. I absolutely believe that academics is probably the least important part of college. Michael Hingson  55:09 Yeah, I wasn't going to say that directly, but I agree. Hillary Spiritos  55:14 Yeah, it is mostly what is real. I mean, sure it's very important to learn things absolutely, but it is really important to engage with different perspectives, learn adaptability and communication and time management, and figure out who you are and what you value and what your place in the world, and what impact you want to have on the world, and how to navigate systems that you're unfamiliar with, and how to, how to engage in the world the way you want to. I mean, to try new things, take classes that you think you might be interested in, or like that are totally not, not related to your major, like whatever it is. I think it's absolutely 100% I agree. Speaker 1  55:56 The other part about it is, though, there are also a lot of people who who won't go to college, but doesn't look they don't have the opportunity to do that same learning. Absolutely, oh absolutely. Yeah, there are a lot of ways to get it. Makes a lot of sense, sure, Hillary Spiritos  56:11 and, and, and that's definitely true in general, but especially within the states. And I think this is the case worldwide. Education is often becoming inaccessible for a lot of people, and so you can absolutely engage this part of your life, in your job, in in volunteer work, out in your community, whatever it might be, absolutely it's just the question of the energy and the motivation and the intent that you bring. Michael Hingson  56:44 Yeah, what does leadership mean to you, and how do you work to help young people learn or start to learn, to lead authentically? Hillary Spiritos  56:54 So leadership, to me, is not a title. It's a behavior. It's a sense of self. So it's vision, it's integrity, it's It's empathy, it's courage, communication, authenticity, resourcefulness, all of these things, resilience, to tolerate discomfort and risk taking and so knowing yourself is crucial. What are your strengths? What do you enjoy? What do you value? What are your goals? How do you want to spend your time? What do you stand for? What impact do you want to have? And so we want to practice empathy and active listening to for ourselves and other people. So that means, again, like stopping the critical voice, not judging yourself, asking yourself if this is really what you want, really checking in with yourself and getting to know yourself. We want to build resilience and self reliance and self trust. So again, practicing obstacles is opportunity and for growth and learning how to emotionally regulate yourself and embrace risk taking and the unknown. And we want to cultivate our communication skills, so cultivating our own voice and understanding our own narrative again, as we spoke about and learn to have difficult conversations and not being afraid of somebody else's response and being okay with how they respond, and not taking it as a as like something about yourself criticism, right? As a criticism, exactly, and so, and then be just being a lifelong learner, right? So it's about life is, God willing, hopefully long, and you will pivot, and you will grow and change and embrace that opportunity, and don't be afraid of the fact that things might change. And this is, again, learning to listen to your inner voice, yeah, Michael Hingson  58:55 well, and I think that that's really, of course, once again, probably goes out saying that's what it's really all about. Well, how about I think some people say Gen Z isn't really prepared for the real world. What do you think about that? Yeah, I'm still trying to decide what the real world is. But anyway, Hillary Spiritos  59:16 right? So there, there are some assumptions made in that question, right about what the real world is, and and I also, but I want to focus on what the word I'm prepared really, yeah, because perhaps Gen Z is, quote, unquote unprepared in the way that traditional markers might understand. But millennials and Gen Z really grew up in a different world that is shaped by technology and mental health awareness and global crisis crises and social media. That doesn't mean they're unprepared, it just means they're prepared differently, and so in many ways, actually, Gen Z is more equipped to understand the complexity. The modern world. They're digitally fluent. They're able to understand mental health and diversity and inclusion. They question outdated systems that are broken and that are not working for the world and people in the world. And so what gives me hope is that people are not accepting that this is how it's always been been done, mentality, their purpose and mission driven. They're extremely adaptable. Have great emotional awareness, and they're willing to speak out and challenge norms. And so I truly believe that young people are the stewards of our planet, and the more that they live with curiosity and passion and compassion and empathy, the more that they can contribute to healing and transforming the world around them. So instead of like labeling them as unprepared, we should recognize that the world that they're stepping into and the world that we've created is unlike anything we've ever seen before, and we're trying to, like, build the plane as we're flying it. So it's really important to to not belittle them, and not talk down to young people as it seems like a lot of people do, and recognize that actually, young adults have a lot to teach the people who are in these systems that actually, seemingly aren't working anymore well. Michael Hingson  1:01:23 And the reality is, of course, who is really the unprepared? And it's it's also true that so many people have not learned to navigate the world that we've been creating and that we continue to create, and maybe they're the ones that really need to learn how to become more prepared by becoming more involved in some of these things that young people are learning to do automatically or on their own? Hillary Spiritos  1:01:50 Absolutely, absolutely. Michael Hingson  1:01:53 Yeah, well, in reality, to go back to an old joke, we'll know if people are really prepared if they can work VCRs, right? Okay, remember that nobody could work a VCR. They were always so complicated. And now, of course, we don't even know what VCRs are today. But I mean, the Hillary Spiritos  1:02:14 young people that I talked to don't know what VCRs are. You know what that's you know, the world keeps moving there. Michael Hingson  1:02:24 Yeah, yeah. It's amazing. It dawned on me a couple of years ago as a as a public speaker, that I'm now speaking in a world where we have a whole generation that has grown up without any memory of September 11, and it's an amazing thing to think about, but it has helped me learn how to tell my story better, so that I can, as I like to say it, bring people into the building and have them go down the stairs with me, Have them deal with everything that I dealt with, and be able to come out the other side better for the experience. And I think that's extremely important to be able to do, because so many people don't have a memory of it. And even for the adults who who do for most people, the World Trade Center experience is only as big as their newspaper photographs or their television screens anyway. Hillary Spiritos  1:03:25 Yeah, I think it is really important to recognize what everybody's actual lived reality is and what everybody's understanding of the world is, and so talking to young people who perhaps are not who did not live through September 11, or who did not live through or perhaps didn't, was weren't able to vote or didn't weren't, like, engaged in the Obama era of like, hope and engagement in politics in that way, or Millennials who were younger in the September 11, like it really, it's meeting people where they are, yep, and recognizing that that is their understanding of what America is, what the world looks like, what how they want to how they want to engage, what work looks like, what their view of their Future is, yeah, and recognizing all that's different. Speaker 1  1:04:21 I agree. Well, this has been absolutely wonderful, and I'm glad Hillary we had a chance to do this, and I want to thank you for being here and giving us a lot of great insights. And I hope that people will take some of this to heart, if people want to reach out to you, maybe to use some of your skills as a coach and so on, how do they do that? Yeah, Hillary Spiritos  1:04:41 absolutely. So my website is bat out of hell.net, Michael Hingson  1:04:47 and my Tiktok out of O, U T, T, A, yes, just want to make sure we spell it so, Hillary Spiritos  1:04:55 yes, B, A, T, o, u T, T, A, H, E, l, l.net, And then my Tiktok and Instagram are B, A, T, dot, O, U, T, T, A, underscore, hell. And if you would like to start working with me, I am absolutely taking on new clients, or we can schedule a consultation call so you can get to know me and the way I work and see if it's the right fit. So I would love to hear from you. Absolutely, we're we'll get through this together. Michael Hingson  1:05:24 Do you coach people all over the world? Hillary Spiritos  1:05:25 I do. I coach people all over the world. I coach individually, one on one coaching. I have group coaching, and I and I do workshops and seminars, so we can be in touch in various different ways. But yeah, I love, I love coaching. Michael Hingson  1:05:42 Well, super well. Thank you again. And I want to thank all of you for being here, and I hope that this has been useful and that you've learned something from it, and I hope that you'll reach out to Hillary, because she's got a lot to offer. I'd love to hear from you. I'd love to hear what you think of today's episode. So please feel free to email me. Michael M, I, C, H, A, E, L, H, I, at accessibe, A, C, C, E, S, S, i, b, e.com, we'd love it if wherever you're listening or watching the podcast today, if you'll give us a five star rating, we value that your ratings very highly. Love your thoughts and your input, so please give it. We really appreciate you doing it, and for all of you and Hillary, including you, if you know anyone else who you think ought to be a guest on unstoppable mindset, we're always looking for more people who want to come on and tell their stories to help us all see why we can be and should be more unstoppable than we think we are. So please provide introductions, always looking for more people to chat with. But again, Hillary, I just want to th

VCRs...cassette tapes....the club.....https://linktr.ee/jadeandxd

For our final chilling installment of Spooky Szn, we revisit the American horror film that fundamentally changed the genre in the early 2000s: Gore Verbinski's "The Ring (2002)."This isn't a slasher or a jump-scare festival; it's a cold, slow-burn mystery wrapped in a shroud of eerie, washed-out green and blue cinematography. We praise the masterful sense of looming dread created by the ticking seven-day clock and Naomi Watts' compelling performance as the investigative journalist Rachel Keller. "The Ring" stands out for its success in translating the chilling atmosphere of Japanese horror (Ringu) for a Western audience and its brilliant use of mundane technology—VCRs, telephones, and static-filled TVs—as conduits for supernatural terror.However, the hosts also tackle the film's legacy of techno-fear and its dark, nihilistic ending. We discuss the film's lasting cultural impact, which paved the way for a wave of J-horror remakes, and the truly unsettling nature of Samara's curse. The ultimate question we pose is the chilling moral dilemma the movie leaves us with: Is it better to accept your fate, or doom a stranger to save your child?Tune in for a deep dive into the horror classic that made a whole generation terrified of their own television sets.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Join my online school for eBay sellers here. Get my BOLO books (eBook format) hereGet my BOLO books (printed format) hereFollow me on FacebookJoin my private Facebook group here.Find me on YouTube here.Visit my website here.Email your comments, feedback, and constructive criticism to me at Suzanne@SuzanneAWells.comSupport the show

The world is far more peculiar than most of us dare to admit. Somewhere between a demolition derby and a wrestling ring, between the crackle of VHS tapes and the shriek of late-night public access, lies a man who has turned mayhem into meaning. On today's episode, we welcome the unparalleled and unfiltered Mad Man Pondo, a professional wrestler and author whose life has been a whirlwind of body slams, topless TV hosts, and late-night green room oddities. With a voice still rough from last night's match, he guides us into a tale of chaos, tenacity, and triumph.Mad Man Pondo—real name Kevin Canady—is not merely a character in the ring. He is a living mosaic of outrageous stories and unshakable spirit.Raised in a reserved household, he found himself drawn to the fever-pitched passion of pro wrestling his grandparents once yelled at on their living room TV. That early spark lit a fire, and he never let it go out. As he says in this episode, “My mom still has the paper I filled out in grade school that said I wanted to be a professional wrestler.” That dream, written in crayon, would become a 30-year odyssey through blood, barbed wire, and blinding spotlights.The journey to the ring was not paved with ease. Pondo describes the brutal, often humiliating, early days of wrestling school—the beatings, the busted lips, the sheer will required to prove he belonged. He tells of how many walked away, unwilling to endure it, while he pressed on. That kind of devotion would become his defining trait. When the legendary Abdullah the Butcher told him he had the talent to wrestle in Japan, Pondo drove through the night, edited his best matches on two old VCRs, and mailed the tape by sunrise. The result? Forty-three trips to the Land of the Rising Sun.But Pondo's life wasn't confined to the ring. Ever curious, ever mischievous, he created “Skull Talk,” a public access show featuring wrestling commentary and, yes, topless women sitting on his lap.Equal parts performance art and rebellion, the show sandwiched between two church broadcasts caused outrage and fandom in equal measure. “One preacher would send me scripture every week,” he laughs. “But I knew he watched every episode.” This was Pondo in his purest form—pushing boundaries, dancing at the edge of decency, and always keeping his audience on their toes.What's perhaps most impressive is his ability to weave these escapades into something strangely noble. Whether talking about riding shotgun in a demolition derby car painted with horror icons or booking outrageous guests for the Jerry Springer Show, there's a heart beneath the madness. His creation of “Girl Fight,” an all-women's wrestling promotion, is a testament to his desire to give others a platform, to share the stage, to pass the torch. He's not just fighting for himself anymore—he's built a ring where others can rise too.And then there's the book, Memoirs of a Mad Man, a wild ride through his memories, filled with stories that make you laugh, cringe, and occasionally tear up. One story he held secret for decades—a deeply personal moment with wrestling legend Junkyard Dog—was finally shared in its pages. “I thought, you know what, let's put this in there,” he says. “It was time.” In telling that story, and many others, he transformed scars into stories and chaos into legacy.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Send us a text*Donate on GoFundMe to help me direct my first short film!*The home workout craze of the 1980s. Some forgotten cereals from the 1970s. Top celebrity crushes of the 80s.Fall is officially here but the Gen-X nostalgia remains the same. Episode 213 is a loaded show.It kicks off with a fall back into fitness. The 1980s were a perfect storm of the rise of VCRs and cable television. This culminated in a tidal wave of fitness shows. These were on TV early in the morning, or could be bought on VHS at local stores. We look back at the home fitness craze and some of the classic workout tapes and shows from the 80s. Not all cereals can dominate breakfast like Rice Krispies or Frosted Flakes. Some of them come in with a roar and quickly fall off the map. We go back in the day to look at some forgotten 1970s cereals. This includes several wacky mascots that need to be seen to be believed.This week's Top 5 scours the walls of 1980s high school students to find out the biggest celebrity crushes of the decade. Whose poster did you have?There is, of course, a brand new This Week In History and Time Capsule looking at the original publishing of the classic book The Hobbit.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeSearching For the Lady of the Dunes True Crime BookCape Cod Beyond the Beach Photography BookIn My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogWebcam Weekly Wrapup PodcastCJSetterlundPhotos on EtsyMr. BreakfastListen to Episode 212 hereSupport the show

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featured  I stayed up all night watching Bodyguard of Lies — and you should, too. In this episode:The jaw-dropping receipts the doc uncovers: fraud, cash stuffed in VCRs, bridges blown up for repeat contractsHow $2 trillion and thousands of American lives bought a permanent war-contractor economy around DCWhy both parties (yes, Bush through Biden) share blame for the arrogance and the cover-upsReal examples of mission creep, wasted “nation-building,” and the corrupt incentives that keep wars goingWhat this means for America: gutting waste, rethinking foreign policy, and redirecting money back homeIf you care about where our tax dollars — and our kids' lives — are going, this is essential viewing.

The guys are back to keep it simple & run down all of the Week 2 NFL games while giving their thoughts on each team's outlook rest of season.They react to the Joe Burrow injury news live, discuss the rest of the Bengals season & go through what things they got right & wrong after 2 weeks of football! Follow Najee on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Najeeadams_ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Justice on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@JusticeReid2 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Khalil on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Bhalil44⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jalaal on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@JSandy45_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Run It Up Podcast on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@RunItUpPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Songs of The Week:Najee | Mozzy - "23 AND 1 "Jalaal | JID ft. Vince Staples - "VCRs"

231. It's time to hit the gas!

Degens Andy S and Brandon Bombay set the mood by putting on Side 1 of Zeppelin IV, so they can talk about the classic high school comedy 'Fast Times at Ridgemont High.' Bombay starts it off by remembering the time(s) he finished embarrassingly quickly just like Mike Damone when he got a chance with Jennifer Jason Leigh's Stacy. Then the fellas head over to the pool to chat about Phoebe Cates' legendary topless scene that broke VCRs throughout the '80s as being the most rewound scene in the home movie rental era. Besides the nudity, the film had plenty of laughs, and insights to offer about the teenage experience, and gets remembered for crude moments, but packs a wallop emotionally. Lost in the fray is the fact that this raunchy teen comedy written by a very young Cameron Crowe was directed by a woman. The guys relate to their own high school experience of skipping classes and working crappy retail jobs at the mall, and of course they make time for Sean Penn's surfer burnout Spicoli. 

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Dennis is joined via Zoom by Bryan Cooper who is one of the producers of Cinecon 61, a Labor Day weekend film festival in Los Angeles dedicated to rarely-seen classic films and the people who love them. Bryan talks about this year's honorees who will be appearing in person: Ann-Margret, Mamie Van Doren and Juliet Mills whose award will be presented to her husband Maxwell Caulfield from Grease 2. Bryan talks about how he learned to love classic films from his father as a child, his pubescent obsession with pinup girl Betty Grable and how in his home, there were often two VCRs recording classic movies at the same time. Other topics include: Cooper's great uncle Billy Gilbert who voiced Sneezy in the original Snow White movie, mimicking Mildred Pierce fierceness during arguments with an ex, the Carmen Miranda movie he's seen more than any other film and why it's important for him to keep Cinecon going. www.cinecon.org

Photo: Raph_PH - DRossLongleat010722 (9 of 43)Usage: Wikipedia CC BY 2.0Keyboardist: Gail NoblesStory by: Gail NoblesSome people mocked Diana Ross about her long hair and sexiness, especially during her time with the Supremes. However, when her hits "Upside Down," "I'm Coming Out," and "The Boss" first played, all criticism faded away. People were too busy dancing and snapping their fingers to say a word.Despite the rumors and criticism, Diana Ross remained true to herself. Many fans continued to respect her, attend her concerts, and purchase her records. Oh, and the moments when she was seen with Michael Jackson! He was featured on her 1981 television special, "Diana." I remember hearing classmates talk about it. Although I hadn't seen the show initially, once I finally did, I realized it was the very one everyone had been discussing. I was a bit late to catch it—I stayed up late one night to record it on VHS, remembering that not many of my friends owned VCRs back then, as they cost at least $1,000. Those were thrilling times; there was something special about settling down to watch your favorite stars. I loved rewinding and reliving the moments of Diana with Michael Jackson. He looked so innocent and charming as he dashed onto the stage in slow motion to embrace her; you could truly see how much he adored her.Today, at 81 years of age, Diana Ross is still blessed. She is still performing. She doesn't look like she aged that much. She still looks like the Diana Ross I remember seeing when I was a little girl.And her name. Her name meant something to my ears though I never knew the meaning of her name. Now that I know the meaning of her name, I can honestly say that Diana Ross is truly her name. Diana means goddess and Ross was derived from the Hebrew word Rosh [ראש] that means the head, the leader, the ruler. She certainly does seem that way when it comes to her music and performing. I think about her elegant long dresses.Diana Ross! She's the boss. I'm Gail Nobles. Thank you for listening to the Cat Bear.

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Send us a text Jump into a time machine with One Drink Podcast as we break down the real cost of living in the 1980s. From gas prices to movie tickets, VCRs to velour tracksuits — we're talking numbers, trends, and how much we spent chasing that rad '80s lifestyle. Spoiler: it wasn't all cheap, and neither were the perms. Also find out what our favorite from the 1980s was. We compare todays super high prices to the much cheaper 1980s and wish we could go back.One Drink PodcastOne topic for One Drink. Topics are different and fun unlike the main media.Gods N GladiatorsCustom Clothing / Wall ArtDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.https://www.youtube.com/channel/UC-ytHeiGG6VND5GUmoWij-A

The McGraw Show 7-2-25: What Makes Someone Cool, the BBB, VCRs & Cable and Pre-Holiday Malaise by

Today the gals talk Yokai and the solved/unsolved case of Pamela Buckley + James Freund, aka the Sumter County Does. Stalk us here!Merch - ghosts-n-heauxsTwitter - ghostsnheauxsInstagram - ghosts_n_heauxsFacebook - GhostsnHeauxsPodcastAnd don't forget to send your stories to ghostsnheauxs@gmail.com

On The Other Side of Midnight, Lionel talks about mispronunciations that drive people nuts. He also talks about VCRs and other retired methods of media production. Learn more about your ad choices. Visit megaphone.fm/adchoices

On The Other Side of Midnight, Lionel talks about mispronunciations that drive people nuts. He also talks about VCRs and other retired methods of media production. Lionel later continues the conversation about pronunciations and also talks with a blind caller from Vancouver about dating, skiing and dreaming blind. Lionel starts the third hour talking about the importance of the nap. He also talks about how memory keeps you sane, the AI takeover coming sooner than you think and more.  Lionel wraps up the show discussing the uniqueness of twin studies. The show comes to a complete halt as the riveting subject of scheduling doctor's appointments takes over. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can you believe Betamax turns 50 this month? On this week's show we look at how the VCR changed the entertainment industry and gave us a reason to build our home theaters. We also read emails and take a look at the week's news. News: YouTube Is Swallowing TV Whole, and It's Coming for the Sitcom Roku adds more premium features to its own line of midrange TVs Other: Philips Hue Play HDMI sync box 8K Cosm The Betamax Turns 50 this Month In the late 1970s, the arrival of the Video Cassette Recorder (VCR) sparked a seismic shift in entertainment, as detailed in a recent Hollywood Reporter feature. Initially met with skepticism by studios fearing piracy, the VCR became a cultural juggernaut, reshaping how audiences consumed media and how Hollywood operated. By 1987, home video revenue surpassed theatrical box office earnings, with VHS tapes turning movies like Top Gun into cultural touchstones that families could own and rewatch endlessly.  The VCR democratized access to films, birthing the video rental industry—think Blockbuster's neon-lit aisles—and empowering consumers to curate their viewing experiences. It also gave studios a lucrative new revenue stream, with tapes priced high for rentals before dropping for mass ownership. Yet, the technology wasn't without flaws: tracking issues, bulky machines, and the dread of “Be Kind, Rewind” defined the era.  Beyond movies, the VCR enabled niche content to thrive, from fitness tapes to obscure genres, while fueling Hollywood's sequel-driven franchises. As The Hollywood Reporter notes, the VCR's legacy endures in today's streaming wars, where on-demand viewing owes its roots to those clunky cassettes. The VCR didn't just change Hollywood—it rewired how we connect with stories. Here are some fun facts about the VCR (Video Cassette Recorder): First Commercial VCR: The Ampex VRX-1000, introduced in 1956, was the first commercially available VCR. It cost around $50,000 (equivalent to over $500,000 today) and was primarily used by TV studios, not homes. Home VCRs Arrived Late: The first consumer VCR, the Philips N1500, hit the market in 1972 in the UK. It was pricey (around £400, or $4,000 today) and could only record for about an hour. Format Wars: The 1970s saw a fierce battle between Sony's Betamax (1975) and JVC's VHS (1976). VHS won due to longer recording times (up to 4 hours vs. Betamax's 1 hour initially) and better marketing, despite Betamax's slightly superior picture quality. Rental Boom: Video rental stores exploded in the 1980s because VCRs were affordable, but tapes were expensive ($50-$100 each). The first Blockbuster opened in 1985, capitalizing on this trend. Time-Shifting Revolution: VCRs introduced “time-shifting,” letting people record TV shows to watch later. This was groundbreaking, though networks initially feared it would kill live TV. A 1984 U.S. Supreme Court ruling upheld home recording as legal, boosting VCR popularity. Early Adopters' Struggles: Early VCRs were clunky, with complex controls. The infamous “blinking 12:00” on VCR clocks became a cultural joke because many users couldn't figure out how to set the time. Global Impact: By 1980, only about 1% of U.S. households had a VCR, but by 1990, over 70% did. Japan led early adoption, with companies like Sony and JVC driving innovation. Peak Sales Period (1977–2000): The VCR was a dominant consumer electronics product for about two decades. We can estimate U.S. sales alone at approximately 100–200 million units over this period. Market Decline: VCR sales peaked in the 1980s and 1990s but declined sharply in the early 2000s as DVDs overtook VHS. By 2003, DVD sales surpassed VCR sales, and the last VCRs were manufactured by Funai in 2016.

The world is far more peculiar than most of us dare to admit. Somewhere between a demolition derby and a wrestling ring, between the crackle of VHS tapes and the shriek of late-night public access, lies a man who has turned mayhem into meaning. On today's episode, we welcome the unparalleled and unfiltered Mad Man Pondo, a professional wrestler and author whose life has been a whirlwind of body slams, topless TV hosts, and late-night green room oddities. With a voice still rough from last night's match, he guides us into a tale of chaos, tenacity, and triumph.Mad Man Pondo—real name Kevin Canady—is not merely a character in the ring. He is a living mosaic of outrageous stories and unshakable spirit.Raised in a reserved household, he found himself drawn to the fever-pitched passion of pro wrestling his grandparents once yelled at on their living room TV. That early spark lit a fire, and he never let it go out. As he says in this episode, “My mom still has the paper I filled out in grade school that said I wanted to be a professional wrestler.” That dream, written in crayon, would become a 30-year odyssey through blood, barbed wire, and blinding spotlights.The journey to the ring was not paved with ease. Pondo describes the brutal, often humiliating, early days of wrestling school—the beatings, the busted lips, the sheer will required to prove he belonged. He tells of how many walked away, unwilling to endure it, while he pressed on. That kind of devotion would become his defining trait. When the legendary Abdullah the Butcher told him he had the talent to wrestle in Japan, Pondo drove through the night, edited his best matches on two old VCRs, and mailed the tape by sunrise. The result? Forty-three trips to the Land of the Rising Sun.But Pondo's life wasn't confined to the ring. Ever curious, ever mischievous, he created “Skull Talk,” a public access show featuring wrestling commentary and, yes, topless women sitting on his lap.Equal parts performance art and rebellion, the show sandwiched between two church broadcasts caused outrage and fandom in equal measure. “One preacher would send me scripture every week,” he laughs. “But I knew he watched every episode.” This was Pondo in his purest form—pushing boundaries, dancing at the edge of decency, and always keeping his audience on their toes.What's perhaps most impressive is his ability to weave these escapades into something strangely noble. Whether talking about riding shotgun in a demolition derby car painted with horror icons or booking outrageous guests for the Jerry Springer Show, there's a heart beneath the madness. His creation of “Girl Fight,” an all-women's wrestling promotion, is a testament to his desire to give others a platform, to share the stage, to pass the torch. He's not just fighting for himself anymore—he's built a ring where others can rise too.And then there's the book, Memoirs of a Mad Man, a wild ride through his memories, filled with stories that make you laugh, cringe, and occasionally tear up. One story he held secret for decades—a deeply personal moment with wrestling legend Junkyard Dog—was finally shared in its pages. “I thought, you know what, let's put this in there,” he says. “It was time.” In telling that story, and many others, he transformed scars into stories and chaos into legacy.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

This week we talk about the NHTSA, CAFE standards, and energy efficiency.We also discuss incentive programs, waste heat, and the EPA.Recommended Book: Africa Is Not a Country by Dipo FaloyinTranscriptIn the United States, fuel-efficiency laws for vehicles sold on the US market are set by the National Highway Traffic Safety Administration, or NHTSA. They set the Corporate Average Fuel Economy, or CAFE standards by which vehicle-makers have to abide, and that, in turn, establishes the minimum standards for companies like Ford or Toyota making vehicles for this market.That CAFE standard is paired with another guideline set by the Environmental Protection Agency that sets standards related to tailpipe emissions. The former says how many miles a vehicle should be able to travel on a gallon of fuel, while the latter says how much CO2, methane, and other pollutants can be legally emitted as that fuel is burnt and those miles are traversed.These two standards address different angles of this issue, but work together to, over time, reduce the amount of fuel consumed to do the same work, and pollution created as that work is accomplished; as a result, if you're traveling 50 miles today and driving a modern car in the US, you'll consume a lot less fuel than you would have traveling the same distance in a period-appropriate car twenty years ago.Back in the final year of the Biden administration, the president was criticized for not pushing for more stringent fuel-efficiency standards for US-sold and driven vehicles. The fuel economy requirements were increased by 2% per year for model years 2027 to 2031 for passenger cars, and the same 2% per year requirement will be applied to SUVs and other light trucks for model years 2029 to 2031.This is significantly lower than a previously proposed efficiency requirement, which would have seen new vehicles averaging about 43.5 mpg by model year 2032—an efficiency gain of 18%. And the explanation at the time was that Biden really wanted to incentivize carmakers to shift to EVs, and if they weren't spending their time and resources on fuel-efficiency tech deployment for their gas-guzzlers, which Biden hoped to start phasing out, they could spend more on refining their EV offerings, which were already falling far behind China's EV models.Biden wanted half of all new vehicles sold in the US by 2030 to be electric, so the theory was that fuel-efficiency standards were the previous war, and he wanted to fight the next one.Even those watered-down standards were estimated to keep almost 70 billion gallons of gasoline from being consumed through the year 2050, which in turn would reduce US driver emissions by more than 710 million metric tons of CO2 by that same year. They were also expected to save US drivers something like $600 in gas costs over the lifetime of each vehicle they own.Since current president Trump returned to office, however, all of these rules and standards have come into question. Just as when he was president the first time around, rolling back a bunch of Obama-era fuel-efficiency standards—which if implemented as planned would have ensured US-sold vehicles averaged 46.7 mpg by 2026, so better than we were expected to get by 2032 under Biden's revised minimum—just as he did back then, Trump is targeting these new, Biden standards, while also doing away with a lot of the incentives introduced by the Biden administration meant to make EVs cheaper and more appealing to consumers, and easier to make and sell for car companies.What I'd like to talk about today is another standard, this one far less politicized and widely popular within the US and beyond, that is also being targeted by the second Trump administration, and what might happen if it goes away.—In 1992, the US Environmental Protection Agency, under the endorsement of then-president George HW Bush, launched the Energy Star program: a voluntary labeling program that allowed manufacturers of various types of products to affix a little blue label that says Energy Star on their product, boxes, and/or advertising if their product met the efficiency standards set by this program.So it's a bit like if those aforementioned fuel-efficiency standards set for vehicles weren't required, and instead, if your car met the minimum standards, you could slap a little sticker on the car that said it was more energy efficient than cars without said sticker.A low bar to leap, and one that wasn't considered to be that big a deal, either in terms of being cumbersome for product-makers, or in terms of accomplishing much of anything.Energy Star standards were initially developed for the then-burgeoning field of personal computers and accessories, but in 1995 things really took off, when the program was expanded to include heating and cooling infrastructure, alongside other components for housing and other buildings.From there, new product categories were added on a semi-regular basis, and the government agency folks running the program continued to deploy more technical support and testing tools, making it easier and easier for companies wanting to adhere to these standards to do so, relatively easily and inexpensively.And to provide a sense of what was required to meet Energy Star standards in the days when they were really beginning to take off and become popular, in the early 2000s, refrigerators needed to be about 20% more efficient, in terms of electricity consumption, than the minimum legal standard for such things, while dishwashers needed to be 41% more efficient. Computers around that time, more specifically in 2008, were required to have an 85% efficiency at half load and something close to that at 20% and 100% power load—which basically means it they needed to use most of the energy they drew, and release less of it as waste-heat, which was a big issue for desktop computers at the time.Energy Star TVs had to use 30% less energy than average, with more modern versions of the standard requiring they draw 3 watts or less while in standby mode, and a slew of 90s and early 2000s-era technologies, like VCRs and cordless home phones were required to use something like 90% less electricity than the average at the time.This standard helped push the development of more energy efficient everything, as it was a selling point for companies making things for real estate developers, in particular. Energy-hogs like light fixtures, which cost a fortune to power if you're thinking in terms of skyscrapers or just building a bunch of houses, became far more energy efficient after the folks in charge of buying the lighting for these projects were able to eyeball options and use the Energy Star label as a shorthand indication that the cost of operation for those goods would be far less, over time, than their competition; it was kind of pointless to buy anything else in many cases, because why would you want to spend all that extra money over time buying less-efficient fluorescent lights for your office buildings, especially now that it was so easy to see, at a glance, which ones were best in this regard?And the same general consensus arrived on the consumer market not long after, as qualified lighting was something like 75% more efficient than non-qualified, legal-minimum-meeting lighting, and Energy Star verified homes were something like 20% cheaper to own.It was estimated that US homeowners living in Energy Star certified homes saved around $360 million on their energy bills in 2016, alone, and another estimate suggests that US citizens, overall, have saved about half a trillion dollars over the past 33 years as a result of the program and the efficiency standards it encourages.So this is a relatively lightweight program that's optional, and which basically just rewards companies willing to put more efficient products on the market. They can use the little label if they live up to these standards, and that tells customers that this stuff will use less energy than other, comparable products, which in turn saves those customers money over time, and puts less strain on the US electrical grid.This program, consequently, has been very popular, for customers, for the companies making these products—because by jumping through a few hoops, they can get some of their products certified, and that gives them a competitive advantage over companies that don't do the same, and especially over companies selling cheaper goods from overseas, which tend to be a lot less efficient because of that cheapness—and it's been popular for politicians across the political spectrum, because people who buy things and pay energy bills vote those politicians into office, and companies that make such goods hire lobbyists to influence their decisions.All of which brings us to today, mid-May of 2025, a point at which the second Trump administration seems to be considering possibly getting rid of the Energy Star certification program.Initial reports on the matter are seemingly well-sourced, but anonymous, as is the case with a lot of White House briefs right now, so some of this should be taken with a grain of salt, because of how it's being reported and because this administration has flip-flopped a whole lot already, and on things much bigger and more prominent than this, since returning to office, so this could just go away after being reported upon, even if they actually intended to do it before that pushback.But what seems to have happened is this:In January of 2025, after returning to the White House, Trump's administration put a big Trump supporter and Republican politician, Lee Zelden, in charge of the Environmental Protection Agency.Zelden publicly holds a lot of standard Republican talking points, including what's often called skepticism about climate science and vehement support of oil drilling, including fracking. He did say that climate change is a real issue that needs to be addressed during his EPA head confirmation hearing, however.Under Trump's second administration, many government agencies have been either completely done away with, or wiped out, in terms of funding and staff, so that they're basically just zombie agencies at this point, and the EPA is an agency that Trump has historically not been a big fan of, and which he seems to be trying to rewire toward deregulation: so regulations like fuel efficiency standards are not good according to some strains of usually more conservative politics, and for some business owners, because these are additional rules they have to legally abide by, which costs them money.And back in March of 2025 Zelden announced that the EPA would be pulling back on regulations related to power plants, would incentivize rather than disincentivize the production of oil and gas, would do away with a bunch of pollution-related standards, especially those related to coal power plants and how much pollution they can emit, and many other similar things, which—to shorthand all this—may be somewhat popular if you think climate change concerns are overblown and that it's more important to keep coal mines operational than to keep streams and rivers clean, but which will generally look really, really bad if you're any kind of environmentalist and/or are concerned about climate change.The government also recently cut the EPA's budget by 54.5%, dropping said budget back to where it was when Ronald Reagan was president. This cut, along with cuts to other agencies responsible for tracking dangerous weather, saving sea turtles, and keeping US National Parks clean and functional, will, according to the government, save US taxpayers $163 billion.According to reports from a recent all-hands meeting of the EPA's Office of Atmospheric Protection, Trump administration officials announced that that office would be dissolved, and that the Energy Star program would be eliminated.Now, there's a chance that this is just the result of the administration's at times seemingly blind cutting of budgets, backtracking only when there's sufficient pushback, and there's a chance this is a continuation of a political moment a few years back when the Biden administration was considering doing away with Energy Star certification for gas ranges, the idea being that if it uses gas instead of electricity, it's part of the problem, even if it's more efficient than other ranges.Republican politicians responded to lobbying efforts from the US gas industry and stirred that up into a big frenzy, to the point that people were vehemently defending their right to own a gas stove, which was never under threat, but that's how these sorts of astroturfed moral panics work, and it could be that they're looking to replicate some of that magic now, taking down a standard that they hope to frame as an example of liberal overreach, telling people that these things take away their right to choose what they want to buy, and how much energy or fuel to burn, even when that's not actually true.There's also a chance, as I mentioned earlier, though, that this is just a trial balloon, and that once they realize there's a decent amount of bipartisan support for this program, they'll step back from this cut, and maybe even claim it for themselves, using it as an example of American exceptionalism: look how great American-made goods are, we're more efficient than anybody else—not bad messaging at a time in which that kind of competitive language is popular with those in charge, though that competition might not be the real point of all this, at least for some of the people making some of these decisions, right now.Show Noteshttps://www.usatoday.com/story/news/nation/2025/05/09/trump-budget-cuts-environmental-programs/83441472007/https://www.epa.gov/newsreleases/epa-launches-biggest-deregulatory-action-us-historyhttps://en.wikipedia.org/wiki/Lee_Zeldinhttps://web.archive.org/web/20201214180957/https://www.energystar.gov/about/origins_mission/energy_star_overview/about_energy_star_residential_sectorhttps://web.archive.org/web/20161202012204/https://www.energystar.gov/index.cfm?c=about.ab_milestoneshttps://web.archive.org/web/20170622184250/http://www.dailytech.com/New+Energy+Star+50+Specs+for+Computers+Become+Effective+Today/article15559.htmhttps://insideclimatenews.org/news/08052025/energy-star-program-could-be-eliminated-by-trump-administration/https://cleantechnica.com/2025/05/10/energy-star-program-gets-the-kiss-of-death/https://www.theverge.com/news/664670/water-energy-efficiency-standards-trump-dishwasher-washing-machine-showerhead-toilethttps://en.wikipedia.org/wiki/Energy_Starhttps://edition.cnn.com/2025/05/06/climate/energy-star-trumphttps://www.nytimes.com/2025/05/06/climate/epa-energy-star-eliminated.htmlhttps://www.washingtonpost.com/climate-environment/2025/05/06/energy-star-program-epa-trump/https://www.energy.gov/eere/buildings/energy-starhttps://www.npr.org/2025/05/07/g-s1-64905/energy-star-program-cutshttps://apnews.com/article/trump-appliances-consumers-energy-efficiency-3b6100e001a2629dfea9be231f467841https://www.reuters.com/article/business/environment/trump-finalizes-rollback-of-obama-era-vehicle-fuel-efficiency-standards-idUSKBN21I25R/https://apnews.com/article/climate-trump-mpg-fuel-economy-standards-automakers-0ef9147a0c3874a50a194e439f604261https://apnews.com/article/vehicle-fuel-economy-requirement-nhtsa-epa-85e4c3b7bbba9a9a9b7e5b117fe099bdhttps://apnews.com/article/epa-electric-vehicles-emissions-limits-climate-biden-e6d581324af51294048df24269b5d20ahttps://www.nhtsa.gov/laws-regulations/corporate-average-fuel-economy This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe

The Simpsons writer and showrunner Mike Reiss shares behind-the-scenes secrets from 36+ years on the iconic animated series. From working with comedy legends like Sam Simon, Al Jean, and Conan O'Brien to writing for Johnny Carson and witnessing the wild beginnings of FOX, Mike recounts hilarious Hollywood stories and life lessons from his travels to 147 countries. He reveals the origin of the Simpsons, why Harvard wasn't funny, how VCRs and fan feedback helped shape the show, and why the writers' room was like a "kibbutz but more Jewish." It's a deep dive into comedy, creativity, and the wild ride of creating a global phenomenon. Follow Mike's Substack: https://substack.com/@mikereiss Get Paul's Book: https://www.paulollinger.com/the-book

VCRs And Luxembourgish Dishes (5/5/25) by 96.5 WKLH

Life has left us clues.  Those that came before us left us clues.  Clues of how life can be tough, challenging, and also rewarding.    Sometimes we're quick to discount stories of the past based on the time when people didn't have shoes, or maybe had to ride camels or horses, but the lessons...............   The lessons of how to overcome challenges in life are the same because they're built on the foundation of principles of life.    Things come and go.     I remember when VCRs were the newest innovation and we could watch our favorite shows anytime we wanted.    I remember caller ID and voicemail machines.    This episode this week features Kayla Perez.  She's a 1stPhorm brand ambassador and one of the few people to climb Mount Everest.     This came from our recent Apex Quarterly Meet Ups with Entrepreneurs where Kayla tackled another fear of hers...........   Public speaking.   About the ReWire Podcast The ReWire Podcast with Ryan Stewman – Dive into powerful insights as Ryan Stewman, the HardCore Closer, breaks down mental barriers and shares actionable steps to rewire your thoughts. Each episode is a fast-paced journey designed to reshape your mindset, align your actions, and guide you toward becoming the best version of yourself. Join in for a daily dose of real talk that empowers you to embrace change and unlock your full potential.    Learn how you can become a member of a powerful community consistently rewiring itself for success at https://www.jointheapex.com/   Rise Above

This is the 100th episode folks!  100 episodes of me yapping about stuff that most folks don't care about, but I love it and I'm grateful for everyone that listens.  Join me as I take a look at 1987 television as I experienced it.  We're gonna discuss Remington Steele and The Wonder Years.  We're gonna explore how 21 Jumpstreet made me want to be an undercover cop.  We're gonna chit chat about Energizer commercials and New Coke.  And finally, I'm gonna yap about Joey Buttafuoco, VCRs, and how Weezy fails to make me horny.  100 episodes,.  Wow.

On today's Saturday Matinee, we dust off our VCRs to take a closer look at the film adaptation of HG Wells' 1897 book "War of the Worlds".Link to Every Single Sci-Fi Film Ever: https://www.everyscififilm.com/Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Film critics Brendan Wahl and Jason MacLeod survey videos and related products as holiday gifts. Included: films and TV programs on videocassette, instructional videos, VCRs, laser discs and players, camcorders for children, interactive toys, video games and publications. Also: a special look at last year's hottest World War II glow-up: The Ministry of Ungentlemanly Warfare. Next week: More new movies!? Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) The Ministry of Ungentlemanly Warfare stars Henry Cavill, Alan Ritchson, Alex Pettyfer, Eiza González, Babs Olusanmokun, Cary Elwes, Hero Fiennes Tiffin, Henry Golding, Rory Kinnear, Freddie Fox and Til Schweiger; directed by Guy Ritchie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will and Nelson in the morning! The Notes: Early morning weirdness! Nelson's impeccable hair! Fascist oligarchy! Our British friends are nervous! Twitter's lingering uses! Nelson on Mars! The void! Jumping and going wheeeee! Old man reminiscing about Radio Shack! It's all computers these days! Mario and Luigi! Enough of the Luigi slander! Mario and Luigi vs Laurel and Hardy! Hardy in spirit, not in girth! The Victorian rotund! Rotund vs rotunda, another chicken or the egg scenario! Aristotle warming up the philosophy machine! Will's sordid mid-80's quest for VHS boobies! Kids these days don't understand scarcity or pausing! You can pause on a dime these days! Fuzzy bars and waterbeds! The uncuttable gordian knot! That's not how VCRs work, Alexander the Great! Our regular January patreon posts are set to public for a “free trial,” so go check ‘em out and maybe become a patron! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

Shawn is joined by Joey, Todd, and Lee to watch the cinematic masterpiece, Hard Ticket to Hawaii. Fire up your VCRs and watch this 1987 erotic (?) action comedy with us.   Stream it on Tubi:  https://tubitv.com/movies/646725/hard-ticket-to-hawaii

January 24, 2025#WhatILearnedTodayThe Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness."Freedom Friday: Winning Edition"The content begins with light-hearted personal anecdotes, including a reunion at the airport. It then shifts to serious topics like solitary confinement and political commentary on trans rights and legislative frustrations. Nostalgia for Blockbuster and the transition from VCRs to a disposable culture is discussed, alongside military aid to Ukraine and concerns about domestic priorities. The narrative also includes unique archaeological finds, UFO sightings, and critiques of government policies.Phil Bell - TDM's DC Correspondent  - Joins the guys live from DC to discuss Trump's successes so far and the timeline for the near future.AllThingsTrainsPhil's YouTube Channel: HEREOur affiliate partners:Dave and his crew were roasting historically great coffee before some of these newcomers even thought about creating a coffee brand. He's still the best, in our eyes!AmericanPrideRoasters.comNothing says “I appreciate you” like an engraved gift or award. Ron and Misty (mostly Misty) have the perfect solution for you if you need a gift idea for family or your employees!www.MoJoLaserPros.comWe love to support Mike Lindell and his company. He's a real patriot and an American success story!MojoMyPillow.com Promo code: Mojo50Be ready for anything from a hurricane to man-created stupidity (toilet paper shortage, anyone?). The tools and food storage you need to weather the storm.www.PrepareWithMojo50.com Stay Connected:WATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com (RECOMMEDED)Rumble: HEREFacebook: HEREMojo 5-0 TV: HEREFreedomsquare: HEREOr just LISTEN:Mojo50.com Become a supporter of this podcast: https://www.spreaker.com/podcast/the-daily-mojo-with-brad-staggs--3085897/support.

Can we make doing some adaptation of A Christmas Carol a yearly tradition? Maybe, ‘cause this is now two years in a row! Paul and Erika are talking about 1988's Scrooged and are taking the chance to helpfully explain VCRs, Xerox pranks, and Tab to the youth. Teach the children!You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

It was the best of Bill Murray, it was the worst of Bill Murray, it was the age of VCRs....nope, wrong Dickens novel. Happy holidays to all the cynics out there. We give to you another class warfare story full of nostalgia for at least one of us. Original script for Scrooged Follow us: @liveuppod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen to episodes on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Live Up Pod YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠ Visit the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Live UP podcast blog⁠⁠⁠⁠⁠⁠⁠⁠

Allegra Madsen has a Polaroid photo of her birth. In this episode, meet and get to know Allegra. Today, she's the executive director of Frameline film fest, the biggest LGBTQIA+ movie event in the world. She might disagree, but Allegra is a big deal. (Quick side note: As we kicked off our recording, Allegra expertly solved a Rubik's Cube. No bigs.) We begin with the story of how her parents met. Allegra's dad is from Chicago originally. He taught transcendental meditation (TM) and moved all over the world. Eventually, he landed in Virginia, where he met Allegra's mom, who is from there and was just beginning to practice TM. The two met and settled down, and soon enough, they had a baby—Allegra. She was born in Virginia Beach, VA, to, as she puts it, "two hippies who were trying to change the world by sitting quietly." A lot of Allegra's family is still in Virginia, from which, as she points out, the Supreme Court's Loving case originated. That was when the high court ruled unanimously that interracial marriages are, in fact, protected under the Constitution. Her parents are of different races, and not everyone in the family looked on approvingly. Her parents never did get married. But they raised their biracial kid together. She was a fairly typical latch-key kid growing up in the Eighties, though she split her time between her parents' families. Schools were mostly segregated, too. By the time Allegra got to high school, though, local governments and school boards did what they could to integrate, at that level at least. But, she says, that meant that the students themselves segregated within the schools. Going between the worlds of her mom's family and her dad's, Allegra says she felt at home in both, however differently. She was the only mixed-race kid though, and so, as much as she strived to fit in with any one group, it was difficult. Allegra has been tall for a while, and she was urged to play basketball, which she did. She says she liked it, but her passion for the game outweighed her skill. As a teenager, she read a lot. She says that it was probably the main way that she discovered a broader world beyond her hometown. Books gave way to movies, and they all helped form in Allegra a curiosity about how people relate to one another and share space in the world. This was around the time that VCRs really took off. In addition to local video rental shops, the expansion of Blockbuster stores nationwide made it easier to rent movies. Her mom had a job at a cable company, and when young Allegra would visit her at work, she had access to cable movies that many of her friends went without. At this point in the recording, Allegra and I go on a sidebar about movies we used to love that don't hold up well nowadays. But at the time, movies and books were ways for her to escape The South. Soon enough, something started calling Allegra to leave where she's from. She graduated high school after only three years and got a job in the office of the construction company her dad worked for, helping her earn a little money. She saved and funded a fledgeling scuba career. Yes, scuba diving. Her dream was to move to the Florida Keys to work as a dive instructor. But that dream never came true. Instead, she spent the year that would've been her senior year in high school working at a music store. Her work provided Allegra with easy access to so much music. There was also a Ticketmaster counter inside the store. Being an employee, she and her coworkers were able to pull tickets for themselves before they went on sale to the public. I go on a tangent here about what a pain it used to be to buy concert tickets over landline phones. Allegra rattles off an impressive list of bands she saw back then—one that includes Missy Elliott and Bob Dylan. When she figured out that the diving dream was dead, Allegra moved to Chicago to go to college. She had family there—aunts, uncles, grandparents. But they weren't especially close. It's not that her extended family wasn't accepting of her parents' interracial relationship, but more that they weren't prepared for it. ​And so Allegra turned to her peers. She found two people in her first week of college who turned out to be lifelong friends. She says her college experience was mostly a good one, but that, in hindsight, she still hadn't come into her own, per se. She studied film photography and design. Although she wasn't enrolled in the motion pictures program, Columbia College Chicago was and is known as a film school. And Allegra says that those friends she made early on helped her dive more deeply into the world of movies—it made her more of an active moviegoer. Allegra says she always knew she was queer. She dated girls in high school, but never really talked with her parents about her budding sexuality. She never really talked with anyone about it, in fact. Instead, she simply dated women and that was that. Check back next week for Part 2 and Allegra's eventual move to the Bay Area. ​We recorded this podcast at Frameline Film Fest's offices in South of Market in November 2024. Photography by Dan Hernandez

Joshua Bellas returns to the show to first help us talk all things VHS. We share some of our favorite films we recorded off television, the first VCRs we had, 80's camcorders, and more. Let us know what you love about the VHS era in the comments below. Then we turn to Josh as he tells us about his custom VHS business, Blenheim Retro. Josh takes original VHS tapes of some of your favorite movies and turns them into amazing collectors pieces by changing their cases, giving them a custom paint job, and more. Check out Josh's work on Whatnot at the link below! Blenheim Retro on Whatnot: https://www.whatnot.com/user/blenheimretro @blenheimretro @joshua.bellas.art CannedAirPodcast.com Twitter: @CannedAirPod Instagram: @Canned_Air If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast hit paid subscribers' inboxes on Nov. 5. It dropped for free subscribers on Nov. 12. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoGary Milliken, Founder of Vista MapRecorded onJune 13, 2024About Vista MapNo matter which region of the country you ski in, you've probably seen one of Milliken's maps (A list captures current clients; B list is past clients):Here's a little overview video:Why I interviewed himThe robots are coming. Or so I hear. They will wash our windows and they will build our cars and they will write our novels. They will do all of our mundane things and then they will do all of our special things. And once they can do all of the things that we can do, they will pack us into shipping containers and launch us into space. And we will look back at earth and say dang it we done fucked up.That future is either five minutes or 500 years away, depending upon whom you ask. But it's coming and there's nothing we can do to stop it. OK. But am I the only one still living in a 2024 in which it takes the assistance of at least three humans to complete a purchase at a CVS self-checkout? The little Google hub talky-thingys scattered around our apartment are often stumped by such seering questions as “Hey Google, what's the weather today?” I believe 19th century wrenchers invented the internal combustion engine and sent it into mass production faster than I can synch our wireless Nintendo Switch controllers with the console. If the robots ever come for me, I'm going to ask them to list the last five presidents of Ohio and watch them short-circuit in a shower of sparks and blown-off sprockets.We overestimate machines and underestimate humans. No, our brains can't multiply a sequence of 900-digit numbers in one millisecond or memorize every social security number in America or individually coordinate an army of 10,000 alien assassins to battle a videogame hero. But over a few billion years, we've evolved some attributes that are harder to digitally mimic than Bro.AI seems to appreciate. Consider the ridiculous combination of balance, muscle memory, strength, coordination, spatial awareness, and flexibility that it takes to, like, unpack a bag of groceries. If you've ever torn an ACL or a rotator cuff, you can appreciate how strong and capable the human body is when it functions normally. Now multiply all of those factors exponentially as you consider how they fuse so that we can navigate a bicycle through a busy city street or build a house or play basketball. Or, for our purposes, load and unload a chairlift, ski down a mogul field, or stomp a FlipDoodle 470 off of the Raging Rhinoceros run at Mt. Sickness.To which you might say, “who cares? Robots don't ski. They don't need to and they never will. And once we install the First Robot Congress, all of us will be free to ski all of the time.” But let's bring this back to something very simple that it seems as though the robots could do tomorrow, but that they may not be able to do ever: create a ski area trailmap.This may sound absurd. After all, mountains don't move around a lot. It's easy enough to scan one and replicate it in the digital sphere. Everything is then arranged just exactly as it is in reality. With such facsimiles already possible, ski area operators can send these trailmap artists directly into the recycling bin, right?Probably not anytime soon. And that's because what robots don't understand about trailmaps is how humans process mountains. In a ski area trailmap, we don't need something that exactly recreates the mountain. Rather, we need a guide that converts a landscape that's hilly and windy and multi-faced and complicated into something as neat and ordered as stocked aisles in a grocery store. We need a three-dimensional environment to make sense in a two-dimensional rendering. And we need it all to work together at a scale shrunken down hundreds of times and stowed in our pocket. Then we need that scale further distorted to make very big things such as ravines and intermountain traverses to look small and to make very small things like complex, multi-trailed beginner areas look big. We need someone to pull the mountain into pieces that work together how we think they work together, understanding that fidelity to our senses matters more than precisely mirroring reality. But robots don't get this because robots don't ski. What data, inherent to the human condition, do we upload to these machines to help them understand how we process the high-speed descent of a snow-covered mountain and how to translate that to a piece of paper? How do we make them understand that this east-facing mountain must appear to face north so that skiers understand how to navigate to and from the adjacent peak, rather than worrying about how tectonic plates arranged the monoliths 60 million years ago? How do the robots know that this lift spanning a two-mile valley between separate ski centers must be represented abstractly, rather than at scale, lest it shrinks the ski trails to incomprehensible minuteness?It's worth noting that Milliken has been a leader in digitizing ski trailmaps, and that this grounding in the digital is the entire basis of his business model, which flexes to the seasonal and year-to-year realities of ever-changing ski areas far more fluidly than laboriously hand-painted maps. But Milliken's trailmaps are not simply topographic maps painted cartoon colors. They are, rather, cartography-inspired art, reality translated to the abstract without losing its anchors in the physical. In recreating sprawling, multi-faced ski centers such as Palisades Tahoe or Vail Mountain, Milliken, a skier and a human who exists in a complex and nuanced world, is applying the strange blend of talents gifted him by eons of natural selection to do something that no robot will be able to replicate anytime soon.What we talked aboutHow late is too late in the year to ask for a new trailmap; time management when you juggle a hundred projects at once; how to start a trailmap company; life before the internet; the virtues of skiing at an organized ski center; the process of creating a trailmap; whether you need to ski a ski area to create a trailmap; why Vista Map produces digital, rather than painted, trailmaps; the toughest thing to get right on a trailmap; how the Vista Map system simplifies map updates; converting a winter map to summer; why trailmaps are rarely drawn to real-life scale; creating and modifying trailmaps for complex, sprawling mountains like Vail, Stowe, and Killington; updating Loon's map for the recent South Peak expansion; making big things look small at Mt. Shasta; Mt. Rose and when insets are necessary; why small ski areas “deserve a great map”; and thoughts on the slow death of the paper trailmap.Why I thought that now was a good time for this interviewTechnology keeps eating things that I love. Some of them – CDs, books, event tickets, magazines, newspapers – are easier to accept. Others – childhood, attention spans, the mainstreaming of fringe viewpoints, a non-apocalyptic social and political environment, not having to listen to videos blaring from passengers' phones on the subway – are harder. We arrived in the future a while ago, and I'm still trying to decide if I like it.My pattern with new technology is often the same: scoff, resist, accept, forget. But not always. I am still resisting e-bikes. I tried but did not like wireless headphones and smartwatches (too much crap to charge and/or lose). I still read most books in print and subscribe to whatever quality print magazines remain. I grasp these things while knowing that, like manual transmissions or VCRs, they may eventually become so difficult to find that I'll just give up.I'm not at the giving-up point yet on paper trailmaps, which the Digital Bro-O-Sphere insists are relics that belong on our Pet Rectangles. But mountains are big. Phones are small. Right there we have a disconnect. Also paper doesn't stop working in the cold. Also I like the souvenir. Also we are living through the digital equivalent of the Industrial Revolution and sometimes it's hard to leave the chickens behind and go to work in the sweatshop for five cents a week. I kind of liked life on the farm and I'm not ready to let go of all of it all at once.There are some positives. In general I do not like owning things and not acquiring them to begin with is a good way to have fewer of them. But there's something cool about picking up a trailmap of Nub's Nob that I snagged at the ticket window 30 years ago and saying “Brah we've seen some things.”Ski areas will always need trailmaps. But the larger ones seem to be accelerating away from offering those maps on sizes larger than a smartphone and smaller than a mountaintop billboard. And I think that's a drag, even as I slowly accept it.Podcast NotesOn Highmount Ski CenterMilliken grew up skiing in the Catskills, including at the now-dormant Highmount Ski Center:As it happens, the abandoned ski area is directly adjacent to Belleayre, the state-owned ski area that has long planned to incorporate Highmount into its trail network (the Highmount trails are on the far right, in white):Here's Belleayre's current trailmap for context - the Highmount expansion would sit far looker's right:That one is not a Vista Map product, but Milliken designed Belleayre's pre-gondola-era maps:Belleayre has long declined to provide a timeline for its Highmount expansion, which hinged on the now-stalled development of a privately run resort at the base of the old ski area. Given the amazing amount of money that the state has been funneling into its trio of ski areas (Whiteface and Gore are the other two), however, I wouldn't be shocked to see Belleayre move ahead with the project at some point.On the Unicode consortiumThis sounds like some sort of wacky conspiracy theory, but there really is a global overlord dictating a standard set of emoji on our phones. You can learn more about it here.Maps we talked aboutLookout Pass, Idaho/MontanaEven before Lookout Pass opened a large expansion in 2022, the multi-sided ski area's map was rather confusing:For a couple of years, Lookout resorted to an overhead map to display the expansion in relation to the legacy mountain:That overhead map is accurate, but humans don't process hills as flats very well. So, for 2024-25, Milliken produced a more traditional trailmap, which finally shows the entire mountain unified within the context of itself:Mt. Spokane, WashingtonMt. Spokane long relied on a similarly confusing map to show off its 1,704 acres:Milliken built a new, more intuitive map last year:Mt. Rose, NevadaFor some mountains, however, Milliken has opted for multiple angles over a single-view map. Mt. Rose is a good example:Telluride, ColoradoWhen Milliken decided to become a door-to-door trailmap salesman, his first stop was Telluride. He came armed with this pencil-drawn sketch:The mountain ended up being his first client:Gore Mountain, New YorkThis was one of Milliken's first maps created with the Vista Map system, in 1994:Here's how Vista Map has evolved that map today:Whiteface, New YorkOne of Milliken's legacy trailmaps, Whiteface in 1997:Here's how that map had evolved by the time Milliken created the last rendition around 2016:Sun Valley, IdahoSun Valley presented numerous challenges of perspective and scale:Grand Targhee, WyomingMilliken had to design Targhee's trailmap without the benefit of a site visit:Vail Mountain, ColoradoMilliken discusses his early trailmaps at Vail Mountain, which he had to manipulate to show the new-ish (at the time) Game Creek Bowl on the frontside:In recent years, however, Vail asked Milliken to move the bowl into an inset. Here's the 2021 frontside map:Here's a video showing the transformation:Stowe, VermontWe use Stowe to discuss the the navigational flourishes of a trailmap compared to real-life geography. Here's the map:And here's Stowe IRL, which shows a very different orientation:Mt. Hood Meadows, OregonMt. Hood Meadows also required some imagination. Here's Milliken's trailmap:Here's the real-world overhead view, which looks kind of like a squid that swam through a scoop of vanilla ice cream:Killington, VermontAnother mountain that required some reality manipulation was Killington, which, incredibly, Milliken managed to present without insets:And here is how Killington sits in real life – you could give me a thousand years and I could never make sense of this enough to translate it into a navigable two-dimensional single-view map:Loon Mountain, New HampshireVista Map has designed Loon Moutnain's trailmap since around 2019. Here's what it looked like in 2021:For the 2023-24 ski season, Loon added a small expansion to its South Peak area, which Milliken had to work into the existing map:Mt. Shasta Ski Park, CaliforniaSometimes trailmaps need to wildly distort geographic features and scale to realistically focus on the ski experience. The lifts at Mt. Shasta, for example, rise around 2,000 vertical feet. It's an additional 7,500 or so vertical feet to the mountain's summit, but the trail network occupies more space on the trailmap than the snowcone above it, as the summit is essentially a decoration for the lift-served skiing public.Oak Mountain, New YorkMilliken also does a lot of work for small ski areas. Here's 650-vertical-foot Oak Mountain, in New York's Adirondacks:Willard Mountain, New YorkAnd little Willard, an 85-acre ski area that's also in Upstate New York:Caberfae Peaks, MichiganAnd Caberfae, a 485-footer in Michigan's Lower Peninsula:On the New York City Subway mapThe New York City subway map makes Manhattan look like the monster of New York City:That, however, is a product of the fact that nearly every line runs through “the city” as we call it. In reality, Manhattan is the smallest of the five boroughs, at just 22.7 square miles, versus 42.2 for The Bronx, 57.5 for Staten Island, 69.4 for Brooklyn, and 108.7 for Queens.The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 71/100 in 2024, and number 571 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

- SKOR North's Judd Zulgad chats about things that are now considered old like VCRs and DVDs. Tom and Judd chat about the price of things like cassette tapes and old VCRs. The Timberwolves kick off their season tonight, is this the year they can make the run to the Finals? Will you be tuning into either the Wolves or Wild tonight?- KSTP's Chris Egert shares a PSA about how people have forgotten about basic cable being free, talks about protesters at the U of M who want the university to divest any sort of funding to Israel and more things that align with their cause, a shooting that occurred at a light rail stop, and some other local headlines from the day.- Actor Penelope Ann Miller joins the show to talk about home entertainment release of Reagan which is available for purchase now! Reagan is a biographical drama film directed by Sean McNamara and written by Howard Klausner, based on Paul Kengor's 2006 book The Crusader. In the film Miller stars alongside Dennis Quaid, Jon Voigt, and Scott Stapp.- Kristyn Burtt has news about Liam Payne's death and the controversial report by TMZ reporting the death where they posted a picture of Payne's body in the initial report before eventually taking it down. Plus some good tv options for your viewing this evening!Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

- SKOR North's Judd Zulgad chats about things that are now considered old like VCRs and DVDs. Tom and Judd chat about the price of things like cassette tapes and old VCRs. The Timberwolves kick off their season tonight, is this the year they can make the run to the Finals? Will you be tuning into either the Wolves or Wild tonight? - KSTP's Chris Egert shares a PSA about how people have forgotten about basic cable being free, talks about protesters at the U of M who want the university to divest any sort of funding to Israel and more things that align with their cause, a shooting that occurred at a light rail stop, and some other local headlines from the day. - Actor Penelope Ann Miller joins the show to talk about home entertainment release of Reagan which is available for purchase now! Reagan is a biographical drama film directed by Sean McNamara and written by Howard Klausner, based on Paul Kengor's 2006 book The Crusader. In the film Miller stars alongside Dennis Quaid, Jon Voigt, and Scott Stapp. - Kristyn Burtt has news about Liam Payne's death and the controversial report by TMZ reporting the death where they posted a picture of Payne's body in the initial report before eventually taking it down. Plus some good tv options for your viewing this evening! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The First Run, Chris and Matt adjust the tracking on their VCRs to no avail with the latest in the V/H/S series, ‘V/H/S Beyond'. Then, they'll give you the rundown of the Big Releases on Physical Media, featuring the Viper Video and Streaming Picks of the Week. Finally, Matt and Chris will wrap up the show with their all killer, no filler list of their 5 favorite Horror Anthologies. 00:00-25:57: Intro/VHS Beyond25:58-36:25: Physical Media Picks36:26-55:14: 5 Favorite Horror Anthologies55:15-56:29: Wrap-UpTheme music by Jamal Malachi Ford-Bey

Every week we say that the yarns can't get better than last week and every week we get proven wrong. Champ'd by your Uncle, naughty VCRs, school yard hustles and more in this instalment of our favourite time of the week. Enjoy trendsetters!Got a yarn? Keep it under 2 minutes and email it to carryon@alphablokes.com.auEver wanted to watch the podcast? You can watch all of our episode visuals, ad-free and uncut alongside all of our vlogs on our Patreon: www.patreon.com/alphablokespodcast0:00 - Intro2:12 - Knuckles Proper True Yarnn5:50 - Carry Ons57:11 - Winning Yarn Hosted on Acast. See acast.com/privacy for more information.

Today on the podcast, Josh and Drusilla discuss one of their very favorite European lesbian vampire films, Daughters of Darkness. From wiki: “Daughters of Darkness[b] is a 1971 erotic horror film co-written and directed by Harry Kümel and starring Delphine Seyrig, John Karlen, Andrea Rau, and Danielle Ouimet.” Also discussed: Laserdiscs, VCRs, Alice Sweet Alice, Psycho II, Scream, franchises, It's Alive, Karen Black, The House that Screamed, Delphine Seyrig, Klaus Kinski, Jean Rollins, Dark Shadows, haint blue, queer villains, gigolos, and more!NEXT WEEK: Vacation of Terror and Vacation of Terror II    Follow them across the internet:Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/

VCRs, landline telephones, tube televisions, the Dewey Decimal System... what is scarier: antiquated 90's technology or a cursed VHS tape that kills hapless viewers? The Brains dismantle this Japanese export to discern how a cheesy premise provided such a spooktacular outcome.

Are you looking for a story that is 100% guaranteed to blow your mind? A true crime tale that'll leave you wondering how crooks got away with it for so long in the first place? Well, hold on to your girdle, because this one's a doozy. It's got everything: insurance scams, fake passports, an undercover sting operation, Israeli really bank accounts, and huge sales on some of the best TVs and VCRs around (sales tax not included). Best of all, you can listen to this story for the low, low price of FREE! Now that price is insane! Ray teaches Rob about how a mom-and-pop consumer electronics store went from being a tri-state curiosity to a national sensation; who the real man is behind all those infamous ads; why having a CPA in the family comes in handy when you're committing tax fraud; and why building an empire on a foundation of shady financials and skimming off the top probably isn't the best business model.If you like what we are doing, please support us on Patreon.TEAMRay HebelRobert W. SchneiderMark SchroederBilly RecceDaniel SchwartzbergGabe CrawfordNatalie DeSaviaWEBSITEWhite Collar Fraud ARTICLESMental FlossNew York Times - 1985New York Times - 2016 (1)New York Times - 2016 (2)New YorkerNJ.comWashington PostEPISODE CLIPS1987 Crazy Eddie CommercialCrazy Eddie 'Insane!' Commercial (NY, 1978)Classic Crazy Eddie Commercial 'Bathroom DooWop' (1977-1979)

#299:  VCRs are buzzing again in the city...that's right! Watching a movie on VHS is back! But in 2024, with streaming and Blu-Ray, why watch something on tape? HTLA producer Victoria Alejandro spoke with VHS vendors, collectors, and other tape aficionados around the city (including filmmaker Vera Drew of "The People's Joker") to understand the subculture, the community, and let YOU know why tapes are back, baby! Guests: Filmmaker Vera Drew, head of Altered Innocence Frank Jaffe, Michelle Halac and Alex Gootter of Hollywood Entertainment, Erik Varho and Jessica Gonzales from Whammy!, Eliana Oropeza from Aztec Pickers, Jackie Forsythe from AMIA

This episode is, we suppose, like a box of chocolates, because technically you don't know what you're going to get, but we can tell you we're talking about the ubiquitous Forrest Gump soundtrack. Remembering top-loader VCRs, #justiceforJenn, powering through overplay, how long sixties soul acts gave themselves to get drawers on the floor, and songs Muppets sing at you. What does it sound like when the Beach Boys sing a New Yorker article about pirates? Find out with our latest episode! Intro and outro by Andrew Byrne; interstitial music by Classics IV. For more information/to become a patron of the show, visit patreon.com/mastas! SHOW NOTES Where to watch Forrest Gump Record Of The Year Showdown, Episode 1: 1959-1974 John Fogerty not about certain pols' use of "Fortunate Son" Episode 45: Gladys Knight And The Pips, "Midnight Train To Georgia" Episode 195: Dolly Parton's Underrated Hits

On this week's show we ask you to try an experiment with your friends and family. We also look at the history of VHS. Finally we read your emails and take a look at the week's news. News: YouTube TV is testing an enhanced 720p quality setting too Most Cord Cutters Do Not Pay for a Live Service Like YouTube TV, Fubo, or Hulu + Live TV Roku Debuts Pro Series TV With Mini-LED Starting at $900 Home Cinema Viewing Experiment The other day we were watching a movie on Netflix and between my wife, brother-in-law, and his wife I noticed that everyone was periodically glancing at their phones. This kind of irritated me mainly because I have spent a lot of money on sound and picture and thought, they might as well be watching on a phone or tablet. The next night, I asked my wife and kids to not only silence their phones but also put them away. We watched a movie and the family was a bit irritated. It seems that the only place they can really immerse themselves into a movie is actually at the cinema. I encourage you to try the following experiment: Minimize Distractions - this is any distraction digital or otherwise. Silence your devices - Put phones and tablets on silent and turn off any notifications on all the devices within ear shot. Quiet Environment - Choose a time when household noise is minimal. Shut doors and windows if external noise is an issue. History of VHS VHS, or Video Home System, was a home video recording format developed by JVC (Victor Company of Japan) in the 1970s. It became one of the dominant formats for home video playback and recording during the 1980s and 1990s.  Here is a brief history of VHS: Development - JVC unveiled the VHS system in Japan in 1976, offering consumers the ability to record and play back video content on videocassette recorders (VCRs) using magnetic tape. VHS was in direct competition with Sony's Betamax format, but thanks to longer recording time and lower production costs, VHS eventually emerged as the preferred choice among consumers. Market Dominance - Throughout the 1980s and 1990s, VHS gained widespread popularity and became the standard format for home video recording and distribution. Major Hollywood studios began releasing movies on VHS, leading to a booming rental market, especially with the rise of video rental stores like Blockbuster. Format Wars - The battle between VHS and Betamax is often cited as one of the most famous format wars in consumer electronics history. Despite Betamax's superior picture quality, VHS's longer recording time and lower cost attracted more consumers and content producers. By the late 1980s, VHS had clearly won the format war, leading to the eventual decline of Betamax. Expansion into Other Markets - VHS technology expanded beyond home video recording to become a standard format for recording television shows, archiving video content, and even for use in educational and industrial settings. Evolution and Decline - VHS continued to evolve with the introduction of VHS-C (compact VHS) for camcorders and Hi-Fi stereo sound capabilities. However, with the emergence of digital video formats like DVDs and later Blu-ray discs, VHS began its decline in the late 1990s and early 2000s. The last known major Hollywood film released on VHS was in 2006. Legacy - Despite its eventual obsolescence, VHS left a lasting impact on the home entertainment industry. Its widespread adoption paved the way for the concept of home video consumption and laid the foundation for the home entertainment market we see today. VHS was a revolutionary technology that revolutionized the way people consumed and enjoyed video content at home. While it has been replaced by newer digital formats, its legacy as a pioneering home entertainment medium remains significant.

Host Victoria Guido welcomes Wendell Adams, CEO of PrimeLab.io, as he talks about his lifelong passion for technology and entrepreneurship. Wendell shares his experiences, from hacking electronics as a child to studying various fields in college and eventually starting his own business. He emphasizes the importance of understanding market needs and leveraging language to make technology accessible. Wendell's drive to improve encryption and data security led to the formation of PrimeLab; a company focused on making encryption functional and accessible without compromising performance. Wendell discusses PrimeLab's strategic direction and market fit. He outlines the challenges and opportunities in the entertainment industry, emphasizing the need for innovative solutions that respect user control and privacy. Wendell also shares insights into how PrimeLab's technology can democratize data access and enhance business processes. The episode concludes with a reflection on the future of AI and encryption technologies and Wendell's advice for aspiring entrepreneurs to think critically and creatively about their ventures. PrimeLab.io (https://primelab.io/) Follow PrimeLab.io on LinkedIn (https://www.linkedin.com/company/primelab-io/), or X (https://x.com/PrimeLab4). Follow Wendell Adams on LinkedIn (https://www.linkedin.com/in/wendell-a-83317895/). Follow thoughtbot on X (https://twitter.com/thoughtbot) or LinkedIn (https://www.linkedin.com/company/150727/). Transcript:  AD: We're excited to announce a new workshop series for helping you get that startup idea you have out of your head and into the world. It's called Vision to Value. Over a series of 90-minute working sessions, you'll work with a thoughtbot product strategist and a handful of other founders to start testing your idea in the market and make a plan for building an MVP. Join for all seven of the weekly sessions, or pick and choose the ones that address your biggest challenge right now. Learn more and sign up at tbot.io/visionvalue.  VICTORIA: This is the Giant Robots Smashing Into Other Giant Robots podcast, where we explore the design, development, and business of great products. I'm your host, Victoria Guido. And with us today is Wendell Adams, CEO at PrimeLab io. Wendell, thank you for joining us. WENDELL: Thanks for having me. So, question, actually, where'd you guys come up with the name? VICTORIA: You know, I have asked this before, and I think I remember the answer. I might have to go back to the 500th episode to get it, but I think it was just robots was already kind of a theme at thoughtbot. I mean, thoughtbot, obviously, has robot in the name. Joe might have the best answer. And we have our special co-host, Joe Ferris. Who better to answer? JOE: [chuckles] Yes, I'm not sure who better to answer, probably Chad. I don't remember the answer either, but happy to be here to speculate with the two of you. It comes from the blog. We named the blog Giant Robots Smashing Into Other Giant Robots and then used it for our podcast. But I don't remember where the blog name came from. WENDELL: It kind of reminds me of the Robot Wars thing, like, where they would have competitors driving around the robots and then smashing into each other, trying to flip them over and disable them. JOE: That was excellent. I also watched that. WENDELL: [laughs] VICTORIA: Yeah, it's a pretty great name. I really enjoy being a host. And, you know, I go out to local San Diego events and meet people and introduce myself as a co-host of Giant Robots Smashing Into Other Giant Robots. It's usually pretty funny [laughter], which is where I met you, Wendell; we met at a San Diego CTO Lunches, which was super fun. WENDELL: Yeah, I always enjoy any type of tech conversation or anything else. I thought that was a lot of fun to sit down and just talk with people and talk about what they're working on. VICTORIA: I love that, yeah. And before we dive into the tech and get to hear more about PrimeLab, I just want to start a little more socially question. What did you do last weekend, Wendell? WENDELL: It was my father-in-law's birthday party at Legoland. We took my daughters my mother-in-law, and we all went to Legoland. It was a lot of fun. Although, honestly, I prefer the San Diego Zoo over Legoland, so... VICTORIA: Can you please describe what Legoland is to people who may not know? WENDELL: Okay. Legoland is based in Carlsbad, and it's really ideal for, like, four to nine-year-olds. And they have, like, miniatures of all the different cities. Actually, the SF miniature that they have is crazy detailed with Chinatown and everything else. They did an amazing job there. They actually...I think they just redid the San Diego part of it. But the miniatures are really cool, seeing all this stuff. They have different rides performers, but it's definitely, like, one of those things that it's more for kids to go and kind of experience. If you're an adult, you're going to love a lot of the processes that go into place, like how they built things, but mostly, yeah, it's very much kid rides and stuff like that. VICTORIA: I imagined it to be, like, life-size Lego buildings, but maybe I'm...that's very interesting all those other things you could do there. WENDELL: Well, like, they have the One World Trade Center, and I think it's, like, 25 feet tall. It is, like, the replica of it. It's kind of interesting, too, because not all the Legos that they build, they're huge, are solid Legos. So, it's like, they'll do where it's like, on the outside, they'll do a base, and then they'll build it. There's a replica of a Lamborghini. That one's life-size. But it's heavy. It's, like, 2,000 pounds, something like that. VICTORIA: Is that as much as a regular Lamborghini weighs, too, 2,000 pounds? It can't be that far up. WENDELL: I don't know. No, I don't think it...no, it couldn't be. VICTORIA: I have no idea how much cars [laughs] weigh. What about you, Joe? Did you do anything fun this weekend? JOE: Not a lot. It was supposed to be my son's first soccer game ever, but it rained here in Boston, so they postponed it. Sunday he went to my parents' house for a grandma day, and so I did nothing. I ate cookies. WENDELL: [laughs] VICTORIA: Wait, what kind of cookies were they, though? JOE: They were chocolate chip cookies. VICTORIA: That's so good. JOE: They were good. They were brown butter chocolate chip cookies, I should say. VICTORIA: Were they homemade, or did you get them somewhere? JOE: They were. We made them in this home. VICTORIA: Oh, that's the best. Yeah, love that. I got some fancy cookies that someone else made, and they were also [laughs] very good. And then, yeah, I've just been having cookies pretty much every day. So, that's been my time. WENDELL: My mother-in-law recently made me peanut butter cookies, and those are my favorite kind of homemade cookies. VICTORIA: Okay. Noted. You'll get a post-podcast gift of peanut butter cookies [laughter]. I love that. It's so great to hear a little bit more about each of you as, like, in a personal way before we dive into AI. And tell me a little bit more about your background and what led you to PrimeLab. WENDELL: I've always kind of, like, been a hacker, so to speak, just from a technical standpoint. My one grandfather was an engineer. He worked for GM designing, like, assembly arms and stuff like that. And then my other grandfather was a master electrician. So, I've always been the person that, like, just worked on things, got stuff together. You know, there's a lot of stories. Like, there's the story about when I broke my grandmother's workbench, rocking bench out front, and it was all aluminum. I remember telling my grandfather, and he's like, "Oh, what are you going to do?" And I was like, "Buy a new one?" He's like, "You got money?" I said, "No." And he said, "Well, you better figure how to make it then." So, ironically, it's half aluminum, half wood. We took wood, sanded it down, and stuff. So, it's just like I've always been an entrepreneur. I've always been interested in this kind of stuff. I used to hack VCRs, and PlayStations, and all kinds of stuff. I always liked parts and components and rewiring things. And as I got older, I also really liked math and all those things. And I wanted to understand more about how the world works, so to speak, like why it works the way it does, not just from a technology standpoint. But why do people think the way that they do? Why do things behave the certain way they do? So, initially, I started going to college. I thought I might be a math professor, and then decided to get degrees in business, economics, finance, marketing, consumer product goods, and comparative religions. So, while I was in college, I started working on, like, hacking, different video games, writing JavaScript, writing Java, all kinds of stuff. And then, eventually, even writing mobile applications early on, and then just analyzing because I always liked to build phones, too. I would take apart phones. And I really was curious about, like, how to make things faster, more efficient, and better. So, now to bring it down, like, how to make things accessible, where it benefits some of the smallest people and make it where it's a greater opportunity for someone to come out ahead of something. Like, one thing that I learned from my marketing degree is language matters. So, it's like, all the marketing it's not anything special. It's just they intentionally create language barriers that cause people not to feel as accessible with it. And then, like, you hire a consultant or something to just basically teach you about those language barriers. And I think every industry has, like, SAT, or LTM, or something like these abbreviations that mean a lot of different things. And it causes bottlenecks if you don't speak the language. So, understanding the language but also learning about how was very helpful from a standpoint on the marketing side. And I always try to figure out how do I make this accessible to people who don't understand that language? VICTORIA: And what was the turning point where you decided to start PrimeLab, and what made you realize there was a company there? WENDELL: It was a project I've been working on since at least 2011, honestly. And just as a heads up, PrimeLab as a whole works with encrypted data for AI models and to speed that up and everything else. So, early on, I was very obsessed with how advertising works through, like, stealing user data, which stealing is different, here or there, the sense of privacy, the sense of, like, how things could run, and the sense of messaging. And initially, a lot of it was using encryption as an overlay in, like, the pixel application space, which is always a way to hack or get into it. And it slows everything down. So, I had always been working on trying to figure out how do you speed up and embed security so it's actually functional? And it took a while to figure out, like, give encryption functionality, like, make the encryption something that you could actually execute on. And, actually, one of the things that really helped is the blockchain space there's a lot of, like, hash trees and everything else, like, where people are innovating in that. That's really helped innovate encryption as a whole from understanding, like, Merkle trees, hash graphs, and everything else to make it more functional and faster. Because people are trying to speed up distributed networks and stuff, but the actual technology that they built, like Hedera is...What Hedera has done with Hashgraphs and everything else—really amazing. I'm glad that they open-source stuff like that. But it's also really interesting just to see how things push forward. So, like, when I first started, like, RAM was, like, 256 in a phone. So now, you know, you can get multiple gigabytes, which makes it a lot more capable to do encryption, decryption, and work more in the functional space of things. The bigger problem that you have on the data part is how an application communicates because there's so many levels of abstraction. Like, you have the Swift language that communicates into something else that then communicates into something else. Like, right now, we're talking on a system that's recording us over the internet through a browser, all those different things. And it's an approximation of what the data is and what we sound like. It's not an absolute. So, I was really interested in when you have absolutes, and you can verify those absolutes, what can you do with that? A few years ago, I felt like we got to a point where we could actually execute those things and actually deliver on that. So, therefore, I decided to start PrimeLab with my co-founder, who I really liked and enjoyed. And we've had a lot of really great advisors, where people have helped us continuously. Over, you know, the decade-plus of working on this, I've gotten a lot of input from some of the smartest people I know, from people who have designed full server racks for AWS to literally a good friend of mine that built cloud storage. His name's on the patent for it. So, that kind of stuff has really helped me understand and build this where it can communicate the lowest possible level. VICTORIA: Yeah, and to just recap and reflect that back a little bit, it sounds like you were always interested in how to make encryption faster and lighter weight, and so you could build it in and build in security without impacting the performance of the applications. And then meeting your co-founder and the advancement of technology, this time a couple of years ago, led you to think, okay, let's really go forward with this. WENDELL: Kind of rephrasing, I was always interested in control. So, like, one of the things that really interested me...so, I started a video game store buying and selling, like, video games and trading cards and stuff when I was roughly ten and a half or so, and then sold it roughly when I was 17, which is how I paid for quite a bit of college and likewise. But the things that really interested me about that is it went out of business three to four months afterwards because the person who basically bought the rest of it bought too much of Madden. And Madden, at this time, the margins were, like, a buck, as you go all the way through, and the price drops immensely. So, I wanted to really understand why that happened. What you kind of get to is, like, they didn't have control over it, just, like, the bulk orders methodology, where they would buy the whole entire supply. And what I've seen over the years, be it Apple, Google, or anything else, is, like, that was...in that example, that's a game publisher, EA, flexing control, right? But more and more companies are flexing control on a platform like now with Facebook or advertising. If you think about what Google used to do, Google used to provide a lot more insights when you had your own website. You used to know your own keywords. You used to know a lot of things about your users who come through. More and more, Facebook and Google try to stop that. And they're really the ones determining your own user personas for you. So, you become dependent upon them. So, I wanted to say, okay, from a business standpoint, how do you implement control and privacy where it's permissioned? And encryption was one of the answers that I came to. But then it was, how do you make encryption functional then to actually execute on control? Because unless the system is secure, faster, cheaper, better, it's never going to get adopted. VICTORIA: That makes sense. Thank you for sharing that. And you mentioned your founder. I'm curious, how does your founder kind of complete what you needed to be able to get the business up and running and off the ground? WENDELL: He has a robotics degree, so he had launched several products that had failed. And he wanted to learn marketing after they had failed. So, we have a similar like mindset about, like, control and functionality for how something may or may not work, and that allowed us to communicate well. So, like, I have a lot of friends and stuff. But the thing that allows me and my co-founder to work really well is that we come from things in different angles, but we have the same language that we speak. So, like, that's what I was talking about before, like, LTMs or otherwise, like, language really matters from how you can move something forward when you're talking in different industries. And just with him, there's a lot of stuff that you don't have to say. You can skip a lot of filler and then go straight to what something might be or a solution or something. Or if we have to jump to a tech abbreviation, to a market abbreviation, to a financial abbreviation, he's one that can follow along with me really quickly and then teach me a lot of things about operational execution because he's great at operations. I am not great at operations. VICTORIA: That's really interesting. And I think you're making a good point about, like, a shared language. And it reminds me of any product that you're building; if you want to sell it to a company and you want them to adopt it, you have to consider their language, their belief system, how to influence change within the organization. And I wonder if you could talk a little bit more about that with your experience at PrimeLab. WENDELL: I'll give you an example of a market that we decided to go after. So, instead of just working at, like, healthcare markets where you have, like, GDPR...for people who don't know GDPR or HIPAA, HIPAA is for the United States. GDPR is the EU privacy requirements, right? For the right to be forgotten and everything else. So, these are vernaculars that you need to know. But the requirements of each one is very different, and these are markets that we've learned being in tech and likewise. But we wanted to change it up. So, I wanted to go after the entertainment market as a whole, namely because after meeting with some select people, including a stunt man, this is going back a few years ago, I started to realize that the entertainment market was getting kind of screwed over quite a bit from a tech standpoint. Basically, tech goes through this thing where...someone wrote a great article about this. It's called Enshittification. But, basically, where they go they try to take over a whole entire market, where first they're providing great value to your users. And then, gradually, you enshittify your product to provide greater value to your investors. And then, gradually, you suck all of the value out of the room for both. Right now, if you look at Sora, what OpenAI is trying to do in entertainment, [inaudible 16:08], you kind of can see that happening. They're going, "Hey, here's a great value for it." And they're really pushing that stuff off. But the thing about the entertainment market that I think is really interesting is it's basically thousands and thousands of small businesses that are constantly going, it's so chaotic. It's not like tech and startups. There's a lot of overlay of, like, you know, people are looking for that top quartile film that's going to make the money back, and then long-term royalties that they can earn off of it, right? Whereas in tech, they're looking for those huge markups as well. So, I was really fascinated by it, but it was something that, like, we had to learn. Like it was something that I didn't know otherwise. So, it was literally...how we learned it was we took our tech stuff, and we would walk SAG-AFTRA strike lines. We would walk strike lines. We would go to entertainment events, and we would demo what we were trying to do, and we would show them. And then, oftentimes, we got really negative feedback right off the bat. And we're like, "No, no, no, so, you know, this is for you. Like, you could control. Like, this is going to help you." And then, after doing that enough times, talking to the SAG-AFTRA lawyers, and everything else from there, and all of the creatives, the creatives were coming to us and giving us ideas how to explain it because there's, like, three different formats. You have tech, business, creatives in the entertainment industry. And it's like, we could talk to the tech people. We could talk to the business people. But you really need the creatives. And, like, the wording of each one, like, each group of those is vastly different. So, having the creatives be able to explain something in 90 seconds that used to take me a couple of hours to dive into became really valuable. And also, in tech, like, you have this thing where it's feature creep, where you're like, oh, I'll add this, this, and this. Just to hear very coldly and bluntly, like, "If it does X, I'm interested. If it does Y, I'm not interested." That was very interesting or refreshing of, like, "Yes, you're going to solve these problems. But I need sign-off for everything in there." And it's kind of weird in the entertainment part, too. Like, you want to solve a problem without being a competitor to another vendor because you need so many different sign-offs. And if you're a competitor to another vendor, to a certain point, maybe that's going to cause a hiccup with sign-offs because there's 18 different cooks in the kitchen, so to speak, just so many different people that need to say, "Yes," all the way through with it. VICTORIA: Thank you. Yeah, that's really interesting. I'm curious, Joe, if you have an answer for that question as well, like, any experiences about navigating change and putting new products in place at different clients, different industries? JOE: I don't think I've had the same kind of resistance. Like, I haven't been on the front lines the way you described, like, literally in the, you know, going and talking to people on strike. I think I have more indirect experience talking to the people who are doing that. And certainly, like, I think there's generally a resistance to bringing in new technology without eliminating the old way of doing things if that makes sense. Like, people want the old ways of backup. Like they want to be able to go back to paper, which I empathize with. But that's frequently been a challenge for the people I've worked with is that they don't fully embrace the new process, which significantly reduces the value they would get from using it. I don't know if that's something you've encountered with PrimeLab. WENDELL: So, we were building another company of mine many, many, many years ago. I was building a website for this lumber company, and I remember showing up, and the owner was there. But it was his son that had commissioned it, and the owner didn't know about the website. And I was like, "Oh yeah, we'll get the website going." He goes, "Oh, this web thing it's a fad. It's never going to happen. You don't need websites. It's faxes." That's how everything would happen. But secretly, what was happening is they would get an order. They would print it off, and then they would fax it. So [laughs], I always thought that was crazy. VICTORIA: I mean, one of my local bars still just writes the order on a ticket and sends it on a clothesline down to the grill. So [laughs], sometimes old is good. But I think that you know, I want to hear more about where you found or how you found a product-market fit for PrimeLab and where that AI really becomes useful and ethical in the industry you're focusing on WENDELL: How I look at PMF (product-market fit)...and if you hear me just say PMF, that's what that means. So, how I look at PMF is I'm a little different in the fact that when I look at a product, or a technology, I don't just look at, like, so you have foundational tech. Like, okay, this is encryption. This is control, right? Now, where's the market that has the biggest problems with it? So, I like to go out and actually talk to those people. Because, like, when you're implementing tech, or you're implementing the product itself, it's different. So, you're like, you have the underlying infrastructure, but whether that's a button or a simple API that you need to build so it works different to hit that PMF...are you familiar with the term build a better mousetrap? VICTORIA: I don't think so. JOE: I'm familiar, but I'd still love to hear you describe it. WENDELL: So, in business school, and likewise, they will tell you "If you build a better mousetrap, people will come, and they will buy your product." So, like, it's a common thing where they're like, "Build a better mousetrap. People will come. They'll be there." And the thing that you learn with consumer product goods and marketing, though, is they actually built a better mousetrap, and it failed. And the reason why it failed is you had a mousetrap that was roughly a cent versus another mousetrap that was three cents. And I think this is in the '60s or so. The other mousetrap was reusable, so it executed a lot better, and everything else is more humane. But what they didn't understand is that it was wives most of the time that would have to actually handle this. And they didn't want the mouse alive, and they didn't want to reuse the trap. They wanted them to actually be disposed of right away. So, by not understanding the market, even though they built a better mousetrap, they'd missed the point. Like, the main problem to solve wasn't killing the mouse or having it be reusable. The main problem to solve was, like, getting rid of the mouse. So like, if you have a solution for getting rid of the mouse, the next thing is your execution for it. Like, does it hit the actual market, which is the fit aspect? Like, every product is a little bit different where you look at, like, how does this fit in? So, in this case, fit is very important for, like, disposing of the mouse, which is why you also have, like, you know, mouse poisons are popular, even though they're terrible because they die somewhere and, hopefully, you don't see them. And it's like sight unseen, right? Now, I'm glad, like, that's changing and stuff. But it's understanding even if you have a solution to something, you need to understand what your market wants out of your solution, and it's not going to be an abstract. It's going to be an emotional, like, execution-based process. So, you kind of have to go, all right, this is my market. This is kind of my fit. But the actual product I'm building is going to change to make sure it works all the way through with this. I was advising a startup many, many years ago, and they were building this CRM software on Android for South America. And I think they were building it for Android 6 or 7 at the time. But the market that they were targeting, they all ran Android 4.1. So, they spent a little over a million dollars building for the wrong version of Android that wouldn't even work on that version of the system. Like, it was one of those things where they were required to build it for that. But they didn't understand the actual market, and they didn't spend enough time researching it. So, it's like you get the Bay Area groupthink. If they had actually spent the time to analyze that market and go, "Oh, they run, you know, an inexpensive phone. It's 4.1. It's low RAM," now you can design a product. If you want it to be a CRM, you're going to, like, chunk up the system more. Like, you're going to change all that instead of just wasting a million dollars building something that now you basically have to start over again from scratch. VICTORIA: That seems like he got off cheap, too. People make way bigger mistakes that cost way more money [laughs] because they [inaudible 24:13] WENDELL: Well, that wasn't me. That was an investor that -- VICTORIA: Oh no. I mean, yeah, not just them. Yeah. WENDELL: He's like, "What would you do?" And I was like, "You should sell this company or sell your stake ASAP because that's a really bad sign." JOE: I have found that the answer nobody ever wants when you're doing product validation or testing product fit is, "You should not build this product." The idea that the software just shouldn't be written is universally unpopular. WENDELL: Yes [laughs]. That's, you know, that's part of the reason why it took me so long to do PrimeLab is because, like, it took a long enough for the software to actually need to be written, if that makes sense. Mid-Roll Ad: When starting a new project, we understand that you want to make the right choices in technology, features, and investment but that you don't have all year to do extended research. In just a few weeks, thoughtbot's Discovery Sprints deliver a user-centered product journey, a clickable prototype or Proof of Concept, and key market insights from focused user research. We'll help you to identify the primary user flow, decide which framework should be used to bring it to life, and set a firm estimate on future development efforts. Maximize impact and minimize risk with a validated roadmap for your new product. Get started at: tbot.io/sprint. VICTORIA: What does success look like now versus six months or even five years from now? WENDELL: I take a different approach to this because I have so many friends that have sold their businesses. They raise and everything else. I look at success as instead of an exit or another large thing, like, literally, we turned down a billion-dollar term sheet offer. I didn't like the terms. I didn't like what it would do from the control standpoint of the technology. What I care about is go-to-market and, like, adoption and actually getting the tech out there in a way that has market penetration but, like, that adds value to every person's life. VICTORIA: Yeah, maybe say more about that. Like how do you see AI and this technology you have with PrimeLab benefiting people and benefiting the industry that you're working within? WENDELL: So, the current AI models are kind of weird. They're basically just filter systems because they communicate in pixel space and then go down to functional space. It's the GPU. GPUs are actually terrible to use for AI. This is why you have dedicated AI chips getting built. Hopefully, the RISC-V chipset does actually do something because that's a chipset that I think it's an open-source chipset, but you can actually especially build models on it. So, I think that we're going to see a lot more in the RISC-V chipset where it's like, this is just for one particular image, or this is just for explosions, or this is just for touching up all these different points in the actual individual, like, microcontroller module data that ends up compiling to move forward with it. But the AI models now it's like you took the internet, and you're trying to ask it a probability question, what I was talking about before, where it's not an absolute. So, it's like, if I want to do an OCR system or anything, I take an image. It's got to say, "This is..." letters; it's going to recognize that. So, there's, like, multiple models and algorithms that need to run on that whole entire process. You even have artificial data, but all of that information is an approximation. It's not an absolute. If you want absolute, you can get a lot of absolute data from the actual hardware devices themselves. You know, take a Sony camera. You could see the lighting. You could see the raw information, everything else there. But because of how expensive it is, people compress it. Like, take YouTube where it's compressed, and now you're training off of it. You're trying to compress it more and then run an algorithm so that you don't have to actually process those large, raw files all the way through. That's just a bad infrastructure for compute. You're trying to reduce, but you're also trying to utilize what you own for rights, same thing, contextual, or anything else there. There's no value in a model. Once a model is out there, it's just weights moving it back and forth. The value is in the data and the applications. So, the actual data itself that's going in. So, if you have just lava scenes, like, having all that data for lava, and I want to put it in a background, now I can do that, but more importantly, it's not about just adding it into the background. The thing that is often missed is contextually the output. So, like, say I want to do a financial report. Rather than having the data of all financial reports out there, what I want as the input is my financial data. And what I want as, like, a fine-tuning output is an example of the reports that were generated. And I don't want those reports as the input to inform the output because that's where you get a hallucination. Maybe it starts grabbing financial data from someone else. And I also think we're in store for a lot more hacks because with not just poisoning data, which we do in the functional space, if someone tries to access it. But, I mean, literally, there's the story...I think the guy was in Hong Kong, where they faked his board all the way through with it. Because you have agents acting and executing on people's behalf, you're going to have systems where people go onto the hardware and start generating fake financial numbers. And now that's going to get reported. Or you pay an invoice that you weren't supposed to pay because someone manipulated your AI agent. And a lot of the stuff that we're seeing now from Microsoft and everything else that's not really where the models will go. It's great to do it, but it's kind of like we're in the dial-up stage of AI. Like [chuckles], dial-up has its use cases and stuff, but it's nowhere near what the tech will look like in the future, and it's nowhere near how it will function. And one of the big pushbacks that you see, like, from Google, from all these different places, like, they want your attention. But at the end of the day, Google's an ad company. Facebook's an ad company. It's not in their best interest to have hyper-localized data that you control for your models and likewise. They want it in the cloud. They want it used there, where they can control that data, and they can monetize and advertise for you. But at the same time, like AI models work the best, and AI applications work the best when the data set is limited, so it can't hallucinate, and when the outputs are actually controlled to what it should be from an informed standpoint. So, where we're at this is just in the beginning stages of stuff. VICTORIA: That's really interesting. Thank you so much for sharing. I think if you could go back in time when you first started PrimeLab and give yourself some advice, what would you say? WENDELL: You know, I lived through the Great Recession. The Great Recession informed me a lot more. The things that I didn't understand this time...like the Great Recession, was market contributors doing stuff that impacted everyone with their spend and their adoption, and how those things were. But the Fed raising interest rates, which is, you know, Silicon Valley Bank failed and stuff like that, that dynamic of those startups and, like, how much startups power everything, like, I would have advised myself to pay more attention to the Fed and those market dynamics going forward. Because what changed is it's not just the Silicon Valley Bank failed it, you know, Rippling went down, for instance, which would pay therapists in Florida and all kinds of stuff. Like, it broke so many different things. It caused bottlenecks in business that we're still going through. Like, everyone's like, "Oh, we're getting back to normal." Really not. It's still, like, delayed all the way through it. The AI aspect is really getting back to normal, where people are really pushing AI. But if you look at SaaS and other industries, it really, really slowed down. And the reason why that matters is, like, in my field, production and timelines matter. So, when you have that plus, you know, the entertainment strike and everything else, you have things where the actual production of things starts slowing down immensely. Whereas AI is one of the few things that you still have innovations because that never really slowed down, same thing with the models. But all the rest of the industries and stuff have really slowed down. And understanding what that means from an operational execution standpoint...it's a good thing I have my co-founder [inaudible 32:24]. It matters quite a bit because it means your team sizes have to change, how you handle certain clients has to change. Because once those companies start downsizing or laying off people for whatever reason like, that's going to change how you're working with them, and their requirements are going to change as well. VICTORIA: And what do you see on the horizon as a challenge or a big hurdle that you face as a company or as an industry? WENDELL: You know, the entertainment market's really interesting from all the different sign-offs. The challenge is more execution of timeline. So, like, if you're doing something with, like, Nvidia and the healthcare thing, it could take years. If you're doing something in, like, the IoT space, you know, also years. If you do something in the entertainment space, it could take weeks to months, except the large studios. The larger studios, it could take a couple of years as well. But going to market, I think, is a very big challenge, not just for us but the whole entire industry. I mean, there's a reason why Sam Altman came down to LA to meet with studios, to try and get stuff moving forward. And I think one of the things that he's forgetting is like, you think of Netflix. Netflix is streaming. In order for that to work, they needed Roku, and they needed Kevin Spacey because [chuckles]...it's crazy to say that, but House of Cards is kind of what made it, right? And Hollywood was mostly boxing them out quite a bit. Same thing with Blockbuster otherwise. They had to drop a hundred million dollars, a large enough bankable star at the time that would really push something forward. And they had to basically really push Roku out there so that they had PMF across the board. What that means, though, is, like, Netflix is paying for content like crazy, right? So, this is kind of enshittification in a process. So, they're paying for content like crazy. So, now Hollywood's making money. They like it. At the studios, they don't love it when their stuff's going there because maybe it's less money, but now they start cutting the seasons short. They start cutting...it's a lot more algorithmic-driven. You have the ad systems that sort of come out. So, now, like, Netflix is not just doing ads where the customer experience is getting worse, but now, also, the business experience for those partners selling stuff is also getting worse, and all that value is getting driven to Netflix. Like, that's the tech system and Hollywood's learned that. But, like, when you're looking at the next adoption, like, they're hesitant for that. Just like a lot of stuff with AI, they're hesitant because they're thinking about all the power and control that they gave up. But you have to show how they're going to make money. You can't just cut costs, right? If you can't show how they're going to make money, you're not going to get adopted. That's kind of what I like there because so much of tech is about saving costs and being more efficient. In the entertainment industry, it's not just those two things. It's how can I make more money? And it's going to, like, ooh, you can monetize your content through training samples and stuff like that. So, our model goes exactly against what the large tech companies have where they want to take content, train on it, like the search engine does, suck the value off Sam Altman's Sora. Ours goes, all right, this is your content. Only you own this. You can take your own content, train it, and then perform this operation on it that is more efficient likewise. And if you choose to monetize it in any way, shape, or form, we can just take the functional space, not all the images and no one will ever see it, and take that functional space for training so that you can actually monetize from that as well. VICTORIA: I love that. Super interesting. Thank you so much for sharing. And do you have any questions for me or for Joe? WENDELL: I've noticed a lot of differences on, like, applications and how systems are built. So, I'm kind of curious about you guys' standpoint about applications, you know, the Apple Vision Pro. Facebook just said they'd start licensing out their AI system, or Meta, whatever. So, you have the comparisons to Android versus iOS that's happening, stuff like that. So, I'm really curious about, like, you guys' thoughts on the Vision Pro and that ecosystem. JOE: Well, I can't speak for all of thoughtbot, but I can say that, to me, it was interesting to see that get released. And it's been interesting to see how aggressively Meta and Apple have been pursuing the various VR markets. Like it reminds me of when television companies and studios worked really hard to get 3D movies to be a thing. WENDELL: [laughs]. JOE: Because I think they just ran out of things that people are asking for. Like, people were interested in getting better resolutions up to a point. Like, they wanted better packaging. But it got to a point where it was like, they didn't want to give anybody anything they were asking for. So, they were like, what if it's in 3D? And, like, for years, it seemed like Apple was really on top of seeing what people really wanted, and being able to present a very well-prepared version of that product before other companies were able to. And, personally, it's not what I saw with the Apple Vision Pro. Like, it wasn't the obvious missing space that was there when the iPhone or the iPad showed up. WENDELL: Yeah, I always go back to, like, the "Why?" question. You know, previously when...even just before we had talked, I was talking about comparative religions, and why that's so valuable is because it really teaches you...again, I've had this conversation before, but the comparative religions, if you think about religion as a tech company, they're always trying to solve why. Like, why did the sun come up? Why did this happen, right? And you always have to do that. So, apply that to technology, Google or Apple, why does this product exist? And when you get to, like, it just existed to make money, I think that's really the 3D thing. Whereas, like, why did the iPhone exist? It existed to solve this problem of being portable on the go and getting information in the way that we communicated, too. VICTORIA: Yeah. I think the Apple Vision Pro appeals to a very specific market segment and that that segment is not me [laughter]. I, actually, during COVID...after...it was, like...yeah, we're still in COVID. But during the pandemic, I moved from DC to California. And to connect with some old friends, I bought a VR headset and decided to go to virtual coffee with them. And it just makes me nauseous. And it actually affects...quite a lot of women get nauseous in VR. For some people, the look—the capability is really exciting. They have the extra money to spend on gadgets, and that's what they like. And it's very appealing, and the, like potential, is really interesting. I just find it for myself. Personally, I'm more drawn to tech that's not maybe cutting edge but solves problems for actual people. And kind of why I'm interested in PrimeLab, what you were mentioning is just how artists can use this technology to protect their creative work. To give that power back to people and that control over their content, I think, is really interesting rather than...I'm not really sure what I would do with the Apple Vision Pro [laughs]. Like, the early ones, I mean, it's cool. It's fun. I definitely enjoy it. Like, I sometimes like to learn about it, but it's not my passionate genre of tech that I normally go for. WENDELL: Going back to what you just said about, like, control, like, part of the thing is because of the hash IDs that we put into place, like, you don't need analytics. You don't need cookies or anything else, like the content holder. Basically, like, if you have a TV set or something and you want to stream content to it, you can actually see that information directly yourself. So, it takes the person generating it and the person viewing it. It forms...we call them function access keys. It forms a one-to-one relationship, basically, where you guys know if you want to know what you want to know, but then you choose to give access to the platform if you want to, which changes the dynamic of control quite a bit. And it's interesting because when you look at platforms like the Apple Vision Pro, and you look at Apple's whole entire system as a whole, just trying to lock in people, I think it's interesting because something like what I just described, Apple can't really stop. It's how compute works. So, if people want to use it, there's nothing they could do to stop it from being used. So, I'm really interested in the product stuff and just more about, like, how...and I'm curious what you guys think on this, too. Especially as you see phones and processors and everything else, I'm really interested in, like, how these things come about, like, how things are actually built and developed and the why for that, like, in the everyday use. So, like, the Apple Watch it started off as a fashion thing, which looked like a money grab, and then the why was, oh yeah, fitness. So, just curious if you guys have seen any other products out there that you're like, oh, this really resonates with me and the why. JOE: Yeah, I'm not really a gadget person, but I think the idea of taking some of the capabilities that we've gotten with the internet and with phones and making them hands-free was interesting. And that, to me, was what I think started pushing the development of products like the Apple Watch or Google Glass. Like, I think that hands-free capability, the trade-off became rewarding in the fitness field, but I think it's more generically applicable. I think that technology it's too obtrusive in other scenarios and too bad at its job to do some of the things it could do. And people got creeped out by Google Glass. But it doesn't really seem like the Vision Pro fits in there. Something being successful hands-free means it becomes less obtrusive, whereas the Vision Pro is like you become a cyborg. VICTORIA: Do you have anything else you would like to promote? WENDELL: I wouldn't say necessarily promote as much as like people with ideas or aspirations, like, I think it's important that you think counter to what everyone else is doing. There's that line of, like, when everyone else is running in one direction, run the other. And it's like, if you have a business or startup idea, really think about your market. Like, think about why you're doing what you're doing, and don't be afraid to just go out there and talk to people. You will get value no matter who you talk to. So, like, I'm a hugely tech-based person. My wife is a therapist, and I learn from her everyday things about emotional intelligence and all kinds of things that I would be an idiot otherwise. But also, learn, like, you can always learn something from someone. Like, take the time to listen to them. Take the time to actually, like, try and figure out what's one thing I can learn from someone, even if, you know, I learn stuff from my daughters even. Like, don't put things in boxes. Like, try to think outside of like, how can I ask a question to learn? VICTORIA: I love that advice. That's great. WENDELL: Have you guys used Suno before? VICTORIA: That's music, right? Music AI. WENDELL: All right, I got to show you guys this. We're going to create you a quick theme song. Like, this is what I mean by, like, it's an interesting solution for why. VICTORIA: That does sound fun. I like the ones...like my friend's a doctor, and she uses AI to take her conversation she's having with patients and automatically fill out her notes. And it saves her, like, 20 hours of documentation every week. Like, I like that kind of app. I'm like, oh, that makes a lot of sense. WENDELL: What's a style of music that you guys really like? JOE: Swedish pop VICTORIA: Like ABBA [laughs]? I'm down for an ABBA Giant Robots theme song. Sounds great. WENDELL: I think you're going to like this. [Music Playing] VICTORIA: These are awesome. They're super fun. Thank you so much. You can subscribe to the show and find notes along with a complete transcript for this episode at giantrobots.fm. If you have questions or comments, you can email us at hosts@giantrobots.fm. And you can find me on X @victori_ousg. This podcast is brought to you by thoughtbot and produced and edited by Mandy Moore. Thanks for listening. See you next time.  AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions. Special Guest: Joe Ferris.

Episode #290.5 | Patreon Unlock: THE McPHERSON TAPE (aka UFO ABDUCTION) is a cult classic considered to be the first found footage horror film. The movie, which was roughly shot on VHS, features a family being abducted by Alien Grays on the eve of a young girl's birthday and sparked controversy among the UFO community not once, but twice! But does the horror hold up? Fire up your VCRs it's time to go back to the 1980's. For more episodes like this, visit: https://www.patreon.com/bigfootcollectorsclub BCC is brought to you by... Hims: Start your free trial today at hims.com/bcc. -- LINKS Trailer : https://www.youtube.com/watch?v=iVr2Dm44ni8 Watch on YouTube : https://www.youtube.com/watch?v=l5urY8yDSko 1990's Remake (ALIEN ABDUCTION: INCIDENT AT LAKE COUNTY) : https://www.youtube.com/watch?v=oPIO72sJZNU -- SHOW INFORMATION Bigfoot Collectors Club is produced by Riley Bray. Listener-Files Submissions: BigfootCollectorsClub@gmail.com. Instagram: https://bit.ly/3W7izlL | Twitter: https://bit.ly/3CDTpo2 Patreon - BCC The Other Side: https://bit.ly/3CGjYcd BCC Linktree: https://linktr.ee/bigfootcollectorsclub Our theme song is “Come Alone,” by Suneaters, courtesy of Lotuspool Records. Follow Suneaters on Spotify https://bit.ly/3XnD4vS Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to today's episode of The Mindset Mentor Podcast, where today… I'm going to share with you what I believe is the best possible thing you could do for your future, starting today. If there's anything that we can all agree on about AI, it's that we knew it was coming eventually. If you really think about it, there once was a time where people rode horses to get everywhere… Then they developed cars… and planes… etc. VCRs turned into DVD players, which turned into internet streaming… Change is inevitable. The one thing that never changes, is that things will change. In this episode I'm not here to talk about AI, but I am here to use it as a reference point to help you understand why it's more crucial than ever before to start focusing on yourself, developing yourself both personally and professionally, and start getting comfortable with change. It's time to learn to adapt. I'm not here to put fear into you, and I will give you some great ideas in this episode on what you can start doing right away to make sure that you're not “left behind” as the world keeps moving forward. We're all on this journey together.If you like this episode… Make sure to share it with someone that needs to hear it and help us get the message out there so that together we can help make people's lives better and make the world a better place. And BY THE WAY:My first book that I've ever written is now available for pre-order. It's called LEVEL UP and It's a step-by-step guide to go from where you are now, to where you want to be as fast as possible.Within its pages, you'll discover powerful insights and practical steps that will revolutionize the way you approach your goals, personal motivation, and mental focus.